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ulkaralakbarova · 4 months ago

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Two street basketball hustlers try to con each other, then team up for a bigger score. Credits: TheMovieDb. Film Cast: Sidney Deane: Wesley Snipes Billy Hoyle: Woody Harrelson Gloria Clement: Rosie Perez Rhonda Deane: Tyra Ferrell Robert: Cylk Cozart Junior: Kadeem Hardison George: Ernest Harden Jr. Walter: John Marshall Jones Raymond: Marques Johnson T.J.: David Roberson Zeke: Kevin Benton Dwight ‘The Flight’ McGhee: Nigel Miguel Willie Lewis: Duane Martin Self: Bill Henderson Self: Sonny Craver Self: Jon Hendricks Tony Stucci: Eloy Casados Frank Stucci: Frank Rossi Duck Johnson: Freeman Williams Eddie ‘The King’ Faroo: Louis Price Himself: Alex Trebek Reggie: Reggie Leon Etiwanda: Sarah Stavrou Tad: Reynaldo Rey Lanei: Lanei Chapman Real Estate Agent: Irene Nettles Tanya: Torri Whitehead Alisa: Lisa McDowell The Bank: Dion B. Vines Malcolm: David Maxwell Tournament Announcer: Bill Caplan Tournament Referee: Richard James Baker Big Guy’s Girlfriend: Amy Golden Little Guy’s Girlfriend: Jeanette Srubar Sponsor: Zandra Hill Sponsor: Fred P. Gregory Pickup Truck Driver: Carl E. Hodge Ruben: Ruben Martinez Oki-Dog Businessman: Gary Lazer Yolanda: Donna Howell Jake: Don Fullilove Jeopardy! Announcer: Johnny Gilbert Dr. Leonard Allen: Leonard A. Oakland Rocket Scientist: Allan Malamud Dressing Room Staffer: Jeanne McCarthy Cop: John Charles Sheehan Leon: Gregg Daniel Gambler: Carl A. McGee NBA Announcer: Chick Hearn NBA Announcer: Stu Lantz Ballplayer: Ronald Beals Ballplayer: Joe Metcalf Ballplayer: Mahcoe Moore Ballplayer: Mark Hill Ballplayer: Eric Kizzie Ballplayer: Chalmer Maddox Ballplayer: Leroy Michaux Ballplayer: Joseph Duffy Ballplayer: Pete Duffy Ballplayer: Gary Moeller Ballplayer: Daniel Porto Ballplayer: Lester Hawkins Ballplayer: Jeffrey Todd Film Crew: Producer: Don Miller Director: Ron Shelton Producer: David V. Lester Editor: Kimberly Ray Director of Photography: Russell Boyd Editor: Paul Seydor Costume Design: Francine Jamison-Tanchuck Production Design: J. Dennis Washington Art Direction: Roger G. Fortune Executive Producer: Michele Rappaport Casting: Victoria Thomas Unit Production Manager: Ed Milkovich Set Decoration: Robert R. Benton Sound Re-Recording Mixer: Gregg Rudloff Makeup Department Head: Stephanie Cozart Burton Hair Department Head: Sterfon Demings Makeup Artist: Patricia Messina Hairstylist: Kenneth Walker Second Assistant Director: Robert J. Metoyer First Assistant Director: Richard Alexander Wells Sound Editor: Patrick Bietz ADR Editor: Barbara J. Boguski Sound Editor: Robert Bradshaw Sound Re-Recording Mixer: David E. Campbell Sound Editor: Larry Carow Foley Editor: Bill Dannevik Foley Editor: Michael Dressel Supervising Sound Editor: Gordon Ecker Supervising Sound Editor: Bruce Fortune Sound Mixer: Kirk Francis Foley Editor: Leslie Gaulin Sound Editor: Howell Gibbens ADR Editor: Holly Huckins ADR Mixer: Doc Kane Sound Editor: John Kwiatkowski Sound Editor: Kimberly Lowe Voigt Sound Editor: Anthony Milch ADR Editor: Michele Perrone Sound Re-Recording Mixer: John T. Reitz Foley Editor: Steve Richardson Sound Editor: Steve Schwalbe Foley Editor: Shawn Sykora Sound Editor: Richard E. Yawn Stunts: Gary Baxley Stunts: Simone Boisseree Stunts: Mike Johnson Stunt Coordinator: Julius LeFlore Stunts: Scott Leva Casting Associate: Jory Weitz Costume Supervisor: Betty Jean Slater Camera Operator: Mike Benson Steadicam Operator: Michael Meinardus Gaffer: Patrick Murray Grip: Mark Pearson Grip: Ty Suehiro Grip: Clay H. Wilson Grip: Edmond Wright Movie Reviews:

#Basketball #buddy #california #confidence artist #friendship #hoodlum #hustling #jeopardy #los angeles #male friendship #racial segregation #Sports #streetball #Top Rated Movies #white trash

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flashfuckingflesh · 5 years ago

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The EVILS of the Jersey Shore! "Exit 0" reviewed! (DVD / Breaking Glass Pictures)

The EVILS of the Jersey Shore! “Exit 0” reviewed! (DVD / Breaking Glass Pictures)

A young New York City couple drive down the Jersey Turnpike down to the Jersey Shore for a quaint getaway in the comforts of Cape May’s Doctor’s Inn Bed and Breakfast. With the hopes of rekindling the spark between them, the omission of the fast churning city living will surely become dampened by the island’s off-season quiet that’s more in sync with focusing on each other. However, after a…

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floraljae · 4 years ago

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tag nine people you'd like to know better or catch up to!

My main blog @aerocityy was tagged for the game. But sadly, my phone has been taken away and I have to do stuff from my writing account on my precious laptop

last song: Fuxxin love-OoOo

last movie: The Roman Holiday. My mum and I were watching it together and she was more interested in fangirling over Gregory Peck than watching the whole thing 🤣

currently watching: Attack on titan, sk8 infinity, Welcome to Wakiki and Nokol heere (it's in Bengali haha).

currently reading: Textbooks 🤡 Ok jkjk. I am reading "Sons from Afar" by Cynthia Voigt

currently craving: Pepperoni stromboli from Sbarro's. And ramen too. We're still in a lockdown so I am craving every kind of delivery food in general.

I was tagged by @00solarsmiles

I am tagging @lebrookestore @choi-seonet @wh0sthe5pecial0ne @minqyu @nakamotocore @jenophilia

#haha my phone is in the closet now #tag games #pls this blog was a secret sjsjsj #i am very much embarrassed bye #lilly 💖

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catherinegarbinsky · 6 years ago

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Resources

It started with a tweet. I asked:

1 - Poets with MFAs & poetry professors: are there specific books (of poetry, on poetry) that you would recommend for writers who may not have access to formal education in poetry?

2- Poets without MFAs — please feel free to add books that have felt pivotal and educational for you in your process. I mean this primarily as a resource and did not mean to suggest that others may not have valuable texts to offer!

Here are some of the responses (I typed up as many as I could, bolded any that I noticed repeated):

Dorianne Laux and Kim Addonizio’s The Poet’s Companion

Kaveh Akbar’s Divedapper interviews

Mary Oliver’s A Poetry Handbook

Writing Dangerous Poetry by Michael C Smith

Creating Poetry by Drury

The Practice of Poetry by Behn

Feeling as a Foreign Language by Alice Fulton

A Little Book on Form by Robert Hass

Poetry and the Fate of the Senses by Stewart

Of Color: Poets’ Way of Making Anthology (forthcoming)

De-canon

The Volta

The Alabastar Jar (interviews with Li Young-Lee)

Ordinary Genius by Kim Addonzio

On Poetry by Glyn Maxwell

Fictive Certainties by Robert Duncan

The Flexible Lyric by Voigt

Wislawa Symborska’s “Nonrequired Reading”

The Art of series (especially the Art of Description by Mark Doty, especially The Art of Syntax by Ellen Bryant Voigt)

My Poets by Maureen N. McLane

The Princeton Encyclopedia of Poetry and Poetics

The Crafty Poet by Diane Lockward

Wingbeats and Wingbeats II by Scott Wiggerman

Madness, Rack, and Honey by Mary Ruefle

Picking one poet per year, reading their ouvre and letters (an extremely helpful and nourishing assignment from a genius prof)

Sister Outsider by Audre Lorde

Rigorously study the line, study grammar, and study some kind of oracle system (Tarot, I Ching, astrology, etc) and read as widely in poetry as you can

Poetic Rhythm by Derek Attridge

A Poet’s Guide by Mary Kinzie

The Art of the Poetic Line by James Logenbach

John Frederick Nims’ Western Wind

Poetry: A Writer’s Guide by Amorak Huey and Todd Kaneko

The Making of a Poem (Norton)

Art of Recklessness

Modern Life by Matthea Harvey

Dancing in Odessa by Ilya Kaminsky

Please by Jericho Brown

Slow Lightning by Eduardo Corral

Meadowlands by Louise Gluck

Kinky by Denise Duhamel

Names Above Houses by Oliver de la Paz

How To Read A Poem and Fall in Love With Poetry by Edward Hirsch

Carol Rumen’s long-running weekly Guardian column

Poetry 101 by Susan Dalzell

Theory of Prose by V Shklovsky

The Art of Attention by D Revell

Structure and Surprise by M. Theune

Why Poetry by Matthew Zapruder

Poems - Poets - Poetry An Introduction and Anthology by Helen Vendler

Triggering Town by Richard Hugo

The Art of Daring: Risk, Restlessness, Imagination by Carl Phillips

Upstream by Mary Oliver

The Life of Images by Cahrles Simic

Being Human (anthology)

How To be a Poet

Nine Gates by Jane Hirshfield

Gregory Orr book on lyric poetry

WIld Hundreds by Nate Marshall

What the Living Do by Marie Howe

Helium by Rudy Francisco

Wind in a Box (or anything else) by Terrance Hayes

Blud by Rachel McKibbens

Incendiary Art by Patricia Smith

Poetry by Gwendolyn Brooks, Elizabeth Bishop, and William Carlos Williams, Ted Kooser, Pablo Neruda, ee cummings, Charles Simic, Patricia Smith, Dorianne Laux, EB Voigt, Terrance Hayes, John Donne, TS Eliot, Ezra Pound

Read widely. Read more than poetry. Embrace your outsider knowledge.

Real Sofistikashun: Essays on Poetry and Craft by Toby Hoagland

The Sounds of Poetry: A Brief Guide by Robert Pinsky

A Field Guide to Poetry

Ten Windows by Jane Hirshfield

The Ode Less Travelled by Stephen Fry

The Book of Luminous Things (anthology) ed. by Milosz

Dictee by Theresa Hak Kyung Cha

Poets.org and Poetry Foundation websites

Beautiful and Pointless by David Orr

Find or start a writing group!

Best Words, Best Order by Stephen Dobyns

American Sonnets by Terrance Hayes

The Lichtenberg Figures by Ben Lerner

Poetry Notebook by Clive James

Don Paterson’s 22-page intro to “101 sonnets”

Essays by Barbara Guest

Poetry is Not a Project by Dorothea Lasky

After Lorca by Jack Spicer

The New American Poetry 1945-1960

Helen Vendler’s criticism (The Ocean, The Bird and the Scholar)

Oxford Book of Twentieth Century English Verse ed. By Philip Larkin

The Discovery of Poetry by Frances Mayes

French symbolists

The Outlaw Bible of American Poetry

The Poets Laureate Anthology

Poet’s House, 92Y Poetry

Singing School by Robert Pinsky

The Poetry Home Repair Manual: Practical Advice for Beginning Poets by Ted Kooser

Glitter in the Blood by Mindy Nettifee

Poetry: A Survivor’s Guide by Mark Yakich

All the Fun’s In How You Say A Thing by Timothy Steele

The Collected Poems(1856-1987) by John Ashberry

Viper Rum by Mary Karr

The Making of a Poem by Mark Strand and Eavan Boland

Rules of the Dance by Mary Oliver

Letters to a Young Poet by Rainer Maria Rilke

Jorie Graham lecture On Description (youtube)

Poetry in Theory

How to be a Poet by Jo Bell and Jane Commane (& special guests)

dVerse Poets

Reading Poetry: An Introduction by Furniss and Bath

Poetry: The Basics by Jeffrey Wainwright

The Poetry Handbook by John Lennard

Broken English: Poetry and Partiality by Heather McHugh

The Poem’s Heartbeat by Alfred Corn

Orr’s Primer for Poets and Reads of Poetry

Penguin’s 20th Century Anthology

The United States of Poetry

Staying Alive: real poems for Unreal Times ed. By Neil Astley

Hollander’s Rhyme’s Reason

52 Ways to Read A Poem by Ruth Padel

A Western Wind: An Introduction to Poetry by David Mason and John Frederick Nims

Projective Verse by Charles Olson

Retrospect/A Few Don’t by an Imagiste - Ezra Pound

Against Interpretation - Susan Sontag

Commonplace Podcast

Headwaters by EB Voigt

Olio by Tyehimba Jess

The Orchard by Brigit Pegeen Kelly

The Living and the Dead by Sharon Olds

Sonnets by Bernadette Mayer

The Sin Eater by Deborah Randall

The Art of Poetry Writing by William Packard

The Poet’s Dictionary by William Packard

Freedom Hill by LS Asekoff

Theory of the Lyric by Jonathan Culler

Close Listening ed. By Charles Bernstein

Poetics of Relation by Edouard Glissant

The Poet’s Manual and Rhyming Dictionary by Frances Stillman

The Hatred of Poetry by Ben Lerner

The Way to Write Poetry by Michael Baldwin

Fussell’s Poetic Meter and Poetic Form

Lofty Dogmas: Poets of Poetics

Close Calls with Nonsense: Reading New Poetics by Stephanie Burt

Poetry in the Making by Ted Hughes

A poet needs: grounding in verse and rhyme from nursery lines, a grounding in adult poetic diction by the classic poets (of antiquity, late antiquity, then the mediaeval, early modern and modern periods), and their own poetic vision

Pig Notes and Dumb Music by William Heyen

Satan Says by Sharon Olds

My Emily Dickinson by Susan Howe

#poetry #on poetry #poetry school #self education #resources #learning #about poetry #mfa programs #reading #for your own edification #creative writing #studying

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thejakeformerlyknownasprince · 6 years ago

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What other fandoms are you familiar enough with to use as an AU prompt? Pokemon Trainer AU? Homestuck AU (they'd still probably die but at least there are lots of ways to come back to life)?

I’m not that familiar with Homestuck, definitely not enough to do an AU. I read the novelizations of the Pokemon show as a kid but never saw the show or played any of the video games. I did play the super-obscure Pokemon board game, but most of my trading cards were printed in Japanese (I had a strange childhood), so my experience there is, uh, probably not quite overlapping with everyone else’s.

Anyway, if you want list of all my fandoms… Boy howdy. I don’t think I can come up with them all. However, I can list everything that comes to mind between now and ~20 minutes from now when I have to end my procrastination break and go back to dissertating. So here it is, below the cut:

Okay, there is no way in hell I’ll be able to make an exhaustive list. But off the top of my head, the fandoms I’m most familiar/comfortable with are as follows:

Authors (as in, I’ve read all or most of their books)

Patricia Briggs

Megan Whalen Turner

Michael Crichton

Marge Piercy

Stephenie Meyer

Dean Koontz

Stephen King

Neil Gaiman

K.A. Applegate

Ernest Hemingway

Tamora Pierce

Roald Dahl

Short Stories/Anthologies

A Good Man is Hard to Find, Flannery O’Connor

The Metamorphosis, Franz Kafka

I Am Legend, Richard Matheson

Dubliners, James Joyce

Flowers for Algernon, Daniel Keyes

Who Goes There? John W. Campbell

The Man Who Bridged the Mist, Kij Johnson

Flatland, Edwin Abbott

I Have No Mouth, And I Must Scream, Harlan Ellison

To Build a Fire, Jack London

An Occurrence at Owl Creek Bridge, Ambrose Bier

At the Mountains of Madness/Cthulu mythos, H.P. Lovecraft

The Adventures of Sherlock Holmes, Arthur Conan Doyle

The Things They Carried, Tim O’Brien

The Legend of Sleepy Hollow, Washington Irving

The Martian Chronicles, Ray Bradbury

Close Range: Wyoming Stories, E. Annie Proulx

The Curious Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson

Bartleby the Scrivener (and a bunch of others), Herman Melville

Books (Classics)

Their Eyes Were Watching God, Zora Neal Hurston

The Little Prince, Antoine de Saint-Exupery

The Secret Garden, Francis Hodgson Burnett

Treasure Island, Robert Louis Stevenson

Wuthering Heights, Emily Bronte

The Secret Annex, Anne Frank

Nine Stories, J.D. Salinger

Frankenstein, Mary Shelley

Tom Sawyer/Huckleberry Finn, Mark Twain

East of Eden, John Steinbeck

To Kill a Mockingbird, Harper Lee

The Bluest Eye, Toni Morrison

Slaughterhouse-Five, Kurt Vonnegut

The Stranger, Albert Camus

The Call of the Wild, Jack London

Brave New World, Aldous Huxley

Lord of the Flies, William Golding

Atonement, Ian McEwan

1984, George Orwell

A Tree Grows in Brooklyn, Betty Smith

The Iliad/The Odyssey, Homer

Metamorphoses, Ovid

Journey to the Center of the Earth, Jules Verne

The Time-Machine, H.G. Wells

The Tempest, Much Ado About Nothing, Twelfth Night, Romeo and Juliet, Henry V, Hamlet, MacBeth, Othello, and The Taming of the Shrew, William Shakespeare

Rosencrantz & Guildenstern Are Dead, Thomas Stoppard

Waiting for Godot, Samuel Beckett

Handmaid’s Tale, Margaret Atwood

Books (YA SF)

Young Wizards series, Diane Duane

Redwall, Brian Jaques

The Dark is Rising sequence, Susan Cooper

The Chronicles of Chrestomanci, Diana Wynne Jones

The Chronicles of Narnia, C.S. Lewis

Abhorsen trilogy, Garth Nix

The Giver series, Lois Lowry

The Hitchhiker’s Guide to the Galaxy, Douglas Adams

Uglies series, Scott Westerfeld

Tuck Everlasting, Natalie Babbitt

A Wizard of Earthsea, Ursula K. Le Guin

Song of the Lioness, Tamora Pierce

A Wrinkle in Time, Madeline L’Engle

Unwind, Neal Shusterman

The Maze Runner series, James Dashner

The Enchanted Forest Chronicles, Patricia C. Wrede

Sideways Stories from Wayside School, Louis Sachar

Ella Enchanted, Gail Carson Levine

Ender’s Game, Orson Scott Card

The Phantom Tollbooth, Norton Juster

Coraline, Neil Gaiman

Among the Hidden, Margaret Peterson Haddix

The True Confessions of Charlotte Doyle, Avi

Interview with the Vampire, Anne Rice

Poppy series, Avi

The Secret Life of Bees, Sue Monk Kidd

Tithe, Holly Black

Life as We Knew It, Susan Beth Pfeffer

Blood and Chocolate, Annette Curtis Klause

Peter Pan, J.M. Barrie

The Wizard of Oz, L. Frank Baum

Haunted, Gregory Maguire

Weetzie Bat, Francesca Lia Block

Charlotte’s Web, E.B. White

East, Edith Pattou

Z for Zachariah, Robert C. O’Brien

The Looking-Glass Wars, Frank Beddor

The Egypt Game, Zilpha Keatley Snyder

The Book Thief, Markus Zusak

Homecoming, Cynthia Voigt

Alice in Wonderland/Through the Looking Glass, Lewis Carroll

The Landry News, Andrew Clements

Fever 1793, Laurie Halse Anderson

Bloody Jack, L.A. Meyer

The Boxcar Children, Gertrude Chandler Warner

A Certain Slant of Light, Laura Whitcomb

Generation Dead, Daniel Waters

Pendragon series, D.J. MacHale

Silverwing, Kenneth Oppel

Good Omens, Neil Gaiman and Terry Pratchett

Define Normal, Julie Anne Peters

Hawksong, Ameila Atwater Rhodes

Heir Apparent, Vivian Vande Velde

Running Out of Time, Margaret Peterson Haddix

The Keys to the Kingdom series, Garth Nix

The Wolves of Willoughby Chase, Joan Aiken

The Seer and the Sword, Victoria Hanley

My Side of the Mountain, Jean Craighead George

Daughters of the Moon series, Lynne Ewing

The Midwife’s Apprentice, Karen Cushman

Island of the Aunts, Eva Ibbotson

The Night Circus, Erin Morgenstern

The Ear, the Eye, and the Arm, Nancy Farmer

A Great and Terrible Beauty, Libba Bray

A School for Sorcery, E. Rose Sabin

The House with a Clock in Its Walls, John Bellairs

The Edge Chronicles, Paul Stewart and Chris Riddell

Hope was Here, Joan Bauer

Bunnicula, James Howe

Wise Child, Monica Furlong

Silent to the Bone, E.L. Konigsburg

The Twenty-One Balloons, William Pene du Bois

Dead Girls Don’t Write Letters, Gail Giles

The Supernaturalist, Eoin Colfer

Blue is for Nightmares, Laurie Faria Stolarz

Mystery of the Blue Gowned Ghost, Linda Wirkner

Wait Till Helen Comes, Mary Downing Hahn

I was a Teenage Fairy, Francesca Lia Block

City of the Beasts series, Isabelle Allende

Summerland, Michael Chabon

The Geography Club, Brent Hartinger

The Last Safe Place on Earth, Richard Peck

Liar, Justine Larbalestier

The Doll People, Ann M. Martin

The Lost Years of Merlin, T.A. Barron

Matilda Bone, Karen Cushman

Nine Stories, J.D. Salinger

The Tiger Rising, Kate DiCamillo

The Spiderwick Chronicles, Holly Black and Tony DiTerlizzi

In the Forests of the Night, Amelia Atwater-Rhodes

My Teacher is an Alien, Bruce Coville

The Last of the Really Great Whangdoodles, Julie Andrews Edwards

Storytime, Edward Bloor

Magic Shop series, Bruce Coville

A Series of Unfortunate Events, Lemony Snicket

Veritas Project series, Frank Peretti

The Once and Future King, T.H. White

Raven’s Strike, Patricia Briggs

What-the-Dickens: The Story of a Rogue Tooth Fairy, Gregory Maguire

The Wind Singer, William Nicholson

Sweetblood, Pete Hautman

The Trumpet of the Swan, E.B. White

Half Magic, Edward Eager

A Ring of Endless Light, Madeline L'Engle

The Heroes of Olympus, Rick Riordan

Maximum Ride series, James Patterson

The Edge on the Sword, Rebecca Tingle

World War Z, Max Brooks

Adaline Falling Star, Mary Pope Osborne

Six of Crows, Leigh Bardugo

Children of Blood and Bone, Tomi Adeyemi

Parable of the Sower series, Octavia Butler

I, Robot, Isaac Asimov

Neuomancer, William Gibson

Dune, Frank Herbert

The Miseducation of Cameron Post, Emily M. Danforth

The Martian, Andy Weir

Skeleton Man, Joseph Bruchac

Comics/Manga

Marvel 616 (most of the major titles)

Marvel 1610/Ultimates

Persepolis

This One Summer

Nimona

Death Note

Ouran High School Host Club

Vampire Knight

Emily Carroll comics

Watchmen

Fun Home

From Hell

American Born Chinese

Smile

The Eternal Smile

The Sandman

Calvin and Hobbes

The Essential Dykes to Watch Out For

TV Shows

Fullmetal Alchemist

Avatar the Last Airbender

Teen Titans (2003)

Luke Cage/Jessica Jones/Iron Fist/Defenders/Daredevil/The Punisher

Agents of SHIELD/Agent Carter

Supernatural

Sherlock

Brooklyn Nine-Nine

Angel/Buffy the Vampire Slayer

Firefly

American Horror Story

Ouran High School Host Club

Orange is the New Black

Black Sails

Stranger Things

Westworld

Unbreakable Kimmy Schmidt

Movies

Marvel Cinematic Universe

Jurassic Park/Lost World/Jurassic World/Lost Park?

The Breakfast Club

Cloverfield/10 Cloverfield Lane/The Cloverfield Paradox

Attack the Block

The Prestige

Moon

Ferris Bueler’s Day Off

Django Unchained/Kill Bill/Inglourious Basterds/Hateful 8/Pulp Fiction/etcetera

Primer

THX 1138/Akira/How I Live Now/Lost World/[anything I’ve named a fic after]

Star Wars

The Meg

A Quiet Place

Baby Driver

Mother!

Alien/Aliens/Prometheus

X-Men (et al.)

10 Things I Hate About You

The Lost Boys

Teen Wolf

Juno

Pirates of the Caribbean (et al.)

Die Hard

Most Disney classics: Toy Story, Mulan, Treasure Planet, Emperor’s New Groove, etc.

Most Pixar classics: Up, Wall-E, The Incredibles

The Matrix

Dark Knight trilogy

Halloween

Friday the 13th

A Nightmare on Elm Street

The Descent

Ghostbusters

Ocean’s Eight/11/12/13

King Kong

The Conjuring

Fantastic Four

Minority Report/Blade Runner/Adjustment Bureau/Total Recall

Fight Club

Spirited Away

Disturbing Behavior

The Faculty

Poets

Edna St. Vincent Millay

Marge Piercy

Thomas Hardy

Sigfried Sassoon

W. B. Yeats

Edgar Allan Poe

Ogden Nash

Margaret Atwood

Maya Angelou

Emily Dickinson

Matthew Dickman

Karen Skolfield

Kwame Alexander

Ellen Hopkins

Shel Silverstein

Musicals/Stage Plays

Les Miserables

Repo: The Genetic Opera

The Lion King

The Phantom of the Opera

Rent

The Prince of Egypt

Pippin

Into the Woods

A Chorus Line

Hairspray

Evita

Dr. Horrible’s Sing-Along Blog

Fiddler on the Roof

Annie

Fun Home

Spring Awakening

Chicago

Cabaret

The Miser

The Importance of Being Earnest

South Pacific

Godspell

Wicked

The Wiz

The Wizard of Oz

Man of La Mancha

The Sound of Music

West Side Story

Matilda

Sweeney Todd

Joseph and the Amazing Technicolor Dreamcoat

Nunsense

You’re a Good Man, Charlie Brown/Snoopy

1776

Something Rotten

A Very Potter Musical

Babes in Toyland

Carrie: The Musical

Amadeus

Annie Get Your Gun

25th Annual Putnam County Spelling Bee

The Final Battle

Rock of Ages

Cinderella

Moulin Rouge

Honk

Labyrinth

The Secret Garden

Reefer Madness

Bang Bang You’re Dead

NSFW

War Horse

Peter Pan

Suessical

Sister Act

The Secret Annex

Charlie and the Chocolate Factory

Disclaimer 1: Like a lot of people who went to high school in the American South, my education in literature is pretty shamefully lacking in a lot of areas. (As in, during our African American History unit in ninth grade we read To Kill a Mockingbird, The Adventures of Huckleberry Finn… and that was it. As in, our twelfth-grade US History class, I shit you not, covered Gone With the Wind.) There were a lot of good teachers in with the *ahem* Less Woke ones (how I read Their Eyes Were Watching God and The Bluest Eye) and college definitely set me on the path to trying to find books written/published outside the WASP-ier parts of the U.S., but the overall list is still embarrassingly hegemonic.

Disclaimer 2: There are a crapton of errors — typos, misspelled names, misattributions, questionable genre classifications, etc. — in here. If you genuinely have no idea what a title is supposed to be, ask me. Otherwise, please don’t bother letting me know about my mistakes.

Disclaimer 3: I am not looking for recommendations. My Goodreads “To Read” list is already a good 700 items long, and people telling me “if you like X, then you’ll love Y!” genuinely stresses me the fuck out.

Disclaimer 4: There are no unproblematic faves on this list. I love Supernatural, and I know that Supernatural is hella misogynistic. On the flip side: I don’t love The Lord of the Rings at all, partially because LOTR is hella misogynistic, but I also don’t think that should stop anyone else from loving LOTR if they’re willing to love it and also acknowledge its flaws.

#literature #fandom #booklist #about the blogger #long post #long ass post #books #nothing to do with animorphs #Anonymous #asks

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gehayi · 8 years ago

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Nine Million Witches (long post)

The claim that nine million women died in the witch hunts is dead wrong.

It was, in fact, fabricated by a German man named Gottfried Christian Voigt (1740–1791). He is known as the source of the estimate of “nine million victims” in the European witch-hunts which became an influential popular myth in 20th century feminism and neopaganism. The history of this estimate was researched by Behringer (1998).

Voigt published it in a 1784 article, writing in the context of the Age of Enlightenment, wishing to emphasize the importance of education in rooting out superstition and a relapse into the witch-craze which had subsided less than a lifetime ago in his day. He was criticizing Voltaire’s estimate of “several hundred thousand” as too low.

Here’s the portion of Behringer that quotes what Voigt said.

“In Deutschland, Frankreich, Spanien, Italien und England, und überhaupt in dem Theile Europens, welcher seit dem Ausgang des 6. Jahrhunderts sich zur christlichen Religion bekannt hat, sind wenigstens 71 Millionen Einwohner anzunehmen. Wenn nun in einem so kleinen Bezirk Deutschlandes, welcher kaum 11 bis 12000 Menschen fasset, in einem Jahrhunderte auf 133 Personen als Hexen hingerichtet sind; so beträgt dieses in der ganzen christlichen Kirche auf jedes Jahrhundert 858.454, und auf den von mir bezeichneten Zeitraum von elf Jahrhunderten 9 Millionen vierhundert zwei und vierzigtausend neunhundert vier und neunzig Menschen.”

If your browser doesn’t translate from German, or you just don’t feel like reading through all of it, here is a translation:

“In Germany, France, Spain, Italy, and England, and at least in the part of Europe, which has become a Christian religion since the end of the sixth century, at least 71 million inhabitants are to be taken, Which is scarcely from 11 to 12,000 men, are executed as witches in a century, on the whole Christian Church, for every century 858,454, and on the period of eleven centuries which I have designated nine millions four hundred two-and-forty thousand nine hundred four-and-ninety people. ”

Behringer continues:

Even if Voigt’s number base and his speculations over the course of centuries had been constant witchcrafting across Europe - even in itself this high-rate calculation was wrong. For instead of 650 years ago, he had suddenly laid the foundation for eleven centuries, from the beginning of the seventh to the end of the seventeenth century, using the pontificate of Pope Gregory the Great (590-604), who had introduced the witch trials.

The bulk of the witch trials, by the way, happened in the fifteenth and sixteenth centuries. Neither the trials nor the executions happened at a steady rate over eleven centuries. (Not that everyone who was tried was executed.) And Voigt…well, Behringer shows how Voigt arrived at the number of 9 million, and to be blunt, Voigt pulled the calculation out of his ass.

Voigt’s new model calculation worked in two steps. He first calculated the number of witches per century in Europe: 133 x 71,000,000 / 11,000 = 858,454.55. Multiplied by eleven for the alleged number of years of persecution, however, he would have come to the round figure of 9.443.000. Voigt, however, rounded off his number before and counted: 858.454 x 11 = 9. 442,994. For Quedlinburg residents, the total number of victims decreased accordingly, with 12,000 inhabitants, for example, 8,656,083 victims.

For Voigt’s number to have been correct, there would have had to have been 858,454 people executed for witchcraft in Europe every single century for eleven centuries, starting at the sixth century until the end of the witch craze in the seventeenth century. The records of witch trials don’t support these numbers.

So where did support for the nine million number come from? At first, nineteenth-century scholars, who ran across Voigt’s quote, accepted it as fact and repeated it. It’s worth mentioning that there was a STRONG anti-Catholic movement in Europe in the nineteenth century, especially in France and Germany, and that many Protestant polemicists of the time seem to have gravitated toward the quote as proof that papal infallibility, declared during the nineteenth century, was not true–and they increased the numbers accordingly, boosting the estimated numbers of death from 100,000 to “several hundred thousand” to “perhaps a million” to “several million.” Voigt’s oddly precise high number was a gift to the polemicists...even though serious scholars basically ignored it.

But even then the myth might have died out…if not for the Nazis.

In his book “The Myth of the Twentieth Century” published in 1930, Alfred Rosenberg (1893-1946), editor-in-chief of the Nazi party magazine “Volkischer Beobachter”, expressed the view that the witch-madness was due to the debt of the “rattled, desolate Rome” Papacy as successor to the Etruscan Haruspex.

:::

In addition to the racist ideologue, two other groupings were also interested in the theme of the European witchcraft prosecutions in the “Kirchenkampf” of the Nazi movement: Volkspolitik feminism and the Neo-Germanic movements of faith. Mathilde Ludendorff (1877-1966), beside her husband Erich Ludendorff (1865-1937) leader of a Neo-Pagan group [54] , devoted especially to the Hexenthema 1934 with editions of over a hundred thousand copies the pamphlet “Christian cruelty to German women”. In this context, the nine-million theory revived. “Christians” had, according to Ms. Ludendorff, taught the “witch-wits, raised witchcraft to religious duty, and encouraged this crime to women.”

Paganism--and discrediting the Catholic Church--were both huge deals in Nazi Germany, so that “nine million” number spread. And, y’know, that number didn’t just evaporate after the war.

Ursula von Mangoldt swaggered in her introduction to Gerald B. Gardner's book "origin and reality of the witches" of 1965 "Nine million" witches, a figure that is not found in Gardner's text itself. According to Rosenberg and Ludendorff, the translator is justified by the fact that the witches' persecution is the expression "of the struggle of the Christian church against old pagan customs[.]”

The Origin and Reality of the Witches is probably a translation of the German title of Gardner’s last book, The Meaning of Witchcraft (published in English in 1959), which does indeed deal with both.

Now, Gardner was a huge deal in pagan circles; many refer to him as the Father of Wicca. That number ending up in a book by him, even if it was written by the translator and not Gardner, would have been highly influential. And as witchcraft and the occult became more and more popular, non-German writers on pagan and occult subjects began increasing the number of executed witches as well. Sandro Stratta spoke vaguely of “millions of witches” dying. And, to quote Behringer again: And the English Esoteric historian Richard Cavendish said in his "History of Magic" without proof, "the victims of the witch persecutions may have numbered from 250,000 to a million."

Feminism in 1960s and 1970s America latched onto historical witches, identifying them as old-fashioned rebels who were punished for and died for being different. The problem started when--as usual--numbers started getting inflated...and when feminists started claiming that the execution of witches was a widespread persecution of all women.

Outside of professional historiography, a rapid increase in the number of victims has now occurred in the USA. "Millions", Barbara Ehrenreich and Deirdre English in 1973, executed "Witches, Midwives and Nurses" in their small but influential booklet, a now classic publication of the new women's movement, which propagates the conspiracy theory that doctors wished to eliminate women from the health care with witchcraft , [76] One of the most influential products of academic feminism, "Gyn / Ecology" by the American religious philosophy philosopher Mary Daly, raises these figures to the centerpiece of her thesis of the oppressive character "patriarchy" [77]. In this context, in the 1970s, explicit comparisons of witchcraft with the Holocaust to the European Jews were made. Apart from Andrea Dworkin, Mary Daly especially wanted to surpass the genocide with a "gynozide"... [78]

Purkiss diagnosed a kind of competition with the result "that women would have suffered more than all victims of racism and genocide." The existence on the "burning" indicates the parallelization with the crematoria, if not on Hiroshima or Dresden. The message that the persecution of witches had actually been a prosecution of women, and that this had far exceeded the Holocaust quantitatively, was once again born at the interface between esoteric neo-paganism and feminism, where authors such as Miriam Simos (Starhawk) deny their livelihood with "magical" services. [80] As in the case of popular feminism, up to 13 million witches are given new superlatives here with sacrificial numbers, without the trace of a document[.]

By now, the “nine million witches” concept is ingrained in many minds as a fact...even though it was made up by Gottfried Voigt in the eighteenth century. It has been disproven for years. But those who believe it don’t bother to prove its truth; they take it as self-evident. Even worse, many believe that the LACK of evidence for this is proof not only of the deaths of nine million women, but also proof of a conspiracy to conceal those deaths, a conspiracy against all women.

This ignores the fact that men, too, were executed for witchcraft. But it makes those who believe the myth feel strong and brave, as if they are fighting against a huge and monolithic evil (in this case, the patriarchy). The same reason that the Nazis and the nineteenth-century polemicists liked the myth, in fact.

There’s not a lot of grandeur in the facts--that a large but unknown number of men and women were executed for witchcraft, particularly in the fifteenth and sixteenth centuries and particularly in Germany, and that a German man made up some numbers about how many had died in an attempt to convey how awful the witch trials were. We like to feel strong and powerful, the heroes of our own stories. The truth just says, “We believed something that wasn’t true. We goofed.”

Small wonder that the truth--that we don’t know how many people were executed as witches, but that there’s no documentation supporting the “nine million” allegation--hasn’t caught on. Given a choice between believing reality and believing a story that makes them feel powerful and important, people will almost always pick the story.

#nine million witches #gottfried christian voigt #occult and paganism writers #1960s feminism #the power of story

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lokaleblicke-blog · 6 years ago

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Noch Plätze frei

Duisburg. Das Projekt LebensWert in Neumühl bietet noch frei Plätze zu Informationsveranstaltungen über Demenz und Pflege sowie einen Kochkurs für Kinder an. Aber es gibt auch noch Karten für die Konzerte mit Rev. Gregory M. Kelly & The Best of Harlem Gospel und Angelika Milster in der Herz Jesu Kirche, Holtener Straße 160 in 47167 Duisburg. Alzheimer und Demenz – ein Schicksal, das uns alle treffen kann. Da es noch keine Therapie gibt, stehen die Betroffenen selbst sowie ihre Angehörigen dieser Diagnose oft hilflos gegenüber. Herr Dr. med. Horst Wimmershoff von der Alzheimer Gesellschaft Duisburg hält am 16. Januar 2019 um 15 Uhr im Café „Offener Treff“, Holtener Straße 176, für maximal 10 Personen einen Vortrag über das Krankheitsbild Demenz. Häufig gestellte Fragen an die Sozialarbeiterinnen des Projekt LebensWert zum Thema Pflege sind, wie man einen Antrag auf eine Pflegestufe stellt, wie ist das Procedere, welche Leistungen stehen einem zu und wer hilft, wenn pflegende Angehörige in Urlaub fahren. Frau Mikolajczak, Leitung Pflege bei der BKK Novitas referiert über die Themen Pflegebedürftigkeit, Antragstellung, Begutachtungsverfahren, Leistungen und Kurzzeitpflege am 24. Januar 2019 um 15 Uhr auch im Café „Offener Treff“. Die Referentin erwartet mindestens 20 Teilnehmer. Für Kaffee und Kuchen wird bei den Infoveranstaltungen ein Betrag von 4,50 Euro erhoben. Zu den Vorträgen „Demenz“ und „Pflege“ wird jeweils um Anmeldung bei Christel Harloff im Projektbüro unter Telefon 544 72 611 oder [email protected] gebeten. Die gute Nachricht für das neue Jahr: Das Projekt LebensWert wird seinen beliebten Kochkurs „Der Ernährungsführerschein“ für Dritt- und Viertkläss’ler wieder ab Dienstag, den 22. Januar anbieten. An fünf Terminen ab 16 Uhr lernen 6 junge Hobby-Köchinnen und -Köche kindgerecht alles Wissenswerte um gesunde Ernährung und hygienisch-saubere Zubereitung von kleinen Speisen kennen. Der nächste Kurs im Frühjahr 2019 startet dann am 12. März. Für die Kurse, die in der Kinderlernküche in der Holtener Straße 176a in 47167 Duisburg stattfinden, werden eine Kursgebühr in Höhe von 15 Euro bzw. ermäßigt 7,50 Euro erhoben. Anmeldungen nimmt Christian Voigt unter [email protected] oder Telefon 5034064 bis zum 17. Januar (bzw. 7. März für den Kurs ab dem 12. März) entgegen. Karten für die Konzerte mit Rev. Gregory M. Kelly & The Best of Harlem Gospel am 20. Januar und Angelika Milster am 27. Januar jeweils ab 18 Uhr erhält man unter www.adticket.de oder zu den Öffnungszeiten werktags von 8-16 Uhr direkt im Büro des Projekt LebensWert-Büro, Holtener Str. 172 in 47167 Duisburg, Tel. 0203 – 544 72 600. Kartenreservierungen sind mit Vorkasse unter [email protected] möglich. Im VVK kosten die Karten für das Gospelkonzert 27,90 Euro und für das Konzert „Hoffnung“ mit dem Musical-Star Angelika Milster 35,90 Euro. Die Teilerlöse der Konzerte kommen der sozialen Arbeit des Projekt LebensWert gGmbH von Pater Tobias zu Gute, welches sich nur aus Spenden und Förderungen durch Stiftungen finanziert. Read the full article

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j3s · 6 years ago

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Everything I read in 2018

I read the following books in 2018, in chronological order.

Books with an asterisk(*) particularly affected me. My top five-ish are: Alice Notley -- The Descent of Alette, Rachel Blau DuPlessis -- Interstices, Kiki Petrosino -- Witch Wife, Terrance Hayes -- American Sonnets for My Past and Future Assassin, Selah Saterstrom -- Ideal Suggestions: Essays in Divinatory Poetics, and Ottessa Moshfegh -- My Year of Rest and Relaxation.

This year, I also read a lot for Inverted Syntax, a new literary journal for which I’m an editor.

See jesicacarsondavis.net for previous years.

Full list ——————————

Arundhati Roy -- The Ministry of Utmost Happiness Barbara Mauriello -- Making Memory Boxes Richard McGuire -- Here Tana French -- The Secret Place Dylan Krieger -- Giving Godhead Roberto Bolaño -- The Savage Detectives Renee Gladman -- Newcomer Can’t Swim Melissa Kwasny -- Toward the Open Field: Poets on the Art of Poetry 1800-1950 Philip K. Dick -- Ubik Paula Hawkins -- Into the Water Jean Valentine -- Shirt in Heaven Alex Lemon -- Feverland Sawnie Morris -- Her, Infinite Don Delillo -- White Noise *Selah Saterstrom -- Ideal Suggestions: Essays in Divinatory Poetics Gregory Dowling -- Ascension Elizabeth Robinson -- Rumor CAConrad -- While Standing in Line for Death Renee Gladman -- Prose Architectures Ellen Bryant Voigt -- Headwaters CAConrad -- YOU DON'T HAVE WHAT IT TAKES TO BE MY NEMESIS Tana French -- The Trespasser Donna Tartt -- The Little Friend *Rachel Cusk -- Outline Taisia Kitaiskaia -- Literary Witches Tara Nolan -- Raised Bed Revolution Sarah Waters -- The Little Stranger Halle Butler -- Jillian Meg Wolitzer -- The Wife Michelle Tea -- Modern Tarot Courtney Weber -- Tarot for One Bethany C. Morrow -- Mem *Samantha Hunt -- The Seas Rosalie Knecht -- Who Is Vera Kelly? *jamie mortara -- some planet Christina Dalcher -- Vox Jennifer Egan -- Look at Me Peter Frase -- Four Futures: Life After Capitalism Carmen Maria Machado -- Her Body and Other Parties Fatimah Asghar -- If They Come for Us Laura Lippman -- Every Secret Thing Allison E. Joseph -- Corporal Muse Jessica Knoll -- Luckiest Girl Alive Barbara Ehrenreich & Deirdre English -- Witches, Midwives, and Nurses: A History of Women Healers Alexander Chee -- How to Write an Autobiographical Novel Ilene Rosen -- Saladish *Kiki Petrosino -- Witch Wife Neil Gaiman and Terry Pratchett -- Good Omens *Terese Marie Mailhot -- Heart Berries Dorothea Lasky -- Milk *Rebecca Makkai -- The Great Believers Timothy Snyder -- On Tyranny Lawrence Ferlinghetti -- Poetry as Insurgent Art Monica McClure -- Tender Data *Alice Notley -- The Descent of Alette J. T. Ellison -- Lie to Me Yoel Hoffmann (Ed.) -- Japanese Death Poems *Ottessa Moshfegh -- My Year of Rest and Relaxation Sherwin Bitsui -- Dissolve *Rachel Blau DuPlessis -- Interstices Diane di Prima -- The Poetry Deal Megan Abbott -- The Fever Karen Auvinen -- Rough Beauty: Forty Seasons of Mountain Living *Modern Women -- Many Moons 2018 Vol 2: July - December Nicolai Houm -- The Gradual Disappearance of Jane Ashland *Terrance Hayes -- American Sonnets for My Past and Future Assassin

#books #readinglist #2018

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arcadiabuilt · 8 years ago

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OTP/ENDGAME/ETC List

Under the cut. This is not meant to piss anyone off. This is not meant to play favorites. This doesn’t mean other ships/verses aren’t possible. Many of my muse don’t have any at all, honestly. * means that the muse has no ship active. If the muse name is blank but has ships, it means that no one has caught their eye enough to justify this title as of yet.

Muse of the muses below: @likepapertowns , @tranquilhearted , @gxnnabelegends , @urbanesyndicate , @iroleplaynow

Lesya Volcov - Daniel Walden

Samuel Alexander - Xander Rogers

Peter Voigt - *

Leto Anasas-Bradey - Aiden Prior

Jeremiah Temple - *

Victoria Alexander - *

Abel Teller - Laine Coleman

Orion Spencer - *

Briar Randal-Moray -

Chelsea Ironside - * (muse in works)

Ruslan Denisovich - * (muse in works)

Mason Monroe - *

Lee Alexander - (I’m stuck on Lee: he has two candidates -- AJ Kennedy and Gemma Duffy)

Dante Notoriani - Darcy Delfino

Marisol Rivera - *

Cole Coulson - Levi Alexander -

Grace McKinnish - *

Gregory Volcov - Cassidy Chase

Aleksey Volcov - Harmony Barnes

Quinn Talmont - James Maverick

Fallon Kennedy - *

Portia Bradley - Kyle Porter

Phoenix Lenderman - Serenity Spencer

Landon Randal -

Cade Moray -

Brady Porter - Danielle Thomas

Destiny Tucker - *

Joanna Temple - August Duffy

Harley Lenderman -

Emilio Notoriani - *

Kierra Randa - Milo Coulson

#ships #;;heartstrings #OTP #endgame

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moviesandmania · 5 years ago

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Exit 0 - USA, 2019 - overview and reviews

Exit 0 – USA, 2019 – overview and reviews

‘If these walls could talk… they’d scream.’

Exit 0 is a 2019 American thriller feature film about a young couple that finds a videotape of murder from several years before in their hotel room.

Written, co-produced and directed by E.B. Hughes (The Midnight Caller) from a storyline co-written with Gregory Voigt, the movie stars Gabe Fazio (Crypto), Augie Duke (Clown Fear; Wild Boar; Blood Craft; T…

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#2019 #Augie Duke #Exit 0 #Federico Castelluccio #film #Gabe Fazio #movie #Peter Greene #thriller

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nyslovesfilm · 6 years ago

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Save the Date: TV Premieres and Film Releases

The schedule of television premieres and film releases continues. Below is a list of upcoming television shows and films that participated in New York State’s production and post-production tax credit programs with upcoming release/premiere dates.

Shine – Oct. 5 — GVN Releasing Two Puerto Rican brothers from New York's Spanish Harlem and the street's best salsa dancers, are separated after a tragedy only to reunite years later on opposing sides of gentrification. Starring: David Zayas, Jorge Burgos, Gilbert Salvidar (Participated in the New York State Film Tax Credit Program – Production)

Private Life— Oct. 5 —Likely Story/Netflix An author is undergoing multiple fertility therapies to get pregnant, putting her relationship with her husband on edge. Starring: Kathryn Hahn, Paul Giamatti (Participated in the New York State Film Tax Credit Program – Production)

Madam Secretary – Season 5 – Oct. 7 – CBS This series stars Téa Leoni as Elizabeth McCord, the shrewd, determined Secretary of State who drives international diplomacy and circumvents protocol as she negotiates global and domestic issues, both at the White House and at home. Starring: Téa Leoni, Tim Daly (Participated in the New York State Film Tax Credit Program – Production)

The Walking Dead – Season 9—Oct. 7—AMC This series captures the ongoing human drama following a zombie apocalypse and follows a group of survivors, led by police officer Rick Grimes, who are traveling in search of a safe and secure home. However, instead of the zombies, it is the living who remain that truly become the walking dead. Starring: Andrew Lincoln, Norman Reedus, Danai Gurira (Participated in the New York State Film Tax Credit Program – Post Production)

Blindspot—Season 4—Oct. 12—Warner Bros./NBC A beautiful woman is found naked in Times Square, her memory erased, her body covered in a series of coded tattoos. But as "Jane Doe" and the FBI team who discovered her work to decipher, investigate and solve the complex treasure map of her body, an ever-widening web of conspiracy and corruption is revealed, as is the truth behind Jane Doe's real identity and the identity of the people who sent her to the FBI in the first place. Starring: Sullivan Stapleton, Jamie Alexander, Rob Brown (Participated in the New York State Film Tax Credit Program – Production)

Beautiful Darkness—Oct. 12—Locomotive A funny and irresistible story of a young girl who literally cannot see or hear her mother, even though she is living with her under the same roof. With the help of an eccentric psychiatrist, and a local, accidental hero, our heroine has to grow up, but falls in love and eventually takes hold of her future - despite not being able to see what's right in front of her. Starring: Chloë Sevigny, Aidan Turner (Participated in the New York State Film Tax Credit Program – Production)

Johnny Gruesome—Oct. 16—Red Hill Movies Based on the award-winning horror novel by Gregory Lamberson. When rebellious high school student Johnny Grissom is murdered, he returns from the grave as a revenge crazed supernatural creature. Starring: Anthony De La Torre, Byron Brown, April Panaggio (Participated in the New York State Film Tax Credit Program – Production)

The Super—Oct. 19—Saban Films This film centers on the mysterious disappearance of several tenants at a luxury New York City apartment building. Flueger portrays the building’s new superintendent and a former NYPD officer, who immediately suspects the strange maintenance man, played by Kilmer. With his daughters’ lives on the line, he must decipher the cryptic riddles in which Kilmer’s character speaks to solve the case of the disappearances before it’s too late. Starring: Patrick Flueger, Val Kilmer, Louisa Krause (Participated in the New York State Film Tax Credit Program – Production)

Can You Ever Forgive Me? --Oct. 19—Fox Searchlight McCarthy stars as Lee Israel, the best-selling celebrity biographer (and cat lover) who made her living in the 1970s and 1980s profiling the likes of Katherine Hepburn, Tallulah Bankhead, Estee Lauder and journalist Dorothy Kilgallen. When Lee found herself unable to get published because she had fallen out of step with the marketplace, she turned her art form to deception, abetted by her loyal friend Jack. Starring: Melissa McCarthy, Richard E. Grant, Dolly Wells (Participated in the New York State Film Tax Credit Program – Production)

Mid90s – Oct. 19 – A24 Written and directed by Jonah Hill, this film follows Stevie, a 13-year-old in 90s-era LA who spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop. Starring: Sunny Suljic, Katherine Waterson, Lucas Hedges (Participated in the New York State Film Tax Credit Program – Post Production)

Wildlife –Oct. 19 – IFC Films Fourteen-year-old Joe is the only child of Jeanette and Jerry—a housewife and a golf pro—in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job—and his sense of purpose—he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves. Suddenly forced into the role of an adult, Joe witnesses his mother’s struggle as she tries to keep her head above water. Starring: Jake Gyllenhaal, Carey Mulligan, Ed Oxenbould (Participated in the New York State Film Tax Credit Program – Post Production)

Stuck – Oct. 26—SpeakEasy Films An original pop musical film about six strangers who get stuck on a New York City subway together and change each other’s lives in unexpected ways. Starring: Giancarlo Esposito, Amy Madigan (Participated in the New York State Film Tax Credit Program – Production)

Viper Club—Oct. 26—Roadside Attractions This film follows a veteran emergency room nurse secretly struggling to free her grown son, a journalist, from capture by a terrorist group. After running into roadblocks with government agencies, she discovers a clandestine community of journalists and advocates who might be able to help her. Starring: Giancarlo Esposito, Amy Madigan (Participated in the New York State Film Tax Credit Program – Production)

Ray Donovan – Season 6—Oct. 28—Showtime Now set in NYC, Ray Donovan (starring Emmy® and Golden Globe® Award nominee Liev Schreiber) is the go-to guy who makes the problems of celebrities, superstar athletes, and business moguls disappear. Starring: Liev Schreiber, Jon Voigt, Susan Sarandon (Participated in the New York State Film Tax Credit Program – Production)

Tell Me A Story—Season 1—Oct. 31—CBS The world's most beloved fairy tales are reimagined as a dark and twisted psychological thriller set in modern day New York City, the first season of this serialized drama interweaves "The Three Little Pigs," "Little Red Riding Hood," and "Jack and the Beanstalk" into an epic and subversive tale of love, loss, greed, revenge, and murder. Starring: Kim Cattrall, Billy Magnussen, James Wolk (Participated in the New York State Film Tax Credit Program – Production)

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