#HI. here is my most wretched of women

[viktorgf]

OCS as OBSCURE ASSOCIATIONS— pt. 10

again i’m just doing these for serotonin so no pressure tags hehe @kyber-infinitygems 🩸 @loriane-elmuerto 🩸 @unholymilf 🩸 @bloodofvalyria 🩸 @yrlietlanaevyss 🩸 @ghostfvcker 🩸 @rosayoro 🩸 @roofgeese 🩸 @jendoe 🩸 @bethesdas 🩸 @nadineross 🩸 @risingsh0t 🩸 @pitchmoss 🩸 @teamhawkeye 🩸 and you!

ANIMALS: crows. ravens. bats. wild dogs. goats.

COLORS: red. black. silver.

MONTH: october.

SONGS: pyre— son lux | pleader— alt-j | mary magdalene— fka twigs.

NUMBER: 666.

PLANTS: a wilted rose. venus fly trap. yarrow.

SMELLS: formaldehyde. blood. cherries.

GEMSTONES: obsidian.

TIME OF DAY: witching hour.

SEASON: cold autumn.

PLACES: on top of a cathedral, like a gargoyle. iosefka’s clinic. locked up in a jar with warning labels all over it. a coffin. the french catacombs. the hunter’s dream. in your cracked open ribcage.

FOOD: human viscera.

DRINKS: absinthe. blood. mint juleps.

ELEMENT: earth.

ASTROLOGICAL SIGN: gemini.

SEASONINGS: thyme. oregano.

SKY: the new moon.

WEATHER: a cool breeze under a clear sky. cold.

MAGICAL POWER: necromancy.

WEAPONS: scalpel and other surgical instruments. stiletto style finger nails.

SOCIAL MEDIA: reddit— r/unethicalexperiments, r/surgery, r/amithedevil

MAKEUP PRODUCT: blood I MEAN. eyeliner. who said that—

CANDY: licorice. dark chocolate.

METHOD OF LONG DISTANCE TRAVEL: power walking.

ART STYLE: victorian gothic.

FEAR: not a damn thing!

MYTHOLOGICAL CREATURE: vampire.

PIECE OF STATIONARY: faded parchment paper. words written in blood. ethically sourced.

THREE EMOJIS: 🥀🍷💉

CELESTIAL BODY: venus.

[sunnami]

❝watch me, don't touch me, love me, don't hurt me.❞

[title is from ive's accendio. gif not mine.] summary. you are the fop of the wizarding society, known for your shallowness and careless display of wealth, but as hogwarts faces another threat, the marauders and lily, find themselves drawn to you and the secrets hidden under your facade. (harry just wants to know what is going on.)

pairing/s. marauders x reader. (james potter/lily evans/remus lupin/sirius black/reader.)

wc. 24.1k.

tags. enemies to lovers, angst, hurt but the comfort is later, fluff(ish), i try slow burn for the first time (it hurts.), this is highly self-indulgent idgaf, set during goblet of fire but i decide what goes, voldemort isn't the only character who can revive from the dead, BITCH. OH, LMAO I FORGOT, THIS IS FOR THE DILF AND MILF LOVERS SDKJFHSF they're married, but remus and sirius keep their name for legal and plot reasons. adult marauders and adult reader! and i was careful this time to not use any specific pronouns or gendered terms so everyone can enjoy the pain!! every1 is hurting 2nite. proofread kind of, so we die like. . . harry potter?

cws. here we go... canon-typical violence, vivid description of injuries, pain, and blood, emotional abuse, trauma, self-destructive tendencies, minor character death (non-canon), pureblood society practices, voldemort is his own warning, brief mention of war, brief scene with abducted children, panic attacks, depictions of mental illness, suic!dal thoughts, bellatrix lestrange is also her own warning, morally-grey reader.

a/n: this is inspired by my most favorite finnick odair fic EVER! obviously, i won't ever reach that level of greatness, but i've had this idea in my head ever since i read that story. sometimes, i just want to cry at night to feel something, LMFAO. halfway through writing this story, i got insecure, so thank you to this eye-opening comment on reddit that i found that will forever change how i look at reader inserts: “for me, a reader should be faceless, but not soulless.”

to my dearest friends and readers, i hope you enjoy this world that i've written for you ueueue. (the next and final part is fluffier, i promise.) will upload to ao3 soon!

act i. dear god, please save the little man.

“RITA, DARLING, do get your wretched little quill for this one. I heard from a wee birdie that Vittoria Zabini was spotted in Rome, and not just wearing last season’s designer collection, but on her honeymoon, of all things! Can you believe it, dearest? If I remember correctly, this must be husband number five now.”

Like a wingless canary in a gilded cage, you are forced once again to sing for red-lipped witches and their grating laughter, and for wizards with their fat bellies, graying hair, and leering eyes. How kind of Narcissa Malfoy to host these decrepit creatures in her manor garden—and thrust the role of main attraction onto you. There you are, lonesome badger, dressed in the finest tulle for everyone to ogle at. A ballerina in a music box, turning, and turning, and turning.

(When will your cursed lullaby finally end?)

Isadora Bulstrode cackles. “Gold-digging wench must be at it again.”

As predicted, Rita Skeeter greedily whips out her Quick-Quotes Quill. The bloodthirsty journalist preys hungrily at your every word—and you’re more than willing to satiate the irritable, little pest. “Riveting.” She pushes her glasses upwards with a quirk of her lips. “We may have tomorrow’s front page in our hands.” 

Lavinia Nott brings the teacup to her mouth, her gaze slicing towards you. “Do tell us more. Where ever do you get your information from?”

You hide a coy smile behind the fine porcelain. “Why, Lavinia dearest, if I reveal my secret now, I might have to kill you!” The drove of ladies giggle amongst themselves as Lavinia sips her tea impassively. You play these people like a fiddle, and they’re none the wiser. But even vile women have to play their parts in the cruel world forged by mad men. Yours happens to be the most ill-fated of them all. 

“A shame you decided not to pursue the same path as your mother, but that is alright—not every one is fit to work.” The Selwyn matron raises her brow, offering you a tight-lipped smirk.

“Oh, Elinor, my love, I’m surprised you’d even suggest such a horrible thing!” Your grin grows wicked and wider. You know perfectly what the wizarding society thinks of you: the orphaned heir, the shallow socialite who only cares for gallivanting about in pureblooded extravaganzas. A status you’ve so carefully fashioned; utterly beloved and adored by these people, flowers falling at your feet with so much as a whisper from your lips. 

Your gaze drifts to a familiar crowd of people to the side. It’s the pack of lions and The-Boy-Who-Lived. There they are, the marauding bunch and their displays of loyalty and whatnot; hideously coordinated outfits, but capturing the world’s attention constantly and effortlessly. 

How repulsive.

In spite of that, you are intrigued. They are the section that plays out of tune in the orchestra you have been conducting for years.

And so you bid your goodbyes to the witches; they fawn and beg for you to stay for an hour more. You pout your lips and say with faux sympathy, hand flying to your chest.  “Oh, don’t worry, my dears! I’ll be back soon enough after greeting some of the other guests. You lovely ladies might tire of me if I stay for too long.”

Melina Traverse brushes you off. “We could never! You know you’re like family to us, pet!”

With a delighted gasp, you say, “Don’t tell Narcissa, but you’ve always been my favorite Slytherin.” The venom flows endlessly from your lips. You owe your life to only a handful of people. Narcissa Malfoy, who raised you when your mother no longer could, is one of them. Finally, you’re able to sneak away from their freshly manicured talons as they tittle-tattle amongst themselves.

Once your back is turned to the rest of them, you roll your eyes until your head begins hurting. 

What a bunch of insufferable fools. 

Still, the show curtains are wide open and the sun is yet to set. You have another audience that is awaiting your next number. 

“Oh, my, my, my! Is it truly the Chosen One in our midst?” You approach the horrid family of Gryffindors—nearly doubling over in laughter at the speed with which their faces fall at the sight of you. How refreshing, you think to yourself. It’s been so long since you’ve seen people who wore their hearts on their sleeves. “Cissa and I didn’t think you’d even respond to our invitation—but this is just brilliant! Lily, darling! How long has it been? That dress looks utterly divine! Is that Charmeuse silk? The purple simply brings out the color in your eyes! And your skin, my love! Just glowing! Tell me—have you been trying those snail facials? I hear they’re all the rage nowadays.”

Sirius grimaces, cheeks turning ashen. “Bloody hell, I’m going to need a drink for this. A strong one, too.” 

“You’re at a garden party, Sirius darling,” you remind in jest, flamboyantly motioning to the grazing table. “The elves are serving Darjeeling, jasmine, chamomile, berry blends, spiced orange, silver needle, and my personal favorite, chocolate mint!” There are strings of lights wrapped around the tree branches; floating lanterns and the hydrangeas creeping on the stone walls. You put a hand over your heart, smiling knavishly. “From the Malfoy family, to yours, we sincerely hope you enjoy your brunch.” 

Lily deeply inhales as she intertwines her fingers with James’s, a polite smile on her face—an odd pang in your heart at the show of solidarity. (She questions how sincere can a Malfoy really be.) “Y-Yes, well, it’s so good to see you, too. We’re grateful for the invitation, especially since it’s for a rather honorable cause.” 

Ah, pure-hearted creatures really do get on your nerves. Lion hearts; words dripping in honey, limitless bravado. You’ve changed your mind, you’re sick of it all. A flash of vindictive glee crosses your face as you abruptly grab her hand, wrenching it away from her husband’s. “We just knew you’d see it that way! You probably see yourself in those Muggle children, eh?”

Lily recoils, as if struck by hot iron, shoulders tensing; slowly, she peels away her hand from yours, long lashes blinking away her shock.  “You and Narcissa must be raising a lot of money, then.” She eyes the marble fountain adorned in white roses, the harmonizing gnomes nearby, self-playing harps, and the scrutinizing stares from afar. “I never knew you cared so much about Muggle children.”

“Well, I suppose it must be done for all the pudgy-cheeked brats in the world,” You callously wave away her words with a sigh. Unbeknownst to most, all the charity proceeds come from your own Gringotts account. That is the one real thing left in your miserable life.  “As staff at Hogwarts, the children must come first, wouldn’t you agree, Lily flower?”

“Quite,” replies Lily, lips firmly pursed.

James enters the fray, hand snaking around Lily’s waist; jaw taut, seeming to regret ever entering the snake den. “Have you met our son, Harry, already?” He turns to the fourteen-year-old at his left side, gently patting Harry’s back with a crooked smile. “Haz, this is an old classmate of ours.” James gestures to you, and you offer the Potter spawn an amused smile as he blinks owlishly at you. The poor thing has gone frigid from the wintry cold, despite the summer sun overhead and blooming coneflowers; and you wonder if he must have run into Draco and Lucius before coming to the garden.

So this is the child the Dark Lord failed to kill, you muse. You only wish that you could have seen that monster fall to the ground lifelessly, defeated by an infant and his courageous parents. How fitting for men like Lucius Malfoy to follow in his footsteps; the blind leading the blind. Your grin stretches from ear to ear as you take his hand in yours. Clearly, he’s never held a girl’s hand before, as he limply shakes your hand, awkwardly spluttering his greetings. “What an honor it is to finally meet the savior of the wizarding world.” 

“Why, you look just like James when he was younger, always strutting around the corridors.” Your eyes drift to the lightning scar on his forehead, a testament to his and Lily’s survival against the killing curse. “And such clear-cut emerald eyes; truly your mother’s son. Tell me, Harry dearest, you must be quite the heartbreaker at Hogwarts.”

His doe-eyes harden, and your brow quirks in curiosity. (So the littlest lion can growl, after all.) “Oh. . . not really.” His hand hangs back at his side, fists coiling. The robins chirp merrily as they fly by, his parents carefully watching the scene unfold; water endlessly splashing in the fountain. Harry’s voice deepens as he continues, “I couldn’t be. My friends and I barely have time for anything else. There always seems to be something going on at the castle, apparently.”  

“How interesting—Elsie!” You bark at the quivering house elf as Harry stumbles on his words. “Get Mister Potter and his company a plate of macarons—serve them our finest tea, as well.” 

Harry winces as the elf apparates at once. “There’s r-really no need for—”

Your gaze, sharp as a knife, slices to him, as the corners of your painted lips bend contemptuously. “Have you heard the news, dearheart?”

Harry looks to his father before shrugging. “I don’t think so.”

“If Mister Lupin here has so graciously informed you,” you begin tantalizingly, eyes cutting to the rugged werewolf at Lily’s side; his back stiffening at the mention of his name, “Otherwise, keep this between you and me, Harry darling. Hogwarts will be hosting a rather important event this year—and I do love a good party—so you must have noticed the rise in appearances from the Ministry.” You gesture to the top Aurors at the DMLE towering over Harry, Sirius and James. “More than that,” you continue with a sly cant to your voice. “There will be a few new additions to Hogwarts’ staff. Among them, of course—is yours truly!”

“And to do what, exactly?” Sirius blurts out incredulously.

“Be a teacher, of course!” you feign ignorance, bashfully furrowing your brows. “Why else?”

“Brilliant!” Sirius chuckles scornfully. “So, the children will be learning about French designers and frilly dresses then, I presume?

“Is that truly all you think of me?” you ask, gasping melodramatically as you circle the rim of your empty teacup. 

“You want to know what I think? Or what everyone thought behind your back at Hogwarts?” Sirius scoffs with a cock of his head. “You’ve always been the belle of the ball, no bloody doubt about that. But I’ve always wondered if there was anything more to your head than just air.” 

He runs a hand through his dark curls, lips twisting into a sneer. “But I reckon nothing has changed since then. You’re just the same insufferable, vapid wench as you’ve always been.”

“Sirius. . .” Remus quietly calls. “That’s enough.” 

Your expression falters—but your mask cannot afford even a moment of rest. A jarring note in the lullaby plays as the ceramic ballerina stops turning. You let the minutes pass by fleetingly; it seems the self-playing chordophones have changed their tune, as well. You watch as the canary diamonds in your bracelet glint against the sunlight. (You are growing tired of the blinding show lights, unrelenting crowd, and never-ending play. Where is the reprieve, you wonder, for the tormented primadonna and her aching soul?)

The strings are now dipped in blood as your tears polish the stage. Your joints have twisted, bent, and danced. You wonder, how long must it be until you are rid of the starring role?

You muster a coy smile, fluttering your lashes at the heir of the most noble and ancient House. “Such crude language, Mister Black,” you say, albeit your voice has gone mellow; nails drumming against the table surface as the guests mingle with one another. The unbearably dull conversations buzz in your ear. You notice Draco and Astoria Greengrass heading for the glasshouse. You consider stealing her lace parasol and whacking Sirius with it, and the thought fills you with immense joy. 

Unfortunately, they are your guests, and you are nothing if not the most polite host. “Perhaps, I am not the only one who hasn’t grown out of their immature habits,” you say, eyeing his shoulder-length hair, spiky ear piercings, and leather jacket. That damned leather jacket of his. It irks you that he and his kind can show insolence freely without bearing any repercussions. (But you’d die before you ever feel envy for a man like Sirius Black.) The sun fades behind the clouds, and your mask slips perfectly into place once more.

“What is it that happened again? Between you and Severus Snape in sixth-year?” You tap your chin pensively, taking cruel satisfaction in the stutter in Sirius’s breath and Remus’s parted lips, ever stupefied. You gaze fiendishly at Remus. “Oh, silly me, I’ve gone off topic. Well, anyhow, I just wanted to say, I believe the students are in rather good hands this year. I just hope Dumbledore doesn’t accidentally let an infected beast roam the halls of Hogwarts.” 

Your eyes flash impishly. “Wouldn’t you agree, Mister Lupin?”

Lily curls her lip viciously. “Just what exactly—?”

“Elsie has returned, master.” The house elf bows her head just as the antique bistro table is circled with macarons, cucumber sandwiches, miniature cocktail buns, and slices of pound cake. Lily retracts her hand, grinding her jaw as she swallows the words in her throat.

“You may go, Elsie, thank you.” With a guileful smirk, you levitate the teapot towards James and Harry, dutifully filling their cups; steam soon arising from the Chinese porcelain. You nod at the group. “It’s jasmine pearl,” you explain haughtily. “Carefully handcrafted tea from harvested leaves and flowers. Such exquisiteness that you won’t be able to find anywhere else.”

“Do enjoy your tea; Cissa and I made sure to spare no expense for our guests.” The teapot carefully lands back on the table. The sinfonietta ends, and so does your time with this particular audience. What misfortune, that you won’t receive your flowers for today’s performance. You pivot on your heels, flinging them a lukewarm goodbye. “Do excuse me, for I must tend to the new arrivals. I believe I see Missus Parkinson over there by the koi pond. Cissa might have my head if I neglect my responsibilities.”

You turn your head, tossing a wink at Lily. “Today, after all, is for the children.”

Alas, it is not Persephone Parkinson you head towards. 

You briefly exchange tepid pleasantries with Lavinia Greengrass before walking past the koi pond to the edges of the garden, far beyond prying eyes and ears. There, like a brooding Dementor drifting through a frozen lake, waits your true target. Sadly, it is only a dour-faced professor, a long time confrère of yours, to be precise. There are only a handful of people to whom you are indebted. Severus Tobias Snape is one of those few. 

With a flick of your wand, you covertly cast the silencing charm upon the elusive spot Severus had chosen. There is no need for these edacious vultures to prey on your conversation. They are better off with their tête-à-têtes and syrupy pikelets. You drown out the chamber orchestra’s symphony, the clinking of champagne glasses, the rustling leaves and ringing wind chimes. “Severus darling,” you say liltingly, feet shuffling to his side as you playfully ghost your palm against his nape. He barely spares you a glance as a breeze courses through the rippling lake water. “You’re missing out on the festivities, you know.”

“Have you finally finished tormenting Narcissa’s visitors?” he drawls, at long last acknowledging your presence and sharply raising a brow at your saccharine-sweet smile.

“Why, I’d never dare to do such a thing,” you reply with a theatrical sway of your head. “I simply conversed with the ladies and had a delightful run-in with your old flame, Lily. Do you remember her, my sweet? Ghastly red hair, pale skin, and, oh, those green eyes. It must be infuriating to look like that,” you rattle away to the only entity willing to listen to you in his company: the wind.

“Spare me,” he drones, lips curved impatiently.

You moue. “Ever the bore, you are, Severus. Shall I fetch you a platter of brandy snaps?”

“Shall I sit around while I wait?” Snape’s lips contort into a sour grimace, eyes rolling to the back of his head. “The Dark Lord himself might even find time to rise from his grave.”

“Severus dear, if I didn’t know any better, I’d say you were trying to tell me something.” You eye him slyly, mouth tipping into a smirk as a dragonfly hovers by the waterline, avidly stalked by the dwarf frog on a lily pad. “So,” you pry, “did you have something important to tell me? I promised Mister Goyle I’d have a drink with him.”

The frog splashes into the lake, and the dragonfly flutters away without a care. Severus clandestinely slips a piece of paper into your palm as he swivels around, dark cloak billowing. “Ensure that nothing traces back to you,” he snarls. “Clearly I do know better, Severus.” You toy with the paper between your fingers, a sense of exhilaration running up your spine. “Not to worry,” you say with a clipped smile, a serpentine glare in your eyes, “I always do as I am told.”

(Severus, not for the first time in his life, wonders if the Sorting Hat made a mistake when it sorted you into Hufflepuff.) 

act ii. tonight, let’s start the masquerade.

THE NIGHT GROWS weary, and so do the alleys of Knockturn; neglected as your hooded figure navigates through the brick road, only the caged owls and flickering stars to notice your presence. You fainly traipse amongst the shadows, a moment of surrender from the spotlight and malignant eyes; a brief interlude in the performance. Past the hanging doll heads in the windows of Borgin & Burkes, you find a lonely shop. Inside the locket of your ring, lies a slip of paper that had been given to you earlier this afternoon. Well, Severus, you think to yourself, idly twisting the ring on your finger, let’s see where you sent me to this time.

And so, the stage actor calls for a costume change. “Alohomora.”

With one last glance at the dimly-lit passage, you enter the boutique. The brass shop bell accompanies your entrance, but no owner appears to greet you—and if there was, well, you have quite a unique way of saying hello. Your fingers feather across the dusty bookshelves, eyes raking through the broken staircase, the faint scent of ginger, rosemary, and mugwort pervades the room; a shattered crystal ball sits in the center of the shop desk, ripped paintings on the wall. A grimace pulls at your lips as you come across a familiar ivory mask. A Death Eater mask—it’s warm to touch; recently worn, perchance. You bury the strong urge to set it on fire. 

There’s a shift in the air, a creak in the floorboards—in an instant, you whip your wand out from its leather holster. 

“Reveal yourself,” you whisper curtly.

To the naked eye, there is only one intruder in the dingy parlor. To you, however, there is an obscure silhouette of a stranger covered by a glimmering veil. You hold onto your wand resolutely. If it was an enemy, you’d be blown into the walls by now. “This isn’t an ensemble stage, you know,” you chuff impatiently, “I’m not fond of sharing the spotlight with lineless extras.” 

The disillusionment charm slowly unveils, and you wait unblinking, until you see a familiar face standing before you. Mid-length curly hair that falls over gray, dagger-like eyes, the irksome scent of tobacco, and a frightening similarity to his elder brother. 

There are exactly five people you’d risk your life for, and right now, you’re digging the tip of your wand into their neck.

“Mister Regulus Black,” you greet with a playful edge to your voice, eyes narrowing. “Severus didn’t mention we’d be running into each other tonight.” 

“That’s because I didn’t tell Sev I’d be here,” says Regulus, dimples poking out as he swats your wand away from his throat. “I might go mad if I have to stay inside for another bloody week, there’s only so many times I can re-read Good Omens—and by the way, did anyone ever tell you how dramatic you are? Lineless extras, really?” 

You hide a fond smile with a roll of your eyes, whirling around to browse the glass cabinets and leather journals on the table, returning to the task at hand. “And so you thought going outside and risking someone seeing you in the open was a good idea? Reggie darling, I often think about the possibility of Walburga dropping you on the head as an infant.” 

Regulus shoves his hands inside his trouser pockets as he hovers over your shoulders like a lost, overgrown duckling. “Wasn’t it Cissa’s soirée today? Did you jinx the statues like I told you to?” 

“Who do you think I am?” you say haughtily, pausing in your search to half-heartedly glare at him. And after a moment’s pause, you jerk your shoulder and coyly respond with a side-smirk, “Of course I did. The young Mister Flint nearly screamed his head off.” You hum reminiscently, “truthfully, it’s been quite a while since I heard Draco laugh like that these days. For breakfast, I hear about the Granger girl, and then for lunch, I hear about the Weasley children, and for dinner, it’s an hour-long spiel on the famed Harry Potter.” 

Regulus chortles in amusement as he hops onto the shop counter, kicking back his chunky boots. “And, then? Did you see my brother?” 

“Oh, darling, I did more than that,” you mutter offhandedly, leafing through the paraphernalias and foul-smelling potion flasks. 

“How was he? Is he doing well? Merlin, I think it’s been so long since I saw his face.” There’s a lapse of silence between you and Regulus. A lizard scurries across the room, chasing after a line of ants. The younger wizard taints the quietude with a long, frustrated sigh. “Sorry, I just. . .” He slumps his shoulders in resignation. “I wouldn’t have to ask so many questions if. . . if I could just. . .”

“I don’t understand why I have to hide from my own family.” With a jagged whisper, he says, “I feel like I’m losing my mind. Like I can’t believe that I’m really here, I don’t even know if I exist sometimes.” 

You grimace as you turn to look at him, hand flinching as if wanting to reach out to him. Instead, you avert your gaze and continue scouring the room. “It’s for—”

“My own good, I know,” Regulus blows a strand of hair away from his forehead. He jumps off the counter with a hardened stare. You glance at his back as he bends to pick at the marks on the floor. At times like this, you remember how small and young Regulus had been when you found him moribund from lake inferis. What a cruel price to pay in exchange for his survival, you think. 

For Regulus Black has to remain dead to the wizarding world, stuck in an interminable masquerade, waiting until the hour is up for his performance. 

All the world’s a stage, and for the best of the actors and actresses, it seems the production never ends. 

“How long do you think it’s going to stay like this? For you, me, Sev? For Cissa?” As he stands on his toes to inspect the top of a dusty cupboard, Regulus veers his head to peek at your expression, frowning when he finds none. (You’ve no answers for him, after all; the entirety of your life was spent wondering that exact same question. All you know is that the show must go on until the audience tires of the starving artist.) “Never mind, let’s just focus on finding whatever you were trying to find here.” He walks past his reflection in the vintage carved mirror. “What are we looking for, anyway?” 

You wish to offer solace to a cherished friend, but duties are meant to be fulfilled. For now, to do what is right must come first. Your fingers slither up the side of a bookcase, a wooden ladder resting against the shelves. The mahogany is freshly varnished, the stench of glue is prominent, and deep scratches indent the floor. It’s an empty treasure cove, barely anything displayed on the racks. You grit your teeth as you realize it’s been well-maintained compared to the obsolete state of the room. “Here,” you rasp, abruptly snapping your head to look back at him.

He furrows his brow. “What?” 

You beckon him to the corner of the room from where you stand, wooden planks creaking as you push at the bookcase. “Help me with this, Regulus. There could be something behind it.” You clench your jaw as you lean your weight onto the cabinet frame.

“Why don’t we just, I don’t know,” Regulus cocks his head as he waves his wand in the air. “Use magic?” he offers discreetly, as though divulging a century-old secret. “I suggest Bombarda for maximum efficiency.” 

You stare at him vacantly. “Regulus dearheart, I hold a stupendous amount of tolerance for you, but there is absolutely no way we are drawing attention to ourselves via explosion spells in the dead of the night.” 

He grins boyishly before ushering you away. “Alright, alright, I was only taking the mickey out of you.” Soon after, Regulus deftly mutters a levitation charm, his wand steadfast as the bookcase slowly detaches from the floor. You take a couple of steps backward, lips pursed as you observe Regulus concentrate on his work. 

You note to yourself to have a conversation about Regulus’s restlessness with Severus. It could pose a liability and pull the curtains on the entire pasquinade. “Careful,” you keep a tight watch on Regulus’s pinched brows, his hovering wand, and the steadily moving bookshelf. 

“Like taking jelly slugs from a first-year,” he says flippantly, beaming at you as his dark curls sweep over his eyes. 

You give him an exasperated scowl before side-stepping his quip as you descry a faint outline of a door in the plastered wall. You feel a rumble in the ground, muffled noises behind the shrouded entrance.  “Ready your wand, Regulus,” you say grimly, hand reaching for the doorknob, looking back in time to catch his smirk fade into a distant expression, “I believe what awaits won’t be as simple as that.” 

A grave tenor disquiets the room, your free hand already grasping for your wand. Regulus stands at your side, nodding as you take a sharp breath. He offers his back to you, in spite of the looming danger. (A sadistic part of you finds comfort in his presence tonight, but neither of you can truly share the burdens of your harrowing façades. Tomorrow, you play the lone star once more; and he, the dead brother and son. But today, you must simply share the stage.) 

You twist the knob until a click pierces the heavy silence.

You wait with a bated breath, expecting creatures and spells to come hurling in your direction. The room ahead is enshrouded with darkness. You share a terse nod with Regulus as a ball of light appears at the tip of your wands. Regulus moves to take a step forward, but you block him with your arm. “I’ll go first,” you say breathily, curtly glancing at the Death Eater Mask. “It could be cursed the moment we step inside.” Regulus presses his lips into a white line, clearly unhappy with your decision, but relents nonetheless. 

Rough, travertine flooring begins where the woodwork ends; a gust of wind howls into the dark chamber. Wordlessly, you call for your patronus to investigate inside; thin, silvery wisps floating in the air, its light hauntingly beautiful against the unilluminated dungeon. You hear heavy chains dragging across the ground and the harmony of timid footfalls. A drop of water falls onto the cracked stone. Regulus grinds down on his jaw as he readies his wand. 

After an eternity of waiting, you snap your wand to set the torches alight. 

A pronounced chill runs up your spine; a stutter in your breath. You nearly stagger at the sight unveiled before you. If you had been a weaker wizard, you’d have dropped your wand already. “This. . .” you say hoarsely, eyes wide, blood simmering in your veins. 

Children.

Little ones as young as ten-years-old, barely coming up to your stomach, staring up at you with bloodshot eyes. Their skinny arms are covered in grime and wear pathetic rags for clothes. Moss grows in every corner of the room. Emaciated mattresses on metal beds. “Bloody hell,” Regulus growls, chest heaving. “What the fuck?” 

“It’s a prison,” you whisper, horrified. There must be more than twelve children standing before you. Bile rises to your throat. You worry about your wand breaking in half, but the overwhelming sense of dread traps you in position. 

“Are. . . are you with the bad men?” A brave, young girl with owlish eyes protectively steps forward in front of her companions. “No,” you answer gently, bending down on one knee to meet her eyes. You were neither good, or bad, but there is no magic on earth that would make you harm these children. 

Regulus calls your name. “They’re Muggles,” he hisses angrily. “I don’t sense any magic from any of them.” He exhales in frustration. “What the hell are they doing with Muggle children?” 

You grind down on your teeth, nearly dizzy with anger. You forgo a response to Regulus in favor of clasping your cloak around the trembling child. Soon after, you blanket the room in a warming charm. “Tend to their wounds,” you say sharply. “I’ll see what I can do about the chains.” And you will do something about those shackles, if it’s the last thing you do. “We’re going to get you out of here, I promise,” you tell the girl, stolid as you pat her head.

Except, the brass bell rings once more and everyone stiffens in alert. The children begin whimpering amongst themselves. Slow, deliberate footsteps reverberate from the shop into the icy-cold room. The hairs on the back of your neck rise.

“Move out of the way!” you yell, veins straining against your neck, just as you’re blown into the stone walls. 

Regulus screams out your name, but you barely hear anything over the ringing in your ears; through blurring vision, you see the children and Regulus unharmed. Relief floods through you as you sluggishly rise from the floor. There’s a large crater in the wall from the impact; luckily, the tethers to the chains were demolished, as well. “Get them to the safehouse,” you order, blood trickling from your lips. You hardly feel your arms and legs; there’s an ache in the back of your head, your spine feels as though it’s been snapped in half. You’re definitely going to feel this tomorrow. Regulus hesitates to leave, hands laid on the shoulders of the children as he glowers at the newcomer. “Now!” you bellow gutturally. 

A muscle ticks in Regulus’s jaw, but as he finally apparates with as many children as he can, you finally stop holding your breath. “It’s okay,” you reassure the wee boys clinging onto each other for comfort, limping to their side. “I’m rather strong, you know. Stronger than any of the bad men.”

In every duel, you allow yourself to be hit only once—driven by your inhuman desire to feel something other than the  emptiness of your unbroken charade. 

(And for years, you have waited for anyone to say these two specific words: Avada Kedavra.) 

“Go,” you instruct gently, brushing away the tendrils of hair from the little boy’s forehead. “Hide and wait until my companion comes for you.”

“And as for the ill-mannered invader,” you crane your head towards the entrance of the chamber, eyes raking over the tall figure’s bloodthirsty stance and flittering cloak. There’s a lack of silver mask, but you know well the stench of foreboding decay and malignity. At the speed of light, you aim your wand, “Confringo!”

You watch with a spiteful grin as the stranger is blasted across the room. The walls and ceilings threaten to crumble, and you can only hope that Severus won’t be too cross with you in the morning. You point your wand at the uninvited guest’s heart. Nothing will trace back to you, that much you are certain of.

After all, no one would suspect a vapid, insufferable boulevardier to be the greatest spy of the wizarding world.

A firebird caws in the distance.

And, scene.

act iii. where’s your soul? where’s your dream? do you think you’re alive?

“APPEARANCES ARE OF utmost importance.” You stand in the front of the Great Hall, sun rays streaming through the large, stained windows, wooden tables pushed to the walls; accoutered in a black velvet capelet with gold trimmings and vintage dragonhide boots.  The sleeves of your blouse are lined with handwoven, gothic lace; trousers made of the finest yellow satin. It is a testament to your House—the cete of badgers. (You seize everyone’s attention—whether the two Aurors in the corner like it or not.)

After a descanting introduction, you are given center stage before the students of Gryffindor and Slytherin. With a swing in your step and a wrest in your voice, you continue, “That is why the Headmaster, Dumbledore himself, invited me to personally facilitate this year’s Tri-Wizard Tournament. As hosts of the event, excellence is expected of us. Professor McGonagall has graciously allowed me to take charge of your lessons, particularly in the art of dancing.” Your eyes gleam as you offer the young fourth-years a graceful reverence. “And our first lesson begins straight away.”

The crowd of students transfigure into a sea of curious eyes and flabbergasted whispers. You derisively watch the chaos unfold with an amused grin. Yet, you’re not the least bit worried. You’ve charmed even a flock of Dementors before, the creatures having been drawn to your voice, ostentatious stature, and the dark depths of your soul; like a bee to a field of flowers. A class full of awkward teenagers should be more than easy for you. 

“Now, now, children,” you clap your hands as you make your way to the heart of the room, leaving a trail of softening murmurs. “The Yule Ball is a revered tradition, an exhibit of togetherness that has lasted for hundreds years.” You lift your nose up in the air as the girls look at one another, barely able to hide their giddy smiles and discreet glances across the hall. “As such, it is my venerable duty to oversee your etiquette in and out of the ballroom.”

(Sirius rolls his eyes from where he sits besides James.)

“Mister Filch, if you please.” With a flutter of your lashes and a poised smile, you beckon for the school caretaker who flounders to the gramophone. You wink at the young miss Pansy Parkinson who stares up at you in awe. Soon thereafter, you hear the soft melody of Léo Delibes’s Valse. Coppélia, you simper to yourself—a story close to your heart. (You’ve always found a winsome irony in a marionette like you dancing to the enamel-eyed girl’s song.)

“A dance, while enjoyable by one’s lonesome, is best savored with a partner,” you begin vivaciously, eyeing the gentlemen in particular. “Your date for the night must be aware that you’ve chosen them out of your own volition and undue necessity.” Your stare drifts to the coterie of young Gryffindors, tittering mischievously. “Shall we have a demonstration from the House of courage and splendor?”

“No one?” You raise a brow curiously when you’re met with silence and averted gazes. You then utter the scariest phrase a professor could say to their students: “I’ll choose the lucky student myself.” 

You survey the pack of lion cubs, drifting through the tuffs of flashing red hair; gangly boys raucously kicking and pushing at each other to volunteer for your teach-in on ballroom dancing. You flash the students a vexatious grin. “Mister Harry Potter?” you call out to the ashen-faced boy with your hand outstretched. “Why don’t we let the Chosen One set an example to his peers?” 

Hollers and cheers break out across the hall; not withholding the mirthful giggles of the doves on the other side of the room, wonderstruck by his green eyes and lightning scar. You motion for Harry to join you on the pseudo dance floor. The Weasley twins take delight in clapping and wisecracking into his ears until Harry reluctantly rises to his feet, a blooming shade of red on his neck and cheeks. 

“As you approach your partner with the grace of a majestic stag,” you acclaim to the class whilst Harry approaches you with a wry grin and hands shoved inside his robe pockets, “And not a newborn foal.” You place your hand in his, “You may now invite your lady to dance.”

“Or your beau,” you add spiritedly, eyes gleaming as Harry chokes on his saliva.

You pat his back as the music comes to a sweet-sounding crescendo. “Dancing is about connection,” you turn to the students with a stern gaze. “If your posture crumbles, there goes your confidence, as well. At all times, you must maintain eye contact,” you say sharply as you tilt Harry’s chin and correct the arch of his arms. “Remember, it’s not ballroom if there’s no trust. Lean onto one another, and then. . .” You lay your palm onto his shoulder. “The feet should follow the music.”

Unfortunately, Harry runs on two left feet and both persistently evade the music. On the umpteenth time he stumbles on your shoes, he’s appraised by snickers and low whistles from either side of the  hall. The Weasley twins in particular seem thrilled by Harry’s flailing arms and bewildered expression. Along with the two Aurors who’ve skipped their aurorly duties to patrol the castle in favor of heckling their ward. “You’re doing it wrong, James!” shouts Sirius through cupped hands, shoulders shaking in laughter. 

“Why don’t you try it, Padfoot?” Harry retorts back to him; thick hair flopping over his eyes as he grates his teeth. You’re given no warning as Harry extracts himself from your grip and stalks over to where Sirius and James sit comfortably. 

You blink, dumbfounded. “Harry dearest, I don’t believe that is necessary—!”

“Go on then,” says Harry, jerking his head. “Show us all how to do it.” 

To the side, Ron guffaws into his fist, brought nearly to tears. (Earlier he was apprehensive about the class. “We’ve got a whole new professor just for twirling around and all that girlish stuff?” he had asked in disbelief before entering the Great Hall.

“Shut your mouth, Weasley,” growls Draco Malfoy as he shoves past Harry and Hermione to head inside the hall.)

Sirius grins roguishly, having the gall to bat his eyes in confusion. “Who? Me?” He chuckles before forcibly slapping James’s back with the flat of his palm. “No, no. The honor should go to the debonair of his time.” Trenchant eyes flicker with mischief. “Have at it, James. How will the children ever learn without a proper demonstration?” 

“Go on, Sir Prongs!” exclaims one of the red-headed twins. “Show us how it’s done!” 

Alarmingly, the bespectacled man resigns to his fate, a deafening ovation as he shrugs his robes off, generously revealing his broad shoulders in a tight, black turtleneck; a leather wand holster across his chest; long legs framed by pleated trousers. You bite down on your tongue as James draws closer to you, a hint of a smirk on his lips. With an unerring arch of his back, he holds out his hand for you to take, “May I have this dance?” 

Your breath stutters—if only for a moment. One cannot deny that James Potter is deviously more appealing to the eye than the dance partners you’ve had during Narcissa’s galas. Perfectly-carved cheekbones and golden hoops dangling from his ears; bright, hazel eyes girdled by rectangular glasses. “Well,” you say, pursing your lips as you slip your palm into his. “If you must.” 

In contrast to his son, James needs little-to-no guidance from you. You’d have assumed that much, considering that both James and Sirius grew up in pure-blood customs. The warmth of his hand on your back is scalding. He spins you along to the song’s aria; the two of you gliding effortlessly through the soapstone floors. Any more closer to him and you’d be able to hear his heartbeat. “There will be lifts, turns, and dips during a waltz,” you inform the class as you demonstrate a twirl vine. “You will rise and you will fall together with your partner. Understand?” 

James chuckles at the wistful sighs and horrified groans that erupt through the Great Hall. “You’re good with the children, you know,” he remarks cheekily as he gently lowers you to the ground, hand steadfast on your waist. You hear his unsaid words clearly: Sirius thought you’d be downright rubbish at it. 

“Well, Mister Potter,” you say breathlessly, clasping your arms around his neck once more. “To some of the students here, frilly dresses and French designers are their entire world.” Your chin all but perched atop James’s shoulders; the scent of his famed Sleekeazy potion and vetiver—dew on fresh grass on a warm sunny day—fills your senses. You cast a sniffy glare in Sirius’s way, to which he responds with a raised brow. 

“Bit shallow, isn’t it?” he murmurs, chest rumbling and his breath hot on your ear. 

You scoff. “One could argue the same for a young Seeker who’s been given their first ever broom.” 

James Potter has the nerve to smile at you. And as you move to extricate yourself from his hold, James mindlessly lets his hand fall from your waist to your hip—incidentally, where you’ve been nursing a heavy fracture. Sore bruises from chasing vampires the night prior as you were out hunting allies of the Dark Lord from the first wizarding war. Although you had drowned yourself in pain relief elixirs, it seems you’re more sensitive and hurt than you thought. 

Even statues of white gold chip and fade over time—you’re reminded of this fact quite painfully. You roughly push James away from you, hissing in pain as you cradle the left side of your hip. Memories of crimson-stained teeth and rotten, pale skin flash before your eyes. You remember the stench of blood, and the feel of their nails slashing into your thighs. But most of all, you remember their ear-piercing shrieks just before you drive the stake into their chests, one by one, until you have left a graveyard of vampires in the outskirts of an abandoned mansion. 

James furrows his brow immediately as you cave in on yourself. (Even Sirius surges to his feet.) “What’s wrong?”

Occlude! Occlude—you must occlude immediately! 

With a sharp inhale, you close off your emotions for anyone else to see. “It is nothing of your concern, Mister Potter,” you respond blankly, as though your soul is locked far away. “I do believe we’re done here.” You step further away from him. Your attention shifts to the students as you fold your hands behind your back, lips curling into a virulent smile. The weight of your mask is comforting; you’ve forgotten how to breathe without it. “Now, let’s have the students pair up and practice what they’ve learned so far. I’ll have no patience for dilly-dallying and nescience on my watch. You’ll dance until I tell you to stop. You’ll practice until the soles of your feet are sore and raw.”

That, after all, is how you learned.

The class goes by accordingly; you maintain a distance from Sirius and James, turning a blind eye to their burdensome sympathy. (Gryffindors and their bleeding hearts—it always unnerves you how easily the avowed Marauders get deep under your skin.) You nip at the students’ heels, righting their poor footwork; looping the music until you are certain they’d hear it in their nightmares. To your surprise, the round-cheeked Neville Longbottom takes all your instructions in stride. From the moment that you allow Filch to lift the tonearm, the students practically fall to the floor, heaving; some forsaking their long robes and tying their hair in flimsy ponytails. 

As the students retreat from the Great Hall, you slink away into the crowd of Slytherins, desperate to avoid a particular duo of Aurors—no doubt ready to probe you with questions. A numbing panic claws at your chest; black spots swallowing your vision. Emotions—how putrid. The students’ discordant chatter overwhelms your hearing, more than the ringing in your ears. The unyielding, outré stone walls feel like they’re closing in on you. Still, you keep your head above the water, enduring every staggered breath. You must. 

What’s wrong? 

The question echoes in your head. 

Ha! 

You scream inwardly, if they only knew! 

While you had been expecting either James or Sirius to ambush you, you do not expect to see Draco Malfoy shouting your name as you flee down an empty corridor. 

The miniature Lucius Malfoy stands before you, grimacing as he clenches his fists tightly. “Are. . .” Draco’s expression contorts morosely. “Are you alright? Theo and I were worried that the blood traitor upset you.” he spits his concern as if it were acid. Little snakes and their keen eyes. 

“Mind your language, Draco,” you reply cuttingly, eyes flashing as you lift your chin. And for his question, one that you’ve been asked numerous times over the years, you have only ever had one answer. Despite the scars on your back, the tremors in your hands, the aching of your heart, and the endless bruises on your limbs, you tell him: “And do not ask what is not needed to be.” 

“You’re hurt, aren’t you?” he presses further, mouth pinched. “Don’t treat me like a dim-witted child because I’m not!” 

A hand lays on his shoulder, and to your chagrin, Severus makes his appearance, lips downturned and his gaze filled with subdued apathy. Your day is about to get worse. “Perhaps, it is best if you leave this discussion to the adults, Draco.” Snape drones, leaving no room for debate. He tightens his grip on the younger wizard. “I will not be inconvenienced to explain to Minerva as to why you were dawdling in the corridors.” 

In true Malfoy fashion, Draco sneers in disdain. He rips himself out of Snape’s grasp with a scoff. As he storms past you, you sigh and pat his side. 

When Draco disappears into the corner, you release a deep breath as you prepare for the onslaught to come. “Just get it over with, Severus,” you pinch the bridge of your nose, the pounding in your head growing more unbearable by the second. 

You see his nostrils flare as Severus turns to glare at you. “I wonder,” he says through gritted teeth. “If you are actually capable of following direct orders—of using that near-empty brain of yours!” His upper lip curls back into a snarl, as he scours the empty hallway for any prowling ears. “Your stunt made it to the Daily Prophet. You were asked to proceed tactfully, were you not?” 

You lean against the wall, rubbing at the temples of your head. “And I’ve done my part. Every last one of them—dead by my hands. A problem you failed to deal with for the last two months. That I settled last night. Remind me why you’re still chittering into my ear, Severus darling?”

“Do not play coy with me,” he replies brusquely. “I’ve heard the students tattling about it as though it were the most interesting event in their pathetic, insolent lives. The Embris Mansion burnt down to the ground. There are talks of a vigilante, a good-for-nothing do-gooder. You got sloppy!”

“And if I did—so what?” You retaliate, chest heaving as you step into his face. Truthfully, this isn’t the first time you’ve had this conversation with him. Over the years you have left some sort of mark on your work. Not a phoenix, but a firecrest. Wings outstretched in flames. All eyes are on the ungovernable hero, the Firebird—and never on you, the foppy socialite. “Would it be so perverse to want even a slither of recognition, Severus?” 

“Do not forget your duty,” he taunts venomously, the cords in his neck going rigid. “To the greater good you so earnestly fight for. Your duty to your mother.” 

“Do not talk about her!” you all but shout, magic sizzling in the air around you. 

“Then see to it that there are no more mistakes going forward!” Severus juts his chin, baring his teeth in contempt. 

After a few long moments, he continues with a resigned exhale, dragging his palm down his face—as though you are the perplexing one. “This. . . Moody has developed a habit of emptying my cupboards.” 

“And why, pray tell,” you retort gruffly, “should I care for this oh-so special cupboard of yours?” 

“It contains ingredients for Polyjuice potions!” he proclaims angrily. “Get to the bottom of this. I’ll not have a blithering fool like Pettigrew get to the students again. Do what you must, I have no interest in understanding the workings of your mind—as long as you do not draw unnecessary attention to yourself.” 

The sound of footfalls break you apart as Severus nimbly lifts the Notice-Me-Not charm he had cast earlier. Within seconds, you find Remus Lupin rounding the corner. He’s dressed in his usual baggy, gray jumper; jaw clean-shaved, and pinkish scars against his skin. A well-loved quilted coat over his shoulders—handmade by Lily, you presume. You notice the mismatched otter socks peeking from his loafers. Remus saunters down the hallway with tired eyes and a feeble smile as he stops right in front of you and Severus. He has a rather tall frame, slender even, despite his hunched shoulders. 

“Snape,” Remus nods to him, gaze flickering back and forth as he attempts to discern what had transpired—well, you’re certainly in no rush to tattle and cry into his arms. 

“Professor,” he says to you, an ever curious smile on his face. “You’re looking quite peaky. Is something the matter?”

“I am most certainly sound and fine, Mister Lupin,” you respond, irritated, as you wobble on your feet. You are at your wit’s end—how bothersome of it all. “Should you not be on your way to your next class, Professor?” you bite tiredly. 

Remus shrugs, hazel-eyes crinkling in amusement. “Mad-Eye is taking over my next class. I thought it would be good for the students to learn from a veteran Auror. I’m sure he has much more experience to offer than me.” 

You scowl, his humility smothering you painfully. “Well, I’ve no interest in dragging my feet around. If you’ll excuse me, gentlemen, I have a prior engagement with my cat and I’m afraid I’ve left her alone for too long.” 

And as fate would have it, when you make haste for your quarters, you falter in your steps; lurching as your vision goes blurry. Your breath snags in your throat as Remus catches you by the waist. “Perhaps, we should get you to Lily,” offers Remus as he sets you upright, brows pinched worriedly, ignoring Snape’s eye roll in the background. 

“I said I was fine!” You blurt out, cradling the front of your head as you sway backwards; now seeing two Lupins and two Snapes. “Merlin, are all Gryffindors this bloody meddlesome? Must I repeat myself? I am fine—!” 

Turns out, you are not fine. 

The last thing you see before losing consciousness is a pair of brown eyes with flecks of gold, more beautiful than any full moon you’ve ever seen. 

 —

You wake up to a dry, sore throat; the bitter scent of infirmary disinfectant—a Muggle’s touch, no doubt—and concoctions of various healing potions. Your head is still pounding, but somewhat bearable. The room is small, privy to only teachers, you conclude—although, it is the very first time you have ended up in the infirmary. Remus Lupin would feel your wrath, you’d make sure of it. Your back stings as though it were doused in Dittany recently. As you nearly break the flower vase in an attempt to reach for the empty glass, the door creaks open—and in comes Lily Potter with her husbands.

“Am I in hell?” you eye them bitterly. 

“No,” says the youngest matron, dressed in her own version of the nurse’s uniform. Red vest over her white blouse, and a long, plaid skirt with pockets. Soft red hair tied back with a pink ribbon. Albeit, her expression is anything but sweet and delicate. “But you’re in my office, which means you are now under my care—therefore I’d like you to explain why you have vampire toxins in your blood.” 

“And I would like to return to my quarters now, please,” you respond haughtily, referring to the private bedroom professors were offered in the castle. “I’ve nothing to explain to someone who administers the diagnostic charm on my person without explicit permission to do so!” you exclaim, releasing a shuddery breath as your head throbs agonizingly. 

“You will listen to me—seven hours ago you were this close to paralysis!” Lily shouts right back, eyes glaring defiantly—she may have adhered to you in Malfoy’s territory, but no power holds more authority than an acclaimed healer over a patient. “If you had been a Muggle, you’d be dead ten times over.”

“Well, now that we’ve established that I’m alive and well, I suppose we have no more pleasantries to exchange, Lily darling.” You tear the flimsy blanket from your legs, grimacing at the bandages covering your skin. 

“Not before you tell us where those bruises came from,” Sirius demands, voice low and knife-like eyes on you. 

“Must have been the Nargles,” you reply sarcastically. No one would care for a bonny doll ripping apart at the seams and gathering dust on a child’s shelf. “They’re quite frisky this time of the year, didn’t you know? My good friend Xenophilius wrote about those creatures a long time ago. Good read, I’d say.” 

“Are you capable of taking anything seriously?” cuts Sirius with a snarl, tendrils of hair curling around his face; hints of tattoos peeking out from his leather jacket. Vermillion satin shirt clashing against his pale skin. The lingering smell of lit cigars only reminds you of Regulus, and so you tear your gaze away from Sirius. 

“Sirius, let’s not scare her off now, love,” Remus admonishes, softly resting his palm at the back of Sirius’s neck, before he stares at you with honey-dripping eyes. You have a desperate need to run away. They’re an uncharted danger that you aren’t familiar with navigating—and you figure young Harry wouldn’t appreciate you treating his parents like a rabid vampire. “We just want to know what happened, you looked worse for wear when we brought you to Lily and Madam Pomfrey,” Remus placates, treating you like a crow with its wing snapped in half. 

You sneer. “If I am not dead, then these wounds hardly matter to me.” 

Lily gasps, a sound so soft only the wind could have possibly heard it. “How could you say that?” she asks, hand flying to her lips. “Of course it matters, you had lost so much blood while we tried to get the toxins flushed from your system.” She stares at the puncture mark on your arm, before peering over at Sirius. “We nearly couldn’t find a match to your blood type. Sirius. . . Well, he’s a universal donor and he didn’t even hesitate in giving you his—”

“Giving me what?” you echo lowly. “What did Sirius give me, Lily?”

“Blood,” Lily says firmly. “He gave you his blood so you could live.”

“How dare you?” you seethe, chest rapidly rising; digging your nails firmly into your palms as you stare furiously at Lily. “You had no right!” You scream until your throat is sore; your magic overflowing until it shatters the nearby vase of butterfly weeds. 

Rage tunnels your vision; heart hammering against your ribcage as you move to carelessly rip at the bandages over your wounds. “You had no right! You had no fucking right! I would have never done the same for you! Get out! Get out!” 

“Get out!” You hurl the glass at the wall across from you, narrowly avoiding Sirius’s head; anguish tears itself from your voice and you barely notice James flinch from the intensely flickering lights. 

“You think I’d be grateful?” you scoff, a burning heat spreading across your chest. “You think I’d be indebted to any of you after this? Is that what you wanted? What a fucking joke!” You laugh irately as you gasp for air. “I’d rather die!” 

When you run out of items to throw at them—pillows, shards of glass, and crumpled flower stems—you sit on the bed, shoulders violently shaking as you cough yourself sick. 

“I. . .” Lily begins, swallowing the lump wedged in her throat. “I understand. . . But I am the castle’s nurse, as long as you are under Hogwarts’ protection, I am keeping you alive no matter what.” 

“I don’t bloody care,” you snide.

Her eyes flash to James. “We’ll leave you to rest, then.” 

You stay silent, vacantly staring at the reddened welts on your hands. It’s not until you feel James’s arms around you and his chin hovering above your head that you realize you’ve stopped shivering. “I’m sorry,” is all that James whispers into your ear as he lays you to sleep with an inaudible charm. The chill of his magic is the last thing you feel before your eyes flutter to a close. 

—

You wake up in the infirmary once more. This time, you lay stiff on the mattress, absentmindedly gazing at the plain ceiling; your chest falling and rising ever-so slowly. The stink of a Calming Draught is painstakingly familiar. A low humming sound tells you that you aren’t alone—but you barely flinch from their presence, too tired to do anything but close your eyes. “Some boys kiss me, some boys hug me. . . . something. . . they’re okay,” murmurs one Sirius Black, tapping on his thigh as he rests his back on the rustic chair. 

If Sirius wants an encore, he’d have to drag the fight out of you. You’re utterly drained from your emotional palaver earlier. “Didn’t know you were into Muggle songs, Black,” you chortle bemusedly.  

Sirius halts in his singing as a forceful silence falls over the room—you distinctly hear the moment Sirius’s hand drops to his thigh, most likely taken aback by the sound of your hoarse voice. You feel the weight of his eyes on your bandaged arms and legs. A few seconds pass before he responds, his words but a faint breath. “After today, I believe that there is much to be uncovered for the both of us.” 

You don’t bother replying—you’d have Obliviated them instantly if it wasn’t illegal to use on Aurors. 

“We know it was you,” says Sirius out of the blue—your blood turns icy-cold on command, wondering if he’s figured out about the wizard behind the Firebird. “On the first day of term, someone had left a basket of freshly-brewed Wolfsbane potions enough to last him for the entire year,” he explains further, leaning his elbows on his knees as he stares at you unwaveringly. “I almost didn’t believe it, but a Marauder has his ways.” 

(His son with an invisibility cloak and a handy, enchanted parchment.) 

“Thank you,” he says, guttural with emotions. “It means more to Remus than you think.”

“Your gratitude is misplaced, unfortunately,” you rasp, coiling your fists tightly, stubbornly intent on avoiding his eyes—not wanting to get caught in the storm within. You exhale with a ragged sigh. Severus was right, you had been sloppy. And this is what carelessness leads to. “Don’t delude yourself, Mister Black, I couldn’t care less what happens to you or your family.”

Sirius chuckles, like he’d expected such a response from you. “Well, do what you’d like with my gratitude, I don’t care, just know that you have it,” he says, rising from his seat. “It’s past midnight, by the way. Lily’s left you some dinner in case you woke up hungry.” 

Your eyes drift to the nightstand. There’s a steaming bowl of spinach rice with mushrooms, and a plate of honey cinnamon bars. But your gaze lingers on the bouquet of snapdragons and orchids placed in a ceramic vase. 

“She believes home-cooked meals help the patients heal faster,” Sirius tells you, carefully observing your reaction—but there’s none to be found. He purses his lips into a thin, white line.

As he makes his way to leave, Sirius pauses, hand resting on the doorframe. “You know,” he begins quietly. “The thing about magic—it can fool the best of us into thinking we’re indestructible. But, you’re not as inhumane as you’d like us to think.” Sirius veers his head to look back at you. “Take that mask of yours off sometimes, yeah? You’d see the rest of the world clearly if you did.” 

That is all you hear from him before the door clicks shut, and you’re left alone with your thoughts.

How arrogant.

How very Gryffindor of him. 

You push the flower vase closer to the edge of the bedside table, indignantly eyeing the watercolor art. The room reeks of Lily’s kindness. Lions and their constant need to see the goodness in everyone. Take off your mask? You’d give your entire Gringotts account to wear the kind of rose-colored lenses they have—they’re more pestilent than you realized. No matter, it’s high-time you reintroduced yourself to the Marauders, anyway. 

If you take off your mask, they would find nothing but a barren soul.

—

It seems your newfound parasites have forgotten who you truly are—but you have no qualms in reminding them why exactly you’re called the pureblood society’s darling. 

For the week or so, the Daily Prophet features you out in luxurious restaurants, a new partner each night hanging off your arm. International Quidditch players, foreign models, esteemed opera singers, and even Muggle celebrities. Men and women are captured in moving photographs, avidly fawning over you. 

You’ve missed three classes in favor of shopping in France; Flooing back to Hogwarts, stinking of bordeaux and rosa centifolia. Painite gems nestled around your neck, glittery sapphires lining your wrists. On more than one occasion, you’ve seen McGonagall lift her chin in distaste at your behavior. 

“Well, that’s certainly a speedy recovery,” says Lily one afternoon as the owls take the Great Hall by storm. Rita Skeeter’s new article about you is plastered on the front page, apparently you’ve gotten into a catfight with an Italian seamstress. She risks a glimpse of you from the other side of the long table, laughing away with Professor Sinistra. The sound is scraping against her ears, yet Lily can’t help but feel disappointed.

Your desk is littered with mails from admirers, invitations to galas and fundraisers. The students can’t help but notice this fact as they’re brought to the dance floor each morning. (Each day, you rewind Coppélia’s song—her wishes, and her pain—but you plan to ignore the ballad until blood trickles from your ears.)

“Mumma’s just about ready to send her a Howler,” you hear Ginevra Weasley saying in passing after class. The young red-haired girl nearly bumps into Hermione’s shoulder as Ginny dips her head low, prattling excitedly, “Called the Professor a tart, even.”

Hermione stops walking, scrunching her nose. “Really?”

“Yes, yes,” Ginny nods. “But enough about all that—have you seen the news this morning?” 

Hermione looks up, lips wrinkled in thought. “The one about the Professor being seen in Muggle London? I thought that was rather stale for a headline.”

“Not that one,” Ginny says exasperatedly, rolling her eyes. “The article about the Firebird. Remember what happened during the World Cup? When You-Know-Who’s followers came and raided the entire campsite?”

“That would be pretty hard to forget, Gin,” Hermione replies softly. 

“Well, the Firebird’s gone and hunted a few of them,” Ginny tells her, eyes brimming with awe. “Found their hideout and left them half-dead for the Ministry to find. No Malfoy, though, which is a bloody shame.”

At your desk, you sip your jasmine pearl tea with a knowing smirk.

On the first of October, your previous Head of House invites you to the greenhouse for an overdue get-together. Naturally, you greet Pomona Sprout with gift baskets overflowing with glacé treats, packets of tea, scented candles, and dried berries. She huffs in fond exasperation before instructing you to grab a pair of cotton earmuffs and gardening gloves. And, well, you don’t mind playing the part of a slap happy third-year under her gentle care. It’s a role you enjoy more so than others. 

“You’ve been worrying me these days, dear,” Professor Sprout tells you earnestly as she wrestles with the Flitterblooms. Hoo-hoo chicks flutter around in their cage while the uprooted baby Mandragoras screech nearby. You feel the weight of her gaze, much like a knitted blanket draped over your shoulders on a cold, autumn noon. “The other staff have been expressing their. . . concern,  as well.” 

You busy yourself with planting the Wiggentree in its pot, allowing only a moment to raise your walls of Occlumency. You know that she couldn’t possibly be a threat, but you would not allow someone else to expose you bare for others to see. (You loathe the thought of Sirius’s blood flowing through your veins.)

You know that concern is shallow at best, forged from fear of the students being influenced by your frivolous escapades. 

At your silence, Sprout continues on, “We always tell the children that their Houses will be like their second family during their time at Hogwarts.” You hear her draw in a long breath, gingerly placing the flitter tentacles on the ground. “I hope you understand that the same is true for the professors. We take care of each other, substitute teacher or not.” Pomona’s hand is leaden on your shoulder. “After all, you were our student before anything else. The Sorting Hat gave you to me, and what a darling blessing you have been, even until today. When I look at you now, I see the same young first-year student who was afraid of everything and afraid to come out of their shell—but do not forget, I will always be on my children’s side no matter what.”

How poignant that the first person who truly welcomed you to Hogwarts, is one of the only people who can see through you despite your protective barriers.

And so, the puppet show begins—like a lifeless ragdoll, you peel the deer-leather gloves off your hands, blinking away any hints of emotion. You stand tall before Pomona, dusting flecks of soil off your dovetail skirt. “No one has been on my side. Not then, not now,” you say as you snobbishly arrange the brim of your sunhat. “But do not be mistaken, Pomona. I have been fine on my own and a change still remains to be seen.” 

In another life, you would have happily embraced her comfort and affection—but the fate of a lonely starlet is cruel. You’ve made your bed of thorns and wilted roses, and there you shall lay when there is no one left but yourself. 

“Today was lovely, Pomona, thank you.” It is one truth you’ve permitted yourself to offer—a shred of humanity in exchange for her kindness. The dirt beneath your nail beds is real; so is the ache in your back and the sweat dripping from the side of your head to your chin. But you cannot feel any more than that—you forbid yourself. The Mandrakes fall silent, and you bid your goodbyes to the professor.

The sunlight on your skin is real as you step outside, and so is the sound of clamoring students heading for the greenhouse. Sixth-year students from Hufflepuff and Ravenclaw hurry down the hill. Their unrestrained laughter and carefree smiles are real. And so is the unwashed blood on your hands; the killing curses that have fallen so easily from your lips, and the ghosts that haunt you as the moon arises. Perhaps, you could withstand it all if it means the children would live through a real future without the sins of people like you. 

(But why is it that every time you distance yourself. . . there always seems to be someone calling out to you?) 

Cedric Diggory, your godson, yells for you with a grin that stretches from ear-to-ear. You watch as his yellow scarf swings with each hasty step he takes. Cedric crosses the gap between you in under a minute, strands of wavy, brown hair sweeping over his glimmering eyes. It’s an unsolved mystery as to how you and him were sorted in the same House. 

“Your shirt is wrinkled, Cedric,” you tut, straightening his tie. “Do you go riding Hippogriffs in your spare time?” 

Cedric chuckles wholeheartedly. “Father told me to tell you that you’ve been invited this weekend for a dinner at Hogsmeade,” he says, cocking his head as a cheeky simper erupts across his face. “That is, if you aren’t busy.” 

You raise a brow—sly little badger, he was. Harrumphing uppishly, you swivel to turn your back to him and say, “Tell your father that I’m choosing the venue, lest he chooses some primitive pub in the village.” You draw out the distance between you and Cedric, tossing your parting words into the chilly breeze, “Tell him I’m paying for everything, too.” 

His hearty laughter cuts through the hillside as you make your way back to the castle. Thinking you have the last word, you don’t expect him to yell once more: 

“I’m going to enter the tournament this year!” 

You’re certainly taken by surprise, but you don’t slow your pace. An imperious smirk tugs at your lips—well, at least you know where you’re placing your bets. 

A day before the esteemed guests are set to arrive, you run into Sirius and James—much to your annoyance. It’s just your luck that the evening prior you were hunting down a known member of Greyback’s pack. You played a little cat-and-wolf deep in the depths of a forest, hungrily isolating him from the rest of its family. Though this lycan was unturned, you walk away with claw marks on your back. Still, you hope that Greyback licks his wounds and feels the burden of this particular loss. However, you feel that dealing with James and Sirius will be much more difficult than bringing a werewolf to its knees.

After all, this is the first time you come face-to-face with them, nearly a month after your incident in the infirmary. 

“Auror Black, Auror Potter,” you say liltingly, the rhinestone tassel clinking in your hair as you swirl to face them with a devious leer. “What can I do for you today?” 

Sirius scoffs in disbelief. “So it’s like that, then? Like nothing ever happened?” 

“Partying around, missing your bloody classes, parading all over the castle like you’re better than everyone else. We thought you changed. You know, I actually thought there could be something real to you under all that,” he punctuates his words with a harsh laugh, sneering at your blinding jewelry. “Guess we were the fools, eh?” 

James stares at Sirius, a grim expression flashing across his face, before he shakes his head. “It just doesn’t make sense. What we saw at the infirmary—that’s not something anyone forgets.” He gazes at you with grief in his eyes. “It’s like you’re two different people.” 

“It’s disappointing, really,” Sirius bites, his lips curling into a snarl.

They’ve made it all too easy for you. 

“What are you so frustrated for, darlings?” you say in faux sympathy, stalking towards them as you tap at your chin; a sickly-sweet pout on your lips. “What were you hoping for? For all of us to become friends? We’re not children anymore, my loves!” you exclaim histrionically. “Did you actually fall for my little trick at the infirmary? The care parcel I left your husband? Didn’t you know my mother drafted the anti-werewolf bill?”

Sirius staggers.

“The real me?” you giggle incredulously. “What you see is what you get, dearest—don’t go searching for what doesn’t exist. It’s not my fault you fall so easily for a pretty face.” You tilt your head, fluttering your eyes as you drag your nail up James’s chin. “Not every damsel is in distress, you know.”

Your eyes slice towards Sirius with a coy smile. “Maybe if you had followed your head more often than your naive, little lion hearts—you wouldn’t have driven Regulus to his death.” 

James recoils away from your touch just as Sirius flinches, eyes flashing with anger—Sirius digs his nails into his palms, chest heaving as he stares at you in disgust. You expect another stab in the chest from him, and so you lift your head up high, daring him to say another word. (You hope they stopped trying after this—that they would leave you alone to rot in your stage of lies and dutiful sacrifice.) But you don’t plan for James to step forward, shielding Sirius away from your gaze.

“You are, without a doubt, the ugliest creature I’ve ever seen,” says James, words dripping in sincere revulsion. “Can’t believe I thought anything less than that.” 

You smile widely, despite the tightening sensation in your chest. “Are we done here now, gentlemen?”

They would learn—this is who you are beneath your masks and pretenses. 

The thirtieth of October brings about a cold you’ve never felt before. As you await the arrival of the Beauxbatons and Durmstrang students, the outside corridors are teeming with students, eyes hungry with anticipation. You lean against the wall, exhausted physically and mentally, hugging your worn-out shawl closer to your shoulders. 

The skies are exceptionally gray today—you’ve had to drag yourself out of bed earlier this morning, limbs heavy as lead. The teacup in your grasp is scalding to the touch—you find that nothing hurts more than the ache in your heart. The children are particularly rowdy at the moment—each time you close your eyes, you see the hatred in James and Sirius’s eyes. 

Has loneliness ever felt so suffocating before? 

When winged horses make their way from the heavens, the clamoring grows louder—yet all you hear are their words. 

‘You are, without a doubt, the ugliest creature I’ve ever seen.’

‘I actually thought there could be something real to you under all that.’

You would not weep—not for yourself, and not certainly for them. 

Sometimes, you wondered if you were hurting too much to even be considered alive. Did your marked flesh even count as skin anymore? Worthy to be cherished with gentle touches and tender lips? How much more did you have to do until the guillotine finally fell? 

When does duty end? And when does life begin? 

Madame Maxine and her drove of Veelas descend from their carriage; awestruck gasps and intrigued murmurs echoing along the corridor. When the Beauxbatons Headmaster comes to stand before you, you instinctively sink into the role of a diplomatic host—that is, after all, why Dumbledore hired you. With a nod of your head and a pleasing smile, you greet the first of your guests to arrive. 

“What a relief that you made it safely to Hogwarts, Madame Maxime,” you tell her in a saccharine-sweet tone. “If you please, Mister Filch here will guide you to the dormitories where you’ll be staying while Hagrid will take care of your horses.” 

You want to go to sleep already. 

Finally, as a large ship emerges from the Great Lake—a sense of relief floods through you. Only one more person to greet and you’ll finally be able to return to your quarters, welcoming feast be damned—you’ve done your part for today. Igor Karkaroff and his students make their presence known; imposing statures and foreboding glares. The castle nearly crumbles from Viktor Krum’s entrance, Hogwarts’ Quidditch players eager to catch a glimpse of the prodigal Seeker—well, you could care less about such a barbaric sport. 

Karkaroff presents you a slimy leer as he presses a kiss to the back of your palm—the dig of his long nails into your skin is a pleasant feeling, to your surprise. “Dumbledore did not inform me we would be greeted by such beauty. We would have arrived earlier, otherwise.” 

You miss your cat. 

(Sirius’s eyes roll all the way to the back of his head when you giggle and melt in Karkaroff’s wretched compliments.) 

You want to die.

—

Chaos erupts the next day. The Goblet of Fire has chosen a fourth champion—Harry Potter himself. No one is more enraged than his mother, Lily. The Aurors on duty, James and Sirius, struggle to contain the students’ horror and verbal lashings. Some have taken to accusing James himself of putting Harry’s name in the goblet in the name of family prestige—predictably, it’s Draco and Pansy who lead that revolt. But you don’t expect for Dean Thomas and Seamus Finnegan to be swayed by the baseless gossip. So there’s a crack in the pride’s loyalty to one another, you surmise to yourself. 

Like a Niffler drawn to shiny objects, you follow the Headmasters and professors into a room, away from all the ruckus. 

“Did you put your name into the Goblet of Fire, Harry?” the wise Professor Dumbledore asks calmly.

The atmosphere is beyond wintry—you note the biting criticisms in their eyes, particular between Fleur and Madame Maxime. Lily hides Harry from their scrutiny, proud and unyielding despite being shorter than the Beauxbaton champion. Across the room, you find Severus and Remus engaged in a muted, albeit wound up argument. 

Everyone looks to the morose Bartemius Crouch Sr., awaiting his decision with a bated breath. You sympathize with the man—for a fleeting moment—for if looks could kill, Sirius’s tempestuous glare would have dragged him six feet under. 

“We must follow the rules, and the rules state clearly that those people whose names come out of the Goblet of Fire are bound to compete in the tournament.”

Your blood runs cold.

Ludo Bagman appears to be pleased with his colleague’s decision—you see no reason why he shouldn’t be, he’s only ever put his odds in the thrill of the game. “Well, Barty knows the rule book back to front!” 

Dimwitted fool.

You scoff. “In a room full of Headmasters and Ministry leaders, surely one of you can find a way to unbind young Potter’s name from the tournament.”

“Err. . .” Ludo’s gaze flickers from Dumbledore to Crouch Sr. Madame Maxime and Karkaroff nod emphatically in agreement, forcing him into a corner with a ragged chuckle. “There’s nothing to be done, the Goblet of Fire has gone out.”

“Do you or do you not have a wand, Mister Bagman?” you reply, piqued; crossing your arms over your chest. “If the rules were written by a wizard, surely it can be unwritten by a wizard. Teaching an Unforgivable to a first-year would be more difficult than that.” “It is not as simple as that, Professor!” Bagman cries. “But you are welcome to try a hand at it.”

“So we just let a child run to his death, then?” you seethe, nostrils flaring. “I never knew the Ministry was teeming with incompetent men. Shall I steal your job from under your nose, Ludo dear?”

(Harry’s brows pinch in confusion. He does not expect for you to care so much.)

“He’s got to compete. They’ve all got to compete. Binding magical contract, like Dumbledore said. Convenient, eh?” says Alastor Moody as he limps across the room, flask in his hand. You fall silent, an unnerving chill slithering down your spine. Something about this man did not sit right with you. You pull the sleeves of your blouse further down your arms. 

“Maybe someone’s hoping Potter is going to die for it,” Moody growls in response to Fleur. “Over my dead body!” James snarls, veins rigid against the column of his throat, eyes simmering in anger. 

“Yes, yes, Potter, we all know you’d die for your son,” Moody remarks offhandedly, taking a large gulp of the liquor in his flask. 

“It seems to me, however, that we have no choice but to accept it,” Dumbledore counters in an attempt to placate the tense atmosphere. Lily’s sharp sob engulfs the outraged clamors of the two other Headmasters. “Both Cedric and Harry have been chosen to compete in the Tournament. This, therefore, they will do. . . .”

The glass sculpture of a long-haired mermaid shatters into fragmented pieces as you bump into the table; just about ready to flee before you do anything rash like point your wand at Crouch Sr. himself. Before you exit the room, you catch sight of Cedric’s eyes—worry and uncertainty pooling within his gaze. You slam the door hard enough until the wood splinters. 

Harry Potter is imprisoned by his fate as the Chosen One—and it seems time has imprisoned everyone at Hogwarts, yourself included. 

The first task for the tournament arrives defiantly, without care for Harry and his loved ones. You have only been to the Quidditch field twice—today happens to be the second time. Everyone is bundled in their wooliest sweaters and warmest jackets; although, Hermione did have her portable bluebell flames. You stare at it with envy. 

“Oi! Professor, over here!” One freckled Weasley twin—Fred, you guess—beckons for you to sit by their swarm of red and gold. He pushes Ron away to make room for you beside Minerva. 

“Thank you, Mister Weasley,” you say quietly, sniffles falling from your frost-bitten nose. 

It’s quite odd—you’d have expected to be sitting with Professor Sprout and Amos, amongst your sett of badgers. But it’s not half-bad. You don’t erupt in flames when Minerva holds onto you, shrieking, as Fleur narrowly avoids her dragon, awoken from its trance. You don’t particularly mind either, when the Weasley twins bump their chests and holler into Ginerva’s ear when it’s time for Viktor Krum to face the Chinese Fireball.

“We got a traitor here!” George snickers when you flinch and yelp for Cedric as he fights shy of the Short Snout’s fire, and cheering breathlessly when he eventually captures the golden egg. You glare at George mirthfully, wondering where your fight and heat has gone. 

“Please excuse me for a moment,” you say, rising to your feet as the judges mull over their scores for Cedric. “Minerva,” you nod to her, and she offers you a hint of a wrinkly smile. (McGonagall thinks that if anyone can talk back in the face of a Ministry chairman in defense of her students, then perhaps she’s misjudged a professor or two.) 

Your cheeks grow numb from the cold as you cross the swarm of Beauxbatons students, past the flock of Ravenclaws. Harry’s match is underscored by the deafening cheers; the stands  rumbling from the yells for his name. You’re nearing the territory of yellow banners and black insignias, trumpets blowing into your ears, when the clamor and hurrahs turn into terrified gasps; students rushing back from the edge. You don’t understand the fuss until you look back at the arena. 

Harry’s dragon has broken free from its chains. 

You join Professor Sprout and Severus in herding the students away from danger—spotting James and Sirius across the arena, hastily reinforcing the protective barriers around the stands, uttermost precision in their wandwork. While Harry dances a life-threatening waltz, you hurriedly clear out the space closest to the banisters. Your breath hitches as the Hungarian Horntail wreaks havoc below, inducing quakes and showers of fire. 

But more frightening than any dragon, you hear the bloodcurdling scream of a student.

“Daphne!” 

The Greengrass heiress, Astoria, cries vehemently as Draco holds her back from rushing to the front of the stands. 

You scour the area frantically—there, only a few feet away from you, lies a fear-stricken Daphne Greengrass, staring right into the eyes of the Horntail. Its teeth bare, growls like thunderstorms, and the rising scent of embers and ashes. 

“Daphne, get away from there!” 

You hardly hesitate—you run to her, desperation pushing at your legs, terror holding your heart captive. As the dragon screeches in preparation to breathe fire, the nearest Aurors miles away—each gasp for air is torn from your throat. In a blink of an eye, you grab Daphne into your arms and shield her from the Horntail. The crowd bellows in fright—you close your eyes, preparing for even the most excruciating of pain. 

But there is nothing. 

Just you, Daphne, the Hungarian—and Remus who’s pointed his wand at the onslaught of flames, redirecting it up into the sky as Harry grabs the Horntail’s attention, now zipping freely on his broom. 

Remus looks back at the both of you in relief, drawing his wand back in his pocket. “Are you alright?” he asks you first, a weary tenderness in his eyes. 

You tear your gaze away from him, checking on Daphne instead; cupping her pale cheeks and wiping the tears from her eyes. “Are you alright, Daphne? What do you feel? Come, darling, let’s get you to Madam Pomfrey—can you stand? Here, put your arm around my shoulder.” 

“T–Thank you, Professor,” stammers Daphne as Astoria rushes to her, the pair of sisters blubbering and crying. The blonde-haired girl nods to you and Remus, “Both of you. I–I don’t know how I’ll repay such kindness.” 

“Don’t worry, Daphne,” says Remus, smiling as he offers her a lemon-flavored treat. 

He steps back to make way for Lily to fuss over Daphne, his eyes straying to you, oozing with sincerity as he rubs his handkerchief to your cheek. He grins at you and your heart skips a beat. “My kindness is freely given.”

Has kindness ever felt so real before?

act iv. you wouldn’t last an hour in the asylum where they raised me. 

“THE CHILDREN ARE terrified, Missus Fawley. Just last week, we had another incident. All the windows in the kitchen—shattered! The little ones couldn’t sleep for days.” 

You hear the orphanage matron’s voice behind the bedroom door. You’re allowed but a moment of playing with your ragged, plush animals, before the matron comes barging inside. (How rude, you think to yourself. Hasn’t she ever heard of knocking before?) Although, unlike all the other times, she has a lady right on her tail. This woman is much taller than Sister Thompson, certainly more beautiful-looking, too. Not that you have anything against Sister Thompson’s wrinkly face and foul smile. 

No, this woman walks with her head held up high, dressed in a burgundy leather coat that clearly costs more than the thin rag you call a shirt. This must be Mrs. Fawley, then. Her black heels click against the rusty, wooden floor; you watch impassively as she bends down to your eye level. She takes you by surprise when she grabs ahold of your chin, slowly turning your head from side to side. 

“So this is the child,” Mrs. Fawley muses, red lips quirked. Haunting blue eyes stare back at you; hair dark as ebony falling to her waist. “You may leave, Sister Thompson. I would like to get to know my future ward.”

The matron widens her eyes. “Missus Fawley, I strongly advise against—!”

“You misunderstand me, Sister Thompson,” says Fawley, a sharp edge to her voice. “That was not a request.”

A strange sense of victory fills you when Sister Thompson bows her head in response, tossing you just one sour glare before exiting the room. The rickety door clicks shut and Mrs. Fawley returns her attention to you with a low hum, eyes raking over your form once more. You wonder what she’s thinking about; wondering if it’s the vast difference between her neatly-pressed clothing and your rumpled dress shirt. Many have visited the orphanage before, but none have spared you a second glance, not with Sister Thompson scaring them all away. (You suppose there is no appeal in adopting a child with temperamental issues who can make other girls’ noses bleed.)

“Show me,” Fawley commands, breaking the quietude; her voice stern, yet hypnotic. Much like the first notes of a pied piper’s song. For a few moments, you don’t understand what she’s asking for, until realization dawns upon you. You drop the plush toy’s limbs—seconds later, the teddy bear waves its hand as though it’s gained a soul. If this had been a wooden doll with a long nose, it would be saying: ‘I’m a real boy!’

Fawley chuckles, leaning back with a pleased look. Your head falls to the side in confusion—when you had shown this little trick to Daisy Anne and Annaliese, they’d begun to throw stones at you, screaming and saying that you were a witch. You don’t try to play with the other children anymore after that. Rather than being afraid, Missus Fawley seems to be happy with you. “My name is Agatha Fawley, special adviser to the Wizengamot, daughter of the Sacred Twenty-Eight,” she tells you, and you don’t have a lick of comprehension. “What do you know about witches and wizards, darling?” “I don’t know, maybe. . .” You scrunch your nose, making the stuffed elephant twirl the bear with just a glance—Fawley tilts your chin upwards, demanding your utmost attention. “That they aren’t real? Or if they are, they should be burnt at the stake?”

Agatha Fawley hisses, a low sound that sends shivers down your spine. You wonder if you’ve angered her. The toys fall back to the floor lifelessly. “Damned Muggles—! Is that what they teach these days?” She shakes her head. “No, never mind. What matters is what happens from now on.” “Are you going to adopt me?” you dare to ask, gaze falling to the floor, heart hammering against its confinements.

“I will,” she affirms and your eyes grow wide, breath stuttering in your throat. “But if we are to become family—there is one thing you must do for me.”

“Anything!” You all but scream in her ear, a plea for her to take you away from the orphanage; far, far away from hurtful words and a room that echoes your loneliness back to you. 

“Never lower your eyes.” She smiles, teeth bared into a snarl, reminiscent of a prowling fox. “You are magic, my darling. And I will be your mother. No one on this earth can make you kneel in surrender.”

You believe her.

You believe her with all your heart.

But, you would learn that even monsters can call themselves ‘mother’ and embrace you with open arms. 

The Fawley Manor is large—larger than the orphanage, and that was a place you couldn’t fully explore due to its largeness. There must be a thousand rooms, as far as the eyes can see. It’s like a princess castle coming to life—akin to the ones you’ve read about in storybooks. Missus Fawley’s home nearly touches the sky. There are tall trees, wide grassfields, and glimmering lakes. You gasp and cover your eyes with your hands as the chauffeur drives past the marble sculpture of naked ladies. (“Think of them as Goddesses bare to the mortal eye, dearest,” says Fawley when you yelp and sink into the leather seats.) Then, the family butler, maids, and chef come to greet you, all smiling at the new addition to the manor. 

You meet Elsie, the house elf—your first real encounter with magic. Well, besides Missus Fawley turning paper into crystalline butterflies in the car. Elsie is a tiny, wrinkly creature who wears five different-colored knitted hats atop her head. She can’t seem to stop shuddering while speaking, too, as if drenched in cold, invisible water. But you look into her big eyes and you decide to be her friend forever. 

“Get settled into your room, and then we’ll have you acquainted with the rest of the staff,” Fawley says after she ushers you into a room—a bedroom just for you, where you won’t have to listen to anyone else’s snoring or fight to the death for a blanket on a cold winter storm. The bed is bouncy and soft, not unlike the cardboard they’d given you at the orphanage. Your shelves are stocked with toys and books. 

Then, you remember that in exchange for all this, you must do your best in school. That is one thing you aren’t looking forward to. 

But, how bad could a school be if it’s filled with magic? 

You happily imagine smelly trolls, dashing unicorns, talking ghosts, and floating crayons. 

For your first week in the manor, you enjoy glazed desserts, fluffy pillows, and silken clothing—and on your second week, you are reminded of your duty to the family you’ve been brought into. Something bigger than studying in a faraway magic castle. Missus Fawley introduces you to her long line of ancestors. You stumble on your footing as the portraits shuffle around and gaze upon you with curiosity, some with a more heated glare than others. They call you a funny term as you walk past. Mudblood. But, Fawley tells you not to worry. You are now her child before anything else. 

The family crest is chiseled with gold; you squint your eyes to make sense of the inscription: Virtus in Arduis.

“Virtue in hardships,” Agatha explains in her dulcet tone. As you featherly trace the emblem with your fingers, Fawley leans down to your height, clearing her throat; her expression impossible for you to read. “I brought you to this family because I saw potential in you. I sensed great magic from your person. But we all have our duties. Magic gives, and magic will take.”

“The wizarding world is in grave danger,” she tells you firmly, gripping the curve of your jaw with an intensity that frightens you. “Will you help me fight for the greater good?”

You blink.

You just got here and now you have to fight for a world that you never even knew that existed?

“Greater good?” you echo in disbelief. “F-Fight? Fight who? I’ve never even fought in my life! Making Daisy Anne’s nose bleed w-was just an accident!” 

“I will be with you every step of the way,” she vows fiercely, the tips of her nails digging into your cheeks. “Tell me, do you understand? You will do what is right without any recognition at all. Think of it as a performance, my love. And I’m preparing you for your role in this world starting now.” 

The ingénue in this act you have to play involves studying endlessly, practicing your wand work until Fawley is satisfied, and familiarizing yourself with every shelf in the library from dawn until dusk. You don’t understand why you must memorize every charm and every incantation—but Missus Fawley reminds you that you are bound to her and your responsibilities. You don’t want to go back to the orphanage, cold and alone—so, you acquaint yourself with parchments and quills, swallowing the discomfort when the nib harshly rubs your skin raw. 

On your tenth birthday, Missus Fawley gifts you with a closet overflowing with chiffon, taffeta, and organza. Lace parasols, pretty shoes, and wide-brimmed sun hats. The chef surprises you with a three-layered cake, the constellation icing charmed to flicker like real stars in the night. It’s the best birthday you’ve ever had. For the first time, you feel like your life is actually celebrated. 

The next day, your adoptive mother says with utmost exigency, “This time next year, you shall be off to Hogwarts, but that means your debut in society is drawing near. The wizarding world will officially acknowledge you as my child.”

“When that happens, vultures will flock to you as though you were a corpse.” Her eyes flash dangerously. “And you will become one, unless you learn how to fend for yourself. The most ruthless of us all can be adorned in pearls and dressed in ball gowns. Appearance is everything in this world—do not let them see that you are afraid.” 

And so, you don’t tell her that she’s petrified you to the bone.

“As the sole heir to my fortune and properties, you must understand how to navigate, not only the wizarding world, but this treacherous domain, as well.” Missus Fawley straightens your back, harshly tapping you once more to spread your legs at a more acceptable distance. “To be envied by all—the perfect host must always be ready to receive their guests with attention and politeness.”

When you wince, or move to massage your sore muscles, she barks at you, “You must always be composed, even in near-death. If you crumble—if you let even a single person know what you’re truly feeling, all this will be for naught.”

The burden of her words is heavier than the textbooks she shoves in your hold. 

“Control them before they can control you,” Fawley explains as the seamstress measures your waist and arms. “Exert your influence in a conversation. Not only in words, but your stature. Present yourself accordingly. Jewelry and clothing can be your armor when you cannot draw your wand.”

You grumble under your breath when the seamstress accidentally pokes you with a needle for the nth time. 

“Smile when flattered, giggle when offered a dance, and curtsy when greeted.” Fawley glares daggers at you when you hiss in pain. “But most of all, do not let any of those cretins know that you are fully aware of the power you wield over them. Anyone can be a puppeteer if they want to be. You’ll just be the greatest of them all.”

(But even a master of puppets has someone pulling their strings from behind the curtains.)

Elsie stays up with you each night, carefully pouring ice-cold water over your head, and playing with the floating bubbles to distract you from the ache in your legs and arms. “Elsie will give Master her hat!” the young elf says one evening, pulling the topmost beanie from her head and laying it on yours. She tells you a bedtime story before tucking you beneath the covers of your queen-sized bed. You fall asleep to the sound of grasshoppers chirping and portraits murmuring to one another. 

Then, you get your first taste of a pureblood skirmish. Missus Fawley had taken you to Diagon Alley, months away from the first of September—a letter in your hand with all the materials a first-year would need for their classes. Safe to say, you’re more than excited. (“Oh, mother, look!” you exclaim, pointing to the various shops—and also remembering the rule of calling Agatha mother out in public. “A sweet shop! Fortescue’s ice cream parlor! Mother, can we go there? Please, please, please!”) Fawley smiles at your wide-eyed wonder, your hand in hers—today is a special one, she decides. You’re allowed a bit of fun. Especially since you’ve shown unfathomable progress in your studies. 

You get your very first wand at Ollivanders—and now this world of grumpy goblins and jumping chocolate frogs becomes even more real. You hardly let go of your wand, a tingle of exhilaration running through you each time you brush your fingers against the finely-carved wood. Even Missus Fawley is pleased with the wand that chooses you. Later, you’ll be given three hours to practice your charms again, but you find that you don’t mind—not when you’ve learned that you can now read books under the covers when Elsie turns the lights off.

As you exit the shop, breathless and flushed with a hunger to explore more of this world you’ve been given access to, you and Fawley run into one of her friends. This must be one of the scary people she’s warned you about. Sharp cheekbones, unfriendly gray eyes, and a stern demeanor. You immediately suck in a breath and school your face just as Agatha has taught you. 

“Walburga!” Fawley greets with a lovely smile, but you notice that it doesn’t reach her eyes, not like when she smiles at you for growing another inch taller. She brings her hand onto your shoulder. “What a pleasant surprise, my dear.” She peers at the two young boys hiding behind her, much like you were doing now. “Oh, my! Is it that time already? I’d forgotten young Sirius was set to go to Hogwarts this year. You must be overjoyed.” 

Walburga is a tall lady, taller than Agatha, even. She hums, lips quirked, chin held up high. “Fawley,” Walburga responds, rather displeased. “Talking my ear off, as usual.” Her trenchant eyes land on you and her smile curves into a sneer. “And who might this little one be?” 

You risk a glance at Missus Fawley before offering the other woman a sweet, half-curtsy. “Madam Black, how do you do?” you smile at her, gaily revealing your name and the gap in your front teeth—the two boys snicker and your eyes instantly narrow into a glare. 

Walburga stares you down harshly. “How adorable.” Her eyes slice to the two boys behind her. “Sirius, Regulus, introduce yourselves.” 

Missus Fawley laughs, a grating sound—much like warning bells—as her eyes flash dangerously at her, hand tightening on your collarbone. “What a relief to know that Sirius will at least have one friend already before they arrive at the castle.” 

“But—oh, dear, look at the time.” Agatha quickly casts the Tempus charm before looking at you aghast, eyes wide as saucers, mouth parted dramatically. “I promised the Daily Prophet a photoshoot today! It is my thirty-first birthday soon, after all. I’d give you tips on how to capture this look, but, Walburga, it seems you’re embodying the housewife fashion perfectly.”

“Ta-ta!” She plants two, airy kisses on Walburga’s cheeks before waving the three goodbye. 

“That,” Fawley whispers into your ear as she snuggles the side of your face. “—is exactly how to do it.”  

You collapse in your bed that night, wondering just what you’ve gotten yourself into and what kind of world you’re about to live in.

How confusing.

All this time, you thought that Missus Fawley had been preparing you for an intense entrance exam. Why else would she make you study twenty-five hours a day and eight days a week? But as it turns out, all you had to do was sit on a chair and have Professor McGonagall put a talking hat on your head.

“Hufflepuff!” the Sorting Hat proclaims, and the table of yellow and black welcomes you with open arms. You sit next to a boy named Amos Diggory. Later in the night, you’ll share a dormitory with a kind girl named Amelia Bones. 

(Hogwarts is the best!) 

The holidays arrive in the blink of an eye and you find yourself standing at the steps of the manor once more. Agatha Fawley waits for you by the door, engulfing you instantly in a hug that shields you from the falling snowflakes and biting winds. Hot cocoa with marshmallows and gingerbread cookies await you in the grand dining room; you even get a crotchety greeting from Isolde Fawley the Third’s portrait. Elsie crumples to the floor and sobs at your arrival. 

“So you were sorted there,” Fawley mutters to herself, a worried expression contorting her face. The fireplace crackles as a winter storm rages outside the manor. You lay on her lap as she absentmindedly pats your head. Stories of your first few months at Hogwarts fall from your lips without pause. “This would go smoother if you had been sorted in Slytherin, however; but no matter—it’s not what I expected, but we can make do. The Diggorys and Bones’ are purebloods, so maybe not all hope is lost. But you need to get more acquainted with the Greengrasses and the Malfoys, Druella Black’s daughters as well.”

You hide your frown against her legs. You really liked Amos and Susan, Bellatrix was just downright mean to everyone, even calling this one girl, Lily, a Mudblood, too. But if mother wanted you to try, you might, but only once. If Bellatrix didn’t want to be your friend, then there’s no helping that unhinged witch. (At least the Prewett twins’ pranks were funny. Bellatrix once snuck inside the Ravenclaw tower to leave a dead pig’s head in the girls’ dormitory just because.)

On the twenty-fifth of December, Agatha Fawley throws a gala just for you—masqued as a fundraiser for Muggle children in need. (None of the families cared about them, you would realize later on.) The ground nearly rumbles from the number of guests she’s invited. From your bedroom window, you spot a few familiar faces. Sirius Black, who stands out from the crowd like a pale bean sprout; his cousin, Bellatrix, who’s already taken to yelling at the staff; Lucius Malfoy, the Flints, and the Parkinsons. Your head goes dizzy. 

As long as you don’t trip during your entrance, everything should be fine, right? Right?

(You one-hundred percent trip in front of everyone as you descend the stairs. The sound of James Potter and Sirius Black’s laughter haunts you.)

But other than that, the Yule event goes by smoothly. You don’t fall flat on your face when greeting Cygnus Black and Druella Black née Rosier, and mother is thoroughly satisfied when you smile in the face of Walburga Black and Abraxas Malfoy. You stay in the corner after welcoming your guests, sitting in your chair like an abstract painting forbidden to touch; whilst the Prewett twins and James teased Elsie until she cried from anxiety. Sirius also goes out of his way to congratulate you for growing all your teeth in. 

You don’t understand why Mother is so scared of these people.

But you’ll understand virtue in hardships soon enough when you receive your first tutoring in ballroom dancing. Instead of sapphire earrings or a trip to France, Missus Fawley has a different gift in mind for your fifteenth birthday. She surprises you with a tutor—you’re bewildered at first, arguing that you’ve consistently been at the top of your class. (“Madam Hawthorne is not here for your academics, my darling,” Fawley explains with her red-lips stretched in a foreboding smile. “Dance is a beneficial skill for any host to have. You’ll practice until your footwork is perfect. You will dance until I say you can stop. And when your feet are aching and bleeding, you will keep dancing.”) 

Each night for your summer holiday, you go to bed, sobbing into your pillows, body trembling from Madam Hawthorne’s cane. 

Everything changes on the eve of your sixteenth birthday.

Like all the years before, Missus Fawley invites the entirety of the pureblood society to the manor. 

You stay with Narcissa and Andromeda, gently placating their concerns when they ask about your unnatural quietness—truthfully, you could no longer breathe in the flounced dress you’ve been forced to wear; the sides of your feet raw from constantly practicing with Madam Hawthorne, head aching from the lights and obnoxious perfumes; stomach gurgling. Bags under your eyes from revising endlessly for your N.E.W.T.S. 

Eyes drooping and neck craning from exhaustion, you don’t at all expect for James Potter to emerge from the crowd; wavy, brown hair sweeping over his glasses, wine-colored suit melting into his dark skin. He holds out his hand to you with a boyish grin. “May I have this dance?” 

You blink, frozen solid for a few moments until Narcissa softly nudges your side. “Y-Yes, if you must,” you splutter, placing your palm in his. 

He leads you to the dance floor as the orchestra plays a song perfect for a waltz along a flower field; your eyes glued to his back. The chandelier hangs overhead as James settles your arms around his neck in one swift motion. You almost step on his feet, spluttering your gratitude when he steadies you by the waist, the heat of his hands permeating your layers of clothing. 

“Isn’t it odd that the birthday celebrant wasn’t dancing all this time?” he says, pulling you in for a twirl. 

“I assume the others were all too afraid to deal with my mother,” you reply timidly. “She’s quite overprotective, you see.” 

“Who? That tall lady over there by Missus Black who’s currently glaring at me?” James chuckles into your ear as you step closer to hear his heartbeat. “She couldn’t possibly terrify me.”

“Lily says thank you, by the way.” 

“Oh? For what?”

“Letting her copy off your Defense Against the Dark Arts essay—she’s downright shite at the subject. Don’t tell her I said that, though.”

You laugh along with him, and you find that you could rest in his arms forever.

But, as your dance with him comes to an end, so does your wistful reverie. 

When most of the guests have left the scene, and when the lights have dimmed, Mother presents to you her real gift—your debut in the wizarding society. She leads you to a room, one where you’ve never ventured before. It’s deep past the cellars, where cobwebs and dust bunnies grow. (Before you enter, Narcissa grips your hand firmly, a look of dread and urgency in her eyes. “Be brave,” is all that she says, encasing you in her arms.) 

In this dark room, you see Abraxas and his wife, Walburga, Cygnus, the Notts, the Goyles, and more people you recognize, all dressed in their finest black cloaks—as though it were a funeral instead of a birthday. In the center of it all, is your mother, Agatha, with a man kneeling in front of her. 

“What is this?” you ask in alarm, frantically searching for answers. The man struggles against his rope, binds, screams and pleas muffled by the cloth shoved in his mouth. The sight of his bruises makes you all but retch. “Mother, what is going on?” 

Walburga is the first to step forward, her lips painted blood-red against her ashen skin, curving into an edacious smile. She cradles the back of your head to her chest. “My lovely dear, it has been the utmost privilege watching you grow. Your mother is certainly proud of you, we all are. Tonight, just as our sons and daughters before you, we offer you our blessing on this very special day.” 

“You know of the Unforgivables, right, my child?” Her voice is a sweet, ruthless cadence in your ear; her touch, like worms crawling on your skin as she places your wand in your hand. You bite down on your tongue, swallowing each breath as the walls threaten to cave in on you. Your fingers forcibly shake in terror and you worry that you might snap your wand in half if you aren’t careful. “The Cruciatus, the Imperius, and—?”

“The killing curse,” you breathe out, ever-so stiff in her hold. You watch as Abraxas kicks the man to the ground; you dig your nails deep into your palm to keep from flinching. 

“That’s right, little one,” says Walburga, tracing your jaw with a morbid sense of satisfaction. She holds your chin in place as Abraxas tears the cloth from the man’s mouth. It’s worse now. You hear his desperate begging and his guttural cries for help. “Muggles,” she spits the word out like venom. “Look at them. They’re filthy. Infecting our blood with theirs.”

“Kill him,” Walburga says, a delicate whisper, as though she had asked for a cup of tea. “Kill him and you’ll have proved your worth to us.” 

“No! No, please!” The man struggles against Abraxas’s arms. “Please! I have a family! A c-child!”

You stagger backwards, nearly losing your grip on your wand. You look to your mother for help. “I—!”

“Kill him, pet!” Bellatrix cackles from across the room, teeth bared viciously, eagerly beckoning for you to come forward. “Make sure you mean it! Otherwise it won’t hurt!”

“You know the words,” says Walburga, lifting your pliable arm—a puppeteer controlling its ragdoll. “Say it.”

The man before you is real. He’s a real person with a real family anxiously waiting for him to come home. His children worried sick for their father. How can they just stand there and expect you to kill him? “Mother, please—I can’t. I w-wont.” Your breathing grows labored, hot tears pricking your eyes; the man screams and yells, and the sound echoes ceaselessly in your ears. “I don’t. . .  I don’t understand.”

Agatha Fawley closes her eyes, and you understand perfectly. 

Each sob wrecks your body and the tears endlessly flow from your ears, you hiccup and shiver; blood pooling from the bite in your tongue. “I can’t do this—please!”

“You will.”

You close your eyes just as a flash of unforgiving green shoots from your wand. “Avada Kedavra!”

The man falls limp to the floor, and so does your wand. Walburga coos and drowns you in a sea of shallow praises, the men offer their congratulations, but all you hear is the sound of a lifeless body dropping to the ground. 

A man who you just killed by your wand, in your home. 

That night, the four walls of your bedroom bear witness to your anguish—you cry until you throw up on the floor, body lurching and quivering on the freezing red oak. 

“Do you get it now?” says Agatha as she enters your room, the faintest of sunlight streaming through the windows. She bends down and cups your face in her palms. “This is your world from now on.” 

You rip her hands away from you, gritting your teeth. “I don’t want to live in your world—not anymore! I don’t care about all this! Magic, wealth, and all these things mean nothing if I have to kill innocent people! You’re a monster!” 

“Good.” Fawley’s voice is cold as she stands up, lifting her chin as her eyes glaze impassively. “That means you’re ready for your next lesson.”

“Didn’t you hear me? I said I was done!” you retort, sore from crying.

“Don’t you see?” says Fawley, pausing underneath the door frame, gaze ruthlessly slicing towards you. “We will destroy them from the inside out. Walburga, Abraxas, Tom Riddle. All of them, one by one. That is our true duty.” 

As she turns to leave, she adds coldly, “Ready yourself. I’ll be teaching you Occlumency during your summer break.” Then she slams the door shut, leaving you all alone in your room. 

When you return to school after the winter holidays, you’re forced to pretend that you hadn’t taken the life of an innocent Muggle. 

‘Do not let them see you are afraid.’ 

“Unfortunately, flaming red hair and hand-me-down robes will not complement my dress—it’s crimson taffeta, you see, handcrafted only by the finest tailors in Italy,” you say dismissively to the ragtag of Gryffindors before you, Vittoria Zabini and Isadora Bulstrode giggling at your side. The Prewett boy visibly wilts and you almost give in—almost. But everyone must play their part in this world. You know that if you show a sliver of weakness, Vittoria and Isadora will be happy enough to report to their mothers—vying for the pedestal you’ve been put on by their parents. 

For the final blow, you scrunch your nose in disgust, slamming your Divination textbook close. “Can you even afford anywhere in Hogsmeade for a date, Prewett?”

(Walburga would Avada you herself if she caught you in such a place with such a wizard. You’re more terrified of what she might ask you to do to Gideon—someone she deems as a blood traitor. You refuse to utter another Unforgivable. You just won’t.) 

“Oh, you cruel wench!” Marlene McKinnon steps forward and before anyone could take another breath, she slaps you in the face. And, finally, you feel something other than the guilt of taking someone’s life.

Your cheek stings from the impact, your ears ringing with the sound of your friends asking if you’re alright and Dorcas Meadowes roaring about how you deserved it—well, you’re not about to disagree. You move your jaw about, cradling the side of your face as you sigh impassively—oh, it’s nothing compared to the etiquette lessons of Agatha Fawley. “My mother will certainly hear about this, McKinnon.”

“You and your mother can kiss my arse!” she shrieks, eyes ablaze.

“Gideon didn’t deserve that, and you know it,” Lily argues fervidly, eyes sickle-shaped as she looks back at the Prewett twin’s dejected expression. “How could you even say that?” 

“How could I not, Lily darling?” you reply off-handedly with a roll of your eyes.

Lily flinches. In her gaze, all you see looking back at you is the Muggle father who had cried out relentlessly for one last glimpse of his children. She stares at the badger emblem on your cloak with disdain, and you with a great deal of pity. “You are, without a doubt, the ugliest creature I’ve ever seen.” 

She has the softest voice you’ve ever heard, but it hurts you all the same. 

You’ve scrubbed your skin raw in the bath, hoping that you’d wash the feel of your sins off your hands—it’s all for naught. Agatha might be a monster in your eyes, but you’re the fool that played right into her act.

You get to your feet, meeting her eye-to-eye. In a low whisper, lips close to her ear, you say, “There are far worse creatures out there, Evans. You’re lucky you’ve been born only a Muggleborn.”

Fortunate that she won’t ever have to play the role that you’ve been forced to. You feel an overwhelming envy towards her—effortless beauty, pure and untainted hands, a kind heart that draws in every one and every person. Compared to her, you must be a dirtied, black swan in a lake that’s only meant for white swans like Lily Evans. 

And she will have more charming princes and truehearted fairies on her side than you could ever hope to gain. 

“Say another word and I will tear your hair from that pretty head of yours,” Marlene snarls, pushing Lily behind her.

Oh, how easy they make it for you. 

You smile in delight. “So you think I’m pretty?”

Marlene lunges.

(You are so tired of it all.)

Every night of your summer holiday, you spend it writhing on the floor, Agatha’s lessons on Occlumency taking its toll. She grows harsher, stricter, and more apathetic than the sun beating down on the manor windows. (“Again!” Fawley demands as you collapse to the ground, drenched in sweat and your head numb from her probing. “Do you think the Dark Lord will be lenient with you? Get up! We’re going again! If you want this to end, you will endure this without error!”) 

While your peers are out swimming in lakes and racing around in Quidditch brooms, you’re stuck within the confinements of your home. But you are not that naive, you’ve seen the headlines of the Daily Prophet. A coalition known as Death Eaters have begun making their mark on the wizarding society. There are rumors of a great, sinister power rising. People go missing everyday, and you worry that this might be the world that your mother has been preparing you for all this time. 

But why you? Why must you carry this burden all alone? Who will pick up the pieces of your battered soul when the weight of your burden crushes you entirely? 

There are times when you wish you never left the orphanage at all. 

A week into your summer break, you find out that your mother is dying. Violent coughing, dizzy spells, jaundiced skin, her eyes bloodshot, and the healer frequenting her bedroom quarters. You’re not allowed inside, of course, but you can hear her feeble voice and the doctor’s stern orders. 

You also learn that she’s absolutely insane—but that is a fact you’ve come to terms with years ago. One night, during dinner, you’d let it slip that you have your suspicions of a classmate being inflicted with a lycan’s curse. Agatha Fawley reacts just about as one would expect her to. 

“A werewolf? In Hogwarts?” Fawley staggers to her office, the tower of neatly-piled documents and research reports from the Ministry now fluttering to the floor. “No, no, no. . .” she utters to herself, panic seeping within her skin. It’s the most frazzled you have ever seen the great Agatha Fawley. You stare at her unraveling from the threshold of the room, unsure of what to do. “Dumbledore has gone mad! That old loon! What was he thinking? Sheltering a beast within the castle!” 

“Don’t worry, my dear,” says Agatha as she reaches for you, a ghastly smile on her face and a near-empty look in her eyes. Your brows pinch together in confusion—you hadn’t been worried about that student at all. “I’ll have that monster out of the castle in no time. The Ministry will have no choice but to listen to me.” 

“That’s it,” she mutters, haphazardly grabbing for her feather quill and blank parchment. “Perhaps a law to forbid werewolves from ever integrating into society. School, house properties—can you imagine if they manage to infiltrate the Ministry? Everything I’ve worked so hard for!” 

“Mother?” you call out hesitantly, crossing the distance, hand outstretched as Fawley slips on her footing, a muttered profanity under her breath. The woman before you is unrecognizable, a sallow casing of a moribund soul. “Mother, please, Remus is no threat to the castle,” you plead, ripping her hand away from the quill. “You can’t do this!” 

“Do not tell me what I can or cannot do!” Agatha seethes through her teeth, chest heaving as she glowers at you. “Everything I have done, I have done for you! Yet, you still continue to fight me? I should have left you in that orphanage to rot while I had the chance!” 

“Well then, why didn’t you?” you scream, pushing her away as the words force themselves out of your throat. “Maybe that Muggle father would have still been alive if you did! Maybe I wouldn’t have to suffer so much! To hell with you and your duty!” 

Fawley laughs to herself, a weak and feeble sound. At first, you think it’s in response to you, but then you watch her drag her palm down her face, unblinking when her fingers appear to be drenched in blood. You take a step forward and there’s crimson trickling down her nose, a pallid contrast against her skin. “Ha,” she chuckles once more, keeling over to the ground as she stares up at the ceiling, blood on her flesh. “Merlin, what have I done? I–I’ve gone too far—even the Gods cannot save me.”

The despair in her voice is confounding. “Come here, my love,” she croaks from the floor, reaching out to you with bloodstained hands. Reluctantly, you sink to her side, gnawing on your lower lip as she cups your face in her palms—how many times have you been in this position before? “I’m sorry,” she sobs, shoulders trembling. “Oh, my darling, I am so sorry. I’m afraid I’ve doomed the both of us.” She traces the frame of your jaw and cheekbones. “My child, my beautiful child. What have I done? Will you forgive me?” 

You realize that this must be the consequence of living in a constant lie. To be an imitation of a human person, with no room for grief, rage, fear, hope or even a semblance of love. You stay silent, drowning in the arms of your adoptive mother. “I am to die soon,” says Agatha with utmost finality, eyes boring into yours. “But you are better than me. Braver. Far stronger than I have ever been. I know this must be the heaviest burden a child can carry, but you must understand that the fate of this world is at stake. I am so sorry, my love, but I must leave this duty to you.” 

She lets her head hang limply. “I-I am tired, as well. I’ve pushed away everyone and anyone for this. To do what is right, to endure what is hard—that is what I’ve lived by all these years.”

“And so must you.” Agatha has been mourning all this time, but not for her life. 

You hate her. 

You hate her with all your heart. 

But even monsters need a heart to breathe. 

A month passes by in a blur, and you are now set to meet the ill-famed Tom Riddle. You know that he was a student of Professor Dumbledore; that Narcissa is extremely terrified of him, and that Lucius Malfoy idolizes him to a fault. (“This is the moment I have been preparing you for all these years,” your mother tells you, shields of Occlumency glimmering in her deep blue eyes. “Do not let him in no matter what.”) Soon thereafter, Missus Fawley apparates the both of you to the Malfoy manor. 

The dining room is bleak, befitting of a Malfoy; curtains drawn, fireplace idly crackling, and hushed murmurs upon your arrival. All eyes are on you, and you’re lucky to have dressed in your Sunday best. At the head of the table, you see Tom Riddle, with Abraxas and Cyprian Nott sitting on each side. You hear something large slithering across the polished floors—your breath hitches at the sight of a monstrous serpent curling around Tom Riddle’s chair. The glass chandelier chimes overhead and you wish it would fall from where he sits on his shrewd throne. 

(You find Regulus Black sitting beside Narcissa, cheeks flushed, body quivering as his skin pales to a deathly color; holding onto his left arm for dear life. And, your heart just physically breaks. You don’t understand why this is the world you must live in.) 

“Come here, my dear,” Tom Riddle hisses, urging you forward with a serpentine leer in his eyes. You feel like a circus lion forced to perform its tricks. 

Tom Riddle is handsome—you notice begrudgingly. A menacing kind of beauty that entices the weak and preys on the vulnerable. (You would not be one of his victims, you vow, raising your own walls against him.) His gaze drills into your own—instantly, you feel his magic snaking around in your head, searching for hidden truths. The sensation is staggering, dizzying, and you’re nearly brought to your knees. You clench your jaw at his Legilimency—obstinate bastard. 

“This one is lasting longer than your son, Abraxas.” Riddle chuckles, his finger tracing the curve of your jaw, as Abraxas forces a smile. Finally, after what feels like an eternity, he leaves your mind. You release the breath you’ve been holding for the last thirty seconds. He finds none of your secrets, and you suppress a vindictive grin. Riddle glances at your mother. “How fascinating.” 

You wonder if his intrigue will keep you alive for another day or bring you closer to your death. 

“My Lord,” you greet windedly as you press a kiss to the cold signet of his ring. “What an honor to stand before you today. Although, I could have done with a more polite greeting from you.” 

Bellatrix snarls at you in warning. “Do not speak to the Dark Lord that way, you insolent brat!” 

“Enough, Bella,” Tom rasps, flicking her concern away, barely so much as sparing her a glance. “I’ve no need for a little girl to come to my defense.” She visibly wilts at his dismissive words and you almost feel pity for her—almost. Then, you remember this is the man who treats the Cruciatus curse like a treat to give away freely to children—now, you pity Bellatrix fully. The curly-haired girl twitches at the sight of him toying with his wand, Nagini’s forked tongue flicking in anticipation. 

“Tell me, my dear,” says Riddle, trailing his gaze down to your arm. “Has your mother arranged a marriage for you yet? Much like our dear Cissa here.”

You grow frigid in his hold. “Not at all, my Lord. Mother thought it best if I focused on my studies before anything else.” 

Tom hums in thought, eventually releasing you from his clutches. “I see. . . Then, have you considered other ways of pledging your allegiance to our cause?” 

Instinctively, you hide your left arm from his sight. “My Lord,” you begin, wondering how much longer you can address him as such without throwing up in his lap. “The only reason there isn’t much backlash to your. . . merciful endeavors is because Mother and I have ensured that the Daily Prophet’s eyes are elsewhere. The Ministry is blindsided, and no one expects a mondaine darling to be under your influence,” you say, desperation pouring from each word. 

You don’t want to carry his Mark. Not ever. You can endure it—you can endure it all so long as you aren’t eternally condemned to his name. 

“Take that away, and you’ll face significant repercussions,” you threaten boldly. “I promise you that. They look away because of me.” 

For every village and family terrorized, you had shifted the public’s attention to your facetious behavior. Throwing galas left and right, appearing out in public with various partners—you had done it all to bury the looming war. Rita Skeeter is at your beck and call. For every attack, your face is plastered on the front page. For every cry for help, the Ministry is busy dealing with trivial matters that your mother has proposed—such as anti-werewolf bills. 

And Voldemort would never notice that you’ve been thieving covert information from right under his nose and delivering it anonymously to a rising organization known as the Order of the Phoenix. 

(You’re also not pleased that they share similarities to your non de plume, the Firebird, but you suppose that is the least of your worries.) 

If Molly Weasley comes across a sealed letter on the steps of Grimmauld Place, with complete details and addresses of Death Eater hiding places, it is no one’s business but the Order’s—and yours. 

For every life taken, you remember that Muggle father in your mother’s cellar. It may not be today, it may not be tomorrow—but you’ll dismantle the pureblood society yourself. All of them, one by one. 

Tom Riddle smiles, and you realize that no one threatens him and gets away with it unscathed. 

A day before you’re set to return to Hogwarts for your seventh-year, the Malfoy Manor is pervaded by your gut-wrenching screams. 

There you are, little Firebird with your wings clipped, writhing on the floor of Lucius Malfoy’s guest room—the Cruciatus curse surging through your veins like molten lava threatening to burn you from the inside out. You hear Narcissa and Missus Fawley’s voices blend into a cacophony of panic. They’re shouting for various things: warm towels, bandages, essence of Dittany, and water. Regulus’s hold on you is tight, near-suffocating, even. 

But you don’t feel anything other than the mutilated flesh of your arm. 

You scream, cry, and scream again—you feel his magic over and over again. Branding you. The ink blends into your skin—but it’s not your skin anymore. A part of you now will always belong to him. 

Bile rises to your throat. 

Tears fall from your eyes. 

(How cold is the floor? You don’t even care anymore.)

And, the worst part is that no one can see it. Riddle charmed it perfectly to coalesce against your skin tone. But you see it. You see the skull and the stupid, wriggling snake. You see Tom Riddle’s monstrous glee as he drives his wand into your arm—Abraxas and Lucius holding you down as you thrash and flail. Your only reprieve was your mother was there, cradling your head to her chest, blocking out their malignant laughter. (You can’t believe you never noticed, but your mother had been branded, too.) 

“I’ll. . . kill him,” you say to yourself, blood and saliva trickling from your lips. If it is the last thing you’ll ever do, you will have Voldemort’s head on a silver platter. 

“Don’t be foolish,” Narcissa scolds, tipping your mouth upwards to swallow the drops of Dittany. “None of us have the power to do that. We just have to make do with the life that we’re given.” 

“I promise. . .  you,” you gurgle through the searing pain, gasping for air, clawing at her arms. “I’ll destroy them all.” 

You pass out in her arms. 

When you awake, you’re on a train to Hogwarts, left arm bandaged and hidden under the sleeve of your school robes. 

You don’t bother attending your classes—seeing no more purpose in Transfiguration and Herbology when you’re just a pawn in someone’s, everyone’s plans, apparently. The professors express their concern when you no longer turn in your homework or assigned projects. Once again, you barely see the need to. Your meals during breakfast, lunch, and dinner go untouched. You stay away from Narcissa, Vittoria, Isadora, Lucius, and Regulus. Your only friends, Amos and Amelia, stay away from you, too, having seen news of your promiscuity in the Daily Prophet. You scoff internally—you’ve never even had your first kiss yet. But even that seems like a distant dream. 

You are tired. 

How much longer do you have to play this part? How much more of yourself do you have to give? 

You’re only seventeen—how can you even hope to defeat Voldemort like this? 

The castle walls have dulled, and you drift through the corridors like a wearisome ghost. The once colorful world that you have been brought into now pales in the face of curses, spilt blood, and the Mark on your arm. You wonder what would happen—if you just run away now. 

Why should you be the one to bear the burdens of this duty thrust upon you? Why do people like James Potter and Sirius Black find loyalty and a real family within Hogwarts, and there is no one willing to fight for you? 

Perhaps, you have no one else to blame but yourself. 

Rita Skeeter publishes her article on the growing rift between you and Vittoria Zabini—claiming that you had stolen her beau from her.

You toss the newspaper into the fire. 

Some nights, you don’t bother returning to the Hufflepuff dormitories anymore. You know what they think. You know what they say behind your back. 

For the third time this week, you find yourself at the top of the Astronomy Tower, legs dangling from the edge of the window, eyes blankly staring at the horizon—if you run towards there, you wonder how long it will take before they find you. The cold nips at your cheeks, but you barely feel anything other than a gnawing emptiness.

Your gaze falls to the ground below, thirty, fifty meters from where you sit. 

Maybe. . . 

If you move a few inches forward. . . 

If you just fly. 

You’d be free. 

“Oh, I didn’t know this window was occupied.” You loosely turn your head to find Remus Lupin standing before you with a crooked grin, hands shoved in his pockets as he awkwardly shuffles one foot over the other. He raises his arms up in surrender. “I guess I’ll. . . find somewhere else to brood.” 

I don’t care. 

Go away. 

I want to die.

If I disappear, would you care? Would anyone? 

You rest your head back on the windowsill, hugging your legs to your chest. 

Starlings chirp and fly past you—how liberating it must be, to soar in the skies. But all you can do is watch enviously. Powerless, little songbird with no more lullabies to sing and no more wings to fly with. 

You let your weight shift over the window. 

Maybe if you fall, you could see what it’s like to fly. 

“H-Hey! Don’t—!” Remus quickly snatches your hand and pulls you into his embrace—the both of you tumbling to the floor. You feel his chest heaving, arms trembling around you, and the sound of his rapid heartbeat. His eyes are wide as he looks over your face for any injuries. “Why would you do that? Are you mad?”

You sigh. 

Maybe tomorrow, then. 

“Oi!” Remus pokes your shoulder. “Don’t just ignore me! You scared the piss out of me, you know? Bloody hell.” His shoulders slump in relief, and he takes another peek at you—just to make sure you’re still in front of him. “A-Are you okay?” he asks softly, afraid to spook you further away. “Do you want to talk about it or anything?” 

You shrug. “Nothing to talk about.”

His gaze flickers from you to the window ledge. “I think that’s a big something to talk about, honestly. B-But I get it. Really. No judgment.” 

An unwilling chortle escapes past your lips. Remus Lupin and his marauding bunch of lions would never understand the burden you have to carry each day for the rest of your life.

Remus scratches the back of his head with a wolfish grin. “Hey. . . listen. We don’t know each other all that well—so this is going to sound terribly weird. But would you like a hug?”

He opens his arms wide enough for you to fit—and you stare at him in horror. “C’mon, then. It really seems like you need it. And honestly, I kind of need it, too, especially after a scare like that.” 

You stay silent. 

He shakes his hands, beckoning you forward, golden hair flopping over his eyes. “I don’t bite. Promise. One hug and we’ll go on pretending like we don’t know each other tomorrow. Marauder’s honor.”

“I haven’t done anything to deserve your kindness,” you say with a prominent sneer—certainly not kindness from him. It must be another prank of theirs. You wait for Peter Pettigrew and Sirius to jump out and spray you with garlic juice. 

Remus smiles. “I think you’ll find that my kindness is freely given.” 

You nibble on your bruised lip. 

Could you really? 

Maybe just this once. 

You’re only human, magic as you are. 

You take one step forward. 

Then another. 

Another.

Until you fall right into his arms, and you inhale the scent of honey, milk raspberry chocolate, and cedarwood. The warmth of his arms around you is real. His voice is real. He whispers cruel words into your ear, “You’re alright, love. Let it out. I’m here.” You burrow your head deep in the crook of his neck. The sound of his heartbeat is real. He tightens his hold around you, and the ground underneath feels real. For a few moments, you don’t feel like you’re floating away into oblivion. 

Maybe you’d stay alive—for a few more days. 

To do what is right. 

To endure. 

Perhaps, tomorrow will be easier—if such kindness is real, maybe you’re allowed to seek it for yourself every now and then. 

But your nightmare doesn’t end when you’re awake—it takes you by the throat when you find yourself summoned to the Malfoy Manor on Hallow’s Eve. 

You’re not the only one caught by surprise. One by one, Tom Riddle’s followers apparate into the dining room, stumbling inside with a bewildered expression. Their Dark Lord has called for them in the dead of night—it must be for something important. You stiffen, sinking into Lucius’s shadow. You search for your mother but she doesn’t appear to be anywhere in the room. Someone brushes their hands against yours—Narcissa. She stands by your side, face impassive, her pupils frantically trying to make sense of the situation. 

Then, Tom Riddle finally apparates into the room, startling you for a fraction of a second. Not far behind is Abraxas, Cyprian, the Lestranges, Bellatrix, and finally—

Your mother. 

Fawley looks worse for wear, her skin sinking into her bones, clothes tattered, and her face littered with bruises. Bellatrix drags her across the floor, hair wrapped around her hands. 

You move to stop Bellatrix, anger blinding your vision—Narcissa tightens her grip on your wrist, subtly shaking her head. You rip your hand away from her. 

“We have found a traitor in our midst!” Bellatrix cackles, throwing your mother to the ground—your fists clench, swallowing each lump in your throat with rage blinding your vision. “I caught the bitch helping the McKinnons escape!” 

“No,” you whisper, dread knocking you backwards—it just isn’t possible. The two of you had always been careful. Bellatrix hits her again, and you have to restrain yourself from marching forward and cursing her from where she stands. 

One moment of weakness, that is all Tom Riddle needs. He finds you in the crowd with ease. The crowd of Death Eaters part like the red sea, and you steel yourself with Occlumency before you are sharply pulled forward, the mark on your left arm blistering as though a hundred needles are driving into your skin repeatedly.

“If the mother is a blood traitor, the child is sure to follow!” Bellatrix hisses, spit flying into the floor, her eyes gleaming with maniacal glee.

Voldemort cruelly holds your jaw in his hand, nails digging into your flesh, threatening to break through your bones. “Is this true?” he asks, drawing blood from your skin. “Tell me!” 

“No!” you cry out, kicking and punching to get away from his hold. “It’s not—let me go! That is my mother! You’re hurting her! She’s sick!”

“That,” Riddle’s eyes flash with hostility, breath hot on your skin, “is a betrayer to our cause.” 

“She’s not!” you scream.

“How did she find out, then?” Voldemort flings you to the ground—immediately, you rush to your mother, gathering her in your arms. Tom Riddle cocks his head and you’re blasted into the walls—you feel his Legilimency trying to force its way in, exploiting your pain and shock. But you won’t let him in. He’ll have to pry your memories from your cold, dead body.

The pain is searing—you’re being torn apart from limb to limb. Your mark is burning, head throbbing from a concussion, and still fighting against Riddle’s magic. Through your blurry haze, you see Lucius holding Narcissa back from running to you. “We’re not traitors!” you cry out desperately, crawling pathetically to your mother’s listless body. “I swear!”

Voldemort sneers just before he points his wand at your mother. “Crucio!”

“No! No! Stop it! Please! Please, stop it!” you beg on the ground as your mother helplessly writhes on the floor, the Cruciatus curse reducing the once austere Agatha Fawley to a whimpering mess. “You’re killing her!”

Tom snarls, “Good.”

Bellatrix digs her claws into your neck, her laughter resounding throughout the manor—you swallow the sobs down your throat as she drives her wand into your flesh. “Your mummy over there is done for. But you—our precious jewel, you can still prove your loyalty to our Dark Lord.” 

She puts your wand and closes your fist over the wood—your eyes grow wide as you thrash in her hold, screaming as she forces you to look at Fawley. “Kill her. And you may live.” 

“Just say it,” Bellatrix whispers in your ear. “Two little words. You’ve already done this before, pet—the second time should be easy enough!”

“No!” you knock your head back into her nose, slipping away as her hold loosens and she screams profanities at you—but to your misfortune, Voldemort captures you, like a defenseless bunny running into a starving snake. 

“Mum, wake up, please!” 

You cry out helplessly, sobbing as Voldemort forces you to watch the life gradually fade away from her blue eyes. Her magic envelops you—and you remember warm holidays spent by the fire, Muggle storybooks before bed, surprising you with breakfast in bed for your birthdays. It’s a warm feeling, a stark contrast to Tom Riddle’s invasive magic. Her voice echoes in your head one last time.

“Thank you for showing me what love feels like, if not for a moment. I am sorry I could not show it as a proper mother would.”

“Kill her!” Voldemort rages into your ear. 

You watch as Fawley’s eyes drift to a close, an act of resignation. “It’s okay, my darling,” she whispers tiredly. “I. . . can rest now.”

For the second time in your life, you point your wand at someone’s heart—this time, it’s your mother’s. 

“What are you waiting for?” Bellatrix asks, twitching menacingly. “Kill her! Before I do it myself!” 

There’s a faint smile on her face. 

“I’m. . . sorry.”

Those are Agatha Fawley’s last words before you take away her life.

The incantation falls so delicately from your lips, an act of mercy for the woman you once called your mother and your greatest tormentor. 

But your eyes are on one person and one person only.

Tom Riddle. 

“Avada Kedavra!”

He will know your pain.

Not today, not tomorrow.

But you’ll destroy them all, one by one.

a/n: THERE IS KISSING IN THE NEXT SCENE I PROMISE.... AND TRUST MY LILY LOVERS WE WILL GET OUR REDEMPTION ARC SKDJHFGKJH and sirius lovers too,, but yall are well-fed every day so.. next part has the yule ball, likee,, there's no way THAT becomes angsty.. if you saw a plot-hole, no you didn't just CRY and enjoy sdhgsdf... come tell me what you thought!! (if you have any constructive criticisms, just come to my dms BUT PLS BE VERY GENTLE.... oh and don't hesitate to tell me if i accidentally wrote anything super specific like height, skin color, etc.!!) i promise to better in the final part!!!! (there's only two parts to this fic.) I LOVE YEW I HOPE YOU ENJOYED THIS STORY AAAAAAAAAAAA

[aphel1on]

the longer i look at this panel the more deranged i feel about it. this is environmental storytelling at its finest.

the eodio stand-in doll in particular makes me crazy. where did it come from? did thistle just pop into the village like "hey ungrateful wretches, one of you needs to make me a life-sized mannequin, For Reasons". did he make it himself? seems quite unlikely, yet the possibility haunts me. i mean, i guess there could've been one just lying around the dungeon somewhere. it's the act of replacement itself that really gets to me. (edit: it's been pointed out to me that the eodio doll also could have been left behind as part of delgal's escape plan. slightly different kind of madness but tbh, just as funny-sad to me if that happened and thistle went Ok, Guess That's Eodio Now.)

both the wives are there too. we know very little about them, which makes me tend to assume thistle wasn't all that close to them, but they're still included. when did they end up here? did he kick their souls out of their bodies at some point, or were they among those who left their bodies voluntarily to try and escape? when did yaad become an effective orphan, delgal an effective widower? women in the margins of the narrative, tell me your stories!

and the fact that they're surrounded with the living paintings, which thistle habitually wanders through to relive the past. this truly is his inner sanctum, his place of utmost comfort... and it may as well be a tomb.

that panel is so creepy when you first see it. just a sense of "ohh jeez, there's a lot to unpack there".

and actually, yeah, it remains creepy from pretty much any angle, but the more you think about it the more it's also tragic.

this is where many of thistle's happiest moments took place. everything he had in that picture is now gone. first he lost their warm regard, then one-by-one their bodies became hollow shells. before the end, none of the people here needed or enjoyed food anymore. the dinner table, as a center of both family life and nutrition, became obsolete.

a line from someone else's excellent post about thistle has stuck in my head ever since i read it: "to eat is to live, but to eat together is to be loved". to me, this is the sentiment and symbolism at the core of everything that happens in dungeon meshi.

it makes this bit all the sadder and more disturbing.

there's several things to note here:

thistle has gone from seated and eating with them as part of the family, to a lonely and ominous figure hovering over delgal's shoulder

eodio is conspicuously absent from view, and his body would have been a husk by now, but yaad says parents, which forces me to assume that they are sitting at the table with eodio's soulless body, hidden under yaad's speech bubble

they're not actually eating anything.

those plates are empty. you could assume that they've already finished eating, maybe, but yaad refers to it as sitting around the dinner table. in fact, he compares it to what he's currently doing; sitting at the dinner table watching the touden party eat, not eating anything himself.

it paints a pretty grim picture. for some time even after the fantasy had fallen apart, even after there was no need or desire to eat, they kept gathering around the dinner table. at that point, i'd guess only so as not to provoke thistle's wrath.

but even that last happened a long, long time ago.

this is a callback to what senshi said in the golden kingdom: the reason the people keep maintaining their fields and silverware and so forth is that they need to do so in order to stay sane.

paradoxically, the dinner table is the most striking evidence of thistle's insanity, and at the same time, it's the only anchor to sanity he has left.

he kept enforcing the ritual of dinner together long after it lost significance. when even that was impossible- because almost everyone's souls were gone- he kept their bodies at the table anyway. it's fine. it's fine! he's protected them, physically, just like he set out to. they're all still breathing. at a glance it looks like they could wake up and resume dinner at any moment. like this, it's easy to pretend.

isn't that what being a dungeon lord is, at the core of it? rejecting reality, staying in the prison of one's impossible desires. it's just one long game of pretend.

thistle did all this to protect his loved ones. no matter how obsessive and twisted he became in pursuit of that over the years, his core motivation never changed. this is all he has left of that dream: his loved ones' bodies gathered around the locus of their happiest memories together. like this, he can tell himself he's succeeded.

when eodio's body vanished with delgal's soul in it- when he couldn't even have that anymore... well.

i want to reach through the screen and shake him. no, they're not, thistle. THISTLE, NO, THEY'RE NOT! the doll of eodio is the closest thing to him in this panel, underlining the point. when that final illusion was shattered, he became completely unable to cope with reality.

therefore casually forgetting the creepy eodio doll isn't real.

thistle isn't stupid. eodio's body vanished at the same time as delgal's soul. shortly after, more adventurers came pouring in than ever before. deep down, he knows what happened. if he didn't, being confronted with the truth by mithrun wouldn't have made him panic so hard he summoned chimera falin to the first floor.

yet still...

he absolutely can't admit that to himself. he is clinging to the last scraps of the illusion with everything he has.

this is a dungeon lord at the end of desire. this is a lotus-eater machine left running long after its conclusion. this is mithrun lying listlessly in his bed, his replica lover having given up any pretense of being human. the illusion is all that's left. (an illusion is all it ever was.) thistle and the citizens of the golden kingdom- they're ghosts just as much as the ones who wander the dungeon floors. and if it weren't for thistle sealing the lion away, he would've been eaten by it long ago.

all of this encapsulated by that single panel of the dinner table.

[trainer-from-unova]

three is a crowd

𖤐 bandom blog: @princess-lvcifer 𖤐 english ao3 𖤐 spanish ao3 𖤐 edits 𖤐 kofi 𖤐

ship: geta/f!reader/caracalla

summary: where both emperors want to marry you, and they will

a/n: english isn't my first language

cw: none

word count: 1.1k

It was a calm sunny morning, there wasn't a cloud in sight in the sky and the birds were singing and flying back and forth over the trees of the villa. A young girl was sitting on a bench, quietly embroidering when her mother's voice at the other end of the inner courtyard caught her attention, causing her to look away from her handiwork and crane her neck to turn in her direction.

She was far enough away that she couldn't quite hear what she was saying, but she knew she wasn't talking to herself — beside her and looking in her direction were two men, one taller than the other but both with red hair. And although she hadn't (yet) had the (bad) luck to see them many times, she would recognise them everywhere. How could she not? Her eyes widened like plates and she turned almost without thinking, craning her neck again but pinning her gaze to the ground, processing the moment. Still staring at the ground she could feel their eyes on her, and for a second she froze. It didn't take much intelligence to know what they were doing there — she was one of the most powerful women in all of Rome and therefore desired by many suitors behind her, but she never thought she would attract the attention of the emperors.

She remembered what the streets had been saying about them lately: that they were moving heaven and earth to change the marriage law and marry both of them to the same woman. She remembered talking about the juicy gossip days before with her best friend, and joking that it was bad enough to have one husband you didn't love without having two, and more so if it was those two in particular. Were the gods mocking her for having mocked the poor wretch who had supposedly been the "lucky" one to have the favour of both of them days before? She knew they were out to get her and she also knew that, whether she liked it or not, she had to be obedient and polite, so she left her embroidery on the bench and crossed the courtyard to them, praying that the change in the law was only a rumour and that if she really had to marry it would only be to just one of the two.

"Emperors, it is a pleasure to see you again," she said kneeling subtly on her knees with a sweet but false smile on her lips. "Remember me?" She asked looking at both of them.

"How could we not?" asked Emperor Geta.

"The pleasure is all ours," said Emperor Caracalla, scanning her up and down with his typical playful, almost wicked look and smile. Emperor Geta simply grabbed one of her hands to kiss it, and the other was quick to do the same at the same time with the missing hand, creating a scene that would be comical were it not for the fact that she was co-starring with them in particular.

"To what do we owe this pleasant surprise?" She asked everyone present when they had finished greeting her, wanting to confirm her suspicions as soon as possible.

"We have come to make a proposal of marriage," reported Emperor Geta smiling in the same manner as his brother but more covertly.

Neither wanted to marry the young woman for love, for they hardly knew her nor to benefit from her brilliance, for they shone even brighter, but they wanted to do it so that no one else would. If she married an important senator with her nobility and blood, her new husband was likely to threaten their position. They simply wanted to prevent others from marrying her, but they had to share her benefits to be on the same level as each other and unfortunately they could not divide her in two for each of them, so they abused their power to change the law so that they could both marry her.

"Me?" she asked nervously.

"Who else?" asked Caracalla.

"My mother here is still well preserved in spite of her age, as you can see," she said pointing to her, making her blush and making all present laugh. "And may I know who my future husband will be?"

"Both," replied Emperor Geta.

"Both of you?" She looked at the two of them, surprised at the confirmation of the rumours and her earlier suspicions, and even more nervous and unable to stop herself from feigning a smile. She knew that if she married one she could not avoid being close to the other, but to be married to both at the same time was too much, and seemingly impossible. "Is that even possible?"

"Now it is," the taller one replied.

She was so surprised, nervous and confused that she couldn't think straight or formulate words, so not wanting it to ruin the moment and change the emperors' minds about the marriage proposal, her mother decided to intervene.

"My daughter is so happy that it's hard for her to speak."

"That's normal," said Caracalla.

"It's not every day that one is lucky enough to marry two emperors," said Geta looking smiling at his future wife, and as she felt his gaze on her, she couldn't help but stop dissociating and return his gaze.

Both made her nervous, but for different reasons; she felt that Geta saw right through her no matter how well she acted, and that Caracalla wasn't in his right mind. Not wanting to spend another second with them considering she would soon be living with them under the same roof, she decided to open her mouth to say:

"If you'll excuse me I'll leave, I'm so happy I'm feeling a bit unwell" and she wasn't partly lying, she did feel unwell and needed to leave.

After that everyone around her tried to cheer her up, saying that she was a lucky woman, that she would have more power and that she would go down in history as the first empress to marry two emperors at the same time, but that mattered little to her. The only thing that cheered her up was the idea that she would be left alone after becoming pregnant and having to rest so that the baby in her womb could be formed and born healthy, but then the question arose — who would be the father? As much as they wanted to share her, they couldn't both get her pregnant at the same time, and the first-born would rule the empire in the future. A part of her was looking forward to the wedding night to stop suffering from the nerves that ruled her body and mind even though she didn't want to live that moment.

a/n: And then on the wedding night they blindfold you and don't know who fucks you. The end. I wish I could write the smut but I can't and I swear I really really really tried but my personal life has been a mess lately.

[ma1dita]

forever falling: luke castellan & his four great loves

a 'partners in crime' installment - luke castellan x dionysus!reader prev -> solipsism | next -> love me dry words: 4.3k summary: (post-TLT) The one where he falls from grace and still thinks of you. (the four great loves of Luke Castellan’s life and how it will end up killing him) (Luke Castellan x fem!Dionysus!reader) a/n: i held myself hostage in my car outside the gym until i got this right this morning — listened to forwards, beckon, rebound by adrienne lenker while writing this, thank you for your patience and happy september! edited

—

Falling to his death is taking a lot longer than Luke Castellan thought it would.

For a man with a multitude of regrets, he finds that he can count his biggest ones off the four bloodied fingers that stain his peripherals with every bump and tumble down the jagged rocks of Mount Tamalpais.

What a waste of a life.

Everything he’s ever tried to accomplish has come to this final, humiliating moment of being at someone else’s mercy. Life is so unfair, he thinks, to give everything for love and have it kick you off the side of a fucking mountain that reeks of eucalyptus and regret. Sure, it was wrong to steal the master bolt, to turn his back on camp, poison Thalia’s tree, have his little sister hold up the sky, try to kill Percy Jackson every so often, and cause all this chaos… (I mean you know how this goes) but the pros outweigh the cons here! Promise.

Luke was so sure that they would all see reason—that he was doing this all out of love, no matter how convoluted and backwards his way is compared to theirs, even if he’d never admit that. Change is supposed to be uncomfortable and war was never meant to be pretty. It wasn’t supposed to end like this, really. The gods weren’t meant to win.

But at the end of it all, love must be his greatest weakness. It has to be.

The Fates should be slicing through the fibers of his lifespan by now, ripping through the embroidered memories in his mind. Nothing of his is his own anymore—not his life, nor his love.

Love, if he’s learned anything in the two wretched decades that Hermes himself has cursed his existence with— hurts like a motherfucker. That, or Thalia was definitely wearing steel-toed boots when she kicked his ass off the cliff. He’s given his life for love, dedicating himself to the greater good of protecting his loved ones, and no one, not even the gods could stand in the way of that. A method to his madness or his undeniable naivety, he still can’t tell, but it's gotten him falling deep into an abyss at the hands of a bunch of kids who continually undo his plans to change the world.

Maybe love is little deaths then, and maybe Luke Castellan loves too hard.

There has never been a single moment in his life where he hasn’t gone down fighting—he never lets anything go, holding what’s important to him so close to his chest that it suffocates. Luke believes that after everything he’s been through, he was never meant for mediocrity—not even when it comes to love. Maybe his death would mean something then— maybe that is his glory. To love someone to death, even if it was wrong— if this is his end, maybe his death will bring peace he knows his love never could.

Four names run through his mind like most things do, intense and fleeting. His final thoughts as he plunges toward the earth are his last act of prayer. If the gods have never listened before, well, these thoughts are all he has to comfort him; they feel heavy behind his lips the further he falls.

Could the Fates be wrong?

His fatal flaw manifests itself into the names of four women he knows he could never deserve in this lifetime, but he’d die trying. He is, dying. This fall from grace is proof enough that he was never meant to be a hero. Excessive wrath bleeds from his being until all that’s left is love, and he’s ashamed of it.

Gods, he’s such a fucking loser.

Luke’s neck cracks against stone at the bottom of the cliff, white hot pain crawling up his spine with only one remaining thought clanging around in his brain—he should’ve never fucking come back to San Francisco.

And while we’re talking about regrets—Luke recognizes that the one thing he’s never had control of is love.

So he lets go, feeling the weight of his body crumple against the downhill slope of Mount Tamalpais like a puppet cut from its strings without a single cry of pain because Luke Castellan finally comes to accept the loves and losses of his life. His landing feels softer now, rolling to a stop like the waves on Westport Beach. Then he sinks into the earth with a bated sigh and it feels like gentle hands of loves that once believed in him.

Luke closes his eyes before his world spirals into black—because if these few moments are all he has left, he’d like to take this time to remember them.

MAY CASTELLAN [storgē - στοργή]

Luke Castellan was born into this world half-mortal, half-god, but 100% May Castellan’s son. From the moment he came into this world, he was fully her own. Hermes was a factor, yes—but the manifestation of a demigod is wholly that of the mortal parent in every aspect visible to the naked eye. Blood runs alongside ichor in his veins, but Luke is all hers in every way that matters—from the slope of his nose, his dark velvet curls, and the honey-molten warmth of his eyes. And they were happy together, once upon a time, even if it was mostly just the two of them.

The gods make their half-mortal children in the likeness and image of their human love since their own forms are ever changing. There is nothing permanent about being immortal—leaving their partners with babies that look like them but are vulnerable to the Mist. And when you love a god, the only tangible reminder left behind is one that goes where you cannot follow. Things most can’t understand— speedy baby steps padding down the hall, tiny hands unlocking the pantry door, and a motor mouth able to transmit meaning through toddler gibberish.

But before Luke even knew what love was, his mother made sure he knew hers was stuck to his being—like peanut butter and jelly on the roof of his mouth from all the sandwiches she made. His clothes used to smell like chamomile from her morning brew and his fingers were often stained blue from Kool-Aid powder. May would always let him mix, even if she had to pretend to not see him sipping from the big spoon in the pitcher. Loving a trickster meant she knew how to raise one.

His mother’s love was sugar sweet. It was in the cookies she baked, the kisses she’d press against his broken skin, and in the confectionery words she’d whisper to him before bedtime. As the years passed by, May would end up repeating herself and the ‘i love yous’ were more for her instead of him—like a mantra she needed to remind herself of who she was. But Luke always understood. When her voice would fail and tears would replace it, Luke learned to wipe away what his father left behind for him to take care of.

His identical chocolate irises watched hers turn to emerald, and it was then he knew that too much sugar could make everything rot.

THALIA GRACE [eros-ἔρως]

There was always this intensity whenever he was with Thalia Grace, the daughter of Zeus. And she made sure he always knew it—a static spark igniting between the two of them as soon as their eyes met in the streets of Charleston. Like him, Thalia always made sure to get what she wanted, two north poles of a magnet bullheading through life to get what they’re owed. By that same evening, they were elbow-deep in the golden dust of a dragon that had come home to find two bushy-browed little freaks with arrogance quadruple their size.

Luke and Thalia were a match made in hell—one always trying to outdo the other to get the upper hand when it comes to control. And at 12 years old, it was the first time Luke had ever had anyone fight by his side. But they were both short fuses and she always set him alight—a glint of her father rushing through her glare so hot that it burned blue. He would do anything to keep her attention on him since grabbing devotion by force is all he’s ever known. Moving quickly and being in her face was the only way to remind his mother of her affection so he assumed the same would go with her. That, and he couldn’t help being extra fidgety— being a son of Hermes meant he couldn’t sit still for long.

Though with Thalia’s growing annoyance of Luke, it was established that their dependence on each other was one of necessity to survive the odds stacked against them. She was repelled by what made them so similar, hubris that blinded them from wanting to figure out the difference between surviving and living. There was a poison of hate in their love for one another. A shame in wanting a love that understood the attraction that linked them so early on in life, however innocent.

Both were too alike and were burned the same.

They burned each other. A type of selflessness and selfishness that battled each other for balance, so close but so far away.

There was always something about Thalia that blistered at his confidence. A forbidden part of her he couldn’t bear. It’s why he spit words of acid instead of encouragement once he realized the Furies wanted her the most when they were running for their lives, Luke was always the fastest runner anyway—dragging little Annabeth up Half-Blood Hill and by the time he realized he’d left her for dead she became a hero (he admits now that he could’ve run circles and saved her too; he just didn’t want to).

Thalia Grace gave everything for this love. But she sure as hell never trusted him to do the same for her.

The spark they shared was snuffed out that day. And Luke continued to burn without her.

ANNABETH CHASE [philia- ϕιλία]

Luke Castellan had never been chosen for anything before. Growing up in the mortal world, he was used to watching families eat together through restaurant windows and children playing in parks that he would pass by, taking slower turns around the block so he could imagine what it felt like to be wanted. Luke was never once beckoned to take part, but he accepted long ago that he didn’t really belong anywhere.

It was nice to think about though.

The daughter of Athena doesn’t remember it anymore, something so trivial in that big brain of much more important thoughts—but when she reached her hand out to him instead of Thalia (after almost breaking his skull in with a rusty hammer), it meant everything to him. The kid thought he was a monster at first sight, and she still chose him after everything.

Annabeth Chase grew up idolizing him and he thrived because of it.

Like ambrosia, Luke was strengthened by her faith and it made him feel powerful. Having the daughter of Athena in his life was like being awarded a gold medal. He loved Annabeth like she was his biggest prize, gleaming on a shelf for him to admire when he was feeling down about himself. Both him and Thalia raised her with pride; with little to no material possessions, they learned to make something out of nothing—and they made it golden. He chased that feeling and it made him greedy for her affection—she announced his place in this world of cruelty. The harsh hands of fate were gilded by Midas himself as long as he had Annabeth. And she put him on a pedestal too—an unattainable goal in her mind that the highest form of glory was to be like her older brother and best friend.

Luke Castellan was finally good at something, and he had the proof to show for it in the shape of a small girl with inquisitive eyes. With her, all of his answers were right. To choose each other and be reciprocated with equal fervor helped him idealize what it felt like to win in life.

However Annabeth was not just his best student, but a prodigy that learned to outplay the trickster. An intellect like hers was never meant to corrode in a dusty, dark corner.

YOU [agape- ἀγάπη]

Plato wrote that humans were once created whole— with four arms, four legs, and two faces fused back-to-back for the entirety of their mortal existence. They were at peace, and how could you not be?

With your soulmate at your side, you could face anything, even the gods. And eventually Zeus felt threatened by their power, in knowing that humans could be invincible against any pain, suffering, and doubt as long as their soul was physically and intimately tied with their other half. So he separated humans from their soulmates in a snap of a finger. It was just another thing that jealousy would take away from humankind by immortal beings that would never understand what it means to live with an ending.

There’s a misconception that love is being together in our original state until the gods took it away. But in fact, it was written to be that love is the desire to become whole with someone else, in addition to yourself. Love is the choice to spend your life trying to find your other half—as we are destined to roam until we have someone to share the rest of our time. Humans have long accepted that we don’t know when the end will come—but the act of searching for our person to share it with, that is love.

Love is the ultimate sacrifice to meet your partner wherever they’re at, to make a home out of the rubble of your past and still choose it anyway knowing that the both of you will go hand in hand into the future. It isn’t glory like he’d convinced himself in the past; it’s not accomplishing some heroic feat worth the recognition of the gods—he knows by now that he couldn’t give a single shit about them. The answer had always been right in front of him, unwavering against the test of time with fluttering amethyst eyes and laughter that renders him senseless.

Why go through all that trouble? one might ask. But that is also his answer.

Fate had never cut him loose— tumbling down Mount Tamalpais was one of the many proofs of that, and with nothing else to do, Luke comes to the conclusion that loving you is a lifelong commitment he made to make more time with you.

Shitty deal, he thinks, trying to beat Kronos at his own domain without anyone’s help must have been a waste for it all to end so pathetically.

But loving you was a choice he made every day, even in your absence. It’s his reminder and solemn vow that loving you could never be a waste. Luke laments not being able to take you to meet his mother, or giving you the white house with the big bay windows, but by giving up his life, honor, and whatever glory is still attached to the name Luke Castellan— it must be worth it as long as you’re living the life you deserve.

Even if it means he’s not part of it, he hopes you’re still searching for him too.

—

In the end, even as he falls to his death, he finds himself calling out to his father for the last time. His plea reaches deaf ears of course—but he isn’t begging anymore. Luke Castellan thanks his father for the first and last time in his life and embraces his losses if it meant that he mattered. If not to the gods, then to his mother. To Annabeth. Thalia, even for a short moment, and you.

Especially to you.

Unwavering and without question, to live to the fullest is to have been by your side walking through the woods of Camp Half-Blood and hearing the sound of your cackles through the air, sending animals scattering from something he said.

Because to be loved despite everything he has done, everything he will do— Luke thinks he must be the luckiest man to have ever lived.

Death blankets the weary traveler, and time is an unflinching hand pulling him through a rip in reality. He’s gone in the blink of an eye, falling in reverse to where he needs to be next.

Somewhere, Atropos raises her scissors away from the indelible strand of his life force as she takes a breath and sits back, her sisters unable to do anything else but watch. This boy was becoming more trouble than what even the gods knew he was worth.

Luke Castellan must be lucky, indeed.

—-

Ding.

450, 451, 452, 453…

A wet cough from a satyr next to you disrupts the silence in the elevator up to Olympus; you give him a sideways glance that makes him shift closer to the door with what you hope is a blush and not a fever. It’s warm and stuffy in this 3x4 crystalline box that shoots towards the heavens, and a bit crowded for a weeknight—though you suppose it is the Winter Solstice.

You haven’t been back here since your ex-boyfriend stole the master bolt.

There’s a moment where you wonder if the Fates have ever found your predicament funny, but then the satyr sneezes with a boom.

537, 538, 539, 540…

It’s almost dusk now as clouds roll through the night sky and into the distance. Frost lines the metal frame of the elevator shaft and if you’re flying at the speed of light, it doesn’t seem to be a problem. But this trip is taking much longer than you thought it would for a decision you made on a whim.

You still have a final to take in the morning, and Annabeth wasn’t answering your calls—then her location on Find My iPhone sprung from San Francisco to the middle of Manhattan from the span of your trip on the Long Island Railroad.

Something was up. The sense of something important trickled down your spine like second nature. Can’t this thing go any faster?

It was second nature for you by now to know when something was up, especially with the trio. You’d always make the time for them. Besides, your life has been a little too quiet lately. Being an adult demigod does that; there’s no monsters that bump in the night anymore, just the ones in your head and the ones that make you take finals three days before Christmas.

…600.

Ding.

Weaving through what seems to be a celebration fit for the gods, your glove-clad hands push through the sea of minor godlings, heroes, and Olympians. Aphrodite sends you a wink that makes you feel hot to the touch before you realize Hestia’s eyes are also on you, the both of them clearly whispering about your treacherous love life. You shove your gloves and scarf into your jacket pocket. Bowing your head lightly in greeting, you keep walking further into the grand hall.

It seemed you were always a hot topic up here on Olympus. Great.

The music is so loud you can feel it in your chest, thumping away to the accelerated beat of your heart and by the time you grab a glass of ambrosia-spiked champagne to help with the lump in your throat, you hear the sound of your name in the midst of all the chaos.

A gentle hand grasps your shoulder then, and it’s Percy Jackson adorning a cup of punch and brand new wispy white tendrils that hang across his face. There’s a story that should follow, but he gapes at you like a fish out of water. Looking up at him (this boy grows like a weed!), both of your confused faces mirror each other as you sidle out words he’s still able to hear over the music, “What’s the celebration for? And why have none of you been answering my calls?”

The son of Poseidon swallows hard, until the smell of salt and sea foam surrounds you and you find yourself staring at the god of the sea himself, standing alongside him. With a smile soft like rippling water, he gently says, “I’ll leave you two to it. And I’ll call your father and stepmother over. Good to see you,” Poseidon says your name as he takes his exit. You hoped it was a good thing then, that he knew you.

Percy wondered why he was always left to make the difficult decisions.

He almost sounds like his father when he speaks, calling for your attention again as he clears his throat.

“Listen, I need to tell you something, and I think we should…”

Shaking your head, your eyes are scanning across the room, meeting Annabeth’s as she drops the hand of the minor god she’s dancing with and makes her way over to you. From the other side of the room, Poseidon pushes your father in your direction as he juggles two golden goblets in each hand, led by his wife as they almost float towards you.

“Whatever it is, spit it out Perce. Your audience is growing by the minute.”

“Hey princess, whatcha doing here? Don’t you have a test tomorrow?” You dad grins, nudging your shoulder and handing you one of the goblets. Ariadne presses a kiss against your temple and you smile, taking a sip before hearing Annabeth’s converse squeak to a stop next to you.

“Someone better tell me what’s going on right now,” your eye twitches and then you see Annabeth’s new strands of silver that frame her face as she grabs your arm and nestles against it.

“I…um…” the sandy-haired boy begins, and then your dad groans and you elbow him hard, wine spilling from his lips as his wife giggles like the sound of tinkling bells and you’re about to strangle the teenager on the marble tile he’s planted on.

“Luke’s…”

“Dead.”

Percy’s worried voice intermingles with a new one you haven’t heard before, like a crackling sound that leaves a metallic taste in your mouth, and then a girl shows her face—black eyeliner and silver jewelry clinking against each other as she looks into your eyes and blue meets purple.

So you start laughing. Cackling even, as your head nods slightly, and after they’ve given you a moment to compose yourself you take a big gulp of the drink in your right hand to then chase it with the one on your left.

“You’ve gotta be kidding me. He’s not dead,” you insist, and everyone looks at you like you’re insane, even your father, the god of insanity himself. Ariadne’s hand caresses the nape of your neck as she whispers, “Maybe we should take a seat outside, darling…”

“No…No! I mean it,” you say almost incredulously, a hiccup slipping past your lips when you take in too much air. “That motherfucker doesn’t have the audacity to die and if he did, I would know.”

“This is how we’re letting you know,” Annie murmurs, before Percy sighs and his shoulders fall heavy with what seems to be the weight of the world, “She’s right. He’s not dead.”

A myriad of responses blur in the space around you, all going hazy as you blink and stay focused on Percy.

“It’d be too easy…” you murmur, nodding again like you’re convincing yourself of the fact. Annabeth rubs circles into your forearm and you realize you haven’t breathed since the daughter of Zeus made her entrance, “I’d know if he was dead.”

Thalia Grace looks you up and down thoughtfully, “So you’re the collateral damage.”

“Thalia!”

Annabeth exclaims, her hand tightening around yours and you know deep down she’s rejoicing at the news of Luke’s survival. But for yourself, you were unsure if you felt the same, almost chuckling at the irony of almost all of Luke’s favorite people in the same room as the gods he swore to overthrow, “That’s me. You were a tree the last time I saw you.”

“That’s me. I kicked him off a cliff, thought it would’ve done the job, but he’s always been too stubborn.”

A smile spreads across both your faces. You think about Luke interrupting your date last month by barging into your apartment and how that was tough enough to explain to your roommate, much less if you tried to tell your parents and best friends in the middle of a Christmas party.

You make the choice to keep Luke’s visits a secret. It doesn’t come as difficult as you thought it would.

Hermes bumps into your little group, eyes focused on his caduceus as it pings with different messages. The rest of you go quiet, mirth dimming despite the smile on the messenger god’s face and the kids take that as their cue to exit.

“What’s happening? A group like this, and with you making an appearance,” he nods in your direction, “Must be something special.” He nudges your dad, and you’ve forgotten that they’ve been best friends for millenia.

“Your kid’s not dead. You’d know that if you were nosy in the right places,” Dionysus says through a gulp of wine, turning and walking away nonchalantly, making you smile. Hermes looks at you with his face a mix of shock and appreciation, though you’ve done nothing to earn it. He follows your father with a gust of wind billowing behind his traveling feet.

Those two are more trouble than you and Luke were.

Biting your cheek, you turn to Ariadne and scoff, “So…. Do you think I should tell my dad that the other campers snuck into the party half an hour ago?”

Your stepmother laughs, her eyes following her love across the ballroom, choosing to let everyone enjoy the Winter Solstice for once.

—

“When does a war end? When can I say your name and have it mean only your name and not what you left behind?” - Ocean Vuong

[kiefbowl]

do you guys understand that women don't actually enter relationships with men to fix them. that most women 100% completely buy into gender myths. that most women do feel wretched and deserving of abuse. do you fucking not get it. do you really think women go into relationships with men thinking "I'm the hero no other women ever got to be because I'm the best" and not "oh my goodness he loves me so much he really wants me I can't believe it! he buys me things and takes me out and calls me beautiful I had no idea I deserved love" like can you take your heads out of your asses for one second. is female oppression real and built on rape, rape culture, rape rhetoric, or is it not?? does the hand of god reach down and just turn on men's rape and abuse button when women deserve punishment or is it hmmmmmm maybe men's intentional effort to woo a woman, trap her, and then abuse her for his own satisfaction. I'm really so sick of seeing shit like this on here from quote unquote edgy hard core feminists. fucking baby brains.

[gleefullypolin]

The hypocrisy on fandom's reaction of "fell too soon" for friends to lovers

I find it very RICH on the fandoms reaction to S3 and the he "fell too soon" for Penelope. I mean honestly it is a bit spit in your face fantastic the way certain parts of the fandom are wretching on themselves to make that point.

"He didn't like her in season 1." I'm sorry, Can't hear you over "I'm to escort Miss Featherington to the floor" in EPISODE 1. That's what a friend does when a bitch spills her drink on a girl you were having a polite conversation with. Or how about hanging out with her laughing and gossiping like silly goofballs on the side of the dance floor, didn't see him doing that with other people either. Because they were FRIENDS.

"There was no build up previously to show there was a level of friendship there where he saw her any differently than a sister." Ok children...lets move to Season 2. We can talk about the race track and how they spoke about his travels which was very comfortable and very much NOT like a sister. They had an ease, like people who, oh I don't know, had been communicating personally all summer long via letters. And then lets go to Edwina's night where he shares with her that her letters allowed him to get in touch more with HIMSELF. something also so very personal he would not just share that with anyone. (I'll get to this in another point)

"He just suddenly likes her after he kisses her." Big ball of monkey shit here. Colin Sensitive Bridgerton was getting to know himself back in Season 2. He told Pen as much when he gave her the "You are Pen" line. And yes we all gasped and grabbed our pearls at the You are not a woman line, but it was not meant as an insult. Colin inserts his foot so many times throughout the seasons, you would think he could run a mile with his head. He simply means that she is such a dear friend to him he could not forswear her from his life. He has put her in a different category all together in his life. He makes this point when talking to her about Cousin Jack. He calls her constant and loyal and makes mention that their relationship has been so natural to him. He also just soooooo easily makes mention to HER MOTHER that he's been talking to her about things that would make other women blush. Like he doesn't even see it himself that she's just a totally different place for him. He didn't have to kiss her to like her. He already did.

"It all just felt too rushed." I could go on about how they had conversations about their purpose or lack there of, in season 2, more than once might I add, conversations that you would not normally have with members of the opposite sex. The fact that he has told her and proved that he would look after her, he has called her special to him. He has had feelings for her for seasons. Don't get started about the longing stares, they have been there since season 1. You have to actually open your eyes and look at them. Yes there was the whole infatuation of the Marina thing. Of course there was. But if you look at his mannerisms during the entire thing, it screams at you the difference.

But dare I say the biggest and most annoying hypocrisy of them all is that this build up of 2 seasons of them growing friendship, talking and learning about each other, developing feelings for each other regardless if they know what they mean... suddenly is rushed. BUT when compared to other seasons where a brand new face appears and we are to believe that in a weeks time our beloved character is now madly, deeply in love with this person and YOU BUY THAT WITH ALL THE SUGAR IT COMES WITH! Burning for you and Bane of my existence and all????

At the end of the day...live in your trope. I sat through those seasons. I cried through their HEA, I was happy for them. You can dislike the characters for other reasons. Dislike how they wrote parts of the season, don't like the plot points but don't make the excuses above that don't add up.

If you don't enjoy my trope, fine. But please, in the nicest possible way, shut the fuck up.

[siderealscribblings]

I do not think I'm going to be able to make the anniversary update of Games of Divinity since it's really long/intricate/I don't want to rush it but here's Furina discovering RPF Imagine Fics for the soul.

________________________________________________________

99 years, 10 Months, 21 Days

Neuvillette could tell Furina's mood by her footsteps long before he could sense her emotions and the short, staccato of her heels on marble outside his door heralded the coming of a storm. Sure enough-

Bang!

Furina all but kicked down his door, slammed it behind her, and stood in front of it fuming for a moment.

"...yes?" Neuvillette asked, glancing over the top of his legal brief as he waited for Furina to calm down enough to give voice to her simmering rage.

"I would like to propose new legislation," Furina said, hand clenched around a flimsy paper booklet. "Regarding the production and dissemination of...of...pornography in this country!"

"...pornography," Neuvillette echoed flatly, watching Furina pace back and forth in front of his death. "And what sort of...pornography would you be referring to?"

"Only the sort that could morally bankrupt our country lead impressionable young ladies down the path of lurid vice!" Furina insisted, clutching the booklet in her fist. "I-I have discovered a brochure detailing all manner of inappropriate fantasies about notable public figures; figures of great power and dignity that should not be reduced to mere...titillation!"

Furina's face was crimson, but it seemed that anger wasn't the only cause. "May I see?"

"No!" Furina snapped, yanking the booklet away from him. "N-No, you just have to trust me; don't you trust me, Neuvillette-"

"You have used that particular trick on me too many times; I'm not falling for it again," Neuvillette sighed. "Has the...subject of these fantasies raised a complaint?"

"Well...no, but-"

"Is this something being mass-marketed and sold against the subject's will?"

"Not that I'm aware of, but-"

"Is there anything particularly slanderous or obscene about the text?"

"I don't know; you're the legal expert you tell me!"

"Then let me see it."

"No!" Furina hissed. "You must take my word for it that i-it is most...out of character."

"Out of character?" Neuvillette huffed. "Say no more; I will erect a guillotine in the city square at once."

Furina's eyes narrowed. "I should never have taught you to be sarcastic."

"Well, the villainy you teach, I execute," Neuvillette said. "It's about me, isn't it?"

Furina's wide-eyes told a story her stammering mouth tried to deny. "Y-You?! Ha...how silly. I-I'm sure you have your fair share of admirers like those...wretched women in the Iudex Enthusiasts Guild, but-"

"But coming down on a group of bored hobby writers is bad for publicity," Neuvillette said, rubbing his eyes. "You are already catching flak for that 'no pets shall be named after Lady Furina' edict you passed last month."

"Excuse me if I don't want to share a name with a pot-bellied pig!" Furina hissed. "Are you suggesting that you're fine with people writing all the intricate ways they want you to-"

Furina opened the book. "Softly nibble the corner of their neck whilst grinding against their-oh I can't read anymore!"

"So long as it isn't rubbed in my face, I think it's tolerable," Neuvillette shrugged. "Loathe as I am to paraphrase Rex Lapis, being famous means being the subject of gossip...some of it lurid, of course."

"Why did I even appoint you Iudex if you won't Iudex when I want to!" Furina huffed, throwing her hands up. "Fine! But when the population of this country plummets because people are too busy fondling themselves, don't come crying to me!"

"I promise I won't," Neuvillette said, watching Furina storm off and slam the door behind her.

___________________________________________________________

"Imagine Iudex Neuvillette peeling the robes off his broad shoulders, his eyes taking in your form as you spread out on the bed as he says "Now I will show you what happens to impudent young ladies who misbehave in my court"...ugh, he would not say that..." Furina muttered, glaring at the pages of the pamphlet as she sat tucked up against the headboard of her bed. And yet, despite her muttered criticisms, she had pored over all three pamphlets she had found tucked in the seats of the Opera.

For research, naturally.

[city-of-ladies]

Guda: a medieval self-portrait

Self-portrait of Guda, homilary, Frankfurt, second half of 12th century.

"The first category of figures we have considered shows the artist present in the work or in the process of creating it. To that category, we add a second type of portrait or self-portrait, in which the artist beseeches a favorable judgment for him-/herself after the work is completed.

Such is the case with the famous signed self-portrait of Guda, who represents herself within a collection of homilies in an initial D[ominus] for the octave of the Pentecost. The inscription reads: “guda peccatrix mulier scripsit q[ue] pinxit h[un]c librum (Guda, a sinful woman, wrote and painted this book).” Of the seven initials in the manuscript, this D is one of only two that contain figures. The other historiated initial comes at folio 196, the opening of the Assumptio Mariae, and contains a portrait of the virgin identified as Maria Virgo. The other five initials display dragons, interlaces, ribbons, or spirals.

Guda represented herself firmly grasping the initial with her left hand and raising her right in a gesture of salutation and expectation. I would argue that Guda carefully and consciously chose to be here. The initial opens the ninth homily of St. John chrysostom, the Sermo beati iohannes episcopi de david ubi goliad immanem hostem devicit (Sermon of the blessed Bishop John, on when David overcame the monstrous enemy Goliath), which explains the election of David. The homily also offers an occasion to meditate on the gifts of the Holy Spirit and its role in comforting the soul. In short, Guda has chosen the perfect spot in which to await the Second Coming of Christ, and this is why she represents herself as a sinner, whose activity as an artist should count in her favor at the end of time.

Guda’s self-representation in this way is analogous to the scene the scribe Swicher has staged (for the reader?) in the frontispiece of his copy of isidore of Seville’s Etymologies. Swicher’s author portrait is most original. In the upper register, Isidore of Seville is depicted in conversation with Bishop Braulio of Zaragoza, the patron of the Etymologies. In the lower register, Christ in propria persona presides at the scribe’s last judgment. Two angels busy themselves at a balance in which is weighed the very manuscript Swicher copied. The work of the scribe counts as a work of virtue: a third angel takes Swicher’s soul away through a thick cloud, whereas the devil turns around empty-handed. The Titulus attests to this: "O god, deign to have mercy on this wretched scribe. Do not consider the weight of my faults. Small though the good things may be, let them be exalted over the bad. Let night give way to light; let death itself give ground to life.”

Guda and Swicher make use of the same patterns of visibility and those patterns are not gender-specific. In both cases, the artists stage their humility and represent their belief that they might reach the heavenly kingdom through the artistic work they have done."

Mariaux Pierre Alain, "Women in the making: early medieval Signatures and artists’ portraits (9th–12th c.)", in: Reassessing the Roles of Women as 'makers' of Medieval Art and Architecture

[zevlovor]

You should definitely elaborate on the pet names :3

(pretty please)

So glad you asked!

Here are a few, let me know if you want me to elaborate on a specific one:

(In order from sweet to spicy)

❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

"My Light/My Star"

Zevlor means this in the most spiritual way possible. His days have been dark and grim. Sometimes the only light he sees is during the fleeting moments of safety for his people. You have given him happiness like he only knew as a child, before all his innocence was vanquished by war and suffering. He looks at you and suddenly the birds are singing and night is day. You are his light, his guiding star.

"Baby Girl/Baby"

Zevlor doesn't mean this in an infantilizing way whatsoever. To him, "baby" represents the purity of your kindness and the gentle nature of your soul. You are a damn blessing in this forsaken world, a babe among wretched beasts. Also had to include it because of ✨️that✨️ Glenn McCready cameo, it just sounds so right in his voice.

"Dumpling"

Zevlor's words for you are absolutely d r i p p i n g in pure sugar syrup. Sometimes he takes it a step further and calls you a painfully cute name like this, especially if he's teasing you. He is so sweet sometimes you can't stop smiling. Your face hurts. Stop it, Zevlor. Tee hee.

"Precious Thing"

This is for when he's giving you that s l o w, sweet, love. He gets a little possessive during sex, so fawning over you like an elusive object is a go-to for him. You are a rare jewel in his eyes. And yes he loves showing you off.

"Temptress/Tease"

Something he mutters when either you are purposefully teasing him OR you just look/smell particularly delectable that day and he CANNOT focus.

"Whore"

For those of you who are women, I want to point out that Zevlor is a feminist okay? Zevlor said women's rights. That being said... he knows you love being degraded a bit, and he won't deny it does something to him (makes him harder than stone). If you don't bring it up first he might ask "Can I call you my little whore, darling?" He will breathe hastily into your ear when he is so horny for you he can't even think (dude is even polite when degrading you). Once you agree, he does not shy away from saying it, especially when he's slamming his cock into you. May also add filthy, dirty, insatiable, insolent (when you're bad) to the beginning.

❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

Thanks again for my very ⚔️first⚔️ ask! You are invited to my Zevlor birthday party 🫶

[weebsinstash]

*strums guitar* you know who would be a total piece of shit, to be stuck up in Heaven fuckin FOREVER with

This douchebag! Gotta get some Adam content out before the finale drops and then I'm sure I'll be back for more then too!

I was listening to "You Didn't Know" again and I HATE this man, and because I hate him and he's an asshole, I can then see his wretched character doing shitty and debauched things

Which then means he's conceptually fuckable and we must discuss

I was sitting and thinking about. Ok in the most dramatic fucking way possible can you imagine being in the courtroom with Charlie as a Sinner Representative because you're dope like that, and Adam just starts fucking beefing with you on sight and you give it right back to him because HOMIE BASICALLY INVENTED MISOGYNY, you're standing in HEAVEN while an ANGEL looks you dead in the eye and calls you a CUNT like I wouldn't fucking tolerate it I'd be screaming at him like a feral beast, "why don't you look at your FEMALE BOSS and say that again, you dickless loser?!"

But can you imagine just having this insane BEEF, you guys are having MUSICAL DIAGETIC SINGING BEEF, and then, like. Either there in court or later on in the plot, hey, everything is good now, Sinners/you can ascend or we can go from heaven and hell and visit our families and everything is good now, yaaay! Or your name was mispelled on a form and it's like oh shit you were supposed to be in Heaven all along our bad and ONLY you are cool to "go upstairs"

And you can't even be happy about it because it's literally "oh cool I DO belong in Heaven!">wait but my friends are in Hell > oh fuck THAT ANGEL THAT HATES ME IS HERE, and sure enough he's standing there at the pearly gates to personally welcome you into Heaven, grinning like the cat that ate the canary, making it EXTREMELY CLEAR that he's basically gonna be stalking you because he wants to personally witness you fuck up and get sent back to Hell where he can kill you himself

Homie is back at base posting photos of you all over the walls like an insane person, "look at this tricky fucking bitch, fucking scheming, fucking planning something, fucking bitch" and even Lute is standing there, ".... that's a photo of them eating a sandwich, sir" and she's like TRYING to see where he's coming from but these are photos of you like SLEEPING and the suspicion that you might act out becomes an excuse to stalk you as he gets progressively more unhinged and perverted and frustrated (in more ways than one)

Let's also just discuss some baseline ideas! Abso fucking lutely do I see him as some, frat boy piece of shit who is always at least vaguely hostile to women so we're discussing female Reader specific ideas. Like imagine he's trying to actually be friendly and be cool with you or maybe you guys even hang out on good terms or whatever, maybe you both play guitar and he likes how you can shred it, and, he's the kinda guy to invite you to hang out and not specify other people are gonna be there so you get there and he's with his buddies and they're all talking about, gross shit like the size of the tits on the girl they last fucked, "oh hey did you sleep with Stacey" "fuck yeah I slept with Stacey you know that slut takes anyone", like, Adam deadass expects you to stand next to him with your red solo cup as they all talk about "the massive cow tits on that bitch" and if you even mildly imply this isn't entertaining "you're just bein a prude babe!"

Like Adam has no self awareness, he'll be saying horrid shit about women and then one of his buddies makes the most MILD of comments about you, "yeah your friend is kinda fuckable" and Adam is like in a RAGE, "hey man, that's not fucking cool! Let's go, outside NOW, fuckin step up, bro!" and he's brawling dudes for shit he's said about their conquests PLENTY of times

Just picturing the idea of like idk Saint Peter or even Emily flying around and they see you sitting on a bench outside far far away from where other people are and they fly down to greet you with the biggest smile, "hiya, how are you?" and you um look at them with such a genuinely dead, depressed, empty expression that they like cannot even fathom it. You're??? Unhappy??? In HEAVEN??? they cannot even comprehend it.

The real kicker is if you started to CRY and look this angel or seraph directly in the eyes as you ask, "can i... go back to Hell? I'm allowed to leave, right?" and THAT'S what raises massive red flags and sends that angel straight to their fucking boss. Sera would be over here, "oh she's having problems with Adam oh that's unfortunate but they'll sort them out -- WAIT WHAT DO YOU M E A N SHE WANTS TO LEAVE????" And,, oh, NOW they suddenly care about how happy you are, NOW they're suddenly willing to help maybe mildly keep Adam away from you. Because why? Because now you're potentially going to damage Heaven's perfect track record, and, geez they can't have you running around DEPRESSED, with your face looking all... ICKY and SAD! What if you made the other darlin-- I mean other residents of heaven sad and they maybe wanted to leave their precious angel protectors too? Huh? Ever think of that?

I love how I was sitting over here "what if like the entire Spider Society was yandere for the Reader" and ever since then my brain is like a puppy chasing treats, "what if I made this entire community mentally unhinged"

Also. Carmilla Carmine and her family + Zestial protecting Reader from Adam or any other angels because 👏 we can have as many mommies or daddies or fake family members as we want down here and that's the facts on that 👏

[literaryvein-reblogs]

Do you have any dialogue prompts for a person who doesn’t speak much?

In literature, we can find characters who are generally quiet. Some of them are perhaps so because it's innate, whilst others may not speak much due to certain events (e.g., a traumatic experience). Maybe some quotes from these quiet characters could serve as dialogue prompts. Below are just two examples I chose.

In Louisa May Alcott's Little Women, Beth March is known as a quiet, introverted character:

...We’ve each got a dollar...‘I planned to spend mine in new music,’ said Beth, with a little sigh, which no one heard but the hearth brush and kettle holder.

‘I used to be so frightened when it was my turn to sit in the chair with the crown on, and see you all come marching round to give the presents, with a kiss. I liked the things and the kisses, but it was dreadful to have you sit looking at me while I opened the bundles,’ said Beth, who was toasting her face and the bread for tea at the same time.

‘Serves me right for trying to be fine. I wish I’d let my hair alone,’ cried Meg petulantly. ‘So do I, it was so smooth and pretty. But it will soon grow out again,’ said Beth, coming to kiss and comfort the shorn sheep.

‘I saw something I liked this morning, and I meant to tell it at dinner, but I forgot,’ said Beth, putting Jo’s topsy-turvy basket in order as she talked.

‘I like that kind of sermon. It’s the sort Father used to tell us,’ said Beth thoughtfully, putting the needles straight on Jo’s cushion.

‘I wish I’d known that nice girl. Maybe she would have helped me, I’m so stupid,’ said Beth, who stood beside him, listening eagerly.

‘Jo talks about the country where we hope to live sometime—the real country, she means, with pigs and chickens and haymaking. It would be nice, but I wish the beautiful country up there was real, and we could ever go to it,’ said Beth musingly.

...so that is my favorite dream.’ ‘Mine is to stay at home safe with Father and Mother, and help take care of the family,’ said Beth contentedly.

‘If something very pleasant should happen now, we should think it a delightful month,’ said Beth, who took a hopeful view of everything, even November.

‘I don’t see how you dared to do it,’ said Beth in a tone of awe.

‘My head aches and I’m tired, so I thought maybe some of you would go,’ said Beth.

‘I’m so full of happiness, that if Father was only here, I couldn’t hold one drop more,’ said Beth, quite sighing with contentment as Jo carried her off to the study to rest after the excitement, and to refresh herself with some of the delicious grapes the ‘Jungfrau’ had sent her.

In Maya Angelou’s novel-like autobiography I Know Why the Caged Bird Sings, the protagonist becomes mostly mute after a traumatic childhood event:

When we still didn’t force ourselves to answer, she asked, “You want me to tell Santa Claus to take these things back?” A wretched feeling of being torn engulfed me. I wanted to scream, “Yes. Tell him to take them back.” But I didn’t move. (An example of internal dialogue)

It occurred to me that she expected a response. The sweet vanilla flavor was still on my tongue and her reading was a wonder in my ears. I had to speak. I said, “Yes, ma’am.” It was the least I could do, but it was the most also.

“What you doing sitting here by yourself, Marguerite?” She didn’t accuse, she asked for information. I said that I was watching the sky. She asked, “What for?” There was obviously no answer to a question like that, so I didn’t make up one.

Stunned but trying to be well mannered, I said, “Hello. My name is Marguerite.”

“What the hell is this?” He hunched himself up on a hip and brushed the pants. His hand showed red in the porch’s cast-off light. “What is this, Marguerite?” I said with a coldness that would have done him proud, “I’ve been cut.”

The lie lumped in my throat and I couldn’t get air. How I despised the man formaking me lie...The tears didn’t soothe my heart as they usually did. I screamed, “Ole, mean, dirty thing, you. Dirty old thing.” Our lawyer brought me off the stand and to my mother’s arms.

Sources: 1 2 3 4

Hope this helps inspire your writing. Do tag me, or send me a link. I'd love to read your work!

More: On Mutism

[sugarikiz]

THE SUGARIKIZ 2025 WIP LIST

hello lovelies !! this little post over here is a collection of all of the fics sitting in my drafts; whether dusty and old or new and actually creative. kindly let me know if you would like to be on the taglist for any of these when I post them (if I do)

last updated — 7th February 2025

𝑖. 素敵な . YOU’RE TOXIC , I’M SLIPPIN’ UNDER

୨ৎ ─── things they do that make you fall in love with them all over again.

( ⟡ 엔하이픈 ✦ ) 𝑏𝑓!ot7 x 𝑓. reader ♡ l’avis . . . est. relationship kissing fluff + others that haven’t been added yet.

𝑖𝑖. FROM ME TO YOU — yjw.

𝓅airing . . . classmate! jungwon x shy, misunderstood! 𝑓. reader >< 𝓌arnings . . . won is so so sweet (yes it deserves warning) + angst / self deprecation + . 𝓌c . . . ?? ୨୧ 𝒷ased on . . . the anime from me to you/kimi ni todoke ⋆.˚ 𝑓t. yano ayane , yoshida chizuru , miura kento , kurumizawa ume , kazehaya shouta , soichi jonouchi + a few other minor characters

TEASER + STORY SUMMARY HERE

YOUR NERD — ot7 reaction.

( ⟡ 엔하이픈 ✦ ) bf! ot7 x f. nerd! reader ♡ in which… they’ve lost your attention to a book, and they want it back, badly. so, they oh so graciously decide to take matters into their own hands. cue ‘𝑚𝑖𝑠𝑠𝑖𝑜𝑛 𝑓𝑙𝑢𝑠𝑡𝑒𝑟’.

MY TREASURE — lhs.

when… your boyfriend heeseung comforts you when you’re going through troubles with your body. contains… comfort + body image issues + insecurities + a very in love hee.

DANCE MY HEART AWAY — nmrk.

𝑠𝑢𝑚𝑚𝑎𝑟𝑦 . . . a jazz dancer and hip hop one are a perfect example of polar opposites. having both in one room, it’s like having a penguin roam the sahara — a complete disaster that would most likely end in chaos. that kind of dynamic, was one that you and riki had. it was like a never-ending game of cat and mouse, where the two of you we’re perennially at each other’s throats. you, being a jazz dancer, always worked on your lines and grace; while riki worked on dancing with swag and energy. so what happens when your dance teachers paired the two of you up for a jazz-hip hop mashup performance at the show that could make or break both of your dance careers?

𝑝𝑎𝑖𝑟𝑖𝑛𝑔 . . . hip-hop dancer! niki x 𝑓. jazz dancer! reader ౨ৎ 𝑔𝑒𝑛𝑟𝑒 . . . enemies to lovers (when is it a fic of mine if it isn’t?) + ♡ 𝑤𝑎𝑟𝑛𝑖𝑛𝑔𝑠 . . . fluff + angst + ✮⋆˙ 𝑤𝑐 tba.

———

注記 ─── first niki fic in a while hehe

CHERRY COKE AND KISSES — nmrk

OR sharing kisses and a cherry coke with your down bad lover

&&엔하이픈니키 ✦ 𝑏𝑓 niki x 𝑓. reader ♡ l’avis . . . est. relationship fluffy as hell down bad ki pda

HEARTBREAKERS LOVE THE HEARTBROKEN ─ nmrk

𝓁’H𝑖STO𝑖RE ─── a heartbreaker. a wretched little thing; so pain-causing for so many women and men alike. one could say nishimura riki was one — a heartbreaker. he had hurt many girls in his lifetime, and didn’t plan on stopping anytime soon. enter you; a girl who just got out of a toxic relationship, and is just looking to get by the rest of the new year without a man there to hurt her. yet, despite your best efforts, within one single week — seven days, 168 hours, and 10,080 minutes — riki waltzed into your life and completed challenged the year you imagined for yourself.

toxic situationship! 엔하이픈니키 x 𝑓. reader wc tba ─── angst very little fluff situationship | l’avis niki is high key toxic mentions of toxic exes more tba.

[somepsychopomp]

Vampire!Simon AU

I'm not going to call this a Part 1 to an overarching fic or anything. This is more like a rough proof of concept to see if I'm really willing to devote more time to this AU over my toxic yuri butchblegum/Star!Marcy AU. (Bc i wanna write both but I have to start managing my time better)

Basically:

Simon found Marcy but got turned into a vampire before he went fully mad

Marcy is still the Star

Simon has been forced to act as the Vampire King's advisor for 1000 years

he finds and wants to save baby Finn

Word count: ~1700

+++

The Vampire King seldom hunted his own meals anymore. True, when he was a thousand years younger, he adored the hunt. He savored the screams and the pleading. Listening for the rush of spilled blood and the dwindling voices. But he was a true king now, he had a castle and a legion at his disposal. His ward. And nowadays, he quite enjoyed his food being delivered fresh at his feet. 

Perhaps it was because he could no longer enjoy the hunt with his court. Over the years, he lost his jester, his advisors. All of his inner circle save for his dearest Star. 

And his Temperance. 

As he heard the lesser vampire drones come in with that night’s catch, his daughter drifted in from one of the many tunnels overhead his throne. Her fangs glinted in the low light. 

“I wonder what’s for dinner.”

“I told them to bring you some women,” the King said. He knew his daughter was partial to the company and blood of females. 

The Star giggled in delight as the drones came in, pairs of them carrying their captured prey and dropping them before their masters.

Three men, two women. A fine enough meal. 

The Vampire King rose from his throne, stretching his maw wide to flex his jaw. The humans shook and cried in their fears. Some prayed, some closed their eyes. It made no difference in the end. They’d been exhausted or injured from the hunt and knew their fates were sealed. 

Then the most foul sound imaginable cut through the air. 

The King hissed, eyes narrowing. It seemed he was mistaken. There was a small lump on the ground among the humans, a dirtied blanket writhing in a slow, grotesque fashion. His attention shifted to the dozen or so minions who brought him dinner. 

“I told you you could eat those little things out there, but you can’t bring them in here! It’s already making such a ruckus.”

The drones quaked as much as the food, shivering as they hovered above the humans and pleaded for forgiveness. The King had half a mind to slay a few to set an example, but his shoulders stiffened at the sound of incoming footsteps. 

His feline ears flattened against his skull as he let out a sharp growl. 

“Dad?” Star asked. 

“Quickly, baby girl,” he said, pointing at the lump on the floor, “Eat that wretched thing, he’s coming!”

She understood without another word. The Star dashed for the humans, scattering them and making them scream. But they were not her targets yet. Instead, she grabbed the baby and peeled the blanket back, fangs bared. 

Too late. 

The King turned to spot Temperance appear at the base of the steps to his left. He seemed out of breath, clutching the entryway as he adjusted his glasses. Damn it all, he had heard the cries from a distance and came running. 

“Star!” he said. 

Her shoulders slumped as she retracted her fangs. “Temperance. Come on, let me have this one. It’s giving Dad a headache.”

Temperance approached The Star, smoothing over his pure white hair as he examined the bundle in her arms. She allowed him, as the King knew she would. 

Temperance took the infant from her and cradled it in his arms. He already had that look on his face, that expression of pure pity. He always had such a soft spot for human children. 

It was a blessing long ago, that compassion. It was what saved The Star from an early grave. But there was no place for it here, now. And they all knew it. 

Temperance looked to the King, lips parted. 

He held up a hand and his sole surviving advisor fell quiet. The baby still bellowed. The Vampire King pinched the bridge of his nose and sighed. He didn’t want to argue like the last time. Temperance was mostly a man of reason, so he tried to appeal to that part of him. 

“It won’t survive long, you know this,” he said quietly. As great and terrible as he was, it gave the King no pleasure to see the pinched expression on his advisor’s face. 

“They’ll fare better this time.” Temperance said. “I’ve learned from my past mistakes.”

That didn’t say much. Disease, malnutrition, and the stray, hungry minion had ended each and every one of Temperance’s past wards. They just didn’t have the protection that the king, the most absolute authority, had given to his own daughter, though Temperance was loath to admit this. 

The King regarded his advisor. “How long has it been since your last pet?”

Temperance said, averting his gaze, “About a hundred years.”

He was jostling the little thing now. Rocking it. At least it was growing a little more silent. 

And wasn’t that the thing about Temperance? 

His endless patience, his endless devotion?

The Vampire King had praised it so highly in the past. 

“Dad,” The Star said. She drifted over to him and put her hand on his shoulder, “Let him try again.”

He scoffed, surprising even himself. “You of all people want a human infant in the hive?”

She grimaced. “Not really. But it’d mean a lot to him.”

“Please,” Temperance said. He was holding that little thing so close to his chest, his heart. As if he were already fond of it. He asked, “Haven’t I served you well all these years?”

The King sighed. Temperance was a good caretaker. He taught The Star to read and write, and helped take care of her for the past thousand years. 

It was true that while Temperance has always been painfully sentimental, he had been good to them.

“Very well,” the Vampire King said. He pointed at Temperance. “Keep the child. But I don’t want to hear it cry.”

Relief flooded Temperance’s face, making him seem much younger than he was. He exhaled softly and bowed. 

“Thank you, my lord.”

“However,” the King said. 

In half a second, he’d crossed the gap between himself and Temperance. His advisor hardly flinched. 

The Vampire King said, “I am not scared of some little blood bag. But humans are savage things. It’ll grow up to be a nuisance without proper discipline. And the moment it so much as threatens The Star,” he took Temperance’s chin in his clawed hand and forced him to meet his King’s eye, “the moment it ever threatens you, I will rip its throat out. Do you understand, Temperance?”

“Yes, I do,” Temperance said, a resigned look in his eyes. “Thank you.”

He began to leave, that child almost quiet now. 

“You won’t stay for dinner?” Star asked. 

He paused at the bottom of the steps and smiled over his shoulder. “I’m not really hungry.”

Typical. He never ate from live meals, only the bottled stuff. Well, not that it mattered much to the King. More for him and his baby girl. 

+++

Temperance fled up the stairs before he could hear the crush of bones and the ripping sound of flesh being cleaved. After a millennium, it still made him sick. 

The baby in his arms began to warble a fresh bout of cries. 

“No, no. Hush, now,” Temperance whispered. He knew what he needed to do. 

He stopped by his library only briefly, just to pick up a tattered red scarf from a box beneath his desk. Away from the eyes of the vampire drones and the rest of the court, he sated his hunger by sucking the red from the fabric. 

A small hand pawed at the air before landing on the now-white scarf, bunching it up in one little fist. 

“Oh, you want it?” Temperance asked. He let the baby hold it as he continued on his way. His wing of the vampiric castle consisted of a sprawling, multistory library, his private baths, his bedchambers, and one small adjoining room that hadn’t been used in a hundred years. 

But everything was as he left it. The minions kept it clean of dust for him as per his request, but they didn’t move or touch anything. 

Temperance sat in the rocking chair by the crib, undoing the baby’s dirtied blanket to reveal the little body within. 

“Oh!”

The baby’s face was ruddy from his bout of crying. But he was chubby and healthy. No motley coloring to the skin, no signs of injury or infection. What was even more fascinating, however, was his white hat. Despite the lack of distinct eyes or a nose, the little ears were emblematic of an animal. Perhaps a dog or a bear. 

It’d been a while since he’d seen a human with an animal hat, he thought this tradition died out a century or two ago. Many vampires nowadays, even the most simple-minded and animalistic ones, knew how to circumvent an animal hat.  Temperance took off the baby’s hat and turned it inside out. 

And yes, there on the inner brim was a handsewn name. 

“Finn,” he said aloud. “Is that you, baby Finn?”

He smiled, replacing the child’s hat and watching his curious eyes wander the room. 

Then it dawned upon him. He felt a terrible weight upon his chest, a crippling guilt. 

“Oh… you poor thing.”

If Finn had a name sewn into his hat, it must have meant he came from someone who remembered the old ways of humans. Someone still in tune with human culture. 

His culture. Temperance’s chest ached. 

None of the adults that were brought in with the child tried to fight for him. Perhaps he didn’t belong to any of them, that he was taken from his true parents. If they were even alive, that was.  

“I’m sorry,” Temperance said, “I’m so sorry.”

He wrapped Finn in the white scarf and held him close. 

“Listen to me, Finn.” he said gently, “I’m going to take good care of you, I promise.”

Finn cooed and popped his lips. Simon laughed softly despite himself. He knew he was weak in comparison to the other vampiric royals. But he was even more so when it came to children. 

“My name is Temperance, but you can call me Simon.” 

[lesmisletters-daily]

Works Corresponding To Words

Les Mis Letters reading club explores one chapter of Les Misérables every day. Join us on Discord, Substack - or share your thoughts right here on tumblr - today's tag is #lm 1.1.4

His conversation was gay and affable. He put himself on a level with the two old women who had passed their lives beside him. When he laughed, it was the laugh of a schoolboy. Madame Magloire liked to call him Your Grace [<i>Votre Grandeur</i>]. One day he rose from his armchair, and went to his library in search of a book. This book was on one of the upper shelves. As the bishop was rather short of stature, he could not reach it. “Madame Magloire,” said he, “fetch me a chair. My greatness [<i>grandeur</i>] does not reach as far as that shelf.”

One of his distant relatives, Madame la Comtesse de Lô, rarely allowed an opportunity to escape of enumerating, in his presence, what she designated as “the expectations” of her three sons. She had numerous relatives, who were very old and near to death, and of whom her sons were the natural heirs. The youngest of the three was to receive from a grandaunt a good hundred thousand livres of income; the second was the heir by entail to the title of the Duke, his uncle; the eldest was to succeed to the peerage of his grandfather. The Bishop was accustomed to listen in silence to these innocent and pardonable maternal boasts. On one occasion, however, he appeared to be more thoughtful than usual, while Madame de Lô was relating once again the details of all these inheritances and all these “expectations.” She interrupted herself impatiently: “Mon Dieu, cousin! What are you thinking about?” “I am thinking,” replied the Bishop, “of a singular remark, which is to be found, I believe, in St. Augustine,—‘Place your hopes in the man from whom you do not inherit.’”

At another time, on receiving a notification of the decease of a gentleman of the country-side, wherein not only the dignities of the dead man, but also the feudal and noble qualifications of all his relatives, spread over an entire page: “What a stout back Death has!” he exclaimed. “What a strange burden of titles is cheerfully imposed on him, and how much wit must men have, in order thus to press the tomb into the service of vanity!”

He was gifted, on occasion, with a gentle raillery, which almost always concealed a serious meaning. In the course of one Lent, a youthful vicar came to D——, and preached in the cathedral. He was tolerably eloquent. The subject of his sermon was charity. He urged the rich to give to the poor, in order to avoid hell, which he depicted in the most frightful manner of which he was capable, and to win paradise, which he represented as charming and desirable. Among the audience there was a wealthy retired merchant, who was somewhat of a usurer, named M. Géborand, who had amassed two millions in the manufacture of coarse cloth, serges, and woollen galloons. Never in his whole life had M. Géborand bestowed alms on any poor wretch. After the delivery of that sermon, it was observed that he gave a sou every Sunday to the poor old beggar-women at the door of the cathedral. There were six of them to share it. One day the Bishop caught sight of him in the act of bestowing this charity, and said to his sister, with a smile, “There is M. Géborand purchasing paradise for a sou.”

When it was a question of charity, he was not to be rebuffed even by a refusal, and on such occasions he gave utterance to remarks which induced reflection. Once he was begging for the poor in a drawing-room of the town; there was present the Marquis de Champtercier, a wealthy and avaricious old man, who contrived to be, at one and the same time, an ultra-royalist and an ultra-Voltairian. This variety of man has actually existed. When the Bishop came to him, he touched his arm, <i>“You must give me something, M. le Marquis.”</i> The Marquis turned round and answered dryly, <i>“I have poor people of my own, Monseigneur.” “Give them to me,”</i> replied the Bishop.

One day he preached the following sermon in the cathedral:—

“My very dear brethren, my good friends, there are thirteen hundred and twenty thousand peasants’ dwellings in France which have but three openings; eighteen hundred and seventeen thousand hovels which have but two openings, the door and one window; and three hundred and forty-six thousand cabins besides which have but one opening, the door. And this arises from a thing which is called the tax on doors and windows. Just put poor families, old women and little children, in those buildings, and behold the fevers and maladies which result! Alas! God gives air to men; the law sells it to them. I do not blame the law, but I bless God. In the department of the Isère, in the Var, in the two departments of the Alpes, the Hautes, and the Basses, the peasants have not even wheelbarrows; they transport their manure on the backs of men; they have no candles, and they burn resinous sticks, and bits of rope dipped in pitch. That is the state of affairs throughout the whole of the hilly country of Dauphiné. They make bread for six months at one time; they bake it with dried cow-dung. In the winter they break this bread up with an axe, and they soak it for twenty-four hours, in order to render it eatable. My brethren, have pity! behold the suffering on all sides of you!”

Born a Provençal, he easily familiarized himself with the dialect of the south. He said, <i>“En bé! moussu, sés sagé?”</i> as in lower Languedoc; <i>“Onté anaras passa?”</i> as in the Basses-Alpes; <i>“Puerte un bouen moutu embe un bouen fromage grase,”</i> as in upper Dauphiné. This pleased the people extremely, and contributed not a little to win him access to all spirits. He was perfectly at home in the thatched cottage and in the mountains. He understood how to say the grandest things in the most vulgar of idioms. As he spoke all tongues, he entered into all hearts.

Moreover, he was the same towards people of the world and towards the lower classes. He condemned nothing in haste and without taking circumstances into account. He said, “Examine the road over which the fault has passed.”

Being, as he described himself with a smile, an <i>ex-sinner</i>, he had none of the asperities of austerity, and he professed, with a good deal of distinctness, and without the frown of the ferociously virtuous, a doctrine which may be summed up as follows:—

“Man has upon him his flesh, which is at once his burden and his temptation. He drags it with him and yields to it. He must watch it, check it, repress it, and obey it only at the last extremity. There may be some fault even in this obedience; but the fault thus committed is venial; it is a fall, but a fall on the knees which may terminate in prayer.

“To be a saint is the exception; to be an upright man is the rule. Err, fall, sin if you will, but be upright.

“The least possible sin is the law of man. No sin at all is the dream of the angel. All which is terrestrial is subject to sin. Sin is a gravitation.”

When he saw everyone exclaiming very loudly, and growing angry very quickly, “Oh! oh!” he said, with a smile; “to all appearance, this is a great crime which all the world commits. These are hypocrisies which have taken fright, and are in haste to make protest and to put themselves under shelter.”

He was indulgent towards women and poor people, on whom the burden of human society rest. He said, “The faults of women, of children, of the feeble, the indigent, and the ignorant, are the fault of the husbands, the fathers, the masters, the strong, the rich, and the wise.”

He said, moreover, “Teach those who are ignorant as many things as possible; society is culpable, in that it does not afford instruction gratis; it is responsible for the night which it produces. This soul is full of shadow; sin is therein committed. The guilty one is not the person who has committed the sin, but the person who has created the shadow.”

It will be perceived that he had a peculiar manner of his own of judging things: I suspect that he obtained it from the Gospel.

One day he heard a criminal case, which was in preparation and on the point of trial, discussed in a drawing-room. A wretched man, being at the end of his resources, had coined counterfeit money, out of love for a woman, and for the child which he had had by her. Counterfeiting was still punishable with death at that epoch. The woman had been arrested in the act of passing the first false piece made by the man. She was held, but there were no proofs except against her. She alone could accuse her lover, and destroy him by her confession. She denied; they insisted. She persisted in her denial. Thereupon an idea occurred to the attorney for the crown. He invented an infidelity on the part of the lover, and succeeded, by means of fragments of letters cunningly presented, in persuading the unfortunate woman that she had a rival, and that the man was deceiving her. Thereupon, exasperated by jealousy, she denounced her lover, confessed all, proved all.

The man was ruined. He was shortly to be tried at Aix with his accomplice. They were relating the matter, and each one was expressing enthusiasm over the cleverness of the magistrate. By bringing jealousy into play, he had caused the truth to burst forth in wrath, he had educed the justice of revenge. The Bishop listened to all this in silence. When they had finished, he inquired,—

“Where are this man and woman to be tried?”

“At the Court of Assizes.”

He went on, “And where will the advocate of the crown be tried?”

A tragic event occurred at D—— A man was condemned to death for murder. He was a wretched fellow, not exactly educated, not exactly ignorant, who had been a mountebank at fairs, and a writer for the public. The town took a great interest in the trial. On the eve of the day fixed for the execution of the condemned man, the chaplain of the prison fell ill. A priest was needed to attend the criminal in his last moments. They sent for the curé. It seems that he refused to come, saying, “That is no affair of mine. I have nothing to do with that unpleasant task, and with that mountebank: I, too, am ill; and besides, it is not my place.” This reply was reported to the Bishop, who said, <i>“Monsieur le Curé is right: it is not his place; it is mine.”</i>

He went instantly to the prison, descended to the cell of the “mountebank,” called him by name, took him by the hand, and spoke to him. He passed the entire day with him, forgetful of food and sleep, praying to God for the soul of the condemned man, and praying the condemned man for his own. He told him the best truths, which are also the most simple. He was father, brother, friend; he was bishop only to bless. He taught him everything, encouraged and consoled him. The man was on the point of dying in despair. Death was an abyss to him. As he stood trembling on its mournful brink, he recoiled with horror. He was not sufficiently ignorant to be absolutely indifferent. His condemnation, which had been a profound shock, had, in a manner, broken through, here and there, that wall which separates us from the mystery of things, and which we call life. He gazed incessantly beyond this world through these fatal breaches, and beheld only darkness. The Bishop made him see light.

On the following day, when they came to fetch the unhappy wretch, the Bishop was still there. He followed him, and exhibited himself to the eyes of the crowd in his purple camail and with his episcopal cross upon his neck, side by side with the criminal bound with cords.

He mounted the tumbril with him, he mounted the scaffold with him. The sufferer, who had been so gloomy and cast down on the preceding day, was radiant. He felt that his soul was reconciled, and he hoped in God. The Bishop embraced him, and at the moment when the knife was about to fall, he said to him: “God raises from the dead him whom man slays; he whom his brothers have rejected finds his Father once more. Pray, believe, enter into life: the Father is there.” When he descended from the scaffold, there was something in his look which made the people draw aside to let him pass. They did not know which was most worthy of admiration, his pallor or his serenity. On his return to the humble dwelling, which he designated, with a smile, as <i>his palace</i>, he said to his sister, <i>“I have just officiated pontifically.”</i>

Since the most sublime things are often those which are the least understood, there were people in the town who said, when commenting on this conduct of the Bishop, <i>“It is affectation.”</i>

This, however, was a remark which was confined to the drawing-rooms. The populace, which perceives no jest in holy deeds, was touched, and admired him.

As for the Bishop, it was a shock to him to have beheld the guillotine, and it was a long time before he recovered from it.

In fact, when the scaffold is there, all erected and prepared, it has something about it which produces hallucination. One may feel a certain indifference to the death penalty, one may refrain from pronouncing upon it, from saying yes or no, so long as one has not seen a guillotine with one’s own eyes: but if one encounters one of them, the shock is violent; one is forced to decide, and to take part for or against. Some admire it, like de Maistre; others execrate it, like Beccaria. The guillotine is the concretion of the law; it is called <i>vindicate</i>; it is not neutral, and it does not permit you to remain neutral. He who sees it shivers with the most mysterious of shivers. All social problems erect their interrogation point around this chopping-knife. The scaffold is a vision. The scaffold is not a piece of carpentry; the scaffold is not a machine; the scaffold is not an inert bit of mechanism constructed of wood, iron and cords.

It seems as though it were a being, possessed of I know not what sombre initiative; one would say that this piece of carpenter’s work saw, that this machine heard, that this mechanism understood, that this wood, this iron, and these cords were possessed of will. In the frightful meditation into which its presence casts the soul the scaffold appears in terrible guise, and as though taking part in what is going on. The scaffold is the accomplice of the executioner; it devours, it eats flesh, it drinks blood; the scaffold is a sort of monster fabricated by the judge and the carpenter, a spectre which seems to live with a horrible vitality composed of all the death which it has inflicted.

Therefore, the impression was terrible and profound; on the day following the execution, and on many succeeding days, the Bishop appeared to be crushed. The almost violent serenity of the funereal moment had disappeared; the phantom of social justice tormented him. He, who generally returned from all his deeds with a radiant satisfaction, seemed to be reproaching himself. At times he talked to himself, and stammered lugubrious monologues in a low voice. This is one which his sister overheard one evening and preserved: “I did not think that it was so monstrous. It is wrong to become absorbed in the divine law to such a degree as not to perceive human law. Death belongs to God alone. By what right do men touch that unknown thing?”

In course of time these impressions weakened and probably vanished. Nevertheless, it was observed that the Bishop thenceforth avoided passing the place of execution.

M. Myriel could be summoned at any hour to the bedside of the sick and dying. He did not ignore the fact that therein lay his greatest duty and his greatest labor. Widowed and orphaned families had no need to summon him; he came of his own accord. He understood how to sit down and hold his peace for long hours beside the man who had lost the wife of his love, of the mother who had lost her child. As he knew the moment for silence he knew also the moment for speech. Oh, admirable consoler! He sought not to efface sorrow by forgetfulness, but to magnify and dignify it by hope. He said:—

“Have a care of the manner in which you turn towards the dead. Think not of that which perishes. Gaze steadily. You will perceive the living light of your well-beloved dead in the depths of heaven.” He knew that faith is wholesome. He sought to counsel and calm the despairing man, by pointing out to him the resigned man, and to transform the grief which gazes upon a grave by showing him the grief which fixes its gaze upon a star.

[thegeminisage]

star trek update time. i realized when i went to type updates on enterprise that i never posted my notes about the 4th and final tng film so that's what this post is

first of all, this move was in fact bad, but the most hilarious part of it was trying to convince us that tom hardy was sir patrick stewart's clone. i'm a little bit face blind and even EYE can see the difference there

secondly, the planet remus introduced so much confusion. why are the alien planets naming themselves after earth mythology? what is a reman? this was the only thing i really felt curious about and they never explained ANYTHING

audible reaction when picard came onscreen the first time. perfectly synchronized cries of "gross!" we're professional haters. luckily, we don't have to see him again until picard. i won't miss him.

when he told data to shut up at the wedding toast :( WHY DOES PICARD HATE AUTISTIC PEOPLE

we did use the mexico filter in this movie. really something.

it's always funny when we find a disembodied data head and despite my low opinion of tng i do appreciate that they jumped on that opportunity whenever possible

"why is your head shiny" also good. get his ass

riker's beard is back. thank god.

WEPT when captain janeway showed up. it should have been the janeway movie. i wanted to know everything about how she was doing!!!

giving data's memories to some random robot we found on the ground is so stupid. what if that guy is lore. what if he's rigged to blow

"she's a predator!!" i don't remember what this means

the viceroy looks like nosferatu

BALD TOM HARDY IS SO FUNNY. bald on bald violence. solas ass looking motherfucker. the clone reveal makes total sense when you consider tom hardy is also bald. thats the big similarity. don't worry about the lucious lips on tom hard picard lost them because of a lifetime of diplomacy or whatever. even his hs pic was bald

sexism against deanna was rampant in this movie as always. picard as like hey can you get mind raped again for us? like in the line of duty? fuck off

data licking that nasty shit like connor dbh. please.

"romulans aren't women" i love tng. just kidding, i don't

tom hardy freeing slaves like solas lol. this movie is way more fun when you pretend its dragon age

speaking of, that whole telepathic assault bit with the sex scene was wretched and vile but it was VERY rook and solas

she was so hot in her nightgown by the way. please free her but she was so hot

her revenge was also SO hot. in a better movie all the sexist stuff would have been worth it for that. just once she deserves to fight back. it was so cathartic.

i miss geordi's visor. the blue eyes are racist

they mentioned the borg in this movie and it made me miss 7

"life is meaningless if you're still alive" i also don't remember what this means

"tom hardy neck bad" i don't remember this either but i believe me

data neck pinch! i also miss spock

the little cgi squirrel or whatever was so cute. i had to check doesthedogdie

picard little spooning in this gd movie. hey also why is he cheating on beverly again didn't they get together fr in the tng finale? i hate him

tom hardy went out so sexy. impaled himself on that spear. this is the worst movie ever made and he still put his pussy into it

the scene where data had to shut down that other data :( that genuinely got me, like he's so lonely

data's princess leia moment...i can't believe they killed him fr. i know he's in picard so i was shocked when they ended the movie w him still dead

also, wasn't this movie about putting down a slave rebellion? because tom hardy was helping free slaves? granted i wasn't paying a lot of attention but captain picard, what the fuck?

also, picard being sad while geordi has to work...geordi was his bestie you bitch!!

my final note here is "WORD CUCK CHAIR" which i think i typed after worf watched riker and deanna hold hands. never forget that they dated. also, someone needs to ask him about his dead wife.