Excerpts from an AllMusic review by Gregory McIntosh.
“ A Todo Vapor is a really fascinating live document of Gal Costa from the early '70s where she proved to be as exciting and diverse on-stage as she was at that time in the studio. The first seven tracks (of 18) feature Costa alone, accompanied by only her own acoustic guitar and the performances are dramatic, intimate, precise, emotional, and stunningly clear.
A Todo Vapor would've been a fine set with only these tracks, but the real treat comes in about halfway through the eight-minute epic, "Vapor Barato," when out of nowhere, her band joins in and turns the slow, intimate descending progression into a scorching lament …. the band is experimental and dynamic -- actually quite mad -- similar to her band on her two self-titled records from 1969. “
https://www.allmusic.com/album/-fa-tal-gal-a-todo-vapor-mw0000607041
(via Discoteca Básica Bizz #132: Gal Costa - Fa-Tal: Gal a Todo Vapor (1971))
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In case you don’t recognize the actors’ characters:
Ross = Aaron
Michael = Abraham Ford
Ian = Tomichi Okumura
Austin Abrams = Ron Anderson
Pollyanna McIntosh = Jadis/Anne
Xander Berkeley = Gregory
Alanna Masterson = Tara Chambler
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AllMusic Staff Pick:
Gal Costa
Índia
With Índia, Gal Costa completely abandoned the absurd, screaming guitars and wild drumming for some of the lushest, most sophisticated, and most complex arrangements of her career. Her voice is clear and inviting as always, sitting perfectly with the strings, accordions, horns, reeds, and percussion that swirl around, effortlessly punctuating the romance in every track. Even though the hugely influential Tropicalia movement was over by the time of this release, Índia unquestionably shows that Costa's inventiveness was still unfolding and impulsive and should be considered by the wave of Tropicalia collectors as a worthy addition to the assortment of recordings in that it shows how a major player in that movement transferred her ambitions to a completely different direction without forsaking her class or drive.
- Gregory McIntosh
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For decades, next-door neighbors and former friends John and Max have feuded, trading insults and wicked pranks. When an attractive widow moves in nearby, their bad blood erupts into a high-stakes rivalry full of naughty jokes and adolescent hijinks.
Credits: TheMovieDb.
Film Cast:
John Gustafson: Jack Lemmon
Max Goldman: Walter Matthau
Ariel Truax: Ann-Margret
Grandpa Gustafson: Burgess Meredith
Melanie: Daryl Hannah
Jacob Goldman: Kevin Pollak
Chuck: Ossie Davis
Snyder: Buck Henry
Mike: Christopher McDonald
Moving Man: John Carroll Lynch
Weatherman: Steve Cochran
Pharmacist: Joe Howard
Nurse: Isabell O’Connor
Fisherman: Charles Brin
Fisherman: Oliver Osterberg
Film Crew:
Director: Donald Petrie
Original Music Composer: Alan Silvestri
Producer: Richard C. Berman
Editor: Bonnie Koehler
Director of Photography: Johnny E. Jensen
Art Direction: Mark Haack
Special Effects Coordinator: Peter Albiez
Chief Lighting Technician: Patrick Marshall
Key Costumer: Trina Mrnak
Location Manager: Cat Thompson
Sound Re-Recording Mixer: Rick Hart
Foley: Ellen Heuer
Dialogue Editor: Vic Radulich
Special Effects Supervisor: Greg C. Jensen
Musician: Tom Boyd
Associate Producer: Kathy Sarreal
Casting: Sharon Howard-Field
Second Assistant Director: Molly Muir
Leadman: Chris Gibbin
Boom Operator: Mark Steinbeck
Dialogue Editor: Mike Szakmeister
Stunts: Bill McIntosh
First Assistant Camera: Jimmy E. Jensen
Costume Supervisor: Keith G. Lewis
Music Editor: Andrew Silver
Production Accountant: Kim Bodner
Administration: Peter L. Mullin
Costume Design: Lisa Jensen
Dialogue Editor: Christopher Assells
ADR Editor: Linda Folk
Additional Sound Re-Recording Mixer: Kim Waugh
Stunts: Spiro Razatos
Title Designer: Wayne Fitzgerald
First Assistant Director: Douglas E. Wise
Sound Re-Recording Mixer: Tom E. Dahl
Second Unit: Rosalie Seifert
Orchestrator: William Ross
Administration: Gregory J. Niska
Set Decoration: Clay A. Griffith
Makeup Artist: Linda Melazzo
First Assistant Director: Randy Suhr
Foley: Kevin Bartnof
ADR Supervisor: Jessica Gallavan
Foley Editor: Eric Gotthelf
Sound Recordist: David Behle
Best Boy Electrician: Hugh Langtry
Assistant Editor: Trudy Yee
Construction Foreman: Blaine Marcou
Special Effects: Shelly Hawkos
Administration: Tom Sann
Hairstylist: Linda Rizzuto
Key Makeup Artist: Rick Sharp
Assistant Property Master: Jerry Swift
Sound Re-Recording Mixer: Robert J. Litt
Stunt Coordinator: Ernie F. Orsatti
Chief Lighting Technician: Pat Blymyer
Scoring Mixer: Dennis S. Sands
Production Accountant: Susan Montgomery
Executive Producer: Dan Kolsrud
Property Master: Jim Zemansky
Stunts: Ray Lykins
First Assistant Camera: Christopher M. Fisher
Unit Publicist: Michael Singer
Associate Producer: Darlene K. Chan
Researcher: Aryn Chapman
Sound Effects Editor: Randy Kelley
Supervising Sound Effects Editor: Mark P. Stoeckinger
Still Photographer: Ron Phillips
Construction Coordinator: Douglas Dick
Sound Re-Recording Mixer: Wayne Heitman
Foley Editor: Patrick N. Sellers
First Assistant Editor: Adam C. Frank
Color Timer: Dale E. Grahn
Supervising Music Editor: Kenneth Karman
Dialogue Editor: Chris Hogan
Camera Operator: Dick Colean
Assistant Costume Designer: Elizabeth Shelton
Location Manager: Dave Halls
ADR & Dubbing: Thomas J. O’Connell
Key Grip: Richard Moran
Key Costumer: Hala Bahmet
Administration: Lisa D. Menke
Hairstylist: Linda De Andrea
Assistant Art Director: Jack E. Pelissier Jr.
Assistant Sound Editor: Cybele O’Brien
Sound Re-Recording Mixer: Elliot Tyson
Assistant Sound Editor: Victor Ray Ennis
Production Sound Mixer: Russell C. Fager
Rigging Gaffer: Tim Marshall
Negative Cutter: Donah Bassett
Script Supervisor: Susan Bierbaum
ADR & Dubbing: Rick Canelli
Special Effects: Keane Bonath
Associate Editor: Steve Schoenberg
Production Design: David Chapman
Producer: John Davis
Writer: Mark Steven Johnson
Movie Reviews:
John Chard: Do me a favour. Put your lip over your head… and swallow.
Grumpy Old Men is directed by Donald Petrie and written by Mark Steven Johnson. It stars Walter Matthau, Jack Lemmon, Ann-Margret, Kevin Polla...
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Final Pool Parties in 3300 BCE
The Indus Valley Civilisation, flourishing between 3300 BCE and 1300 BCE in what is now Pakistan and northwest India, was notable for its advanced urban planning, architecture, and social organisation. And sewage, people.
The sophisticated sewage and drainage systems of Harappans were unparalleled in the ancient world, with houses connected to a centralised water network preventing most people from dying from germs.
Quite a futuristic feat for that period, as the Harappan settlements predate Rome by millennia, solidifying its place as one of the most populous and significant urban centers of its time.
This system provided sanitation and helped manage the monsoon floods that could have devastated their cities. In the past, these floods used to be ambivalent, enriching the soil and facilitating agriculture, but also posing threatening urban infrastructure and probably even bringing Harappans to their eventual collapse.
Our expert opinion is: when our home gets flooded all the time, we tend to abandon it.
Or we stay, hoping the floods aren't that bad, right?
Illustration by Nikita Fabbro + AI
Further reading:
1. "The Ancient Indus Valley: New Perspectives" by Jane McIntosh, which offers a comprehensive overview of the civilization's architecture, social structure, and potential religious practices.
2. "Mohenjo-Daro and the Indus Civilization" by Marshall Sir John, a pioneering excavation report that provides firsthand observations of the the extensive urban planning of Harappans.
3. "The Indus Civilization: A Contemporary Perspective" by Gregory Possehl, which discusses the civilization's technology, trade, and the enigmatic script that remains undeciphered, offering insights into its possible religious beliefs and practices.
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The Help
The Help (2011) is a movie directed by Tate Taylor. The movie is based in the 1960’s in the American South during the Civil Rights Movement. Skeeter, an aspiring author, returns to her hometown of Jackson, MS. She begins to author a novel based on the point of view of “the help” – a term used for African American women hired as housekeepers by white families during the time. Secretly Skeeter collaborates with African American housekeepers, Aibileen and Minny, to author stories about their experiences.
While laws were changing, during the Civil Rights Movement in the 1960’s, there were still racial aggressions towards Black people, especially in the American South. We see this in an earlier scene in the movie when Hilly, a white woman, refuses to use the bathroom at her friend, Mrs. Leefolt’s, home because her African American housekeeper, Aibileen, uses the guest bathroom as well. Hilly installed a separate bathroom outside of her own home for her housekeeper Minnie to use and encourages Mrs. Leefolt to do the same, claiming that African Americans carry different diseases than white people. She even goes as far as to mark the toilet paper in her own bathrooms with pencil to see if her housekeeper, Minny, is using their indoor restrooms and tries to force her to go to the outside restroom during a severe storm. This ties into Gregory Jay’s article “Who Invented White People?” Jay states, “… Americans faced the fact that changing the laws did not change the feelings and beliefs of individuals, black or white. Beyond the abstract words of law and legislation, real people continued to carry with them the history of racism, whether as victims of its horrors or as beneficiaries of its privileges.”
Throughout the movie we can also see the socioeconomic disparities when it comes to race. The fact that African American housekeepers mostly lived in the same lower-class neighborhood in Jackson, all catching the bus in the morning to take them to the upper-class, white neighborhoods where they worked. There is also a point where we see Minny preparing her eldest daughter for her first day of work as a housekeeper. Her daughter was pulled out of school to support the family financially.
Although The Help focuses on race, there is quite a few instances of gender bias as well. We can see this clearly with Skeeter. When she comes home and applies to be a columnist at The Jackson Journal, she is given the Miss Myrna column to run – a column focused on housekeeping tips and tricks which is very fitting for what was considered to be a woman’s role during the time. In addition, Skeeter hasn’t had much experience in dating unlike her social peers who are already married with children. Throughout the movie there are subtle reminders that due to Skeeter’s choice to have a career, how she dresses/styles her hair, and her opinions make her an unlikely prospect for marriage. Skeeter seemingly has similarities with Peggy McIntosh, the author of “White Privilege: Unpacking the Invisible Knapsack” in which McIntosh references the understanding of white privilege by comparing it to her experience amongst men who do not realize their advantages. It seems as if Skeeter’s rejection of conformity to a 1960s homemaker and the fact that she was extremely close to her own family’s housekeeper, Constantine, allows her to see the unjust treatment of Black women of the time. Like McIntosh references in her article, it’s simply not enough to disapprove of the powers that keep systemic racism in place, people must work to dismantle them. Skeeter embodies the change she wishes to see by giving a voice to those whose voices have been suppressed by authoring the book The Help.
References
IMDb. “The Help (2011) - Plot - IMDb.” Www.imdb.com, www.imdb.com/title/tt1454029/plotsummary/.
Jay, Gregory. “Who Invented White People?” The Thomson Reader: Conversations in Context, by Robert P. Yagelski, Wadsworth Publishing, Jan. 2006, pp. 96–102.
McIntosh, Peggy. “‘White Privilege: Unpacking the Invisible Knapsack’ and ‘Some Notes for Facilitators.’” National SEED Project, 2010, www.nationalseedproject.org/key-seed-texts/white-privilege-unpacking-the-invisible-knapsack.
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Lane, who has studied the above writers extensively, also reflects this view.
He writes that this mystical spirituality and spiritual direction was grounded in epikistasis, an endless desire for God.
It is an infinite ‘straining forward to what lies ahead’ that is alluded to in Philippians 3:13.
In Gregory’s conception of mystical desire, the excess of God’s being, insofar as it is utterly incomprehensible, results in a subject engaged in perpetual discovery.
So, even after death, there is only ever a ‘satisfed dissatisfaction’.
From this perspective, we can see that these early writers did not perceive desire solely as affective fulfillment.
Instead, they understood that it had an ontological status linked to broader cosmology.
Desire was caught up with the whole person and not just an affective part of the person.
Both McIntosh and Lane suggest that desire was an expression of the inherent incompleteness of our entire existence and that each action, whether this is intellectual, emotional, or physical, is ultimately incomplete and thus signals its relation to the infinite.
The Direction of Desire
Mark Gerard Murphy
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Multimedia Journal 2
“3rd Rock From the Sun.” IMBD, https://www.imdb.com/title/tt0115082/
The show that I chose for my second Multimedia Journal is 3rd Rock from the Sun, a sitcom from the 90s about aliens that come to Earth and try to live normal human lives. The human disguised aliens learn about various human norms and cultural experiences that help the audience gain an outside perspective about who we are as humans. Throughout the series, there are lots of episodes that discuss race, ethnicity, and whiteness.
Turner, Bonnie, et al. “Dick, Who's Coming to Dinner.” 3rd Rock From the Sun, season 5, episode 6, NBC, 23 Nov. 1999.
During season 5 episode 6 titled, “Dick, Who’s Coming to Dinner,” the main character, who is an alien disguised as an older white male, gets excluded from attending a black student union group. He does not understand why he is not allowed to attend and is offended. At first, he claims no contribution to the history of white population, but then he dives deeper and learns about the history of white oppression in the world. During his revelation that the history of whiteness is somewhat bad, his human friend says, “It’s not like you picked the color of your skin, right?” This is somewhat comical because when designing himself as a human, he picked to be a white male. This episode reminded me of our discussion of Peggy McIntosh’s “White Privilege: Unpacking the Invisible Knapsack,” along with Richard Dryer’s, “On the Matter of Whiteness.” These two writers discuss the privilege that Dick chose to have during the show. In McIntosh’s works, she discusses that men and white people are not conscious of their own oppressiveness. This directly relates to the show where Dick does not understand how he is oppressive, nor is the white population. Dryer speaks to how and what privilege gets you as a white person, and Dick realizes all the privilege he has during the episode.
“3rd Rock From the Sun.” IMBD, https://www.imdb.com/title/tt0115082/
Another moment of diversity occurs during season 1 episode 16, titled, “Dick Like Me,” when the group of aliens realize that they do not have an ethnic group. Throughout the episode they try to become various ethnic groups and try to act in different ways in relation to the different cultures. The aliens picked out the last name Solomon, which someone tells them that they might be Jewish, which lead them to their conclusion of ethnic groups. This reminded me of how we talked about mixed races during the semester. Just like how in Vin Diesel’s Multifacial, the Solomons are continuously told that they need to pick one ethnic group to be in. Although they have no background in any particular ethnic group, they have to only pick one. The short film by Diesel discusses how he is not completely black or completely Italian for various roles.
Diesel, Vin, director. Multifacial, https://www.youtube.com/watch?v=Gf4Ydp8CGk8.
This connection relates to how people determined that people can only fall into one group, not a variety of groups. Overall, 3rd Rock from the Sun has many moments throughout the entirety of the show that represent the cultural diversity, racial issues, and other problems that occur in America.
Diesel, Vin, director. Multifacial, https://www.youtube.com/watch?v=Gf4Ydp8CGk8.
Gregory Jay, "Who Invented White People" From Speech Given by Gregory Jay, http://www.uwm.edu/%7EgJay/Whiteness,Whitenesstalk.htm Reprinted by permission
Martin, Craig. “The Brilliance of Containing Whiteness.” Culture on the Edge, 1 Nov. 2019, https://edge.ua.edu/craig-martin/the-brilliance-of-containing-whiteness/.
McIntosh, Peggy. White Privilege: Unpacking the Invisible Knapsack.
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Multimedia Blog #3
For my final blog, I chose the social media website, Twitter. More specifically, I chose to follow the group, Black Lives Matter. This movement is obviously relevant to our class topics and concepts about race and ethnicity.
The movement was started in 2013 by Alicia Garza, Patrisse Cullors, and Opal Tometi. The rapid spread of this movement was due, in part, to social media a few years later with the deaths of Michael Brown and Eric Garner. It became popular worldwide after the death of George Floyd in 2020.
The mission of the movement is to eradicate white supremacy and bring justice to those affected by it.
In Gregory Jay's reading, "Who Invented White People?", he talks about how prevalent racism is in our world today. In the reading, he says, "To this day, racial discrimination remains pervasive in America" (Jay, 2). He then goes on to discuss how minority groups face much discrimination in many different areas like from banks, jobs/corporations, college and universities, and so much more. This connects to the Black Lives Matter movement because this is the whole point of the organization. The goal is to eliminate these types of discriminatory barriers.
This is Black Lives Matter's most recent tweet. This article discusses how BLM has set up a relief fund for Black college students and any one who has attended college that may need help paying back student loans. After the pandemic, student loan debt has skyrocketed, so the goal of this relief fund helps lift the burden off of African American's.
I think the BLM movement is really important to discuss, and I'm surprised we didn't talk about it in Multiculturalism in America. The movement calls attention to issues that don't necessarily affect everyone, but more specifically Black people. The organization sheds light on the everyday issues that African American's face and uses their support in order to diminish these inequalities.
In Jay's reading, he makes an interesting point. This excerpt is important to understanding why race does matter and will continue to matter. It helped me view my cultural identity in a different way because I never really realized how much the word 'race' is associated with minority groups, yet being white is obviously a race, and the white people themselves stigmatized the word to have a negative connotation.
This tweet reminds me of Peggy McIntosh's discussion on the Invisible Knapsack of White Privilege. When she discussed her newfound self awareness of the white privilege she has, she listed unearned assets she receives in her everyday life just based off of her race.
This is one of the unearned assets she listed. Voting is related to this and is a major public issue that minority groups are discriminated against in our voting system. The BLM movement works to reverse these unjust boundaries put in place.
Overall, it's sad to see that the way this movement came to rise in power and popularity was over deaths of innocent African Americans by the police, but it's refreshing to see that they are fighting. We are fighting.
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Uncharted 2 cast
Mary Jane Pajaron, Ronald Gebilaguin, Ferdinand Ladera, Derek Murillo, Allain D.People of color are more visible in games today than ever before.
Marvin Allen Aure, Jefferson Estrabinio, Kerwin Atienza, Anthony David Calderon, Leonardo M. Wilson Pedro Jr., Dino Antonio Morales, Valroman Francisco, Franco Perez Sound Effects & Foley Editor Lead Dialogue Editor Re-Recording Mixer Supervising Sound Editor Technicolor Animation and Interactive ServicesĬinzia Angelini, Lindsey Butterworth, Emanuela Cozzi, Kent Culotta, Daniel Godinez, Bart Goldman, Jose Hernandez, Sung-hyun Kim, Mark Levine, Melissa Thompson, Mark Villagracia, Alex Zemke Guerilla Games, Media Molecule, Sony Santa Monica, Insomniac Games, Ready At Dawn Studios, Sucker Punch Productions, Bungie, Infinity Ward, Havok, Mitchell Silberberg & Knupp LLP, John Crompton (Crompton & Associates)Īlex Gaynor, Annie Wildmoser, Elisha Christian, Jesse Crusing, Kyle KlützĪaron Lambert, Alejandro Castro, Ian Lang, James Lipscomb, Josh LaBrot, Julian Palacios, Mahyar Sadri, Randy Wilson, Ryan Torrey Michael Caloz, Wesley Tobler, Sergiy Migdalskiy, Ricardo Ariza, Cory Hamilton, Victoria Fortson, Joshua Frontino, Boris Batkin, Mark Cerny, Andre Petrossian, Greta Anderson Melissa Barker, Esteban Cueto, Richard Dorton, Michael Mukatis, Justin Rasch, Chris Robbins, America Young Theo Balestra, Lola Balestra, Aidan Balestra, Nathan Levitt, Lauren Levitt Prasadananda Das, Toufiq Tulsiram, Tenzing Tsering Berger, Steven Jay Blum, Dimitriy Dyachenko, Robin Atkin Downes, Michael Gough, James Horan, Yuri Lowenthal, Fred TatascioreĪlex Demir, Serder Burhan Kalsin, Oscar Oden, Murat Uludagĭechen Choezom, Pema Dhondup, Yangchen Dolkar, Namgyal Kyulo, Tenzing Tsering Kimble, Tristram Coffin, Joshua Dodge, Brenden Quibin Rob Alonso, Ronald Avila, Anthony Bailey, Eddie Blandon, Byron Brackens, Andrew Cockburn, Adam Grodin, Matthew Hartwell, David Kabelitz, Michael Longley, Travis Madole, Lizz McCue, Alex Medina, Byron Mehlsack, Jeffrey Keith Negus, Rodney Reece, Matthew Rothstein, Trevor Stevens, Nick Murphy, Travis R. Marianne Hayden, Jason Martinsen, Jeremy Collins James Paick, Polina Hristova, Erwin Madrid, Kory Heinzenĭavid Lam, Moragot Bodharamik, Randall Davis (Lee) MikkelsenĬompany Mascot, Morale Builder and Food Patrol Borujeni, Shan-Min Chao, Andrew Cove, Cédric Lallain, Bryan McNett, Adam Johnson, Morten S. Manny Ko, Cort Stratton, Jason Scanlin, Mohammad S. Shaddy Safadi, Hong Ly, Andrew Kim, Brian Yam Omar Gatica, Thomas Wright, Eva Krzeminskiĭarcy Korch, Hanno Hagedorn, Bryan Wynia, Corey Johnson Lee, Simon Craghead, Reiko Satoīenson Russell, Junki Saita, Jonathan Stein, Justin Richmond, Kurt Margenau, Jacob Minkoff, Robert Cogburn, Anthony NewmanĬharlotte Francis, Malcolm Hee, Behrooz Roozbeh, Christian Nakata, Nichol Norman, Adam Marquis, Genesis Prado, Brian Beppu, Khanh D. Chen, David Baldwin, Stephen Ife, Michael Murrill, David Ballard, Edward J. Reuben Shah, Santiago Gutiérrez Cortés, Christophe Desse, John Germann, Henry Cheng, Dustin King, Jonny Q. Shamil Rasizade, Chris Ilvento, Brian Robison Pål-Kristian Engstad, Travis McIntosh, Dan LiebgoldĬhristopher Christensen, Jonathan Lanier, Carlos Gonzalez-Ochoa, Marshall Robin, Fengquan Wang, Charles Tangora, Christian Gyrling, John Bellomy, Jason Gregory, Lucas Pope, Ian Jones, Jeff Shaffer, Jérôme Durand, Sandeep Shekar, Vincent Marxen, John Hable 969 people (918 developers, 51 thanks) Naughty Dog
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Sorted caps from seasons 1, 4, 5 & 7 of The Walking Dead.
Aaron - Ross Marquand - #5,400
Abraham - Michael Cudlitz - #6,900
Amy - Emma Bell - #2,600
Andrea - Laurie Holden - #11,600
Astrid - Brianna Venskus - #3,300
Beth - Emily Kinney - #12,600
Bob - Lawrence Gilliard, Jr. - #4,800
Carl - Chandler Riggs - #16,300
Carol - Melissa McBride - #28,000
Cyndie - Sydney Park - #2,100
Dale - Jeffrey DeMunn - #8,700
Daryl - Norman Reedus - #19,000
Dawn - Christine Woods - #2,600
Deanna - Tovah Feldshuh - #3,000
Dwight - Austin Amelio - #2,900
Eugene - Josh McDermitt - #13,100
Ezekiel - Khary Payton - #4,800
Gabriel - Seth Gilliam - #4,600
Glen - Steven Yeun - #19,000
Governor - David Morrissey - #9,400
Gregory - Xander Berkeley - #3,000
Hershel - Scott Wilson - #6,000
Jadis - Pollyana McIntosh - #1,800
Jenner - Noah Emmerich - #3,300
Jerry - Cooper Andrews - #900
Jesus - Tom Payne - #3,700
Jim - Andrew Rothenberg - #2,600
Joe - Jeff Kober - #1,600
Lily - Audrey Marie Anderson - #2,900
Lizzie - Brighton Sharbino - #5,000
Lori - Sarah Wayne Callies - #17,000
Maggie - Lauren Cohan - #17,000
Merl - Michael Rooker - #1,400
Michonne - Danai Gurira - #11,000
Mika - Kyla Kenedy - #5,000
Mitch - Kirk Acevedo - #1,100
Morgan - Lennie Michael James - #5,700
Negan - Jeffrey Dean Morgan - #14,100
Noah - Tyler James Williams - #2,500
Richard - Karl Makinen - #4,000
Rick - Andrew Lincoln - #69,000
Rosita - Christian Serratos - #10,000
Sasha - Sonequa Martin-Green - #16,500
Simon - steven Ogg - #2,500
Sophia - Madison Lintz - #1,300
Spencer - Austin Nichols - #3,000
Tara - Alanna Masterson - #15,000
T-Dog - IronE Singleton - #3,500
Tyreese - Chad Coleman - #8,800
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I was tagged by @hrwinter @battenthecrosshatches and @nevertobeships to share five books I want to read this year! <3333 thanks friends
1. The Women of the Counsins’ War: The Duchess, the Queen, and the King’s Mother by Philippa Gregory, David Baldwin and Michael Jones
2. Women of the OSS: Sisterhood of Spies by Elizabeth P McIntosh
3. The Falcon Thief by Joshua Hammer (I technically started this one last year as a rec from @i-am-robie, but I just really truly struggled to get into reading last year. fingers crossed this year is better bc I really want to read this book)
4. The Lost Apothecary by Sarah Penner
5. The Priory of the Orange Tree by Samantha Shannon
6. The Lost Girls of Paris by Pam Jenoff (Yes I know I said 5, but I added a 6th so there were 3 non-fction and 3 fiction in case people were reading these to get ideas and they don’t like non-fiction)
tagging @oreoambitions @roseticospacebae @deadbiwrites @spaceman-earthgirl @fireladybuckley @sheltereredturtle
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Everybody Hates Chris
I used the tv show called Everybody hates Chris for my project because the subject in this tv series is focused on an African American family that has to experience a lot of racial issues especially the main character named Chris who is this teenage boy who goes to school at Corleone Junior high school in Brooklyn New York. I choose this tv series because it relates to our topic in class about the civil rights movement and all the articles that African Americans had to deal with , with not having the same benefits as the non color people. Like an example of this is in our week 4 articles with the articles titled Richard Dryer , " on the Matter of Whiteness " and Peggy McIntosh " white privilege : unpacking the invisible knapsack" , and Peggy McIntosh " white privilege checklist". Everybody hates Chris relates to these articles by how Chris and his family had to experienced different things all because of their skin color. Chris experienced bullying at school from a pale white boy named Caruso. In season 1 episode 12 Chris seen a leather jacket on his classmate and he wanted one for himself. Chris did everything he could to get a job but nobody was going to hire an African teenager because the job he wanted the managers were white , so he had to go to his father job to try and get a leather jacket. On top of that Chris is a very smart teenager who receive really good grades at school but his teacher who name is Ms Morello is a racial Insensitive professor who gives Chris a hard time. Everybody hates Chris also relates to our week 1 race and ethnicity with the articles titled Gregory Jay, "what is multiculturalism" with how the society in the tv series is divided. In the tv show society is very divided by how all the African Americans usually hang around all the African Americans and the white people usually be around other white people, they do mix together in some episode but mostly each racial group stay within their racial group. In addition in the tv show the African males are usually the workers while the African females usually do the house cleaning and self care.
Peggy McIntosh.pdf
Dyer.pdf
white-privilege.pdf
whatismc.pdf
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