#Haidar Ali

[nando161mando]

Assam Police resorted to firing after an eviction drive turned violent in the Sonapur area on the outskirts of Guwahati city on Thursday killing two Muslim teenagers.

The deceased persons were identified as 18-year-old Jubahir Ali and Haidar Ali.

[nancydrewwouldnever]

Haidar 'Ali and Ibrahim Khan, Sultan Muhammad 'Adil Shah and Ikhlas Khan Riding an Elephant, ca. 1645, Mughal period, watercolor/paper (Metropolitan Museum of Art, New York)

[elijones94]

🧞‍♂️ The Goofy hat and Hawaiian shirt Genie wore at the end of “Aladdin” references the attire Robin Williams wore in the live-action/animated short “Back To Neverland”, which used to be played at Disney’s Hollywood Studios in Disney World. ✨✨

[reigningm4x]

Bahrain Grand Prix 2024 | pre-qualifying | By Ali Haidar

[yama-bato]

A Prince Riding an Elephant Holding an Ankush

The ankush has been a symbol of Indian royalty for many centuries. This painting, done in the imperial Mughal court in the 1600s, shows a young prince using an ornate ankush to guide an elephant through the forest.

The Young Emperor Akbar Riding on a Parade Elephant © Museum für Islamische Kunst, bpk Bildagentur, Art Resource NY

Sultan Muhammad 'Adil Shah and Ikhlas Khan Riding an Elephant

Artist: Haidar 'Ali (Indian)

Artist: Ibrahim Khan (Indian)

Date: ca. 1645

Indian School, 19th Century

A PRINCE WITH HIS CONSORT HUNTING A LION, NORTH INDIA, 19TH CENTURY

[ishparpuaqib]

And what would this "althist thingy" be, precisely? 👀

there's an enduring legend among the Croats that Croatia (or, rather, the Republic of Ragusa) had a short-lived colony in India, extrapolated from one 17th century chronicler's brief mention of Ragusan merchants offering to fund the construction of a Catholic church in Goa (which had been under Portuguese sovereignty since 1568, a claim Ragusa certainly didn't have the strength of arms—or balls—to dispute)

now. is there any way to plausibly have the Republic of Ragusa establish a colonial enterprise in India by the 17th century? well, no, but there is a rather elegant way to have 18th century Austria do the same: have the Asiatic Company of Trieste and Antwerp (or the "Austrian East Indies Company", as it's sometimes known) not go fubar by the 1780s, and maybe, just maybe, allow the Austrians to establish a monopoly on international pepper trade through the land grants lended to them by the court of Mysore (well, "lended"; there was a great deal of ambiguity over what exactly did Haidar Ali's grants to the Austrians imply for Mysorean sovereignty over the lands in question, ambiguities I think would've been interesting to see escalate)

I find the idea of a Habsburg presence in India very attractive—I think it's because of the intuitive aesthetic similarities between Catholicism and Hinduism. if I decide to go through w the project, I'd like to focus largely on the Croat–Slavic element in Austrian colonisation of the Malabar coast, especially after the opening of the Suez Canal (or in-universe equivalent, whose construction might actually be sponsored by the Austrians ITTL if they still lose their holdings in the Netherlands) shifts the Habsburgs' focus from the Austrian Netherlands/Antwerp to the Adriatic. Croatia can into the East Indies!

[girlactionfigure]

The Jewish Bollywood Star: Esther Abraham

She was India's first female film producer

Esther Abraham was a Jewish Bollywood superstar and the first female film producer in India. She was a proud observant Jew even while shaping modern Indian culture.

Esther was born in Calcutta in 1916 to an Orthodox Jewish family. The Abrahams were Baghdadi Jews who had emigrated from Iraq in the 19th century. In school Esther excelled academically and athletically. She was a talented hockey player with a roomful of trophies. Esther was also an artist who attended Cambridge University after high school and majored in art.

After university, Esther became a kindergarten teacher at a Jewish school in Calcutta, but she yearned to be a performer. Her first job in the entertainment industry was as a dancer for a silent movie theater. Esther’s job was to entertain the audience during a pause in the film while the reel were changed.

Many members of Esther’s family were talented musicians and performers. She went to visit an actress cousin in Bombay who was appearing in a theater production. The director noticed tall, beautiful Esther and gave her a screen test.

Esther did so well on the test that she soon appeared in her first movie, Bhikaran, in 1936. Around this time she was given the screen name Pramila. Audiences fell in love with Pramila and she quickly became one of the most famous actresses in India. She also worked as a model and appeared on many magazine covers. In 1947, at age 31, Esther won the first Miss India contest – while pregnant with her fifth child.

At that time in India, the movie industry was controlled by a handful of extremely wealthy producers who exploited their actors and crew members and paid them only a measly salary. Esther Abraham decided to change that. She defied the studio system by becoming the first female producer of Bollywood feature films. Esther formed her own production company, Silver Productions, and produced sixteen feature films. She treated her cast and crew with respect and paid them well.

Esther starred in 30 films. In addition to being an actress and producer, she did her own stunts and worked as a stunt double for other performers. Esther also designed her own costumes and jewelry for every production.

Famous for her enchantingly beautiful eyes, audiences didn’t know that her eyesight was very poor and she did dance moves by counting the steps. Audiences also were likely unaware that she was Jewish – and probably wouldn’t have cared. Unlike so many countries with Jewish communities, India has no history of antisemitism.

Esther’s daughter Naqi Jahan was crowned Miss India in 1967, and they are the only mother and daughter who both won the title. Her son Haidar Ali is a successful Indian actor and screenwriter. Haidar described his mother: “A woman who was gifted by God with internal power and strength… she magnetized power…. One the home front she kept us together [clenching his fist] like this.”

Esther Abraham appeared in her last film in 2005, at age 90, playing a grandmother in the movie Thaang. She died a few months after its release. Until the end of her long life, Esther remained a practicing Jew. Her funeral was at the Maghen David synagogue, and her son Maurice read Psalms in Hebrew. Esther was buried in the Jewish cemetery in Mumbai.

For entertaining audiences for seventy years, and for being the first female film producer in India, we honor Esther Abraham, aka Pramila, as this week’s Thursday Hero.

[aqg-arts]

Say their names!

Alaa Abdullah Qaddoum, aged five

Momen Muhammed Ahmed al-Nairab, aged five

Hazem Muhammed Ali Salem, aged nine

Ahmed Muhammed al-Nairab, aged 11

Ahmed Walid Ahmed al-Farram, aged 16

Muhammed Iyad Muhammed Hassouna, aged 14

Fatma Aaed Abdulfattah Ubaid, aged 15

Ahmed Yasser Nimr al-Nabahin, aged nine

Muhammed Yasser Nimr al-Nabahin, aged 12

Dalia Yasser Nimr al-Nabahin, aged 13

Muhammed Salah Nijm, aged 16

Hamed Haidar Hamed Nijm, aged 16

Jamil Nijm Jamil Nijm, aged four

Jamil Ihab Nijm, aged 13

Nazmi Fayez Abdulhadi Abukarsh, aged 16

Hanin Walid Muhammed Abuqaida, aged 10

Layan al-Shaer, aged 10

These are just 16 of the estimated 4,104 children murdered by Israel.

Do not let these war crimes go unpunished.

Do not let them be forgotten.

SAY THEIR NAMES!

Source

[ssar7an222]

Art Exhibition review: Eid Exhibition

This is a report about the charity Eid exhibition (the art of giving 3) that was opened on the 15th of April at the Safeya Ali Kanoo hub. It is sponsored by the Bahrain Trust Foundation, a charity foundation. All artworks presented were for sale and 50% of each sale is donated through the Bahrain trust foundation. The exhibition is a collaboration between many artists, as it displayed the works of 21 artists in total. Most of these artists were Bahraini, but Saudi and Iraqi Artists were present too.

Personally, this exhibition was an introduction to many new names in the local art scene, as I was unfamiliar with most artists that participated in this event. One that grasped my attention was Mahmood Haidar, who had 3 works on display. scenes of Bahraini life that could go back to the 70’s or 80’s of the past millennium, painted with water color on paper. These figures are the focal point, one is of a man harvesting dates from a palm tree, another is of a man transporting produce and the last is of a man riding a bike. All with little to no background, which allows focus on the actions bringing up a feeling of nostalgia, and perhaps melancholic.

 Another Artist the gallery introduced me too was Fatima Hassan, who has a very unique style might I add. She uses Oil paint and -I assume- some kind of varnish or thinner to recreate the flow and texture of watercolor on canvas. She had 2 paintings displayed, one of a ship on shore and the other of a horse, both with lots of variety and contrast between different textures that balances out the fact she used only one shade of color.

One Artist that made excellent use of a colorful pallet is Hasan Alhader. Perfectly placed impressionistic strokes of the brush, a slightly exaggerated pallet, All reminiscent of early impressionists like Monte. The scenes of the old Bahraini Markets are supported with this style and the contrast in tones as well in between the lively yet cool blue and the saturated brown, All together presenting an oil on canvas painting that looks like an old blurry photograph in the best ways possible.

Alhader wasn’t the only one presenting traditional market scenes in his work, Ebrahim Alghanem, one of the Artists I’m familiar with, also displayed traditional Bahraini markets but ones of the modern day. The work is of watercolor on paper and it is truly the work of a master, high on detail that serves the story telling of the image like the names of the shops. High variety and contrast in texture and tones with a realistic color pallet. Images that are brought to life by a wonderful artist.

Elyas Rasti, an oil painter, is one more name I know prior to the exhibition. He Had 2 Paintings on was of a . However, I very much gravitated towards the Sufi whirler with the tanoura.  The dynamics of the image is brought by the mid-movement capture, the clashing textures of the dancer’s clothing and the cloudy background, the way the tanoura itself is captured with the action lines created by the dry brushing technique, all come together to center the whirler.

[padhegaindiabook]

Tipu Sultan The Saga of Mysore’s Interregnum (1760–1799)

Publisher:Vintage Books

| Author: Vikram Sampath

| Language: English

| Format: Hardback

₹1,499 ₹899 Save: 40%

Releases around 28/10/2024

Ships within:

This book is on PRE-ORDER, and it will be shipped within 1-4 days after the release of the book.

Note : Price and release dates of pre-order books may change at the publisher's discretion before release.

In stock

ISBN: 9780670094691

Categories: History, Preorder

Page Extent: 984

Over two centuries have passed since his death on 4 May 1799, yet Tipu Sultan’s contested legacy continues to perplex India and her contemporary politics. A fascinating and enigmatic figure in India’s military past, he remains a modern historian’s biggest puzzle as he simultaneously means different things to different people, depending on how one chooses to look at his life and its events.

Tipu’s ascent to power was accidental. His father Haidar Ali was a beneficiary of the benevolence of the Maharaja of Mysore. But in a series of fascinating events, the Machiavellian Haidar ran with the hare and hunted with the hounds; he ended up overthrowing his own benefactor and usurping the throne of Mysore from the Wodeyars in 1761. In a war-scarred life, father and son led Mysore through four momentous battles against the British, termed the Anglo-Mysore Wars. The first two, led by Haidar, brought the English East India Company to its knees. Chasing the enemy to the very gates of Madras, Haidar made the British sign such humiliating terms of treaties that sent shockwaves back in London.

In the hubris of this success, Tipu obtained the kingdom on a platter, unlike his father, who worked up the ranks to achieve glory. In a diabolical war thirst, Tipu launched lethal attacks on Malabar, Mangalore, Travancore, Coorg, and left behind a trail of death, destruction and worse, mass-conversions and the desecration of religious places of worship. While he was an astute administrator and a brave soldier, the strategic tact with opponents and the diplomatic balance that Haidar had sought to maintain with the Hindu majority were both dangerously upset by Tipu’s foolhardiness on matters of faith. The social report card of this eighteenth-century ruler was anything but clean. And yet, one simply cannot deny his position as a renowned military warrior and one of the most powerful rulers of Southern India.

Discover the captivating life of Tipu Sultan in Tipu Sultan: The Saga of Mysore’s Interregnum (1760–1799), set to release in October in India. This new book, meticulously researched by historian Vikram Sampath, explores the complex and controversial legacy of one of India’s most powerful rulers. From his military conquests during the Anglo-Mysore Wars to his influence on Southern Indian history, this book provides an authoritative account of Tipu Sultan’s reign. Perfect for history enthusiasts and scholars alike, this upcoming release promises to be a must-read!

About Author

Bangalore-based historian Vikram Sampath is the author of seven acclaimed books, including Splendours of Royal Mysore: The Untold Story of the Wodeyars; My Name Is Gauhar Jaan: The Life and Times of a Musician; Voice of the Veena: S Balachander: A Biography; Women of the Records and Indian Classical Music and the Gramophone: 1900-1930. His latest books, published by Penguin Random House India, are the two-volume biography Savarkar: Echoes from a Forgotten Past and Savarkar: A Contested Legacy, 1924-1966. Both the volumes have gone on to become national best sellers.

Read More :

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[ulkaralakbarova]

A group of American soldiers stationed in Iraq at the end of the Gulf War find a map they believe will take them to a huge cache of stolen Kuwaiti gold hidden near their base, and they embark on a secret mission that’s destined to change everything. Credits: TheMovieDb. Film Cast: Archie Gates: George Clooney Troy Barlow: Mark Wahlberg Chief Elgin: Ice Cube Conrad Vig: Spike Jonze Amir Abdullah: Cliff Curtis Adriana Cruz: Nora Dunn Walter Wogaman: Jamie Kennedy Captain Said: Saïd Taghmaoui Colonel Horn: Mykelti Williamson Captain Van Meter: Holt McCallany Cathy Daitch: Judy Greer Teebaux: Christopher Lohr Paco: Jon Sklaroff Debbie Barlow, Troy’s Wife: Liz Stauber Amir’s Wife: Marsha Horan Amir’s Daughter: Alia Shawkat Hairdressing Twin #2: Ghanem Algarawi Hairdressing Twin #1: Jabir Algarawi Western Dressed Village Woman: Bonnie Afsary Traditional Village Woman: Jacqueline Abi-Ad Deserter Leader: Fadil Al-Badri Kaied: Qaid Al-Nomani Iraqi Tank Major: Sayed Badreya Iraqi Troop Carrier Major: Magdi Rashwan Iraqi First Kill Soldier: Ali Afshar Berm Soldier / Truck Driver: Tank Jones Berm Soldier: Patrick O’Neal Jones Berm Soldier: Shawn Pilot Berm Soldier: Brett Bassett Cuts Troy’s Cuff Soldier: Jim Gaffigan Camp Soldier / Truck Driver: Al Whiting Camp Soldier / Truck Driver: Brian Patterson Camp Soldier: Scott Dillon Camp Soldier: Kwesi Okai Hazel Camp Soldier: Joseph Romanov Camp Soldier: Christopher B. Duncan Camp Soldier: Randy W. McCoy Camp Soldier: Mark Rhodes Camp Soldier: Scott Pearce Civil Affairs Company Clerk: Gary Parker Saudi Translator: Haidar Alatowa Iraqi Soldier with Map: Salah Salea Dead Iraqi Soldier: Doug Jones Iraqi Civilian Mother with Baby: Farinaz Farrokh Lying Iraqi – Bunker #1: Omar ‘Freefly’ Alhegelan Friendly Iraqi – Bunker #1: Hassan Allawati Pleading Civilian Woman: Sara Aziz Iraqi Civilian Man: A. Halim Mostafa Storeroom Captain – Bunker #2: Al Mustafa Iraqi Interrogation Sergeant: Anthony Batarse Iraqi Rifle Loader #1 – Bunker #2: Mohamad Al-Jalahma Iraqi Rifle Loader #2 – Bunker #2: Mohammed Sharafi Storeroom Guard – Bunker #2: Hillel Michael Shamam Iraqi Radio Operator: Joey Naber Black Robe Leader: Basim Ridha Iraqi Republican Guard Lieutenant – Oasis Bunker: Peter Macdissi Iraqi Republican Guard Sergeant – Oasis Bunker: Tony Shawkat Iraqi Republican Guard Sergeant – Oasis Bunker: Joseph Abi-Ad Troy’s Interrogation Guard – Oasis Bunker: Fahd Al-Ujaimy Troy’s Interrogation Guard – Oasis Bunker: Derick Qaqish Troy’s Republican Guard – Oasis Bunker: Hassan Bach-Agha Troy’s Republican Guard – Oasis Bunker: Fadi Sitto Deserter #1: Ali Alkindi Deserter #2: Abdullah Al-Dawalem Deserter #3: Rick Mendoza Republican Guard on Roof – Oasis Bunker: Jassim Al-Khazraji Fleeing Republican Guard – Oasis Bunker: Haider Alkindi Fleeing Republican Guard – Oasis Bunker: Kalid Mustafa Fleeing Republican Guard – Oasis Bunker: Ghazwyn Ramlawi Fleeing Republican Guard – Oasis Bunker: Raad Thomasian Fleeing Republican Guard – Oasis Bunker: Wessam Saleh Fleeing Republican Guard / Sniper – Oasis Bunker: Jay Giannone Fleeing Republican Guard / Sniper – Oasis Bunker: Sam Hassan Action Star: Brian Bosworth Iraqi Child: Donte Delila Iraqi Child: Dylan Brown Helicopter Pilot (uncredited): Rick Shuster Film Crew: Screenplay: David O. Russell Executive Producer: Bruce Berman Producer: Charles Roven Director of Photography: Newton Thomas Sigel Original Music Composer: Carter Burwell Production Design: Catherine Hardwicke Editor: Robert K. Lambert Set Decoration: Gene Serdena Costume Design: Kym Barrett Costume Supervisor: Bob Morgan Producer: Edward McDonnell Art Direction: Jann K. Engel Art Direction: Derek R. Hill Casting: Mary Vernieu Producer: Paul Junger Witt Casting: Anne McCarthy Makeup Artist: Adam Brandy Construction Coordinator: Lars Petersen Steadicam Operator: Larry McConkey Dialogue Editor: Donald L. Warner Jr. Sound Re-Recording Mixer: Michael Herbick Makeup Artist: Donald Mowat Chief Lighting Technician: Terry Hall Key Grip: David L. Me...

[whencyclopedfr]

Guerres de Mysore

Les quatre guerres de Mysore (1767-1799) opposèrent la Compagnie britannique des Indes orientales (EIC) à l'État de Mysore. Haidar Ali et son fils Tipu Sultan, le "tigre de Mysore", étaient des ennemis implacables de l'expansion britannique dans le sud de l'Inde, mais ils furent finalement soumis par la triple alliance de l'EIC, de la confédération Marathe et du Nizam d'Hyderabad.

Lire la suite...

[jadwalmajelis]

Memperingati Tahun Baru Islam 1 Muharram 1445 H Majelis Ash Sholaatu Alan Nabi SAW CABANG BUKIT DURI, MANGGARAI-JAKARTA SELATAN AL HABIB HAMID BIN ZAID AL ATH THOS SABTU 05 AGUSTUS 2023 BA'DA ISYA SD SELESAI di MASJID AT-TAQWA - JL. KEPODANG BUKIT DURI MANGGARAI Insya Allah Di hadiri: Al-Habib Lukman Bin Ali Alaydrus Al-Habib Syech Bin Umar Al Hasni Kh. Sofian Assauri Al-Ustadz Ahmad Baidhowi Al-Ustadz Haidar Bin Kh.Syafi'i Munandar Al-Ustadz Syarif Hidayat Al Ustadz H. Sarbini Bpk Walikota Jakarta Selatan

[imammehdicoming]

Mola Ali A.S Ke Naam Ka Wird Karna Kaisa Hai?

Full Video Link:https://youtu.be/tFGwdac7J3k

#YounusAlGohar #GoharShahi #ImamMehdiGoharShahi #ifollowGoharShahi #deen #islamicreels #allah #zikr #qalb #momin #maulaali #ali #haidar #karbala #iraq #iran #india #ahlebait #imamhussain #imamhasan

#WATCH #ALRATV Live at 3:00 AM IST. WhatsApp For Spiritual Heart activation+ 447401855568.

[reigningm4x]

Abu Dhabi Grand Prix 2023 By Ali Haidar