#Grimm thoughts

[green5quirrel]

TL;DR: I think Monroe's striking and chiming clocks were underutilized for truly hilarious interruptions when the hour strikes and 5 or so clocks announce it in sync.

I think we've all looked over a very important detail in Nick having stayed over at Monroe's for a time. I feel like I REALLY want someone to explore this in a fanfiction of some sort.

Monroe has several "striking" clocks in his house. A striking clock (or just clock for those who differentiate clocks as striking and timepieces as non-striking) makes sounds every hour, half hour, or can chime every quarter hour depending on the number of mechanisms.

Monroe obviously has a grandfather clock (or grandmother clock as I'm not sure the height of it) thanks to him telling Hap not to touch it. So that is definitely a striking and chime clock. Or has the potential to be as such if it's not silenced. He also has potentially more than one cuckoo clock.

Can you imagine the absolute terror of a person who has never been in a house with more than one striking clock as it hits the hour or half hour for the first time.

Now, ideally Monroe will have silenced most of his clocks. I don't know. I don't have any working clocks. I don't know how most horologists do things at their private homes. If they find the striking nostalgic or welcomed. But let's err on the side that Monroe has been living alone for a long time and actually does find a few chimes and striking nostalgic after growing up with it as his dad seemed to also be into clocks.

Let's layer this with the fact that Nick has very sensitive hearing (though I'm not sure when that happens. I could have my timelines wrong). Despite that, you're just getting to sleep at around 11pm or midnight and for some reason have been oblivious to or accepting of the chimes during the day. Or this is your first night in your friend, Monroe's, house and suddenly the first floor below you erupts in various chimes and tunes.

Can you imagine?!

I'm actually kind of astounded that this was never properly explored in the. In not one scene does any of Monroe's clocks strike despite how long everyone is at his house. I mean, if I had clocks I'd at least appreciate one of them striking.

The point is, I really want to either write or read a fanfiction where either Rosalee or Nick or Hank experiences the sound of an hour in the most unexpected way and grumpily complains to a completely and adorably oblivious Monroe.

(It would also have been a great gag if in the middle of a dramatic conversation it struck the top of the hour and Monroe patiently waits for his clocks to sound off before continuing. And Nick/whoever he's talking to is just like "Seriously dude?" And he's like, "What? ...fine! I'll silence them. Jeez! I didn't ask you to be here anyway, man!")

[potatobugz]

here is a collection of riptide drawings that i made a while ago but never posted ^_^

[linterteatime]

I'm so sorry

[glow-and-vamp]

Every January-February we come back to Hollow Knight and write very self-indulgent RPs

Here's old doodles PK from random scenes in unrelated threads.

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[nei-ning]

A surprise which didn't go as planned :'D

This idea has been in my mind probably a month now - if not longer - and finally got myself to do this.

Characters, Grimm and Pearl, are from @niuniente's comic Dead-Head's Deal (DHD). You can find pinned post on her Tumblr of where you can read DHD :3 Once more I remind you all that DHD IS mature themed comic with DARK TOPICS and therefor it is NOT suitable for everyone!

[wesen-grimmopedia]

I don’t see enough people talking about the fact that Nick is a really good artist. He can briefly see a wesen woge and then hours later draw a highly detailed and accurate sketch of what he saw. From what I remember this is just… not really discussed in the show.

[ladyoftheburn]

Simon: im not gay

Also Simon, in a fight, looking at Baz: That’s an attractive way to die

[the-grimm-writer]

Me because I'm supposed to be writing my halloween special but a multi chapter bonten x reader fic idea just popped into my head

[rainydrawstuff]

6 characters to make fanart of:

Grimm from Hollow Knight

[poppy-purpura]

[tomtefairytaleblog]

Diamonds, Toads, and Dark Magical Girls

According to Bill Ellis in "The Fairy-Telling Craft of Princess Tutu: Meta-Commentary and the Folkloresque," the fairy tale of Cinderella can be seen as one of the earliest examples of the transformation sequences/henshin seen in magical girl anime, particularly in how the title character is given items that help her achieve a goal, usually given to her by a magical being (her mother's spirit in a tree, a fairy godmother, etc.).

Thinking again about the connection between magical girls and fairy tales--even if they aren't as meta as Tutu, many magical girls do use imagery and ideas from European fairy tales (Sailor Moon alone has references to Hans Christian Andersen and Charles Perrault)--I wondered what other character types from the genre may have some precedent in fairy tales. Then I started thinking about the Dark Magical Girl character.

Not every magical girl story has a Dark Magical Girl, but they do crop up in a lot of works. To name a few, there's Fate Testarossa from Magical Girl Lyrical Nanoha, Homura Akemi from Puella Magi Madoka Magica, Rue/Kraehe from Princess Tutu, and countless others that would be too numerous to name. In general they tend to be more cynical, darker counterparts to the main protagonists, who tend to come from relatively more stable environments. Whatever magic they possess also may be more sinister, at least initially.

Tying in somewhat to the story of Cinderella is the Aarne-Thompson-Uther Index fairy tale type "The Kind and Unkind Girls" (ATU 480). Many of the stories of this type involve a rivalry between two stepsisters, one being favored by the stepmother due to being the latter's biological daughter. The general idea in most versions of the tale is that both girls encounter a magical being at separate points in time. The kind girl helps the magical being in some way, at which point the magical being gives her a magical ability or magical presents. Meanwhile, the unkind girl refuses to help the magical being and is cursed in some fashion, or, worse, killed. The kind girl meanwhile usually ends up marrying a prince, or a similar character. One of the more popular versions of this story, "Diamonds and Toads," has the kind girl gain the ability to have a jewel or flower fall from her mouth when she speaks, while the unkind girl is cursed to have toads and snakes fall from hers. And while the kind girl does marry a prince, the unkind one is kicked out of her house and dies alone in the woods. (Insert something about Revolutionary Girl Utena's comment about how a girl who cannot become a princess is doomed to be a witch.)

Typically in these fairy tales, the unkind girl is never shown to be a real threat to the kind one; the ultimate threat is the stepmother, who uses her daughter as a means to an end. In contrast, Dark Magical Girls tend to have, well, magic that helps them attack the magical girl protagonist. In this regard, they're the Heavy in the plot, while the witch/mother-like figure/real enemy waits in the background (as is the case in a lot of magical girl shows--the Raven and Rue, Precia and Fate, Fine and Chris in Symphogear etc.). Sometimes the Dark Magical Girl will be a major threat, though--like the Princess of Disaster in Pretear (who is loosely-inspired by the Evil Queen in Snow White).

In The Uses of Enchantment: The Meaning and Importance of Fairy Tales (1976), Bruno Bettelheim argues that the stepmother as a character is a way for children to process the negative traits of their own mothers, while still idealizing the good qualities of them. With that in mind, the unkind sister and the Dark Magical Girl can be viewed as a way of processing/externalizing the negative traits that a girl can have, being cruel, rebellious, and uncaring. They also embody their fears, too--the fear of being alone, rejected, and doomed to fail.

Of course, nowadays, Dark Magical Girls have a tendency to be redeemed and reconcile with/befriend the main magical girl, something the kind and unkind girls never seem to do in the fairy tales. Maybe it's just emblematic of society deciding that killing a girl off for being a little rude is a bit unfair. She's just a kid trying to find her place in the world, too, after all.

[lamentable-comedy]

The thing about Baz is that he's so good at not having the things he wants, but in a way that, like. Isn't repressing that he wants it in the first place. He acknowledges the desire, but denies any fulfillment of it and gets really, really good at doing that. His whole thing is carefully and deliberately maintaining a very rigid self control to compensate for how much of himself he feels like he is powerless over. You can't control the want, it's always gonna be there, but you can tell yourself it won't happen and refuse to consider indulging it.

He spends years knowing he's in love with Simon but wholeheartedly believing it's impossible that anything would happen between them AND, moreover, that it shouldn't. That second part is the important one, cause Baz isn't just against wanting things for its own sake, he's really hard on himself for wanting things that he thinks he shouldn't want or doesn't deserve. Like, "oh we can't have that, so it's Bad to want it". I think that's why there's less of the "I'm depraved, ask anyone" vibe to Baz's attraction to Simon in the second two books. I think he's still interested the same stuff with Simon, but because he now knows he can actually have a relationship with Simon, he's no longer moralizing wanting that, which I think leads to him being less likely to frame it as depravity in his own mind.

Also, if it wasn't obvious... this is a vampire thing. Like, Baz is like this because his daily existence is defined by craving something which would be morally wrong to take and which he therefore will never allow himself AND ALSO, Baz's vampirism is a really great metaphor for this part of his character. He forces himself to get by on more or less the bare minimum amount of blood. He doesn't drink humans. He can't control the desire for it, but it's an immoral desire and one he doesn't want, so he restricts himself as much as possible surrounding it. He never denies that the desire is there-- he can't-- but he DOES moralize wanting it; the fact that he wants to drink blood makes him an irredeemable monster who is unworthy of love and whom any Good Person would have killed. As a result, deny himself fulfillment becomes a way to punish himself (the Right Thing to do), for a desire he's disgusted by, and so he denies himself as much as possible, even beyond the extents of the desire itself.

Baz is ashamed of hunting and drinking animals, but he doesn't need to be. He's not doing anything worse than a human who hunts for food. But, because it betrays the deeper desire for human blood, it becomes shameful and something to deny himself when, really, it's neutral. Positive even, if you consider that it's a way of not, you know. Doing a murder. Compare Baz's perspective on it (not wanting Simon to see him drink rats, knowing what the bare minimum he needs to survive is in a way that clearly implies that he's tried only drinking that) to Simon's in "Snow for Christmas", where he expresses admiration and affection for how Baz looks feeding. Simon's perspective is devoid of Baz's moralizing self-loathing, and presents his behaviour without the baggage Baz has placed on it. Denying himself animal blood is not necessary and serves no purpose. Caring for himself by feeding is admirable.

I see Baz learning to control his fangs when he eats, on a metaphorical level, as a step in learning to manage the kind of big, desperate want that he moralizes and then denies himself, which itself lets him inch a little toward lessening the shame he feels. He moderates the desire (controls his fangs) rather than restricting his actions (not eating in front of people). This allows him decouple the desire (vamp hunger) from unrelated activities that he attaches to it (eating food), and actually let himself partake in something that previously felt wrong (eat food without revealing his fangs). His desire for blood is immoral, so he can't have that. All hunger is now associated with hunger for blood, so he can't eat around humans because he can't reveal that he wants something that he's Not Allowed to want.

I don't think the end point of his progress on this is indulging in the desires he feels ashamed of. Sometimes there are reasons not to do something you can't help wanting to do (there are some pretty good reasons not to go around drinking humans). I do think Baz needs to be gentler on himself for wanting things that for whatever reason-- shame, self-hatred, what have you-- he believes he shouldn't want. He only does this with his love for Simon because it's reciprocated, which doesn't actually solve the problem, it just recategorizes Simon/their relationship as something okay to want. He needs to learn to stop punishing himself for wanting things even if they're desires he can't or shouldn't act on. I think by AWTWB he has made progress. He's getting there. But MAN do I have a lot of feelings about the fact that he's like this at all.

[randombook4idk]

thinking about Giles and Evil Queen. the bitter irony they hold. how Giles always believed his students should be able to step out of their pre-destined pages and write their own stories and then one of them does.

but it's the Evil Queen who does. she already has poisoned Wonderland and taken the Storybook of Legends, and if she doesn't get stopped who knows what other evil deeds she might commit. so she gets banished to the mirror realm.

Giles still believes everyone should get to chose their destiny, but what happened to his old student continues to haunt his mind. how funny it is that Evil Queen did what he wished. how funny it was how he was there to trap her in the mirror. how funny it is that he punished his own student for what he taught. but no one is laughing.

and to twist the knife he gets betrayed by his own brother, the same person with who he banished the Evil Queen, and gets trapped below the school, away from others eyes and no one to understand him. now both him and Evil Queen are in their own prisons with no hope of freedom for the same crime they commited in different ways.

[dinoserious]

something happened here

[miaroseheart]

"Mia, you're so creative and original" - Every adult in my life😊

The shit that I come up with😩😩😩

I love 5 little chuddies😝😝