#Govil

[thundergale119]

I just beat unicorn overlord and govil was definitely the unit that caught the most of my attention sooooo I drew him

[kinghijinx22]

Yunifi hangs out Alain, Scarlett and Govil while the wolf and bear rivals to lovers story develops

[prose-merlin]

Chapters: 1/1 Fandom: Unicorn Overlord (Video Game 2024) Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings Relationships: Bertrand/Govil (Unicorn Overlord), Minor or Background Relationship(s) Characters: Govil (Unicorn Overlord), Bertrand (Unicorn Overlord) Additional Tags: Post-Canon, Banter, Blow Jobs, Non-Human Genitalia, Ficlet, Hand Jobs Summary:

In the middle of a raging blizzard and in the midst of a blowjob in his and Bertrand’s shared bedroom, Govil decides to gossip on Alain’s latest (and perhaps, politically fatal) mishap.

[best-uo-character-tourney]

Unicorn Overlord Best Character Tournament - Round 2, Group 1, Berenice vs Govil

[hinsaa-paramo-dharma]

I just watched Luv Kush: the warrior twins and MY LOVE FOR THIS MOVIE WENT OFF THE CHARTS WHEN I HEARD RAM JI'S VOICE

[nnmarudkar]

Jubilee

First thing first, Jubilee shows you the realism of the Bombay talkies era with an interval by building huge and royal studios, cinema reels, crew chairs, hand painted posters, an ambitious producer with business acumen, smoking pipe, outfits, and so much more. The series in itself is quite symbolic for the purpose of depicting the golden era. Yes, I call it a golden era. I read the show is pretty much inspired by the life of Himanshu Rai and Devika Rani. Let’s kickstart.

Praise worthy angles from the entire series that are responsible for the story:

Blazing journeys of 5 characters Roy, Binod, Jay, Niloufer, Walia

The unparalleled fate of 2 studios Khanna studio and Roy studio

The transformations, transitions, and evolving cinema with a blend of crime, love, conspiracy and fame.

Beginning, Rise and Fall

It is commendable to see how the makers combined the most essential attributes of the black and white cinema - Dialogues, Music, Drama and great frames.

The 3 compelling dialogues that summarize Cinema which are crafted beautifully in the film with the scene,

'Power is within this weapon of cinema.'

'Cinema can raise a level by giving the audience a taste of poetry, photography, music and aspirations.'

'Cinema can empower people.'

Let us put the stars on the shoulders of the team. Vikramaditya Motawane, Atul Sabharwal and Soumik Sen are the names. I should say, a gorgeous job on the series by all the teams.

Supposedly it has to be one of the most expensive projects as it costs a fortune to build a city entirely. Especially a city which used to look a certain way but not any more. It is bound to attract criticism, comparisons and judgements. Hence applause for the art department.

Moving to the title, Jubilee. Good one. The word Jubilee was significant in the non-bollywood era. It marked a big success of the film if it reaches Jubilee unlike the crore club where films are less than 2 stars but box office is 200 cr.

Vikramaditya Motawane has created a web series that is uncommon among current subjects. Lots of makers tried to recreate the golden era but most of them went unnoticed. I am fond of Khoya Khoya Chand for the infamous vintage era. However, reaching everybody through OTT through Jubilee with a 10 episode series of 50 minutes is a master thought. That breathing space to judge the success with an olden times ‘interval’ but of a week is outstanding. However, such a big risk.

Mentioning positives of the show to move with. It has a decent Star cast that is not very glittering and glam. Subtle and real. When you cut on the star factor you can actually see through the show and its potential. So I liked the cast to portray that era. Apararshakti Khurana as one of the leads is huge. Names to mention: Wamiqa Gabbi and Prosenjit Chatterjee. I am all praises for Wamiqa Gabbi. Simply Wow. She is a complete package of dance, acting, nakharas, ada and reality. An actress who very clearly takes you to the era of queens like Waheeda Rehman, Mala Sinha, Nutan and the list goes on. She does not imitate anybody. Prosenjit Chatterjee, an innovative and ahead of his time producer who wants to make a mark but probably wishes to stick to what sells on screen with a traditional cinema perspective. The curiosity that both Roy and Niloufer go on building in their own way is really good. Sidhant Gupta’s energy matches the character’s but his acting felt an over-do at times. But when he walks as a star is one act you can’t miss but notice. It shows a mix of stardom and simplicity. Great work there. He is the Guru Dutt effect as a one man show with actor-director qualities. Aditi Rao Hydari is just being herself, a beauty. Ram Kapoor, Shweta Basu are names known for good acting just like that. All the supporting actors have done a celebrated job in their roles. Amazing to watch Arun Govil in a web series. The casting decisions are appreciable. The character Govil plays as a calm father is peaceful for the eyes and ears.

Music is magnificent. Thanks to Amit Trivedi for giving one more album that can be put on loop. The compositions of jubilee prove that even today a melody is possible with sensible ‘Hindi’ lyrics which are louder than the music and each word, chord and instrument is heard and worth a praise. Kudos to Amit Trivedi and Kausar Munir for creating songs that calm people like us can humm. My personal favourites are Voh Tere Mere Ishq, Dariyacha Raja, Na Koi Mera and Saare Ke Saare Akele. Rest you would not like to skip as well. It has the sound of the period it belongs to. The lyrics bear to our usual spoken Hindi language - simple and understood. I can’t put this more straight. Those days were about melody and dialogues that hit the audience.

Dialogues as expected are filled with drama and conviction.

Favourite frame from the series is Jay and Nilo sitting on the road drenched in the rain in front of a theatre under the poster of Baiju Awara. Splendid! You do not have to show intimacy by stripping down and making love. Sometimes it's just the way you sketch love on screen. Quite a romantic frame. Other Mesmerizing frames:

Binod first in front of the fire that also marks the end frame of Roy in front of fire.

Sumitra sitting in front of the mirror in the train.

Roy, sitting in his private screening theatre, calls the man to project the reel.

Jay Khanna in his own studio on the first day against the Taxi cut out.

The last shot of Roy studio with lights dimming symbolizing the fall.

Jay Khanna’s cabin with Taxi Driver Poster of Jay and Nilo.

And the favourite of many, the RK inspired Jay and Niloufer umbrella scene.

I am glad to see one series with no skin show, no kissing at every alternate shot and most importantly close to no violence. Every other show today is either lust or violence with litres of blood flowing. This series is like detox.

Some curiosity creeps in. Was Phone tapping really a thing? Would the show not be as captivating as it was if tapping was not a part of the show? Mysterious.

Coming to an end resembles a Guru Dutt film with a song like Dekhi Zamane ki Yaari. Saare ke Saare Akele went on flipping pages and how heartbreaking every page was!

Looking at Jubilee overall,

What’s remarkable is the tragic ending given to all the characters like most of the yesteryear actors saw. It is not a fictitious act of drama. We have heard stories where either people disappeared from the industry or their demise was not a very pleasant one or some love stories were not as happy as their film’s or their stardom just vanished with a flop. I admire the way fiction was weaved with the inside stories from the film industry. But across 10 episodes we saw a lot of screen time invested in long pauses. Not sure why the typical fame was not shown like ordinary fans gathering around Madan or crowds at the red carpets of premieres. No premieres at all actually. But the pre-independence period, partition and its effect on the cinema industry was precisely connected. The makers very smartly keep awards at bay as filmfare started in 1954 and this story wraps up by 1953. Also, the details that were very well shown were salaried crew, technicians and even actors associated with the studio, the refugee camps, international interventions and the editing on negatives of the reel. What is incredible to see is the grey shade every character gets with situations. It's meticulous writing.

All the characters had a closure but I wonder what happened to Shamsher Walia.

I was waiting for the last ‘The End’ or ‘समाप्त’ after we saw Interval post the 1st batch of 5 episodes. But that did not come. Another season in making? Giving benefit of doubt as the glorious era of cinema has just started in Jubilee. But I must say first is the only first. What follows is to piggyback on the popularity of last success. It loses its charm. I hope the makers continue the legacy if they plan seasons.

To end this I would say Jubilee gives you the pictorial version of the tales and accounts narrated by the legends and insiders. I will not deny that the series seems stretched or sluggish at times but I think establishing the actors and an entire past generation will take its own time.

Jubilee is a must watch for people who believe in the essence of cinema and Hindi film industry of yesterday. It is for obsessed film lovers who have not yet fallen prey to Bollywood’s faux stardom.

[chromaji]

i was not expecting their ending to be

line 1) "i'm his right hand. arm. man. i'm his confidant. his silly little rabbit" "does he call you that" "no."

line 2) "hello? ceo of racism? i'd like to have a word with you👊"

line 3) oh thats really sweet

[bollywoodirect]

Happy Dussehra 🏹 Ramayan Director Ramanand Sagar With Ram (Arun Govil) and Ravan (Arvind Trivedi).

#HappyDussehra #Vijayadashmi #दशहरा

[hotloveromance97]

List of Actors who Joined Politics in 2024!

Want to know which Actors who Joined Politics in 2024? At this blog HLR shares all details you wana know, like List of Actors That Joined Politics in 2024 & Actors who Won in the Lok Sabha Elections. Arun Govil, Rupali Ganguly, Kangana Ranaut, Thalapathy Vijay, etc. More info, checkout the blog now!

[rajnipoetryvision]

Hu Ram sa

Ram Ram hua bacha hai Hona Ram sa sacha hai https://www.instagram.com/reel/C2XFpQkxKcp/?igsh=YTRmZ2ZscDZoNGRy

[kinghijinx22]

Govil did nothing wrong

[bestbariatricsurgery]

Meet Dr. Aparna Govil Bhasker: Renowned Bariatric Surgeon for Transformative Weight Loss Journeys

Discover the unparalleled expertise of Dr. Aparna Govil Bhasker, a distinguished bariatric surgeon in the field of weight loss surgery. Achieve your weight loss goals with Dr. Bhasker, who is known for her compassionate care and outstanding success stories. Contact Dr. Aparna Govil Bhasker for a healthier life.

[zerounotvadri]

GRUTA, PUESTA EN ESCENA DEL COLECTIVO BEZNEI, RINDE HOMENAJE A LAS ANCESTRAS  

Se presentará del 21 al 24 de septiembre en el Teatro Benito Juárez, bajo la dirección escénica de Sandra Govill

El espectáculo multidisciplinario Gruta, propuesta colectiva del grupo Beznei, es un paisaje escénico interdisciplinar que aborda el principio femenino en voz y cuerpo de 13 mujeres morelenses, entre los 19 y 58 años. Se trata de un homenaje vivo a las ancestras, a través de los ciclos del agua como metáfora de los de vida. Es una manifestación activa ante la violencia de género que sacude nuestro contexto, desde un sostén colectivo que resuena por medio del juego y el gozo.

Bajo la dirección escénica de Sandra Govill, la propuesta se presentará del 21 al 24 de septiembre, de jueves a domingo, en el��Teatro Benito Juárez de la colonia Cuauhtémoc, con el apoyo de la Dirección del Sistema de Teatros de la Secretaría de Cultura de la Ciudad de México.

La puesta muestra los ciclos del agua, la Luna y el linaje femenino, y a tres generaciones que viven en una misma persona. Se trata de un ciclo destinado a repetirse que descubre a su paso la evolución en el cuerpo y la mente femenina de un presente que carga con la memoria de una madre y dos abuelas.

Gruta se nutre de elementos compositivos tanto coreográficos como marciales, teatrales, circenses y de experimentación sonora y vocal, así como de la instalación y la poesía. “Aquí todo palpita, se oyen los ecos de todas las voces: en la Gruta nace, porque es el útero de la montaña”, dice la directora de escena Sandra Govill.

Y agrega: “La gruta es un espacio en las profundidades de la tierra perforado por el agua, donde se generan paisajes minerales únicos. La tierra es la madre; la gruta el útero, las estalactitas y estalagmitas son las memorias, los secretos, los deseos”.

“Surge a partir de explorar los ciclos del agua y su relación con los ciclos de vida de las mujeres, y en ese camino descubrir que somos el resultado mineral de las primeras gotas que perforaron la tierra, de esas primeras mujeres que no contaban sus años de vida, pero cantaban canciones para comprender y comunicar la vida”, expresa Govill, una artista escénica cuyo trabajo destaca por una fusión de las artes marciales chinas, la danza, el juego y la colectividad.

Por ello es que Gruta también es una obra que nos habla de la muerte, de ese proceso inminente y misterioso; es un diálogo entre el espectro de la abuela con todas sus versiones y edades, la abuela que camina sin prisa hacia su trasmutación, hasta convertirse en vapor. 

El espectáculo se rebela al intento de refugiarse en una disciplina escénica formal, funge como un trabajo de archivo y memoria colectiva que abre espacio a diversas narrativas de mujeres migrantes, artistas, amas de casa, maestras, e incluso víctimas de feminicidio, son las historias de vida de ellas, nuestras abuelas. 

La propuesta comenzó a crearse en el 2020, como parte de un proyecto de coreografía de Sandra Govill, apoyado por el programa Jóvenes Creadores, presentando un primer borrador del movimiento Hielo a finales de ese mismo año. En 2021, con un elenco mayor, se pre-estrena el movimiento Agua en el Auditorio Teopanzolco. En septiembre del 2022, a partir de una transformación de la obra a un proceso de creación horizontal y colectiva, se estrenó tanto la versión inmersiva en Casa Alba como la versión a la italiana en el Teatro Ocampo, en Cuernavaca, Morelos.

En la puesta participan las creadoras Abril Atilano, Alejandra Serrano, Eunice Guerrero, Liliana Abundez, Lluvia de Anda, Lúa González, Natalia Todavía, Pilar Guzmán, Sabina León, Sabrina Gutiérrez, Sandra Govill y Valentina Becerril.

En el equipo creativo destacan: en el diseño de iluminación,Balam Sánchez     ; en el vestuario, Sandra Govill y Yolanda Villavicencio, y en el diseño sonoro, Alejandra Serrano (looper, voz, acordeón y cumbia) y Natalia Todavía (violonchelo); en la poesía, Alejandra Serrano, y en la letra de la canción original y voz, Eunice Guerrero.

Gruta ofrecerá funciones del 21 al 24 de septiembre, jueves y viernes a las 20:00 horas, sábado a las 19:00 y domingo a las 18:00, en el Teatro Benito Juárez (Villalongín 15, colonia Cuauhtémoc, Metrobús Reforma). 

Admisión: Entrada general, $184. Los boletos se pueden adquirir en la taquilla del teatro y en las plataformas digitales de Ticketmaster.

Para conocer la programación de la Dirección del Sistema de Teatros de la Ciudad de México, visite la página: www.teatros.cultura.cdmx.gob.mx o la aplicación TeatrosCDMX, disponible en los sistemas operativos Android e IOS y en las redes sociales: Facebook @TeatrosCdMexico, Twitter @TeatrosCdMexico e Instagram @teatroscdmexico.

[akultalkies]

Akshay Kumar, Pankaj Tripathi, Yami Gautam, Aamir Naik, Parag Chhapekar, Abhishek Chouksey, Shriidhar Dubey, Fahim Fazli, Sumit Nagar, Arun Govil, Simmran Sharma, Parth Siddhpura, James Ghadge, Nrbarz, Rajiv Kachroo, Amir

[nikhil0892]

OMG 2 Trailer: A Divine Journey of Faith and Education.

The much-awaited trailer for 'OMG 2,' featuring Akshay Kumar & Pankaj Tripathi, has finally been released. Makers unveiled the trailer just a few days before the film's official release date. Originally, the trailer was scheduled to be launched on a Wednesday. However, Akshay Kumar decided to postpone it out of respect for the sad demise of the director, Nitin Desai. Read/watch Full Story Here…