#Henry Krieger

[doyouknowthismusical]

[glimeres]

Miscast 2024 - Wayne Brady Nicholas Christopher performs One Night Only from the musical Dreamgirls

[chaoticdesertdweller]

The Doors at the famous Coca-Cola mural at 50 Brooks Avenue in Venice Beach, 1969.

📸 Henry Diltz

[toseefarardenagain]

“The Doors achieved something more than just music. Morrison’s furious. The song “Break on Through (To the Other Side)” blew my mind. It was fast, and the singer yelled. There was a lyric that grabbed me: “I found an island in your arms/Country in your eyes/Arms that chain/Eyes that lie/Break on through to the other side.” That’s heavy, and the way he’s screaming, for a little kid it’s kind of terrifying. Then when I got older, as a young late teenager, early 20-something guy, you hear The Doors in a totally different way. You hear the poetry, you hear the power of the lyric and then you find out he read Arthur Rimbaud, so you got to go get Arthur Rimbaud’s writing, and that’s monumental. That he was into Antonin Artaud, you read that stuff which is really far out and you become even more inspired. The story of the band is steeped in myth-tinged legend, but the facts of their brief history are as compelling as they are at times tragic. Jim Morrison was a true wild man of rock & roll.” — Henry Rollins

[grande-caps]

Mission Impossible (1996) Quality : HD screencaptures Amount : 2.959 files Resolution : 1.920 x 800 px

-Please like/reblog if taking!

[musiclandoux]

: 🎼❤️‍🔥🎼

The Doors photographed by Henry Diltz, 1969.

[itstheheebiejeebies]

A really great article about what the crew of the Just-a-Snappin' went through on the Bremen raid on October 8, 1943.

Transcript below Read More

Article found through this page on the 100th Bomb Group site

Article named: Uncommon valor

Subheading: Everett Blakely personified grace under pressure

By Dan Krieger Telegram-Tribune

Photos of the Just-a-Snappin' crashed into a tree, and one of Blakely smiling in uniform. The latter with the message "Everett 'Gopher' Blakely, right, lost his plne, 'Just-a-Snappin.' but saved his crew when he crash landed the B-17 bomber.

Pull quote in the article: 'For 3,000 feet Captain Blakely and Major Kidd fought to get that plane under control. It was only because of the superior construction of our bomber... plus the combination of two skilled pilots, that we ever even recovered from that dive. -Lt. Harry Crosby

Main article: Lt. Harry Crosby wrote to his wife, "Jean there are just two reasons why I am here today. One of them is because of Blake's superb piloting and the other is because of the skill of our gunners."

We often think of heroes as flamboyant people. More often than not, real heroes are quiet people who are doing what they believe is required of them.

Today Everett Blakely, a pilot trained in Santa Maria, says that he was "just doing what had to be done" in the war against Hitler. He was a quiet hero.

Allan G. Hancock College in Santa Maria has a long and colorful history. Long before it became a community college, the campus was known as the Hancock College of Aeronautics.

It was a private school, named after its energetic, versatile and creative founder and benefactor, Capt. Allan Hancock.

Well prior to American entry into the Second World War, Captain Hancock offered his school to the United States Army Air Corps as a flight instruction school. Between May 1939 and V-J Day, some 8,500 pilots and 1,500 aircraft mechanics were trained at Hancock College.

The commercial warehouse district just west of today's Hancock College campus includes the one-time hangers for the flight instruction aircraft. The Stearman PT-13 biplanes are gone, but the College of Aeronautics administration buildings still survive on campus.

Everett "Gopher" Blakely came to Santa Maria just out of the University of Washington at Seattle. He was convinced that America was going to get involved in the European war.

The Blitzkrieg over Poland in 1939, over Belgium and France in 1940, and the Battle of Britain had convinced Blakely that this was going to be a war where air power was essential. The United States was going to need pilots. "Gopher" Blakely had discovered his mission.

Blakely soon started flying the essentially First World War era Stearmans over the tranquil valleys of the Central Coast. He and his buddies from rainy Puget Sound loved the warm sunny climate. They thought Santa Maria was a friendly town and enjoyed a precious few weekend hours socializing at the Santa Maria Inn.

Within months, Blakely and his friends were on the damp fen lands of Norfolkshire in England's East Anglia. They had graduated from the tiny Stearmans to the "Queen of the Bombers," the four-engine, hundred-foot-winged Boeing B-17 "Flying Fortress."

On July 4, 1943, the first American pilots participated with Britain's Royal Air Force in bombing raids over Germany. But as late as January 1943, Winston Churchill, en route to meet with President Roosevelt at Casablanca, wrote a secret memo to his Secretary of State for Air.

In that memo, Churchill complained that "the Americans have not yet succeeded in dropping a single bomb on Germany." What Churchill meant was that no American bombers were able to penetrate German anti-aircraft fire a sufficient distance. This was because the Americans were trained for daylight missions only. The British had bomber Berlin early in the war by flying mainly night missions,

Churchill wanted the Americans to start flying night missions also. But Gen. Henry H. "Hap" Arnold was convinced that it would take too long to retrain air crews for night flying. That loss of time would allow the Germans to rebuild their military strength.

At Casablanca, the Americans won Churchill over to a doctrine of round-the-clock bombing which would "give Hitler no rest." The Americans would send increasingly larger waves of B-17s by day. The RAF would continue doing what it did best through nighttime assaults.

The decision at Casablanca was costly in terms of the lives of American aircrews. Daytime raids were decidedly more risky. Few of us realize that the losses to the Eight Air Force alone approach American losses in the Vietnam War.

Capt. "Gopher" Blakely became the pilot of "Just-a-Snappin," a B-17 in the 100th Bomb Group flying out of Thorpe Abbots in Norfolkshire. Blakelly and his crew were piloting their B-17s over the upper reaches of the Danube in the famous raids on Schweinfurt and Rogensburg.

On Oct. 8, 1943, the 10th Bomb Group participated in a raid on the shipbuilding and industrial center of Bremen and the nearby U-Boat building yards and pens at Vegesack.

Both of "Just-a-Snappin's" right wing engines were shot out in a running battle with German fighters over the Zuider Zee. Five of the crew were injured - Waist Giner Sgt. Lester Saunders fatally.

Lt. Harry Crosby, "Just-a-Snappin's" navigator, filed an astonishing report on the B-17's struggle to return to England:

"For 3,000 feet Captain Blakely and Major Kidd fought to get that plane under control. It was only because of the superior construction of our bomber, and its perfect maintenance, plus the combination of two skilled pilots, that we even recovered from that dive.

"If I were an expert on stress and strain analysis, or a mechanic, or even a pilot, I would dwell at length on the manner in which the plane was restored to normal flying attitude. As it is, the procedure defies my description. But I am certain it was a very great accomplishment."

Everett Blakely's description recalls, "You can lose altitude awfully fast when one engine goes sour and your controls are chewed to ribbons. We dropped for 3,000 feet before Major Kidd and I could regain control... Most of the crew were not strapped to their seats were thrown to the floor, shaken severely - but at last the ground was once more back where it ought to be, instead of standing up on one ear. Once more we were in level flight and, at least temporarily, safe."

Crosby's report states that:

"At 10,000 feet we were able to look out the windows (and) were temporarily assured to not that the ground was now in the right place. A hurried consultation was held over inter-phone to determine a plan for fighting our way back to England.

"The following facts had to be considered: We had lost all communication back of the top turret, so it was impossible to determine the extent of injury and damage. Our control wires were fraying as far back as the top turret operator could see. At least two of the crew had reported being hit immediately after we left the target.

"One engine was in such bad condition that bits and finally all of the cowling were blasted off. We were losing altitude so rapidly probably because of the condition of the elevator that any but the shortest way back was beyond contemplation. So we headed across the face of Germany for home."

Later, Harry Crosby wrote of Blakely and his co-pilot:

"The normal reaction on the part of our pilots should have been to think of their own personal safety, or in cases of extreme nobility of character perhaps they would have been thinking about the other members of the crew. But they did not, even in this crisis, forget for one minute they were the leaders of a great formation. Their first thought was of the crews behind them. In unison, as we fell into our dive, the words came over the interphone to our tail gunner, 'Signal the deputy leader to take over.'

"I can't help but to think as they fought for their lives they might have been excused for being too busy to think of their command, but such was not the case.

"By this signaling, the remainder of the formation was notified immediately that we had been hit and were aborting. This act would have prevented any planes being pulled even a few feet out of position into danger from the enemy aircraft buzzing about."

Despite the loss of the airplane's compass, Blakely and his amazing navigator, Lt. Harry Crosby, made it to landfall. They crash-landed at Ludham, Norfolk. The completely unmaneuverable aircraft, without any brakes, skidded into an ancient British oak tree.

Blakely remembers: "The tree crashed between Np. 2 engine and the pilot's compartment. That was lucky because another three inches to the right and it would have crushed the pilot and co-pilot. We had slowed to maybe 50 mph by then..."

Blakely's co-pilot for that mission, Major John B. Kidd, recalled that "someone counted over 800 separate holes in that aircraft."

"Just-a-Snappin" would never fly again.

The Bremen mission was typical of dozens of missions which penetrated deeper and deeper into German territory. Even before the Bremen raid, Blakely and his crew were piloting their B-17's over teh upper reaches of the Danube in the famous raids on Schweinfurt and Regensburg.

Today, Blakely is retired and lives with his wife, Marge, in San Luis Obispo. They are the parents of Supervisor David Blakely, who speaks with great pride of his father's contribution to the fight against Hitler.

-three stars end the article and separate a note about the author

Dan Krieger is a Cal Poly history professor and member of the County Historical Society.

-Along the bottom of the page the article is attributed to the San Luis Obispo (Calif.) Telegram-Tribune in the Saturday, February 16, 1991 edition on page 23.

[lboogie1906]

Dreamgirls is a Broadway musical, with music by Henry Krieger and lyrics and a book by Tom Eyen. Based on the show business aspirations and successes of R&B acts such as The Supremes, The Shirelles, James Brown, Jackie Wilson, and others, the musical follows the story of a young female singing trio from Chicago called “The Dreams”, who become music superstars.

Staged with a mostly African American cast and originally starring Jennifer Holliday, Sheryl Lee Ralph, Loretta Devine, Ben Harney, Cleavant Derricks, Vondie Curtis-Hall, and Obba Babatundé, the musical opened on December 20, 1981, at the Imperial Theatre on Broadway. The musical was nominated for 13 Tony Awards, including the Tony Award for Best Musical, and won six. It was adapted into a motion picture. #africanhistory365 #africanexcellence

[adamwatchesmovies]

Dreamgirls (2006)

Dreamgirls is not based on a true story but you’ll swear otherwise. While the film takes much inspiration from the history of the Motown record label and incorporates actual historical events into its story, the reason it feels so real are the characters and the drama. The ensemble cast all give such good performances and the material they’ve been given is so deep they all feel like real people. That’s enough to recommend Dreamgirls already but there's so much more: great musical numbers, a stellar production design, confident direction by Bill Condon (who also wrote the screenplay) and tons of re-watch value.

In 1962, in Detroit, Michigan, Effie White (Jennifer Hudson), Deena Jones (Beyoncé Knowles) and Lorrell Robinson (Anika Noni Rose) are “The Dreamettes”. After appearing at an amateur R&B talent show, The Dreamettes and Effie’s younger songwriter brother C.C. (Keith Robinson) are recruited by car salesman - and aspiring music manager - Curtis Taylor Jr. (Jamie Foxx) to sing as a backup for star Jimmy “Thunder” Early (Eddie Murphy). The story follows the Dreamettes’ rise to fame as their new manager becomes increasingly manipulative.

The ’60s and ‘70s era music scene is unfamiliar to me and not exactly the kind of music I gravitate towards (for the record, my taste in music falls under the “crap” category). It means a lot, then, that I was instantly able to “recognize” the songs featured in this musical. All of the numbers are from the Broadway musical or newly written for the movie and incorporated in a mix of diegetic and non-diegetic fashion. Every piece is a river of honey in your ear and surprisingly, Beyoncé Knowles ends up kind of playing second banana to both Jennifer Hudson… and Eddie Murphy. I don’t know if it’s hilarious or heartbreaking that my DVD of Dreamgirls featured a trailer for Norbit before the main event. As Jimmy, Murphy is incredible. There’s a particular scene where, tired of being asked to perform another soulful number, he breaks into an impromptu rap where he has to get his orchestra to play a new beat on the fly. It’s pure movie magic and the entire film is worth the price of admission just to see Murphy in full form in that one scene.

There’s a pervasive and consistent joy of filmmaking throughout Dreamgirls. Every frame looks terrific and the actors all give excellent performances. We’ve already mentioned some of them but now, I want to single out Jamie Foxx as Curtis Taylor Junior. His transition from sympathetic to villainous is so smooth it’s hard to tell at which point exactly your opinion shifts and part of this is because all of the characters - including the Dreamgirls - are fully-rounded human beings complete with flaws. Without a doubt, Effie White gets the short end of the stick in this story but there are times where she kind of gets what she deserves. You hate yourself for feeling that way, which demonstrates the quality of the drama. Obviously, credit is due to Henry Krieger and Tom Eyen, who wrote the original musical, but this film adaptation is not merely a shot-for-shot re-enactment. This is a real movie with distinct made-for-the-movie scenes and choices.

With a budget of $75-$80 million, Dreamgirls is one of the most expensive films ever made to feature an all-Black cast. That realization came with a bit of waryness from me. Ever since my back-to-back viewing of Ma Rainey’s Black Bottom and One Night in Miami, I’m just kind of done with “struggle” movies. We’ve had some great ones but there’s more we can do with All-Black casts than show them getting beaten down, abused, raped, taken advantage of, etc. This is another reason to see Dreamgirls. While the topic of inequality is touched on in two key scenes, this is mostly an engaging drama that could (in theory) feature any kind of actors. This musical has the same sort of appeal as A Star is Born because of the characters, the music and the skill used to bring everything together.

Despite everything Dreamgirls does right, it will still be a hard sell for people who don’t like musicals. It's also worth noting that while the protagonists are rich, other characters don’t get the development they should. Sharon Leal’s Michelle Morris, for instance. She's an important character that's always kept out of reach. Ultimately, the flaws (you could probably find more if you really looked hard) don’t matter when we consider the film’s entertainment and eye-candy value. This is such a good-looking film and when we consider the way it recreates historical (or “historical”) events and elements, it was love at first sight for me. (Fullscreen version on DVD, August 1, 2022)

[alexlacquemanne]

Avril MMXXIV

Films

La Course à l'échalote (1975) de Claude Zidi avec Pierre Richard, Jane Birkin, Michel Aumont, Marc Doelsnitz, Amadeus August, Henri Déus, Luis Rego et Catherine Allégret

La Septième Cible (1984) de Claude Pinoteau avec Lino Ventura, Lea Massari, Jean Poiret, Elizabeth Bourgine, Béatrice Agenin, Robert Hoffmann, Jean-Pierre Bacri, Roger Planchon et Francis Lemaire

Pierrot le Fou (1965) de Jean-Luc Godard avec Jean-Paul Belmondo, Anna Karina, Graziella Galvani, Dirk Sanders, Jimmy Karoubi, Roger Dutoit, Hans Meyer, Samuel Fuller et Raymond Devos

Downton Abbey II : Une nouvelle ère (Downton Abbey: A New Era) (2022) de Simon Curtis avec Hugh Bonneville, Maggie Smith, Elizabeth McGovern, Michelle Dockery, Nathalie Baye, Allen Leech et Tuppence Middleton

Orgueil et Préjugés (Pride & Prejudice) (2005) de Joe Wright avec Keira Knightley, Matthew Macfadyen, Simon Woods, Kelly Reilly, Rosamund Pike, Carey Mulligan, Talulah Riley, Donald Sutherland et Brenda Blethyn

Les Pleins Pouvoirs (Absolute Power) (1997) de et avec Clint Eastwood et Gene Hackman, Ed Harris, Laura Linney, Scott Glenn, Dennis Haysbert, Judy Davis et Penny Johnson Jerald

Prêt-à-porter (1994) de Robert Altman avec Marcello Mastroianni, Sophia Loren, Jean-Pierre Cassel, Kim Basinger, Chiara Mastroianni, Stephen Rea, Anouk Aimée, Forest Whitaker, Julia Roberts et Tim Robbins

Un jour (One Day) (2011) de Lone Scherfig avec Anne Hathaway, Jim Sturgess, Tom Mison, Rafe Spall, Jodie Whittaker, Romola Garai, Joséphine de La Baume et Patricia Clarkson

Adaline (The Age of Adaline) (2015) de Lee Toland Krieger avec Blake Lively, Michiel Huisman, Kathy Baker, Harrison Ford, Anthony Ingruber, Ellen Burstyn, Amanda Crew et Richard Harmon

Séries

Coffre à Catch

#161 : La DX à la ECW ?? - #162 : Summerslam 2009 en approche! - #163 : William Regal nous régale ! - #164 : Les chevaliers des 1000 likes ! - #165 : Qui se cache derrière le masque du Hurricane ??

Castle Saison 5

Pour le meilleur et pour le pire - Une soirée qui tue - Le Vice et la Vertu - Un choix cornélien - Faux-Semblants - La Cible - La Chasse - Morts de peur - Un passé insoupçonné - La Vie des autres - À la recherche de l'homme-singe - Protection rapprochée - Toute une histoire

Maguy Saison 3

Mal de maire - Chambre accouchée - Jument comme tu respires - Téléphone qui croyait prendre - Impair et deux belle-mères - L'éminence grippe - Sauve qui pneu ! - Voir un petit coup - Message californien - Le coffre effort - Kilt ou double - Rumeur au cerveau - Décibel et tais-toi - Le magicien d'hypnose - Cosmétiques en toc - Des plaies et des noces - Pub, pub, pub… hourrah ! - Un chiffon, fon, fon… - La layette, nous voilà - Gare au gourou ! - Noces à ronger - Talisman comme un arracheur de dents - La rosière arrosée - La strip-teaseuse de bonne aventure - La clé des mensonges - Surprise patrie - Le sponsor en est jeté - Ovni soit qui mal y pense - Adam et chèvre - Jerôme sweet Jerôme - Isabelle et la bête - Tel Pierre, tel fils - Apocalypse mômes - Les dons de la mère - La ruée vers l'art - La SICAV se rebiffe - Mort aux rafles - Bretteville au trésor - De briques et de brocs - Olé concentré - Dégâts des os - L'émoi d’août

La croisière s'amuse Saison 4, 5

Chapeau bas - La Voisine - Le Professeur - Jalousie - Bon Voyage - Une belle amitié - Qui perd gagne - Les Sirènes - Personnalité, vous avez dit personnalité ? - Les Jardins - L'habit ne fait pas la fille - Ne jouez pas avec les inconnus - Quelle classe - Nous étions deux - Incroyable Isaac - La Fille à papa - La Toque - Vicky s'amuse - Les trois font la paire : première partie - Isaac radioactif - Zeke et Zelda

Meurtres au paradis Saison 13

Carton plein - Un plat qui se mange froid - Court-circuit - Question d'avenir - La liste de souhaits

L'autre côté du ring Saison 3

Le procès des stéroïdes - Brutal : le FMW d'Onita - Extrême et obscène : l'XPW de Rob Black

Inspecteur Barnaby Saison 23

Qui sème le vent - Effet domino

Biographies WWE Saison 2

Wrestlemania I

Alfred Hitchcock présente Saison 6,7

Le voleur plein de bonnes intentions - Instinct de survie

Kaamelott Livre V

Le Dernier Jour - Le Royaume Sans Tête - Jizô

Commissaire Moulin Saison 1

Ricochets - La surprise du chef - La Peur des autres

Top Gear France Saison 9

Ceux qui font du rallye - Ceux qui sauvent la planète - Ceux qui deviennent gangsters - Ceux qui ont fait n'importe quoi

Les Brigades du Tigre Saison 3

Bonnot et Compagnie - L'Homme à la casquette - Don de Scotland Yard - Le Cas Valentin - Le Crime du Sultan - L'Ère de la calomnie

Messieurs les jurés

L'Affaire Varney

Spectacles

Mademoiselle (1982) de Jacques Deval avec Jean Meyer, Rosy Varte, Jacqueline Jehanneuf, Anne Rondeleux, Bruno Constantin, Maurice Risch, Nicole Chollet, Dominique Blanche, Florence Fors, Jacques Maury et Bertrand Gohaud

The Morricone Duel (2020) du Danish National Symphony Orchestra

Live by Request: Earth Wind & Fire (1999)

Une femme trop honnête (1978) de Georges Vitaly avec Judith Magre, Bernard Lavalette, Francis Lax, Danièle Deray, Madeleine Barbulée, Jacques Verlier, Maurice Teynac et Christiane Muller

Daho Pleyel Paris (2008)

Livres

La commode aux tiroirs de couleurs d'Olivia Ruiz

Détective Conan, tome 21 de Gôshô Aoyama

Le privé d'Hollywood de François Rivière, José-Louis Bocquet et Philippe Berthet

Kaamelott, tome 4 : Perceval Et le Dragon d'Airain d'Alexandre Astier, Steven Dupré et Benoît Bekaert

[beauty-is-terrror]

I know people make fun of Henry for saying that Gucci is pretty grand.

Just want to remind everyone how Gucci looked like in the 80s.

| Gucci | Pub | 1984 | Photography: Bob Krieger |

[iceman55555]

Henry Cavill Arbeitet an Warhammer 40k.An einer Serie,die hoffentlich einschlägt wie eine Bombe.Die Serie stammt von einem Tabletop Spiel ab.Das Spiel ist von Games Workshop.Wer Raumschlachten und übermenschliche Krieger mit tollen Rüstungen mag und eine Weltraumschlacht mit Außerirdischen,wird diese Serie mögen.Ich selber hab das Tabletop Spiel und Gewisse Videospiele gespielt und ich liebe es.Diese Space Marines mit verschieden Geschichten ihres Ordens und dem Imperator sind eine tolle Geschichte und eine Sehr umfangreiche dazu.Es wird hoffentlich Episch werden,weil Henry Cavill kennt sich mit Warhammer 40k sehr gut aus,also wird er hoffentlich in eine sehr Coole Rolle schlüpfen die angemessen ist.Ich hoffe auf Marneus Calgar von den Ultramarines,Roboute Guilliman Primarch der Ultramrines oder sogar Uriel Ventris von den Ultramarines. Es wird interessant werden,was er daraus macht.

#HenryCavill #W40k #Spacemarines #Ultramarines #Amazon

Henry Cavill is working on Warhammer 40k. On a series that will hopefully hit like a bomb. The series is derived from a tabletop game. The game is from Games Workshop. Anyone who likes space battles and superhuman warriors with great armor and a space battle with aliens will like this series. I myself have played the tabletop game and certain video games and I love it. These Space Marines with different stories of their order and the Emperor are a great story and a very extensive one at that. Hopefully it will be epic because Henry knows Cavill He's very familiar with Warhammer 40k, so hopefully he'll slip into a very cool role that's appropriate. I'm hoping for Marneus Calgar from the Ultramarines, Roboute Guilliman Primarch from the Ultramrines, or even Uriel Ventris from the Ultramarines. It will be interesting to see what he does with it.

[filmspun]

2023 Oscar nominations :

Best Picture

“All Quiet on the Western Front,” Malte Grunert, Producer

“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers

“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers

“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers

“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers

“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers

“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers

“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers

“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director 

Martin McDonagh (“The Banshees of Inisherin”) 

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 

Steven Spielberg (“The Fabelmans”) 

Todd Field (“Tár”) 

Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

Austin Butler (“Elvis”) 

Colin Farrell (“The Banshees of Inisherin”) 

Brendan Fraser (“The Whale”) 

Paul Mescal (“Aftersun”) 

Bill Nighy (“Living”) 

Best Lead Actress

Cate Blanchett (“Tár”) 

Ana de Armas (“Blonde”) 

Andrea Riseborough (“To Leslie”)

Michelle Williams (“The Fabelmans”) 

Michelle Yeoh (“Everything Everywhere All at Once”)

Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”) 

Brian Tyree Henry (“Causeway”) 

Judd Hirsch (“The Fabelmans”)

Barry Keoghan (“The Banshees of Inisherin”) 

Ke Huy Quan (“Everything Everywhere All at Once”) 

Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”) 

Hong Chau (“The Whale”) 

Kerry Condon (“The Banshees of Inisherin”) 

Jamie Lee Curtis (“Everything Everywhere All at Once”) 

Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell

“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson

“Living,” Written by Kazuo Ishiguro

“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks

“Women Talking,” Screenplay by Sarah Polley

Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh

“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert

“The Fabelmans,” Written by Steven Spielberg & Tony Kushner

“Tár,” Written by Todd Field

“Triangle of Sadness,” Written by Ruben Östlund

All Quiet on the Western Front”, James Friend

“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji

“Elvis,” Mandy Walker

“Empire of Light,” Roger Deakins

“Tár,” Florian Hoffmeister

Best Documentary Feature Film 

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer

“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman

“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström

“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best Documentary Short Film 

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga

“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev

“How Do You Measure a Year?” Jay Rosenblatt

“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison

“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen

“Elvis,” Matt Villa and Jonathan Redmond

“Everything Everywhere All at Once,” Paul Rogers

“Tár,” Monika Willi

“Top Gun: Maverick,” Eddie Hamilton

Best International Feature Film 

“All Quiet on the Western Front” (Germany) 

“Argentina, 1985” (Argentina) 

“Close” (Belgium)

“EO” (Poland) 

“The Quiet Girl” (Ireland) 

Best Original Song 

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren

“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler

“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  

“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

Best Production Design 

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper

“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole

“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino

“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn

“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Animated Feature Film 

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift

“The Sea Beast,” Chris Williams and Jed Schlanger

“Turning Red,” Domee Shi and Lindsey Collins

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud

“The Flying Sailor,” Amanda Forbis and Wendy Tilby

“Ice Merchants,” João Gonzalez and Bruno Caetano

“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon

“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Costume Design 

“Babylon,” Mary Zophres

“Black Panther: Wakanda Forever,” Ruth Carter

“Elvis,” Catherine Martin

“Everything Everywhere All at Once,” Shirley Kurata

“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Live Action Short

“An Irish Goodbye,” Tom Berkeley and Ross White

“Ivalu,” Anders Walter and Rebecca Pruzan

“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón

“Night Ride,” Eirik Tveiten and Gaute Lid Larssen

“The Red Suitcase,” Cyrus Neshvad

Best Makeup and Hairstyling 

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová

“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine

“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow

“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti

The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Original Score 

“All Quiet on the Western Front,” Volker Bertelmann

“Babylon,” Justin Hurwitz

“The Banshees of Inisherin,” Carter Burwell

“Everything Everywhere All at Once,” Son Lux

“The Fabelmans,” John Williams

Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson

“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller

“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

[chaoticdesertdweller]

"Sad to hear the original Morrison Hotel in downtown LA caught fire yesterday… It was a great old wooden building with many small rooms upstairs where transients and drinkers used to sleep it off on a cot for $2.50 a night!

I think the beautiful front window with “Morrison Hotel” in red letters was the best part of it… & So did The Doors!"- Henry Diltz via Facebook

[blog-aventin-de]

Tecumseh

Tecumseh ⋆ Shawnee Häuptling ⋆ Leben und Legende

Tecumseh (1768 – 5. Oktober 1813) war ein Shawnee- Häuptling und Krieger, der gegen die Siedlungspolitik der Vereinigten Staaten auf dem Land der amerikanischen Ureinwohner Widerstand leistete. Indigene Geschichten besagen, dass Tecumseh nach einer Sternschnuppe benannt wurde, die bei seiner Geburt am Himmel erschien. Als überzeugender Redner reiste Tecumseh weit umher, gründete eine Konföderation der amerikanischen Ureinwohner und förderte die Einheit zwischen den Stämmen. Obwohl seine Bemühungen, die amerikanischen Ureinwohner zu vereinen mit seinem Tod endeten, wurde er zu einem ikonischen Volkshelden der amerikanischen, indigenen und kanadischen Volksgeschichte. Während Tecumseh am White River lebte, litten die amerikanischen Ureinwohner in der Region unter Krankheiten wie Alkoholismus, Armut, Landverlust, Entvölkerung und dem Niedergang ihrer traditionellen Lebensweise. Es traten zu dieser Zeit unter ihnen mehrere religiöse Propheten auf, die jeweils Erklärungen und Abhilfemaßnahmen für die Krise anboten. Unter diesen war auch Tecumsehs Bruder Lalawéthika, ein Heiler. Lalawéthika forderte seine Zuhörer auf, europäische Einflüsse abzulehnen, mit dem Alkoholkonsum aufzuhören und ihre traditionellen Medizintaschen wegzuwerfen. Tecumseh selbst folgte ebenfalls den Lehren seines Bruders, indem er nur einheimisches Essen aß, traditionelle Shawnee-Kleidung trug und keinen Alkohol trank. Tecumseh wurde im heutigen Ohio geboren, zu einer Zeit, als sich die weit verstreuten Shawnees in ihrer Ohio Country Heimat wiedervereinigten. Während seiner Kindheit verloren die Shawnees aber eine Reihe von Grenzkonflikten. Tecumsehs Vater wurde dabei 1774 im Kampf gegen amerikanische Kolonisten getötet. Tecumseh wurde danach von seinem älteren Bruder Cheeseekau betreut, einem bekannten Kriegshäuptling, der auch 1792 im Kampf gegen die Amerikaner starb. Als junger Kriegsführer schloss sich Tecumseh sodann dem Shawnee Chief Blue Jacket bewaffneten Kampf an, weitere Vorstöße von amerikanischen Siedlern zu verhindern. Im Jahr 1805 gründete Tecumsehs jüngerer Bruder Tenskwatawa, der als Shawnee-Prophet bekannt wurde, eine religiöse Bewegung, die die amerikanischen Ureinwohner aufforderte, europäische Einflüsse abzulehnen und zu einem traditionelleren Lebensstil zurückzukehren. Im Jahr 1808 gründeten Tecumseh und Tenskwatawa sodann den Ort Prophetstown, ein Dorf im heutigen Indiana, das sich zu einer großen, multistämmigen Gemeinschaft entwickelte. Tecumseh selbst reiste weiter ständig umher und verbreitete die Botschaft seines Bruders. Er verkündete, dass die amerikanischen Ureinwohner ihr Land gemeinsam besaßen, und forderte alle Stämme auf, kein Territorium mehr abzutreten, es sei denn, alle würden zustimmen. Seine Botschaft alarmierte sowohl amerikanische als auch einheimische Führer, die eine Einigung mit den Vereinigten Staaten suchten. Im Jahr 1811, als Tecumseh im Süden Verbündete rekrutierte, besiegten die Amerikaner unter William Henry Harrison Tenskwatawa in der Schlacht von Tippecanoe und zerstörten auch den Ort Prophetstown. Im Krieg von 1812 schloss sich Tecumseh, seiner Sache wegen, den Briten an, rekrutierte Krieger und half im August 1812 auch bei der Eroberung von Detroit. Tecumseh führte etwa 530 Krieger an. Einem Bericht zufolge ließ Tecumseh seine Männer wiederholt in einen Wald aus- und eingehen, nur um den Eindruck zu erwecken, dass sich Tausende von amerikanischen Ureinwohnern außerhalb der Festung befänden. Einer der berühmtesten Vorfälle in Tecumsehs Leben ereignete sich nach der Schlacht. Amerikanische Gefangene waren zu einer nahe gelegenen Ruine gebracht worden. Als eine Gruppe Indianer begannen, Gefangene zu töten, stürmte Tecumseh herbei und stoppte das Massaker. Durch diese Tat der Verteidigung der amerikanischen Gefangenen wurde Tecumseh schließlich zu einem Eckpfeiler seiner Legende, dem ultimativen Beweis seines angeborenen Adels, wie es hieß. Als die US-Seestreitkräfte 1813 endlich die Kontrolle über den Eriesee übernahmen, zog sich Tecumseh widerstrebend mit dem Heer der Briten nach Oberkanada zurück, wo sie am 5. Oktober 1813 in der Schlacht an der Themse besiegt wurden. Hierbei kam auch Tecumseh ums Leben. Sein Tod führte zum Zusammenbruch seiner Konföderation und die Ländereien, für deren Verteidigung er ein Leben lang gekämpft hatte, wurden an die US-Regierung abgetreten. Tecumseh schließlich ging als einer der berühmtesten amerikanischen Ureinwohner in die Geschichte ein und sein Vermächtnis steht bis heute.

Tecumseh ⋆ Shawnee Häuptling ⋆ Leben und Legende - Tod Read the full article

[hollywoodbiz]

Hello there tags, I'll be around for a little while, so I'll leave you with some fc's that have been requested just yesterday: Tom Brady, Josh Allen, Joe Burrow, Derek Jeter, Denny Hamlin, Dwayne Johnson, Rachel Weisz, Orlando Bloom, Norman Reedus, Steven Yeun, Kaley Cuoco, Minka Kelly, Carrie Underwood, Hilary Duff, Ciara, Christina Aguilera, Henry Cavill, Natalie Portman, Hayden Christensen, Shawn Mendes, Kevin Jonas, Selena Gomez, Kelley O'Hara, Sophia Bush, Megan Rapinoe, Crystal Dunn, Leah Williamson, Dylan O'Brien, Jake Gyllenhaal, Gigi and Bella Hadid, Ashlyn Harris, Demi Lovato, Halsey, Jesse Lingard, Natalie Portman, Taylor Lautner, Allie Long, Ali Krieger, Jason Kelce, Miley Cyrus and Austin Butler.