#Happy Mother's Day~ <3

[0vergrowngraveyard]

the parent of all time

[stars-n-spice]

Happy Mother's Day :)

To all the wonderful space moms of the galaxy 🩵💫

[hurtspideyparker]

Peter places an envelope on Tony's desk.

Tony looks up confused, "huh? What's that for?"

"It's for you," he points awkwardly at the plain blue envelope, held closed with a Darth Vader sticker.

"It's not my birthday kid." He snaps the protective face shield back down as he picks up his soldering iron, sparks flying as he gets back to work.

"I know that I, uh. It's from, it's for. It's yours. I gotta go, see you later Mr. Stark!" Peter hikes his backpack up tighter as he skips out of the lab.

Tony grunts in acknowledgement without looking up, eyes focused on the searing metal in front of him.

* * *

"Tony? I thought you were gonna have dinner with me after Peter left," Pepper saunters down into the workspace in a flattering pair of jeans and baby blue blouse.

"I was. I am. He left like five minutes ago," Tony waves at her without taking his eyes from the computer he's typing on.

"Happy drove him home two hours ago. Come, have a nice sit down meal with me." Pepper wraps her arms around his shoulders from behind, kissing the top of his head.

"I can have a sit down meal. I'm sitting right now, bring the carbonara down here and it'll be a proper date," Tony replies.

"Yeah, you me and your computer. How romantic. Tony, come upstairs- what's this?"

Tony glances up to see her holding a blue envelope.

"Uh, it's the kids."

Pepper flips it around, "it says To Mr. Stark From Peter on the back."

Tony just shrugs and goes back to typing on his computer.

The delicate glue of the sticker is undone under Pepper's sharp nails as she opens up the envelope and pulls something from inside.

"It's illegal to open someone else's mail y'know," Tony teases.

"Tony this- god you are such an asshole!" Pepper smacks Tony on the back of the head with the envelope.

"Ow! What the- what did I do now! I was just joking about the carbonara thing... mostly."

Tony finally meets Pepper's eyes of scorn. She tosses something in front of him with a huff.

"Tony, he even used a Darth Vader sticker. Do you know how adorably geeky and topical that is? You have got to start paying more attention to the living breathing people in front of you instead of your machines. Dinner is ready, please come upstairs."

Tony watches her leave as the clack of her heels fade away with every step. He's not sure what Darth Vader has to do with missing dinner, but he's quick to get up and start to follow.

He pauses before he makes it out the door, turning to finish the last line of code before he forgets the function. He pushes something off of his keyboard to type and press save.

Tony can't remember the last time he looked up from his work long enough to consume solid food. He's so ready to carb-load with some Italian food, turning away from the computer and blue envelope.

Tony's eyebrows furrow. Hm. Darth Vader sticker.

Tony turns back around and picks up the envelope from beside his keyboard.

This must be what the kid was yapping about earlier. Tony sticks his hand inside and finds a card, pulling it out.

"Father's Day it is," the front says in bold lettering with a picture of Yoda crudely hand-drawn with a sharpie and green highlighter. Tony flips it open, "celebrate you we must" is written in the middle of the page.

Below is a message in smaller writing; "Thank you for everything Mr. Stark, we wouldn't be here without you!" with a blob of sharpie that looks suspiciously like it's scribbled out a small heart, then signed "From Peter, Dum-E and U" each name written in their own unique handwriting.

"Friday, what day is it?"

"It is Sunday June 16th, also celebrated as Father's Day in countries such as the United States, Canada, and the UK."

Hm.

Tony stands there and stares at the card for longer than he'd ever admit before looking up at Dum-E.

"You help with this?" he asks, pointing at the card.

Dum-E chirps happily, twirling his claw around.

"Your hand writing's terrible."

* * *

Peter enters the lab slowly, an unsureness to him that's out of character.

It's Wednesday, his usual day for coming over to Tony's workshop. He hasn't heard anything from Tony since Sunday, not that he usually does. Still, the quietness has unnerved him. He's not sure what he was even expecting from his mentor; silence is probably the nicest response he could hope for after embarrassing himself like that.

"Hi Mr. Stark," he greets once he spots the older man sitting next to a complicated tangle of wires.

"Hey kid, can you go to the computer and run the command I have open for me?"

"Sure thing!" Peter says as he dumps his backpack onto the floor and jogs over.

The two get into an easy rhythm and Peter's practically forgotten why he was nervous in the first place when, "hey grab us some sodas will you," Mr. Stark asks him.

Peter walks up to the fridge in the corner of the room when he notices something new.

In the center of the silver metal lies a single piece of paper, stuck to the refrigerator with a plain magnet seemingly scrapped from some old hardware in the lab.

Tony has his Father's Day card displayed like some dorky parent whose kid got a half-decent report card, showcased on a fridge like a toddler's finger painted masterpiece.

It makes Peter so happy he can't wipe the stupid grin off his face the entire time he's grabbing sodas and delivering one to Tony.

The older hums a thanks without looking away from his project, but as Peter turns away Tony's own face contorts into a pleased smile all of his own.

The two share identical smiles all afternoon, hidden behind soda cans and computer screens.

[hime-bee]

"Happy Mother's Day, petal~"

"Hmm..? What do you mean 'you're not pregnant'?"

"Hehe... With aaallll the cum I just pumped into you... You will be 💙"

[acryssei]

you should see me in a crown 🜲

my other wife 🩶

[nutellasoap]

Dsaf 3 spoilers raarghh

Song lyrics from Burning pile by mother mother

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Dsaf still holds a dear place in my heart, thank you directdoggo for your amazing work🫶

(Click for better quality what da hell happened to it)

[vaggieslefteye]

Appreciating Hazbin Hotel's Character Expressions ↳ ʟᴜᴄɪꜰᴇʀ ᴍᴏʀɴɪɴɢꜱᴛᴀʀ in 1x05 - "Dad Beat Dad"

[arcanegifs]

Happy Mother's Day to our Arcane Moms ♡

[immortal-cataclysm]

shout out to these guys. the reddit siblings.

[rocktheholygrail]

[canon-gabriel-quotes]

Wear headphones :]

Transcript:

*grunting*

I'm- I'm coming just- Tch

I'm almost there... Agh~

Audio Source

ok fine here's the context

Transcript:

Yay! I'm finally at the top of these stairs! *laughs*

[blueiight]

“what can the damned really say to the damned?” is what this episode asks. and well… “nothing.” is what the show answers us with.

we are introduced to louis and claudia as ultimate outcasts to the mortals around them and vampiredom: louis attempts to maintain the illusions of humanity in similar structures once more, casting grace as his lost wife and claudia as his daughter, as claudia seeks to find other vampires. armand, clearly pissed about the interview as is, decides to draw upon 150 years of prior work experience as a playwright toward the end of this episode, which is quite frankly, a bit much considering how daniel’s already scared shitless. and theres a terrible romantic specter in europe following louis thats named lestat. its a lot going on here, and im bound to not cover everything. i do want to cover dreamstat, and me and you(5x) but i will wait for the season to progress to do that^_^

‘He asked me if we could go home. Home? Can there be a more offensive question? Run back to New Orleans. Pry up his bones, why don’t you? Louis de Pointe du Lac, dead weight.’

louis and claudia’s tension in this particular episode revolve around the killing — or the betrayal that prevented the killing — of lestat. et tu, louis? stowaways on ships, trains, and wagons and a totally alien environment where even the blood is hostile to them, is it any wonder louis dreams of lestat? is it any wonder, having access to louis’s mind, in pursuit of some understanding of vampires beyond the facismile of the nuclear structure, that claudia continues to feel betrayed? i always think to myself, if claudia had qualities that made the average fan more sympathetic to her, would they understand how she was betrayed by louis specifically that night? would they be able to sympathize with claudia’s incredible perserverance despite, and because of, everything thats happened to her? and how that betrayal is the underlying tragedy and romance alike of the narrative that made 1940 mardi gras’s aftermath so haunting that louis in dubai did not remember it or was made not to until the other night?

following that in the flashbacks is when dreamstat first appears, clearly an extension of louis’s own mind at this own point, and he asks louis:

Four years of grim wayfaring, and still no sight of the benevolent vampire. So how does denial manifest itself tonight? … Was she worth it?

its so telling that lestat is the image louis calls upon to embody his most bitter feelings toward claudia in this sequence. dreamstat deserves his own breakdown, especially in relation to louis& claudia’s conversation when she first finds the revenant, as well as the wider events in dubai…

speaking of revenants, morgan in the show is a proto-daniel of sorts an abandoned journalist whos interest in photography exposes the illusion of grace the wife and claudia the impossible daughter, and tries to understand louis through the perspective of the mortal hes been given — did he go AWOL, or is he a black bolshevik? louis when questioned absconds, and closes up what little of himself he’s sold to morgan. its a smart way to include him in the narrative, as morgan is witness to emilia’s beheading after she was attacked by said revenant… and louis turns his head, truly embodying the detachment of the vampire in this moment. human affairs, their problem. this is a really good example of whats meant by ‘human affairs’ in the show, by the way. this episode features claudia & louis facing racism from military to children, and thats not framed as a ‘human affair’, but as one of many haunting aspects of their immortal existences.

claudia, in the pursuit for vampires, continues the metaphor of adoption in how she tries to find some sort of companionship and her current understanding of romania as this ancestral home to the vampire. whats also noticeable here is how claudia trying to make sense of centuries of legends is a striking parallel to how louis in the present day attempts to make sense of whats ‘true’ and ‘untrue’ from her diaries. claudia’s private accounts in the present that she never intended to be so deeply analyzed as anything other than her internal narrative in the moments she wrote them has become, to louis, a similar sort of legend thats necessary to decode for his own sense of self.

She writes here, ‘I do not dream.’ I can confirm that. At least, that’s what she said to me once when I was talking about one of my dreams which were erratic and often in those years. Of course, she might’ve just said that to shut me up, but yet… she writes it here so… let’s believe it. She continues. ‘We traveled light in our ancestral home. We slept in the earth, took circuitous routes around the mad army goose-stepping its way toward mother Russia…’

I woke that night to the sound of chaos erupting nearby. Claudia was, uh.. . she was dreaming. Her head twitching like you would. […] No, I can feel her. I can feel her next to me. She’s having a nightmare. What’s worse than a nightmare? If your soul’s projecting out its fears, at least it’s up and running. But the absence of anything? The void, the nothing, pieces… coming back. Hours, nights, objects surfacing in water… It was just something she’d wrote. But it wasn’t true. She could dream.

dubai louis’s recollection of claudia and the existential dread of eternally being damned, the terror of lacking a soul, a rather catholic fear but still having a sequence of memories that cycle back into an immortal brain, replay in this inversed sleep cycle, can be malleable, forgotten, poke a hole in louis’s attempt to utilize claudia’s diaries as but an extension of his own narrative, and offers a glimpse at what is truly at stake in this second interview.

[chacerider]

ultra happy holidays 💖🎅

[pollyannawog]

Tougher! Rougher! Badder!

[kr-yoongi]

Happiest Colin Morgan character !!

[takethebodymarc]

lego richas i did for uni!

and a dramatic video as a plus <3