#HI SORRY ITS SO LONG

[fractaldunes]

desire, hate, and mistake?

desire: What's one thing your OC wants more than anything in the world? Are they open with that desire? Why or why not? What would they do to fulfill it?

Okay okay for this one I'll do my sweet girl Tulip. So after Tulip was dragged out of the dirt from her 600 year nap, she was rehabilitated by the woman who found her, Willow, and her father. Over the course of like a year or two (i cant decide on how long) the two of them grow closer and like. They aren't exactly like partners or anything. But Tulip feels this deep sense of loyalty and debt and also bits of love that she isn't able to identify. Being a robot that is either 5 or 650 years old and was "raised" in a lab doesn't give you good emotional intelligence. But yeah she feels very connected to Willow and Willow kinda feels that back. Buuuuuut then womp womp Willow gets kidnapped and their house gets burnt down and Willows dad is killed oh no.

So Tulip is quite unhappy about that. And SLATE is about her journey tracking Willow down and defeating the mysterious organization that orchestrated all of this. She wants Willow back more than anything, and she will do just about anything to reach that goal.

Shes pretty open about her desire to save Willow, albeit only to her party. She's mute and antisocial and even with her party shes very direct about it. Even then its only because them being in on what her goal is will make everything more efficient and, in theory, get her there faster. She's very impatient.

By the time she gets to her final destination, shes killed quite a few people in order to get to Willow.

hate: What does your OC hate? Why? How do they act towards the object of their hatred?

Hmmmm I think I'll do Victoria for this one. She's from one of my other stories, Quick Shift. She's a recently turned vampire that was brought in by a secret subdivision of a US government agency. However, she used to be a corporate manager before she turned. She's ruthlessly efficient and bloodthirsty (in more ways than one).

She hates anyone and everyone that doesn't meet her very specific criteria. If they aren't maximally efficient, extremely competent, well composed, etc, then they are worthless to her. As soon as she is moved into the agency's base, she's greatly disappointed by the (perceived) incompetence going on. Even her assigned bodyguard/assistants Suit and Coat are morons (though she does have a soft spot for them + they're useful). So she immediately sets a mutiny in motion and gets it done by next week. She's a bit disgusted with her own methods (seducing random guards and office workers and turning them into ghouls. hey maybe shes a bad person) but she can't argue with results.

So with her new vampiric powers, ghouls, and a subdivision of a government agency under her control, she decides to go to the logical next step. Take over the world (starting with the country) and leave it a heap of smoldering ash and wailing souls. Because she can and because she's certainly better than everyone else. She is entirely convinced of her own superiority and others' inferiority. She hates almost everybody but herself and even then that is iffy at times. She sucks and I hate her.

mistake: What's the worst mistake your OC ever made? What led to them making it? Have they been able to fix it? How have they moved on?

Ohohohoho I'm definitely doing Wolfram. Wolfram is another character from SLATE. He's the (former) king of the city of Paderbrück and (former) hero of the city during his youth. He was chosen by their god, Our Holy Protector (generic i know. thats on purpose dont worry), to protect the city against a pair of incursions by an army and some goo things. By the time of SLATE hes an old man still ruling over the city, but he's lost a lot of his respect since the glory days. He doesn't let it get to him though. And then BAM this random humanoid girl thing made of metal(??????) barges in and beats the shit out of him. Eventually he gets her to stop and they talk (Tulip just writes, really). He figures out what she's doing this for, is very moved by her story, and decides to join her party even though she didn't ask and doesn't want him at all. He seems to know some good places to go though.

So they journey together for a while and the important things happen a bit later here. So in this city called Ash Pillar they're fighting this roided up skinhead prick called The General and then he gets the big idea to drop some shit. He reveals that he knows Wolfram! And pretty well at that. You see, the organization The General is under, Slate, basically has a human trafficking highway going through a series of cities... including Paderbrück! Wolfram initially resisted, but he folded as soon as The General killed his fucking wife! A recent addition to the party, a teen girl named Bibigul who had her father very much killed by The General is shocked! They have something in common! Tulip, on the other hand, is fucking pissed. That trafficking highway is what Willow's kidnappers used.

But anyways The General turns into a horrible flesh monster and then they defeat him. Bibi is knocked out in the fight (she's a frail 16 year old with burns on like half her body to be fair. its a miracle she was even in any condition to fight and do her magic shit. oh yeah she can do magic sorta dont worry abt that right now) and The General is like half dead and shriveled up like a raisin. Allain (another party member) gives Wolfram the right to do whatever he wants. However, Wolfram decides to spare the man! He decries that he could never kill the man, since it's not at all what his late wife would want. How noble! He lets the man go and he wanders off into the plains.

And then Bibi wakes up and he explains what he did to her and she nearly kills him then and there. Wolfram had the man who killed her father and burned down almost all of the massive city she called home and killed so so so many people (oh yeah he also did that) under his foot and he let. him. go. So then Wolfram realizes that he's a fucking idiot and is immediately struck by guilt for what he's done. Bibi leaves the party and ventures out into the plains alone to find and kill The General.

So Wolfram has to live with that for a while. He's not even convinced that it was even something his wife wouldn't want. Maybe his act of mercy was kind of very stupid. He has no real way to make it up either. Even after Bibi rejoins the party, The General is still alive out there somewhere. It's not something he could ever fix.

I haven't quite decided on how this plotline ends yet. I'm thinking somewhere in the latter half of the story, maybe towards the tail end of Grand Sprawl or a quiet moment in Victrola him and Bibi make some sort of resolution. But for now idk. But i'd like to think he's able to move on from his mistake though.

[drawnfamiliarfaces]

Heroes of Millennium (HoM) AU

Act 1, Omake 1 (Extra): Master of Time - (here)

Act 1, Omake 2 (Extra): Barrier Team. - read here

Act 1: What was left behind. - read here

[monofazz]

I think Deceptibee AU fans should consider the hilarious potential of a Starscream and Bee dynamic in this kind of situation—

[moonsun2010]

If there's one thing I've seen over and over again in the Dracula Daily + Re: Dracula fandom, it's the desire for an animated adaptation. Not of media-inspired-by, but of Dracula itself. And so, I've made:

...something that is decidedly not animated.

Yet.

I'm hoping to get Dracula Reanimated (tentative name) in exactly 1 year from now, by the end of DracDaily's 2025 run, perhaps even the beginning of it if I'm really good. But in all honesty, it could take till 2026 given the teeny complication that 1) I've no animation skills whatsoever 2) fulltime job.

So, I hope you'll stay around for the next 2 years at least to see this completed.

In the meanwhile, if you'd like to support a project by actual professionals, try @theholmwoodfoundation . It's a found footage horror fiction podcast by @georgiacooked and @fiotrethewey set in a time long after the events of Dracula, and yet the characters find themselves haunted (literally) by vestiges of the past.

Goodnight, stay safe, and rest well.

[bunnieswithknives]

How much can you fit under your skin?

For @warning-heckboop's AU :3

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[ew-selfish-art]

Dpx Dc AU: Ectoplasm is required for Ghosts to be visible to the human eye- And Danny creates his own ectoplasm.

Danny is visiting Jazz in Gotham and its weird how friendly everyone is. Like, the city gets a really bad rapport, everywhere he goes there is someone trying to strike up a conversation or answer his questions about getting around to the tourist spots. A few people even pointed out restaurants and ways to find off the beaten path gems! Jazz seems to role her eyes at him, but when he brings up her 'roommate' being kind of cute she flat out laughs.

Danny then comes to understand the Jazz doesn't have a roommate and that Ghosts in Gotham don't move far from their haunts- He's just been inadvertently turning these undead folks visible by accident of generating abnormal amounts of ectoplasm.

Which, is comforting in a way, he's never walking this dangerous city alone and really, most of the ghosts have been really friendly! They disappear once he's a few blocks away from them anyway.

---

Tim Drake is having a horrible day.

He'd been given intel that one of Black Mask's guys was going to snitch but that he'd died before given the opportunity to reach out to the GCPD. He tracks down the guy's last know whereabouts and yikes. Its next to the Theater. Tim was often grateful for his childhood obsessions, this time it backfired.

Tim and Bruce get into an argument about trust and respect and, worst of all, mental health. And even though Tim was vehemently against Batman accompanying Red Robin to the alleyway - that's exactly what happens.

They arrive and Bruce is closing up faster than a clam in the contaminated Gotham Bay- Clearly being in the Alley bothers him. No fucking shit. RR gets started on collecting evidence, there are a few extra blood splatters and a single left shoe... When a kid walks into the Alley.

"Uh, sorry to intrude-" The kid looks scared shitless, and runs away. And then, all of a sudden, Batman and Robin aren't alone in the Alley.

Tim can hardly believe his eyes as the dead man appears and quickly blabs Black Mask's bank passwords and what the plan had been- and While he's over joyed to have that closure, he turns around to Batman weeping in the arms of his parents.

The ghosts fade, and the emotions are certainly charged as this was never something Bruce or Tim would have ever dreamed of happening. Ghosts in Gotham. Talking, floating, granting closure.

"RR, Bats, come in." Oracle calls into their ears.

"Reporting in, but, uh, we need a minute."

"A minute? We have a case on 4th and-"

"O, we just saw the ghosts of the Waynes. It's going to be a minute."

"...Lots of Ghost reports lately then. Any chance you saw a kid looking like he could be adopted?"

"Yeah, actually, black hair and blue eyes. He was super polite before he ran away."

"We have work to do. Oracle, lets prioritize finding our person of interest and divert Nightwing and Robin to the case on 4th." Batman cut between them on the comms and he sounded... calmer than either of them anticipated.

---

Jazz is no longer laughing when Batman appears at her door explaining that he's looking for Danny (Who already flew away from town to get a good night's sleep before class on Monday). Turns out Danny reunited the man with his dead parents just briefly- and then the second guy appears and mentions how Danny had also given a guy who'd been murdered by a Mob enough time to explain the ongoing threats the city faced.

Jazz just rolls her eyes and says that it's not like the ghosts are going anywhere anytime soon and Danny will visit in another month. When pressed, she just explains that her brother is a weirdo. No of course he doesn't have powers. Gaslight and Girlbosses her way out.

And Jazz thinks that the game is up for at least another month, obviously when Danny visits more shit will stir up, but then this new guy appears.

Unlike the other Bats who are keen on watching her from a distance, the Red Hood knocks on her door. Are her eyebrows all the way into her hairline when Red Hood asks her to send his thanks along to Danny because somehow this whole situation led to his Dad expressing remorse for his actions and apologizing? Yes, yes they are.

But Jazz can smell Dissertation Data off of these vigilantes- Who is she to send them away? Jazz welcomes Red Hood into her place for a cup of tea and a small chat.

The story then devolves into Jazz getting shit done, Danny being cute by proximity and also bringing ghosts to the party, and the Bats having trauma resolve between them.

[kristoffs-lullaby]

Jealousy, Jealousy

[alicornze7]

Silly guys goin' on silly adventures:]

@rorydrawsandwrites's puppeteer au but the only difference is that jax gives consent

My contribution to this wonderful au has been long overdue:')

Rambling in tags ehe (cw: ribbun:p)

Well maybe it's not the only difference

[ruporas]

feast (ID in alt)

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[cherrirui-official]

"You know... You didn't have to take that with you."

"But I promised him I'd take him out to see the ocean one day."

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[bunnieswithknives]

Dev this is serious stop beatboxing.

[lesbiandarvey]

SUITS -> 3x16 “No Way Out”

[abnomi]

EVERY REASON (that i can think of) AS TO WHY TURBO/KING CANDY IS NEURODIVERGENT 💥💥

i would like to make a disclaimer first and foremost about the obvious, being that Turbo/King Candy is heavily implied to have narcissistic personality disorder (NPD) and antisocial personality disorder (ASPD). Very often, characters with these disorders are portrayed as villains, and Turbo is no exception to this. There's nothing wrong with antagonistic characters having said disorders, per se, but when the only representation available for people with these conditions are found in characters you're not supposed to root for, it can be really disheartening. i won't be erasing these parts of him because i feel it would be in poor taste to gloss over those core elements of who he is, but plz keep in mind that having any kind of personality disorder doesn't make anyone inherently evil!!!🌞 your ACTIONS make you, not your brain

Also if anyone has any suggestions or other ideas for his neurodiversity, i would love to hear them! please do share!! I LOVE PSYCHOANALYZING CHARACTERS AND HEARING OTHER PEOPLE PSYCHOANALYZE THEM !!!! YAY🎉 if u agree or disagree with any of my points I'd love to discuss them further :-]

without further ado... click read more to find out…😈 be ready for a lot of reaches

💥 ADHD 💥

STIMMING

Turbo's constantly moving around in some way; he's a very expressive character! even as King Candy, he can't seem to conceal his frequent giggling. it's a big habit of his; he seems to do it involuntarily to regulate himself, including when he's nervous or uncomfortable.

he seems to display other repetitive behaviors as well, like doing his iconic thumbs-up pose, sticking out his tongue, or hopping around gleefully. he is but a jovial court jester..

i personally like to think that his phrases, "Turbo-tastic!" and "Have some candy!" are vocal stims of his, although i equally really love the interpretation that these (and the aforementioned stims) are tics :-]

another headcanon; i think it would make a lot of sense for him to have an oral fixation of some sort (ignoring the whole sigmund freud part of the term ermm...); just lots of biting, chewing, needing to have something in his mouth. It would align with the whole idea that he smokes, too

HYPERACTIVITY

we can clearly see throughout the film that Turbo has a lot of energy, made abundantly clear by his mannerisms and general behavior. he's constantly moving, using exaggerated expressions and gestures to communicate + express himself. He's one of the most animated and bouncy characters in the movie, next to Vanellope! it's silly how a character not very grounded in reality is such a threat, but i suppose that's what makes him so threatening in the first place...

another factor in this is how he is very adrenaline-seeking, craving activities that give him a rush (sugar rush...😂😂). more on that in a bit!!

HYPERFIXATION

Turbo's fixation with winning is all-consuming for him; it's an obsession. he doesn't appear to care about much else, if anything besides it. this could be interpreted as a hyperfixation for him (or special interest if ur all about that autism lifestyle), as it overtakes all of his focus and impedes every process of his mind.

it's clear that racing is much more than a passion for him, and while that fact is due to how he was programmed, it's a major character trait of his regardless that could be correlated to neurodivergence.

HYPERFOCUS

There seems to be a big theme of "all or nothing" when it comes to Turbo. he will either be fully dedicated to something or brush it aside without a second thought. it can't be denied that he fully wraps himself up in what he wants, whether it's a conflict he can't let go of or a new pursuit he's hungrily chasing after. 

ultimately, his dedication varies depending on if it is relevant to him and his interests or not, but this aspect of him still shares patterns with neurodivergent thought processes.

INSTANT GRATIFICATION

Seeing as he has a tendency to cheat in his use of code to spawn in whatever his heart desires, it can be assumed that this could do with Turbo wanting instant gratification to fill that bitter, empty void inside of him. while this could simply be brushed aside as greed and his belief that he is obligated to have access to whatever he wants, this trait is consistent with his generally dopamine-seeking behavior and wanting to be instantly rewarded by his actions. His obsession with needing to feel good directly relates to his need for another buzz, constantly after the next rush. (a sugar rush if you will☺☺☺)

ADRENALINE-SEEKING

Closely related to the previous speculation, Turbo always seems to be chasing his next high. he loves the thrill of action and being surrounded by crowds of people below him. it's why his big thing is racing! people cheer him on, he can do whatever he wants, he can go really fast and look cool..

it's possible that a big aspect of why he does this is to distract himself from any kind of pain, because pain = vulnerability. bro does NOT know how to independently cope with his own problems.. HE MAD AS HELLLLL!!! 😂😂

STRUGGLE WITH SELF CARE

(i know this is reaching but bear with me... 🐻) going off of his appearance and tendency to make poor decisions, it can be gathered that this man lacks skill in the self care department. his yellowing teeth and sunken eyes not only serve to complement his design, but also give way to the idea that he neglects himself in favor for whatever weird scheme he's up to.

of course, Turbo does prioritize himself above everyone else, but he doesn't strike me as the type to care much about how others think he smells. him being a bother to anyone isn't a concern of his. he cares about whatever gets him the most praise and attention from as many people as possible, which is winning and racing. Who cares about how clean he is when he's up on a podium holding a shiny, golden trophy, anyway?

It's likely that he had to step his game up when he went under disguise as king candy, which is why he looks well-groomed in comparison to his more corpse-like appearance. Ugly hoe. it can also be assumed that he's had more time to focus on himself because everyone loves him without question... Well, except for Vanellope, but who cares about her, right?

also, i know he makes a condescending comment to Ralph about how bad his breath smells, but it's made abundantly clear that Turbo is a massive hypocrite. his comment doesn't erase the possibility that he has suffered from such "halitosis" as well.

💥 ANXIETY 💥

GENERAL ANXIOUS BEHAVIOR

i know, i know, this could technically be chalked up to be "Turbo is nervously giggling and shit because he's scared of getting caught," but guys. g

even in the flashback scene, we can see how easily stressed he can become in an alarmingly short period of time. he is extremely insecure, therefore i am led to believe he is not only emotionally dysregulated, but also by extension, anxiety ridden.

yes, this is purely speculative, but who's to say that he wasn't like this before? being high-strung and intense are significant facets of his personality consistently portrayed throughout the film. as long as he is getting exactly what he wants, he is happy; the moment he loses even a blip of control, however, he immediately grows extremely tense.

if Turbo wasn't anxious about his disguise as King Candy before, he was anxious about how much attention he was receiving on a given day. if not that, then he'd be anxious over how he presents himself. He hates how he can't control how other people perceive him, which is why he is constantly trying to act like he's better than he is.

its why he justifies his behavior to himself, proudly making others refer to him as the "rightful ruler" of sugar rush and relishing in the attention of his countless underlings. Any secure and stable person would NOT ACT LIKE THIS!!!!😭😭😭

FIGHT OR FLIGHT

As we can see a handful of times on screen, Turbo's instinct to protect himself is very easily activated.

 his fear manifests in anger and aggression. we can see at multiple points how easy it is to upset him or fluster him; his anger is one side of the same coin, the opposite end being his fear and paranoia.

Going off of this point, have you noticed that Turbo is either satisfied or furious without much of an in-between? how the second something isn't under his manipulation, he lashes out and fights back? I'm led to believe that this is how he responds to fear (AAUAAYAUUUUGGHHH 🐡🐡🐡🐡🐡🐡🐡). This guy is so against the idea of being vulnerable, that even when afraid, he will utilize violence to regain his dominance over the situation at hand.

CONTROL + PARANOIA

Turbo's always trying to writhe or fight his way out of uncomfortable situations, unable to exist outside of his comfort zone for seconds at a time.

his defensive, paranoid, and controlling behavior are all reflections of how deeply insecure this man is. He feels such an intense need for everything to go exactly how he expects it to go that the moment he senses any kind of threat, he instantly jumps to defend himself and what he feels that he has "earned," regardless of whether there truly is a threat or not.

this could potentially be a coping mechanism for his anxiety and sense of stability; can't forget to mention how territorial he is!! he jumps to conclusions about what others' intentions are before they even get a chance to reply, as seen with his first encounter with Ralph in the movie. 

the racer is so internally discombobulated that he seeks any sense of stability on his environment, including on those around him. his sense of self is so warped that he copes with constant distraction; being under the spotlight, being actively racing, having to be showered with attention, having others make him feel good because he doesn't know how to do it for himself. he needs to feel like everything is under control, lest everything falls apart.

"...if there's ONE thing I can't abide, it's ANYTHING out of order!"

💥 NPD 💥

INFLATED SENSE OF SELF IMPORTANCE

Turbo's most in-your-face trait above all else. It's made more than crystal clear in every scene he's in that his arrogance is a determining factor in how he interacts with others. This is exactly what drives him to desperately crave admiration, to chase after others he's envious of because he thinks he is obligated to take what they have.

he seems to genuinely think he is entitled to get whatever he wants, just because he is inherently "special" or "better" than everyone else. Why else would he have made himself a king, a step above princess?

EXCESSIVE NEED FOR ADMIRATION

Turbo's self worth is COMPLETELY dependent on the opinions of children and teenagers. I think i don't need to say any more than that, but i will. (Evil).

As cartoonishly massive as his ego is, i think that it's fair to assume that Turbo has a very unstable sense of self, distorting his perception of his own worth down with it. his near-constant flaunting and need to be the best is a dead giveaway to his deeply-ridden self-doubt. The foundation of his stability is built around how "good" he is (at racing and winning), how powerful he is, whether or not he is being prioritized above everyone else, whether or not he is the absolute best, etc. etc.

The racer outright manipulates others to shower him with admiration and undeserved appreciation. He is incapable of forming a true sense of internal value, instead heavily and codependently relying on others to form it for him. if he isn't the best, he may as well just be nothing.

INTENSE JEALOUSY

He reacts so severely to what he perceives as others taking away what is rightfully his that it only goes to solidify my previous points even further. the second someone else is getting more attention than him, Turbo will bend over backwards to rip back the praise he believes he so rightly deserves.

being extremely competitive, he will one-up against anyone he thinks of as a threat, dedicating himself to taking them down to the best of his ability, and making sure they STAY down to top it all off.

INABILITY TO HANDLE CRITICISM

if we really dissect the entire one-off joke with Turbo insisting that his stolen pink castle is actually "salmon," along with all of his other domineering behaviors, we can garner that he is very persistent in how he wants others to view him. i wholeheartedly believe that this would translate into him not only being defensive over his supposed "ownership" of Sugar Rush, but also over himself and his own insecurities.

He needs to feel good about himself or else he will die and quite literally try to kill everyone.

LACK OF EMPATHY

He appears to have a fondness for making jokes in very poor taste. Turbo has a big sense of humor, but it's always at the expense of others. Be it a pun about a "fungeon," or jumping to protect himself with a joke about "hitting a guy with glasses," he has a tendency to take serious situations very lightly. It's not that he's unaware of the weight of it; he simply doesn't take it Seriously.

its admittedly impressive how he was able to feign empathy so well for Ralph; it goes to show how he is very capable of understanding that what he's doing is wrong, but ultimately does nothing to change his behavior because it doesn't impact him personally. 

i would like to honor this part of him, because even in the possible alternate path of a redemption arc, his struggle with empathy can be explored in a variety of interesting ways :-] he can understand complicated emotions and situations on an analytical level, but he doesn't feel for them unless it has to do with him specifically. (this obviously doesn't make him inherently evil, his ACTIONS make him evil)

💥 ASPD 💥

LACK OF REMORSE/GUILT

One of Turbo's core characteristics is just how far he is willing to go for his own self-interest with lack of regard for how it impacts everyone else. he has absolutely no concern for how anyone else feels besides himself, willing to go so far as to attempt to mutilate a 9-year-old to achieve his petty goals.

Turbo is shameless when it comes to how he goes about getting his way. While I'd like to believe he isn't fully incapable of feeling regret, he doesn't showcase feeling it in the movie itself. The most regret he'll feel is when he slips up and exposes himself. anything else is the fault of everyone else; he is untouchable in his eyes.

DECEITFUL TENDENCIES + LYING

Where do i even start with this one.

well, first of all, let's acknowledge the... erm, horse? in the room? 🐎😅(Please someone help me there is a horse in my room help helphel) being that Turbo went under disguise as King Candy for at least a decade. Even before this, there's a good chance that he's already had plenty of experience with lies and manipulation. i'd be willing to bet on this!!

one of his specialties is being proficient in manipulation, be it the code of games or the minds of people. theyre basically the same thing to him, anyway... I'm sure you all know the scene where he uses 16 manipulation tactics against Ralph and wins. this was Obviously not the first time he'd done this.

REPETITION OF HARMFUL BEHAVIORS

Time and time again, Turbo can't seem to help himself when it comes to poor decision-making. he never internalizes that his bad choices aren't JUST bad for others, but also for himself, continuing to escalate further and further into very dangerous behaviors until he literally dies.

Here's a list of bad decisions he has made! (at least, that we know of)

Pinning himself above his peers

Harassment + stalking

Carelessly charging through GCS with his car, endangering countless civilians

Attempting to take over a game that isn't his x2

Vehicular manslaughter

Implied mass murder + attempted murder, attempted mutilation

Mass endangerment

Breaking and entering, theft, usurpation, plagiarism

and more!!!!!!!

AND HE LEARNS FROM ABSOLUTELY NONE OF THIS!!! with some of the items listed here, he's attempted to do multiple times! Absolute buffoon.

RECKLESS DISREGARD FOR SAFETY OF SELF AND OTHERS

Considering how he was willing to charge into a game that wasn't his own with the awareness that it could permanently kill him, going as far as to recklessly crash into another car (albeit it's possible this was unintentional), it's easy to gather that he doesn't seem to consider anyone's safety at all in the spur of the moment.

IMPULSITIVITY

his impulsivity and disregard for safety both go hand-in-hand. When it gets to a certain point, Turbo's emotions will boil over and blow up in a cold rage, thus causing him to spiral and act on impulse, becoming a detrimental force to himself as well as everyone around him.

What's interesting is how much restraint he is capable of; he typically is very strategic in how he orchestrates his plans! but once he reaches his breaking point, he snaps and leaves all of his hard work behind in favor of something that calls for his immediate attention.

💥 ETC. 💥

extra tidbits i didnt have enough energy to fully delve into :-]

BPD

Fear of abandonment

Blurry sense of identity

Feelings of emptiness

Self destructive tendencies

Emotional instability

Explosive anger

ODD (oppositional defiant disorder)

He seems so infatuated with his own autonomy that he gets to the point of being resistant and defiant

Resisting against the rules of the world that he directly caused as a result of his own actions, being that one shouldn't "go Turbo."

Enjoys upsetting/getting a rise out of others. this is more speculative as i am going off of the assumption that he thinks pissing people off is funny, based on his other behavioral patterns. (cruel sense of humor, wanting to feel above others via control & manipulation, enjoyment of inflicting pain onto others)

Forcefully defends himself and refuses any kind of criticism

Lashes out when he feels slighted

Excessive persistence despite all odds, whether it's beneficial to him or not

ok bye!! thank you if you managed to read this far ^^ peace and love take care of yourself! all in all turbo is so neurodivergent ok please Okay <3 get this thing his meds