#HUGE ENDING SPOILERS

[equiz923]

Please don’t crucify me for this, but I really do not like how dunmeshi ended. Spoilers for the ending of the manga under the cut (obv this is all my opinion but if you have a diff one and you wanna chat im v open to that)

Ending things is hard, ending great stories is even harder but I just finished rereading the manga in full and it makes it so apparent how rushed the ending feels.

With Laios specifically, him running a kingdom Does Not make sense. It feels too storybook ending. ESPECIALLY with what the winged lion showed him during his dream- the idyllic world where he runs a monster kingdom but figures it all out. I thought that this was kind of clear with how dream falin had to shoo him away from his actual duties to make the idea more palatable. It was a clear manipulation by the winged lion to try make it something Laios would actively want to do, an appeal to his greater sense of morality to try convince him that he was the good guy, especially because we all know he just deep down wanted to be a super epic monster.

With this in mind, the manga actually ending with him running the kingdom is insane. We as an audience have already found out and understood that he actually does not want to do that shit, and that there is no way that the kingdom would prosper under him. I personally really don’t like the way that the winged lion’s curse is pretty much thrown in as a joke on the final page, because the idea is really really interesting from a character perspective. From what we know of Laios, would he not clearly break at some point and try to chase after the monsters? Go insane? Both? Also him always being hungry is such a genuinely cool idea that gets another throwaway line, that has such interesting character implications. It is fine to add that as a footnote at the end, but it’s not treated with the gravity it should have.

Another character I think really got rushed toward the end is Marcille. Her character resolution of after the banquet being okay with Falin’s death is crazy. Her calling her time with the winged lion a tantrum is insane. Her extending of others life may be something that she now sees the consequences of, but there is not payoff for that realisation. We do not see it happen, it apparently occurs offscreen.

There’s a lotta other little things that feel off to me but those are my two main examples. I found in reading it again there were times that the story didn’t show or explain things properly (Kabru in magic handcuffs is something I only found out about when he broke them, I genuinely cannot find where itsumi found that doll of Yadd). You can make the argument that’s a reading comprehension error on my end, that’s fine but there were enough small things that I don’t think I’m the only one that missed small half panel cues. Chekov’s gun only works if you let the audience actually see and note the gun.

Again, please don’t take this as a hate rant, I genuinely love dunmeshi. It’s a really good story. But the best stories are the ones that need to be critiqued. The basic happy ending just does not fit at all, to the point that it feels completely wrong.

Idk, hi if you actually read this whole thing, you’re a legend. Please tell me your opinions id love to hear them

[dxnyarya]

“sotr is mid because you already know how it ends” shut the fuck up, the point of the book is that despite knowing how it ends you would have never known what actually went down because that’s the point of propaganda, the whole book is about the power of propaganda

[artist-rat]

some epilogue vibes (an excuse to draw some hugs. and my durge so many times)

[theribbajack]

"Now, the vow will be honoured, and my Lord brother's soul will return."

Radahn stans keep winning, but I personally am in Miyazaki's walls rn

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 2x02 - “Watch It All Burn”

[geezmarty]

I'be been watching a danganronpa 2 LP as I work I'm on the final chapter and I'd like to state I'd die for them

[non-plutonian-druid]

So heres the thing about Dredge.

I think its a huge missed opportunity that the main character is the husband and not the wife.

the backstory doesnt come out fully until the end, but when it does, what you learn is this:

some amount of time ago, the player character was married. over the course of the game, you pick up notes from a woman, and at the end you learn that she was your wife.

*was*, because Cthulhu ate her.

you were a fisherman, and obsessed with the ocean, and she was not. you were superstitious, and she was not. And one day, she messed up and did something unlucky, and then she was lost at sea one night when she was on your boat.

it fucks you up so bad that you lose all your memory and end the world trying to save her.

so, obviously you're torn up about her, but also, it kinda didn't have anything to do with you. She fucked up and she got got. whoops! Oh well. It also didn't change very much about you: you're still a superstitious fisherman obsessed with the sea, except you're sad now.

But if you were the wife? If he died instead?

you were happily newlywed, but if you had one issue with your husband, it was that he was too married to the sea. He was too obsessed with fishing. He liked his boat too much, and he had all these sailor superstitions that you don't take seriously.

then one day, you ignore his superstitions. and a horrible eldritch force that you've never even dreamed of KILLS HIM.

your husband is DEAD and it is YOUR FAULT.

and it breaks you. So much that you take his boat, set sail, and spend your life at sea. Just like him. Embroiled in superstition and ocean magic. Just like him. Just like your least favorite parts about him. and you spend the rest of your life trying to undo the horrible thing you did, and only ever manage to end the world.

wouldn't that be so much fun?

[thirddoctor]

Belinda's plotline is kind of a horror story, which would be very interesting if that's what they'd been going for.

She's kidnapped by a creepy guy who wants to marry her, and she's rescued by another guy who also comes off as kinda creepy to her, and she doesn't trust him or want to be with him, but conveniently he can't take her home so she has to stay with him for a while. And she's forced to start trusting him as they go on various adventures together, but then she sees him casually torture a guy and she has a moment where she doubts him again, but she's able to sort of brush it aside, and she even tells him how amazing he is.

And then she gets stuck in another creepy man's conservative utopia, where she's a housewife married to the man she's travelling with and they have a daughter together. And deep down she knows there's something wrong with this, and she even has a moment where she has to scream because this isn't her life, but she forces herself to keep on believing in the fake world and her daughter, and even when she gets her memories back her daughter is still there and she feels compelled to protect her. She shuts herself in a box, knowing she might be trapped there for eternity, because what else can she do? This is her daughter, right?

And then the girl fades out of existence and she forgets her, but the man she travelled with can't bear to let the girl go, so he rewrites the universe to save her... and rewrites Belinda's whole life in the process. Suddenly she's always been a mother. This has always been her daughter. Once again, she's had a new life imposed on her by some creepy guy, and she doesn't even know it's happened. He doesn't tell her, he just says goodbye and leaves her with the child she never used to have.

Will she ever feel the wrongness of her new reality? Will she ever have a nagging feeling that this isn't her life?

[mothersfavourite]

compilation of higgs smiling like a deranged lunatic 🥺🥺🥺

[chimerafeathers]

i know we love to rag on Siffrin for feeling so miserably guilty and manipulative for the crime of [checks notes] “doing nice things for their friends so that they’ll be happy and care about him even if it’s not perfectly sincere on his end”

but like. in context i don’t think that thought process is anywhere near as nonsensical as it always sounds written out like that

i’m sure i’m just stating the obvious here but it’s not really about the “crime” of making people happy. it’s about what he’s not doing, which is anything that would allow their friends to have any real knowledge or agency over the situation they’re all in.

it’s about never acting according to his real feelings in the moment and letting them see the messier version of him that exists now, never allowing their relationships to evolve or develop meaningfully beyond the “safest” iteration, the thing that is Known and produces the Correct Results, because anything else has the possibility of leading to negative emotions towards Siffrin.

Siffrin knows he’s not really doing all this for their benefit, not entirely, because the “right” thing to do would give them the full context to choose how they feel and what to do about it. they’re happy, but in a way they don’t get to keep. they’re happy, but in a way that keeps Siffrin safe from anything more complex and real. they’re happy, but only because some Siffrin in the past said the right things once, and this new, bitter, lonely, desperate version wouldn’t know how to get the “correct result” without a script to follow. they’re happy, and it was real once, it meant something once, but not anymore.

they cared about that Siffrin, yes, but would they still care about this one, if they knew? if Siffrin ever allowed them to know? (he won’t, he can’t, he refuses.)

and there’s something that could have been said in favor of Siffrin allowing himself this “selfishness” if it made him happy anyway, if it could be a genuine source of comfort in a difficult situation—but it doesn’t! not really! because that guilt is there, because that fear is there, because of how flimsy it all inevitably feels.

so they’re not doing it for their family’s benefit, because that happiness is predicated on lies and ignorance. he’s barely doing it for his own benefit, because they’re torturing themself by revealing things they no longer want to reveal, concealing things they no longer want to conceal, acting out of fear of rejection rather than genuine desire for connection. who benefits from this hollow “kindness,” really?

that’s why the last loop had to be the ugliest one. Siffrin had to see that the worst could happen and there could still be love and connection on the other side. that even when the party sees the worst of him, when they have the agency he’s been knowingly denying them, they will still choose to love him.

[sinlizards]

(insane guy voice) i think i might like Lee Gyu-Hyuk just a little bit

[misedejem]

Me at 4am: it really should be sleep time now

My brain: I think it creates a really fascinating dynamic in Emet-Selch’s tragedy that on the surface he is a man who spent near enough his whole (undoubtedly very long) life in the company of at least one person he loved more than anything, and in the end he was left without them. But in this instance, the people he lost aren’t actually gone. He’s a man grieving souls that did not die, from a culture where death - to most - is seen as the ultimate goal. And all the Unsundered share that burden of course - they all knew people who gave themselves to Zodiark, who wait in stasis on the moon, and their allies are their Sundered colleagues, but Emet-Selch can see their souls most keenly, and he did not lose himself as greatly as them, so for him the reminders are constant. Azem and Hythlodaeus didn’t get to die, he has physical proof of that, but they’re certainly not alive either. And the same can be said of everyone else he knew too; he sees his loved ones, friends, family, colleagues, but they do not see him. The keeper of the Underworld, surrounded by Souls he failed to guide.

[egophiliac]

new chapter 7 installment dropped how we feelin????

YOU DON'T UNDERSTAND

THAT'S HIS DAD

[miiversian]

[bobsyauncle]

Last episode destroyed me. Something something the feeling of intergenerational trauma and trying to stop the cycle of pain but only being able to prevent it as best you can- with more violence and pain- due to the societal and systemic pressures that force you to continue the cycle, ultimately only allowing for the most peaceful option to prevail- the option that caused the most personal sacrifice :(

[creativitysloyalservant]

i have decided to break my lack of original posting on this blog to bring you my Thoughts on Rot in Paradise. because i played it as soon as i got up this morning and i have scoured for some opinions after finishing it, and now i have my own!!

(and also i posted this on twitter but twitter has such a Shit wordcount that i'm also posting my things here with More Detail)

so! spoilers under the cut, please go and play the game if you haven't. it takes literally an hour (it only took nearly 2 hours for me because i like voice acting by myself and exploring every nook and cranny) and it's also free. so maybe come back into the tag once you're done.

okay, so i noticed quite a number of people being confused and disappointed on the lack of an explanation for the monster. it's brought up in the story as the central thing driving the plot, but it's never explained on what "she" is, why she's compelling people to eat a ton of fish-related food or hell, metal, and why this doesn't impact June at all.

but you know what I think?

i think that that's the point. the focus of rot in paradise isn't supposed to be on the monster.

yeah, it's the thing that pushes the plot along besides June and the gang going on vacation in this island. it's what's causing that uneasiness from the moment that guy grabs June's arm at the drinks, to the sheer unnerving feeling of witnessing people going to the ocean to get Raptured basically. i know i personally felt a chill when i saw that one dude literally eating chains and the other hauling an anchor, as if they're trying to make themselves heavier so they get taken by whatever She is.

but that's not the main point! the main conflict is about June and her friends.

as people have pointed out, this game is about toxic friendships and relationships! it's foreshadowed in the conversation that June has with the gang about her cousin (which i will also get into), and it carries it through the way her friends are horribly warped by this ocean Creature. June goes on a silly little vacation trip with her friends only for them to become so so different from themselves that they lash out at her and even hit her in McCoy's case.

but she still sticks it out with them. through the whole game, even despite their verbal abuse, despite being slapped, despite them being people that she can hardly recognise. she stays with them for the whole game, up until the point where you are given the two options at the very end. and she could still stay with them.

because they're still her friends. she cares about them even if they still hurt her. from the way June still tells Carmen to tell June if she needs anything after Carmen literally tells her to shut up and leave, the way June worries about Vonnie eating seafood even though she continues to stuff herself despite being implied to either hate or make an active choice to not eat seafood, to the way June still trudges out to sea screaming for McCoy to come back to the shore as he wades further in even after he slapped her until her nose bled.

it mirrors the conversation about her cousin, the reason for why June was looking forward to the vacation. that while she did comfort her cousin through all of it, June clearly says that "they were dickheads, and she should have ditched them a long time ago".

but it's funny, isn't it? that June, an outsider to her cousin's friend group, easily sees the pain that her cousin's friends are causing her, and immediately calls it as it is. that her cousin should have left the second they hurt her.

and yet now, when her friends hurt her, even though this was a quick and sudden change that happened in a span of three days, June still sticks around. her friends are dickheads right now, and we can see that in the way they interact with June, but she still stays.

because they're her friends. and how could she just leave them like this if it's something that's causing them to be this way?

so no, i don't think the monster is supposed to be the main picture. we don't need to know what it looks like, or why it needs to do this to the islanders, or how it's even doing it in the first place. it adds to the scariness of the game, as per the Spooktober Game Jam, sure, but that's not the point. might be a bit disappointing to some, but that's not the point.

the point is about June, and the choice that she needs to make at the end of the game.

it's a choice on whether she chooses to be pulled deeper into the tides and be with the friends who hurt her and will continue to hurt her in this way,

or to leave them to their fates, whether deserved or not, and resurface to a world where she's alone without her friends.

and even though the first choice hurts much more in the long run, doesn't the second hurt even more in the moment? knowing that you're alone at the end of all of this?

even if it is the right choice, i'm sure the pain must be unbearable in the moment.