Hey, if you have speech impediments, you are so amazing.
If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.
Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.
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it shouldn’t be glossed over just how empathetic Joel is. he expressed empathy towards Ellie given her dire case of being a child within the confines of a cruel, unforgiving-apocalyptic world that supplants what should have been a habitual childhood for her. he offered an apology for scolding Henry and calling him a rat without initially reconciling the benign intentions behind his actions. he pleaded for the elderly sniper on the outskirts of kansas city to put down the rifle so he didn’t have to kill him. it all accentuates just how against his nature he must be to survive in this world. he can’t always spare people, he can’t always shed sympathy. but he wishes he could, and even on occasion tries. it’s the very context he once stooped to the level of the hunters in his past that makes this point pang all the more. he isn’t apathetic. he isn’t exclusively selfish. he isn’t rigid. he is open-ended. Joel is more than a hammer that sees all problems as a nail to be forcefully struck without finesse. He values compassion and preserving life, and any ultimatum that cements the opposite only elicits a last resort of violence and numbness. the silver lining is more desirable than conforming to cruelty
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Thinking about how I used to go to the movie theater with my ex and they'd finger fuck me until I'd soaked through my underwear AND jeans. I'd beg for them to let me cum and they'd slap my pussy, put their other hand around my neck, and tell me to be a good girl and wait until we got home...
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sleep deprived dust can't recognize what's dream and what's real when he goes in and out of consciousness so i think dust is allowed to be incredibly reckless when he's awake but thinks he's in a dream. he will kill whoever passes by him (or attempt to. for him it's an instict to shoot bones anyways.) he will drink 4 bottles of alcohol just because he thinks its just a lucid dream. have incredibly loud conversations with phantom paps because he's asleep so nobody will hear him talk. or just have loud ass breakdowns because again he thinks he's asleep!!! nobody's gonna know what he gets up to in his dreams. and until someone (probably phantom paps) tells him that he's not asleep and this is reality he won't realize until he's done something really reckless
horror is seconds away from exploding dust's skull open with his magic while dust is trying to strangle him and FINALLY phantom paps tells him he's awake and dust snaps out of it. killer is walking around the house with bones sticking out of him like pins on a sewing pattern (casually too. another day in the life for him) and he just asks dust what that was about. dust just gets off of horror and shrugs his shoulders with an idk. and then walks away. this is the 6th time its happened this month
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i think that we need to get over the narrative that you can’t have gay villains because that’s a harmful stereotype because there’s a huge difference between “this character is gay and a bad person” and “this character was written specifically to equate being gay and being evil/depraved/degenerate”. it’s just such a narrow minded view of fiction that leads to people afraid to write queer characters as anything less than morally perfect and then to a bunch of palatable but bland and boring queer characters that are arguably worse representation than a gay villain because they are not allowed to do anything wrong. while it is important to write all types of gay characters a work isn’t instantly “problematic” because the villain is queer and the hero isn’t. I think this is also related to the idea of subtext vs text in gay media and how I see a lot of people get mad bc the homoerotic subtext isn’t made canon without considering the context of it at all—sometimes creators make artistic decisions for reasons other than that they didn’t want the gay people to kiss because they’re homophobic. well written queer subtext can be better than a canon gay couple with no personality or relevance and a queer villain can be a better queer character than a gay hero because the characters in-universe morality isn’t inherently tied to how much care they are written with and the quality of “queer representation” isn’t determined by the amount of times they kiss on screen.
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Going to go out on a limb here, but while I understand folks have different tolerance levels and have every right to be uncomfortable, people losing their minds over a line that's been in a game for almost a year is a bit silly. I'm sorry, but this is yalls fault for babygirlfying this man in the first place.
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Nathan Dixon is lead STEM developer of the Union environment and Team Bravo special ops agent of MOBIUS. He is one of the youngest recruits of the shadow organization, having been forced to join them after he killed his parents at age 16; and now, nine years later, he is looking for a way to destroy MOBIUS once and for all– if that is even possible.
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;
@jacobseed, @swordcoasts
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