#Haganai NEXT

[bwuniko]

ೀ ⋆𓂃 Kashiwazaki Sena

[therosecrest]

[fzzr]

The Interloper

So, expanding on something from Toradora! is Perfect, Actually. In a romantic comedy, there needs to be some sort of pressure pushing the principal characters together. If the premise or protagonists themselves don't fulfill this need, the work can make use of a character I call the "Interloper". This is the one who usually shows up last and whose role it is to keep the plot from being stable. In general, a character who shows up at the start of a later season is not the Interloper, even if their shenanigans have the effect of pushing the plot forward. Rather, the introduction of the Interloper is the point where the story has all the pieces in place. When it comes to making things happen the Interloper is the finger that pushes over the first domino.

To be an Interloper, the character's actions need to be both deliberate and effective. By this I mean they have to be causing trouble or progress on purpose, and the results need to be at least partially an intended result of that effort. For example, if a character is trying to sneak a truth potion into someone's food and it ends up in the wrong one, that's just shenanigans, not actual Interloper activity. However, if someone sneaks truth potion into someone's food and it results in the target voicing something they kept hidden (perhaps even from themselves), that's an Interloper at work. Some Interlopers start more on the shenanigans side of things and move toward actively shaping the plot later. Regardless of where they start, pretty much every Interloper ends a series making active direct effort to put the characters in place for the resolution.

Ami Kawashima of Toradora! is one of my two original examples for the type. She is the last of the five main characters to be introduced, and is initially presented as a certified Mean Girl. She starts her Interloping from her very introduction, treating Ryuuji like a toy in order to mess with Taiga. She goes through a lot of changes over the course of the series, but she never stops being the Interloper - the way she acts just changes. At first her trolling is more about her own satisfaction, but her actions are already pointed at stirring up the status quo of relationships. As the show goes along, her actions come to be motivated by the good of others, and she changes from merely stirring things up to openly pushing toward the conclusion everyone wants. At each phase her actions shape the plot, defining more than a third of the story arcs. Ami may not be the star, but there is no Toradora! without her.

Rika Shiguma of Haganai is my other original example. Haganai is a much more shenanigans-focused show than Toradora! and Rika is all about shenanigans. She's the designated sex maniac in the cast, taking everything in the most lewd way possible. In her introduction episode she shows up to the club room and propositions Kodaka right in front of everyone. This might seem like just a joke, but it's very clear that by saying that out loud, she forced everyone else in the room to reassess their own relationship with Kodaka in those terms. This is the end of the beginning of Haganai, the point where the plot starts to move incrementally forward. Most of the time Rika plays the shenanigans part of the Interloper more than the progress-pushing kind. However, at the end of the season one special episode, she is once again the one who prompts everyone to think about what kind of relationship they want with Kodaka. By the end of season two she pulls out all the shenanigans she has and uses them to beat some progress out of Kodaka whether he likes it or not.

Ai Hayasaka of Kaguya-sama: Love is War fills both sides of the role with aplomb. As the deadpan servant character, it is her duty to say the quiet part out loud. This alone has an Interloper effect by forcing the target (usually Kaguya) to at least react to something she's trying not to know. As things go along Ai starts to actively intervene in the core relationship of the story by challenging Miyuki's love for Kaguya directly. She does this by secretly acting as an alternate love interest. This is done with love for Kayuga, but also more than a few ounces of jealousy. Obviously shenanigans ensue, but the real result is Miyuki affirming, both to himself and to Ai, that Kaguya is truly the one he loves and not just the closest target of potential affection. By the end she's providing massive pushes toward resolution.

Working!! is another shenanigans-heavy show, and it has multiple characters who could be described as Interlopers. Yamada Aoi is the late-arriving character and primarily a shenanigans-type Interloper, but Souma Hiroomi is there from the start and makes the most active efforts of anyone in the show to move the plot in some direction or another. One of his tricks is slowing down the Yamada family arc in order to squeeze more shenanigans (and progress) out of Kirio's interaction with the Inami-Souta relationship. On the Jun-Yachiyo relationship he takes on a more classic Interloper role by pushing shenanigans with the overt intent of putting them in proximity as much as possible and pressuring Satou to make progress through his own actions.

It's possible in general for multiple characters to do Interloper things. The supporting cast of The Angel Next Door Spoils Me Rotten is so frustrated with the lack of romantic progress that it turns into Oops All Interlopers. The closest to the usual archetype are Amane's mother, who designates Mahiru as her future daughter-in-law from the moment they meet, and Chitose Shirakawa with her elaborate and decisive progress-pushing.

There are also plenty of romcoms out there without an Interloper. In some none is necessary because the structure of the show provides constant forward pressure directly. In Fuukoi, for example, the central conceit of the "marriage practical" does this by providing both a motive to make changes and a deadline for action to be taken. In some cases, like Wotakoi and many shoujo shows, no Interloper is necessary because one or more characters (often the male love interest) are sufficiently driven by their own desire to need no encouragement at all. Romcoms that are all shenanigans tend not to have a designated Interloper (just think how many characters regularly cause problems for no reason in Urusei Yatsura but lead to only more shenanigans) and actually need to avoid progress-forcing most of the time.

Given that an Interloper is disruptive by their very nature and often a little antagonistic, you might think they're generally considered annoying. In at least the cases I've listed, that's far from the case - some of them are as popular as the protagonists, if not more. In a world of endless, directionless drivel, there is real appreciation for the character who makes stuff happen.

[nijigasakilove]

“A present, even tho you’re homeless” LMAOO why she gotta cook Livia like that

NAHH the doll having Livia real pubes is insane(where can I buy it). Livia so 🐶 💔 but I love her to bits. It feels like a new chapter in everyone’s lives is finally starting with Sara properly relieving Livia of her duty as servant.

Sosuke and Sara aquarium daddy daughter date was so cute and I love how mind blown Sara was about conveyer built sushi. I’ve never been but I wanna take my mom one day since she loves sushi. The found family trope is one of my faves and we had some good ones this season, these two are right there at the top!

Brenda and her assistant trying to help each other win the same guy unbeknownst to each other will never not be hilarious �� I wonder how they’ll eventually find out? Maybe they both go to present their presents to sosuke and it’s just a big commotion lol. Always good seeing a Valentine’s chocolate making episode!

Suzuki sensei finally back in the show. Man he cleans up nice, hard to believe this the same dude who was sleeping on a cardboard mattress in the first couple episodes. Him turning Livia life into a LN but her not making any money off it is kinda crazy. Hopefully he invites her in as an assistant or consultant at some point

In the meantime, next week is the final episode and the preview looks like it’s gonna be a blast, plus Livia and the band are done with their debut song. I’ll be sad, but still can not wait! Good to have Haganai author back in the anime mix.

[weeblmaodotcom]

[Haganai NEXT] without context , Meme by Weeblmao.com

[filmes-online-facil]

Assistir Filme Fairy Tail: Dragon Cry Online fácil

Assistir Filme Fairy Tail: Dragon Cry Online Fácil é só aqui: https://filmesonlinefacil.com/filme/fairy-tail-dragon-cry/

Fairy Tail: Dragon Cry - Filmes Online Fácil

Tatsuma Minamikawa (diretor de episódios de Aldnoah.Zero, Attack on Titan, Haganai NEXT) está dirigindo o filme na A-1 Pictures. Shoji Yonemura está retornando da série de anime de televisão para escrever os roteiros, Yuuko Yamada (diretor de animação principal para Hakkenden: Eight Dogs of the East, Persona 3 the Movie #3 Falling Down) é o designer de personagens e diretor principal de animação e Yasuharu Takanashi está retornando da série de anime TV Fairy Tail Zero para compor as músicas. A GAGA está distribuindo o filme.

[peach-cloudz]

Check out this listing I just added to my Poshmark closet: 1/8 Kobato Hasegawa Haganai NEXT Figure Kadokawa Media Factory Japan.

[sappho-knight]

hi okay yeah vent blog time

read this from an interview with fushimi and hirasaka about the state of the light novel industry (https://originalnews.nico/388202)

yomi hirasaka may be leaving the industry. and i kinda don't want them to go but like i have no stake in his life except just being sort of a parasocial reader which he probably doesn't like (wow! expectations are scary) but also. i kind of. want him to continue writing. we don't get a lot of light novel writing like his any more in the industry... or maybe i'm not familiar with anything like his work.

i like the topics he brings up and the way he tackles them... his characters are very human... i'm infinitely jealous...

the way the industry sounds structured makes me realize like damn. i kind of want to be around people like that, too. and the way they think... uuuuuuuuu..........

he's really just writing something he wants to read! he really is doing that. i'm so jealous. i wish i knew what i wanted to read (lol) but also imagine the amount of freedom you're experiencing to be able to achieve that. haganai was an absolute banger in japan, so i think he's able to comfortably(?) retire on that money, and honestly thinking about bunny girl senpai being of the same genre/vein, to me it makes sense why these light novel authors, seasoned, are able to survive. same for fushimi and oreimo. they're really living out their best lives, i think...

some part of me feels upset because. goddamn. out of all the people i have a parasocial relationship with, it has to be a middle-aged author on the other side of the world, language barriers, who has a difficult time understanding people/characters like me (me!). and not like some vtuber that's trending right now that we can speak normally of. it feels like an incredibly isolating experience to want to get to understand the author -- maybe not even know him! but maybe, just a little? -- and figure out how his brain ticks so you can continue on that trend on 'his behalf'. if not for him, then for yourself, who wants to see his type of work grow.

i think it would be nice to write, release and consider short stories, like light novels, actually. maybe they're just regular novels/fiction in english. it's not like i've tried to understand a lot of the works under the fiction section. but at the same time, i can't wrap my head around what's the trending industrial model, either. ya books? parents in the us will have my head off the moment i start talking about sexual content. japan's content curation is infinitely more lax than main areas in the west, which is kind of a bust for itself (aka problematic af) but it's kind of also beneficial (aka we get to talk about and showcase really problematic ideas and origins of those ideas).

i don't want to see mainstream ideas that flood the western universe, goddamn. that's like, no got/startrek/wars/lord of the rings/twilight/stephen king novels. i want my momentary/cyclic and maybe intriguing facets of the industry. like whatever jay zhao is doing (iron widow) [but no, i'm not interested in her content either, i do respect it though] but like. all the time.

(or is it that like romcom in the light novel industry is vastly different from how we judge romcom in western society? but that can't be it. there's something very special about yomi's writing that we're losing from him leaving the industry, and i don't have the capability of knowing why. so losing him not only feels sore, it makes me feel helpless.)

i think, for sure, i don't really care about what yomi does after he leaves the industry. i think at best i care about his wellbeing, and that whatever prospects he seeks out next be well to him. i'm just struggling and trying to process my grief for what we lose from him leaving the industry, but from like a parasocial point of view. he's going to be a pillar of my writing journey, always, but that's not his fault and i don't think he should feel guilty for going where he wants to go.

i just really, really like yomi's work a whole lot.

[animecatoftheday]

Today’s anime cat of the day is:

This cafe cat from Haganai NEXT!

[therosecrest]

[anime-end-cards]

Haganai: I Don't Have Many Friends NEXT

Episode 12 end card

[kursed-arcana]

[a-n-t-s]

So is there gonna be a season 3 of Haganai or no asking for a friend

[weeblmaodotcom]

[Haganai NEXT] without context , Meme by Weeblmao.com

[anime--irl]

😈 \m/ Fuck 

 Sauce: Haganai Next

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[peach-cloudz]

Check out this listing I just added to my Poshmark closet: 1/8 Kobato Hasegawa Haganai NEXT Figure Kadokawa Media Factory Japan.