#Gravillis

[eroserotique]

Sydney Graham

[icecreamwithjackdaniels]

Kyoko Imazu, "Rue de Gravilliers", 2014

[thebrickinbrick]

Passing Gleams

In the chaos of sentiments and passions which defend a barricade, there is a little of everything; there is bravery, there is youth, honor, enthusiasm, the ideal, conviction, the rage of the gambler, and, above all, intermittences of hope.

One of these intermittences, one of these vague quivers of hope suddenly traversed the barricade of the Rue de la Chanvrerie at the moment when it was least expected.

“Listen,” suddenly cried Enjolras, who was still on the watch, “it seems to me that Paris is waking up.”

It is certain that, on the morning of the 6th of June, the insurrection broke out afresh for an hour or two, to a certain extent. The obstinacy of the alarm peal of Saint-Merry reanimated some fancies. Barricades were begun in the Rue du Poirier and the Rue des Gravilliers. In front of the Porte Saint-Martin, a young man, armed with a rifle, attacked alone a squadron of cavalry. In plain sight, on the open boulevard, he placed one knee on the ground, shouldered his weapon, fired, killed the commander of the squadron, and turned away, saying: “There’s another who will do us no more harm.”

He was put to the sword. In the Rue Saint-Denis, a woman fired on the National Guard from behind a lowered blind. The slats of the blind could be seen to tremble at every shot. A child fourteen years of age was arrested in the Rue de la Cossonerie, with his pockets full of cartridges. Many posts were attacked. At the entrance to the Rue Bertin-Poirée, a very lively and utterly unexpected fusillade welcomed a regiment of cuirrassiers, at whose head marched Marshal General Cavaignac de Barague. In the Rue Planche-Mibray, they threw old pieces of pottery and household utensils down on the soldiers from the roofs; a bad sign; and when this matter was reported to Marshal Soult, Napoleon’s old lieutenant grew thoughtful, as he recalled Suchet’s saying at Saragossa: “We are lost when the old women empty their pots de chambre on our heads.”

These general symptoms which presented themselves at the moment when it was thought that the uprising had been rendered local, this fever of wrath, these sparks which flew hither and thither above those deep masses of combustibles which are called the faubourgs of Paris,—all this, taken together, disturbed the military chiefs. They made haste to stamp out these beginnings of conflagration.

They delayed the attack on the barricades Maubuée, de la Chanvrerie and Saint-Merry until these sparks had been extinguished, in order that they might have to deal with the barricades only and be able to finish them at one blow. Columns were thrown into the streets where there was fermentation, sweeping the large, sounding the small, right and left, now slowly and cautiously, now at full charge. The troops broke in the doors of houses whence shots had been fired; at the same time, manœuvres by the cavalry dispersed the groups on the boulevards. This repression was not effected without some commotion, and without that tumultuous uproar peculiar to collisions between the army and the people. This was what Enjolras had caught in the intervals of the cannonade and the musketry.

Moreover, he had seen wounded men passing the end of the street in litters, and he said to Courfeyrac:—“Those wounded do not come from us.”

Their hope did not last long; the gleam was quickly eclipsed. In less than half an hour, what was in the air vanished, it was a flash of lightning unaccompanied by thunder, and the insurgents felt that sort of leaden cope, which the indifference of the people casts over obstinate and deserted men, fall over them once more.

The general movement, which seemed to have assumed a vague outline, had miscarried; and the attention of the minister of war and the strategy of the generals could now be concentrated on the three or four barricades which still remained standing.

The sun was mounting above the horizon.

An insurgent hailed Enjolras.

“We are hungry here. Are we really going to die like this, without anything to eat?”

Enjolras, who was still leaning on his elbows at his embrasure, made an affirmative sign with his head, but without taking his eyes from the end of the street.

[nesiacha]

Request for help regarding more information on the following figures:

Marguerite David, who is said to have been a supporter of Jacques Roux and an activist in the Parisian section of Gravilliers in 1793.

A high-ranking white officer, General Barada or Baradat, who served Toussaint Louverture and fought Napoleon. Here is the only information I have on him: "Sans-Souci had no sooner drawn his sword than he was arrested, as well as General Baradat, by Christophe, sent to the Cape, and embarked for France" (the book is Toussaint-Louverture by John R Beard).

Alexandre Joachim Chevalier, a Jacobin chemist executed under Bonaparte as First Consul.

His Jacobin colleague Veycer, executed alongside him under Bonaparte.

I would also like to know about the two people who were executed with Medge Bernard.

For the Jacobins executed under Bonaparte (to get a little more information on them), I have put the link here: https://www.tumblr.com/nesiacha/756533326215528448/the-jacobins-executed-by-bonaparte?source=share

So here it is, feel free to share any information you have about them.

Finally I want to apologize, the defense of Billaud Varennes will not be before one or two months because of my studies sorry :(

[mw-537]

Vince Staples' FM! Album Cover by GRAVILLIS

[leblogdemarinaetjeanmarie]

MARDI 3 OCTOBRE 2023 (Billet 4/4)

Amateurs de couscous (surtout JM), c’est sur le Site « Paris Secret » que nous avions repéré cette adresse dans le Marais.

Après avoir réservé (impératif vu la petitesse de la salle), nous y sommes allés dimanche soir et y avons passé un très bon moment culinaire.

Par contre, si vous cherchez une petite table au calme, c’est surtout pas ce lieu qu’il faut choisir. Premièrement, c’est toujours archi-plein, moyenne d’âge 30 ans, clientèle cosmopolite et très « bohème-chic » (quartier oblige…), et deuxièmement, si la salle a énormément de charme, elle est toute petite et les tables sont collées les unes aux autres. Donc, le niveau sonore est assez élevé, ce qui ne semble déranger personne. 40 ans en arrière, nous devions être comme eux !

Ci-dessous :

l’article du Site qui a excité notre curiosité,

les coordonnées du restaurant,

son site Internet avec la possibilité de découvrir leur Carte

et l’avis du Guide Gault&Millau.

Pour conclure, quelques photos. Elles vont vous paraître peut-être un peu sombres mais les petites lampes sur chaque table éclairent très bien ce qu’on mange.

Le « 404 » (c’est le nom du restaurant) occupe une partie de l’aile gauche du « Petit Hôtel d’Estrées » qui date de la première moitié du XVIIIe siècle.

Ce que nous avons préféré : les brochettes de gigot d’agneau, marinées et cuites au feu de bois… une tuerie ! Et le Rouge de Guérrouane (« Les Trois Domaines ») qui a très bien accompagné notre couscous. Les « Cornes de gazelle », un peu revisitées, sont dignes de la Pâtisserie des Princes de Marrakech.

____________________________

Restaurant Marocain : où manger les meilleurs couscous et tajines de Paris ?

Vous êtes en quête des meilleures adresses où manger un couscous ou un tajine parfumé « bon comme là-bas » sans quitter Paris ? Ne cherchez plus ! Chez « Paris Secret », nous vous partageons aujourd’hui nos restaurants Marocains coup de coeur ! Vous les sentez les effluves d’épices, de fleur d’oranger et de thé à la menthe des terres d’Orient ? Suivez-nous…

Notre coup de coeur : le restaurant « 404 » à Paris et son couscous de folie !

Envie d’un aller simple pour Marrakech ? Direction la rue des Gravilliers, dans le 3ème arrondissement de Paris. En plein coeur du Marais, on s’immisce dans un hôtel particulier (le « Petit Hôtel d’Estrées ») aux allures de casbah. Dans un décor tout droit sorti des mille et une nuits, l’immersion est totale. Une ambiance tamisée, des tapis d’Orient, de belles lanternes Marocaines en fer forgé, des couleurs chaudes… L’ambiance nous transporte ailleurs. Ici, on goûte à la cuisine traditionnelle Marocaine. À la carte ? Des salades ensoleillées, des pastillas, des brochettes Kefta ou un Méchoui Maison aux herbes.

Le « 404 » offre aussi une belle palette de tajines et couscous. Tajine de poulet aux poires, tajine souris d’agneau/abricot, tajine d’agneau berbère, couscous berbère, aux 7 légumes, merguez, méchoui… Le choix est cornélien. Et les saveurs sont bel et bien là dans l’assiette. Pour finir en beauté notre voyage oriental, on déguste une salade d’oranges à la cannelle et fleur d’oranger, une crêpe Berbère au miel, une pastilla aux Dattes ou des cornes de Gazelle… le tout arrosé d’un thé à la menthe parfumé. Coup de coeur !

(Source : « Paris Secret »)

CONTACT

Restaurant « 404 »

69, rue des Gravilliers 75003 Paris

Téléphone : 01 42 74 57 81

Métro : Arts et Métiers

Site web (passez la souris sur la ligne et cliquez) :

Carte du restaurant - Restaurant 404 à Paris (404-resto.com)

_________________________________

L'AVIS DE GAULT&MILLAU

Derrière la devanture anonyme, une des vedettes de l'arrondissement, où les habitués se rendent rituellement, et parfois de très loin dans Paris, pour la pastilla traditionnelle, la brochette de kefta, le tajine de poulet fermier aux poires ou le fameux « couscous 404 » brochette de volaille, agneau et merguez. La qualité est bien régulière, l'ambiance excellente, on boit du Guerrouane en rouge ou en gris.

[arinavidman]

Movie poster "Challengers"

Unfortunately, I was unable to identify the artist or design studio behind this poster. However, I believe it may have been created by Gravillis Inc., the company that produced the main poster for the movie.

This work is interesting because it conveys the idea that the movie is not just about tennis, but also involves a love triangle. Even though the characters are in a complicated situation, they still fight like real opponents in a game.

The dominant color of the poster is green, which is reminiscent of the color of the tennis court and the balls. All the information on the poster is aligned towards the center, creating a symmetrical design that is pleasing to the eye.

[antigonegone]

“J’ai envie de faire l’amour avec toi. On ne dit pas ça au Japon, on le fait, c’est tout.” Si vous souhaitez partir au pays du soleil levant, prenez un aller sans retour dans un cinéma de votre quartier, et laissez-vous emporter par “Sidonie au Japon” d’Élise Girard. C’est un moment merveilleux tant pour les images que ce film distille, que pour les dialogues rares et savoureux qu’il donne à entendre et comprendre, ou encore pour la musique de Bach à Sakamoto qui prolonge ce rêve éveillé, à travers une histoire d’écrivaine qui n’écrit plus, qui ne sert que de prétexte. L’amour sous toutes ses formes est là, ancré, tranquille, imperturbable, entre solitude, et mains qui se cherchent puis se (re)trouvent, se touchent. O temps suspend ton vol, instant de grâce, entre des corps et des âmes absentes et présentes au monde. Magie pure… J’y étais totalement, corps et âme et j’y ai retrouvé des lieux chers, Naoshima et l’hôtel musée du Groupe Benesse designé par l’architecte Tadao Ando dans lequel j’ai séjourné, ainsi qu’Osaka et sa skyline, Kyoto, ses temples, Gion, ses machiya, Nara, ses temples et ses bambis, Tokyo Shibuya…à la période d’Hanami. C’est un pays où la lune compte comme les fantômes ou le whisky, qui donne envie d’écrire, de dire, de raconter l’évidence, celle qui remue les fondations de l’être, et vous désaxe à tout jamais… “The coffee” rue des Gravilliers cafeothèque japonaise à Paris Un expresso serré, divin, une autobiographie d’un mangaka et un petit livre sur les bouches d’égout au Japon, tout un art…ou un métier

[orbital808]

[yoabnart]

Step into the enchanting world of Blue Jasmine, where dreams and secrets collide 💙🌺

One possible designer of this poster is Gravillis Inc., a creative agency that specializes in movie posters and has worked with Woody Allen on several of his films, including Midnight in Paris, To Rome with Love, and Magic in the Moonlight. With the thin, elegant serif typography, we can tell the genre of this movie is drama. Based on the Hierarchy, the selling point of this movie should belong to Woody Allan & Cate Blanchett

What I find amusing most about this poster is the simplicity by having a portrait of Cate Blanchett as the main objects. She is clouded by a white layer and the blue shades, which may suggest the loneliness, and confusion of "Jasmine", the character portrayed by Cate Blanchett. Without knowing the plot, by looking at this poster, we can tell this move is about this woman and her journey to figure something.

[chris-artworks]

LAST DANCE! TWWSS

79 RUE DES GRAVILLIERS PARIS 75003

01/07/23 - 02/07/23

👤@ph1nomeco (Ig)

📸 by me

[webbergirl]

Wonderful posters for West Side Story.⁣

Repost gravillisinc⁣

-------------------⁣

I love the range of projects we get to work on, we are very fortunate in that regard, similarly another way fortune has smiled on us comes from the fact that we have gotten to work on the last four Steven Spielberg films. We have never actually met Mr Spielberg but like everyone else in the world we are huge fans So for this project, which had such a rich culture-driven aesthetic, we were thrilled to have had our most expansive creative experience yet. We finished a total of 16 different pieces of creative for West Side Story, all of which we are so very proud! A shout out to our partners at Fox/Disney for giving us the runaway and to Team Gravillis for doing what they do - the movie is out now only in theaters and an example of filmmaking craftsmanship of a master – enjoy⁣

[pixalry]

Dark Phoenix Poster - Created by Gravillis

[movieposteroftheday]

US one sheet for IF BEALE STREET COULD TALK (Barry Jenkins, USA, 2018)

Designer: Gravillis Inc.

Poster source: IMPAwards

[nesiacha]

Marguerite David

Announcement requesting help to all: I am desperately looking for information in the context of the French revolution of information on Marguerite David who would be a supporter of Jacques Roux and a militant from the Parisian section of Gravilliers in 1793. If anyone has them information please let me know.

[mw-537]

Challengers Poster by GRAVILLIS