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scary-grace · 2 months ago

Note

the boy anon spooky prompt here and it would be very cool to see it reader x shigaraki if possible. I just really like the way you write it and i think it would be interesting.

Hi! Thank you so much for the prompt! I had to go check out the movie for this one, and I agree -- it was really interesting to write! I hope you enjoy this take on it. Happy Halloween! (dividers by @cafekitsune)

d-o-l-l-h-o-u-s-e

You need a job and a place to hide. The Shimuras need a nanny for their five-year-old son Tenko while they take a three-month trip abroad. It's a match made in heaven -- or it would be, if it wasn't for the fact that Tenko's been dead for seventeen years, and they want you to look after a doll that looks just like him. It wouldn't take much for you to be convinced that the doll's haunted by Shimura Tenko himself. And it is haunted. Just not the way you thought. (cross-posted to Ao3)

You’ve been on and off apprehensive since you stepped off the train at Kurouzu station, and more on-apprehensive than off since the directions you printed off pointed you straight out of town, but when you actually reach the address you’re aiming for, the nerves kick into high gear. This is the Shimura family’s estate, all right. The address is right, and so is the sign. And you know the Shimuras have money, or else they wouldn’t be able to afford paying a broke twentysomething to live in their house and watch their son – but still, you weren’t expecting their house to be this huge.

It feels iffy. Is it actually iffy? Or do you just want it to be iffy because you’re into self-sabotaging and you’re nervous about babysitting a five-year-old for three months? Whether it’s iffy or not, you still need money. And somewhere to stay. And you made a promise. You take a deep breathe, then ring the doorbell.

The door opens so fast that it gives you whiplash, and you find yourself staring up at a tall, dark-haired man with fine features and a mouth that’s primed to frown. “Mr. Shimura?”

“Yes. You’re late.”

“I’m – sorry?” You stumble on the words. “I thought I was – just a few minutes –”

“You’re fine, sweetheart.” A pretty, brown-haired woman appears over Mr. Shimura’s shoulder, a nervous, strained smile on her face. “Kotaro’s just a little anxious. It’s been years since we took a trip, and he’s still a little worried that something’s going to go wrong.”

“Yes,” Mr. Shimura agrees. There’s a pause. “Come inside. Tenko is quite anxious to meet you.”

Right. The kid. You put on a smile. “I’m excited to meet him too.”

The Shimuras’ house is pretty on the outside, fancy on the inside – but dark. All the curtains are drawn, and the lights aren’t bright enough to compete with shadows. It doesn’t look like the kind of house that a five-year-old lives in. You don’t know a lot of people with five-year-olds, but you’re pretty sure that five-year-olds are messier than this. There should be toys around. Or kids’ books. There should be brighter colors, better lights, maybe an open window or two. It can’t be good for Tenko to have things this dark.

What do you know? You’re not a parent. Then again, you’ll be the one responsible for Tenko for the next three months, so maybe you can make a few changes around here. You bought a book on developmental theory to read on the train, but instead you ended up watching TikTok videos until the 5G vanished. Maybe you’ll start reading it tonight after you put Tenko to bed.

“So, um –” you start, as Mrs. Shimura leads you up the stairs. “Can you tell me a little bit about what Tenko’s like? I mean, obviously I’ll ask him, but –”

“Oh, we can tell you!” Mrs. Shimura’s voice is bright. “He’s –”

“After you meet him,” Mr. Shimura interrupts from behind you. “Wait here.”

You pause, and Mr. Shimura slips past you to join Mrs. Shimura up ahead. They duck into a particular room, and you can hear them talking quietly. In the meantime, you take stock of your surroundings. The Shimura house is sparsely decorated, but on the wall opposite from you, there’s a family portrait hanging. It’s a good one. Mrs. Shimura, Mr. Shimura, and two children. The boy, the smaller one, must be Tenko. But there’s another one. A girl.

She doesn’t look that much older than Tenko. Is she old enough to go on a European tour with her parents, or is she staying with somebody else? If she’s staying with somebody else, how come Tenko isn’t staying there, too? Before you can really wind yourself up over something that’s none of your business, Mr. Shimura steps out into the hall, followed by Mrs. Shimura, who’s carrying Tenko. He must not be very heavy – she’s beckoning you forward with one hand.

“He’s a bit shy,” she says, apologetic. You have a split second to realize that something’s off about the kid’s position in her arms before she steps forward, fully into the light. “This is Tenko, our son. Say hello.”

You can’t say anything at all. All you can do is stare, because Tenko’s not a little boy like you thought he’d be. Tenko’s not a boy at all. Tenko’s a doll.

“A doll?” Manami asks. “Are you sure?”

“Of course I’m sure,” you hiss into the phone. It’s a big cordless phone, and you’ve got it pinned between your ear and shoulder as you pack and unpack your suitcase over and over again. “A big, creepy doll. Why would I lie about this?”

“I mean, I don’t think you would,” Manami says. She sounds bemused more than anything else. Maybe you need to say “creepy” again, with more emphasis. “How big is it?”

“Like, kid-sized. They put it on the bed at night.” You can’t think of the whole bizarre ritual Mr. and Mrs. Shimura demonstrated for you without feeling like you’ve lost your mind. “They have a daily routine for it – I’m supposed to wake it up in the morning, and take it out of its pajamas and put it in its clothes and make it breakfast –”

“Why do you have to make it breakfast? Dolls don’t eat.”

“I know dolls don’t eat. Everybody and their mother knows dolls don’t eat! Even little kids only fake-feed their dolls.” You want to scream. “But they want me to make it breakfast. And play music for it. And read aloud to it – and make it lunch and dinner and read it a bedtime story like it’s a real kid. I’m even supposed to give it a goodnight kiss.”

“But it’s not a real kid,” Manami says. You hit your head against the bedpost, producing a hollow thunk. “Why do they have you taking care of a doll like it’s a real kid? Do they even have real kids?”

“They do. Did.” You wouldn’t let the Shimuras leave without giving you an answer about that one, and because they really wanted you to stay and look after their creepy doll for three months, they didn’t screw around. “Two of them. Tenko – the one they named the doll after – and an older girl named Hana. They both died in an accident seventeen years ago.”

“Oh, that’s awful.” Manami sounds like she’s tearing up. You probably would have teared up, too, if the Shimuras hadn’t told you that after they’d handed you the creepy doll they named after their dead son. “They lost both their kids at once? I would go crazy too.”

“That’s the thing. They didn’t,” you say. “Not all the way. There’s only one doll.”

“That’s kind of weird,” Manami admits. “Why wouldn’t they make one for Hana too?”

“It gets weirder. Hana has a shrine. I’m supposed to take care of it.” That’s the least weird part of your job. If all you were doing was taking care of shrines to the Shimuras’ dead kids, you’d be perfectly happy. “They don’t have a shrine for Tenko. And the only picture they have of him is in this big family portrait on the wall.”

“Huh,” Manami says slowly. “Rich people are weird.”

“That’s all you’ve got to say?” you ask, exasperated. “Rich people are weird?”

“They are. Poor people wouldn’t make a life-sized doll of their dead kid and pay somebody to take care of it like it’s alive,” Manami says. You think she’s probably right. You’re poor, and if you had a kid who died, you – well, you don’t know what you’d do. You definitely wouldn’t do that. “Does it look like him?”

“Yeah. Creepily like him.” When you were racing upstairs to drop the doll on the bed and lock it in, you were unnerved enough to stop by the family portrait and check. “And creepily accurate, size-wise. Like, if you didn’t look too hard, you’d think he was real.”

“He is real,” Manami says, and you almost drop the phone. “I mean, the doll is real.”

“Right.” The doll is a little too real for your taste. “I think I meant alive.”

“That’s creepy,” Manami says, and you breathe a sigh of relief. You called her looking for validation, and you got it. You should have expected her to ask for details first. You would have. “What are you going to do?”

“I can’t stay here,” you say, but even as the words leave your mouth, you know they aren’t true. “I can’t leave, either. I need the money. And I need to be – away. For a little while at least. Until everybody forgets.”

“Until he forgets,” Manami says. Your ex-boyfriend, everybody. He’s so popular in town that they might as well be the same thing. “He came around last night looking for you. Danjuro told him off.”

You were already on edge over the doll thing, but that piece of news soaks you in an instant cold sweat. “Did he say anything?”

“Danjuro or Keigo? Danjuro would never,” Manami says, offended. You try to pace your breathing, praying you won’t hyperventilate. “Keigo said he was just worried about you, because he didn’t see you come to work yesterday – and when he asked everyone said you’d quit – so he thought he’d stop by –”

“Fuck.” If you could go back in time and give your past self one piece of advice, it would be to send the town’s youngest police chief in history packing when he asked if he could buy you a drink. That one bad decision spiraled into a nightmare you’re still struggling to escape. “I don’t understand. What is it going to take to make him stop?”

“You’re doing the smart thing. Going away, letting things die down,” Manami says. “I know this new place is creepy, but you picked it for a good reason. They’ll pay you cash, so Keigo can’t trace your cards. It’s a small town off the map, so it’ll be hard for him to find –”

“And I’m supposed to spend all day playing house with creepy Tenko, so no one will be able to tell him they saw me.” You’ll wear a disguise if you have to go out into town. Now that you know Keigo’s still looking for you, you need to be even more careful. “I just wish I wasn’t stuck here. And I wish it was a real kid.”

“Real kids pee their pants and cry,” Manami says practically, and you manage a wheeze of laughter. You knew talking to Manami would make you feel better, even if nothing has changed. “Trust me. You’re better off with the doll.”

You might be better off with the doll than a real kid, but for the first week or so of your stay in the Shimura house, you neglect doll Tenko in a way that real Tenko would never have let you get away with. Real Tenko probably wouldn’t have put up with being locked in his room all day, or being fed breakfast at two pm because you stayed up late and slept in later the night before. And real Tenko definitely wouldn’t have tolerated being schlepped around feet-up because you don’t like having his scary porcelain face so close to yours.

Then again, real Tenko probably didn’t like listening to classical music at max volume, either. Real Tenko’s also been dead for seventeen years. It’s probably safe to stop worrying about what real Tenko would think of how you deal with his freaky little homunculus counterpart.

Whenever you’re not conspicuously ignoring Tenko’s schedule, you’re getting to know the rest of the Shimura house – and outside it, the Shimura estate. It’s beautiful, so beautiful that you have a hard time imagining how anything in Europe could measure up, and when the weather allows it you spend a lot of time outdoors, poking around on the trails that cover the property and watching whatever animals wander by. The animals here aren’t very scared of people. The Shimuras probably don’t allow hunting on their property, and based on what the mailman does when he stops by every afternoon, nobody in town likes coming near the property for too long.

One person does, though. The Shimuras let you know that somebody comes by to deliver groceries – and bring your payment – once a week, and you’re coming back from a walk on a grey, foggy day when you see him. He’s balancing four grocery bags in one arm and trying to unlock the door with the other. You hurry forward. “Here, let me get that. I’m sorry.”

“I rang the bell.” The delivery guy’s face is completely concealed by the pile of grocery bags he’s toting. “No answer.”

“Yeah, I was out for a walk.”

“I thought you were supposed to stay inside. You know, since Tenko’s allergic to the air the rest of us breathe.” The delivery guy steps through the door after you unlock it, then drops the bags on the kitchen table and looks around. “Where is the kid, anyway? He’s usually attached to Mrs. Shimura at the hip.”

“He’s, uh, taking a nap.” You look the delivery guy up and down, noting blue eyes and spiky white hair, along with some burn scars and a ton of facial piercings. “I’m sorry, they didn’t tell me your name.”

“It’s Touya.” He holds out a hand to shake, and you copy him as you introduce yourself. “Yeah, Mrs. Shimura mentioned that someone new was coming, but I wasn’t sure you’d still be here. They’ve tried out a lot of nannies, but Tenko’s kind of picky. Or so I hear.”

“Are you making fun of me?” you ask. Touya’s eyebrows lift. “We are talking about the same Tenko here, right?”

“The d-o-l-l? That’s right,” Touya says. You give him the weirdest look you can manage on short notice. “Yeah. The Shimuras get pissy if we don’t talk about him like he’s real, so we all got in the habit. You will, too, if you’re here long enough.”

“We,” you repeat. “How many of you are there?”

“Me and my siblings. The Shimuras hire us to do stuff,” Touya says. “The weekly deliveries are usually my thing, but Fuyumi or Natsuo might fill in sometimes, since they can drive, too. Fuyumi helps with their garden in the summers and Natsuo does maintenance shit. I won’t bring the brat out here until it’s time to chop firewood. One of these days I’ll get lucky and he’ll lose a limb.”

You think Touya’s joking. You’re not sure. “Which one’s the brat?”

“Shoto. My baby brother. Daddy’s favorite.” Touya scoffs. “He gets all the pocket money he wants. He doesn’t even need to work, but does he let that stop him? No. He makes me drag him out here anyway –”

Touya breaks off, glances at you. “Do you have siblings?”

“Yeah.” You have siblings the same way the Shimuras have kids, but you don’t bring that up unless you’re forced to. “I’m the oldest. I’m guessing you are, too?”

“That’s right.” Touya runs a hand through his hair, spiking it up even higher than it was before. “Not that I care too much about your backstory, but you must have something really shitty going on to make this the better offer.”

“Yeah. You could say that.” You’re not too interested in Touya’s thoughts on your backstory, either. You collect the envelope with your pay and sort through it quickly, confirming that it’s all there, then look up at Touya. “Do I need to tip you or anything?”

“Twenty percent is customary.” Touya doesn’t let that crack stand for very long. “No. The Shimuras might be off the wall, but they pay well for everything – grunt work like what I do all the way up to caring for their precious little boy.”

There’s a thud from somewhere upstairs, and you jump out of your skin. Touya startles, too, but he recovers faster. “Sounds like the monkey just fell off the bed. You should probably go check on that.”

“Yeah. It was, uh – nice to meet you,” you say. Touya snorts. “See you next week.”

You don’t actually think Touya would steal your money, but you take the envelope with you when you race up the stairs to the second floor, and drop it on your bed before hurrying into Tenko’s room. You spend as little time in here as possible. It’s like a time capsule, frozen on the day the Shimuras decided to replace their dead son but not their dead daughter with a photorealistic porcelain doll, and it gives off some of the worst vibes you’ve ever felt.

You leave Tenko in here most of the time because looking at him creeps you out, and in spite of Touya’s joke about monkeys on the bed, he’s exactly where you left him. What’s fallen over is a mostly-empty bookshelf, and there’s something behind it – a little alcove in the wall, with a pile of old, dusty toys. Action figures, mainly, along with a single plushie. You go to investigate, and discover that while you’re not much of a comic-book fan, you recognize almost all the action figures. They’re from Adventures of All Might, a cartoon your brother used to watch. It’s been off the air for ten years at least. What are toys from a show that old doing in a five-year-old’s room?

The answer occurs to you, and to your displeasure, it makes you even more uncomfortable than the question. This isn’t a five-year-old’s room. Shimura Tenko died when he was five years old – seventeen years ago, when Adventures of All Might was on the air. If Tenko was alive, he’d be about as old as you are. The thought weirds you out so badly that you nudge the action figures to the side and pick up the plushie.

Getting a decent look at the plushie first involves violently shaking the plushie until the dust comes up in a big cloud. Underneath the dust, the plushie’s dog-shaped, or more accurately, corgi-shaped. There’s a piece of yarn around its neck, with a cardboard tag hanging from it. You hold it up for a look and somehow manage to decipher the handwriting of a long-dead five-year-old. “Mon,” you say out loud. “That’s a good name.”

It's a good name, but thinking about it makes you miserable. A big, creepy doll might be all that’s left of Shimura Tenko, but Shimura Tenko was a real person – a little kid who liked cartoons and handmade a collar for his plushie, who’d be your age if he’d had the chance to grow up. Your eyes are stinging from the dust. You spend a few more seconds brushing it away, then carry Mon over to the bed and set him down beside Tenko.

You’re surprised at how much less unsettling the sight becomes now that you’ve added a toy to it. It’s improved enough that you feel okay spending a little longer in Tenko’s room, righting the bookshelf that fell and arranging the action figures on top of it, before you go downstairs to put away the groceries.

The Shimura house is old. Old houses make noises – weird noises, a lot of the time, and that’s just something you have to live with. You’re good at living with it most nights, but tonight, as the first really big storm of autumn rages around the house, the noises you hear sound less like old-house creaks and groans and more like footsteps. And voices. And laughter. No matter how hard you try to distract yourself, you can’t.

You tried to call Manami, but the phone lines are down, and while you haven’t tried the lights, you’re pretty sure they’re out. All you can do is huddle up in bed, the door to your room barricaded, mumbling to yourself like an actual lunatic. “This is fucked up, this is fucked up, this is so fucked up –”

You’re fucked up. You think something’s haunting this place? The ghosts of a five-year-old and his seven-year-old sister, who didn’t even die in here? Some haunting. It’s your overactive imagination putting you through hell, and you’ve got proof – your shitty ex-boyfriend Takami Keigo is very much alive, and your mind’s been telling you that one of the laughing voices belongs to him. If you were faced with a choice between a living Keigo and a ghost Keigo, you’d pick the ghost in a heartbeat. Ghosts can’t stalk you when you try to take a break from the relationship and enlist the entire town, police force included, to their cause. And you could probably exorcise him, which would be a lot easier than whatever you’d have to do to get rid of real Keigo for good.

The sounds get weirder, and they’re coming from all over the place – the ceiling above you, the hallway, the rooms on either side of yours, even inside the walls. Maybe you’ve got rats or something. You’ll ask Natsuo about that when he comes over tomorrow to clear leaves out of the gutters and branches off the roof. It’s fine if there’s rats tonight, right? You can take a rat in a fight. Probably even ten rats. You’re not going to get eaten alive by rats. Ghost Keigo could be dealt with. Rats can also be dealt with. It’s just your imagination. You need to get it together.

It's just past three in the morning, and you think the getting-it-together is going okay, when a particularly big gust of wind rattles the house. There’s a colossal bang from somewhere, but only one. The windows are shaking in their frames, producing an odd, warped sound, and somewhere beneath it, there’s another sound, a sound that’s got no place in this house. Someone’s crying. It doesn’t take much or any stretching of the imagination to convince yourself that it’s a kid.

You decide instantly that you’re not going to waste time trying to talk yourself out of it. You’ll go check on Tenko, confirm that Tenko is in fact still a doll and not a real boy, and then you’ll go to bed and sleep in as late as you damn well please.

The wood floors in the hallway are cold beneath your feet, but it’s only a short walk to Tenko’s room – and then you have to double back, because you don’t have a flashlight and the lights are out. You’re already spooked and already frustrated by the time you open the door to Tenko’s room, and when you open the door, you’re ready to be mad. You click on the flashlight, raise it, and pan it over the room. And then you freeze.

Tenko’s room is trashed. Multiple shelves have been overturned, toys and books spilling everywhere, and the curtains over the boarded-up window hang in tatters. The shade’s off the lamp on the nightstand, and the dresser drawers yawn open – or else they’ve been pulled free and scattered across the room. The sheets are askew on the bed, the bed itself shifted at a weird angle. Tenko is nowhere to be found.

“Tenko?” you say hesitantly. You pan the flashlight again, and for a split second, you see a shadow crouched atop Tenko’s bed, far too big to be the doll. You don’t need to see any more than that. You drop the flashlight and scream.

The storm drowns out your scream, and you run out of air eventually – and then you’re tired of it. Screaming’s not doing anything to help, and if the shadow was going to kill you, it would have done it by now. You crouch down and feel along the floor until you come up with the flashlight, which still works. You check the bed first, but there’s no shadow there. There never was. The only things in this house are you and Tenko, and neither of you was up on the bed like a gremlin five seconds ago. You keep looking for Tenko. He has to be in here somewhere.

And he is. You find him behind the door, Mon-chan in his arms, his knees drawn up to his chest. “Hi, Tenko,” you say, like a crazy person. “Did you get scared?”

He doesn’t answer, of course. Because he’s a doll. He’s a doll, and you’re crazy. Knowing that doesn’t stop you from looking around at the wreckage of the room, thinking about how scary it would be to have to go back to bed in here if you were a kid. Thinking about how you used to be scared of lightning and thunder – maybe still are. “If you’re still scared,” you start, “do you want to stay in my room for tonight?”

Five minutes later, you’re setting a line of pillows down the middle of your bed, leaving one half for you and one half for Tenko. And Mon-chan, because you felt less weird about inviting a doll to sleep in your bed if the doll has its plushie, too. Once you’ve got Tenko squared away, you block the door again. “It’ll be daylight soon,” you tell yourself. Then, to Tenko: “We’ll fix your room up and everything will be fine.”

Tenko’s eyes are open. His eyes are grey, like they are in the family portrait, with long lashes. You reach out and close their lids carefully. The chances that you’ll be able to get to sleep are slim, but they’re zero as long as you’ve got a doll staring at you.

“It’s weird, right?” you say anxiously as Natsuo scans the mess in Tenko’s room. Most of the Todoroki kids don’t come inside the house, but you managed to lure Natsuo inside by mentioning the really loud bang you heard last night. “The wind couldn’t have done this.”

“Not with all the windows boarded up, yeah.” Natsuo looks wary. “You sure you don’t sleepwalk or anything?”

“Never,” you say. “I just – it was like this when I came in.”

“This is creeping me out,” Natsuo says, but he doesn’t look away. He’s looking around the room. “Where’s Tenko?”

“I moved him. In there.” You nod toward your room. “Things got wild in here last night. I kept thinking I was hearing voices, or laughter – or kids crying –”

You sound like a lunatic, again. Why does everything that happens to you make you look and feel crazy? “Have any of the other nannies mentioned things like that?”

“No,” Natsuo says, backing away from Tenko’s room. He glances into your room again. “Hey, Tenko. What – wait, you found Mon-chan? I remember that thing.”

“Huh?”

“That used to be his favorite,” Natsuo says. “When he was alive.”

You didn’t get much sleep last night. You’re a little slow. “Wait, you knew him?”

“We all did. Hana, too.” Natsuo starts down the hall, aiming for the stairs to the third floor. “They’re the richest family in town, and our shitty bastard of a father only wanted us to associate with the best. We all played together.”

You wish somebody had told you that earlier. “What was he like?”

“I don’t really remember,” Natsuo says with a shrug. “I was four. Touya would know better. You should ask him.”

He disappears up the stairs, and you chase after him. You don’t spend a lot of time on the top floor – it’s the master bedroom, and Mr. Shimura’s study, and a lot of stuff you feel like you shouldn’t get involved with. Natsuo doesn’t seem to have the same problem. “The attic’s open,” he calls. You climb the last few steps. “I bet the thud you heard was the trapdoor coming down.”

“Yeah, I think you’re right.” The trapdoor and ladder look heavy enough to produce the sound. “Can you fix it?”

“I’d have to climb up in there.” Natsuo looks really wary now. Out of the three older Todoroki siblings, he’s the one who’s least comfortable with coming into the house. “How about you climb up and look at the hinges? I’ll tell you what to look for, and I’ll come up if there’s anything wrong.”

You don’t want to go up in the attic, either, but you also want to make sure this doesn’t happen again. You nudge past Natsuo and climb the ladder into the musty dimness of the attic. Dimness, not darkness – there’s a skylight, the first window on the upper floors of the house that’s not boarded up completely. The attic itself is cluttered and dusty, but there aren’t any cobwebs that you can see. Small favors.

You crouch down by the trapdoor. “Okay. What am I looking for?”

Natsuo tells you, but even without his instructions, you probably could have figured it out. One hinge has been completely sheared away, dangling by one barely-there screw. Natsuo climbs up to study it with you, frowning. “This doesn’t look like metal fatigue. And the wood’s still in good condition. I don’t understand why it would just break.”

“I don’t know,” you say. “Can you fix it or not?”

“Yeah,” Natsuo says. “You have to stick around, though. I’m not staying up here alone.”

“Fair enough.”

While Natsuo works, you investigate the rest of the attic, trying not to sneeze and create a dust storm. At least half the attic is taken up by objects labeled as belonging to “Mom”, but they’ve been there way too long to be referring to Mrs. Shimura. You blow some dust off of a big picture frame to see what’s inside and find yourself looking at a poster that could be from a circus. The background is black and yellow and grey, the lettering ornate but still legible. Psychopomp, Medium, Illusionist: See the Spectacular Shimura Nana!

The next picture frame in line has a picture of Shimura Nana herself, and it’s immediately clear to you where Mr. Shimura got his looks from. Shimura Nana is gorgeous, dark-haired and grey-eyed with a bright, almost cocky smile on her face, and there’s a birthmark just below the corner of her mouth that looks familiar. When you think about people who can talk to the dead, you don’t think of them as looking this happy.

You carry both picture frames back to Natsuo. “Did you know their grandma was a magician?”

“No.” Natsuo glances at the frames, then flinches, almost dropping his screwdriver. “Shit. If I were you, I’d get out of here.”

You raise your eyebrows, and Natsuo gives you an exasperated look. “Somebody who could talk to the dead used to live here. The people who own this place have a doll that they treat like their dead son. And last night something trashed their dead son’s room. Haven’t you ever seen a horror movie? This place is haunted.”

“Don’t say that. I have to live here.”

“It’s gonna be haunted whether I say it or not.” Natsuo gives you a weird look. “Is it just the money thing? There are other ways to get money.”

“It’s not just money. I have to stay out of the way,” you say. “There’s this guy – my ex – he’s a cop –”

Natsuo’s mouth turns down at the corners. “I get it,” he says. “Our piece-of-shit old man is a cop. Our mom couldn’t get away, either.”

Your stomach drops. You know cops talk to each other. “Please don’t tell your dad that I’m –”

“Are you kidding? I barely talk to him. No way am I telling him that.” Natsuo says. He glances at you. “I get why you feel like you have to stay here. This place is still haunted.”

“Yeah,” you admit. You don’t know what’s haunting it – Tenko’s ghost, his sister’s ghost, his grandma’s ghost, or all three plus however many ghosts Shimura Nana summoned to hang out with her – but you have the same thought you had last night, and this time, you say it out loud. “I’ll take my chances with the ghosts.”

You get Tenko’s room reordered, and when the next storm comes, it doesn’t get trashed again. Then again, you go and grab the doll from the room the second you hear the first clap of thunder – not because you really think there’s a scared five-year-old ghost haunting it, but just to be safe. That same night, you retrieve Tenko’s schedule from where you abandoned it a month ago and read over it. Again, just to be safe.

It’s not that bad of a schedule, really. It’s not that weird. Most of it just involves moving Tenko from place to place around the house. You’d probably want a change of scenery, too, if you were a ghost haunting a doll. You don’t mind playing him music, but you play stuff you like, at a volume that’s a little less than earsplitting. You don’t mind reading aloud, so long as you’re reading your own books, and editing out the parts that aren’t kid-appropriate on the fly. And because he’s just there, and he’s not going to give you any feedback, it’s okay to think out loud.

At first it’s just whatever thought pops into your head, but as the days slip past in the second month of your stay at the Shimura house, you find that you’re getting into some stuff you haven’t talked about with anyone. And then, one day when you’re in the kitchen making your own dinner and setting out a plate for Tenko that you’ll inevitably throw away, you find yourself talking about something you swore you never would.

“I used to be a big sister,” you tell him. “Not like you and Hana. A bigger sister. My brother was five years younger than me, and he was my parents’ favorite, right from the start. That always used to confuse me. They liked him better even before he did anything.”

Confused is downplaying it. You were hurt. You still are, when you scratch the surface even a centimeter down. “I wanted to be a good sister, but it seemed like everything I did was wrong. I played too rough, or else I wasn’t playing with him at all. I didn’t share my toys, or I gave him toys he wasn’t supposed to have – and when I took them back, he��d always yell. And then my dad would yell. And I’d cry. But my brother was crying, too. And my mom always went to him.”

You glance back over your shoulder at Tenko. He’s sitting and waiting, like always, expression still and remote. You can’t look at him and say this next part. “When it happened, I was nine,” you say. “He was four. I was playing marbles, and he kept trying to grab them from me. He could talk by then – a lot – so I made a deal with him. He could pick any marble he wanted to play with, and let me have the rest of them. So he picked one – this big shooter, my favorite. Right out of my hand.”

The echo of your nine-year-old self’s anger still echoes through you, made all the more sickening by what happened next. “I tried to get it back, and he stuffed it in his mouth so I couldn’t. And then he started choking.”

You couldn’t get it out. You tried, screaming for help the whole time, but nothing you did made any difference. Nothing your mom did made any difference, either, and your baby brother was blue by the time the ambulance got there. Your parents didn’t blame you. You thought they were going to. You expected them to. But in their version of the story, you were barely there. You were their only kid again, and they couldn’t afford to hate you. Your brother grabbed the marble and swallowed it, and choked, and died. You just happened to be there. It wasn’t your fault.

But it was. You were the one who offered any marble he wanted. You should have known he’d pick the one you were holding – one that was too big to fit down his throat, one he’d try to keep away from you at any cost once he had it. You’re the one who couldn’t save him, and thinking about it doesn’t even make you cry. You’d say it makes you feel sick, but sick is too small of a word for the hollowness inside you. The place where you used to be a sister. The place where you used to be good.

“Today’s his birthday,” you tell Tenko, dry-eyed. “You’d be twenty-two like me if you were here for real, and he’d be seventeen, and I never told anybody that I gave the marble to him until just now. I don’t even know why I told you. I guess I thought you should know that it’s a good thing you’re not a real kid. Because I really don’t have great luck with those.”

You set Tenko’s plate down in front of him, knowing the food won’t be touched, then turn away to fill yours. When you turn back, the entire plate is gone.

You’ve gotten comfortable with the fact that the Shimura house is haunted. As comfortable as it’s possible to be when you don’t know exactly what’s haunting it. You put up with weird sounds at night, and with things being moved around, and you put up with some of your stuff going missing – but a whole plate of food vanishing because you turned around for two seconds? Nope. Not a chance. “Put it back.”

“He knows.”

You almost drop your plate, then tighten your grip. You’re losing it, officially, but you’ll be damned before you drop a bunch of food all over the floor. If you’re going to the mental hospital, you’re going well-fed. “I didn’t hear anything,” you say aloud. “I’ve just been talking to myself. That’s it.”

You stuff one bite, two bite, three bites of food into your mouth, and something speaks again. “Your brother. He knows.”

It’s not a little kid’s voice. Not the voice you’d imagine for Tenko as a ghost – but it doesn’t not sound like Tenko. It keeps talking. “He knows you tried to save him. And it matters that you tried.”

“How do you know?” Your voice rattles around the question, and there’s no answer. The strange voice doesn’t speak again, and the plate doesn’t reappear. “Please –”

“He knows,” the voice says. “He’d forgive you. If there was anything to forgive.”

The hollow place inside you has been there so long that you’ve forgotten what it’s like to have anything there. When something floods backs in, it hits with such violence that it drives all the air from your lungs. You shove your plate to one side and double over, gasping for breath. Your eyes burn and your throat closes, and before you know it, you’re crying.

You don’t really cry. Keigo always said something was wrong with you, that you didn’t show your feelings and he wasn’t sure you even had them. Crying feels awful. The headache it generates is all-encompassing, and you put your head down on the kitchen table and shut your eyes, waiting for it to stop. It seems like it’ll never end, and somewhere amidst the pain and embarrassment and relief, you find a shred of hate in your heart for Keigo. You never cried in front of him? He never made you feel anything worth crying about.

When the crying stops, the headache remains, and you sit up, rubbing at the crick in your neck. You must have fallen asleep; it’s dark outside, and the kitchen’s gloomy along with it. Not gloomy enough, though. Not so gloomy that you can’t see Tenko’s plate sitting back in front of him, wiped perfectly clean. The glass of water you poured for him is empty, too. And something clicks into place in the back of your head, only slightly warped by the headache.

Hana has a shrine. Hana’s shrine has offerings on it. Maybe the food you leave for Tenko is an offering, too. “Did you like this?” you ask. Your voice sounds awful. “I can make it again sometime.”

You have to start paying more attention to what Tenko eats, if he eats any of it. It’s the least you can do, after what he told you today. Even if it isn’t true, even if the ghost haunting the Shimura house decided to tell you a lie, this is the first time you’ve ever been able to think about your brother without feeling like you’re the one being choked to death. That’s worth a meal or two, in your opinion. You might actually need to learn how to cook.

You clear Tenko’s plate away, and on an impulse, lean down to kiss his forehead. “Thank you,” you say. It feels weird to be kissing a doll, especially when you’ve been skipping the goodnight kiss so religiously, but this is a special occasion. “I feel better now.”

“Wow, have you lost it,” Touya says, laughing. He drops the groceries on the far end of the kitchen table, well away from where you and Tenko are eating lunch. “You know he can’t eat, right? He’s a doll.”

“I know. But he’s dead, so it’s like – an offering,” you say. “Since he doesn’t have a real shrine.”

“Yeah,” Touya remarks. He opens the fridge and starts shoving things in haphazardly. “Real nice piece of work on his dad’s part.”

That reminds you of something Natsuo said a while back, something you’ve been meaning to ask Touya about. “Your brother said you all knew the Shimuras. That you played together. Is that true?”

“Yeah. My assclown father and their assclown father both fell out of the same assclown tree.” Touya shuts the refrigerator, then opens the freezer. “We’d play together sometimes. Go to the birthday parties and shit. Hana went to the same school as me and Fuyumi. That’s about it.”

He glances sideways at you. “Natsuo said you were going to ask. What do you want to know?”

“What were they like?”

“Hana – she was cool. Nothing threw her off, and nothing kept her down. Everybody liked her. Even my shitheap father, which is really saying something.” Touya shuts the freezer, too, and turns to face you. “Tenko, though – he was kind of a crybaby. Everything made that kid cry. Didn’t matter if it was good or bad. If he had a feeling for longer than two seconds, there went the waterworks.”

You didn’t have a real idea of Tenko’s personality in your head. You had what Mrs. Shimura told you – shy, sweet, playful – but you threw out most of what she said on principle because she was saying it about a doll. “He was a lot,” Touya continues, “but he didn’t have a mean bone in his body. It makes it kind of hard to believe the official story about what happened.”

“The official story,” you repeat. “The Shimuras just said it was an accident.”

“Yeah, they would.” Touya leans back against the kitchen table. “Both their kids drown in the well on the same day? Better be an accident.”

Your stomach lurches. “They drowned?”

“Both of them.” Touya pats his pocket, then comes up with a pack of cigarettes, followed by a lighter. “There are three schools of thought about what happened, and they all start with the well cover. I can take you out to look and prove it, but trust me when I say that thing’s a bitch – 20kg at least. The first school of thought says that Tenko got the well cover open and fell in, and when Hana heard him calling for help, she ran to help and fell in, too. And they both drown in there.”

You don’t understand why they need more than one school of thought. The first one is awful enough. “The second school of thought says somebody else opened the well cover and both kids fell in – and in that case, the question is who? The third one says that Tenko opened it himself and pulled Hana in after him. Guess which one the Shimuras went with.”

“They think he opened a 20kg well cover so he could drown himself in it and decided to take Hana with him, too?” You can barely believe it. You can’t imagine ascribing that kind of malice to a little kid. “I mean – I never met them, obviously, but – I don’t think he would –”

“I did meet him, and I don’t think so either. None of us do,” Touya says. He glances around the kitchen, his eyes lingering on Tenko for a second before drifting back to you. “Something really fucked up happened here. Fucked up things happen in the house I grew up in all the time, but not like this.”

He’s frowning. “My dad plays favorites, but he’s indifferent to the rest of us. Hana’s dad hated Tenko. You could tell.”

“How?”

“Because Hana wasn’t scared of him. Tenko was.” Touya lights his cigarette and takes a drag. “I wouldn’t spend too long thinking about it, if I were you.”

“I don’t know how I’m going to not think about it,” you say. You wish you’d asked what happened to Tenko and Hana sooner. “Is that why they’ve only got the one shrine?”

“Couldn’t tell you.” Touya shrugs, then heads over to the pantry to start unpacking the dry goods one-handed. “I can tell you this, though. When they went down into that well to get the kids out, they only found one body. And it wasn’t his.”

As if this couldn’t get more horrible. Picturing the children’s bodies floating together in the cramped quarters of the well is bad enough, but picturing just Hana, knowing that Tenko’s lost somewhere in the depths, never to be found – your skin crawls. You start unpacking the dry goods alongside Touya, trying to get through it quickly so he’ll leave. You need to be alone to think about this. You can’t talk to Tenko about it while someone else is here.

“One more thing,” Touya says under his breath. “Natsuo told me and Fuyumi about the thing. Dad cornered Fuyumi on it and she caved. So –”

So now a cop here knows that you’re hiding out from another cop. Your hands shake so badly that you drop the bag of rice you’re trying to put away. “Keep it together,” Touya warns. “We fucked up but we’re fixing it. The brat’s going to keep his ear to the ground, and we’ll keep an eye out. You should get as much advance warning as you need.”

“Okay,” you say. “Thanks.”

“Don’t thank us,” Touya says. “Just think about what you’re going to do when the Shimuras get back.”

Right. You can’t stay here forever. It’s not like the Shimuras are going to let you keep taking care of Tenko when they’re here to do it themselves. Your expenses here are zero. By the time they come back home, you’ll have saved a lot of money, enough to do – something. Like get out of the country and never look back. Or hire someone to put a hit on Keigo so you never have to look over your shoulder again. Either way, you’ll be getting out of here. And you won’t see Tenko – or hang out with his ghost – ever again.

The thought shouldn’t make you sad, but it does. But nothing could possibly make you sadder than the thought of the Shimura kids trapped in the well. No matter how they got there.

Some part of you knew it couldn’t last – the part of you that’s familiar with the kind of guy you almost married, the one who always gets what he wants and can’t take no for an answer. Some part of you always knew Keigo would find you. But you weren’t prepared for what it would feel like to actually see him standing inside the kitchen of the Shimura household, surrounded by grocery bags and wearing a self-satisfied grin. You’d stammered out a question about what he was doing here, and Keigo smiled at you. “The police chief here’s a good guy. He let me know that his kids handle some of the work around here, and I offered to bring the groceries by so we’d have a chance to talk alone.”

He’d nodded meaningfully at Tenko, who you were holding. “We are alone, right? That’s just a creepy doll.”

You said yes, if only because you didn’t want Tenko anywhere near whatever you and Keigo were going to talk about. And now you’re in your room, under Keigo’s watchful eyes, packing up to leave.

The door to Tenko’s room is closed, but you’d be crazy to assume that his ghost couldn’t hear you no matter where you are in the house. “I can’t just leave,” you say for the millionth time. “This is my job. I made a commitment.”

“To take care of a human child. Not a doll.” Keigo is smiling, but his eyes are hard and glinting. “Getting out of here with me is the sanest thing anybody in your position can do. He’ll be fine.”

“No,” you say. Keigo raises his eyebrows. “They’ll be back in a month. Let me finish doing my job, and then I’ll come back.”

Keigo shakes his head. “I’m worried about your mental health. When I talked to the police chief here, and he told me his kids were helping you take care of a porcelain doll in a big house with boarded-up windows, I got even more worried. And I don’t want to be the one to break this to you, but the Shimuras were never planning to come back.”

“What do you mean?” you ask. Keigo reaches into his back pocket and produces a letter – one that’s clearly been addressed to Shimura Tenko, and one that’s already been opened. “Hey. You can’t just open people’s mail.”

“If it’s linked to illegal activity, I can do whatever I want.” Keigo slides the letter out of the envelope and clears his throat. “Dear Tenko, We are heartbroken to tell you that we will not be returning home. We can no longer live with what you have become. The girl is yours – the girl. That’s you, right?”

You can’t think of who else it would be. Keigo keeps reading, projecting his voice. “The girl is yours. She is yours to love and care for. May we all be forgiven. Yours, Mother and Father.” He lowers the letter, raises his eyebrows. “They’re sacrificing you to the memory of their dead son. You know, the one who was so sick and crazy he drowned himself just so he could drown his own sister?”

“That’s not what happened,” you say. Keigo laughs at you. “Shut up! You weren’t here –”

“Neither were you,” Keigo says. “I’ve read the police reports. The statements from the parents –”

“The ones Touya’s dad took?” You remember Touya and Natsuo comparing their dad to Tenko’s dad, and not in Mr. Shimura’s favor. “Sure. I guess they have to cover up for each other, or none of them would get away with it.”

“Okay. That’s it.” Keigo lifts the last pile of clothes out of your arms, drops them unceremoniously into your suitcase, and zips it shut. “The sooner you get out of this house, the better. We need to be far away from here by the time it comes out.”

“By the time what comes out?”

“This isn’t just the Shimuras’ goodbye letter, it’s their suicide note. Their bodies were recovered yesterday.” Keigo looks almost gleeful in the always-dim light of the Shimura house. Or maybe you really are just losing your mind. “Lawyers are going to be all over this place any day now. Let’s go.”

He pulls the suitcase off the bed with one hand, then grabs your arm with the other. “Come on. Don’t make this so difficult –”

“Give me the letter,” you say hopelessly. “I want to read it to Tenko.”

“You want to read a letter to a doll.” Keigo looks skeptical. “What’s that going to do?”

You invent something on the fly. “Closure.”

“Closure?” Keigo repeats. “Huh. I guess if it keeps you from fixating on this the way you fixate on everything else, sure. Go read the doll his parents’ suicide letter.”

Despair keeps your footsteps heavy as you make your way across the hall into Tenko’s room. You settled him on the bed with Mon-chan, like always, and you sit down on the end of the bed, the same as you do when you read him a bedtime story. “Tenko,” you start. “Um, I have to go. And I have something to tell you. I feel like you should hear it from me and not somebody else.”

You lay out the situation carefully, fighting back tears. “I’m sorry to leave like this. I don’t want to, but Keigo’s here, and he says –”

“Don’t want to?”

You haven’t heard the ghost’s voice since it talked to you about your brother. “I don’t want to,” you say. “Keigo says I have to.”

“Don’t make me sound like a dictator. I want what’s best for you,” Keigo says from the doorway. “That’s enough. Let’s go.”

“No.”

That was audible. Keigo should be able to hear it. “Keigo, did you hear –”

“You talking to yourself? Yeah.” Keigo grabs your arm, yanks you sharply away from the bed. “You went crazier than I thought in here, huh?”

“No.”

This time Keigo hears it. You can see it in his face. A split second later, the lights go out.

Keigo’s grip on your arm tightens. There’s a crash from somewhere else in the house, and his grip tightens further. He drags you out of Tenko’s room through the darkened house. “Did you plan this or something?” he asks you as you stumble down the stairs after him. “It’s a good show. If you put this much effort into making our relationship work –”

“NO.” The lights in the front hall switch on, revealing something standing dead center in the hallway, between you and the way out.

Keigo curses and rocks back a step, but you know instantly what you’re looking at, who you’re looking at. “No,” Shimura Tenko says. “No means no.”

Tenko doesn’t look very much like the doll anymore. His grey eyes are red, and his black hair is white, but you recognize his features. They’re the same ones from the doll, from the family portrait, from your memories his parents and the poster you saw of his grandmother. He’s thin, almost skeletal, his hands and limbs spiderlike. He looks filthy, and his clothes are ragged. If you’d had a nightmare of what might haunt this house the first night you moved in, it would have looked exactly like this.

You’re looking at Shimura Tenko. Shimura Tenko’s supposed to have been dead for seventeen years. You don’t know how or why he’s here, but you know one thing, one thing that’s been true since you realized the Shimura house was haunted: You’d rather take your chances with a ghost. “I don’t want to leave,” you say to Tenko, ignoring Keigo when he orders you to be quiet. “I promised I would stay.”

Tenko’s crimson gaze shifts from you to Keigo. “She stays,” he says in that strange, not-quite-human voice. “You leave.”

Keigo laughs. “Sorry, I don’t think you get it. We’re leaving. You’re staying right where you are.”

He starts down the hall again, your efforts to fight free barely making a skip in his stride. The front door opens a crack behind Tenko, and you can see a white-haired someone peering through. One of the Todorokis, maybe Touya or Natsuo who promised they’d warn you if they saw Keigo coming. Touya points at you, beckons. “I’m going to tell you this one more time,” Keigo is saying to Tenko. “Get out of the –”

Tenko lunges at him. Keigo lets go of you. And you run straight out the front door, down the front steps. Past the Todoroki siblings. As far and as fast as your legs will carry you, until you trip on something, hit your head on something else, and black out on the ground.

Smoke stings your nasal passages, and you wake up coughing. Someone is breathing raggedly next to you, and someone else is shaking your shoulder. “Come on,” Natsuo is saying under his breath. “Come on, come on –”

“No, be careful, she hit her head –” Fuyumi is patting your hand. “If you can hear us, we need you to wake up. It’s Tenko.”

Tenko, the doll? No, Tenko the – whatever he is. The thing that’s alive. The thing that’s real enough to challenge Keigo to a fight. You sit up with the worst headache you’ve had in maybe your entire life and look around. The grounds of the Shimura estate are eerily backlit, and when you glance over your shoulder, you see that the Shimuras’ house is in flames. “What – happened?”

“Tenko killed the cop,” Natsuo says. You look blankly at him. “Touya said we should burn down the house to hide it, and we thought Tenko understood. But then he went back inside.”

“He won’t come out,” Fuyumi says. “Touya’s been yelling for him, but he’s not responding. If we don’t get him out soon he’ll die. If he won’t listen to Touya, then –”

“Maybe he’ll listen to you,” Natsuo says. His expression twists. “He used to be normal. What happened to him?”

You don’t have a clue. Tenko’s alive. Somehow, some part of him – something that looks like him, or is him, or answers to his name. Tenko’s alive, and Keigo is dead, and that’s so difficult to process that your mind skips straight past it. Or tries to. Tenko is alive, and Keigo is dead because Tenko killed him, and for some reason Touya thought it was a good idea to try to burn down the Shimura house. You squeeze your eyes shut and try your hardest to compartmentalize. You can’t stop the house from burning. You can’t bring Keigo back to life. But there is someone alive in there. You can do something about that.

You get to your feet unsteadily and turn back towards the house. The top floor is in flames, light flickering behind the boarded-up windows, and although there’s smoke flooding the grounds, the lower floors of the house look clear of fire. It’s safe for you to go in. Safe enough. You duck past Touya, who’s been hollering up at the windows for Tenko to get “his creepy man-spider ass” out here, and in through the front door. And from there you have no idea what to do.

If you knew anything about who Tenko really is, you’d know where to look. The habits of doll Tenko tell you absolutely nothing. When he’s moved, or been moved, there’s no rhyme or reason to where he’s ended up – except for one time, the first time the doll ever moved from the place you left it. You climb the stairs, turn down the hall, dart past your room. The door to Tenko’s is open, the room itself trashed all over again. The only thing still in place is Mon-chan, sitting on the bed.

You grab it, in case it helps. Then you turn back to the place you found Tenko last time, and sure enough, he’s there. Right behind the door. But while doll Tenko could conceal himself perfectly in the space, the real Tenko is too tall and gangly. Even hunched in on himself with his knees drawn to his chest, there’s an elbow sticking out of the shadows in one spot, a foot sticking out in the another. His red eyes stare out blankly through the tangle of matted white hair. He’s not moving except to cough.

You’re coughing, too. It’s hard to speak. “Tenko, come on,” you say. “It’s not safe anymore. It’s time to go.”

“Dead.” His voice sounds even less human now. “They left me.”

His parents. “That doesn’t mean you have to stay here,” you say. “You don’t have to die because they did. You can come with me.”

There’s blood on Tenko’s hands, on his clothes. It’s smeared on the lower half of his face, draining from his nose and from a cut on his forehead. You pull your sleeve down over your hand, reach forward, and wipe it away, clamping down on the shiver that runs through you when he turns his head against your hand. “Come with me,” you say again, and he shakes his head. “Okay. Then move over.”

Tenko looks up, startled. “I said I didn’t want to leave you,” you say. “I meant it.”

You were wondering, all this time, if you’d know you’d finally lost your mind when it happened. The answer is yes, and the magical thing about losing your mind is that you don’t care all that much. The ex-boyfriend you were running from is dead. The house you were staying in is burning to the ground. You’ve spent the last three months taking care of a doll in a house you thought was haunted by a ghost, only to realize that everything you’ve been doing for the doll, you’ve been doing for the man it was modeled after, too. The world is upside down, twisted, backwards. Nothing and everything make sense right now.

“Either we both go,” you say, coughing harder now, “or we both stay. It’s up to you.”

You pull your hand back from wiping at his face and hold it out for him to take. He looks at it, then at you, and you wonder what he’s thinking. You wonder if he’s even scared of dying, if dying matters to something like him, whatever he is. If he really is Tenko, he’s died once before already, hasn’t he? Is it any harder to die again? Whether it is or not, Tenko doesn’t seem interested in finding out. He takes your hand, lets you pull him to his feet, and then yanks you out into the hall himself.

The air is thick and grey, and the flames are catching up, but Tenko’s fast as he drags you down the hall to the stairs. You stumble over a body at the base of them and make the mistake of looking at the face. Or what’s left of the face. Tenko doesn’t let you look for long. He pulls you past Keigo’s body to the front door and shoves you out of it – and then, before he can retreat, Natsuo and Touya seize him by his arms and yank him out after you.

The four of you tumble down the steps, landing in a heap in the driveway. Tenko is coughing, a wet, horrible sound, and while you’re able to get to your feet, he barely moves. You and the Todorokis have to drag him away from the house, down the driveway until all you can see of the house is the pillar of flames billowing up from the roof. You stop to catch your breath, and the others stop, too. You and Fuyumi, Touya and Natsuo, and Tenko sprawled on the ground between you.

It’s quiet for a second. “Wow,” Touya says to Tenko. “You’re even weirder-looking than I remember. And you reek.”

Fuyumi smacks him. Natsuo’s got bigger things to worry about. “What are we going to do with him?” he demands. “If that’s even him. If it’s some kind of monster that’s bad enough. If it’s him, he’s been dead for seventeen years – and he just killed a guy!”

“That guy was a fuckweasel,” Touya says. He glances at you. “Right?”

You don’t want to say yes. “He wasn’t a very nice guy,” you say, and Touya snorts. “I was scared of him.”

“And you’re not scared of that?” Natsuo demands.

“He’s not a that,” you say. “He’s –”

You don’t really know what. Tenko bleeds red like a human. Based on the way Tenko was yanking you around, he’s really strong. He’s so thin that he’s almost a skeleton, and he smells like he hasn’t showered in seventeen years. But whatever he is, he’s alive. That’s where you’ll start from. “He’s Tenko,” you say finally, for lack of a better way to phrase it. “I don’t know what his deal is, but I’m not scared of him right now. If I do get scared, I’ll deal with it then. I’m not leaving him here.”

“No one thinks we should do that,” Fuyumi reassures you. “We just need to think of where to put him. I know a place.”

It’s quiet for a second. “No,” Touya says suddenly. “He’s not staying at my place.”

“Just for tonight,” Fuyumi urges. “We can sneak him in now – Dad won’t be back for hours, he’ll be coming to investigate this – and clean him up before we figure out what to do with him.”

“She can stay there, too,” Natsuo says, nodding at you. “If Dad comes by, she can answer the door, and Dad will be so thrilled at the idea that you’re having straight sex that he won’t bother you for a week.”

Touya snickers at that. “Fine,” he says to Tenko. Then, to you: “You can borrow some of my clothes for him, but I’m not helping you give him a bath.”

“I wouldn’t ask you to,” you say. The idea of giving doll Tenko a bath felt so weird that you never did it. The idea of giving adult Tenko a bath is less weird but still something you aren’t looking forward to. You can hear sirens in the distance. “We should go now.”

Tenko’s semiconscious as you and the Todorokis load him into Touya’s car. Nobody wants to sit in the back with him, but someone has to, so you and Tenko have the backseat to yourself while all three Todorokis jam together up front. Tenko buckles his own seatbelt, but as soon as Touya pulls onto the main road, he unbuckles himself and crawls across the backseat towards you. You retreat, but there’s only so far you can go. “Uh –”

“Guys, he’s climbing on her!” Natsuo’s keeping an eye on you. “Leave her alone!”

Touya meets your eyes in the rearview mirror. “Need me to pull over?”

You shake your head. Tenko’s settling into the seat next to yours, and he buckles himself again before twisting sideways to face you. He looks awful, and somehow worse than that, he looks scared. You can’t tell if it’s a childish fear or not. Tenko hasn’t left his house in seventeen years – it wouldn’t surprise you if he was agoraphobic. And if you’d just left the only home you’d ever known in flames behind you, you’d be scared, too.

And you remember what Tenko said to you, after you told him what happened to your brother. He probably wasn’t talking to your brother from the beyond. But if the story Touya and the others believe about how Hana and Tenko ended up in the well is true, Tenko knows how it feels to have an older sister who tried to save him. Maybe it’s still okay for you to believe that your brother, wherever he is, feels the same way, too. Tenko didn’t have to give you that, but he did.

You open your arms slightly, and Tenko collapses forward into them, his spiderlike hands grabbing fistfuls of your shirt and hanging on tight. He’s too tall to hide his face in your shoulder, like he seems to want to do. His mouth ends up pressed against your ear instead. “I’m not a doll anymore,” he says. His voice is roughened with smoke, but there’s a softness to it, incongruous enough to make your skin crawl. “I can take care of you, too.”

It could be a child’s innocent insistence on fairness, a man’s confident assertion, a monster’s implicit threat. As Touya’s car speeds down the road, you come to the conclusion that it might be all three at once, and something more – the promise of a lover, sealed by cracked, bloody lips pressing against your cheek.

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