#HE'S FUCKING COCKNEY

[da-millerrrrr]

therion needs one hundred thousand hugs and alfyn and primrose are here to give them

it was always the same dream

Therion had a nightmare that night. He had had the dream countless times, though the lead up to it was different every time, maybe a memory of them talking on a rooftop, or goofing off in their apartment, but it always ended the same.

with Darius driving a knife into Therion’s back.

therion never figured out why he did it. did someone make him do it? he hoped that was the reality, and not that Darius just got sick of him and decided to get rid of him for whatever reason.

the dream never lasted much longer after that, with the last thing therion hearing usually being darius’s grating laugh.

“-ion…”

“th…n”

“THERION!”

therion shot up in a cold sweat, startled awake by alfyn calling his name and primrose shaking him.

right… right. he nearly forget that alfyn was staying with them tonight. something about him wanting to ‘keep an eye on that wound’ or something like that.

“therion, you alright?” alfyn asked.

“yeah… yeah. I’m ok.” therion shakily replied. he clearly wasn’t ok.

“do you want to talk about it?” asked primrose

“…not right now.”

that answer was apparently enough to stop alfyn and primrose’s questions, but not enough to leave him alone. alfyn and primrose both scooched under the covers, alfyn pulling him into a hug and primrose wrapping her arms around him from behind.

normally, therion would put up at least a little bit of a fight to this, especially with alfyn, but he was way too tired to do that at this point. plus, this didn’t feel… horrible.

it was kinda nice, actually. he felt… safe. alfyn’s slow back rubs and primrose’s hand running through his hair all but hastened therion’s fatigue, and he let out a shaky sigh before he drifted off.

it felt nice, knowing he had good friends.

ough,,, cuddle party,,

i imagine prim and alfyn fall asleep soon after therion and they all just lay there in theri's bed snoozing and cuddling

[whaliiwatching]

kaleidoscopic crush

[on-a-lucky-tide]

"Do you know what nemesis means? A righteous infliction of retribution manifested by an appropriate agent, personified in this case by an 'orrible cunt...

...me."

[thesearchforbluejello]

Okay first of all it apparently rolled out months ago and even though my app is set for automatic downloads, I just got it, but THE DUOLINGO OWL MAKES A SOUND NOW?!?!?!

The sound immediately made me think of the Moopsy, which is SO on brand.

But this better not be a Geico gecko situation because as a millennial I am old enough to remember the gecko commercials from before he talked in all of them, and how much LESS ANNOYING they were. I am begging for Duo to never actually talk.

[saintofterror]

i want hobie brown so bad. i want him yall i WANT HIM IM GONNA TURN INTO A COLLECTOR JUST TO GET HIS COMICS WHERE DO I FUCKING START SOMEONE HELP

[overlyattachedto70s-sitcoms]

watched auto focus last night. why. did i do that to myself.

[skyburger]

i love reading things set in countries that i'm knowledgeable and/or have been to because i can point out really minor errors in fanfiction. i think the average american does not know that in england (and apparently some of asia! which i only just found out) there are switches on power outlets so you can just turn it off instead of unplugging it. like 9 times out of 10 that won't come up but on the off chance it does i'm like ohoho. this clown has never been to england...! my favorite part though is watching americans (specifically americans because i swear to god people who speak english as a second language and/or are from any other country have some idea of what it's like to have an accent / personally know people who have accents? idk) try to write british accents like it is REALLY funny. i literally only lived their for five years and i never picked up a full accent myself (certain words and tones i did but they're mostly gone after living in the states again for a few years) but between living there and having a ridiculous amount of family there & visiting them often (like once a year if im lucky) i like KNOW what british accents sound like. i think some americans genuinely dont even know theres more than one or two english accents i think some people think there's like posh english and chav english and nothing else. maybe scottish accent gets thrown in there if they remember the uk is not in fact just england. i would bet real money they've never heard a welsh accent. anyway my point is it's really funny watching people who don't know as much as i do write this stuff. like i see it and i understand how doctors read this and go Oh that is so medically inaccurate. i get them now. anyway i dont remember what my point here was but please know if you are attempting to write a british accent. reddit and youtube are your best friends if you don't have a british friend you can ask and also rest assured even if you do ONE google search. it will not be the worst attempt ive seen guaranteed

[heatobrienswife]

.

[robotpussy]

everybody asking how hobie is so cool.... it's literally because he is black and from south london there is no other reason

[kakusu-shipping]

Finally finished Virtue's Last Reward and I... still can't... add K... to the F/O list......

[chaoswillcalmusdown]

watched the kingsman films with my mother which has led to me being really annoyed with guy ritchie bc it's all his fucking fault

[voxmilia]

i'm on the wiki page for l.es mis for Reasons and idk why it threw me so bad discovering n.ick j.onas apparently also played g.avroche once and that w.ill s.wenson played j.avert in the same run that c.aissie l.evy played f.antine????

[fantastic-mr-corvid]

third attempt at this post but: Cecio says innit when hes tired and Celia has an accent thicker than the thames is full of sewage and i may not be great in writing the differences but Cecio wields a 'propa' accent like a shield and when hes tired or angry or with someone he doesn't need to prove his intelligence his actual accent seeps through and Rametto speaks with a clear 9 year difference in slang reflecting the changing demographics of the neighborhood but still comes out with shit that Celia copied from her mums way of speaking that was a good 30+ years old and from another country and Conficcare slips between making wanky medical jokes in latin and cussing someone out for five [not so]straight minutes and Tesoro has a noticeable amount of military slang from his father as well as speaking older because of the guys that trained him to fight and Elena speaks proper in front of investors and clients but at home slips right back into spanish and her childhood accent comes back in full force when shes chatting on the phone with Tesoro no mater how many years its been since she set foot on those streets

[on-a-lucky-tide]

Talking to my stepdad about my bad experience with American tourists in Croatia and he referred to them as "septics" (as in septic tanks... yanks), and now I can't get a scene out of my head of Gaz calling Graves a "fuckin' septic" over Comms.

[dvchvnde]

PRAIRIE WOLF | prologue

domestic violence, abuse (not Price). unexpected pregnancy. implied age gap.

MASTERLIST. AO3

He's a regular at the diner you work at.

Sits in the same spot, orders the same thing. Doesn't say much, but—according to Elliot—he never does. English, too. A foreigner. But here longer than you've been. Grown roots. Stretched his legs.

He owns a cabin in the woods that be built with his bare hands, and does odd jobs around town wherever he's needed. Mostly carpentry. Woodwork. Only forty, Elliot says, and already semi-retired. Military grunt, though (and in a terrible, exaggerated cockney accent, he adds) back home.

Running from something, he surmises, and you try not to feel flayed under his heavy, pointed stare, offering little more than a shrug you hope is more blase than you feel and a flat, aren't we all? so what makes his marathon so special?

Comes by at five in the morning, fours hours into a twelve hour shift. Likes, what he calls, an English Breakfast.

He isn't like some of the men who show up after midnight, or in the early hours. Blue collar works hungry for more than rubbery pancakes and coffee. The ones who ignore the split in your lip, hidden under a thick coat of lipstick, the puffiness of your eye. Whispering oil-slick charm at quarter to three in the morning when the pregnancy test you stole from the dollarrama is still buried under bloodied toilet paper in the motel you've converted into a temporary home.

Price—John Price—stares at the mess of your pretty face and meets the ugliness head-on, eyes narrowed into something that might be suspicion. Askance. Wariness. Some amalgamation of what the fuck happened to you and don't bring that mess over to my table.

Quiet. In theory.

You've heard him talk—this low, growling thing; the misfire of an engine, a rumble that reminds you of the old Plymouth Fury your dad had. Dangerous. Men like him usually are.

Little girl fantasies spun into real life. Duct tape. Magnets to girls like you with all the broken pieces, fragile parts. And with the bruises bubbling under your skin—burst blood vessels, fist-sized—and the—

The kid, you suppose. Baby. You can't afford to get wrapped up into something like that no matter how many times you catch him staring.

Watching.

The other server always handles his order when he arrives. Since starting work here four months ago, you maybe had all of a single conversation when you floated through the diner in search of something to do.

more coffee? a glance. a grunt. yeah, love. I'll have some more.

So you ignore it. Him. Keep your head down and pour cup after cup to the other regulars who congregate and pretend you aren't living in a motel to escape a man who seems to prefer you bruised up and bloody. Who—

Knocked you up.

Your hand goes there. To your belly. Nauseous, suddenly, with the thought of it. This.

When you glance up, unease prickling across your nape, you catch him staring at you. At the hand still splayed over your stomach. Something frisson across his expression—whiplike: ripples over a lake—but it's too fast, fleeting, for you to catch. Tucked back inside the folds of his patented frown, the ever present crease between his thick, umbre brows.

John lifts his eyes from your ringless hand, the swollen index finger from when you made the mistake of pointing to the door, trying to stand firm with your luggage hidden in the bushes, and meets your gaze. Stares at you head-on. Implacable as always. Blank.

But—and it's so silly, really—for a moment, you thought it was hunger. Something heavy and dark. Possessive.

Then his head dips. A shallow nod. John looks away, eyes slanting towards the window as if he didn't have to tear his gaze away from your belly. From you.

Your heart is in your throat. This too thick, fragile thing thudding against your jugular. Hard to breathe, hard to swallow around it. In the way—

Outside, tires squeal against the pavement.

John tenses. A shadow falling over his brow, a tug on his lips hidden under thick, wry curls.

You don't know what it is until the familiar gurgle of an engine cuts through the silent diner.

He looks back at you as a door slams. A shout erupts.

Fear is a thick, oily sludge filling your lungs. Tarlike. Sticky molasses. It burns, corrosive, and eats away at your tissue until a hole forms, letting spill out inside of you. To your belly where it hardens into a ferric ball of panic.

You thought you had time. One last shift. Collect your paycheck and then run—

But he found you.

He bellows out your name, angry and a little slurred. Drunk. High. Like the passive, maltreated dog he turned you into, you follow the sound, cowing a little when you see him stumble into the diner, face collapsed into fury.

There's a clatter. The hollow echo of wood hitting linoleum. Screams, his yells. It's all muted in your head. Panic throbbing against your ears, stuffing them full of cotton.

His bruised, marled fist reaches for you—

But John gets there first. His broad stretch of his back filling your vision as he pushes himself into the empty space between you and this man, hands raised, catching his mangled fist in one and grabbing a handful of his shirt, tugging him closer. It's all raw, untameable anger as he huffs into the man's face, grinding the words out on a rough, animalistic snarl—

"Touch her again, and it'll be the last thing you ever fuckin' do."

Stress like this ain't good for the baby, the paramedic tells you, brown eyes dampening with a thick ring of sympathy as she turns over your wrist, and dabs cool, wet cotton over the welts on your skin.

She's pushing for you to press charges. Keeps swiping at your skin to unveil more of your hidden hurts to the police officer that holds an old kodak in his hands and snaps, snaps, snaps at every weakness, each vulnerability she offers up.

It'd be the smart thing to do. He's already being booked on assault, threats. Battery for hitting John on the shoulder, the only place he could reach, with the shovel left by the cooks to scrape the snow away from the spot they usually gather around to smoke. No one brings up the fact that John was choking the life out of him at the time, and the bruises around his neck—ugly red fingerprints—are easily ignored.

Adding domestic violence to the list of charges, she mutters, will keep him locked up. Away from you. Can file for a restraining order, the cop adds, scratching the back of his neck as the camera sits, poised and intrusive, in his other hand.

The problem is that you've been through this before.

Like mother, like daughter.

The knife twists a little deeper. Gouges out another pound of flesh lost to a broken home. Another cog in a ruinous system. Poor kid, below the poverty line, with a dad who sold drugs and mother who did them. Dime a dozen.

And with that comes the knowledge that his sentence will be lighter than they're alluding to—if he has one at all. Upstanding citizen before he got shackled in with the wrong crowd, the runaway. Trouble who breezed through and picked the son of an attorney in the big city some three hours away from this town, this dilapidated diner. Sinking claws in.

My son never drank or did drugs before, your honour—

He'll get off with a slap on the wrist because he's never been in trouble before.

Your dad, too—in jail for the weekend when your mother relented to the impassioned beseeches given to her by rookie cops who just wanted that arrest notch on their belt. Saw a judge on Monday. Prison too crowded for such a paltry offense.

The hurt, after, was always worse than what he went to jail for.

So. No. You won't press charges even though you know you should. It'll take too long and you don't plan on staying much longer. Not with your luggage packed in the trunk. The cheque shoved clumsily into your hands when the manager came out to make a fuss, angling a purpling finger in your direction—nothin' but trouble since the day you were hired—only to be stopped by the wall that is John Price, a snarl pulling up at his lips as he barked call the fuckin' police and, low, as if he didn't want you to hear, adding: you ever point your finger at her again like that, and I'll hang you from the goddamn rafters.

You're not sure why he's still here, standing watch. On guard. His bloodied, bruised hands shoved into his armpits as he paces back and forth like a caged tiger unaware the door has been open the whole time. Stalking. Taking measured, meaningful steps towards anyone who tries to come over—badge or not. Barking out orders. Lancing people with his glare when they tread too closely.

Good fucking samaritan, you think, eyes riveted on the blood drying over the gravel. Your head looping, weaving in arching circles as you try to contend with the fact that it somehow isn't yours, but his.

Maybe that's why he stays. Obligation. Civic duty. It makes you snort, and the paramedic glances at you sharply, assessing in that too thick, too kind, way of hers.

"You doin' okay, mama?"

And you wish she wouldn't call you that. Make it real. Mama. Your idea of motherhood, of mothers and moms and mamas, is a woman slumped on the couch, passed out after staying up all night talking to ghosts. Nails caked with the dust of percocets and restoril and oxycodone (oxycotton, she's always called it). Popping mouthful of pills in the morning, afternoon, evening, and night. An assortment to keep her functional—and asleep.

Nodding off in the middle of conversations. Or fighting it to stay high. Irritated and combative whenever she ran out, supply gone dry.

Toxic.

Neglectful—at best.

You can't think about what you'll end up doing to this kid with her blood in your veins. Her ghosts in your head.

John moves. A shadow in the corner of your eye. "'bout enough of that, don't you think?"

She backs up, startled by the aggression in his voice. "I just—"

You think you hate them both. "I'm fine."

She looks back at you, searching. Wanting that assurance, but whatever she's looking to find, it isn't there. You won't give it, and eventually she nods. Peels back. "Okay. If you feel any soreness at all, if anything changes, come to the hospital."

The nod is for her benefit only, and she takes it with a deep inhale.

It thins out after that. The cop and his camera leave, too, after making you take the paperwork needed to file charges. If you change your mind. His number in smeared blue ink on the back. The paramedics go after another futile round of are you sure you don't want to get checked out at the hospital that's decline with a shake of your head.

It's just you and Price now. Your beatup Saturn three spots away from his truck—an old Ford you hadn't been expecting a man like him to drive, with his thick Levi jacket and his steel-toed boots. Standing there with an armful of paper that's going to go in the trash, you're not sure what to do. How to untangle yourself from the claws of this vicious bear that seems content to loom over you like an unasked for cloud, glaring down at you from the bridge of his nose. Expression pinched, like he's displeased. Mad.

You've had enough of angry men, though, and you turn, offering a hollow smile that works it's way around your mouth like a grimace. "Guess I should head home—"

"Running, mm?"

You blink. "Sorry?"

He leans down, all grit and blunt teeth. "That your plan? Runnin' away from all'a this? Find another town. Another motel."

Another man.

He doesn't say it, but it's there. The implication. The idea. It rankles down your spine, a whitehot ooze of shame. Of anger.

"You don't know me," you spit, all anger and indignation. Embarrassment so sharp, it cuts. "You don't know anything about me."

He rocks back on his heel, mouth flattening into an even line. "No, I don't. But I know your type."

"You—"

The indignity is increased tenfold when he meets your ire with an impassive stare, so firm in his assessment of you that he doesn't even bulk when you glare at him. When you rage in quiet fury, shoulders shaking.

"You'll run," he continues, bulling over the vitriol that stutters out in broken squeals of anger. "You'll find a new place. And it'll be fine for a little while but then you'll end up in the same situation because that's all you know, isn't it? S'why you're not pressing charges. Why you got your bag in your back seat. The slightest pressure and you bolt—straight into the same predicament you're in now."

"It's not my fault—"

"No," he grinds the word, firm and sure, and it snatches you by the throat because no one has ever agreed with you on that. It's not your fault. It's just—

"—all you know."

"What am I supposed to do differently, huh? Stay and press charges that won't stick? Wait for him to get out, frothing at the mouth for revenge? Yeah, right," you scoff, rolling your eyes up towards the stale sky. "End up as another statistic? Or—"

Like your mother. It quiets you. Snuffs the flames. All you feel is scraped raw. Hollowed out. Empty and hitting and—

"So you'll just run your whole life? Until it catches up to you, mm? What happens when someone finds you in a place you can't run? When you're all alone, and cornered?"

It tastes like defeat. Resignation. "You think I haven't thought of that before?"

From the corner of your eye, you see him shrug. "Got yourself into a little mess, but it ain't the end of the world. Jus' got to fix it. Can't do that when you run."

"And what's your solution? Find another job, hope that his charges stick? He—"

Drained you financially. Beat you bloody.

You shake your head. "The best thing to do is to leave. I'll be smarter, I'll—"

He scoffs. You ignore it, hands shaking.

"I can't. I just—I can't."

"Come stay with me," he says. Just like that. Stay with me. The sky is blue. The grass is green. Come stay with me. "Got a spare room."

"I don't even know you—"

"People rent to strangers all the time."

"I don't have a job. Money. I can't pay you—"

"Been needin' a receptionist for some time. Pay is fair. Hourly."

You blink, eyes hot. Wet. You feel the sharp edge of hope digging in, that deadly, terrible thing that only ever falls apart when you finally relax.

"Just like that?"

He nods, sharp and firm. "Jus' like that."

"I have a kid," you blurt out, panicked. This conversation is getting away from you. Slipping through your fingers. And the worst is that it sounds so good. Too good. "I'm—I'm pregnant," you add like he doesn't already know. Hadn't heard you mutter it to the paramedic hours ago.

The look he levels you with is an incendiary thing. You feel it in your chest. Deadcentre. "I know," he rasps, head bending down closer to you. "Doesn't change anythin'."

"How could it not?"

"How should it?" He counters.

"In a few months, when the baby is here—"

"I won't change my mind."

"You say that now," you breathe, pulse thudding in your ears. "But when it's screaming in the middle of the night, and—"

His hand reaches out slowly, like he's trying not to startle a horse. Fingers grazing your arm, warm and rough, before closing around your wrist. The one that's bruised and sore. Swollen in his hand. Its done with measured purpose, confidence, that the panic doesn't have time to surge. Instincts too incipient to keep up with the sure, steady way he winds around you.

With his hand on your wrist, fingers folding over the hurt—hiding them—he leans down, thumb stroking along your skittish, unraveling pulse, and makes you meet his stare. Open, maybe, for the first time since you met him. All raw want, naked truth. The bare, fractured look is enough to steal the air in your lungs, snuffing out the innate protests that spume whenever someone offers any sort of help or charity. The no crushed under his heel.

"m'a man of my word," he low, drawing the words out. "I'll be there for the cryin' and the dirty diapers and the sleepless nights."

"And when I can't work for you?"

His lips quirk. "I offer better MAT leave than most places. Reckon you could even do the bloody job from bed."

"Price, that's—this is insane—"

"John," he grunts, giving another shrug before peeling away from you. "Savin' me the trouble of talking to these idiots. Ain't nothin' crazy about that."

"I could be a horrible person. A murderer. Rob you blind, and leave you with you nothing."

It has the opposite effect of scaring him off. If anything, he looks amused. Squares his shoulders, stands to his full—intimidating, impressive—height. Stares down at you with a brow quirked and strange gleam in his eyes.

"Think I can handle myself, love. And if you wanna rob me, bite the hand, so to speak, then I promise you, you won't like the consequences."

You swallow. His tone sparks against your sense of self-preservation, and you fight the urge to take a step back. To put distance between yourself and this grizzly-like man with blunt teeth and sharp claws.

He senses your hesitation. Must because he quiets, shoulders sinking. Hand warm on your skin, giving a slight squeeze before he lets go. You ignore the urge to chase that heat again, and hide a shiver behind a shift.

"How 'bout a test ride, mm? A trial. Stay for a few weeks and then decide if you still want to leave."

Too good to be true. You know this deep down in your marrow. Every instinct inside of you rebelling against this, screaming trap, it's a trap. But there's a truth to what he says, and maybe if you weren't pregnant, you would have flipped him off and ran because men like him aren't kind to girls like you unless they have a reason to be.

You're just not sure what he has to gain in all of this. Why he put himself between you and harm without so much as a sparing glance. Stayed, too, and barked at everyone who got too close. A thunderous shadow full of teeth.

And maybe it's that. The blood concealing into a thick, pulpy plum over the split of his knuckles, the blood on the gravel that isn't yours, the goosebumps rising over the spot he touched, colder than the rest of your skin, that makes you quieten under his heavy stare. Softening into something agreeable. Unreasonable. Instincts shoved into a box.

So you nod and let him place his hand over the small of your back, guiding you to his truck with a firm nudge. Say anything when he helps you in, hands fastening the seatbelt with a clipped I'll be back when he finishes, keeping his wary eyes on you even as he moves quickly towards your car, grabbing your suitcase from the back. Promises to get your car later, too. Bring it back to his house.

And yours, too, he adds, glancing your way after he tosses the suitcase in the backseat, searching for something you're not sure he'll find. So you look away, staring at the dust on the dashboard as he rounds the truck, and slips into the front seat. It smells like him. Fresh leather and the wild. Cedar and moss. Tobacco. Something heady. Masculine. Soaked sage. Loam. Gasoline.

You lean back on the headrest, breathing it in. Trying not to think.

You'll keep your luggage packed. The keys in the ignition. When whatever it is he's planning comes to the forefront, you'll be ready to run.

But right now—

You just want to sleep. Your jaw aches. Your wrist. There's a knot in your stomach—not good for the baby—and it thickens each time you look at his bloodied knuckles curled loosely over the steering wheel, the other on the stick. Close enough that you can feel the heat bleeding into your knee. All fire and spite, and—

Touch her again, and it'll be the last thing you ever fuckin' do.

"Get some rest," he grunts, eyes slanting towards you in a brief, heavy flick. "I'll stop and get some food soon, too, but it's a two hour drive to mine. And you look dead on your feet, sweetheart."

Love. Sweetheart. I won't change my mind.

You swallow down the protest that swells, the lingering residuum of self-preservation that won't let you bear your neck just yet, and offer a slow nod, blaming the easy submission on fatigue. These aches and pains that weep, tender to the touch.

Your eyes slip shut against your better judgement, the warm interior of the truck, his smell, bleeding a sense of soporific comfort you can't remember the last time you ever felt. Just a quick nap, you think. Long enough to rest your eyes—

It's swallowed under the deluge of exhaustion that rushes through when your shoulders drop, lax. He mutters something, but it's awash under the seafoam that fills your ears, lapping waves dragging you further and further away from shore. Something that sounds like girl good but you can't be sure. Hypnagogia is a terrible a thing that likes to spin dreams, play pretend in the cradle of your subconsciousness until the lines between reality and fantasy blur. Ignoring it is easier than admitting that it floods you with a warmth so deep, sweat gathers along your hairline. Feverish and sickly sweet.

Fingers dance along the edge of your brow, rough and coarse, and it's a devastating thing, isn't it? All this tenderness along the broken edges of yourself, nails grazing the fractures like they can be fixed, pushed back into place, and not as if they're about to shatter. It makes you want to lash out even though you can't feel your body anymore, stuck between worlds of wake and rest. Later, maybe, when the phantom press doesn't feel so sweet you'll snap—broken jaw and brittle teeth—at his hand until he remembers to never touch you again. A risk he won't take.

But with the knot in your belly, a baby there, too, and a body more contusion than flesh, you let it happen. Mewl, maybe, a quiet little slip of a thing, and curve into the palm resting over your cheek. Small and docile, leaching comfort as fast as you can before you remember yourself.

in the moonglade, you murmur thank you and swallow down a rough, painful sound when he scoffs under his breath, and says ain't got nothin' to thank me for, sweetheart.

[korraavaatu]

can I make a formal request that people stop trying to add accents into their dialogue? I have no idea what accent you're even trying to accomplish most of the time AND it (at least as I've seen it lately on here) is like a shorthand for "not white" (with the only exception being some fucking white southern gone with the wind bs...). If you want to get another culture to come across in your writing, try slang or common sayings. Nothing makes me think southern like "y'all" or "bless your heart" (good and fine). And nothing makes me think that the writer is lazy like adding an accent when what you actually mean is "person of color" (bad and racist) because--even though you're writing fanfic, the reader apparently can't figure out who's talking unless you add that shit in