#Greece in the 1950s
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Greece, 1952. Ernst Haas. Gelatin silver print.
#black and white#photography#fotografia#fotografie#photographie#greece#windmill#coast#vintage#1950s#foto
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Ernst Haas. Windmill. Greece. 1952
I Am Collective Memories • Follow me, — says Visual Ratatosk
#BW#Black and White#Preto e Branco#Noir et Blanc#黒と白#Schwarzweiß#retro#vintage#Ernst Haas#Windmill#Greece#1952#1950s#50s#sea#seashore#beach#mer#littoral#plage#Meer#Küste#Strand#mar#litoral#praia#海#海岸#ビーチ#costa
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Lunch! Ca. 1950s. Source.
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Sophia Loren in Boy on a Dolphin (1957)
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Blue Lotus Deco Sim and Ancient Sculptures for The Sims 2
These items are a commision for @alexbgd who decided to share them with you all. First set contains 32 deco sim converted from notsooldmadcatlady, while the second one contains 11 Ancient Sculpture converted from TheJim07. Everything is decorative and High Poly. Thanks to Alex for the beautiful pictures too!
DOWNLOAD BLUE LOTUS DECO SIM
DOWNLOAD ANCIENT SCULPTURES
#sims 2 cc#sims 2 download#the sims 2#ts2#the sims 2 cc#ts2 download#4to2#4to2 conversion#sims 2 decor#deco sims#sculpture#ancient greece#statue#apollo#goddess#bar#1950s
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‘Pleasant relaxation to Xylocastron with the Typaldos Lines to Greece‘
Travel poster for the seaside resort town of Xylocastro, Greece (c. 1950). Artwork by Hicolen.
#vintage poster#vintage travel poster#1950s#xylocastron#xylocastro#greece#typaldos lines#bikini#holiday#travel#tourism#hammock#vacation#Hicolen
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Mercedes Benz O322 της Βιαμάξ με αριθμό ανεμοθώρακα «20» στο ΚΤΕΛ Θεσπρωτίας, ιδιοκτήτης ο Κώστας Ντάνης.Στη φωτογραφία από τον Βασίλειο Πα��αμυθιώτη, επάνω, ο Ντάνης από την πρώτη ημέρα παραλαβής του λεωφορείου του από τη «Βιαμάξ», σε κυκλοφορία με δοκιμαστικό αριθμό τύπου «Μ».
Πηγή και περισσότερα στο:https://busoldtimers.blogspot.com/2014/10/blog-post_25.html
#λεωφορείο#ΚΤΕΛ Θεσπρωτίας#αριθμός 20#Mercedes Benz O322#Βιαμάξ#1950s#Κώστας Ντάνης#bus#old bus#Greece#Thesprotia#Epirus#50s#old photo
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Demetrios Charisiades, Epidavros, 1956
Δημήτριος Χαρισιάδης, Επίδαυρος, 1956
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The temple of Apollo, Delphi, Greece, ca. 1950 - by Voula Papaioannou (1898 - 1990), Greek
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More people should play around with what time the Fawcett City time bubble thing happened.
The most often ones I’ve seen are, 1960s, 1950s or 1930s.
Yeah, we love those. They’re the most canon compliant and have good comedy potential already.
Id like to propose some other years that would be funny.
Early 2000s, just early enough that the kids would have understood technology and know they don’t and they’re really annoyed.
1970s, not much different but it gives Billy the chance to meet some people’s parents and do some wild stuff.
“Oh Martha Wayne? I remember her, we smoked crack together.” (Drugs can’t effect him as Captain Marvel it’s fine guys)
1940s, I’m talking early 40s, I want them kids growing up on RATIONS.
1915ish, guys i want them to catch the Spanish Flu. Because I hate them.
Anytime before the 20th Century, it can be the literal end of the 1800s, it can be Ancient Greece. Idgaf, it would be hilarious. Cap just starts talking about the actual plague or some shit, AWSOME.
Listen, I believe that Fawcett is weird enough that we can get away with saying that it wasn’t even originally in America. Put them fuckers is Wales and have them be close friends with Merlin, have them be ancient Romans, Egyptian would be funny with the whole Black Adam shit, let them be from like the middle of fucking Asia or some shit.
Guys please it’s so funny to imagine geographers trying to explain why a random town actually just appears in Philadelphia and none of them speak English.
#yapping#fawcett time bubble#fawcett city#weird fawcett city#it’s not even Canon at the moment I can do what I want with that weird ass city#dc#dcu#dc comics#billy batson#shazam#captain marvel#dc captain marvel
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Propaganda
Madhubala (Mughal-e-Azam, Barsaat Ki Raat, Mr. & Mrs. '55)—The Venus of India; heart-throb of all who saw her; responsible for the sexual awakening of every single desi lesbian I know (including me!) And my god, she is breathtakingly beautiful. Look at the subtle grace with which she moves, and that smile - the kind of radiant smile that can make you laugh with sheer delight, or cry because of its hidden pain. Those wild curls! That Cupid's bow! The way she tilts back her head and smiles at you with mischief dancing in her eyes! She has a way of looking at the camera that makes you feel she's sharing a private joke just with you; it's something about that quizzical twist of the lips and eyebrows. As an actress, she is inimitable; she seems to effortlessly inhabit roles ranging from a heart-broken courtesan to a laughter-loving socialite. Fun fact : she's had quite the fan following in Greece! Stelios Kazantidis even wrote a song as a tribute to her.
Ingrid Bergman (Gaslight, Casablanca, Notorious)—Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.
This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Madhubala:
An icon of Bollywood, who was well known for her beauty and has continued to inspire performances and songs into the 21st century. She was at times described as "the number one beauty of the Indian screen" and "the biggest star in the world".
SHE IS EVERYTHING AHHH. JUST LOOK AT HER SMILE-
She's been nicknamed the Marilyn Monroe of India and was one of the highest paid actresses in the Hindi film industry (the term Bollywood did not exist yet) during the 1950s. Also an extremely talented dancer and singer
SHE'S JUST SO STUNNING, like seeing her eyes IMMEDIATELY CAPTIVATES YOU, THE DANCING, THE BEAUTY!!!!!!!!! She worked in Bollywood for over 20 years and passed away at a sad early age of 36, BUT THE IMPACT SHE HAD WAS UNMATCHED!!!!!
That sassy sideways glance she does always has me WEAK AT THE KNEES. And when she's making silly faces at the camera to mimic someone ahhhh my gay little heart <3
Ingrid Bergman:
God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.
I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.
I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.
Just try and watch her movies without sighing wistfully, then get back to me!
Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.
ion words so I'll stop at that.
One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.
SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy
She has a very natural beauty to her, and she's from Sweden!
She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!
She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!
Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget
With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.
She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group
A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.
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#What I've learned from this list is that a lot of my favorite periods in history have to do with nations or kingdoms in flux#Many of these eras sit on precipices that change the course of history#such as The Rise and Fall of Jacobitism or the 2000s#How different would the world have looked if 9/11 hadn't happened?#Or if Christianity hadn't infiltrated Ireland and caused the near extinction of an entire culture?#There is so much about history we will never know#but these periods in time when the scales could have tipped one way over the other#and subsequently changed the course of our existences#are so fascinating to me#Which also tells me that if I'd been born 30/40 years from now#this moment in history that we're currently living in probably would have been one of my favorite periods in history; this Trump era#era and the question of whether we leave it behind or continue to spiral deeper into it...#Interesting stuff!#jack.txt#jack's polls
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Hi! Love your blogs. I couldn't find anything on 'vampires' in your references. I was wondering if you could cover this illustrious yet monstrous figure? Many thanks!
Writing Notes: Vampires
Vampire - (in popular legend) a creature, often fanged, that preys upon humans, generally by consuming their blood. They have been featured in folklore and fiction of various cultures for hundreds of years, predominantly in Europe, although belief in them has waned in modern times.
Common Depiction:
A bloodsucking creature
Rises from its burial place at night, sometimes in the form of a bat, to drink the blood of humans.
By daybreak, it must return to its grave or to a coffin filled with its native earth.
Tales of vampires are part of the world’s folklore, most notably in Hungary and the Balkan Peninsula.
The disinterment in Serbia in 1725 and 1732 of several fluid-filled corpses that villagers claimed were behind a plague of vampirism led to widespread interest and imaginative treatment of vampirism throughout western Europe.
Vampires are supposedly dead humans (originally suicides, heretics, or criminals) who maintain a kind of life by biting the necks of living humans and sucking their blood; their victims also become vampires after death.
These “undead” creatures cast no shadow and are not reflected in mirrors.
They can be warded off by crucifixes or wreaths of garlic and can be killed by exposure to the sun or by an oak stake driven through the heart.
Origin. Creatures with vampiric characteristics have appeared at least as far back as ancient Greece, where stories were told of creatures that attacked people in their sleep and drained their bodily fluids.
Tales of walking corpses that drank the blood of the living and spread plague flourished in medieval Europe in times of disease.
Cultural historian Christopher Frayling points out how the vampire myth is a parody of the Christian resurrection and a “satanic version” of transubstantiation—the Catholic belief that during Holy Communion the bread and wine change into the body and blood of Jesus Christ.
The vampire myth allows us to examine societal taboos we aren’t always able to discuss. “It’s about wanting a demon lover to take you over; about desiring undesirable things,” Frayling explains. “It transposes them into this myth in a rather pleasurable way.”
Hatred of Garlic. Many cultures have long believed in the extraordinary powers of garlic; from ancient Egypt to Romania, garlic has been used as a natural insect repellent, a natural antibiotic, and as protection against other preternatural evils. Modern belief in garlic’s curative powers against vampires likely comes from these more ancient beliefs.
Literary Examples
The most famous vampire is Count Dracula from Bram Stoker’s novel Dracula (1897).
In the 20th century Anne Rice’s novel Interview with the Vampire, published in 1976, notably introduced the world to vampires that were brooding and self-loathing and squabbled like humans.
Modern vampire treatment in popular culture is usually divided into cycles.
The Malignant Cycle (1922-1948): The vampire is treated as a creature of pure horror, as popular in the early films like Nosferatu and Universal films.
The Erotic Cycle (1950-1985): The vampire is considered evil but alluring, like in the Hammer Horror films.
The Sympathetic Cycle (1987-2001): The vampire is seen as a tragic monster to be pitied, but still feared, though they can sometimes be redeemed, usually by becoming human once more.
The Individualist Cycle (2003-present day): The vampire can be bad, good, or in between, much like humans, and their transformation to vampirism does not imply a change in morality.
In modern vampire literature, the shift from the vampire’s legendary Gothic characteristics to a more romanticized heroism becomes apparent.
The 20th and 21st centuries brought about a new version of the classic vampire.
This creature distances itself from the dark, horrifying being and grows into a more desirable partner (both romantically and socially) than its predecessors.
As was seen in the vampire literature of earlier centuries, the vampire was always the one who attacked because of repressed sexual desires.
Instead, now the human poses the larger threat for the modern vampire to have the ability to control his blood lust because the human now seemingly has control over the vampire’s sexual agency.
The female characters have been refashioned from being threatened to posing more of a (sexual) threat. Examples:
Isabella Swan from The Twilight Series and Gabrielle Maxwell from the Midnight Breed novels actively seek a sexual relationship with their vampire counterparts and are even willing to abandon their identities and constantly risk their lives for a chance to become part of the vampire world.
This contrasting presentation of the vampire’s romantic characteristics could be associated with the time period’s viewpoint of sexuality.
Instead of the repressed sexuality that were apparent in 18th and 19th century works, the modern Byronic vampire is not the main villain who presents danger to those around him.
The vampires are the now the victims who are tasked with repressing their desires, while humans seek to fulfill their desires in becoming a part of the vampire world.
Some Vampire Tropes
Animorphism: Vampires commonly turn into bats (or other nocturnal animals, such as wolves).
Chinese Vampire: An undead being from Chinese Mythology called the jiang shi, depicted as a hopping vampire/zombie that feeds on chi.
Cross-Melting Aura: Some vampires are powerful and evil enough to repel or destroy holy weapons.
Daywalking Vampire: Contrary to most depictions, some vampires may actually be immune to sunlight.
Horror Hunger: A person starts to feel intense cravings for blood after being turned into a vampire. How well they're able to resist these urges can vary.
Missing Reflection: Vampires often do not reflect any image in mirrors. Sometimes extends to not appearing in photos, films or videos as well.
Turning Back Human: A common goal for people who've been involuntarily vampirized and don't want to stay this way.
Undeath Always Ends: When even undead vampires can still die.
Voluntary Vampire Victim: Someone willingly lets a vampire feed on them.
Wooden Stake: Stabbing or impaling vampires through their heart with a sharp, pointy wooden stick is the classic method for killing them.
Sources: 1 2 3 4 5 6 ⚜ More: References ⚜ Writing Resources PDFs On Vampires (Part 1) ⚜ (Part 2)
Hi, thanks so much for your kind words. Hope this helps with your writing!
#anonymous#vampire#writing notes#character development#writeblr#writing reference#writers on tumblr#dark academia#literature#spilled ink#creative writing#writing prompt#writing ideas#tropes#writing inspiration#light academia#writing resources
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I too once danced in a ring. It was in 1948. In my country, the Communists had taken power, the Socialist and democratic Christian ministers had taken refuge abroad, and I took other Communist students by the hands or shoulders and we took two steps in place, one step forward, raised the left leg to one side and then the right to the other, and we did this nearly every month, because we always had something to celebrate, an anniversary or some other event, old injustices were redressed, new injustices were perpetrated, factories were nationalized, thousands of people went to prison, medical care was free, tobacconists saw their shops confiscated, aged workers vacationed for the first time in expropriated villas, and on our faces we had the smile of happiness. Then one day I said something I should not have said, was expelled from the party, and had to leave the ring dance.
That is when I understood the magical meaning of the circle. If you go away from a row, you can still come back into it. A row is an open formation. But a circle closes up, and if you go away from it, there is no way back. It is not by chance that the planets move in circles and that a rock coming loose from one of them goes inexorably away, carried off by centrifugal force. Like a meteorite broken off from a planet, I left the circle and have not yet stopped falling. Some people are granted their death as they are whirling around, and others are smashed at the end of their fall. And these others (I am one of them) always retain a kind of faint yearning for that lost ring dance, because we are all inhabitants of a universe where everything turns in circles.
It was God knows what anniversary and the streets of Prague were once again filled with young people dancing in rings. I wandered among them, I came very close to them, but I was forbidden to enter any of their rings. It was June 1950, and Milada Horakova had been hanged the day before. She had been a Socialist deputy and the Communist tribunal had accused her of plotting against the state. Zavis Kalandra, a Czech surrealist and a friend of Andre Breton and Paul Eluard, was hanged at the same time. And the dancing young Czechs, knowing that the day before, in the same city, a woman and a surrealist had been swinging from the end of ropes, were dancing all the more frenetically, because their dance was a demonstration of their innocence, in shining contrast to the guilty darkness of the two who were hanged, those betrayers of the people and its hopes.
Andre Breton did not believe Kalandra had betrayed the people and its hopes, and in Paris he called on Eluard (in an open letter dated June 13, 1950) to protest the insane accusation and try to save their old friend. But Eluard was busy dancing in a gigantic ring between Paris, Moscow, Prague, Warsaw, Sofia, and Greece, between all the socialist countries and all the world’s Communist parties, and everywhere he recited his beautiful poems about joy and brotherhood. After reading Breton’s letter, he took two steps in place, then one step forward, he shook his head, refusing to defend a betrayer of the people (in the June 19, 1950 issue of the weekly Action), and started to recite in a metallic voice:
“We shall fill innocence With the strength that so long We lacked We shall no longer be alone.”
I wandered through the streets of Prague, rings of laughing, dancing Czechs swirled around me, and I knew that I did not belong to them but belonged to Kalandra, who had also come loose from the circular trajectory and had fallen, fallen, to end his fall in a condemned man’s coffin, but even though I did not belong to them, I nonetheless watched the dancing with envy and yearning, unable to take my eyes off them. And that is when I saw him, right in front of me! He had his arms around their shoulders and along with them was singing two or three simple notes and raising his left leg to one side and then his right leg to the other. Yes, it was he, Prague’s darling Eluard! And suddenly the people he was dancing with fell silent, continuing to move in absolute silence while he chanted to the stamping of their feet:
“We shall flee rest we shall flee sleep, We shall outrun dawn and spring And we shall shape days and seasons To the measure of our dreams.”
And then everyone abruptly began again to sing the three or four simple notes, speeding up the steps of their dance. They were fleeing rest and sleep, outrunning time, and filling their innocence. They were all smiling, and Eluard leaned over a girl he had his arm around:
“A man possessed by peace is always smiling.”
And the girl started laughing and stamping her feet harder so that she rose a few centimeters above the pavement, pulling the others up after her, and a moment later not one of them was touching the ground, they were all taking two steps in place and one step forward without touching the ground, yes, they were soaring over Wenceslaus Square, their dancing ring resembled a great wreath flying off, and I ran on the ground below and looked up to see them, as they soared farther and farther away, raising the left leg to one side and then the right to the other, and there below them was Prague with its cafes full of poets and its prisons full of betrayers of the people, and from the crematorium where they were incinerating a Socialist deputy and a surrealist writer the smoke ascended to the heavens like a good omen, and I heard Eluard’s metallic voice:
“Love is at work, it is tireless.”
And I ran after that voice through the streets so as not to lose sight of the splendid wreath of bodies gliding over the city, and I realized with anguish in my heart that they were flying like birds and I was falling like a stone, that they had wings and I would never have any.
Milan Kundera, The Book of Laughter and Forgetting (tr. Aaron Asher)
#book that changed my whole shit on a molecular level when i was 15 and 17 and 20 and 22 and 27 etc. etc.#milan kundera#the book of laughter and forgetting
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Pick a treasure from my bedroom
tagged by the marvelous @sharky857 <3 <3 <3
tagging @jamieaiken919 @pokemonandcatsmostly @safetytree @niccage @cinemaocd @problemwithtrouble @comepraisetheinfanta @ifvwasix @yavannah
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