#He only thinks about job

[anneangel]

The best part of Sherlock Gnomes (2018) is that feature an inseparable duo going through problems in their relationship, Gnomeo and Juliet, with another inseparable duo going through problems in their relationship, Sherlock and Watson. Gnomeo and Juliet, despite the problems they face regarding their partner's unexpected behaviors that are hurting, they really love each other. And Sherlock and Watson… Well, you get it, the counterpoint is very obvious, so much so that it almost can't be called subtext.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[botanyshitposts]

how crazy would it be if i became a biology lab instructor. would that be crazy or what

[introspectivememories]

im sorry but i choose to believe that tim drake is the most insufferable "my man, my man, my man" girl about bear. he does not shut up about him. steph is cooking smth in the kitchen? oh my man can do that. bear cooks really well. dick triaging some poor victim on an emergency site? oh my man is really good at that. mhmm, bear is on his way to becoming a paramedic. damian building something? oh my man is really good with power tools. have you ever seen him build ikea? it takes him less than an hour. for our anniversary, he built me a coffee table. mhmm isn't he amazing? yeah my man did that. yeah my man, mhmm that's my ma-

[spitblaze]

If you’re gonna care about prison abolition and justice you are necessarily going to have to care about the people who DID do those crimes and just want to reintegrate and live a normal life without hurting anyone. You're gonna have to be cool with the fact that the guy scanning your groceries might’ve raped someone. You're gonna have to relax about the possibility that your bank teller used to be a career criminal. The person sitting next to you on the bus might’ve committed three different murders, and as long as he's not about to commit a fourth right now, that's not your fuckin' problem. People don't disappear from society after they commit crimes, and most of them really just want to live a normal, stable life instead of going back to that. And the best way to make sure they don't relapse is to ensure they're able to live that peaceful life instead of freaking out because the guy next door used to run a dogfighting ring. You don’t have to be friends with them, you don't even have to like them, but you're gonna need to be okay with them existing in society. Sorry.

[kirby-the-gorb]

[royaltea000]

Qitian dasheng and other outfit concept sketches

[14dayswithyou]

Hi, Howdy! Hey! I really love your novel!! I got a little confused by the 4 day, may maybe you help me please? who is it? why we got the bad end staying the night in Ren’s apartment and he disappear of the home screen? I can’t understand “unset memory” game, sorry if I wrote smth wrong or smth sounds rude, I swear that I didn’t mean it if happened, I’m really a fan of the novel, I’ve been playing the game since day 1 or 2 I guess, probably day 1, english isn’t my first language, but I tried lol

⌞♥⌝ I hope you don't mind me answering these as bullet points!! ^^

"It" will be revealed later in the game! So I won't reveal too much right now.

You can only get the Dead End in Day 4 by staying at Ren's apartment — the rest of your choices before that don't matter. I'd also pay closer attention to the black smoke and Ren's reaction towards it!

Ren disappears from the home screen because he promised to help the player out (and stop them from getting the Dead End again). Try replaying the game again from the beginning for a surprise!

"Unsent Memories" was another visual novel (initially being written by @10chimes / @unsentmemory, though the project has since been dropped and handed back to me /pos) and is set in the same universe as 14 Days With You. Its storyline and characters are completely separate from 14DWY, so you don't have to worry about them while playing 14DWY.

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[dykedvonte]

Its really interesting that Jimmy’s chair is the one tilted away from the screen in this shot:

It’s indicative of how his and Jimmy’s dynamic was. He’s not staring ahead at the screen, he’s not paying attention to what they are doing. Curly is the only one looking forward. Jimmy quite literally couldn’t see the responsibility Curly had or was doing. Jimmy likely slacked off and avoided most of his duties. I mean the one time we know he pilots the Tulpar he steers it wrong and loses the team 4000 credits. Even in the positions they held objectively, Curly was always taking responsibility for Jimmy. Not to mention the “We can fix this” and only one chair at attention. Jimmy never had intentions to fix anything, throughout the game, throughout his entire relationship with Curly. Curly always fixed it? Why would it be any different here?

If he even took the slightest bit of responsibility, he would’ve stayed in the cockpit to see his plan through. In the end Curly did what Jimmy always expected him to do for him and took responsibility. Did what he always did and took responsibility at the wrong time…

[novantinuum]

somewhere up above the stars the wreckage of a Universe floats past

an AU ancient lonely god Steven I have. his moniker is Astra and I am obsessed with him right now.

[littleplantfreak]

Inmate Togame? Inmate Togame

So inmate Togame Jo who's well mannered to a point. He doesn't do much harm, and is always polite to you as a nurse to the prisoners. Sure he has a bad habit of calling you pet names, but that's the least offensive thing you've been called while working.

When he does get into fights, he waits patiently as you tend to the other people first, saying he's good with being the last one out. He likes to watch you work, thinking even if it's one sided that it's time well spent with you, and it's hard to mind those pretty green eyes being on you the whole time.

And when he has to take his shirt off to let you look at some bruised ribs, he can tell you're staring at more than just the bruises. He won't say anything, but when he leaves later he brushes his knuckles across your lower back to watch your reaction, pleased to see you arching from it.

Things go back and forth a weird push and pull of you both trying not to get too close but also soaking up the other's presence until he gets in a nasty fight. One that somehow lands him in solitary, though they've thrown him in there without bringing him to get checked up first, leaving you demanding the guards let you in. Against their concerns, you insist he'll be nothing but civil with you.

He's bloody and still heaving from the fight as he sits on the floor slumped over, but most of the blood actually isn't his, which is a relief you guess. When he kisses you as you get a closer look at his face, suddenly all bets are off and you're both starved for one another. Needless to say once the guards knock to check in, you request more time with the patient due to extent of injuries.

[stainedglass-sketchbook]

CHILDREN OF BHAAL

I adore the vibe of redeemed durge your sister killed your mind and took your place - it was the greatest gift she ever gave you

[drac-kool-aid]

Seward's bone deep desire to run away from the asylum is not exactly surprising. There have been a lot of really good meta posts about how the return of Van Helsing into his life is the turning point where we see the caring and good side of him and how we can interpret his life as a student in Amersterdam as one of freedom and happiness. How he is part of the tragedy of manners, how strict social expectations allow Dracula to persist, and how they only exacerbate the unhappiness of the characters.

And I think the tragedy of Seward is that, really, he should not be the head of an asylum. It's a job that brings him no joy, and he's BAD at it. We can all recognize that if your first reaction to going back to work is "What if I just leave it all." That isn't a healthy work environment.

Now, in the modern day, the ability to pick and choose a work environment, even to leave one that is damaging your mental health, is a privilege. (IT SHOULDNT BE, but it is). And, although it is definitely reaching crisis levels in modern times, major changes in your career have almost always been difficult (unless you are really rich, or a particular brand of academic in the 17th-18th century, or both).

Seward can't just leave and become a surgeon. To give up the lofty position of "Head of an Asylum" would be unthinkable in the 1890s, especially for a reason like "Being here is basically turning me into the Joker." Like, how would Seward explain that in polite society? Would they accept that reasoning? Would they create salacious gossip if they didn't? Can Seward leave his position without losing a great amount of social capital?

Probably not.

His rise to head of an asylum, as many have pointed out, was meteoric, to say the least. It has afforded him status and respect and also left him deeply, deeply fucked up. And he can't leave!

I think his desperate attempts to quantify Renfield's behaviors into a new mental illness are telling in this regard. Maybe he is too used to having to meet some sort of expectation, and now he thinks this is the logical next step (It's NOT, but I digress). The feeling of having to keep performing above expectations, grasping at straws to do so, and subsequently burning oneself out (as well as others around you) and engaging in unethical practices? Idk. It sounds like something that would happen today. (tbh there are probably a ton of Sewards out there today, as there are still systemic problems within the mental health system that allow for the dehumanizing and abuse of patients).

It doesn't excuse his behavior. Nothing he does to Renfield is excusable, but I think it does explain some of the *why*. He isn't just cruel for cruelty's sake.

So, tldr I guess: I think reading Seward as someone who got stuck on a career path that he realized was unfufilling and that he ends up hating. Social conventions restrict him from just quitting without and a (socially acceptable) good reason to do so, and a lifetime of being regarded as one of the smartest people in the room means he can not allow himself to fail. Unfortunately, this also means he can not admit when his actions or his ideas are wrong when it comes to his job.

(But he can show that uncertainty FOR Lucy, and TO Arthur and Van Helsing, which speaks his trust and love for them)

[mohntilyet]

Wait is the middle picture from those three sketches that one scene from the wigmaker job?

yes! it's this specific passage where lucanis is just seething with rage and trying to keep a lid on it, and illario's a stablising, comforting presence. BROTHERS!!!!! <3 though i chose to draw his hand on his shoulder rather than his arm i guess. artistic liberty!

[vaguely-concerned]

what would I do without you. indeed illario.

lucanis trust me! indeed illario. the ea-nasir vibes on this shitty little rat of a man (somehow still slightly affectionate despite myself)

I am obsessed with WHERE this letter is found and what we're meant to read into those context clues. I don't have a handy save for this mission right now to double check the details, but from memory: It's the room across from what seems implied to be Caterina's room (Lucanis says these are the family quarters, so Illario has kept her locked in her own room all this time probably?? Oh oh house arrest, house arrest for grandmother for ten thousand years style)? We find the scraps of a letter from Zara to Illario, torn to pieces with one fragment still in the empty fireplace so presumably we're meant to assume he burned it, and this old letter from Illario to Lucanis lying neatly on a table. Whose room is this? Because here's a theory one could put together that has some real crazymaking potential for me specifically at least:

Considering that we're helpfully down to only three Dellamortes to account for, it's likely either Lucanis' or Illario's room. If I'm remembering right/let's for a moment assume that Caterina is being confined to her own rooms -- the fact that Lucanis is her favourite and also heir apparent I'd say tips the scales for me that it's likely she'd keep him closest, whenever he's home. Thus opening for the possibility that all this time Illario has been staying in the room of the cousin he murdered but as it turns out not hard enough that he didn't come back again like a haunting, reading his own old letters to him that Lucanis apparently kept all this time (!!! ow !!!), and sparing them from the spiteful fate he gave Zara's 'aww chin up you'll get 'em next time babe' one, right across the hall from where the grandmother he apparently can't bring himself to kill or seriously hurt even with everything else he's done is imprisoned and i n c r e d i b l y pissed off, if she gets out of there while he's sleeping or something he's fucked. Has he been sleeping in Lucanis' bed since kidnapping Caterina????? (did they ever share a bed, when they were children? for comfort if not ever out of real necessity?) is this some kind of incredibly fucked up way to try to be close to them both somehow even when he is the one who messed it all up to begin with? no matter what I have so many questions here what is WRONG with this family???????? (well I don't think we have time to get into all that right now that's a novel not a text post probably fhsdkj)