#HAS POSSIBLY MY PATREON SHOUTOUT
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I relisten to Fender Glennder a shocking amount. But like. It’s never for the Glenn stuff it’s for teaching the kids how to drive because that fills me with joy.
#tbh it is kinda for Glenn stuff cuz#I like Glenn and lark bonding#but shhh#lemme pretend I have a varied interest and I’m not just a lil guy#OH ALSO THIS EP#HAS POSSIBLY MY PATREON SHOUTOUT#My name is so non specific tho#so idk someone could be named may#but I am Mei#I feel like I’m in a cringe twitch chat#donating money#‘SAY MY NAME OMG’#not really#it makes me go HEHE#AAA#I Lov I love#I love this podcast#hehe#sorry I’m listening as I write#here’s the thing I’m listening to the fucking outro#he’s talking about the live show that already happened#I’m just that fucking autism about this show#Freddie’s voice is nice ok explodes#anyweiz#dndads#dungeons and daddies#dndads odyssey#dndads s1
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✨🌿 The Sims 4 Lepacy Challenge is Here! 🌿✨
Calling all Simmers and legacy lovers! 🧬 This one is for you if you're craving a long-term, generation-spanning challenge that lets you dive deep into every expansion pack. Created by the incredible @sublimesims for the rules 📜 and myself for the visuals 🎨, we bring you the Sims 4 Lepacy Challenge! 🌈 Each generation is inspired by the packs and lets you explore new features, worlds, and ways to play—perfect for anyone who loves the storytelling possibilities of The Sims 4! 📚
Inspired by the classic Sims 3 Lepacy, this challenge gives us a chance to evolve gameplay each gen with new expansion packs 🌎, and only those packs (plus any optional add-ons, if you're feeling it!). It's not about cramming every feature in—it's about growing, evolving, and diving into each expansion with intention 🌱. Special shoutout to annaliesembsims, whose Sims 4 lepacy challenge inspired us too! 💖✨
Quick Start for Gen 1 💼🌆
Start off in one of the base game towns (Willow Creek, Oasis Springs, or Newcrest) 🌿🏡. Your founder sim arrives here, ready to build a life and career from scratch. They’ll make friends, fall in love with a townie 💑, and set the foundation for generations to come! Each gen has its own story and flavor, making it all about your unique sims’ adventures, dreams, and quirks. 🎉
From Get to Work 🏢👩⚕️ in Gen 2 to Horse Ranch 🐴🍇 in Gen 15, every expansion offers new goals and gameplay twists. Plus, each generation lists all the packs released the same year, so you can go all out if you want to keep it era-authentic. 🎞️🌌
Generations Overview 🌸
Without giving away too much, here’s a sneak peek of the vibes:
Gen 3: Move to Windenburg for those nightlife vibes with Get Together 🕺
Gen 5: Escape to Brindleton Bay for pet-friendly adventures in Cats & Dogs 🐾🐱
Gen 8: Relax in Sulani and embrace island life with Island Living 🌴🏖️
Gen 12: Settle in the countryside of Henford-on-Bagley in Cottage Living 🐔🏡
Gen 17: Find romance and adventure in Ciudad Enamorada with Lovestruck 💘🌆
With every new generation, you'll explore new worlds, max unique skills, fulfill exciting aspirations, and grow an unforgettable family story. 👨👩👧👦 Each generation has its quirks, like maxing the DJ skill in Gen 3 🎧 or becoming a famous celeb in Del Sol Valley in Gen 7 🌟. And of course, in Gen 14, Growing Together has all the wholesome family moments and milestones 🍼🌻.
Ready to Begin? 🏁
Check out the full rules on my Patreon and Tumblr! Or go check it out by @sublimesims 📝💌 This challenge is packed with variety, fun, and a fresh take on legacy gameplay. Let’s see how far your family can go, from humble beginnings to worldwide fame, and everything in between! 🕰️👑 So, are you in? Let’s get le-gacy-ing! 🎮💥
Happy Simming! 🥂
#the sims 4#ts4#simblr#sims 4#sims community#the sims#sims 4 gameplay#ts4 legacy#sims 4 legacy#legacy challenge#lets play#lepacy#challenges#sublimesims#ts4challengehub#ts4 simblr#ts4 gameplay
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hi! so I had a question, how long did it take you to build a following on tumblr? how long have you been writing for spn as a whole (I assume you started with it but I’m not sure I meant when did you start writing on the app mostly) and do you think it usually takes as long as it did for you for other people? (I hope the wuestion made sense)
Hi there, lovely anon!
Oh, these are great questions, and I'm happy to answer. I'm going to be referencing this post, as someone asked me a similar question.
I also talk a lot about my beginning fanfic/coming to Tumblr experience and building a following in this interview I did with the @idlingintheimpalapodcast.
That being said, here's how I got started in SPN fandom and on Tumblr, and 6 Tumblr Tips related to how I've tried to grow my blog:
Learn How Tumblr Functions
Create a Tag List
Posting Schedules, Announcements, and Sneak Previews
People are Visual (Use Images & Design Elements) + shoutouts to blogs I looked to for inspo
Support Your Fellow Writers! Reblog/Comment on What You Read & Enjoy
When I Do Get Engagement, I Reply to Comments and Reblogs
Deeper dive below the cut:
Writing for SPN & Starting on Tumblr
To be honest, I'm a bit late to the party when it comes to Tumblr. I've written for many different fandoms over the 15 years or so I've been writing fanfic, but I've been writing for Supernatural in particular since around 2015. I wrote on platforms like Fanfiction.net, and later I moved over to Ao3.
I dabbled with Tumblr starting in 2021 while I was working on a Billy Butcher x OC story for the Boys (And So It Goes). But after watching the last season of SPN, I got the SPN bug again, so I started dipping back into the fandom.
But I wasn't really that active on Tumblr until January 2023, when I wrote my first soulmate AU series for Dean Winchester, called Never Say Goodbye (Dean x soulmate!Reader).
That started a very fun journey for me in the Tumblr world, engaging with people and making friends here with awesome people! 💕
Now, here are a few tips on what I've learned in building my following. You don't have to do exactly what I did. This is just my advice based on my personal experience here:
Tip #1: Learn How Tumblr Functions
Everything has been a process of trial and error. I have a professional background in content and social media marketing, so that knowledge has helped me a lot with some elements I'll get into later.
But it took me time to learn the Tumblr landscape. I had to figure out:
Why it's important to reblog -- not just your own work in replying to people's comments, but what you read and enjoy. It's what makes Tumblr go 'round.
The different mobile vs. desktop views and functions.
How to format my posts and use hashtags that would best optimize my fics and posts, based on the most followed tags in the fandom I was writing for.
How to create design elements, like banners, dividers, and headers that matched my aesthetic and the fandom.
Make sure my blog is easy to read, visually, and easy to navigate, technically (links to my masterlists, series masterlists, tag list, my fic library side blog, Patreon, etc.).
I'm still adjusting all these things now and then as I figure out new ways to keep readers engaged, and make my blog as easy to navigate as possible.
Tip #2: Create a Tag List
A tag list is a list of blog users that request to be tagged in your upcoming fics. (See this post on tips for formatting tag lists and optimizing hashtags on posts.)
Some authors don't do tag lists anymore because they find it a hassle (and it can be), but even if you're just starting out, advertise your tag list -- I suggest at the end of a fic and in your bio, your masterlist, and/or navigation page. It will get more eyes on your posts, and hopefully more engagement.
I used Google Forms to build up my tag lists because it's easy to use and it creates a Google spreadsheet for you based on the responses you get (an idea I got from another writer who was doing the same thing). You can also create more sheets within the file to organize the responses by character, for example.
On my tag list, I gave readers options to choose which character they wanted to be tagged on based on the fandoms I write for. I also created tag lists for new series to go with the series masterlist. Like I said above, I created spreadsheets for each of these lists within my tag list form master sheet.
Now, you don't have to do it exactly this way. There are many ways to keep track of a tag list.
Some people may think my approach is too much work, but this was very successful for me in building up my tag lists and increasing my following. Staying organized is key! 🤓✌🏽
I have since created a side blog @zepskieswrites for people to follow with notifications on, since my character tag lists are full.
Tip #3: Posting Schedules, Announcements & Sneak Previews
When my blog started to gain traction from my first SPN series, I knew I had to post consistently. For me, this meant once a week (sometimes more if the mood strikes me), to keep that momentum going. YouTube vloggers do the same thing for this reason. They have a set posting schedule and give announcements.
You don't have to post once a week. That's just what I did last year to increase engagement, but also because I love to write, I was getting inspired, and I made the time for it!
Remember that writing and sharing your work and being a part of the fandom on Tumblr is supposed to be fun. At the same time, what you get out of something depends on how much time you have to put into it.
Basically what I’m saying is, I’ve put a lot of time and energy into my writing and my blog, but only because it’s been very fun to do it! 😉
Now, going back to being consistent. It can help you! When people know they have content waiting for them by a certain timeframe, and they see that you stick to that deadline, they're more likely to tune in and engage with your work.
Of course, real life comes first, always, and things can derail you, but on the whole I make sure that I keep my word when I say I'm going to post something. Tumblr has a scheduling feature that allows you to schedule posts ahead of time, which I use on a daily basis. That can help you as well.
To try and generate buzz around new stories, I give writing updates or announcements, often with sneak previews, and the dates when I plan to drop the upcoming story. When I'm writing a series, on each chapter I give a preview of the next one, so I can try to keep people invested and waiting for the next chapter.
Tip #4: People are Visual (Use Images & Design Elements)
A huge element of successful content and social media is visuals. The first thing people are often drawn to when they look at a web page, an ad, or any kind of digital content is the picture -- and any other visual elements. Then they look at the title/headline, followed by the rest of the story.
This is why I always lead with the title of the story/headline and a GIF or image at the top of the post for a story. Draw readers in with their eyes to the visual, and then the content. I now create my own design elements, including story headers.
When I got started here on Tumblr, I also took a closer look at how other popular blogs I admired were organizing their masterlists, formatting their stories with banners, dividers, tags/warnings, word count, creating tag lists, and more -- both to create their blog aesthetic and to make it easier for readers to enjoy their work on different levels -- the content itself, and the visual elements.
Shoutouts to some of those writers I looked to, who have a lovely blog aesthetic and organization: @luci-in-trenchcoats @deanwinchesterswitch @deanbrainrotwritings @dean-winchester-is-a-warrior
Form and function is a balance, and they should work together. For example, there are some design/post formatting elements that are getting popular now on Tumblr that I personally don't vibe with, because I think it takes away from the reader's experience.
Like making the entire post or story in small case. Readers that have trouble seeing small fonts won't want to read this.
or making everything in the story lower case. this just bothers me for grammatical reasons. guarantee i will be turned off from reading. 😂
Also, most people browse Tumblr on their phone rather than on desktop. (About 62% according to current Semrush statistics.) So certain things that are small in your desktop version will be even smaller on mobile.
If you have a custom blog design, some design elements may not transfer well visually on mobile vs. desktop, and vice versa. So you'll want to check both versions to see how it looks, and possibly make adjustments.
Now, this isn't to say you have to become a graphic designer if that's not your thing. There are plenty of people who share their lovely designs for free, as long as you make sure to credit them if you use one of their banners, dividers, etc. Check out @cafekitsune and @firefly-graphics, for example.
Some of them even take requests. Just make sure to check their bio to see if they state whether they're currently taking requests or not. (This also goes for writers on fic requests.)
Tip #5: Support Your Fellow Writers! Reblog/Comment on What You Read & Enjoy
This is part of the fun when you start truly engaging with the fandoms you love.
Likes are cool. Comments are wonderful. Reblogs with comments are awesome, because not only do they get that engagement/feedback that they can reply to, but the reblog helps your fellow writers get seen. And while they aren't obligated to, they might be more inclined to do the same for you.
You'll also start to develop relationships within your fandom community. This is how I've made many friends and gained new readers on Tumblr -- by reblogging, sharing, commenting on what I liked about the fics I read. 💜
I try my best to support my fellow writers, no matter how new or how popular they are. Just because a writer has a bigger following, doesn't mean they appreciate feedback any less.
Feedback gives us writers energy and fuels us to write more. It can lead to more inspiration, and to continue the series you might be so invested in.
So if I took the time to read something, if I enjoyed it, I'm usually reblogging it and sharing my thoughts, even if it's just a gif or a couple of lines, or a long raving review. 💖
Tip #6: When I Do Get Engagement, I Reply to Comments and Reblogs
Along with supporting my fellow writers, engaging with the lovely people who read my work is just good fun! It's the best part of sharing my work on here and on Ao3. And it lets them know that you value and appreciate them for taking the time to comment and/or comment in a reblog. 💓💓💓
I hope these tips are helpful! Now, to answer your last question...
Do you think it usually takes as long as it did for you
[to build a following] for other people?
Interesting, but the truth is, I'm not sure. My knowledge of content and social media marketing has probably given me a leg up, I think. I've also been writing fanfic for a long time. Long before I ever heard about Tumblr.
I've spent years studying literature, creative writing, and screenwriting, and putting it into practice. I've spent years writing for other voices besides my own, outside of the fanfic world. Like anyone else, I can only go by what I've learned, my own instincts, my frame of reference, and what I want to write about next.
Like anyone else, I can only hope that what I put out there vibes with people and touches them in some way, enough that they feel comfortable letting me know what they thought about it. 💜
In the meantime, I'll just keep getting inspiration from this guy (and other characters):
#zepskies answers#how to build a tumblr following (in my experience)#dean winchester#dean winchester x reader#soldier boy#spn#the boys#dean winchester x you#jensen ackles#supernatural#dean winchester imagine#spn fanfic#dean winchester fanfiction#jackles#sam winchester#sam winchester x reader#supernatural x reader#soldier boy x reader#soldier boy fanfiction#russell shaw x reader#russell shaw#tracker#beau arlen#beau arlen x reader#dean winchester x oc#priestly x reader#alec mcdowell x reader#jason teague x reader#billy butcher#cj braxton x reader
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Voiceplay-adjacent Visuals - I'm Dreaming Of A White Christmas
Geoff's cover of White Christmas was released on the 5th of December, 2022. As Geoff said in his Early Access post for this on Patreon, he has in fact already done this song before, all the way back in 2014 with VoicePlay (@jules-has-notes has a post about it, which you can find here), but he goes on to say that "after repeat listenings to that version, it seemed to me that it could use a bit of freshening up, and I'm always happy to oblige my own whims." And I'm certainly not complaining either! But anyway, we're not here to talk about the arrangement, we're here to talk about the video! So let's get into this!
This was filmed at PattyCake Studios, and this is the same set/backdrop that VoicePlay used in November last year for their Whiskey In The Jar video!
Geoff says in the video description "Special shout out to all of my my patrons who make these videos possible - If Daryl were here, he might be so grateful to you that he'd shed one single tear... but he's not. And he wouldn't because he's not a sentimental teddy bear like the rest of these softies." 😂 (So basically, it's Jeff, Goff, and Jeoph whom are in this video, along with "lead Geoff")
"Where the treetops glisten..."
"...and children listen"
The bit-by-bit addition of stuff into the scene is frankly an Inspired choice ngl, and I love the way the Clones react to things appearing behind them!
Fairly smooth transition with the outfit changes! If you go frame by frame, you can see a few differences in like the hand positionings and stuff, but it's barely noticeable otherwise!
(Also I wish that I could put up the Christmas tree, decorations and all, just by singing! Would make it so much easier!)
And of course I gotta shoutout to the way they all react to the outfit changes! Mostly with Lead Geoff being like :D and the Clones being like ???? 😆
To quote one of the comments: The second Geoff from the left at 0:55: 🎶"I'm dreaming of a white🎶. . . sweater?"
(Also Geoff really does like scarves huh. And plaid flannel shirts!)
"May your days, may your days, may your days be merry and bright!"
The way the scene additions sync up with the lyrics! The tree appears at the "treetops glisten" line, the gramophone for "children listen", and the lights on the tree for "merry and bright"!
There are decorations on the wall, gifts under the tree, and look! The postcard from Mele Kalikimaka in the background, below and to the right of the gramophone! (And I'm not sure if that's the same miniature tree from the Mele Kalikimaka video, but I'm 99% certain that it has the titular Christmas ornament on it that was shown at the start of that video!)
Lead Geoff got a gift, the two Clones on the left got cards, and the Clone on the right, uh, well... 😅
He got one too! It was in his coat 😄
(But also look at how festive the background is now! Apparently the creative/visuals concept stuff was a joint collaboration between Geoff and Kathy, but Geoff also gives thanks to Layne "for his help on set with filming, lighting and all of the things!")
And the stockings appearing one-by-one on the wall as a brief instrumental of Jingle Bells plays, how cute!
I didn't get around to watching this one till last year, but I immediately loved it. So happy, so wholesome, so Merry And Bright!
One more post to go in this miniseries! Until next time!
#geoff castellucci#voiceplay-adjacent visuals#voiceplay-adjacent visuals christmas#acaplaya analysis
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Ep 14 is out for patreons and from what I saw it's definitely gonna cause A LOT of salt in the fandom (I mean it already has for the people who've watched it).
as someone who has watched it (shoutout tiktok leakers), oh it will. keeping this as non-spoilery as i can... it would’ve been a wise choice to keep my expectations as low as possible for ONC.
it really is That Bad.
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9:30 Club, Washington, DC, 6/15/24
At the pre-show Patreon meet-up I told Amanda about Melissa’s theory that if the crowd sings along to Weezer before the show it will be a good crowd. Amanda said they should do that on purpose and put good sing-along songs on the pre-show playlist. She crowd-sourced suggestions, and one of the first was ‘Bohemian Rhapsody’ by Queen.
“Would people really sing along to that?” She asked. “YES!!!” was the incredulous response (I actually almost thought she was joking at first).
At the show the playlist proceeded as normal. Weezer came and went with nary a peep from the crowd. We were worried. And then it happened. ‘Bohemian Rhapsody’ came on and the entire place erupted in song. It was so enthusiastic that the crowd actually applauded themselves at the end. This segued directly into The Doors’ cover of ‘Alabama Song’ — originally by the Dolls’ patron saints: Bertolt Brecht and Kurt Weill — which is the song they take the stage to. Needless to say, the crowd was pumped. This show was being livestreamed by a professional company, and the presence of multiple cameras added to the theatricality of both the band and the crowd. It was high energy, with plenty of extra flourishes, but with a few minor hiccups that allowed the band to showcase their adaptability. In my humble opinion this is the recipe for a perfect Dresden Dolls show!
Annotated Set List:
Good Day
Sex Changes
Gravity
My Alcoholic Friends
Amanda paused to explain the livestream, say hello to the folks watching online, and give a shoutout to Headcount, who were on site registering people to vote. “We’re really thinking about singing our lungs out this evening, whattaya say?” was Brian’s response. <cheers>
“This is a song about my ex-boyfriend!” Amanda exclaimed, by way of introduction. Backstabber Missed Me
Mrs. O
Astronaut (A Brief History of Nearly Nothing) (Amanda Palmer cover)
Brian: <texting … on a banana> Amanda: Brian are you texting? Don’t text at the show. Put that banana away. Brian: <turns back, continues texting … on a banana> Amanda: There’s no texting in Punk Cabaret. Brian: <skewers banana on the high hat, then spins it so it travels all the way down to the cymbal, leaving a trail of banana slime> Amanda: Ooooh! It’s a symbol! Crowd: <laughs> Brian: <ba-dum CHING!> Amanda: I’m serious. Put the banana away. Brian: <throws banana over shoulder> Amanda: Um … welcome to our show! So here’s the weird thing about the Dresden Dolls: We’re a very … silly band. Brian: Yeah we’re just getting to the weird part.
“We booked these shows for a purpose,” Amanda explained, “and then we decided to stream because this is the last show we’re playing this spring. We don’t have another show until late October, so we are going to completely fuck you up tonight.”
<cheers>
Welcome to the Internet (Bo Burnham cover)
Mister God
Houdini
“I wrote some really sad songs in New Zealand and I didn’t think that any of them would be Dresden Dolls songs cuz they were like … they were just fucking long, piano-y, cathartic ‘fuck my life’ songs. But this one made the cut.”
Whakenewha (pronounced Fuckin-A Fa)
Amsterdam (Jacques Brel cover) (Brian on guitar, Amanda in the balcony, with a fan)
“Is it possible that anyone was at our very first gig at IOTA in Washington, DC in like 2002, I think?”
It was, in fact, possible.
Pirate Jenny (Bertolt Brecht, lyrics; Kurt Weill music)
- Housekeeping -
They tried to start the next song, but the keyboard had lost power. While Jaron was fixing it Amanda told a story.
“I’ve had two or three people come up to me in the last few months at shows and tell me something with tears in their eyes that has brought tears to my eyes for real, which is like, someone would clasp my hands in their hands and say, ‘I just have to tell you I was raised in a punishing born-again Christian family and the Dresden Dolls were my first secular band.’ And I’m like, ‘EXCELLENT!’ What a good first secular band to have! And anyway, if you believe in Jesus kind of so do I; he was just like, ‘Be nice.’”
Mandy Goes to Med School (Brian on guitar and drums to start) There are three embellishments that occasionally get added to this song: a jazzy piano interlude, Brian leading the crowd in the ‘hi de ho’ chant from Cab Calloway’s ‘Minnie the Moocher,’ and an excerpt from ‘Careless Whisper’ by Wham! Often they just play it straight with none of these, but they occasionally add one or the other for a little spice. Tonight, after the abortive start, they did all three and it was sumptuous. Coin-Operated Boy Amanda riffed on the Jaws theme, then teased Girl A, before breaking into the song.
War Pigs (Black Sabbath cover)
Girl Anachronism As she had the first night in Philly, Amanda started with a little ‘Call to the Post’ before hitting the afterburners.
— —
As the band returned to the stage I said, “They’d better do ‘Sing’ because I’m not sure I can survive anything else.”
Sing (Brian on guitar to start) Thank god!
After the show Amanda came out for the traditional Patreon group photo. I was just coming up from the basement bar with a drink and didn’t really know what was going on. I was trying to make my way through the crowd when I looked up to see Amanda towering over me. And then she just start falling forward. I put one hand in the middle of her stomach, but I had a drink in my other hand. She did a sort of flip and landed with her head on my left shoulder, spilling my drink all over me in the process. “You’re an asshole,” I said.
“So are you,” she replied. “That’s why we get along so well!” I said.
Photo Gallery:
In My Mind at the Patreon meetup.
Pre-show front row selfie (by Scott Hanes)
The most expressive drummer in the world!
Brian lends a helping hand.
Just … don’t ask.
A silly band indeed.
Amsterdam
Amanda comes to the front of the stage to talk to a fan who was present at the first Dolls show in DC in 2002.
Brian channels his inner Vanna White.
That’s some serious side-eye!
Amanda has serious hattitude
The Dresden Dolls introduce their new drummer: Cousin It!
War Pigs!
That’s a wrap!
Betsy gives Amanda a shoulder massage after the show.
Post-show selfie with Amanda and Michael (by Scott Hanes)
After party! (by Betsy Cacchione)
I fuckin rock. Apparently. Thanks Kitty! (photos by Michael McComiskey)
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Hello voters c: I hope you are enjoying round 2! (there is SO MUCH yelling in the tags for matchups I DID NOT expect)
If you liked the art for Xena and Cardamon from round one, good news! My Patreon has drawing requests open and I also have commissions. You could, I dunno, legally require me to draw you a silly guy you like. A tournament contestant I killed perhaps. Or maybe your own personal guy 👀 the possibilities are endless
(I am in fact only putting this here because I do genuinely need the support rn, feel free to ignore as well I won't blame you!)
((I'm also a day late but shoutout to aromantic visibility day! If you would like to help out a fellow aro then c: haha that's me))
#for people who read the tags only hi i also stream!#and im going to be streaming my very first playthrough of bad end theater in a few weeks!#as promised because lyf killed you guys and then i brought you back and then you died Again#and if anyone is interested i can send the link to that here as well#which might appeal to more people than this#might delete this later if yall get weird with it so behave. im watching you#-R#doomed by the narrative showdown
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Can Crowdfunding Build a Community for Creatives?
Crowdfunding is a unique and effective way for people who are passionate about something to raise money for their initiatives and meet other like-minded people in the internet era. This kind of internet fundraising can help build lively, involved communities in addition to supporting artistic endeavours. In this blog, we'll examine how crowdfunding might help creatives create a community that supports them as they develop their ideas and engage with the public.
The Power of Crowdfunding
Raising money from a huge number of individuals is known as crowdfunding, and it usually happens through websites like Kickstarter, Indiegogo, and Patreon. By raising money from fans all across the world, it has enabled innumerable musicians, writers, filmmakers, artists, and other creatives to realise their goals.
URL Link : https://www.blog.impaac.org/the-power-of-crowdfunding-turning-dreams-into-reality/
Building a Community of Supporters
The ability of crowdfunding to foster personal connections between creators and their audience is one of its most amazing features. Through crowdfunding sites, creators may exhibit their work, tell their experiences, and establish direct connections with possible supporters, in contrast to traditional fundraising approaches.
Creatives build community by communicating with backers and sharing their artistic journeys. An increased sense of connection is felt by supporters with the project and its creators. Between creators and backers, this sensation of belonging has the power to truly transform and forge a link.
Transparency and Trust
One of the core principles of crowdfunding is transparency. Artists need to be open and honest about the status, difficulties, and deadlines of their work. In the community, trust is increased by this transparency. In addition to funding a project, backers are also investing in the creators. They wish to follow the project's development and participate in its creative process.
URL Link : https://www.btcpa.com/operational-transparency-key-effective-crowdfunding/
Rewards and Incentives
Creators frequently give backers incentives and rewards to boost support. These could be personalised shoutouts, limited-edition products, early access to the project, or even participation in the creative process. These benefits provide backers a sense of exclusivity and encourage contributions by making them feel like a valued member of the community.
Examples of Successful Crowdfunding Communities
Crowdfunding has been an effective tool for creating communities in a number of artistic endeavours. Here are a handful of noteworthy instances:
Patreon: A Platform for Independent Creators: Patreon is a way for writers, singers, artists, and other creatives to get continuous support from their followers. It creates a membership club where users may access creators' worlds and obtain exclusive content.Kickstarter Campaigns: Numerous imaginative initiatives have been started on Kickstarter. Regular updates, sharing of their work in progress, and communication with backers via messages and comments are all common practises among creators. The exchange fosters a feeling of community.
URL Link : https://www.shopify.com/my/blog/crowdfunding-sites
Writers' Communities: A lot of authors have published their novels using crowdsourcing. By asking for feedback on narrative development, names, and even covers, they include backers in the process. The reader-author relationship is strengthened by this active engagement.
Difficulties and Things to Consider
Although crowdsourcing has the potential to foster a creative community, there are several obstacles and factors to take into account.
Creators must be dedicated to supporting their community for the duration of the project and beyond.Managing Expectations: To preserve community trust, reasonable expectations must be set and project deadlines must be met.Fulfilment: Maintaining a good rapport with backers requires successfully meeting commitments and providing benefits.Competition: In order to draw backers, creators on crowdfunding sites must stand out due to the intense competition.
Crowdfunding Communities: A Look Ahead
The crowdfunding industry is still developing. The distinction between established business models and crowdfunding becomes more hazy as new platforms and models appear. Some producers have switched from one-time campaigns to recurring subscriptions, building long-lasting communities and steady revenue streams.
URL Link : https://fastercapital.com/content/The-Future-of-Equity-Crowdfunding--Why-it-s-Becoming-More-Popular-and-What-to-Expect.html
Growing communities around crowdfunding have the power to shape the course of artistic endeavours, spur creativity, and build a community of people who share a love for similar causes or forms of expression.
In summary, the goal of crowdsourcing is community building rather than just financial fundraising. It enables artists to realise their visions and establish connections with a devoted and interested audience. Crowdfunding may create thriving communities that will continue to influence the direction of creative endeavours in the future by offering rewards, transparency, trust, and continuous interaction.
Remember that crowdfunding is about more than just raising money for a project; it's about creating a community of like-minded people that value creativity as you set out on your own creative path or think about helping others. See where crowdsourcing can take you by participating in the discussion and taking part in the trip.
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News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative This site turned 14 earlier this year. 14 years of anything — especially a job — is a very long time. In the blogosphere, that’s roughly 22 lifetimes. Now, when I started JOVM, I was felt as though I had no real choice but to go out on my own. I didn’t feel — or believe — that I’d get a fair shot to do what this site has become with another outlet. I’ve long felt a desire to create something similar to the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a young, Black boy from Corona, Queens. And I didn’t regularly see the environment I grew up in represented in the music magazines and sites that I loved to read. To me, that’s a real weakness because — well, there’s amazing music out there that’s not getting the love that it should both nationally and internationally. When I started JOVM, I couldn’t have imagined covering the things I’v covered, and the things I’ve experienced and seen to have ever happened. I’ve covered roughly 1,100-1,200 shows in NYC, with a handful of shows in Chicago, Baltimore and Philadelphia I’ve covered about a dozen or more festivals, including traveling to Montreal for M for Montreal twice — in 2019 and 2022 I’ve been a panelist at Mondo.NYC Festival and at New Colossus Festival, speaking about PR, promotion and press for indie artists, giving my perspective as a indie blogger I made a cameo in a JOVM mainstay’s music video — and it’s a very noticeable spot towards the end of the video I’ve photographed George Clinton, Patti LaBelle, Buddy Guy, Snoop Dogg, Blondie, Nile Rodgers, Roky Erickson, Philip Bailey, Blind Boys of Alabama, and a growing list of legendary and beloved artists, as well as this site’s growing list of mainstays Back in July, I was invited to be a panelist at the inaugural Elsewhere Music Festival and Conference in Wichita, KS speaking about creating a career in music Also back in July I moderated a panel presented by The New Colossus Festival and Groover on How to Promote Your Show featuring a group of super knowledgeable friends and colleagues Covering FME in Rouyn-Noranda, Québec With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. I’m looking forward to what year 14 holds for JOVM. And hopefully with your support, I can keep this thing going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support: Sash Alice Northover Bella Fox Jenny MacRostie Janene Otten All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement. Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understand...
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Wildcard Musings - Day 4 - Post 5 - Friday, Dec. 29th at 5:53pm
did our weekly rate my team livestream earlier today (it’s a patreon tier called Weekly Livestream RMTs if you’re wondering) and now i start my musings. it was our longest ever livestream to date because of wildcard chat lol.. and if you’re a subscriber but missed the livestream here’s the recording of it: https://www.patreon.com/posts/95497780?pr=true
with robbo “not even close” maybe i should take a harder look at joemez. you’d think he’ll get a minimum of three starts (GW20, 21, and 22) with of course an upside of a lot more then that depending on robbo’s recovery.
must be said he’s not really in the tier of tsimikas as far as potential underpriced gems go. he doesn’t really get bones and he barely has any attacking threat so… a lot less upside and flash. probably a miss but just something that piqued my interest.
digne is only out “20-25 days” according to emery and that’s only 2-3 GWs so moreno is probably not in my plans anymore.
he’s “nailed” i would say for BUR, eve, NEW (maybe 1 clean sheet?) and then possibly away to SheffU in GW23 (that’s 5 weeks away for the record so it’d be quite a bit longer then Emery’s initial estimate). i really don’t like away everton or home newcastle for cleans so yeah, doesn’t seem like a pick to me even though i rate the player highly and he certainly has upside. i could go into moreno just planning to move him on (maybe tripps) but… tbd.
also talking about defenders.. porro man doing my head in.. i know the attacking stuff, i know the bones, i know more than you would believe (shoutout to pep) but also losing son, sarr, and bissouma to be replaced by… gil, glc, and hoj with 0 backups in any of those positions i mean it’s pretty fucking rough. or skipp is even worse and ange LOVES him… they’re already a bottom four defense by non-pen xG conceded (bottom three if you include pens after the brighton game), how low will they go?
in tottenham’s defense of their defense, if you sort the table to only include minutes that were played XI v XI (still looking at NPxG conceded per 90) it looks a lot better. spurs jump from the aforementioned 17th to smack dab in the middle tied for 10th with both villa and newcastle. it’s a big jump. here’s that table if you’re curious:
XI v XI, sorted by Non-Penalty xG conceded per 90 via https://macro-football.shinyapps.io/live_table/
last thing on porro, friend of the pod Baker from the Above Average FPL pod reminded me that first of all there are only two GWs in January and second of all the team is going to look different by the time those two GWs are done and dusted with spuds shopping for defensive depth and also possibly romero + VDV + maddo + others back by then. that makes a big difference!
i’m also still thinking about keeping son in what i expect to be a very ping pong match with tons of high pressures, high turnovers, counterattacks, and in a lot of space… seems tailormade for sonny boy, might even cap the fucking guy.
foden too… if i’m too assume that he starts at least let’s say the next three, i doubt kevin will be back and ready to actually start matches by then, haaland maybe starts 1.5 of them, think foden has just been unplayable… man city are SHU new BUR… as friend of the pod Andy A said, one of those is a 6-0. he might make my team.
my “nailed in my team” picks for now i think are: trent, ollie, dom, jalv, palmer, gusto, estupinan, saka, and i thiiiiiiiiink that might be it. if we ignore backup GK that means i still have to make 6 difficult calls. fuck.
in an ideal world tonight i will still:
consume some pods / videos including two new Double Pivot episodes on Newcastle and Bournemouth, a bunch of new The Anfield Wrap episodes on Brighton v Tottenham, Bournemouth, Everton, Wolves, and Palace, the newest The FPL Wire episode on GW20 (where I think they spend some time on Wildcard GW20), and maybe more after that if there’s time left.
make a little chart of who i project to be the best GK picks and picking one.. i think it’s relatively easy to weed out a lot of guys and make a pick i’ll share anything that i do on that front.
plan just a little bit ahead of time… look at ok maybe do i want tripps, what if son/mo get knocked out earlier than expected how am i getting them back in, yada yada.
captain matrix which may make a pick or two more solidified in my team.
current tinker:
that’s it for now, thanks everyone for reading and following and happy new year. i’ll try to get another musings posted but TBD. all of life is feeling TBD in this moment.
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Liked on YouTube: Can I Drive a Voice Controlled Car?
Can I Drive a Voice Controlled Car? Ad: Thanks for Deepgram for sponsoring this video. Try Deepgram for free and get $150 of credit: https://ift.tt/ISZLq3U Deepgram has a speech recognition API that lets developers get fast and accurate transcripts for both pre-recorded and live audio. Deepgram has a whole set of SDKs to make it even easier to get started in your language of choice. Features include profanity filtering, redaction, and individual speaker detection to make your transcripts as useful as possible. Deepgram can be run locally or using the Deepgram cloud service. I’m going to be using the cloud service with this Raspberry Pi computer to control some hardware. But first I need to build something! CAD & Code: https://ift.tt/vyGH2e4 You can support me on Patreon or buy my Merchandise: *************************** Patreon: https://ift.tt/3Er7iYZ Merchandise: https://ift.tt/oMXk0sh *************************** Affiliate links - I will get some money of you use them to sign up or buy something: *************************** Matterhackers 3D printing supplies: https://ift.tt/0ha1bFA Music for your YouTube videos: https://ift.tt/0fMyVnQ *************************** Other socials: *************************** Instagram: https://ift.tt/fFrgIU4 Facebook: https://ift.tt/CKiQh73 Twitter: https://twitter.com/xrobotsuk *************************** CAD and Code for my projects: https://ift.tt/R15LylN Huge thanks to my Patrons, without whom my standard of living would drastically decline. Like, inside out-Farm Foods bag decline. Plus a very special shoutout to Lulzbot, Inc who keep me in LulzBot 3D printers and support me via Patreon. HARDWARE/SOFTWARE Below you can also find a lot of the typical tools, equipment and supplies used in my projects: Filament from: https://www.3dfuel.com/ Lulzbot 3D Printers: http://bit.ly/2Sj6nil Bearings from: https://ift.tt/vnkgzp1 Lincoln Electric Welder: https://bit.ly/2Rqhqos CNC Router: https://bit.ly/2QdsNjt Ryobi Tools: http://bit.ly/2RhArcD Axminster Micro Lathe: http://bit.ly/2Sj6eeN 3D Printer Filament: http://bit.ly/2PdcdUu Soldering Iron: http://bit.ly/2DrNWDR Vectric CNC Software: http://bit.ly/2zxpZqv Why not join my community, who are mostly made up of actual geniuses. There’s a Facebook group and everything: https://ift.tt/xiXrKGk XROBOTS Former toy designer, current YouTube maker and general robotics, electrical and mechanical engineer, I’m a fan of doing it yourself and innovation by trial and error. My channel is where I share some of my useful and not-so-useful inventions, designs and maker advice. Iron Man is my go-to cosplay, and 3D printing can solve most issues - broken bolts, missing parts, world hunger, you name it. XRobots is the community around my content where you can get in touch, share tips and advice, and more build FAQs, schematics and designs are also available. via YouTube https://www.youtube.com/watch?v=k-0nsVijPaU
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More about my YouTube - my goals and schedule as of 2023 are to continue posting one view every week! About my ocs and fanart of all kinds showing what a small content creator with big ambitious and little budget can do if you enjoy what I make even a little consider subscribing and check out my card for ways to support and get behind the scenes and exclusive patreon only content! Shoutouts and little animation below your name when I read them (please note this is for tier 2 and 3 foxes only tier 1 isn’t read just name on screen)
My commissions are always open unless an emergency pops up
I can make you an illustration/oc same day as long as it’s not too complex but I usually get work done within 2 to 4 days unless specified otherwise and I will always keep communication sending progress sketch and ask about any color or other changes before the final product , usually I’ll email it to you if that’s the best option - payments are PayPal only! The moment you pay I’ll start your commission please see the chart and I will send a terms and services for you to read over on what you can do once the art is yours and the progress I go through
- but if you have unreasonable expectations such as a style I can’t do like realism or copy someone else’s style or stop communicating and ghost/DONT pay me or ask me immediately refund or false reposts for forced charge back with fees - refund, you won’t get your Art, even if I’ve finished it. you wouldn’t demand a cake with hours of hard work put into it to just ask for it free or force a charge back after eating the cake or waste their time and if you would do this and think this is okay please don’t - I will have to black list you as I take these very serious and will always try to work with you to make changes along the way.
If the art is in my style I’ll be happy to make just about anything I have a list of nsfw and other things I won’t draw just because it’s not my style or makes me uncomfortable but I’m happy to draw : humans, animals , anthro , lgbtq , fantasy , monster, some mechanical bots and any hybrids, etc, if it’s my first time drawing a character or species please have patience and reference if possible to ensure you get what your looking for - if you have a closed species oc you want me to draw are for you please know I will need to know that you are the current owner and not stealing as closed species are a complex matter and Each one has rules.
Please note If you want stickers or twitch emotes or even simple looping gif animations I have price charts for them but please ask first as prices will vary depending on complexity and number of Art you want some like sets of stickers will cost less if you buy more like a set of 5 or 10 instead of just 2
I have tons of art examples and am always open to communicate just Dm me or email my business email : [email protected]
My main goals are to improve my art style and techniques while having fun creating what I want
Completing my stories such as
The Dawn Of Gales - webtoons
Twilight of Serpents - webtoons
And many of my over 100+ ocs stories / animation memes and animatics for story times
Fanart of all kinds and sometimes reviews or sharing thoughts about games movies or other wonderful artists creations!
If you’d like to have your art featured in the subscribblers gallary tag me I’d love to see and share it on my channel!
I still have a rough idea of what I’m doing but always strive to keep improving and have fun stay pawsome Subscribblers and hope to see you again soon!
Also thank you for taking time to read and I hope this reaches the right audience ^^’
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Guide to Writing An Unlikable Protagonist
Patreon || Ko-Fi || Masterlist || Work In Progress
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What is an unlikable main character?
A character whose demeanor is not welcoming, or whose motivations are not sympathetic. However, their antics or perspective is interesting enough to make engaging with their narrative entertaining and worth investing in. They may not be the most pleasant character, or particularly easy to root for, but it remains enjoyable to watch the story unfold with them at the center. We may not like them, but we still care for them. This is the difference between an unlikable protagonist, and a protagonist that is simply bad. Even if we determine that they’re unworthy of sympathy, or that their actions are reprehensible, we remain compelled to empathize.
Secondary Characters
When your protagonist is, by nature, difficult to root for or sympathize with, it’s important that the secondary character’s reasoning for remaining connected to them is clear. Perhaps one character witnessed their upbringing and clearly sees why they behave in particularly unsavory ways. Perhaps another friend is more interested in what the protagonist has to offer than in the protagonist themselves, so they put up with the negative aspects of their personality. One friend may just be extremely insecure in their own right, and has trouble setting boundaries, so the protagonist’s toxic behavior goes largely unchecked because the friend can’t or won’t stand up for themselves. This is an interesting way to explore the story through relationships between characters. Noble and relatable protagonists are easier to do this with, but unlikable protagonists can be very complex and intriguing to the reader when you explore their flaws through their relationships.
Redeemable Qualities
Your protagonist doesn’t have to be likeable, but they have to have some role or characteristics that make it reasonable for a reader to be invested in their story anyway. Wanting a character to prevail is not the only effective means of engaging with a narrative. Even if your protagonist isn’t a delightful person, they can still be a three-dimensional character with better qualities that compete with their flaws. Real people are complex and real people have negative characteristics that can overshadow their positive ones. You have to make it clear to the reader where the protagonist is strong and where they are weak, and how that affects their behavior or mindset. If they’re unlikable for the sake of being a negative character, they’re uninteresting.
Understandable Motivations
The biggest aspect you have to pay attention to, with any character, is demonstrating their motivations. What do they want, what do they think they need, and what do they actually need? What are they willing to do to get it? What are they not willing to sacrifice? Where did this motivation originate, and how does it affect their relationships? Even if a character is altogether unlikable, they can still be interesting and understandable. There are plenty of unpleasant people in the world, and they have a place, but if you’re going to write about one, make them interesting, and give them a reason to be unpleasant.
Interesting, not Annoying
It’s very easy when you’re designing a character to mistake complexity for intrigue. Yes, you want to make your character as realistic as possible and as clear in the reader’s mind as you can, but if you shove a bunch of traits into the protagonist without any real consideration for their implications, you’re going to end up with a convoluted mess of contradiction and plot holes. Be incredibly clear and intentional when setting the tone for an unlikable protagonist. When you instill a new characteristic in the character that becomes visible to the reader, you must account for how that trait impacts the way they react and respond to the conflict. Keep the personal details relevant and clearly connected to the plot, and if you can, show them through relationships with other people rather than in personal monologue. If their mindset is displayed through their narrative action, rather than through their narration or point of view, the reader will register it more objectively, and it will inform their interpretation of the character’s future behavior more effectively.
Common Struggles
~ How do you keep readers invested if they don't like the character?... A protagonist doesn’t have to be pleasant to be interesting. You want your reader to engage with the story, and you’re attempting to depict it through a unique perspective. You want them to be invested out of interest in what’s going to happen in the plot, rather than the protagonist, and part of that is witnessing the protagonist’s arc. They stay to watch how the character evolves and what they learn. They may not be likable by the end, or even redeemed to any extent, but the arc should make sense and it should be interesting to watch. Even if it’s like watching a train wreck, they should be sucked in by the story, and that doesn’t have to solely rely on the protagonist.
~ How do you make it clear that you are not condoning the unlikable character's actions?... Don���t make excuses for the character’s actions through text or subtext, and don’t give them an undeserved happy ending unless that in itself is apart of the overall message. Think about the story you’re trying to tell, and think about what you want the reader to take away from it. If you’re constantly using the narration to make unchallenged excuses and justify the protagonist’s actions, you’re neglecting to consider the reader’s interpretation, whether it’s conscious or subconscious. If they get a happy ending, despite morally reprehensible notable actions, and the intention behind that ending is unclear, you may be sending the wrong message.
~ Should the character become likeable by the end of the story?... Not always. Sometimes the character’s arc is about the reader understanding and developing empathy for the protagonist as they learn more about them. Sometimes it’s focused on establishing that someone doesn’t have to be pleasant to be justified in their behavior or sympathetic when they’re struggling. The character doesn’t have to change their disposition by the end of the story to have undergone a full arc. It’s really about what you’re trying to convey to the reader through the story that should determine what happens to the protagonist by the end.
~ What are the benefits of writing an unlikable main character?... It can depict the story through a unique perspective, and some stories are naturally suitable for a protagonist that is less than delightful. It can add interest and interpretive engagement to a story when you do it right, and unlikable characters can be just as satisfying to watch as they grow and learn.
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Masterlist | WIP Blog
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#writing#writeblr#writespo#writing tips#writing advice#writing resources#writing help#writing reference#resources for writers#resources for writing#character development#plot development
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ok so, some thoughts on the new magnus archives stuff
I really hope they don’t do a sequel. I think the ending they left it at, while emotionally devastating, is thematically appropriate and satisfying. Not that I haven’t written/am writing several fix-it fics, but that’s an activity I do as a fan and it isn’t something I’d want to do if I was telling my own story like this. I think giving any canon conclusion to the story would cheapen the ending.
I’d also like to think that Jonny is a better writer than that.
The “concerning” thing is that “Magnus Archives Two” has specifically been mentioned. I don’t like the vibes of that. Like, the direct connotation is a sequel, which I don’t like for aforementioned reasons. I don’t really know what else two could mean in this context. It could potentially mean another universe/reality or a remake.
Now, thinking about things in the context of our reality, I don’t think that a project that big would actually happen. It’s a lot more likely that something smaller is happening. Some ideas I’ve seen/thought about are:
new/special merch drop
partial or complete adaptation into a book or something
special halloween episode (non canon canon or pre-ending)
other bonus content release, like previous patreon-exclusive things
live action adaptation (lol this one is definitley not happening)
something ARG-esque (the vibes are arguably already there with all the code-solving)
lore-wise, something spider related. maybe the web is sitll in the og universe, maybe it’s branched off into other unvierses and that’s what we’re hearing, maybe we get a snippit of a different martin/jon, etc.
a devastating idea would be hearing the beginning of the story again, in a different universe, confiming that the fears are spreading and the tragedy is going to replay itself (edit: the fact that we can even listen at all is confirmation that the tapes have spread lol)
Again, the problem is some of these wouldn’t make sense with “magnus archives two.” It’s completely possible that I’m just overanalyzing that one phrase, or it could have other connotations that I haven’t thought of but will make sense when what ever it is is revealed.
I don’t really have a conclusion to this, I am kind of just saying shit. I guess a nice thought to end this on is that I am slightly apprehensive but also very excited about what comes next.
(also shoutout to @martinswormjar they’ve talked w/ me a lot and influenced my thought processes and also they are sititng next to me in class as i type this)
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Voiceplay-adjacent Visuals: Folsom Prison Blues
Never have I been so much of a fan of a country song (or at least, a country song performed by a male singer) before!
Geoff's cover of Folsom Prison Blues was uploaded on the 6th of August, 2023, and it's another one of my 3 favourite videos on his channel. Emphasis on "video", because although the song is great and it's yet again a cool arrangement of his, the video is what really sells it for me. So without further ado, let's get into it!
If you've watched the video (of course you have) and watched at least the first bit of Geoff's outro at the end (I hope you have), then you'll know that Geoff legit rented out an actual legit prison for this video! No longer used of course, and I think this section was the only part of the prison that actually still looked like one, but still! (Shoutout to the Patrons who helped make it possible for Geoff to do this! I'm still considering joining Geoff's Patreon myself tbh.)
I didn't think it was possible for Geoff to look any more handsome than he already usually does, but Geoff in glasses? Whoo yes please! 👀👌 (Or should I say, "Jeff" in glasses? 😉)
Also check out the book he's reading! It's a Johnny Cash book! (A little nod to the original artist of the song, of course)
So what's up with the numbers on the uniforms, and how do I know that the one in the glasses is "Jeff"? Well they're connected! Each uniform has a different number on it, and each number connects to a letter, phone-keypad style:
So the one in the glasses (and now holding that book in a very questionable way) has the uniform number 05333, which can be translated as _-J-E-F-F. Then next to him we have uniform number 43633, which translates to G-E-O-F-F, aka "Lead Geoff" (also context clues can help you out here - he's the lead vocalist for this one, and therefore, it's Geoff 😁)
Walking up to the foreground we have uniform number 32795, which is Daryl! (Fun story: I've done a few Voiceplay/Geoff marathons with two of my best friends (always via video chat, because I like seeing their reactions but also there's no way I'm letting them listen without headphones), and when we were watching Folsom Prison Blues and we got to this bit, one of my friends exclaimed "holy crap he's jacked?!?!" 😂)
And I'll clarify now that the one leaning(?) on the cell door has the uniform number 53674, and it's Jeoph!
(Apparently Kathy told people in the live chat or something that Goff isn't in this one because he's a good boy who would never end up in jail, or something like that 😆)
I'm guessing you've noticed how very fluffy Geoff's hair is in this one? 😁 (And also the prominence of his white-grey streak, gotta point that out too <3). Apparently it was quite a warm day when this video was being filmed, and quite humid too, and the "set" was open-air with no air-conditioning or proper cooling system to speak of. And look, as someone who lives in Queensland, Australia (which is frequently Humidity Central during summers), I can certainly sympathise, but dang the humidity didn't do him any sort of disservice, that's for sure! 👀
Also, because there is plenty of natural light for the shots in this one, this is another good video for exhibiting Geoff's actual eye colour (hazel), because the tinges of green are decently noticeable in this one! <3
To quote one of the comments: "a Geoff being unimpressed with other Geoffs will never not be funny" 😂
(Also more appreciation for Jeff in glasses, while he's still wearing them, because he (sadly /hj) takes them off as the first verse starts getting repeated, and then doesn't put them back on till right at the end!)
How nice of you to decide to join in, Jeoph! 😆
Also notice that the "Geoffs"/"Quadruplets" here each have a slight difference to their outfits? (Until Jeff takes the glasses off, anyway). It's in the sleeve lengths! Well, if there are any sleeves at all of course. Daryl is wearing a sleeveless shirt (we always stan <3), Geoff has sleeves rolled down to his elbows, and both Jeff and Jeoph have sleeves rolled up higher than their elbows! (Took me freaking ages to notice that, ngl).
(Though note even when Jeff takes off his glasses, he still keeps them hanging off his shirt, so they're still kinda technically a point of difference)
(And is it just the lighting, or is it just me, but is Jeff's shirt slightly different in colour to Jeoph's? Or am I just losing it a little bit? 😅)
I'm not someone who usually cares much about how physically strong/muscled a person is, but boy, he really do be jacked!
(Also necklace pendant in full view!)
"Don't ever play with guns!"
(Sharing this image because I literally only just noticed Daryl's sort of "warning finger" gesture (and accompanying facial expression 😝), though it's literally right at the start of the shot and he pulls his hand back fairly quickly)
(Sidenote: I adore the way that Geoff gives his "Backup Geoffs/Clones" individual personalities/identities in some of his videos, I can't get enough of it, and as much as I love the "truly solo" stuff he's been doing since, I hope I get to see multiple "Geoff clones" in a video again sooner or later (NOTE: yes this was written very much before Unshaken was released))
What's that you're holding there, Jeff? 😉
Also shoutout for not only the acting work by Geoff in this (subtle but certainly valuable), but the editing too! We're getting multiple angles of Jeff, Geoff, Daryl, and Jeoph, who all start in different positions in the foreground/midground/background btw, and it looks clean as anything! Maybe it's not actually too hard to do, relatively speaking at least, but had you shown this to me in like 2018 or something, that alone would have blown my mind, let alone the rest!
Harmonica time! Truly a man of many skills and talents! (Apparently Geoff used to play harmonica for a Blues Brothers show he did at Universal Studios Orlando or something (knowing how to play it was fully required to perform in the show), and he brushed up on his skills/knowledge for this video!)
Also I know it's obviously much more common to know how to play guitar than harmonica, but I found it a little amusing at how literally not a single reactor batted an eyelid at Geoff "playing" guitar in Man Of Constant Sorrow (though he's overall better at playing it via piano plug-in than with the actual instrument), but at least one or two reactors on this video were like "is that really him playing it?"/"who's playing the harmonica on this cover?" It's all Geoff! 😁
Jeoph's face right after Daryl hits a very solid F#1 in chest, literally the epitome of "huh, not bad" 😆
Obligatory comment of "hhhhh he's so pretty"
(Also gotta love the fact that neither Geoff nor any of the Backup Geoffs have any fewer than 2-3 top buttons undone. Full respect 😝👌)
Another point of difference to look out for in this video: all four of them move their hands differently when singing/harmonising! Most noticeable between Geoff and Geoph. Daryl, meanwhile, keeps his hands pretty still in comparison, mostly either standing with his arms folded, or with his hands half in his pockets like in the shot above.
"If they free me from this prison..."
(Nobody points out/seems to notice Daryl in this bit, which imo is a darn shame, so I'm making up for it!)
Bonus Geoff Clones up top in the background! (They're multiplying!!!!)
Now come on, that's just showing off! 😂 (Also if go back and rewatch this and pay attention to the background, you'll see that the background Geoff Clone on the far left starts clapping! 😁)
Massive kudos to both Geoff and Kathy for this video - other than Ed Boyer (who does the audio mixing for both Voiceplay and Geoff's solo stuff), this cover and video was purely a Castellucci production! Kathy was production manager as always (and she is for Voiceplay as well), and she and Geoff collaborated on "creative/visuals" (quoting the credits in the description, and the rest was all Geoff! The arrangement, the producing, the filming, the performing, (the harmonica playing!), and the editing! All him! He does a lot of this stuff himself for his other solo videos too, but this one is very brilliant, even without knowing how much of an independent creation it was!
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Hey everyone! Today I'm so excited to share my collab with BreezeMotors! This mega-pose pack has 13 poses for a varying amount of sims! There are also some interchangeable poses, so you can really create your own story! (For more previews, check out my Patreon!)
I'm so happy I got to work with BreezeMotors on this as I found that I really needed some poses with a car with it's back passenger door open but couldn't find one anywhere! Huge shoutout to Breeze for making this possible!
Download the car free here!
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Please tag me on Instagram @starrysimsie if you use them! I love to read & share your posts on my story!
Keep reading for the download link:
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You will need:
Pose Mod & Teleporter X
2018 Volvo V60 Wagon with HQ interior by BreezeMotors X
TOU:
Do not reupload my content.
Do not modify my content.
Do not claim my content as your own.
Do not upload to S!msdom
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Download Here (Patreon, early access, 05/31)
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To the people who look up at the stars and wish.
@ts4-poses @maxismatchccworld @softpinefinds @ts4-posess
#ts4cc#ts4 download#ts4 custom content#ts4 simblr#the sims 4#sims4poses#thesims4#breezemotors#sims4customcontent#the sims 4 story#starrysimsie#sims 4 poses#sims 4 couple poses#ts4 poses#sims 4 pose pack#thesims4poses
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