#Has to be from DC comics (the suggestion)!

[violent138]

Thinking of writing a superhero roommates AU (haven't decided who with Titans, Outsiders, Dick and Jason, Superbat, Babs and Dinah, JLA, so I shall take suggestions) and brain dumped what I found funny:

Can't scold your roommate for not doing their share of the chores because you've been watching the news all day/you both have returned three days later due to a crisis and the place is a mess

A shocking number of supervillains target the building leading other residents to try and figure out why

Your roommate vanished for superheroing reasons and the cops are now at the door because their workplace filed a missing person's and you're the top suspect because you didn't

Blood and gore from injuries everywhere/slime from the monster/dust from the collapsed building

Spending money on suits and tech cuts into rent

You argue in the field and continue arguing all the way to the house and then at each other through thin walls when the mood strikes

Each other's questionable dating life is judged severely

It's actually kind of nice having one person that is in on this massive secret in your life

You will be woken up during Witch business hours to answer moral/ethical quandries

Your roommate waking up at the break of dawn means you also have to train now

You're both first aid trained because injuries

Sometimes you have to pretend to be a clueless civilian around your suited roommate (and be on the news)

Things break a lot. The fire alarm was broken on purpose and hasn't been fixed

The walls are used for murderboards quite often and there are squabbles when one person's murderboard starts invading the sovereign territory of another's

[cassandracain52]

This weeks Tim/Steph content…

A friendly reminder of what these two’s first reaction to finding out the other is ok is

When Tim found out Stephanie was alive:

Robin (1993) #174 When Stephanie found out Tim was alive:

Detective comics #969

That’s all I’m gonna say about that<3 TimSteph they will never make me hate you

[starspilli]

hey hi hello sorry if this is an annoying ask and ofc no pressure to answer it but I'm getting into the dc fandom and want to read some of the comics but am completely lost as to how/in what order/which ones to avoid/which ones to read. any tips? (also your art is amazing and I love it :D)

hi don’t worry i love this question!! & ty for the lovely compliment :,)

it’s a little hard for me to answer, i’ve been a fan of dc since i was very young & just reading whatever random comics my library had in stock LOL so its hard for me to think what i would do if i was getting into it from scratch & all at once. so just take what i say w a grain of salt lol

a lot of people recommend picking one character and just reading through their whole publication history, but i personally think it’s good to have an understanding of the broader universe first to avoid coming away with a distorted view of characters & stories. (ie i wouldn’t suggest just reading jason todd stories without reading general batman stuff first.)

i think what i would suggest is looking up a few reading guides for essential stuff, seeing what kind of stories, characters, themes etc you vibe with out of those, and then maybe looking more into specific characters / stories from that. the internet & tumblr especially is so great for this because even the most random d-list characters (affectionate) have people who love them so much they will make rly detailed reading lists which are great jumping on points!!

dc can be complicated at first glance because there’s so many reboots, but i’d say there’s a lot of runs that represent the characters & universe so well, or they’re so engrained in the lore that they’re sort of immune to retcons and rewrites so if you stick with those at first it gets a bit easier.

it’s also unfortunate because ‘essential’ reading doesnt always equal quality, and there are writers who really aren’t great people whose work is, unfortunately, very significant to certain characters. so just again. take this stuff with a grain of salt

i think if you look on google the essential reading for dc is very unanimously agreed on so there’s no point in me rehashing that, BUT long halloween & dark victory, all star superman & perez & rucka’s runs on wonder woman are pretty essential basic choices imo and i enjoy them. some more random choices off of my list of personal favs r: batman: the cult, under the red hood (obviously), batgirl (2000), task force z, justice league international (1988), bruce wayne: fugitive, catwoman: zero year, poison ivy (2022), robin: son of batman & john ostrander’s suicide squad.

as for how to read them, i know there’s a lot online but id suggest having a look in your local library to see if they have anything. i also rly like dc universe, they have a £5/month subscription for access to most of their archive which is very good & it lets you download them for offline reading as well !

if there are any characters/runs/stories you specifically would like to know more about pls send me another ask!! i hope this was helpful and not too convoluted/rambling lol. i love comics & talking about them so i never mind anons asking questions or wanting to talk about them god bles

[call-me-oracle]

trying to do more 90s/00s babs oracle posts so please let me know if anyone has any recommendations for which comics i should be looking at for panels!

[starvinginbelair]

me trying to explain that while tt's nightwing run might kinda suck, it really was a good latch on point for new fans when it was first released:

[ochibrochi]

spontaneous magic manifestation was NOT mentioned in the parenting handbook 😬

I know this isn’t how magic in dc works, but the fact that Damian’s ancestry includes some pretty powerful magic users is… INTERESTING 🤔? Drabble under the cut!

I wanna preface that I'M NOT SAYIN' that Damian should/does have magic powers, but there’s still so much unexplored potential with Damian's character, and the thought that he has a dormant adeptness in magic is somewhat compelling to me. Most importantly it would FREAK! BRUCE! OUT!!!!! What is this, magic puberty 😭??

By DC laws, anyone has the ability to learn magic, but it is also possible to be an innate ability. The Al Ghuls are no strangers to the occult-- Ra's has had increasingly been portrayed as a magic user, and the recent establishment of his mother being a sorceress/witch?? Even Talia dabbled in a bit of magic, I think. There is a catch that their power is suggested to be due to Lazarus exposure, but for arguments sake let's say the Al Ghul lineage is inherently proficient in magic (and Lazarus exposure simply enhances it).

I can't recall "magic" being a part of Damian's training/upbringing (I'm still slowly catching-up on Damian comics so apologies if I miss any canon examples of magic use). Not sure why Talia wouldn't want her little "heir to an ancient assassin empire baby" to learn magic, but it would at least give reason to Damian not knowing about his magic potential, or lack of interest in it.

Through the power of pseudo storytelling, what if Damian's encounter with Mother Soul could have triggered a manifestation of magic that was once dormant; like a pressure cooker waiting to explode with energy when it hasn't been given a safe outlet.

I've yet to read a satisfying arc where Damian truly gets to contemplate his Al Ghul roots outside of "dad is good guy, mum is bad guy". Damian's initial character growth stems from him running away from, and renouncing his association with the League (i.e. "I'm nothing like you, mother and grandfather!").

The most recent thing I've read was Robin (2021), and whilst Damian is much more cordial with his mother, there's still an emotional distance and sense of distrust/resentment (for good reason, even if the context was some cartoonishly evil writing). But there is a silver-lining that they still appear to be fond of each other, in a melancholy kind of way.

Realizing he's "genetically" primed for magic would be especially confronting to Damian. There's no denying his Al Ghul blood, forcing him to confront a facet of himself he can no longer ignore or reject. A family that he likely has to approach for help/guidance.

Damian is put in a position of acknowledging this power could be used for good, to be stronger, to fight crime, balancing it with the implication that what he possesses could be rooted in dark magic (Lazarus enchantment).

If he decides to embrace it, would that be too much of an endorsement of the Al Ghul's dark occultism? Can he separate the two ideas? What if he can't control it? What if he accidentally hurts someone? What if has the ability to save someone where his other skills fall short?

Ideally, I'd love for this hypothetical story to lead into Damian exploring his Al Ghul heritage more intimately, historically, and spiritually (à la RSoB: Year of Redemption adventures). Another little coming-of-age self discovery journey.

I have my own little personal thoughts on what Damian decides to do with his magic powers, but I'd like to leave that open to interpretation... By the end of it I hope that he will at least find some forgiveness over resentment, and a balance between accepting that side of his family a little easier. It is finally a sense of inner peace :)

Any thoughts? Did I get any characterisation wrong? Let's talk over on my DC blog @arkhamochi! I'm currently trying to read all Damian-centric comics until I catch up with the current run. I'm hungry for discussion and analysis!!!!!!

[i-yap]

MY FAVORITE IS DICK GRAYSON FORVER WILL BE DICK GRAYSON AND HERE IS WHY

DICK GRAYSON X Y/N ( FRUSTRATED ME EDITION)

- first of all , he is the hottest character in dc (literally the comics have written this line by line)

- he is the real one with communication issues. You think jason struggles with that? NO jason uses any chance to tell me people how much he suffered. But dick? He wears a smile, he hides everything he is feeling

- the only person who gets to see the real him is YOU. The stress, the pressure, the mommy daddy issues...cmon. and bruce prolly was the worst at raising grayson and learned from his mistakes for the rest

- dick is someone who tries to be happy. Who tries to have a normal life. Who tries not to let his issues affect him . But they do which is why he has so many fucked up relationships. But when he meets you he wants to keep you, he needs to keep you with him. So he tries yet again to open up, fix his issues, love you the way you truly deserve.

- AND let us all not pretend we are all not stressed asf in life. He is so joyful and bright and will almost never dull the mood. Car karaoke ? Done. Skinny dipping in some random lake you drive by? His suggestion. Amusement parks? He is excitedly pulling you to all the rides and WILL 100% WIN YOU THE BIGGEST TEDDY

- he is deep, he js in touch with his feelings and he knows how to take care of you. Idk abt u guys but I have issues . I want a man who gives you those words of affirmation, who makes it super obvious he likes you.

- he needs you just as much as jason or tim or damian do. He also never had genuine love, he also has been a soldier a leader the person responsible all his life. He needs yo hold you, he needs that peace and quiet away from everything he has to deal with . He wants someone he can come home to and just show how drained he is .

- he is so kind to the world but he WILL BURN IT FOR YOU . I refuse to believe any other opinion on this. No matter how big a hero this guy is...remember how he killed joker for jason? Someone he said he hated? Broke the no kill rule?? Yea imagine what he will do for you.

- and how dare u suggest he isn't jealous/ possessive. He gets so cranky..not insecure and u don't have to coddle him and avoid all other men ...but u do have to give him extra kisses

-HE IS THE REAL GREEN FLAG fuck the whole " a hero will sacrifice you for the world but a villain will burn the world for you" NOT HIM NO HE WILL KILL EVERYONE OKAY cuz how date anyone suggest taking you away from him after everything he has done for the world. You are his reward and you better remember that.

- slow waltzing in the kitchen while he sings you his favorite love song, giggling in a pretty cafe while sharing a piece of cake( he is feeding you the whole thing and will kiss you when u Ask why he isn't eating any himself) , getting tipsy and walking back home all sweet and drunk and in love. He is adventurous and wants to experience everything With you.

- best part, everyone around u will love him. I'm sorry but I like it when my bf is liked by the old ladies and my parents and my boss. He will make you the power couple, even if you aren't as "powerful". He is your biggest loudest supporter always. Always introducing you to ppl as if you cured world hunger , telling everyone just how smart and kind you are taking any opportunity to talk about You. And dancing with him at galas makes you feel like a princess

- he will get the best gifts, say the sweetest things, be the most supportive kind eyes only for you guy once he genuinely falls in love.

I love jason a lot too, and tim and bruce too. Like yes I daydream about all of them But I just hate how underrated my boy here is.

[freakingholland]

freakingholland's batboys headcanons part 1

A/N: Hi cuties! After posting some dc comics related imagines over the last couple of years I've decided to finally post a list of my own headcanons for batboys! Just a disclaimer - these are based on multiple dc related media (comics, shows, fan-made content) as well as just my imagination. I do not mean any harm with these! Also if you agree/disagree with these let me know in the comments/asks/rbs because I'm super intrested in what you guys think and your own fanons! Stay whelmed xx questions/ideas here! - rules here my wattpad archive is here my AO3 archive is here If you enjoyed my work: Ko-fi.com/freakingholland masterlist

Dick Grayson (25-29ish yo)

Wears contacts all the time when he’s out. His sight used to be perfect up until puberty. Only wears prescription glasses when he knows he’ll spend the entire day wearing sunglasses – has prescription on them (he does have an emergency pair of regular glasses though).

Has a deep set of dimples. More visible when he’s a dehydrated raisin of a human being. He has a special bottle for just water to force himself to drink more.

Is left handed. His siblings bother him for that matter when he accidentally elbows somebody while eating.

Is “silently” addicted to energy drinks. Has tried to switch to other beverages but ultimately always goes back to energy drinks.

Sings in the shower, has a genuinely good singing voice. Pretends to be shy when people suggest doing karaoke.

Has chronic wrist pain due to a bad fracture.

Is a minimalist. Hates clutter and frequently gets rid of things like clothes, unnecessary gadgets, kitchen utensils etc.

Loves rock climbing and bouldering.

Has pockmarks on his cheeks. Had tried different products to make them fade away, but gave up and accepted his fate.

Uses a lot of post-it notes around his apartment.

Jason Todd (22-24ish yo)

Jason is the only one with brown eyes. You cannot convince me otherwise. Don’t try to.

He’s the best cook out of all the guys. Finds it very therapeutic. Genuinely enjoys making meals especially if others can stop by for dinner or pick up his food. (always makes me think of those pics of him and Dick in the kitchen in Gotham Knights!)

Has type 1 diabetes, uses a pump. (As mentioned here!)

Has a private library stamp for his book collection because any time someone visits him, somebody borrows (steals) books from him.

Plays the violin, self-taught as an adult. It’s his “safe” hobby that convinces his neighbours that he’s just a regular guy.

Has a full arm tattoo sleeve, it’s his way of dealing with body dysmorphia and body image issues. His tattoos include book references, fav movie characters and different symbols for all of the siblings (not their super hero stuff though, for safety reasons).

Has reading glasses. (As mentioned here!)

Hates arugula, loves Italian cuisine. He is not afraid of carbs (his glucose monitor states otherwise) and makes noodles often.

Has wavy hair but doesn’t use proper products for his texture.

Has veryyy straight teeth naturally. Others are jealous.

Tim Drake (20-21ish yo)

Journals. Even when he’s severely sleep deprived. It’s his way of dealing with heavy stuff, but also his archive in case he goes missing.

Has a nintendo switch. Doesn’t really use it but he knows that Damian steals it that’s why he keeps it instead of selling it.

Has a proper skin care routine. It includes dying his hair dark every 4 weeks cause he has gray hairs due to stress.

Uses ktape regularly. Struggles with chronic back pain and uses a foam roller.

Is vegan. Doesn’t try to convince other peeps to switch to veganism knowing that they are barely capable of making food for themselves. Will make an exception and eat meat if it’s a meal prepared by somebody close to him.

Is a huge music fan, listens to music often. Mostly metal, but also pop, rap. Doesn’t really discriminate music genres.

Loves playing board games. Is the type to bring board games to social meetings of sorts in case people want to play.

Has a very pleasant, contagious laugh. Rarely laughs out loud, but those who know his laugh try hard to make him laugh for that matter.

Has really sparse facial hair. Would like to grow out a stache or beard but cannot.

Blushes very easily. Doesn’t like it. Despises cold temperatures for that matter.

[canonmisogynyvictimstournament]

PROPAGANDA

BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)

1.) Back with another Warriors submission, I bet you’ll be getting a lot from other people too LMAO. Bumble is a kittypet (housecat) who befriends the male protagonist Gray Wing’s girlfriend, Turtle Tail, and lets her stay in her house. This gets Gray Wing all pissy because he’s controlling of Turtle Tail and shares most of the wild/clan cat’s proclivity for looking down upon kittypets. Turtle Tail gets pregnant by another kittypet, Tom, who tries to control her by hiding the fact that humans take away kittens after they’re born. Eventually Bumble comes clean about it so Turtle Tail returns to the forest. Some time later, Bumble is found in the forest seeking refuge because Tom has been physically abusing her, scratching her where the humans can’t see. So, she’s CANONICALLY ACKNOWLEDGED as a domestic abuse victim (unlike Squirrelflight who meets all the textbook signs but the narrative and authors deny it). How do you think our good guy protagonists, i.e. Gray Wing “The Wise” and Turtle Tail, respond to an abuse victim seeking refuge? They tell Bumble to go home, thinking to themselves that she’s fat and soft and therefore would be useless in their group. Bumble stands up for herself and asks to speak with the leaders of the group. One of them asks if Bumble could just get along with Tom better (bro???) and when Bumble says it’s not within her control, the leader suggests being nicer to the humans instead. Another rival leader butts in and verbally abuses Bumble again by ripping into how fat and lazy and useless she would be. Despite Turtle Tail having been friends with Bumble and Bumble had helped her through her own hard times, to Gray Wing’s approval Turtle Tail chooses not to intervene as Bumble is forcibly escorted back to her abuser. But that’s not all. Later Bumble is found in the forest maimed and dying, and it seems likely that Gray Wing’s brother Clear Sky, a male with a long history of violence, is the culprit. Rather than mourn the dying innocent cat, Gray Wing’s primary concern is how other cats might be mean to Clear Sky if they think he’s a murderer, and reassures himself that refusing to help Bumble in her time of need was still the right decision.

2.) I have no idea how she managed to be written so horrifically from an abuse victim and woman (/she-cat I guess) standpoint but here we are. Okay so my memory is a bit fuzzy but basically Bumble was a character in Dawn of the Clans and a close friend to Turtle Tail, a major character, as well as a character who lived close to Tom, an abusive dickhead of a cat. Bumble was largely depicted as just a really sweet cat. Turtle Tail was very briefly the mate of Turtle Tail, but once she got pregnant, he became super violent towards both her and our gal Bumble. Tom actively hid the fact that, once her kits were old enough, Turtle Tail’s kits would probably be taken from her, and made Bumble keep quiet about this too, but Bumble eventually told Turtle Tail the truth, Turtle Tail left and Tom became extremely violent towards Bumble because of this, and was extremely abusive towards her. Eventually, Bumble ran away from him to where Turtle Tail and co were and begged to stay, since the wilderness as a whole was genuinely more safe than being around Tom was. Naturally, this meant kitty xenophobia from cats who had only arrived in that area recently, because everybody was insistent than, since she was a kittypet/house cat, things wouldn’t work out, and even her friend Turtle Tail denied her on this, insisted she was too soft to live in the wild and only sent her towards a cat Bumble wanted to convince because she was absolutely certain she’d be denied. Also our good old protagonist Gray Wing got to spend this scene being all upset about this soft cat wanting to join them to escape an abuser and was all bitter about the fact that Turtle Tail lived with her for a short period of time, and he also got to have a sweet romantic moment with Turtle Tail after denying an abuse victim an escape from her abuser. Also as much as I like Tall Shadow usually she sucked ass in the following scene because she was essentially telling Bumble to go find a way to make peace with Tom as if she was not the one being abused (Bumble pointed out that Tom was the one who would need to make peace for it to happen, not her) and that she should just make life better by going back to being a housecat and being spoiled despite the fact that she was actively at risk with her owners because of Tom. Then she leaves after being threatened by several cats there and is called soft on the way out. The next time she appears she is literally dying, and her death is just a plot device to create a stupid little mystery which is solved in a very stupid way. Also her abuser does continue to be a shithead and for some reason is fully permitted to kidnap his own children but he also gets a heroic death and the only reason I will not rant more about him is because this is too long already. Long story short Bumble deserves the world and everybody who decided not to let her escape her abuser just because they thought she was soft sucks

3.) Is nice to the group of starving, feral wild cats that left the mountains so their friends and family could have more food to eat and befriends one of them to the point of opening her home to her after she leaves the group because the guy she likes is too dumb to notice she likes him and keeps falling for his brother’s love interests.

Unfortunately, because Bumble is a house cat who lives in a house with people and not a Wild and Free cat, this is a grave and horrible crime (luring a wild cat into the safety and comforts of domesticity) and is villainized for the rest of the arc, including for things wildly out of her control

I.E.

Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there

When Bumble’s friend leaves and goes back to the wild cats, Bumble leaves her home (as the abuse as has gotten worse) to see if she could either get help or have her friend return so the abuse isn’t as bad again)

Bumble eventually dies in the wild because the feral cats all hate her for ‘stealing’ their friend and tricking her into becoming a kittypet for awhile and refuse to help Bumble adjust to wild life or even teaching her how to hunt.

They are littl e to no hard feelings at her death beyond ‘good riddance’ but the aggressive tomcat that chased her out of her home is later regarded with good feelings and regret at such a ‘good, heroic cat’ passing when he dies despite him literally never doing a good or kind thing in his life and actually causing trouble for the wild cats right before dying

ALEX DEWITT (DC COMICS)

1.) The term “fridging” is literally based on Alex and what happened to her. She was killed off violently by a bad guy trying to get at her boyfriend only a couple issues after she was introduced (making it obvious they only brought her in to kill her off for shock value). Her death did very little to the narrative other than hurt her boyfriend Kyle and was done in an exceedingly horrifying and violent way. (Bad guy came to the door with flowers and threatening note, broke in and attacked her, choking her to death, before [off panel] chopping her body up and sticking it in the refrigerator as a “surprise” for her boyfriend. This obviously is really fucked up and she deserves better and should win this actually (a vote for Alex is a vote for all fridging victims [in spirit])

2.) It doesn’t get much worse than being the character whose death originated the “fridging” trope. In Green Lantern Vol. 3 #54, Kyle Rayner comes home to find that Alexandra, his girlfriend, has been killed by the villain Major Force and stuffed into the refrigerator.

Alexandra DeWitt is the character whose misogynistic treatment coined the term where a character, usually female, is killed off purely to make the main character, usually male, feel bad. Even if there are other characters who have been subjected to similar levels of misogyny, Alexandra DeWitt’s treatment has been essentially immortalized.

3.) I know she’s not going to win but shout out to my home girl, literally the trope namer for women shoved in fridges. All anyone ever knows about her is that she was Kyle’s girlfriend and got murdered for his character development, even though she had plenty of potential to be her own character.

[the-witchhunter]

DP x DC: Clockwork

I’ve been seeing “Clockwork is Chronos” popping up, and I don’t hate it, it’s a good way of connecting Danny to Wonder Woman, but there’s some baggage that comes with him being the literally mythological Chronos that I don’t think most people really want to deal with. AKA him eating his children and the war between the gods and the titans, which probably wouldn’t endear Danny to Wonder Woman

Also there’s a Villian named Chronos in DC comics, with time powers and that confuses things further

An alternative, if I may suggest, is have clockwork just be Time...

Time as in Father Time, the primordial embodiment of time, and father of the Endless from the Sandman series. Not to be confused with Father Time of S.H.A.D.E.

So Time is time and also controls his domain which is time. Time is constantly changing from a young boy to a middle-aged, then an elderly man in a random pattern. Sounds pretty darn familiar, right? Almost as if that describes Clockwork to a T. Time and his partner, Night, or Mother Night, hooked up and the result was the endless. Time and Night are no longer together, though Time misses night.

For those who don’t know, the Endless are embodiments of aspects of reality, beings above mere gods. They are described as “inconceivably powerful” There may be gods of the things they represent, but they are literally the thing they are. The Endless are Destiny, Death, Dream, Destruction, Desire, Despair, and Delirium(formerly Delight). They’re a dysfunctional family with Death being the one that gets along with everyone and the one that most has her shit together.

So what does Clockwork being Time give Danny? 

It would make him the adopted grandson of a cosmic force, as well as give him a bunch of dysfunctional aunts and uncles, one of which is Death herself, who is actually a really cool person. 

This gives him ties to beings that are functions of reality embodied, that even if they are somehow destroyed, only that aspect of them is dead and they Reform as a different aspect, which has only happened twice.

Any member of Justice League dark would shit their pants finding this out about Danny. Hell, this might through some of the regular justice league for a loop. Martian Manhunter has met and recognized Dream before. Wonder Woman might know about the Endless already. Hell, Dream was allowed to waltz right into hell and met up with Lucifer, like it was no big deal, and that was after being incredibly weakened and lacking his tools

So yeah, let Danny be the adopted nephew/pseudo sibling to the Endless. His name even starts with a D so it works on multiple levels

[stealingyourbones]

What suggestions would you have for cool, lesser known DC characters I could write a crossover fic with.

Preferably not Gotham-based characters because as much as I love them I need a break and I want to try something new. I know you mentioned Animal Man in another post. Does he have a solo run I can look up or is he usually in group comics/a side character in somebody else’s comics?

(I am deliberately baiting you to info-dump to me about any DC characters you want and I will write a fic with them so go nuts.)

Sadly at this current moment I can’t infodump nearly as much as I’d want to because my carpal tunnel is being a lil bitch but I can give synopses:

Animal Man- Buddy Baker, a typical suburban dad who also happens to be a hero that can use abilities based on any nearby animal (including bacteria?). He is powered by The Red which is the animal version of The Green (Plant Life). The Red is less the concept of all animals but more the concept that all animals are meat. his comics are either a beautifully terrifying body horror gore fest or a 4th wall breaking mind bending creation. No in between. Having Animal Man fight the Lunch Lady and realize she’s fundamentally a different being and not of The Red would be crazy awesome.

Booster Gold or Ted Kord: Booster Gold is a Time Cop who got his job from stealing shit from the Hall of Justice Museum and heading to the Age of Heroes to fund enough money and fame to pay for his mothers cancer treatment. He could be used in Clockwork related fics a lot and he’s also equally as much as a dumbass as Danny.

Blue Beetle also known as Ted Kord, is basically in the same package deal as Booster. Ted Kord, Late owner of Kord Industries, ja a brilliant master of technology and has stuff from a massive beetle ship to a gun. He’s best friends with Booster and their bromance could be fun if you want Danny to have two partially functional adult mentors.

Wally West. The second and fastest flash. A he’s the most go with the flow dude I’ve seen in recent comics, including dealing with an inter dimensional WWE esque fight where he fights alongside Space Hulk Hogan, and has a wonderful Wife, Linda West, and (sometimes) twin kiddos. The Flash’s entire sthick is family. They’re more family centered than the Fast and Furious movies for god sake. Having Danny find a new home in any speedsters home would be incredible.

The Spectre: the embodiment of Gods Wrath. I would go on far too long of a rant remind me to do one later but for now all I’m saying is that it would be sick as fuck for The Spectre to kill Vlad for the horrible things he’s done.

Green Arrow or in general Star City: Oliver Queen, inheritor of Queen Industries is a dude who got trauma after a boat sank and some island thing (tbh I don’t know his backstory off the top of my head), but he’s a very quippy and hilarious guy who’s jokes would mesh pretty nicely with Danny’s humor and in general he’s underutilized in both dpxdc and DC so it’d be nice to see that change :)

Ok hands are getting angry but I hope that’s a fun starting example list for ya!! :D

[graysoncritic]

A (Negative) Review of Tom Taylor's Nightwing Run - What Went Wrong? Dick's Characterization

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

In the previous section, we explored not only who Dick Grayson is and why he is so beloved by his friends, but why many people — including Taylor and others at DC — have a hard time  understanding his character. By reducing Dick to a hero who is “good” and transforming into an “everyman” that anyone can project themselves onto, Taylor fundamentally removes that which makes Dick special, transforming him into a different character.

But there are other ways in which Taylor and DC mischaracterize Dick by erasing his history and transforming into a more “palatable” mainstream hero. That is what I wish to explore in more detail now. 

Let’s begin by examining how Taylor’s framing Dick’s story in Nightwing (and that of the Titans in Titans) as a coming-of-age tale contributes to a grand erasure of Dick Grayson’s greatness.

In Taylor’s run, Dick is treated as if he were a new superhero. However, even if this run (not the entire title that started in 2016 with Rebirth, but just Taylor’s run) were to become a new stand-in for the 1996 Nightwing solo in which Dick arrives in Bludhaven for the very first time, Dick Grayson should not be portrayed as someone new to vigilantism. Even if one were to generously interpret Taylor’s Dick as being only twenty-two years old after starting as Robin at twelve years of age and only recently having become Nightwing, Dick would still have a decade of experience doing detective and hero work. It is notable that most of that decade was spent with him leading the Titans, serving as Batman’s partner and second-in-command, and mentoring numerous young heroes.

(Wolfram, Amy, writer. Kerschl, Karl, illustrator. In the Beginning… Part Three. Teen Titans: Year One no. 03, e-book ed. DC Comics, 2008. pp. 09)

One of Dick’s core traits is that he is a natural, if at times reluctant, leader. Many key moments in his character history are defined by Dick feeling the weight of the responsibilities placed upon him and having to push through his personal reservations for the sake of others. 

Dick was the first child hero. He was the first sidekick. Out of universe and in universe. (In the introduction to  Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman, Kristen L. Geaman mentions that some argue Mister America from Action Comics #2 is, in fact, the first side-kick. However, this claim is debated since Mister America played more of a comedic and “Watsonian” role [as Dick Grayson Fan C suggested], and Dick was the one who popularized the formula of the role.) He was the proof that the concept of a sidekick — a partner — could work. Proof that kids could be trained into this life. Proof that they did not need powers in order to be a hero. That is one of the reasons why, in-universe, he is admired by so many characters – because he is the trailblazer who opened the doors for every young hero and side-kick that came after him. Dick’s history is also why he has so many connections — it is because he was the one who opened the doors for everyone else, mentored so many people, and partnered with those who were his age and those who were much older that he gained so much respect in the superhero community. 

And yet, that history is called into question in Taylor’s narrative when he frames Dick as a young, new hero who is just beginning to assess what he wants to do with his life. Not only is it bad storytelling to portray Dick’s connections without factoring in the experience tied into them, it also demonstrates a fundamental lack of understanding of who Dick is, what he represents, and why he’s been so beloved for over 80 years.

This lack of appreciation and of respect towards Dick is extended to the other Titans in Taylor’s Titans (2023) run. As he himself pointed out, the first arc is called Out of the Shadows because, in his words, the Titans are “stepping out of the shadows of the Justice League.”

(Taylor, Tom [TomTaylorMade]. Twitter, 22 June 2023, https://twitter.com/jesswchen/status/1636971185782259716?s=20.)

And yet, to its fans, the Titans were never in the Justice League’s shadows. They were not inferior or subordinate to the Justice League, even if they may be less known. In-universe, the Titans may have modeled themselves after the Justice League and they may be allies, but the Titans are still an independent entity. From their very inception they defined themselves in contrast with how the Justice League operates. 

In fact, in JLA/Titans #02, Dick himself draws this distinction when arguing with Bruce and calling him out on his condescending behavior towards the Titans.

(Grayson, Devin; Jimenez, Phil, writers. Jimenez, Phil; Brown, Eliot R., illustrator. The Generation Gap. JLA/Titans no. 02, e-book ed. DC Comics, 1998. pp. 23)

Trying to repackage Dick and the Titans as newbie heroes who are only now experiencing independence demonstrates a lack of understanding of their history and who the Titans are meant to be. The Dark Crisis and The Dawn of the DCU attempt to frame Dick’s Nightwing series and Titans as coming-of-age tales, where only now the characters are stepping into adulthood. Taylor’s writing goes a step further and portrays them as making rookie mistakes, coming across as newbies, and as a result, erasing all of the rich history that have built these characters into who they are today.

As I mentioned above, even if we generously interpreted that Dick never lived in Bludhaven before, Dick should still have plenty of experience being a hero and living on his own. The moment in which he transitions from Robin to Nightwing (willingly or unwillingly depending on your preferred Nightwing origin story) is Dick’s coming-of-age moment. By the time he comes to Bludhaven, Dick already knows who he is, what he wants, and he knows how to care for himself. By the time Dick comes to Bludhaven, his internal struggles are not that of a young adult who just left the nest and does not yet feel like an adult, but rather that of an adult who knows his own abilities and is confident in who he is. 

And yet, in Nightwing #84, the first issue in Nightwing: Fear State, Taylor has Dick pondering on the responsibilities of taking care of Bludhaven. Right on the first page, he says “Fighting an entire corrupt system? Saving a whole city? There’s no training for that.” 

(Taylor, Tom, writer. Rodriguez, Robbi, illustrator.  Fear State Part 1 of 3. Nightwing: Rebirth. 84, e-book ed. DC Comics, 2021. pp 03)

Except even the most basic knowledge of Dick’s character shows that he was, in fact, trained to save an entire system and to fight a corrupt system — he was trained to care for Gotham and to take out the corrupt systems that prevail in that city. Not only that, Dick has also been Batman, at which point he was also Gotham’s main protector. 

This mistake becomes even more outrageous when one considers that, though Taylor’s run is at times treated as a soft-reboot, Dick is still shown to have lived in Bludhaven while operating as Nightwing. This means that that generous interpretation I’ve been alluding to is not, in fact, compatible with the story as it is written. It is a falsehood, and therefore cannot be used to excuse the “new-in-town” approach Taylor uses when writing Dick. 

Dick’s apparent inexperience and, frankly, incompetence, is further highlighted by the amount of times Dick is saved by others, or the amount of times when he is dependent on others to do the work for him. These instances include, but are not limited to:

The people of Bludhaven answering Nightwing’s call when Heartless sets the tent city on fire in #81

(Taylor, Tom, writer. Redondo, Bruno, illustrator Leaping into the Light Part 4. Nightwing: Rebirth. 81, e-book ed. DC Comics, 2021. pp 13)

Dick being knocked out with a single blow and then unmasked during his first attempt to investigate Melinda also in issues #81

(Taylor, Tom, writer. Redondo, Bruno, illustrator Leaping into the Light Part 4. Nightwing: Rebirth. 81, e-book ed. DC Comics, 2021. pp 20 - 21)

Babs calling people to Dick’s rescue rather than trusting he could get out of it on his own in #82.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Leaping into the Light Part 5. Nightwing: Rebirth. 82, e-book ed. DC Comics, 2021. pp 03)

(Taylor, Tom, writer. Redondo, Bruno, illustrator. The Battle for Bludhaven’s Heart Part Four. Nightwing: Rebirth. 95, e-book ed. DC Comics, 2022. pp 24 - 25)

In #90, when his building blew up and Wally came to save him, then proceeded to force him to rest away from Bludhaven instead of letting him take action.

(Taylor, Tom, writer. Redondo, Bruno, illustrator Get Grayson Act Three. Nightwing: Rebirth. 90, e-book ed. DC Comics, 2022. pp 15)

And needing Babs’ help during a car chase in #106,

(Taylor, Tom, writer. Byrne, Stephen. The Crew of the Crossed Part One. Nightwing: Rebirth. 106, e-book ed. DC Comics, 2023. pp 16)

Which greatly contrasts how, in #113 of the Nightwing (1996), Dick handles a similar situation while simultaneously mentoring Rose Wilson.

(Grayson, Devin, writer. Chian, Cliff, illustrator The Scorpion and the Frog. Nightwing no 113, e-book ed. DC Comics, 2005. pp. 19)

The thesis of Taylor’s run is that people need to rely on one another — we have to be each other’s safety net. And while that is an interesting theme to explore and one that certainly speaks to Dick’s history of doing things on his own out of fear of putting others in danger, Dick should still, more times than not, be able to do things by himself. After all, this is not an ensemble piece — this is Nightwing’s story and as his fans, we want to read about him. Cameos are fine. They can be fun, in fact. But cameos are different from Dick constantly struggling and needing help whenever he faces a challenge – the former portrays Dick as someone with powerful connections that deeply love him; the latter portrays Dick as being incapable of doing things without someone holding his hand.

This is another thing that Waid understands about Dick and portrays it clearly in World’s Finest. When Kara explains to Clark what first attracted her to Dick, she emphasizes how, despite the fact he had no powers, he could still save himself. 

(Waid, Mark, writer. Lupacchino, Emanuela, illustrator. Scream of the Chaos Monkey. Batman/Superman: World’s Finest no. 12, e-book ed. DC Comics, 2023. pp. 06 - 07)

Being not just competent, but exceeding even the highest expectations is at the core of Dick’s character. And, as was pointed out in the previous section, it also serves to feed into his toxic perfectionism — he is one of the top tier heroes, therefore people expect excellence from him. Dick does not want to fail those who put their trust in him, and so he demands perfection of himself to the point of self-destruction.

Beyond that, we cannot give Taylor credit for trying to tell a story about Dick growing out of his perfectionist bad habits by learning to rely on others. After all, if Dick is constantly asking for help, then he is not resisting help. And that removes his chance for growth. A character arc requires development and change, which means one cannot start at the endpoint. Therefore, it cannot be claimed that Taylor’s intentions are for Dick to learn to rely on others, for he has been doing so without hesitation since the beginning. 

As a result, the story is not about Dick being Bludhaven’s safety net while learning that he also has a safety net of his own, but rather about Dick always relying on his safety net, always knowing it was there, and having them also shoulder the responsibilities he took when he named himself Bludhaven’s protector. There is no room for Dick to grow because he is already at the end of his journey. And there is no room for Dick to be the hero of his story because others are constantly coming to his rescue when things get too difficult.

Once more, I must clarify that I’m not saying that Dick is not loved, or that Dick is not important to many people. I’m simply stating that the way his relationships are built gives him very little room to rely on them. He is their safety net but he doesn’t trust them to be his safety net. Exploring this requires going into the nuances of each relationship, where conflicts are created, and where people hurt the other in the heat of an argument. It would mean dealing with the messiness of complex human emotions, forcing characters and the audience to sit with uncomfortable feelings as we get to the root of Dick’s perfectionism and his fears.  

In June of 2022 a reader on Twitter asked Taylor about his decision to have Dick constantly falling, for, as they pointed out, this makes Dick look incompetent.

(Jonathan [@Nightwingdagoat]. Twitter, 21 June 2022, https://twitter.com/Nightwingdagoat/status/1539267708310765568)

Taylor responded by saying that these instances were Redondo’s call, and that it was their attempt to humanize Dick.

(Tom Taylor [@TomTaylorMade]. Twitter, 21 June 2022, https://twitter.com/Nightwingdagoat/status/1539267708310765568)

In fairness to Taylor, the following criticism will then be directed primarily at Redondo who believed these instances were the best way to “remind people that Nightwing is human.” That being said, as Taylor appears to support such a position, and as he has written numerous incidents where Dick is conveniently knocked over by others, I do believe this can be directed at him as well. 

Simply put, to have a character constantly fall is a superficial and lazy way to humanize said character. Casual falls like this, after all, are not failures. They contribute little to the story and have very little consequence.  

Nothing happens once Dick falls. The bad guy doesn’t get away, the innocent civilian is not hurt, the crucial piece of evidence needed to crack the case is not destroyed. There are no lasting consequences for Dick to deal with, no conflict that can arise from these falls, no tension to make Dick’s future success more emotionally effective. Furthermore, these falls are completely out of Dick’s control, taking away any responsibility he might have for his mistakes. 

If the flaws that are meant to “humanize” Dick are falls which he bears no agency over, then he, the good guy, has no responsibility over his own “failures.” Said “failures” also end up having no consequences to the plot, which gives Dick no crisis to respond to (furthering his passivity), and this robs Dick of character development opportunities. 

It creates a stasis in the story where the only conflicts Dick faces are the ones against really bad guys that always – always – lose to Dick and his connections, and ones which do not ask for moments of introspection.

Despite almost never falling in The Untouchable, Dick is far more human there than in Taylor’s and Redondo’s run. This is because Dick is forced to face the consequences of his “failure” to capture the Judge twice in the past. Dick is constantly thinking about the Judge’s victims, forcing himself to carry their lives on his shoulder. He pushes himself to toxic lengths. Whenever the Judge escapes his grasp, the conflict evolves, the stakes are raised, and the tension builds. Dick’s desperation becomes visceral to the reader, and that is what humanizes him to the reader. Similarly, the emotional pay-off of the climactic battle in the end grows with each obstacle Dick faces.

(Humphries, Sam, writer. Chang, Bernard, illustrator The Untouchable: Chapter Four: Infiltration. Nightwing: Rebirth no. 38, e-book ed. DC Comics, 2018. pp. 09)

But Dick’s newbie incompetence is not the only way Taylor mischaracterizes Dick. It is by combining the lighthearted tone of his story, his depiction of Dick as a blank canvas “good guy,” his avoidance of conflict, and his attempts at answering difficult real-world problems that Taylor ends up creating a version of Dick Grayson that is utterly self-absorbed and lacking in foresight.

Telling and not showing is an immense problem in Taylor’s writing. There’s a difference between how a writer attempts to portray a character and how, given their actions in the context of the narrative created, the story shows them to be the complete opposite. In such cases, the story triumphs over the writer. This is why I claim that, though Taylor tells the reader that Dick is caring, intelligent, and a hard worker, he actually shows Dick as as selfish, incompetent, and naive.  

Take, as an example, how Taylor sidelines the Heartless storyline in favor of slice-of-life scenes. If Heartless was not there, perhaps those sweet moments could be just that. However, as in the world of the story there is currently a serial killed running around free, making orphans out of the youth Dick vowed to protect, the fact that Dick is not constantly working to catch Heartless is not only out of character, it makes it so it seems he doesn't care what happens to the people of Bludhaven (And now also Gotham, given #111, which was released as this essay was being edited). Rather than stopping crime and bringing justice to Heartless’ victims, Dick would rather spend his nights in his apartment, enjoying a relaxing evening with his girlfriend and his dog. 

Please do not take this to mean that I consider a slice-of-life story to be inferior to other genres. My reason for highlighting this is not to undermine the value of slice-of-life, but rather to argue that such scenes do not live in isolation. They exist within the context of a larger narrative, and what would be sweet in a sitcom-style story comes across as something entirely different when other characters are facing life-and-death stakes. It does not matter how much the writer tells us that these characters are caring and compassionate — their lack of action and urgency portrays them as self-centered. 

Just as Taylor attempts to write the big climatic moments without properly building the momentum necessary to make them impactful, he similarly forgoes the work required to win the reader’s trust, and instead expects his audience to simply accept that important plot and character developments are happening off-screen. Rather than letting the audience experience the intrigue and devastation of the Heartless mystery by showing us how the horrors of these murders motivate Dick to continuously search for this cruel killer, Taylor instead advances these elements off-screen, opting instead to tell the reader they’ve occurred.

That is not to say that writers cannot streamline plots. They absolutely can and, in some cases, they absolutely should. However, streamlining a subplot is a far more complicated matter than just telling the reader said events happened off-screen and expecting them to simply accept it. 

While it is impossible to provide a precise checklist with the step-by-step guidelines on how to properly streamline a subplot, I believe one of the factors one must consider is whether that plot should be streamlined or not. Personally, I believe that Dick investigating the character who was meant to be this run’s main villain is too big and too important of a story to be played off offscreen.

Dick has hardly spent any time attempting to apprehend Heartless. Instead, as time of writing, his investigation of Heartless has practically nonexistent. Instead, after not focusing on him for the majority of the run, we are simply told by Dick and Babs that they’ve been keeping an eye on Heartless, even if their investigation is never shown to us. 

(Taylor, Tom, writer. Basri, Sami Nightwing. Nightwing: Rebirth. 111, e-book ed. DC Comics, 2023. pp 09)

If we, as readers, are to believe that Dick is the selfless detective and hero — the Heart of the DCU — that Taylor tell us he is, then finding and apprehending Heartless should be one of his top priorities. If Heartless was meant to be Nightwing’s big nemesis, then their confrontation should always be a source of great tension and conflict. Such importance would be demonstrated by showing Dick working towards stopping him at every moment he has free. But either those moments are not happening at all, or they are happening off-screen.

Having such an important conflict and such a crucial antagonistic dynamic develop does nothing to enrich the plot — in fact, it only detracts from them, for because we do not get to witness this relationship grow and we are only told that it is happening, the pay off that must come when Nightwing and Heartless finally have a big confrontation will be cheapened as a result. 

Heartless' actions are so brutal and create such urgency that not prioritizing Heartless' arrest makes it seem like Dick doesn't care about his victims. Batman doesn't wait around when the Joker breaks out of Arkham – he hunts the Joker down. Similarly, Dick didn't wait around on the Judge – he hunted him down. 

For Heartless to be the Big Bad, Dick should have put him in jail already and Heartless should have escaped. DIck should have faced him multiple times. He should have been Dick's priority because of how cruel and urgent his actions are.

Finally, there are three particular moments that I wish to discuss to illustrate how ambivalent Taylor is when it comes to Dick’s characterization, choosing to prioritize online discourse over who Dick Grayson’s established history and personality. 

The first one comes from a throwaway line. And yet, because this was a throwaway line that demonstrated how little thought Taylor gives to his main character. 

When Tim makes his first appearance in Taylor’s run in #80, Dick’s narration says that many would consider Tim to be the best Robin, and that he “totally gets it.”

(Taylor, Tom, writer. Redondo, Bruno, illustrator.  Leaping into the Light Part Three. Nightwing: Rebirth. 80, e-book ed. DC Comics, 2021. pp 09)

“Who is the best Robin” is a discourse that I, admittedly, care very little for. It serves no purpose other than to get fans to fight one another, bashing each other’s favorite characters in order to prop up their own. When posed on social media, this question becomes a thinly veiled attempt to generate high engagement. In reality, when people discuss “who is the best Robin,” they are, most often than not, truly arguing about who is their favorite Robin. But the question is framed in a way to be purposefully divisive, creating conflict within the fan community. The fact that DC plays into that divisiveness that requires their characters to be brought down so others can be lifted up for marketing material is concerning, but the fact that writers such as Taylor are letting that fan perception bleed into in-universe narration is nothing less than lazy writing that prioritizes online leaning into buzz over good storytelling.  

Naturally, as a Dick Grayson fan my opinion is that Tim is not the best Robin. Dick is. But my problem is not that Taylor said that Tim was the better Robin, but that I think Dick would never concede to the existence of a “best Robin.” In fact, not only do I believe that it is out of character for Dick to believe that one Robin can be defined as the best Robin, I would argue that Dick would be offended that such a question could be asked.

Dick, more than any of the other Robins, understands the purpose of a Robin, as he was the one who created the mantle. By seeing so many others inherit his family’s colors and his mother’s name for him, he also understands better than anyone that each person who becomes Robin has their purpose in their own unique way. Dick would understand how each of them made the Robin mantle unique, how they added to its mythos in their own way, and how all of their contributions are equally valid and equally important. He would never single out one of them as the best because he knows that Robin is about an ideal of justice by bringing light into the darkness. Most importantly, understanding how many Robins tied their self-worth to the mantle, Dick would never want others to feel as if they fell short of some arbitrary measure by proclaiming they are not “the best.” Dick would be against that measure, against the very idea of ranking Robins, as if they were interchangeable, as if they each didn’t make relevant contributions. He would hate the idea of the mantle he created in honor of his parents being used to judge and measure the worth of those he loves. Dick would argue that there can never be a "best Robin" because Robin is always about being your best self in the service of those who need your help, and you can't quantify that.

The concept of a “Best Robin” is a marketing strategy and a fan-oriented discourse that Taylor casually imposed into the narrative without considering whether his protagonist would adhere to such ideas. He prioritized internet discourse over characterization, and while the former may be immediately fulfilling as the page is cropped and shared a few thousand times in the first few days after publication, only the latter will leave an impression that will last decades. Taylor is embodying a current DC Comics trend to favor the former over the latter. As scholar Steve Baxi said in his review of Leaping into the Light, that page “doesn’t feel like Dick Grayson appreciating his brother, it feels like Dick Grayson saying what the audience wants to hear.” (Baxi, Steve, “TRADE COLLECTION REVIEW: Nightwing Vol. 1 - Leaping Into The Light” Comics Bookcase, August 2021)

Although they share similar problems, unlike the “Tim is the best Robin” throwaway narration, the second example I wish to discuss in detail became a big plot point in the beginning of Taylor’s run. I’m referring to the choice of having Dick become a billionaire due to the inheritance Alfred left to him.

To be more clear, my problem is not with the fact that Taylor made Dick into a billionaire (after all, Dick inheriting wealth from his parents is not a novel concept), but rather with Dick’s musings on the subject. (Dick’s financial situation is inconsistent across the years. While some like Dixon and Wolfman allude to him having a trust fund his parents set aside and that remained untouched until Dick’s adulthood, other writers like Humphrey who portray him as more middle class and sometimes struggling financially. Then there are the numerous times in which Dick was left homeless, implying that he did not have a safety fund to go to when tragedy struck.) On #79, Dick says, without a hint of irony, that he always thought that Bruce could do more to help Gotham with Bruce Wayne’s money than he does as Batman. 

(Taylor, Tom. writer, Redondo, Bruno, illustrator Leaping into the Light Part Two. Nightwing: Rebirth. 79, e-book ed. DC Comics, 2021. pp 07)

This is a popular online discourse that reveals lack of knowledge about Batman and a naive understanding of how corrupt systems function. I understand we are currently very critical (and rightly so) of billionaires and the hoarding of wealth. I understand that this leads many — media critics and everyday fans — to analyzing how wealth is portrayed in the stories that resonate within our culture. But anyone who claims that Bruce has not used his wealth for the benefit of Gotham outside of funding his Batman endeavors has not engaged properly with Batman media. I’m not going to go into the merits of how Bruce’s wealth should or should not be portrayed and how DC has currently been handling this issue (that is the subject for an entirely different essay that is not relevant to this discussion), but I will say that Bruce has, canonically, used a lot of his money to fund safety net programs in Gotham, to invest in small businesses and on individuals, and in trying to make the city more affordable and kinder to those with less. 

Twitter user Ashley|TheBatFamily 🦇 (@TheBat_Family) created a comprehensive Twitter thread of examples. These are but some of the ones that stood out to me and that feel most relevant to this essay:

In Cataclysm, Bruce attempted to lobby the US government to offer aid to Gotham after the earthquake; 

Bruce used his money to rebuild the city during No Man’s Land;

Bruce invested in the people who were ready to start new businesses so Gotham could offer jobs to its people and rebuild itself without being fully dependent on others;

Bruce created scholarships so more people could attend university;

Bruce funds Leslie’s free clinic as well as other hospitals around Gotham;

Bruce invested on low-income housing developments in Gotham by working with local firms, providing accommodations to local residents so no one would be displaced;

Bruce expanded and modernized Gotham’s public transportation system;

Bruce ensured all Wayne properties were secured against earthquakes (which led to those residences being the only ones standing during NML);

Bruce funds libraries and museums;

Bruce funds green efforts not just in Gotham, but in other places by buying land and making them nature preserves;

Bruce funds orphanages and provided them resources (from educational supplies to toys for the children);

Bruce provided support for immigrants;

Bruce funds appeals for wrongful convictions;

Bruce provides employment for former convicts;

(Ashley [TheBat_Family]. Twitter, 13 October 2020, https://twitter.com/TheBat_Family/status/1316006509923520512.)

In short, Bruce Wayne has done everything and more that Dick claimed he wished to do for Bludhaven. There’s nothing novel about the idea. Batman narratives don’t put as much focus on these endeavors and do not place as much emphasis on Bruce’s philanthropy simply because they Batman stories are, at their core, detective stories first and foremost. Their focus is on investigation and crime solving (Though I would argue that Cataclysm and No Man’s Land put a lot of focus on issues of wealth, class, and examine Bruce’s financial responsibility towards the city).

But just because these examples are not the focus of the stories in which they are present, it does not mean that they do not exist. Neither does it mean that Batman stories do not engage with themes of wealth and class inequality, as well as systemic corruption. In fact, I would argue that many of the best ones know how to use Bruce’s privileged status to explore these issues. The Court of Owls by Scott Snyder, for example, brilliantly uses the Court and the Talons to engage with these themes. (An essay analyzing the Court of Owls through such a lens would be a fascinating study, especially when exploring the parallels and foils between the Court and the Talons, and Bruce and Dick. Alas, this is not the place for it.)

Dick, who not only has always been characterized as knowing Bruce better than most people,  but who was also raised by Bruce, would know about every single one of the examples listed above. Dick, of all people, had a front row seat to all the ways in which Bruce helped Gotham with his wealth, both in examples that were covered by the press, and the ones Bruce did secretly without taking credit. Dick attended countless fundraising events, press briefs, boardroom meetings. But most importantly, Dick would have witnessed with his very own eyes that lack of funding is not at the root of Gotham’s problems.  The problem in Gotham is not lack of money or safety nets, but rather, it is that its systems are so corrupt that pumping more funds into it will do nothing to help those in need. Instead, it will only further enrich those who are already in power. That’s why in this comic book world with comic book conventions and comic book logic, Batman is needed. Batman is a disruption to the system, forcing it to change, dismantling it from both the outside and the inside. In Dixon and Grayson’s Nightwing runs, Dick’s understanding of systematic problems can be observed in his motivation to become a police officer, as he joins the force with the goal to weed out the corruption and dismantle the system from within. Money alone cannot save a city if the foundation was purposefully designed to favor those on the top by taking from those at the bottom.

(Dixon, Chuck, writer. McCarthy, Trevor, illustrator The Threshold. Nightwing. 60, e-book ed. DC Comics, 2001. pp 22)

But of course, Taylor never takes a moment to wonder how being raised by Bruce Wayne would influence Dick’s perspective on this matter. Instead, he once more takes a popular online discourse and makes Dick say it out without considering characterization. A more in-character and canonically accurate approach to such a story moment would have Dick comment on all the ways Bruce used his money behind the scenes to help Gotham, and how he wishes to do the same for Bludhaven. A single line change would have demonstrated Taylor's willingness to engage with Dick’s character history rather than just copying the hot takes he sees on social media. 

Not only that, this change in dialogue would also establish Bruce and Dick’s closeness as it would show that not only is Bruce a source of inspiration for Dick, but that Dick is one of the few people who have seen this side of Bruce. That would have also made the hug between Bruce and Dick in the #100 more emotionally effective and thematically cohesive, especially as they are in front of Alfred’s grave.

(Taylor, Tom, writer. Redondo, Bruno, illustrator Power Vacuum: Part Four: The Leap. Nightwing: Rebirth. 100, e-book ed. DC Comics, 2023. pp 44)

The truth is that Dick's Haven project engaged with issues homelessness only in the most shallow of manners. Rather than discussing the realities of this matter, it simply used it as a backdrop. It is an appropriation of hardships by someone who is unwilling to engage with the difficulties brought upon by said hardships. It is substance-less writing masquerading as social consciousness.

The third example I wish to cite which demonstrates Taylor’s lack of consideration for Dick’s character or his backstory comes when Haley is taken in #87. Dick’s internal monologue reads that “The last thing I’d want is for anyone to be threatened because they’re close to Dick Grayson,” referring to the fact that he is now a public figure thanks to the press conference he gave about his plans for Bludhaven. 

(Taylor, Tom, writer. Redondo, Bruno, illustrator Get Grayson. Nightwing: Rebirth. 87, e-book ed. DC Comics, 2021. pp 09)

The idea that Dick Grayson, billionaire Bruce Wayne’s first child, was unaware of the dangers faced by those associated with a public figure is laughable. The idea that the first Robin, who was often taken hostage by villains who wished to get to Batman (so much so that Frank Miller famously nicknamed him “Boy Hostage”), did not understand the threat posed to those who are close to powerful figures is insulting. After well over a decade as a superhero, and after well over a decade of being associated with a wealthy public figure, Dick should know better than most how such ties can put loved ones at risk. 

In-universe, this line makes Dick appear so self-centered that he does not take into consideration how his actions affect his loved ones. It makes him appear dense, unable to think through his actions and strategize contingency plans and safety precautions before taking such a giant risk. 

Out of universe, this betrays a lazy way of storytelling, with Taylor going for low-hanging fruits without thinking of how that might affect the characterization of his protagonist. Out of universe, a collection of throwaway, thoughtless lines like this demonstrates just how uninterested Taylor is in giving even the slightest consideration to who Dick Grayson is meant to be, instead putting his focus on the gimmick that will get him noticed on social media.

[zahri-melitor]

What can you infer about the editorial meddling Young Justice went through?

Oh god. It’s like the old quote about pornography: you know it when you see it. Spend enough time reading comics and you can just tell.

Notable problems with the Young Justice 2019 run that smack of interference:

You can really tell there was external pressure to include Steph in the run and that she was not originally intended to join the team or appear any further than occasional cameos such as the flashbacks at the Hall of Justice as a link to Tim’s final scene in Tynion’s Tec run. Structurally her story makes no sense whatsoever for how to put a plot together. Steph’s not an original Young Justice character, the run already was supporting two new female characters plus a reboot of Amethyst introducing Amy to a new generation, even before we look at the crossovers from other titles in the imprint. The fact they ended up throwing in a single issue entirely about 'what Steph has been up to and her fight against Cluemaster' in the last section of the run makes it even worse, as that was valuable page time wasted pandering that could and should have been used to give Jinny Hex or Keli Quintela more development.

The entire ‘Drake’ situation, which for a costume change had very little build up, was under-designed, and then disappeared with Tim back in the Robin costume between two panels. It was a test balloon from someone that was comprehensively shot down by some mix of the fandom and editorial, and I remain convinced that DC is gunshy about a new costume and identity for Tim all the way up to the present day because of how badly it was handled.

It was being used as the anchor for Wonder Comics, leading to the required mega crossover (that also spilled over into Bendis’ Action Comics to give it some more space), putting even more pressure on the title to be telling a big crossover story when it was still trying to re-establish “your favourites are back” and suggesting potentially expanding the Young Justice lineup out to around thirteen characters, a massively oversized team that the title was not set up to handle.

Lost in the Multiverse was where the story started to get bogged down by being pulled in too many directions by expectations.

It’s also super telling that the last third of the book got turned over to essentially doing one-shot character pieces about the Core Four, the last defence of a run that can see cancellation coming and doesn’t feel confident launching a new story arc they don’t expect to get to finish. Some of this stuff was clearly background character work they would have preferred to have dripped out over a longer run.

Also I know I’m repeating myself, but having the Tim piece focus on Steph mostly, in the frame of Tim and Steph’s relationship? That’s not where I’d be spending my time when looking at Tim Drake in the focus of Young Justice. How he’s coping with his returned memories of having two or three different lives now? Thinking about what ‘Tell Conner you’re sorry’ means? Discussion about his feelings in terms of moving on from being Robin or not? Nah let’s talk about Steph's problems with her dad instead. That’s not a natural fit compared to what everyone else got and does not follow from any of the preceding story.

Still ropeable that the whole set of storylines about regained memories and alternate timelines doesn’t get to intersect with Lois Lane (which spoilers but also is committed to storytelling about ‘people have memories of other places bleeding through’ prior to the full Infinite Frontier retcon) or explore how those memories change things for Tim, Bart or Cassie (Kon at least does get a story about reconnecting in Action).

And that’s just off the top of my head, ignoring any of the more subtle signs.

I love Young Justice 2019. It is a run that adores Bart, Kon, Cassie and Tim (and particularly Bart. I cannot explain to you how much this story adores Bart if you’ve never read it) and the opening 6 issues make me feel warm and fuzzy every time I read them in terms of how cleverly it works to explain how we get everything back. There are clever subtle moments in the text that give a lot more depth to the story that are implied rather than spelled out: how Cassie suddenly remembers Bart when Bart comes near her, suggesting that her returned memories are a Speed Force side effect from being a lightning rod to Bart; Cassie and Tim sense Kon using TTK and recognise it as familiar, something the new characters cannot; the fakeout in the art where when Tim’s memories are restored, he sees Cissie in his memories, but unless you know the exact YJ98 page being referenced you’d think it was Steph; etc.

But gosh it would have been so much better if it had not been required to devote so much page time to crossovers and to pandering to fans, among other elements.

[the-kr8tor]

Thank you for voting for the name Octobie! Now for the themes! I've combed through every single suggestion you gave me and categorised all of them into 12 themes.

So what I'm gonna do is post the 12 (right here) and from that 12 the 5 most top voted will move up for another poll until the top 3 wins! (Reasons/ and where I got the themes from your suggestions are listed below the poll/cut. W/ brief descriptions also)

Note: Theme names aren't finalized but the meanings will still be the same. (They'll have a cooler name once they get picked!)

Wondering why there will only be three themes? Well the third week theme is called wild card where anything goes! So if your chosen theme doesn't win you can always wait for the third week of octobie to come around and you can do whatever you want in that week as long as Hobie's in it!

Fantasy— fairy! Hobie, Dragon tamer! Hobie/Dragon rider! Hobie, Mythical creature, Sailor/Pirate! Hobie x deity! R, Time-looped historian! Hobie, fae, Mermaid. (Literally anything to do with the fantasy genre)

Halloween- Cloak Hobie, Witch R & familiar! Hobie, Witch! R and demon! Hobie, accidental summoning, pumpkin, Demon! Hobie and angel! R, death reaper! Hobie and target! R, vampire! R and human Hobie, serial killer! Hobie and detective! R, zombie! Hobie, pirates, thriller! Hobie, (anything spooky or scary!)

Eras swap/ through the decades- Modern! Hobie x 1970s! r, modern au, 1800s, different au Hobies meet and different au readers meet, aged up meet cute (they meet in their 60s), decades, (time is the main gist of it, whether it's hobie through the years or some decade specific scenario)

Music- guitar, record play, music lessons, backstage, concerts, rival bands/musicians, band practice, battle of the bands, (anything that has to do with music!)

Comfort- stray cats, nicknames, arts and crafts, london tings, hate the am (mornings), flowers, cats, snow, cozy/chilling at home, library, favourite au/trope, cottage core, (anything that wakes the butterflies in your stomach or makes you feel the ooeygoeey feeling fluff!)

Anarchy- ACAB, battle vests, protest, punk. (Anything that Hobie would be proud of doing)

Slice of life/ family life- swing date, the twins, first dance, just cozy things, cozy/chilling at home, morning/nighy routine, handsy, date day/night, meet cute, sick day, childhood friends. (Cozy or family related!)

Crossover- villains and/Vs heroes, magical girl! Hobie, tokyo ghoul au, DC Crossover, Hobie meeting batman, android! Hobie and human r, baldur's gate 3 au, hobie and mutant x-men! R, hobie and deadpool!, deadpool! Hobie, gambit! Hobie, ghost rider! hobie, spy family au, nightcrawler! Hobie (whether it's a video game, anime or a different genre of comic, that goes here!)

Medieval- royalty, royal! R and rebel! Hobie, (anything that makes you sing the game of thrones opening lol)

Villain au- black cat! Hobie, deadpool! Hobie, mystique! Hobie, prowler! Hobie x villain! r (evil! Hobie? Evil! Hobie! Or any au pertaining to villainy!)

Movie mashup- scream killer! Hobie and caller! R, freaky friday/body swap, rom-com, will they/won't they?, swan lake au, mad hatter! Hobie, phantom of the opera au, the greatest showman au, avatar au, (general movie au or theatre au)

Runway ready- patches, runway, hair, piercings, braids, dress up/ fashion show, draw in your style. (Fashun!)

[incorrectbatfam]

I just got an anon who was purportedly at a comic conference and tried to share some unreleased information about certain characters in a certain movie. Whether it's true or not, I can't verify nor am I interested in doing so.

In support of the WGA and SAG-AFTRA strikes, this blog will not be posting or answering anything related to upcoming DC content.

(Yes, I know comic and screenwriting are different. But there's a lot of overlap and non-union folks are supporting the strike too.)

If you're wondering what comic fans can do, here are some suggestions:

Do not cancel your orders or subscriptions. Neither union has called for a consumer boycott. The point is to keep up demand to show companies like DC and Warner Bros. that they need writers and actors to keep their audience (From what I understand, finished content like the Blue Beetle movie are okay to consume.)

Donate to funds that support striking workers like the Entertainment Community Fund and the Snacklist.

If you can, join the picket line. Otherwise, social media is a good place to voice your support. You can also send letters or emails directly to the studios themselves.

If you are suddenly offered a gig, as shiny of an opportunity it may seem, do not take it. It might look good now but you will be barred from union membership and it'll jeopardize your future career prospects.

Do not harass writers or actors about production delays. The point of a strike is to disrupt the release of content. We can do without the new Superman movie if it means the people behind it get what they deserve. If you want to direct your frustration at anyone, direct it toward the studio execs.

This is also a good time to show support for indie comics and fan works!

Don't worry, I will still engage with old DC content and headcanons as usual.

[jangofettjamz]

Valentines Success

Jenna Ortega x Autistic!Male!Reader

Summary: You and Jenna exchange Valentines gifts

Words: 1162

2nd Person POV

(5 days earlier)

Jenna and You walked down the mall, shopping bags in hand. It was particularly quiet today which made the experience a little more bearable today than what you're regularly accustomed to.

You two soon came to a stop in front of a clothing store Jenna frequents, one of her favourite stores. However, the amount of people in store was quite substantial and you too could get noticed in public, something neither of you minded if they're fans, but today you two just wanted some quiet

You quickly thought of a solution to avoid being spotted by the public, and also maybe because you didn't want to go into the store yourself because of the people. "Hey babe, why don't you go in the store and I'll stay out here. That way it'll be harder for people to spot us since we're not close together" you suggested.

"You sure sweetie?" She says and you reply promptly with a nod and a smile. Jenma gives you a loving kiss on the cheek "I'll only be a couple minutes." She says and walks into the store, leaving you standing in the mall, looking for anything interesting to pass the time.

Not far from the clothing store was the LEGO store, one of your personal favourites. LEGO has been a comfort item for most of your life, and let's be honest, who doesn't love LEGO.

You walked over to the store and entered it, immediately engulfed with childhood nostalgia and familier sights that just make you feel all happy and giddy inside.

You looked at each set and their themes. They had from Star Wars, Spider-Man, Marvel Comics, Batman, DC Comics, Pirates In The Caribbean, Harry Potter; literally endless options, but you were looking for Star Wars.

There was one set you really wanted, the "Ultimate Collectors Series Lego Millennium Falcon" coming in at 7541 pieces overall. It was massive, and you wanted it.

Though, there was a problem, you were broke. You had just bought Jenna a really expensive necklace for her valentines day gift. You don't regret buying it because you know she'll love it, but you can't help but feel a little sorry for yourself over the fact you can't afford to buy a set you REALLY wanted.

You caressed the cardboard box that displayed the sets box art, and the blocky contents in held within its frame. "One day you'll be mine" you whispered to the large box as if it were sentient.

But unbeknownst to you, Jenna was peeking from around the shop entrance out of your view, watching you stare in awe of the gargantuan LEGO ship. She knew right then and there that this was the perfect gift to get you.

"Oh Y/N/N you're in for a surprise" She chuckled to herself mischievously.

(literally Jenna from around the corner watching you)

-

(Present day)

It was the moment both of them had been waiting for. It was gift giving time. You and Jenna have treated yourselves to a valentines day brunch and just got back home. You were eager for her to recieve her gift, and she felt the same about hers.

You opened the door for her upon entering your house "Why aren't just a gentleman" she said, with a kiss on the lips as reward for your politeness. You went over to the spot where you hid the box that contained the necklace and hid it behind your back.

You walked over to Jenna with a smile on your face. She cocked an eyebrow and smirked knowing you had something behind your back. "Honey, what are you hiding?" You smiled as she waited with eager anticipation.

Taking a deep breath, you began "Jenna, in all my years of living you've given me more joy than I could've ever imagined. You're are the absolute light of my life and today I just wanted to give you something as a token of my undying gratitude." You pulled the box out from behind you and presented it to her.

Jenna gently took the box from your hands and opened it. The jewels from the diamond necklace were almost blinding as they reflected across her skin, her eyes went wide as soon as they set upon them.

Jenna was barely able to contain a squeal of pure joy and excitement, settling for a loud gasp instead. A small note was under where the necklace sat. It read "Happy Valentines day, Jenna. I love you. P.S im broke now becuz of u <3 - your forever person, Y/N"

Jenna laughed upon reading the note and tears dripped down her face, which brought a smile yours knowing you did good with your gift. She held both of your hands "You are the champion of making me happiest person in the world, Y/N L/N. You are the kindest, sweetest and most adorable person I've ever had pleasure of knowing and I'm glad to call you, my lover."

You blushed hard at the comment. The two of you leaned in and shared a loving kiss to commemorate the love you felt for each other, a love that will stand the test of time no doubt. Jenna leaned away and continued her speech.

"Which is why I got you something too." You waited to find out what it was but she just laughed. "You're gonna wanna sit down for this one" you were heavily confused but laughed and shrugged. You sat down on the couch and closed your eyes.

Your heard Jenna rummaging around to get your gift, her grunting implied that it was something heavy or large. She placed the large box in your lap and placed your hands at the top, holding them tightly.

"This is something I got for you to show you how much I adore you. I love you so much, sweet boy and there are so many more gifts to come" she says and kisses the top of your head. "Open your eyes, bunny"

You did as you were told and soon recognised the box art from the LEGO set you admired from days past. You let out a loud gasp, mostly out of shock, and Jenna was just enjoying the sight.

You soon begin smiling widely like The Joker and tears brimmed at you eyes. "Jenna..." you sniffled. She really did that for you. How did she even know? "How did you...?" You stuttered, unable to focus on what your voice sounded like. You were too excited to care.

Jenna took her place next to you on the couch "Let's just say I have my ways. Happy Valentines day, bunny. I love you more than gifts could ever describe" She kissed you temple and laid her head on your shoulder.

This was a Valentines Day success for sure.

A/N

Short one but I hardly have the time to write so I hoped you enjoyed this one. Not proofread.