#hindi film industry

[nnmarudkar]

Jubilee

First thing first, Jubilee shows you the realism of the Bombay talkies era with an interval by building huge and royal studios, cinema reels, crew chairs, hand painted posters, an ambitious producer with business acumen, smoking pipe, outfits, and so much more. The series in itself is quite symbolic for the purpose of depicting the golden era. Yes, I call it a golden era. I read the show is pretty much inspired by the life of Himanshu Rai and Devika Rani. Let’s kickstart.

Praise worthy angles from the entire series that are responsible for the story:

Blazing journeys of 5 characters Roy, Binod, Jay, Niloufer, Walia

The unparalleled fate of 2 studios Khanna studio and Roy studio

The transformations, transitions, and evolving cinema with a blend of crime, love, conspiracy and fame.

Beginning, Rise and Fall

It is commendable to see how the makers combined the most essential attributes of the black and white cinema - Dialogues, Music, Drama and great frames.

The 3 compelling dialogues that summarize Cinema which are crafted beautifully in the film with the scene,

'Power is within this weapon of cinema.'

'Cinema can raise a level by giving the audience a taste of poetry, photography, music and aspirations.'

'Cinema can empower people.'

Let us put the stars on the shoulders of the team. Vikramaditya Motawane, Atul Sabharwal and Soumik Sen are the names. I should say, a gorgeous job on the series by all the teams.

Supposedly it has to be one of the most expensive projects as it costs a fortune to build a city entirely. Especially a city which used to look a certain way but not any more. It is bound to attract criticism, comparisons and judgements. Hence applause for the art department.

Moving to the title, Jubilee. Good one. The word Jubilee was significant in the non-bollywood era. It marked a big success of the film if it reaches Jubilee unlike the crore club where films are less than 2 stars but box office is 200 cr.

Vikramaditya Motawane has created a web series that is uncommon among current subjects. Lots of makers tried to recreate the golden era but most of them went unnoticed. I am fond of Khoya Khoya Chand for the infamous vintage era. However, reaching everybody through OTT through Jubilee with a 10 episode series of 50 minutes is a master thought. That breathing space to judge the success with an olden times ‘interval’ but of a week is outstanding. However, such a big risk.

Mentioning positives of the show to move with. It has a decent Star cast that is not very glittering and glam. Subtle and real. When you cut on the star factor you can actually see through the show and its potential. So I liked the cast to portray that era. Apararshakti Khurana as one of the leads is huge. Names to mention: Wamiqa Gabbi and Prosenjit Chatterjee. I am all praises for Wamiqa Gabbi. Simply Wow. She is a complete package of dance, acting, nakharas, ada and reality. An actress who very clearly takes you to the era of queens like Waheeda Rehman, Mala Sinha, Nutan and the list goes on. She does not imitate anybody. Prosenjit Chatterjee, an innovative and ahead of his time producer who wants to make a mark but probably wishes to stick to what sells on screen with a traditional cinema perspective. The curiosity that both Roy and Niloufer go on building in their own way is really good. Sidhant Gupta’s energy matches the character’s but his acting felt an over-do at times. But when he walks as a star is one act you can’t miss but notice. It shows a mix of stardom and simplicity. Great work there. He is the Guru Dutt effect as a one man show with actor-director qualities. Aditi Rao Hydari is just being herself, a beauty. Ram Kapoor, Shweta Basu are names known for good acting just like that. All the supporting actors have done a celebrated job in their roles. Amazing to watch Arun Govil in a web series. The casting decisions are appreciable. The character Govil plays as a calm father is peaceful for the eyes and ears.

Music is magnificent. Thanks to Amit Trivedi for giving one more album that can be put on loop. The compositions of jubilee prove that even today a melody is possible with sensible ‘Hindi’ lyrics which are louder than the music and each word, chord and instrument is heard and worth a praise. Kudos to Amit Trivedi and Kausar Munir for creating songs that calm people like us can humm. My personal favourites are Voh Tere Mere Ishq, Dariyacha Raja, Na Koi Mera and Saare Ke Saare Akele. Rest you would not like to skip as well. It has the sound of the period it belongs to. The lyrics bear to our usual spoken Hindi language - simple and understood. I can’t put this more straight. Those days were about melody and dialogues that hit the audience.

Dialogues as expected are filled with drama and conviction.

Favourite frame from the series is Jay and Nilo sitting on the road drenched in the rain in front of a theatre under the poster of Baiju Awara. Splendid! You do not have to show intimacy by stripping down and making love. Sometimes it's just the way you sketch love on screen. Quite a romantic frame. Other Mesmerizing frames:

Binod first in front of the fire that also marks the end frame of Roy in front of fire.

Sumitra sitting in front of the mirror in the train.

Roy, sitting in his private screening theatre, calls the man to project the reel.

Jay Khanna in his own studio on the first day against the Taxi cut out.

The last shot of Roy studio with lights dimming symbolizing the fall.

Jay Khanna’s cabin with Taxi Driver Poster of Jay and Nilo.

And the favourite of many, the RK inspired Jay and Niloufer umbrella scene.

I am glad to see one series with no skin show, no kissing at every alternate shot and most importantly close to no violence. Every other show today is either lust or violence with litres of blood flowing. This series is like detox.

Some curiosity creeps in. Was Phone tapping really a thing? Would the show not be as captivating as it was if tapping was not a part of the show? Mysterious.

Coming to an end resembles a Guru Dutt film with a song like Dekhi Zamane ki Yaari. Saare ke Saare Akele went on flipping pages and how heartbreaking every page was!

Looking at Jubilee overall,

What’s remarkable is the tragic ending given to all the characters like most of the yesteryear actors saw. It is not a fictitious act of drama. We have heard stories where either people disappeared from the industry or their demise was not a very pleasant one or some love stories were not as happy as their film’s or their stardom just vanished with a flop. I admire the way fiction was weaved with the inside stories from the film industry. But across 10 episodes we saw a lot of screen time invested in long pauses. Not sure why the typical fame was not shown like ordinary fans gathering around Madan or crowds at the red carpets of premieres. No premieres at all actually. But the pre-independence period, partition and its effect on the cinema industry was precisely connected. The makers very smartly keep awards at bay as filmfare started in 1954 and this story wraps up by 1953. Also, the details that were very well shown were salaried crew, technicians and even actors associated with the studio, the refugee camps, international interventions and the editing on negatives of the reel. What is incredible to see is the grey shade every character gets with situations. It's meticulous writing.

All the characters had a closure but I wonder what happened to Shamsher Walia.

I was waiting for the last ‘The End’ or ‘समाप्त’ after we saw Interval post the 1st batch of 5 episodes. But that did not come. Another season in making? Giving benefit of doubt as the glorious era of cinema has just started in Jubilee. But I must say first is the only first. What follows is to piggyback on the popularity of last success. It loses its charm. I hope the makers continue the legacy if they plan seasons.

To end this I would say Jubilee gives you the pictorial version of the tales and accounts narrated by the legends and insiders. I will not deny that the series seems stretched or sluggish at times but I think establishing the actors and an entire past generation will take its own time.

Jubilee is a must watch for people who believe in the essence of cinema and Hindi film industry of yesterday. It is for obsessed film lovers who have not yet fallen prey to Bollywood’s faux stardom.

[indianfasttrack]

Malaika Arora और Arjun Kapoor के बीच ये क्या हो गया?

Arjun Kapoor एक कार्यक्रम में दिया विवादित बयान Malaika Arora के बारे में पूछे जाने पर कहा, ‘मैं सिंगल हूं Relax karo’ इस बयान के बाद हालही में मलाइका ने मीडिया के सामने दिया जवाब.. (What happened between Malaika Arora and Arjun Kapoor) बॉलीवुड डेस्कमुंबई– मलाइका अरोड़ा और अर्जुन कपूर की जोड़ी बॉलीवुड की दुनिया में सबसे ज्यादा चर्चा में थी। उम्र का फासला और मलाइका के एक बच्चे की मां होने की वजह…

[epictureplus]

पहले से पावरफुल हुए फिल्मों के पीआर... प्रोवाइडर से कैसे बन गए डिसाइडर

-अजय ब्रह्मात्मज 21वीं सदी में फिल्में कला माध्यम से अधिक कारोबार हो चुकी हैं। नए-पुराने सभी फिल्मकार फिल्म बनाने से पहले यह तय करते हैं कि उसके दर्शक कौन होंगे और उसकी ‘पोजीशनिंग’ क्या होगी? इसके साथ ही उसकी मार्केटिंग और पीआर का काम शुरू हो जाता है। इस सदी में पीआर बहुत फैल गया है। कोशिश रहती है कि हर युक्ति से दर्शकों को रिझाया जाए। उन्हें पहले दिन सिनेमाघरों में आने के लिए उद्दीप्त किया जाए।…

[suchananewsblog]

The rash of remakes of south Indian movies by the Bombay industry

For more than a year, the Hindi film industry is unspooling a popular concept of computer science on the screen: garbage in, garbage out. Bachchhan Paandey, Jersey, Cuttputli, Hit, Vikram Vedha, Mili, Drishyam-2, Cirkus, Selfiee, Shehzada, Bholaa, Gumraah, and Kisi Ka Bhai Kisi Ki Jaan — there has been a glut of remakes of South Indian masala. A few of these such as Drishyam-2, Jersey, and Vikram…

[laughableillusions]

Sorry

[theinfinitedivides]

34 and 60 for Spotify wrapped

Chammak Challo by Akon, from the Ra.One OST and Moon by Jonghyun, from the She Is... album.

(ask me about my Spotify Wrapped!)

[princessofbookaholics]

my current obsession 🎬

[collectingtoday]

Oh my God has anybody watched showtime? On hotstar?? Doooooooodddd

[nisreensartworld]

I'd love to watch feminist Indian films more..Do you have any recommendations?🍿

So far I've watched and was impressed by;

X Guilty

X Bulbbul

X The Great Indian Kitchen

X Shaym Singha Roy

X Gangubai Kathiawadi

X English Vinglish

[theomenmedia]

Marco Rewrites Box Office History1

Discover the cinematic dark horse 'Marco,' the Malayalam action-thriller starring Unni Mukundan and Yukti Thareja that's rewriting box office history! From a humble start to over ₹100 crore worldwide, see how it's winning hearts across India and beyond.

Take a deep dive into the film's explosive trajectory with us right here: https://www.theomenmedia.com/post/marco-mania-how-unni-mukundan-yukti-thareja-s-action-thriller-exploded-at-the-box-office

[mayapurimagazine]

Allu Arjun Big Statement About Bollywood Film Industry, Watch Only On Mayapuri Cut :-

[indianfasttrack]

गोविंदा के पैर में लगी गोली, अस्पताल में भर्ती

हिन्दी फिल्म के सुपरस्टार गोविंदा के पैर में गोली लग गई है। जुहू के एक निजी अस्पताल में उनका इलाज चल रहा हैं। शुरुआती जानकारी के मुताबिक, मंगलवार गलती से गोली चल गई, जिसके कारण ये हादसा हुआ. अब इस पूरे मामले पर मुंबई पुलिस मामले की जांच कर रही है। पुलिस को बैलिस्टिक रिपोर्ट का इंतजार है। (Mumbai Bollywood- Actor Govinda shot in leg, admitted to hospital) न्यूज़ डेस्कमुंबई– बॉलीवुड अभिनेता…

[salmankhanholics]

★Salman Khan is a Superhero. You’ve Superhero, You Have Salman Khan.

And now Salman and SRK Together are Our Avengers. We’ve done it…They can do no wrong. They’re perfect Morally,Physically,Emotionally, Everything.-Karan Johar on Superhero’s in the Hindi film industry.

-Oct 2023

[eforentertainment]

अमिताभ भट्टाचार्य- सिने जगत के जादूगर

"बरामदे पुराने हैं, नयी-सी धूप है" जैसा सुकून से भरपूर गीत लिख लोगों को ताज़गी प्रदान करना हो या "चन्ना मेरेया-मेरेया" लिखकर लोगों को भावुक करना या "अभी मुझ में कहीं..बाकी थोड़ी सी है ज़िन्दगी" लिखकर जीने की प्रेरणा देना या फिर " एक बार ही किया तो यारो, प्यार क्या किया" पर लोगों को झुमाना। यह कलमकार हर तरह के भाव को अपने शब्दों से जीवंत करने में माहिर हैं। इस कलमकार को अपनी कलम से जादू बिखेरना का आशीर्वाद प्राप्त है । अगर आप अब भी अंदाजा नहीं लगा पाएं हैं कि हम यहाँ किस की बात कर रहे हैं, तो हम आपको बता दें , बात हो रही है-भारतीय लिरिसिस्ट और गीतकार अमिताभ भट्टाचार्य की। जी, हाँ ये वही शख्सियत है जिनके गाने आपकी जुबां पर चढ़े रहते हैं और जिनके गाने आपकी प्लेलिस्ट में कब्ज़ा किए रहते हैं । लेकिन क्या आप इस गीतकार से परिचित हैं ? आज इस आर्टिकल में हम आपको बॉलीवुड की इसी प्रतिभावान शख्सियत से रूबरू कराएँगे। आइये शुरू करते हैं।

शुरुआती जीवन

अमिताभ भट्टाचार्य का जन्म 16 नवम्बर, 1976 लखनऊ, उत्तर प्रदेश में हुआ। वह बंगाली परिवेश से ताल्लुख़ रखते हैं। अमिताभ भट्टाचार्य का बचपन लखनऊ में बीता तथा उन्होंने अपनी प्रारंभिक शिक्षा वहीं से प्राप्त की। फिर लखनऊ विश्विद्यालय से 1999 में स्नातक किया। बचपन से ही भट्टाचार्य एक सिंगर बनने का सपना देखते थे। इसी के चलते 1999 में स्नातक पूरी हो जाने के बाद अपने सपने को मूर्त रूप देने के लिए लखनऊ छोड़कर मुंबई आ गए। 2013 में टाइम्स ऑफ़ इंडिया को दिए अपने एक इंटरव्यू में अमिताभ भट्टाचार्य ने बताया कि 'वह 1999 में मुंबई आने के बाद बड़े-बड़े संगीतकारों के ऑफिस के बाहर लम्बी कतारों में खड़े रहते थे और उन्हें अपनी "डेमो कैसेट" देते थे लेकिन इसका कोई फायदा उन्हें नहीं हुआ'। अमिताभ भट्टाचार्य ने अपने संघर्ष के दिनों में काम ना मिलने और काम ना मिलने के अवसाद से बचने के लिए कई एड्स जिंगल्स लिखे । बतौर भट्टाचार्य एड्स के लिए जिंगल्स लिखते- लिखते ही उन्होंने गाने लिखने की कला सीखी ।

कब मिला अमिताभ भट्टाचार्य को ब्रेक?

1999 से लगातर संघर्ष करने के बाद 2009 में अनुराग कश्यप की फिल्म "देव डी" से अमिताभ भट्टाचार्य को ब्रेक मिला। इस फिल्म में उनके काम को लोगों और क्रटिक्स द्वारा खूब सरहाया गया। बात 2004 की है जब उनके एक दोस्त ने अमिताभ भट्टाचार्य की मुलाकात म्यूजिक डायरेक्टर अमित त्रिवेदी से कराई। उस समय अमित त्रिवेदी टेलेविज़न के लिए संगीत बनाया करते थे। उस दौरान अमित त्रिवेदी ने अमिताभ भट्टाचार्य को बतौर डमी सिंगर रख लिया और उनसे कुछ लिरिक्स लिखने को कहा। अमिताभ भट्टाचार्य ने कहे अनुसार लिरिक्स लिखे। अमिताभ के लिरिक्स अमित त्रिवेद्वी को बेहद पसंद आए। कह सकते है कि तभी से अमिताभ भट्टाचार्य की संघर्ष के दिन ढ़ल तथा जौहरी ने हीरे को पहचान लिया। परन्तु औपचारिक तौर पर वर्ष 2009 में अनुराग कश्यप की फिल्म "देव डी" के लिए लिखे गाने "इमोशनल अत्याचार" से उन्हें सिने जगत में पहचान मिली और फिर उनकी किस्मत का सिक्का चल पड़ा।

अमिताभ भट्टाचार्य से जुड़ी अनकही बातें

आज के जाने-माने और मशहूर लिरिसिस्ट अमिताभ भट्टाचार्य अपने शुरुआती दौर में गाने "इंदरनील" के नाम से लिखा करते थे। अब वे ऐसा क्यों करते थे? इसका जवाब केवल वही जानते हैं।

एक इंटरव्यू में अमिताभ ने कहा था कि वे किसी धुन पर लिरिक्स लिखना अधिक पसंद करते हैं क्योंकि इससे उनका दिमाग 10 गुन�� ज़्यादा तेज़ी से काम करता है।

गीतकार और संगीतकार अमित त्रिवेदी अमिताभ भट्टाचार्य के खास मित्र हैं।

अमिताभ भट्टाचार्य को अपना पहला फिल्म फेयर अवार्ड 2012 में आई फिल्म "अग्निपथ"के लिए लिखे गाने "अभी मुझ में कहीं के लिए" मिला।

अमिताभ भट्टाचार्य को अपने करियर में सबसे ज़्यादा अवार्ड 2020 में आई फिल्म "ऐ दिल है मुश्किल" के लिखे गाने "चन्ना मेरेया" क�� लिए पूरे 9 अवार्ड्स मिले हैं।

अमिताभ भट्टाचार्य शब्दों के जादूगर। हालंकि अमिताभ भट्टाचार्य आए यहाँ सिंगर बने थे लेकिन उन्होंने बॉलीवुड में बेहद कम गाने गए। शायद अमिताभ भट्टाचार्य अपने अंदर की प्रतिभा पहचान चुके हैं और इसलिए वे अब लिरिसिस्ट के तौर पर काम कर रहे हैं। अमिताभ भट्टाचार्य द्वारा लिखे गानों में अलग ही रोचकता है, रस है। उनके गाने ऐसे लगते हैं मानो कोई कविता हो। उन्हीं के लिखे गानों को हम आपके साथ यहाँ साझा कर रहे हैं। पढ़िए और आंनद लीजिए।

[hotvintagepoll]

Propaganda

Madhubala (Mughal-e-Azam, Barsaat Ki Raat, Mr. & Mrs. '55)—The Venus of India; heart-throb of all who saw her; responsible for the sexual awakening of every single desi lesbian I know (including me!) And my god, she is breathtakingly beautiful. Look at the subtle grace with which she moves, and that smile - the kind of radiant smile that can make you laugh with sheer delight, or cry because of its hidden pain. Those wild curls! That Cupid's bow! The way she tilts back her head and smiles at you with mischief dancing in her eyes! She has a way of looking at the camera that makes you feel she's sharing a private joke just with you; it's something about that quizzical twist of the lips and eyebrows. As an actress, she is inimitable; she seems to effortlessly inhabit roles ranging from a heart-broken courtesan to a laughter-loving socialite. Fun fact : she's had quite the fan following in Greece! Stelios Kazantidis even wrote a song as a tribute to her.

Ingrid Bergman (Gaslight, Casablanca, Notorious)—Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Madhubala:

An icon of Bollywood, who was well known for her beauty and has continued to inspire performances and songs into the 21st century. She was at times described as "the number one beauty of the Indian screen" and "the biggest star in the world".

SHE IS EVERYTHING AHHH. JUST LOOK AT HER SMILE-

She's been nicknamed the Marilyn Monroe of India and was one of the highest paid actresses in the Hindi film industry (the term Bollywood did not exist yet) during the 1950s. Also an extremely talented dancer and singer

SHE'S JUST SO STUNNING, like seeing her eyes IMMEDIATELY CAPTIVATES YOU, THE DANCING, THE BEAUTY!!!!!!!!! She worked in Bollywood for over 20 years and passed away at a sad early age of 36, BUT THE IMPACT SHE HAD WAS UNMATCHED!!!!!

That sassy sideways glance she does always has me WEAK AT THE KNEES. And when she's making silly faces at the camera to mimic someone ahhhh my gay little heart <3

Ingrid Bergman:

God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.

I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.

I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.

Just try and watch her movies without sighing wistfully, then get back to me!

Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.

ion words so I'll stop at that.

One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.

SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy

She has a very natural beauty to her, and she's from Sweden!

She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!

She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!

Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget

With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.

She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group

A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.

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Abhijeet - Ole Ole 1994

Abhijeet Bhattacharya is an Indian playback singer who primarily sings in Hindi Film Industry. Apart from Hindi, he has also sung in other languages including Bengali, Marathi, Nepali, Tamil, Bhojpuri, Punjabi, Odia and his native language Bengali both in West Bengal and Bangladesh. Abhijeet has sung 6034 songs in more than 1000 films. He was nominated for Forbes Popular 100 Indian Celebrity in the year 2014.

Yeh Dillagi (This Cheerfulness) is a 1994 Indian Hindi-language romantic comedy-drama film directed by Naresh Malhotra and produced by Yash Chopra. Based on the 1954 American film Sabrina, its story revolves on two brothers (Akshay Kumar and Saif Ali Khan) who fall in love with their family driver's daughter, Sapna (Kajol), a successful model. The film released on 6 May 1994, and emerged as a commercial success, grossing ₹10.8 crore against its ₹1.6 crore budget.

At the 40th Filmfare Awards, Yeh Dillagi received 4 nominations – Best Actor (Kumar), Best Actress (Kajol), Best Music Director (Dilip Sen, Sameer Sen) and Best Male Playback Singer (Abhijeet for the song "Ole Ole"). The film's soundtrack album contains seven songs composed by Dilip Sen-Sameer Sen. It became one of the top three best-selling Bollywood soundtrack albums of 1994, with 4.5 million sales. The song "Ole Ole", sung by Abhijeet was a hit at the music charts. "Ole Ole" was remixed for the 2020 film Jawaani Jaaneman.

"Ole Ole" received a total of 68,2% yes votes!