#HERE WE GO FOLKS

[angel-fruitcake]

[burntheedges]

Pas de Deux Masterlist

Din Djarin x f!reader | 18+ | ~40k words | complete 1/15 main masterlist | ao3

summary: When Din Djarin – principal dancer at Concordia Ballet Company and generational talent in the classical style – suddenly left CBC and joined the Nevarro Ballet Theater mid-season, it shocked the ballet world. You never would have guessed that he would change your life, too.

full fic tags/warnings (spoilers!): modern AU, ballet AU, fluff, angst, flirting, dancing, lots of ballet terms (I’ll define things/link videos/etc. -- see below), misunderstandings, character study, romance, pet names (sweetheart, beautiful), lots of tension, later: smut, kissing, grinding, fingering, p-in-v sex, creampie, each chapter will have its own tags, Din lifts reader (see note below about reader)

a/n: welcome to the Din ballet fic!! I started writing this in April and it’s finally finished! I’ll post a new chapter every Wednesday, there are 14 total. There’s some smut coming but it’ll be a while, folks. See my notes below about reader in this fic and ballet in general. Thank you @katareyoudrilling for being the best beta, as always!! This fic is so much better because of you. 🧡 And thank you to @almostfoxglove for reading over it and confirming I didn't forget all my ballet, lol. 🩰

note about reader: in this fic you’re a ballet dancer, first soloist at Nevarro Ballet Theater company. I haven’t mentioned the reader’s body size or shape (or hair) basically at all, even to the point of avoiding clothing (except for costumes), but I understand the image that goes along with ballet – I danced for almost 20 years. Din does lift you many times. Please feel free to picture whatever you want, but I know that this might seem more limited. You also have a best friend named Adrian who is in the company with you. I never specified age, but to make first soloist most would be in at least their early 20s. Din is 27.

Chapter list and notes about ballet under the cut! Comment or reblog to join the tag list. 🥰🩰

Chapter List

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

** Bonus: Amazing art of Din by @kenobiwanx!! **

Chapter 13

Chapter 14

...

some notes about ballet: I will share links to videos and such as much as possible, but here are some definitions to get us started – principal, (first) soloist, corps de ballet, variation, and class vs. rehearsal:

Principal - this is the highest level a dancer (of any gender) can reach in a company. Dancers are ‘promoted’ through the ranks. Principals usually have exceptional technique and artistry and can perform solos, pas de deux (partnering), headlining and/or the most challenging roles, etc. (e.g., the white (Odette) and black (Odile) swans in Swan Lake, both usually performed by one principal). Sometimes dancers are hired directly in as principals (like Din, in this fic). Smaller companies might have 5-6 principals, while larger ones could have as many as 20. Nevarro is somewhere between medium and large and has around 14 principals, including Din.

First Soloist - not every company has this rank, but it’s in between principal and soloist. Nevarro has 4 but they are counted among the soloists (12-14ish total). Soloists are often understudies for larger parts, and first soloists would do the same. In this fic reader is a first soloist, just promoted at the start of the season.

Soloist - this is sort of a middle level, for dancers who are doing very well and have proven themselves capable of taking on bigger roles. Many ballets have multiple roles, including supporting roles in the narrative, for soloists and principals to showcase many dancers’ talents. A smaller company might have 5-6 soloists, and a larger company might have as many as 20. (Larger companies also do more shows.) Nevarro is somewhere between medium and large and has around 12-14 soloists, including first soloists.

Corps de ballet - this is the lowest/starting level in a company. It’s where most would start from and has the largest number of dancers – these are the dancers who come out on stage in large groups or form the background unnamed roles in narrative scenes (like a party). Reader started in the corps and was promoted to soloist and then first soloist.

Variation - a solo dance, usually a piece from a larger ballet (e.g., the Sugar Plum Fairy in the Nutcracker). We say ‘variation’ because there are many ballets that have been choreographed differently by multiple people in the ballet world (e.g., there are famous versions of the Nutcracker by Petipa, Gorsky, Balanchine, Nureyev, Baryshnikov… and more). So there can be multiple variations of a solo from a single ballet, and more can be created or altered, etc. But in general the term just means solo.

Class vs. rehearsal - most companies distinguish between ‘class’ and ‘rehearsal’. Class is for the whole company and focused on improving technique. It’s quick and often repetitive and everyone sort of knows what to do. Most people would have ‘their’ spot at the barre and fall into a typical order for going across the floor. After class, most would go into multiple hours of rehearsal, PT, strength training, etc., depending on whether it was a performance day or not. Most companies are rehearsing for more than one performance at a time, so they might have a longer rehearsal for the show coming up this or next weekend, and a shorter one for another performance a bit farther away. But in the days leading up to a show, that show’s rehearsals would probably take over. This can vary by company. On show days, most would have fewer rehearsals with a 1-2 hour break before the call time to get ready.

Season - companies have 'seasons' which just refers to their plan for shows/schedule for the upcoming year. They might refer to like a fall season and a spring season, or the might have a full year schedule with different parts (fall/winter/spring), or they might have only a spring season that runs into early summer. It depends on the company and the size! In this fic Nevarro has a fall season and a spring season, but they tend to think about it as a full year for contracts/etc. They would have 3-4 big shows planned (think Nutcracker, Swan Lake, Giselle, Onegin, etc.) in each part of the season (so, 3-4 in fall and 3-4 in spring). And then they'd fill in the gaps in the schedule with "mixed programs", which are programs with multiple smaller ballets or pieces that feature a lot of dancers. So a mixed program might have a 20 minute Balanchine ballet, a pas de deux, a full corps piece from a larger ballet, and a piece for like 8 dancers. or something. Mixed programs are often when choreographers-in-residence and on staff get to debut their own work.

[spfaucomic]

84

Phantom Forces 5:1

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Deviantart Archive

[sillykillerbots]

(Takes place in the past)

Tera stands with Six in front of her parents house, looking over.

"You ready?"

Six is shivering her timbers right now. She's gonna meet one of her girlfriend's parents, the same ones that saved drone kind from the planet swallowing them whole and invented robot independency for realsies.

"What if they don't like me..? I'm... Not the best drone out there and- and- and- hhhhh..."

[fuckable-old-man-battle]

[dreaminginthedeepsouth]

LETTERS FROM AN AMERICAN

February 4, 2025

Heather Cox Richardson

Feb 05, 2025

Shortly after 1:00 this morning, Vittoria Elliott, Dhruv Mehrotra, Leah Feiger, and Tim Marchman of Wired reported that, according to three of their sources, “[a] 25-year-old engineer named Marko Elez, who previously worked for two Elon Musk companies [SpaceX and X], has direct access to Treasury Department systems responsible for nearly all payments made by the US government.”

According to the reporters, Elez apparently has the privileges to write code on the programs at the Bureau of Fiscal Service that control more than 20% of the U.S. economy, including government payments of veterans’ benefits, Social Security benefits, and veterans’ pay. The admin privileges he has typically permit a user “to log in to servers through secure shell access, navigate the entire file system, change user permissions, and delete or modify critical files. That could allow someone to bypass the security measures of, and potentially cause irreversible changes to, the very systems they have access to.”

“If you would have asked me a week ago” if an outsider could’ve been given access to a government server, one federal IT worker told the Wired reporters, “I'd have told you that this kind of thing would never in a million years happen. But now, who the f*ck knows."

The reporters note that control of the Bureau of Fiscal Service computers could enable someone to cut off monies to specific agencies or even individuals. “Will DOGE cut funding to programs approved by Congress that Donald Trump decides he doesn’t like?” asked Senator Chuck Schumer (D-NY) yesterday. “What about cancer research? Food banks? School lunches? Veterans aid? Literacy programs? Small business loans?”

Josh Marshall of Talking Points Memo reported that his sources said that Elez and possibly others got full admin access to the Treasury computers on Friday, January 31, and that he—or they—have “already made extensive changes to the code base for the payment system.” They are leaning on existing staff in the agency for help, which those workers have provided reluctantly in hopes of keeping the entire system from crashing. Marshall reports those staffers are “freaking out.” The system is due to undergo a migration to another system this weekend; how the changes will interact with that long-planned migration is unclear.

The changes, Marshall’s sources tell him, “all seem to relate to creating new paths to block payments and possibly leave less visibility into what has been blocked.”

Both Wired and the New York Times reported yesterday that Musk’s team intends to cut government workers and to use artificial intelligence, or AI, to make budget cuts and to find waste and abuse in the federal government.

Today Jason Koebler, Joseph Cox, and Emanuel Maiberg of 404 Media reported that they had obtained the audio of a meeting held Monday by Thomas Shedd for government technology workers. Shedd is a former Musk employee at Tesla who is now leading the General Services Administration’s Technology Transformation Services (TTS), the team that is recoding the government programs.

At the meeting, Shedd told government workers that “things are going to get intense” as his team creates “AI coding agents” to write software that would, for example, change the way logging into the government systems works. Currently, that software cannot access any information about individuals; as the reporters note, login.gov currently assures users that it “does not affect or have any information related to the specific agency you are trying to access.”

But Shedd said they were working through how to change that login “to further identify individuals and detect and prevent fraud.”

When a government employee pointed out that the Privacy Act makes it illegal for agencies to share personal information without consent, Shedd appeared unfazed by the idea they were trying something illegal. “The idea would be that folks would give consent to help with the login flow, but again, that's an example of something that we have a vision, that needs [to be] worked on, and needs clarified. And if we hit a roadblock, then we hit a roadblock. But we still should push forward and see what we can do.”

A government employee told Koebler, Cox, and Maiberg that using AI coding agents is a major security risk. “Government software is concerned with things like foreign adversaries attempting to insert backdoors into government code. With code generated by AI, it seems possible that security vulnerabilities could be introduced unintentionally. Or could be introduced intentionally via an AI-related exploit that creates obfuscated code that includes vulnerabilities that might expose the data of American citizens or of national security importance.”

A blizzard of lawsuits has greeted Musk’s campaign and other Trump administration efforts to undermine Congress. Today, Senator Chuck Schumer (D-NY) and Representative Hakeem Jeffries (D-NY), the minority leaders in their respective chambers, announced they were introducing legislation to stop Musk’s unlawful actions in the Treasury’s payment systems and to protect Americans, calling it “Stop the Steal,” a play on Trump’s false claims that the 2020 presidential election was stolen.

This evening, Democratic lawmakers and hundreds of protesters rallied at the Treasury Department to take a stand against Musk’s hostile takeover of the U.S. Treasury payment system. “Nobody Elected Elon,” their signs read. “He has access to all our information, our Social Security numbers, the federal payment system,” Representative Maxwell Frost (D-FL) said. “What’s going to stop him from stealing taxpayer money?”

Tonight, the Washington Post noted that Musk’s actions “appear to violate federal law.” David Super of Georgetown Law School told journalists Jeff Stein, Dan Diamond, Faiz Siddiqui, Cat Zakrzewski, Hannah Natanson, and Jacqueline Alemany: “So many of these things are so wildly illegal that I think they’re playing a quantity game and assuming the system can’t react to all this illegality at once.”

Musk’s takeover of the U.S. government to override Congress and dictate what programs he considers worthwhile is a logical outcome of forty years of Republican rhetoric. After World War II, members of both political parties agreed that the government should regulate business, provide a basic social safety net, promote infrastructure, and protect civil rights. The idea was to use tax dollars to create national wealth. The government would hold the economic playing field level by protecting every American’s access to education, healthcare, transportation and communication, employment, and resources so that anyone could work hard and rise to prosperity.

Businessmen who opposed regulation and taxes tried to convince voters to abandon this system but had no luck. The liberal consensus—“liberal” because it used the government to protect individual freedom, and “consensus” because it enjoyed wide support—won the votes of members of both major political parties.

But those opposed to the liberal consensus gained traction after the Supreme Court’s 1954 Brown v. Board of Education of Topeka, Kansas, decision declared segregation in the public schools unconstitutional. Three years later, in 1957, President Dwight D. Eisenhower, a Republican, sent troops to help desegregate Central High School in Little Rock, Arkansas. Those trying to tear apart the liberal consensus used the crisis to warn voters that the programs in place to help all Americans build the nation as they rose to prosperity were really an attempt to redistribute cash from white taxpayers to undeserving racial minorities, especially Black Americans. Such programs were, opponents insisted, a form of socialism, or even communism.

That argument worked to undermine white support for the liberal consensus. Over the years, Republican voters increasingly abandoned the idea of using tax money to help Americans build wealth.

When majorities continued to support the liberal consensus, Republicans responded by suppressing the vote, rigging the system through gerrymandering, and flooding our political system with dark money and using right-wing media to push propaganda. Republicans came to believe that they were the only legitimate lawmakers in the nation; when Democrats won, the election must have been rigged. Even so, they were unable to destroy the post–World War II government completely because policies like the destruction of Social Security and Medicaid, or the elimination of the Department of Education, remained unpopular.

Now, MAGA Republicans in charge of the government have made it clear they intend to get rid of that government once and for all. Trump’s nominee to direct the Office of Management and Budget, Russell Vought, was a key architect of Project 2025, which called for dramatically reducing the power of Congress and the United States civil service. Vought has referred to career civil servants as “villains” and called for ending funding for most government programs. “The stark reality in America is that we are in the late stages of a complete Marxist takeover of the country,” he said recently.

In the name of combatting diversity, equity, and inclusion programs, the Trump administration is taking down websites of information paid for with tax dollars, slashing programs that advance health and science, ending investments in infrastructure, trying to end foreign aid, working to eliminate the Department of Education, and so on. Today the administration offered buyouts to all the people who work at the Central Intelligence Agency, saying that anyone who opposes Trump’s policies should leave. Today, Musk’s people entered the headquarters of the National Oceanic and Atmospheric Administration (NOAA), which provides daily weather and wind predictions; cutting NOAA and privatizing its services is listed as a priority in Project 2025.

Stunningly, Secretary of State Marco Rubio announced today that the U.S. has made a deal with El Salvador to send deportees of any nationality—including U.S. citizens, which would be wildly unconstitutional—for imprisonment in that nation’s 40,000-person Terrorism Confinement Center, for a fee that would pay for El Salvador’s prison system.

Tonight the Senate confirmed Trump loyalist Pam Bondi as attorney general. Bondi is an election denier who refuses to say that Trump lost the 2020 presidential election. As Matt Cohen of Democracy Docket noted, a coalition of more than 300 civil rights groups urged senators to vote against her confirmation because of her opposition to LGBTQ rights, immigrants’ rights, and reproductive rights, and her record of anti-voting activities. The vote was along party lines except for Senator John Fetterman (D-PA), who crossed over to vote in favor.

Musk’s so-called Department of Government Efficiency is the logical outcome of the mentality that the government should not enable Americans to create wealth but rather should put cash in the pockets of a few elites. Far from representing a majority, Musk is unelected, and he is slashing through the government programs he opposes. With full control of both chambers of Congress, Republicans could cut those parts themselves, but such cuts would be too unpopular ever to pass. So, instead, Musk is single-handedly slashing through the government Americans have built over the past 90 years.

Now, MAGA voters are about to discover that the wide-ranging cuts he claims to be making to end diversity, equity, and inclusion (DEI) programs skewer them as well as their neighbors. Attracting white voters with racism was always a tool to end the liberal consensus that worked for everyone, and if Musk’s cuts stand, the U.S. is about to learn that lesson the hard way.

In yet another bombshell, after meeting with Israeli prime minister Benjamin Netanyahu, Trump told reporters tonight that the U.S. “will take over the Gaza Strip,” and suggested sending troops to make that happen. “We’ll own it,” he said. “We’re going to take over that piece, develop it and create thousands and thousands of jobs, and it will be something the entire Middle East can be proud of.” It could become “the Riviera of the Middle East,” he said.

Reaction has been swift and incredulous. Senator Tim Kaine (D-VA), who sits on the Foreign Relations Committee, called the plan “deranged” and “nuts.” Another Foreign Relations Committee member, Senator Chris Coons (D-DE), said he was “speechless,” adding: “That’s insane.” While MAGA representative Nancy Mace (R-SC) posted in support, “Let’s turn Gaza into Mar-a-Lago,” Senator Thom Tillis (R-NC) told NBC News reporters Frank Thorp V and Raquel Coronell Uribe that there were “a few kinks in that slinky,” a reference to a spring toy that fails if it gets bent.

Senator Chris Murphy (D-CT) suggested that Trump was trying to distract people from “the real story—the billionaires seizing government to steal from regular people.”

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

[gayestshakespearecouples]

THE GRAND FINALE

Images from:

Tom Stoppard's Rosencrantz and Guildenstern are Dead staged by National Theatre, 2017

The Public Theatre, 2009

[object-obstacle-course-os]

[lemonspades]

Hemlo everyone

[hexameterwrench]

i generally try to keep things spoiler-free so ahead of the imminent ghost wax season one finale i will just chime in to say that i too am feral about voncid and am prepared to commit crimes, riot, do arson, etc

!!!

[astarionsilverbough]

time to Write

[conan-christopher]

new fic!

you make me feel like it's halloween (jay bauman fanfic)

rating: explicit

finished as of October 2023

for @rlmfanfic as a gift. happy halloween!

ao3 / wtt / Q

[thatgoddamngingerundercut]

Haven't done one of these in a while. Before and after coloring

[post-itpenny]

Never intended to start writing any fics this soon, but I’ve hit a little bit of writer’s block with the book I’m trying to write.

Why the heck not I guess….

Maggie

It was that particular golden hour of the day when the sun was just beginning to consider its descent. All was quiet in the park except for the cool breeze and the coo of a mourning dove. Occasionally the pensive quiet would be interrupted by the distant rumble of traffic.

Nestled against the tree line was a haphazard pile of canvas and sticks along with a rather miffed redhead woman turning a set of directions around for the third time.

‘Miffed’ was the right word for it. The tent she was attempting to assemble had been a gift, one that served her well for many decades by now. But Maggie swore that every time she tried to read the instructions on how to assemble the stupid thing they changed.

Knowing the creator of said tent, she wouldn’t have been surprised.

She sighed with a kick to the mass of canvas before shoving the directions down her boot. That was another thing she could stand to ask for, but pockets were for people without tents. Which she was not.

It was nearly an hour before the tent was assembled. Modest in size, looking big enough for six people with a stove pipe rising from its roof.

She nodded in approval before picking up a duffle bag, pulling an odd white cord at its zipper, and tossing the whole thing inside.

Maggie brushed the dust from her hands as she turned to leave. It would take some time for the bag to unpack itself and she reckoned she had another hour before her phone call came in.

Juuuust enough time to grab a quick bite.

~~~~~~~~~~~~~~~~~~~~

The twilight sky made it difficult to see without the aid of lights. An odd juxtaposition in her opinion, but it was immensely helpful when one needed to be sneaky.

Maggie had shimmied up the stoplight during the gap between cars passing by. Arms and legs wrapped tight around the metal as she slowly pulled herself along towards one of the lights. Carefully, she reached back to her boot to pull out a pocket knife and flicked open the screwdriver attachment. She blinked once, twice, her eyes glazing over and darting back and forth over some unseen thing, fingers twitching as if plucking at something. She grinned when she saw whatever it was she wanted to see and began to count down from fifty…

Down the road came a speeding vehicle, one of those fancy self-driving things with a lidar like a tiny hat on top. A pet project of a local delivery company. The stop light began to flash all three colors in rapid succession, the smart car doing as programmed and registering the need to stop-

Right in the middle of the intersection.

The car behind it slammed on its brakes just in time, the same as the car behind that one. Then, of all things, another self-driving car came from a different direction, only this one decided to use the flashing streetlight as an invitation to parallel park in the middle of the road. Within minutes the entire intersection was clogged with angry drivers and noise, the swift reaction of hitting the brakes and absurdity as someone climbed onto the roof of their car to record the whole thing.

Of course, in the chaos, not one person looked up to see a flash of red attached to a pale face. Black feathers fluttering in the night breeze with a mouth full of needle-like teeth wide open.

~~~~~~~~~~~~~~~~~~~~

Maggie returned to the tent with a satisfied smile.

The range of flavors was an odd combination, to say the least, but she was willing to admit her pallet was more eclectic than refined.

Upon climbing through the tent flap she was pleased to see her duffle bag had finished unpacking itself. A tent that, on the outside, looked only big enough for six had an interior that could comfortably fit thirty. A small dining table filled with stacks of bowls and dishes that were not allowed to sort themselves after too many breaks. Rugs and pillows and books and odd trinkets littered the floor in a way that suggested that each item was in its specific home. There was a bed overstuffed with pillows and blankets, a small kitchenette, and a living room designated by a single couch and coffee table. Above it all was Maggie’s own particular artistry, a chandelier of small lights and shiny objects she had hoarded over the decades.

Ah, home sweet home.

She fished a battered cell phone out from between the blankets of her bed and let out a squawk of panic as she saw the time and fumbled to put the dying thing in charge.

Exactly one minute later, the phone rang.

“Konnichiwa!” Maggie greeted without bothering to glance at the screen to see who was calling.

There was a tired sigh on the other end of the line. “Your pronunciation sucks.”

Maggie leaned back and stuck her tongue out at her phone. “Good morning to you too.”

“And good evening to you right? It’s early afternoon here.”

“Not for you,” Maggie grinned, “you just woke up. That’s why you didn’t call three hours ago like you promised.”

“… Maggie you rude bird-brain of a clown. I told you no future vision stuff unless I ask for it.”

“Well, you can hardly stop me when you’re in a whole other country now can you Vesp? How’s Osaka by the way?”

“Beautiful really.” Vespers yawned. “Was up all night finishing the last piece of the collection though.”

“The museum thing?”

“It’s an art installation, thank you very much.”

“For clothes?”

“A collection depicting balance between the beauty of the seasons and practical wear. I’m really proud of this one.”

“I saw the pictures. It’s cool.”

“Thanks, I know.”

“Soooooooo, you have no reason to stay in Japan now, right?”

“I like living over here Poppy.”

“But if you listen to me, I promise you’ll like living over here even more.���

“I like the culture here.”

“You’ll like the coffee shop down the street from where I’ve set up camp.”

“I can get coffee here.”

Maggie groaned as she rolled off the bed and grabbed a notebook off the floor, flipping past dates and times before she found what she was looking for, a single entry she had hastily written down last week. “I should be meeting some new people in a few days- new friends I think.”

“I’m glad, sorry they’re going to have to deal with your weirdness.”

“Please come visit.”

Vespers let out a huff of air, Maggie listening to the sounds of him moving about a room. “The friends I’m crashing with will be leaving for a vacation soon. They were going to let me house-sit while I decide where to go next.”

“Decide to come here.”

“Sure, I’ll think on it.”

The call ended with a hasty ‘click!’ But Maggie wasn’t deterred. Vespers was low on his normal caffeine intake and would recover from his bad attitude later. The seed had been planted and that was all that mattered.

Maggie smiled to herself as she tapped the date written in her notebook. She was so very good at this sort of thing.

[anemoiawithatouchofobsession]

A playlist that I was listening to a month ago with 80s/90s songs from all over the world

1. 박영미 - 나는 외러움 그대는 그리움 / Park Young Mi - I Am Loneliness, You Are Longong

2. Mike Oldfield - Moonlight Shadow

3. Kim Carnes - Bette Davis Eyes

4. Kim Carnes - Black And White

5. Mike Oldfield - Man In The Rain

6. 최선경 - 사랑을 그대 품안에 OST 테마 2 / Choi Sun Kyung - Love In Your Arms OST Theme 2

7. Tracy Chapman - Fast Car

8. 혜은이 - 당신은 모르실거야 / Hye Eun Yi - You Wouldn't Know

9. 이지연 - 그때는 어렸나봐요 / Lee Ji Yeon - We Were Young Then

10. 김지연 - 찬바람이 불면 / Kim Ji Yeon - When The Cold Wind Blows

11. 岡村孝子 Okamura Takako - 夢をあきらめないで (Yume wo Akirane Mayide)

12. 이은하 - 미소를 띄우며 나를 보낸 그 모습처럼 / Lee Eun Ha - Like You Sending Me Away With A Smile

13. 강수지 - 이별이 가져온 것 / Kang Susie - What Breakup Brought

14. 유재하 - 가리워진 길 / Yoo Jae Ha - Hidden Road

15. Cyndi Lauper - Time After Time

16. 松田聖子(Matsuda Seiko) - Sweet Memories

17. Chelsia Chan (진추하) - You're A Part Of Me

18. Carpenters - I Need To Be In Love

19. 하수빈 - 더이상 내게 아픔을 남기지마 / Ha Soo Bin - Don't Leave Me In Pain Anymore)

20. 햇빛촌 - 유리창엔 비 / Sunlight Village - Rain In The Glass Window

[출처] 요즘 듣고 있는 아련한 노래 플레이리스트!|작성자 밤바람 봄바람

(omg??? naver blog automatically inserts sources/credits??? OMG SLAY)

[shootingstarpilot]

Last Line Challenge

Rules: In a new post, show the last line you wrote and tag as many people as there are words (or as many as you feel like).

Got tagged by @jedi-enthusiast, thank you very much!!! <333

Relief blooms in dark eyes.

“There you go,” Helix says, and leans forward, pressing their foreheads together, gentle and grounding–

“I wanted you to see me first. Now, do you know where you are?”

No-pressure tags for @themonopolyhat, @tesdradgon, and @wanderingjedihistorian - and anyone else who’d like to participate!