#Go East ep 7

[lostinadrama]

𝐆𝐨 𝐄𝐚𝐬𝐭 (2024)

[absolutebl]

This Week in BL - We In A Slump, but help might be coming from a very strange source

Organized, in each category, with ones I'm enjoying most at the top.

Sept 2024 Week 4

Ongoing Series - Thai

Jack & Joker (Thai Mon IQIYI) ep 3 of 12 - I don’t have a lot to say except that the plot is somewhat predictable but the show is still very engaging. War is fantastic. I’m enjoying it a hell of a lot.

Monster Next Door (Thai Thurs Gaga ) ep 10 of 12 - The second leads are getting better in this one. I understand where they are coming from, which makes their conflict so much more understandably painful, and honest to a friends2lovers trope. The main couple is kinda standard college relationship drama, but they are cuties.  

Kidnap (Fri YT) ep 4 of 12 - How is Ohm so damn gorgeous? Meanwhile, babies’ first argument. And it’s sponge bath time. Q has got to be wondering if Min is as meticulous with all kinds of care and attention to detail all......the......time. Somebody here in the hellhole said something about this being "the most BL to ever BL." And I think they’re right. At least right now. Although, watch out, we got us a new contender from the east.

I Saw You in My Dream (Weds Gaga) ep 11 of 12 - I do love the continuation of the perversion, in a good way, of the punishment trope from last week's episode. Oh, has the show finally remembered its title? NO SINGING. 

Addicted Heroin (Thai Tues WeTV) ep 7 of 10 - More kidnapping and an attack and now there’s a girl involved and somebody’s going to China and I don’t understand anything! And I don’t really care. Is this how the actual book originally went? Because it’s wild. Also TOO MANY of flashbacks. I guess they got a bit of a boyfriend era, and the claiming during the water fight was cute, but otherwise...... meh

Love Sick 2024 (Thai Sun iQIYI) ep 2 of 15 - One shouldn’t make comparisons, of course, but all I can think about is how amazing Captain was as Noh in the original series. Thus this show is mostly just making me want to rewatch the original. It’d be an interesting twist to have Aim be queer instead of a damaged cool girl slut. Was the helmet hand letting go a foreshadow of the iconic bookstore hands letting go? Also, I gotta say for the second episode of a series there are already too many flashbacks. Why are they using filler when they have so much content crammed into so few (comparable) episodes for a series? It’s annoying. Stop it.

Live in Love (Sun Gaga) ep 4 of 5 - This show has some interesting, if heavy handed, things to say about shipping and trolling, but also predatory/proprietary female behavior. It’s fascinating to see it tackled head on, if handled in a profoundly clumsy manner. I’m not sure how I feel about it. That said, most of this episode was actually an advertisement for a resort in Phuket. 

Bad Guy My Boss (Thai Sun Gaga) ep 2 of 10 - I'm getting What's Wrong with Secretary Kim? vibes from this show. Only this is WAY more bullying. It’s very old-fashioned 90’s billionaire romance novel only gay. It’s never a good sign when I’m watching two boys kiss and I really want one of them to just bite the other ones lip off instead.

Battle of the Writers (Sun YT) ep 9 of 12 - No ep this week. 

Ongoing Series - Not Thai

Sugar Dog Life (Japan Sun grey) ep 8 of 10 - Gosh it’s so frikin adorable. Baby got sick. He has SUCH A CRUSH. And such a courageous little confession! Yay! Can’t wait for next week. 

Teenager Judge (Vietnam Sat YouTube) ep 1 - sure, yes this is, in fact, just Ba Vinh doing his thing with pretty boys again. And yet...... There is a REASON this leapt into the standings guns blazing. So it’s high school set but it's stepbrothers trope. (My, aren’t we popular this year?) I know, but I NEVER get tired of this trope. We got us Bach (BV's sullen tsundere) and Dat (babygirl meets bully). It’s GREAT how the brothers' dynamic is entirely different at school than when they're at home. My ear isn’t trained for Vietnamese, but I think Dat is using different pronouns depending on his location (his personality entirely shifts when he’s at school). I’m not sold on the Bach character, although I always trust BV to serve in the end (at least we know the kisses will be good), but Dat is utterly in love, a touch spicy, and reasonably complex. The surrounding cast is good too, my favorite pretty boy is there playing top dog (woof), and one of the besties is out gay (YAY!). The plot of the show is...... well...... absent. Nothing happened. But if we are aiming for Love Sick slice of life style BL, I'm game. Subs are appropriately terrible and confusing. But I like it A FUCK TON so far, so I’m gonna keep it in rotation. Nice to have Vietnam back in play. What a shocker.

2024 has been a year of upsets.

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 3 of 10 eps - I weirdly enjoyed the farcical music and the utter absurdity of the court case. I also liked how it highlighted what a good team these two are. Frankly I don’t mind a bit of an antihero sleazy lawyer + conman, it's engaging. I’m getting wholesome out of Thailand. I don’t really need it from Japan at the moment. Also I don’t believe for one second our conman actually is serious about the relationship. Conmen gonna con. I'm reminded of the scorpion and the frog fable.

First Note Of Love (Taiwan Mon Gaga) ep 8 of 12 - I love Orca so much. I do not love the autotuned version of Orca, but I knew what I was in for with this particular show, it's in the title after all. I did laugh a whole lot when Laing used kha. Hon, I don't think that word means what you think it means......

The On1y One (Taiwan Thurs Gaga) eps 11-12fin - I never thought I’d say this, but the pacing was off in the penultimate episode. Taiwan, and its chronic misuse of flashbacks strikes again. That said we eventually got a "lock in" trope and Wang being the biggest little flirt shit in the cafe OMG!!! Of course, you shouldn’t use a girl to torment your bf, but it was so well done, I can’t really complain. Meanwhile, teacher kisses. And now I understand exactly why they’re present in this narrative. Clever. Bummer of a burden on that ending though. I cannot see how they’ll manage to stick this landing. [That was ep 11]

AND NOW EP 12 - doomey doomey doom

Not the water bottle trope! Argh the teenage lust of it all. Just stop it. Wang is so smart he knows exactly how bad he has to be to leave the class. And his bf certainly knows that too. And......

......

So that was not an ending and I’m not happy about it and no one is surprised. Even I’m not surprised. I’m just disappointed. Even tho I suspected this was where we were headed I'm disappointed. That’s it. That’s all I got. How do I review something that was such a crushing let down?

Conclusion:

Based on a Mou Mou novel + the Your Name Engraved Herein team, this is old-school coming of age BL and it was bloody fantastic. Tsundere seme to beat all tsundere (smartest + tallest + bestest at everything but people) meets socially-ept cutie smart-ass uke. They're living together by end of ep 1 and start kissing by end of ep 2. A stellar tense slow burn stepbrothers trope that ate my life and than just belly-flopped the finale. What I'm left with is epic levels of disappointment and well...... at least nobody died? My standard "fatally flawed" rating for any BL is 4/10 so I guess that’s what I’m giving it. 

Before you ask me for the stats: Taiwan does not have a history of second seasons. I went ahead and ran the numbers and the odds are certainly not in our favor. I put the chances at 2%.

Yes, I contemplated a revenge rating of 2/10 but even I'm not that mean.

It's airing but...

The Hidden Moon (Sat WeTV) ep 1 of 10 - This is a supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion in Chiang Mai being converted into a café. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

In Case You Missed It

Falling For My Boss is vertical format (nash) short from Korean BL about a happy-go-unlucky man who keeps losing his flower shop business because of romantically misbehaving employees (apparently it's a thing). When his best employee brings in a new boy he's worried she's falling for him, but it turns out it's his own heart on the line. He a clueless softy and The Boy is a lost broken sweetheart, making this a gentle little snippet of a show. There's a baby linguistic negotiation, some hung slinging, awkward handholds, and everyone is very pretty. For me the absence of kisses and the vertical format were more annoying than the length, which felt fine but many viewers will find too short. I enjoyed the 30 minutes of cute. All of which makes this a solid 7/10 from me. It was originally only available on this one ap in very short form with ads so I wasn't gonna bother. Then some kind soul cut it together without ads and stuck it up for download. Say thank you.

Oddball recommendation next: This podcast episode touches on some stuff we see in Thai BL so I think it's worth listening to. Journalist Dominic Faulder on the Complex History Between Thailand & Myanmar

Happy of the End (Japan Gaga) - Completed its run. A boy is disowned for being gay, dumped by his boyfriend, and ends up in a dysfunctional co-dependant relationship with his would-be kidnapper. We were due for another messy JBL and it's exactly as expected. I do not like it at all and DNFed. Gossip round the hellhole is that was a solid decision.

Marriage Equality Law has officially been enacted in Thailand...

Yes the actual law. Goes into effect Jan 22, 2025

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming Oct 2024:

10/3 Fourever You (Thai iQIYI?) 16 eps - New directs Earth (UWMA, 12%) + Pond (Century of Love, 180 Degrees), Bas (Gen Y, 2 Moons) + Maxky (Why You… Y Me?) and other familiar faces like Bever. Sampler pack university BL from Wabi Sabi that looks like it's trying to be a gay Boys Over Flowers (4 older med students hot boys) and I'm not mad about it. Trailer Not sure who's distributing this but my guess is iQIYI since they had the last few from this house.

10/7 Every You Every Me (Thai Gaga) 10 eps - Jade and Chin have lived over a thousand lifetimes. In each one they somehow manage to fall in love with each other. (This pair, TopMick was piloted in a My Universe ep, that was one of the only ones I liked.)

10/10 Eccentric Romance (Korea ????) 12 eps - Silkwood’s 2nd Thai/Korean colab, that has been in production since 2022 which is a LONG time in the BL world. I'm worried but I like the concept: friends of 10 years who’ve been hiding feelings for each other enter the same university. Plus MURDER.

10/10 Gangster and His Boyfriend (Korea ????) 8 eps? - Kim Dong Bin (famous trainee & idol reality competitor, yeah that happens) stars as a fallen idol who unexpectedly becomes entangled in a gangster family. Discovers that his friend’s father is responsible for the murder of his entire family years ago. I don't know much about this one, neither does anyone else and I'm not sure where I got that release date so……

10/21 Love in the Big City (Korea ????) 8 eps - Adaptation of Booker-nominated famous coming of age novel of the same title by Park Sang-Young. Cynical yet fun loving student writer Young pinballs from home, to class, to Tinder matches. He and Jaehee, his female besie and roommate, frequent nearby bars where they push away their worries about life, love, and money with soju. As time passes Jaehee settles down and leaves Young to face his problems on his own. Young finding comfort in the arms of the series of men, including one whose handsomeness is matched by his coldness and another who might be the great love of his life. Not really BL. Stars Kim Go-eun (The King: Eternal Monarch), Noh Sang-hyun, and Nam Yoon Su (The King’s Affection). This already released as a movie and isn't very well regarded, this date is supposedly an international release as a series. I'm wary of it being BL.

THIS WEEK’S BEST MOMENTS

I got nothing, The On1y One drove me into a funk.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.

[good-day-batey]

Absolutely going crazy about how Agatha All Along is about relationships with mothers (and honestly family, but I like it being mothers, can you tell I have mommy issues?).

With the Salem Seven, are the children of the ones that trialled and wanted to execute Agatha. Having grown resentful and vengeful of what Agatha did to their mothers, they have come after her, in her weakest she has been. Perhaps just like how their mothers and Evanora did to her daughter during her trial.

With Lorna Wu doing everything she can to protect Alice with this generational curse between women--daughters of her clan. Going on tours and tours to get her song-her spell to be heard because just as long as it is remembered, Alice will be protected. Which succeeded, and Alice died with her own terms in protecting her Coven.

With Agatha first and foremost being hated and seen as evil by her mother, and then being seen/rumored as this wicked witch (get it cause she's dressed up as the wicked witch of the east in ep 7 ha) who gave up her son for the book of the dammed, when in reality that can't be the case with all of the hints we've seen with her and Nicholas. And then seeing this boy-- this Teen who just broke into her house, broke her out of the Scarlet Witch spell, got to know him more and see him as a child to be protected once more, unlike perhaps do what she couldn't do with her own son. That she will to this kid who may have been the son of the woman who trapped her for 3 years, and basically "deceived" her all throughout the journey, but is nonetheless proud. Proud in seeing him take the opportunity to survive and grow up when he was supposed to die, as Billy Maximoff and even as William Kaplan

With Rio, who loves and is just as much of a mother to Nicholas, but is obligated to her job that she cannot abandon, making her do something that she doesn't want to someone she loves (both to Nicky and Agatha).

And to Billy, as a Maximoff and as a Kaplan. With Wanda, creating him and Tommy out of nothing but her powers and a desire for love and family, to her having to take everything she wants down and to her going through the multiverse to find her children only to find out that the twins of that universe already have a mother that is loving and isn't blindsided by the grief and the control of the darkhold that won't accept albit scared with what has she became . Too blinded by the grief and corruption, she didn't notice that her love presevered and saved the body this dying child. And with Rebecca Kaplan, despite basically grieving the death of her son because he can't see her boy in him anymore because of the amnesia (or literally with William dying and Billy taking over), she hasn't given up on this child. Having kept him safe in whichever way she can and in the process making Billy see her as her mother, giving the Kaplans more time with him rather than dying in William's bar mitzvah.

And lastly, with Lilia (I'll always love you), having the power and knowledge, she has basically been the mother of the coven. Always trying to save the people from the demise she has no control of seeing and failing to do, such as the curse of seeing divination just like in her first coven. She has accepted her fate of being a witch by having her final act saving her current coven, sacrificing herself, and loving to do so in the process. Such as a mother ready to sacrifice herself for those they love.

I have so much more yapping especially with Lilia and ep 7 (and Jen but we don't have her backstory yet so) but its honest to God 1:33 am in my place and i need to sleep 😴😴

[wanderingsimsfinds]

WanderingSims Fave CC - Traditional Asian Décor List

1 - simbalances - Ohara Koson Prints

2 - ziggy28 - Virtue Asian Character Paintings (TSR)

3 - WanderingSims - Japan Wall Art

4 - chuchuwitch - Asian Paintings

5 - baufive - Flock of Woodcuts

6 - BionicZombie - 4t3 Snowy Escape Paintings

7 - baufive - Japanese Woodcuts

8 - LCC - Chinese Scroll Claborate Style Painting

9 - Devirose - Japanese Ideograms 1 (TSR)

10 - Devirose - Japanese Ideograms 2 (TSR)

11 - Devirose - Japanese Prints Collection (TSR)

12 - Devirose - Japanese Print 1 (TSR)

13 - Devirose - Japanese Print 2 (TSR)

14 - Devirose - Japanese Print 3 (TSR)

15 - Devirose - Japanese Art Collection 2 (TSR)

16 - ziggy28 - Japanese Scenes (TSR)

17 - Devirose - Japanese Art Collection 3 (TSR)

18 - Devirose - Japanese Manuscript (TSR)

19 - ziggy28 - Large Asian Cats Scroll (TSR)

20 - linasometimes - Wisteria & Blossom Paintings (TSR)

21, 25, 33, 37 - you-lust - Vaguely Japanese Pt. 1 Set (Eastern Blossoms Scroll, Blades of Masamune Wall, Japanese Cantankerous Splatter Painting, Zen Bonsai)

22, 32 - Kilhian - Japanese Painting Birds & Sea

23 - ohymysims - Painting Katsushika Hokusai

24, 27, 39-40, 52, 61 - you-lust - Vaguely Chinese Pt. 2 Set (Huabanzhu Chinese Scroll, Yuxi Winter Blossoms Scroll, MTSims Chinese Burner, The Daruma Wishing Doll, Yuxi Bamboo Slip, Shoyou Shoji Screen)

26 - MurfeeL - Wall Scrolls w/Tassels

28, 41, 70 - MurfeeL - Birthday 2020 Dump (EA WA EP Vintage Chinese Ads Framed, AMR Fan Decor Redone, Lacquer Byobu Decor)

29 - Living Dead Girl - Benjamin Bedroom Artwork Asian (TSR)

30, 38, 51, 54, 63 - you-lust - Vaguely Chinese Pt. 1 Set (Yuxi Tokonoma Series Scroll, The Little Jug of Wishes, Yuxi Dragon Scroll, Yuxi Scroll Clutter, Yuxi Ixinqin Screen)

31 - RD - From The East Wall Art

34-35, 50 - you-lust - Vaguely Japanese Pt. 2 Set (Yuxi Haruyo Morita Painting, BBSL Hanging Kimono, WFS Teapot)

36, 65-67 - KerriganHouseDesigns - Hayashi Set (Wallpanel, Floor Lamp, Golden Branch, Screen)

42-43 - you-lust - Azaya Fortune Cat & Higanbana Kokeshi Doll

44 - Martassimsbook - 4t3 novvvas Desierto Bedroom Buddha

45 - MurfeeL - Yokai E-Hon Books as Decor

46-47 - Ritsuka - Fortunate Cat & Japanese Lucky Cat

48 - Ziva-Sims - SimpleStudio404 Japanese Box Recs

49 - MurfeeL - MTCakestore Chinese Books Stackable

53 - HydrangeaChainsaw - Antique Set Chinese Table Lamp

55 - HydrangeaChainsaw - Sakura Bonsai

56 - you-lust - lisen-nymphy Buddha

57 - NoirandDarkSims - Mitarsi Kitsune

58 - SimpleStudio404 - Japanese Misc Set Emongake Deco

59 - you-lust - simaddict99 Oriental Paper Parasol

60, 68, 71-72, 76-77, 81-82 - TheNumbersWoman - Going Asian Outdoor Garden Set (Pagoda, Rock Path 2, Rock Path 1, Fountain, Ying Yang Garden, Water Feature, Deco Bridge Large, Apris Rocks Ponds) (TSR)

62 - Devirose - Japan Rug 1 (TSR)

64 - Angela - Kanto Garden Gong (TSR)

69, 73-75 - MurfeeL - C2077 Dashi no Matsuri Set (Parade Square Table Light, Parade Square Ceiling Light, Parade Round Ceiling Light, Parade Oval Ceiling Light)

78 - SIMCredible! - Asian Nook Fountain (TSR)

79 - DOT - Yard Wire Pole Lantern Mesh (TSR)

80 - SIMCredible! - Momentum Bamboo (TSR)

[dangermousie]

Here is my subjective ranking of all the costume trailers iQIYI released (since I didn’t watch moderns or republican stuff they posted) note - not only is it subjective, it is just the trailers which often does not correlate with either quality of or my interest in the drama itself.

11 Go East - I am vvvv fond of Tan Jianci but this was the only trailer that bored me. It wasn’t bad, it just gave me NO hook of any kind. It’s a pity since this was one of the very few historical trailers (as opposed to wuxia, xianxia etc) and I love those. This said, trailers and dramas often don’t correlate so I hope the drama is good.

10 Reborn for Love - half this trailer is cutesy hijinks and I am just not wired for that. By the time the trailer was halfway over, I found myself thinking that if it wasn’t for leads, I’d not check it out. But the back half has blood and romance and I sat up and paid attention.

9 Fox Spirit Matchmaker: Red Moon Pact - I wanted to be more excited for this than I was. I love the cast. But even in comparison with the trailers for the other two entries in the series it looks…generic. I don’t truly get the vibe or the story. It’s nice but doesn’t grab me.

8 Fox Spirit Matchmaker: Sword and Beloved - it’s gorgeous and intense and screams fantasy romance and Cheng Yi fighting and bleeding. Pay your taxes, everyone!

7 Fox Spirit Matchmaker: Love in Pavillion - the visuals, the vibe, the angsty love feel, the colors! That trailer was my fave out of Fox ones. I need this drama now!

6 Strange Tales of Liao Zhai 2 - I haven’t seen s1 and mysteries (even supernatural ones) aren’t my thing. But the visuals in that trailer are insane and I spy with my little eye Yang Xuwen as one of two mains and the man owns my heart for Eternal Brotherhood and he brings his young Hu Ge vibes here too!

5 Win or Die - this baby is apparently only 18 eps and is all war war war but it’s a Cao Dun drama so the visuals are eye popping. It’s just stunning to look at tbh and sometimes (a lot of times), I want a grim war epic.

4 The Legend of Rosy Clouds - this trailer just grabbed me for some reason - it really makes you want to watch these people. It’s not visually amazing compared to the rest but it’s just dragging me in. In fact, while this isn’t my favorite trailer, out of all the dramas they promoed, this is the one I want to actually watch the most. I used to love the anime so maybe that’s why?

3 Snowy Night: Timeless Love - all the snow and the longing and the battles and we all know we will see red blood on that pristine white soon enough.

2 Love of the Divine Tree - it’s very very pretty and has so much shipping and angst and I have a huge 17 hangover so seeing Deng Wei with similar vibes is sending me. Honestly, my fantasy romance junkie is thirsting.

1 Fangs of Fortune - if someone told me a trailer for a drama full of actors I don’t care for would be my favorite, I’d not have believed it but here we are. This is fantasy and visuals and hooking you done right. I need this NOW!

ETA; I forgot follow your heart OMG! That’s my most fave except for Fangs of Fortune!

ETA2: and A Moment But Forever - I would rank it just behind snowy love.

[movielosophy]

Go East ep 7 | I don't want to work.

[usafphantom2]

EP-3E Aries II Spy Plane Has Flown Its Last Operational Mission

Current tensions in the Middle East prolonged the final deployment of the EP-3E Aries II intelligence-gathering aircraft.

Posted on Nov 7, 2024 3:41 PM EST

Another long-serving U.S. military aircraft has completed its final operational deployment, with the return of the U.S. Navy’s EP-3E Aries II surveillance platform from the 5th Fleet area of operations. The countdown to the spy plane’s final retirement is now on, which will see its vital intelligence, surveillance, and reconnaissance (ISR) mission handed over fully to the MQ-4C Triton high-altitude, long-endurance drone.

VQ-1

Another long-serving U.S. military aircraft has completed its final operational deployment, with the return of the U.S. Navy’s EP-3E Aries II surveillance platform from the 5th Fleet area of operations. The countdown to the spy plane’s final retirement is now on, which will see its vital intelligence, surveillance, and reconnaissance (ISR) mission handed over to the P-8A Poseidon maritime patrol plane, the MQ-4C Triton high-altitude, long-endurance drone, and other assets, including ones in space.

The last EP-3E deployed on operations was Bureau Number, or BuNo 159893, which completed its final flight in the U.S. 5th Fleet area of operations on October 29. The aircraft then made a homecoming to its base at Naval Air Station Whidbey Island, Washington, according to the Facebook account of Fleet Air Reconnaissance Squadron 1 (VQ-1), the “World Watchers,” which posted photos of the event yesterday.

Ground crew welcome EP-3E BuNo 159893 on its return to Naval Air Station Whidbey Island, Washington. VQ-1/Facebook

The U.S. 5th Fleet area of operations covers approximately 2.5 million square miles of water and includes the Arabian Gulf, Red Sea, Gulf of Oman, as well as parts of the Indian Ocean. The area includes three highly strategic choke points at the Strait of Hormuz, the Suez Canal, and the Strait of Bab el-Mandeb at the southern tip of Yemen.

The tense security situation in the region at the moment saw the EP-3E’s final operational deployment extended.

240928-N-AC117-1132 (Sept. 28, 2024) A U.S. Navy EP-3E Airborne Reconnaissance Integrated Electronic System (ARIES) II, assigned to the “World Watchers” of Fleet Air Reconnaissance Squadron 1 (VQ-1), transits within the U.S. 5th Fleet area of operation.

EP-3E BuNo 159893 transits within the U.S. 5th Fleet area of operation, in a photo dated September 28, 2024. U.S. Navy Commander, Naval Air Forces

Originally, the U.S. Navy had scheduled VQ-1 to cease operations by September 30, 2024, ahead of the formal deactivation of the unit on March 31, 2025.

According to the VQ-1 Facebook account, the squadron was first ordered to delay the cessation of operations until October 8, 2024, after which it was required to continue its missions in the region until an undetermined date.

240928-N-AC117-1118 (Sept. 28, 2024) A U.S. Navy EP-3E Airborne Reconnaissance Integrated Electronic System (ARIES) II, assigned to the “World Watchers” of Fleet Air Reconnaissance Squadron 1 (VQ-1), prepares to take flight within the U.S. 5th Fleet area of operation.

EP-3E BuNo 159893 prepares to take flight within the U.S. 5th Fleet area of operation. U.S. Navy Commander, Naval Air Forces

Another VQ-1 EP-3E that had been deployed also recently returned to Whidbey Island, with photos of that aircraft’s homecoming posted by the unit on November 4. This was BuNo 161410 that had been operating from Souda Bay, on the Greek island of Crete, under U.S. Central Command.

For some time now, the Navy has been sending EP-3Es into retirement, delivering them to the 309th Aerospace Maintenance and Regeneration Group (AMARG) at Davis-Monthan Air Force Base, Arizona, for storage.

As we reported last month, the most famous EP-3E of all — BuNo 156511, which was involved in a collision with a Chinese J-8 interceptor over Hainan Island in 2001 — has been moved from the AMARG boneyard to go on public display in the future at the Pima Air & Space Museum in Tucson, Arizona.

The spy plane at the center of one of the most notorious post-Cold War Today air incidents, a U.S. Navy EP-3E Aries II, has arrived at the Pima Air & Space Museum in Tucson, Arizona, for future public display. The EP-3E’s journey to get to the museum has been a long one, starting with the dramatic collision with a Chinese fighter in the so-called Hainan Island incident in 2001.

EP-3E Aries II BuNo 156511 is towed to the Pima Air & Space Museum last month. Pima Air & Space Museum

Pima Air & Space Museum

Meanwhile, the end of the EP-3’s operational commitment after nearly six decades of service has been commemorated by the Navy. A press release from the service included recollections from EP-3E crew members, providing a rare glimpse into a highly secretive community, and one with a very sensitive mission.

“It’s amazing to think of the number of folks who have been part of the EP-3 heritage over the last 55 years,” said Lt. Cmdr. Justin “Gump” Roberts, the VQ-1 detachment officer-in-charge. “Success in this platform has solely been because of our hard-working maintenance team while on deck and our aircrew’s superior ISR while on station. It’s an honor to be part of a legacy that’s bigger than the sum of its parts.”

The aircraft commander at VQ-1, Lt. Bradford “Chad” Holcombe, added that he was “tremendously grateful” to be part of the EP-3E’s history.

“From my first day at VQ-1, it’s been obvious to see the pride each member has in the platform, the mission, and most importantly the effort it takes to execute wherever and whenever we’re asked,” he said. “Flying the last mission flight is a privilege.”

240928-N-AC117-1132 (Sept. 28, 2024) A U.S. Navy EP-3E Airborne Reconnaissance Integrated Electronic System (ARIES) II, assigned to the “World Watchers” of Fleet Air Reconnaissance Squadron 1 (VQ-1), transits within the U.S. 5th Fleet area of operation.

240928-N-AC117-1132 (Sept. 28, 2024) A U.S. Navy EP-3E Airborne Reconnaissance Integrated Electronic System (ARIES) II, assigned to the “World Watchers” of Fleet Air Reconnaissance Squadron 1 (VQ-1), transits within the U.S. 5th Fleet area of operation. Commander, Naval Air Forces

Finally, words were offered by Capt. Dennis “Rudy” Jensen, Commodore of Task Force 57:

“My father was a P-3 pilot during the Cold War, and I’ve flown the variants of the same aircraft since 2002. Few other airplanes are as ‘time-tested and mother approved’ as the P-3,” Jensen said. “Its longevity and ability to operate from remote locations in austere environments for over half a century is a testament to those who designed, built, maintained, and operated it. Much like the ever-changing platforms onboard the flight deck of an aircraft carrier, the mission systems inside the EP-3E have evolved over time. The ability to evolve has enabled the EP-3E to remain viable and effective through today.”

During its time in operational service, the EP-3E played a fairly covert role as a central intelligence-gathering asset within the Navy’s Maritime Patrol and Reconnaissance Force (MPRF).

Derived from the P-3 Orion maritime patrol aircraft, the EP-3E was optimized for operations in the maritime/littoral domain. It was packed with equipment to gather real-time tactical signals intelligence (SIGINT), including intercepting communications and locating and classifying emitters, especially those related to hostile air defense systems.

The cabin of the preserved EP-3E BuNo 156511 as it appears now. Pima Air & Space Museum

A typical EP-3E comprised six flight crew and a reconnaissance crew of 18, who would be drawn from the Navy, Marines, and Air Force.

Data could be processed and analyzed onboard by the crew, then fused together with other critical information. The resulting ‘product,’ including full-motion video intelligence, could be provided in near real-time to fleet and theater commanders.

Overall, the EP-3E was able to provide commanders with specific indications and warnings, as well as build a better picture of the battlespace for situational awareness. Intelligence it gathered on air defense systems would be potentially vital for suppression of enemy air defenses and destruction of enemy air defenses, while other information would be used for anti-air warfare and anti-submarine warfare applications.

Successive upgrades ensured that the EP-3E remained a valuable asset and also added new capabilities. While it was primarily a SIGINT platform in the early years, it later became a ‘multi-intelligence reconnaissance aircraft,’ with new equipment that could hoover up a variety of electronic emissions including at long standoff range.

An EP-3E Orion aircraft, center, is followed by two EA-3B Skywarrior aircraft during flight operations near Gibraltar. The three aircraft are from Fleet Air Reconnaissance Squadron 2 (VQ-2).

An EP-3E followed by two EA-3B Skywarriors during flight operations near Gibraltar, circa 1991. The three aircraft are from Fleet Air Reconnaissance Squadron 2 (VQ-2). U.S. Department of Defense PH3 FRANKLIN P. CALL, USN

The EP-3E’s mission saw it operate in various high-threat areas throughout its career. As well as around the coasts of China — which led to the Hainan Island Incident — regular areas of interest included the Mediterranean Sea, the Middle East, and the Caribbean. In the process, intercepts by hostile or potentially hostile fighters were commonplace.

The video below shows an encounter between an EP-3E and a Russian Su-27 Flanker fighter jet over the Black Sea, in 2018. On that occasion, the Navy says the jet came within five feet of the surveillance aircraft, causing a mission abort, and return to base.

Replacing the EP-3E with the MQ-4C has been a gradual process. Tritons have been operating from forward deployment bases in Guam in the Pacific and Sigonella in the Mediterranean, for some time. Most recently, a third Triton deployment base was established in the U.S. 5th Fleet area of operations, on October 1, allowing the EP-3E to stand down from its duties there.

A Navy MQ-4C Triton drone arrives at NAS Sigonella in Italy on March 30, 2024. U.S. Navy

Flying at a higher altitude and offering a longer endurance than the EP-3E, the MQ-4C offers some significant advantages. While a multi-mission platform, it’s the Triton’s so-called Multi-Intelligence (Multi-Int) configuration with additional electronic and signals intelligence capabilities that will take over from the EP-3E. Since it’s uncrewed, there is also no risk to the crew, something that EP-3E operators were exposed to on a fairly regular basis.

Despite this, in 2022 the Navy decided to dramatically reduce its total planned purchases of MQ-4Cs from 70 to 27. This came after increased questions about the drone’s survivability after one of the interim Broad Area Maritime Surveillance Demonstrator (BAMS-D) aircraft was shot down by Iran in 2019.

Some of the EP-3E’s missions will also be taken over by the P-8A Poseidon maritime patrol aircraft. The baseline Poseidon has a signals intelligence capability, allowing it to detect, geolocate, and classify emissions, including from radars and other air defense nodes, which is also now set to be upgraded. Some P-8s are configured to carry other intelligence-gathering payloads, such as the AN/APS-154 Advanced Airborne Sensor, as well. Boeing has internally funded the development of a modular multi-mission gondola-like pod for Poseidon, which is set to offer an additional way to relatively rapidly integrate sensors and other capabilities.

A U.S. Navy P-8A carrying the AN/APS-154 Advanced Airborne Sensor (AAS), a powerful and secretive radar system mounted in an elongated pontoon-like pod under the fuselage. cvvhrn

“The transition from the EP-3E to the P-8A Poseidon and MQ-4C Triton platforms has been carefully planned to avoid capability gaps,” the Navy says. “These platforms offer enhanced intelligence, surveillance, and reconnaissance capabilities, with greater range, endurance, and the ability to operate in more complex environments.”

The Navy will also be able to leverage other emerging U.S. military ISR assets, including new spaced-based surveillance capabilities.

While the EP-3E’s time is now nearly up, there remain a handful of other Orion variants still in U.S. Navy service. These include P-3C, NP-3C, and NP-3D aircraft flown by Air Test and Evaluation Squadron 30 (VX-30) at Naval Air Station Point Mugu, California, and by Scientific Development Squadron One (VXS-1) at NAS Patuxent River, Maryland. Many of these are also in the process of being replaced.

While many secrets of the EP-3’s exploits are still to be revealed, there’s little doubt that this platform made an enormous contribution to gathering intelligence from hotspots around the globe during its long and eventful period of service.

Contact the author: thomas@thewarzone.com

[mushiemellows]

Okay. Okay. In light of the opla news, here is genuinely how I think opla s2 is going to break down (I know everyone has made post like this and I probably have at some point in the past too, but this is my predictions.)

I genuinely don’t think they’re going to do Alabasta. They could do a speed run of enter the grand line to get there, but I don’t think they’ll do that, if the pace of s1 was an indicator. There’s a few reasons but tbh I think the biggest is politics? If I was a Netflix exec and someone asked me to approve a script RIGHT NOW politically, and the script was about resource exploitation in the Middle East, I would uhhh probably reject it. I honestly think they’re going to do Loguetown through Drum Kingdom and leave it there for the moment.

So it would go:

Ep1: Loguetown that uses the character moments to catch us up to speed, get the audience reacquainted with the straw hats, plus smoker, plus put buggy and Alvida back on the board. Smart money is on a barto cameo. If they take their time, really cycle through everyone, episode will prob end with Luffy on the stand. (Smoker gets the logo treatment since buggy already got one lol)

Ep2: escape Loguetown -> reverse mountain -> early laboon. Again, hindsight will add a lot to this, at minimum we’re getting another binks no sake Easter egg, if not a full blown human brook cameo. Episode ends somewhere about 2/3 of the way through them in the whale. I could see them padding this quite a bit, just knowing all we know now. (Laboon gets the logo? Maybe??? I could see them giving it to Roger or Crocus too)

Ep3: Leave Laboon-> a lot of vivi plot -> enter whiskey peak. Party sequence. Start of the night attacks, high tension, zoro fighting the town drawn out into a huge sequence. Like a big ass choreo moment. Probably ends on the “luffy vs zoro” cliffhanger. (Vivi gets the logo)

Ep4: if if if they’re smart, they’re going to have robin in whiskey peak early, not necessarily introduced with Higaram’s assassination attempt. This episode would be quite a lot of her. Rest of the whiskey peak fights, the full baroque works breakdown, the miss all Sunday intro, leaving town, AND her giving the Alabasta vs little garden deal. I think if they’re writing this the way I think they might, she’ll either follow them to little garden OR she’ll be at Drum Kingdom, just to keep her around a bit longer. Like really drive it in that she’s spying on them. (Robin gets the logo)

Ep 5+6: little garden. I don’t think they can do it in 45 minutes, I think they need both parts. (Big brain move with the logo treatments to have one be Dorry and one be Broggy). This is pretty straightforward, idk. Excited to see zoro cut his legs off. Here’s also the start of the crocodile breadcrumbs, but I can see them using Robin as the face of baroque works a little more to utilize the actress.

Ep 7+8: drum island. This way, they only have to animate chopper for 2 episodes, 7 will probably get the basics of the backstory, and 8 will have the rest of how hiriluk dies. We could possibly see some Blackbeard info here. I’m still team “detective pikachu” style chopper. End the season on the Sakura tree happy note, set up early Alabasta. (Chopper gets one logo, Hiriluk or Kureha gets the other) Wapol as the big bad sucks though which is why I can see them injecting either more BW, Smoker, or Blackbeard into Drum.

I think the is season is going to feel a lot like season 1 did, like they’ll have the quick pace of going to a bunch of places the first portion, then 2 longer stories. But I don’t think they’re actually doing Alabasta properly. Also, I think we’ll pull back from Buggy and Garp, but they’ll still have their moments.

I’m pretty firm that I don’t think they’ll ever get past skypeia (a fact that makes me sob for the loss of opla franky but it would be a MIRACLE if we ever even got to w7. But I could see them doing it if they distilled seasons 3 and 4 in a certain manner. I just don’t think it’s likely, knowing how many years this’ll all take at the pace Netflix makes shows. Can talk more about this if someone asks lol). I’d love to be surprised tho.

If they’re still in casting, plus accounting for the writing hiccup of the writers strike in preproduction, we’re probably looking at a late summer 2026 release? It’s a Loooooot of cg though, between Luffy, chopper, little garden, and drum kingdom.

[mutsky]

tsou ep4 running commentary

-ms nurse please do not fangirl lada is gonna kill someone maybe herself

-ridiculous outfit to wear to a hospital

-an entire flight for one person oh shes an alcoholic

-is engfah ...wing womaning?

-shes on shot like 8 and hes nursing a cocktail

-hes like "just finish your 15 shots its fine" is it?????

-i wish i lived in gl landia where straight looking girls flirted with other straight looking girls as a straight looking girl even tho i like mascs so

-she picked up that twink like he was a potato queen we love you psuzie

-she wants that cookie baddddd

-no tongue still and the shoulder bite was a little awkward 7/10

-the arm grab and slipping of the dress strap was hot tho

-so she slept in dangly earrings her hair and make up from last night are in tact... sure

-is that a bite mark on earn???

-youre not drunk you have no excuse to put her on the table and kiss her silly

-picking her up was hot

-she just... left

-(thought i lost this but here it is whew)

-eng was wingwomaning

-i hope she gets a hot bottom to strap

-ratee is really stupid how did she get this job

-the poor baristas why are they having to-- oh theyre into it

-i cant tell if ratee is genuinely stupid or putting it on

-craziest lunch of all time

-engfah is my new favorite character sorry

-ohhh catfight

-she looks like a wet cat

-i know what my problem with the clothes are ... they look like theyre from the boutiques in the middle east that i absolutely despise im sure its the same type of clothes

-between earn and engfah lada is going to be put in an early grave

-oh?

-you are not slick pmor

-noooo dont end

-ohhh next ep is gonna go crazy

we love you toxic lesbians

[columboscreens]

ive been rewatching columbo eps on prime video (idk where to get the other season after 7 :c) and i'm just done with A Case of Immunity, the one with the Suarian Kingdom and the whitest middle east guy i've ever seen ? And like. I'm not a fan of that episode, but. I feel like i'm missing a lot of political or historical context for that episode ? And I wanted to know if you knew more. Thank u, I'll get back to my little guy show now.

you're not missing much.

the latter portion of original columbo was marked by an increased desire to show him in radically different contexts--between a man on international waters, an arab diplomat, a IRA liason, a CIA agent, and a mexican matador, it suffices to say columbo got around a little more as time went on. and due to the growing US interest in the middle east throughout the 70s (most of europe's imperialist/colonialist tendrils had vacated, cold war alliances were being made, israel, oil, etc.) i suppose they thought people would want to see something topical. they also didn't want to piss anybody off, so the Very Real Country of Suari it was.

the role of hassan salah was originally intended for ben gazzara, but he was scrapped by the network for being too expensive (much to peter falk's consternation). mine too, really, because though hector elizondo did a fantastic job, i think gazzara would've played a better arab. he was sicillian, but i wouldn't be surprised if he had actual arab heritage, as sicilians very often do. his surname is arabic as hell--غزارة is arabic for "abundance", which ended up as a loanward in italian to mean "noisy".

ultimately though, the middle east is an ethnically and geographically diverse region containing a wide variety of looks and skin tones. for one, i and my entire family are lebanese. my skin is rather pale, my grandfather was tan but had pale blue eyes, my aunt is nearly blonde, etc. so elizondo's countenance may not scream "arab" nearly as much as gazzara's, but levant, maghreb, or gulf--he's not all that unbelievable either.

funnily enough, in middle ages arabia, those with blue eyes were associated with duplicitous and untrustworthy behavior....

i guess something that does kinda make me roll my eyes is the treatment of the language. to their credit, the characters do speak and write real arabic in the show, albeit...poorly. obviously it's a 70s tv movie, who cares about accurate glottal stops, but they spent like eight grand to rent a learjet for one of the scenes, and the arabic is real and (mostly) intelligible, so clearly somebody translated it. would it have killed them to hire a dialect coach?

we did get some extremely jewish-sounding arabic out of peter though. so. all is emphatically forgiven

the one thing that truly rubs me the wrong way about the episode is that it's noxiously sympathetic to the american political ethos of the time, which as we well know could do no wrong. watch columbo OWN this EVIL diplomat donned in traditional garb who wants to retain his country's DISGUSTING traditional ways while the new, hip young king who was probably forcefully instituted by american troops in a coup you'll never learn about is COOL and LOVES AMERICA and will lead his oil-filled country on camelback into a beautiful sunset of BEING COOL and LOVING AMERICA. there's NO WAY this could go south. STOP looking at iran NOW

(speaking of which, the state dept. rep who bursts columbo's bubble, kermit morgan, might or might not be a nod to kermit roosevelt jr. who played a central role in the CIA's ousting of iran's mosaddegh in 1953)

...least he's honest

anyway, in retrospect this episode isn't the series' finest moment, but it's a decent watch--and believe me, far and away not the worst treatment of arabs hollywood has thrown at us over the years. i know i'd certainly take a dozen of these over whatever the hell they were churning out post-9/11.

wallahi i could've forgiven the weird culturally inaccurate bowing if they just put columbo in a keffiyeh...

[weneverlearn]

Aaron Lange, Peter Laughner, and the Terminal Town of Cleveland, Ohio

Cleveland-based artist, Aaron Lange, tackles his first graphic novel, Ain't It Fun -- a deep dive into the oily depths of the Rust Belt's most influential music town, it's most mythological misfit, it's oft-forgotten artistic and political streaks, and beyond...

Aaron Lange and his book, 2023 (Photo by Jake Kelly)

--------------------------------------

There’s a recurring line in Aaron Lange’s remarkable new graphic novel, Ain’t It Fun (Stone Church Press, 2023), that states, “Say the words out loud. The River isn’t real.” The river Lange was speaking of is the Cuyahoga, that infamously flammable mass of muck that dumps out into Lake Erie.

Peter Laughner (the ostensible topic of Lange’s book) was an amazing artist who probably could’ve ditched the banks of the Cuyahoga for more amenably artistic areas back in his early 1970s heyday. Aside from his frequent pilgrimages to the burgeoning NYC Lower East Side scene (where he nearly joined Television) and a quickly ditched attempt to live in California though, he mostly stuck around northeast Ohio.

While desperately trying to find his sound and a workable band, Laughner smelted a post-hippie, pre-punk amoebic folk rock, and formed the influential embryonic punk band, Rocket from the Tombs, which later morphed into Pere Ubu. All of which – lumped up with other rust-belted oddballs like electric eels, Mirrors, DEVO, the Numbers Band, Chi-Pig, Tin Huey, Rubber City Rebels, and more – essentially helped formed the “proto-punk” template.

Laughner was also a rock writer of some regional renown, and contributed numerous amphetamine-fueled articles to regional mags like The Scene and Creem -- mostly concerning where Rock'n'Roll was going, colored as he was by the Velvet Underground, the Stooges, David Bowie, and Roxy Music playing in Cleveland a bunch of times around his formative years.

Sadly, in June 1977, Laughner died of acute pancreatitis at age 24. Aside from the first two seminal Pere Ubu 7-inch singles, the rest of Laughner’s recorded output was just one very limited self-released EP and, posthumously, a great double-LP comp of demo and live tracks, Take the Guitar Player for a Ride (1993, Tim Kerr Records). A surprisingly large batch of unreleased lost demos, radio shows, and live tapes appeared on the beautiful and essential box set, Peter Laughner (Smog Veil Records, 2019), that brought Laughner’s legend just a few blocks outside of Fringeville, as it received universally great reviews….

The Dead Boys became the most well-known act of that mid-70s Cleveland scene, though that only happened once they high-tailed it to NYC. Aside from DEVO, Chrissie Hynde, and the Waitresses (all of whom did their own versions of high-tailing it), nearly every other act in that fertile Cle-Akron proto-punk vortex soon dissipated, eventually getting the cult treatment at best.

Cleveland is indeed right there with NYC and London as punk ground zero, but Americans tend to equate buyable products as proof of import, so shockingly, the Pagans and The Styrenes just aren’t the household name they should be.

Decades of tape-trading stories, sub-indie label limited releases, and fanzine debates kept the mythology of those acts barely breathing underneath the end of the milennium’s increasingly loud R'n'R death knell. And as that mythology slowly grew, the fans and even the musicians of the scene itself still wonder what it all meant.     

Which, as you dig deeper into Ain’t It Fun, becomes the theme not just about the legendary rocker ghost of Peter Laughner, but of Cleveland itself. Ala Greil Marcus’ classic “hidden history” tome, Lipstick Traces, Lange interweaves Laughner’s self-immolating attempts at Beatnik-art-punk transcendence with a very detailed history of Cleveland, with its insane anti-legends and foot-shooting civic development.

Like much of the dank, rusted, and mysterious edges of the one-time “Sixth City,” the Cuyahoga has been cleaned up since, though I still wouldn’t suggest slurping up a swallow if you’re hanging on the banks of the Flats. I grew up in Cleveland and visit as often as I can because it’s an awesome place, no matter what they tell you. Or maybe, because of what they tell you.

If you are keen to swim down through the muck and mire of Cleveland’s charms, you don’t just get used to it, you like it. As for the “Cleveland” that the City Fathers have always tried so vainly to hype, us hopelessly romantic proto-punk fanatics say to those who would erase Cleveland’s fucked-up past and replace it with that weird fake greenspace underneath the Terminal Tower: “The City isn’t real.”

-------------------------------------

Give us a quick bio.

Born in Cleveland, 1981. We moved to the west side suburbs when I was six. My parents didn’t listen to much music, and I don’t have older siblings. So I didn’t really listen to music at all until I was in high school, and I didn’t listen to any of the grunge or ‘90s stuff that was popular. I got real into the Beatles when I was in ninth grade, and at some point I got the Velvet Underground’s first album from the library because I saw Andy Warhol’s name on the cover. I didn’t know anything about them, so that was a real shock. I probably first heard Iggy Pop via the Trainspotting soundtrack, and pretty soon after I started getting into punk and generally more obscure stuff. Now I listen to more electronic stuff, ambient stuff. I also like most anything that falls under the broad “post-punk” umbrella. I really hate “rama-lama ding-dong” rock and roll.

What came first – music or drawing interest?

Drawing. I was always drawing… I’ve been a semi-regular contributor to Mineshaft for many years, which is a small zine/journal that features a lot of underground comix related stuff, but also has a beatnik vibe and includes poetry and writing. I’ve done the odd thing here and there for other zines, but I don’t really fit in anywhere.

Don’t really fit it – I feel that phrase describes a lot of the best / more influential Ohio musicians / bands. Did you feel that kind of feeling about Peter as you researched and wrote the book?

Peter was well liked, and he knew a vast array of people. If anything, he fit in in too many situations. He was spread thin.

When you lived in Philly, did you get a sense of any kind of similar proto-punk scene / era in that town? I sometimes, perhaps jingoistically, think this particular kind of music is almost exclusively confined to the Rust Belt.

I lived in Philly for nearly 11 years. As far as the old scene there, they had Pure Hell. But back then, anybody who really wanted to do something like that would just move to NYC.

So, is there a moment in time that started you on a path towards wanting to dig into Cleveland’s proto-punk past like this?

It was just something I had a vague interest in, going back to when I first heard Pere Ubu. And then later learning about the electric eels, and starting to get a feeling that Cleveland had a lot more to offer than just the Dead Boys. The Rocket from the Tombs reunion got things going, and that’s when I first started to hear Laughner’s name. A few years later, a friend sent me a burned CD of the Take the Guitar Player for a Ride collection, and I started to get more interested in Peter specifically.

Despite any first wave punk fan’s excitement about a Laughner bio, this book is moreso a history of Cleveland, and trying to connect those odd underground, counterculture, or mythological connections that the Chamber of Commerce tends to ignor as the town’s import. Was there a moment where you realized this book needed to go a little wider than only telling the tales of Laughner and the bands of that era? (Not that there’s anything wrong with that!)

Very early on I realized that none of this would make sense or have any true meaning without the appropriate context. The activities of the early Cle punk scene need to be viewed in relation to what was going on in the city. I think this is just as true with NYC or London – these were very specific contexts, all tangled up in politics, crime, rent, television, and also the specifics of the more hippie-ish local countercultures that preceded each region. You’ve got Bowie and Warhol and all that, but in Cleveland you’ve also got Ghoulardi and d.a. levy. Mix that up with deindustrialization and a picture starts to form.

So when did you decide on doing this book? You’ve mentioned this was your first attempt at doing a full graphic novel – and boy, you went epic on it!

I did a short version of Peter’s story back when I was living in Philadelphia. But upon completing that version – which I now think of as a sketch – it became clear that there was a lot more to say and to investigate. I spent about a year just thinking about it, forming contacts with some people, and tracking down various reference materials like records, zines, books, etc. Then my wife got a new job at Cleveland State University, so we left Philly. Once I landed back in Cleveland I started working on the book in earnest.

Page from Ain't It Fun -- all book images courtesy of the author.

By any chance was Greil Marcus’ book, Lipstick Traces (1989), an inspiration, as far as the “hidden history” factor, the trying to connect seemingly unconnected and lost historical footnotes into a path towards the culture’s future?

Yes. I read Lipstick Traces when I was around 19 or 20, and I’d never seen anything like it before. It really blew my mind, all the stuff about the Situationists and Dadaists and all that. Later on, I read Nick Tosches’ Dean Martin biography, Dino, and that was another mind blower. Another major influence is Iain Sinclair.

Ah Dino, another Ohio native. So, Laughner’s one-time partner, Charlotte Pressler’s book is mentioned, and I’ve seen it referenced and talked about for years – any inside word on if/when she might have that published?

Charlotte never wrote a book, though she did co-edit a book that collected the work of local poets. As far as her own writing, she’s done all manner of essays and poetry, and probably some academic writing that I’m not familiar with. As far as her completing “Those Were Different Times”— which was intended as a total of three essays— I’ve got some thoughts on that, but it’s not really my place to comment on it.

Pressler sounds like a very serious person in your book, as you say, she was kind of older than her years. But how was she to talk to?

Charlotte is serious, but she’s not dour. She’s got a sense of humor and she’s very curious about the world, always looking to learn new things. She’s an intellectual, and has a wide array of interests. We get along, we’re friends.

The fact that the town’s namesake, Moses Cleveland, left soon after his “discovery” and never came back – that’s like a template for how people envision a town like Cleveland: nice place to grow up, but you want to get out as soon as you’re legal. Even the musicians of the area might’ve agreed with that sentiment, even if many never left.  Do you think that has changed?

I’m glad I left Cleveland, but I’m also glad I came back. First off, my family is here. Second, the cost of living is still reasonable. I don’t know how people live in New York. I never have any money. I’d make more money if I had a full-time job at McDonald’s. That’s not a joke, or me being self-deprecating. How do artists live in New York? How do they afford rent and 20 dollar packs of cigarettes? I’m just totally confused by the basic mechanics of this. So yeah, I’m in Cleveland. It’s not great, but what are my options? I can’t just go to Paris and fuck around like a bohemian. I would if I could.

In Ain't It Fun, you reveal that one of the seminal Cleveland scene dives, Pirate's Cove, was once a Rockerfeller warehouse  – these kind of enlightening, almost comically perfect metaphors pop up every few pages. Not unlike the mythology that can sometimes arise in musician fandom, I wonder if these are metaphors we can mine, or just an obvious facts that the town drifted down from a center of industry to relative poverty.

“Metaphor” might be at too much of a remove. These facts, these landmarks — they create a complex of semiotics, a map, a framework. The city talks through its symbols and its landscape. If you submit to it and listen, it will tell you secrets. There is nothing metaphorical about this.

Is it a sign of privilege to look on destitution as inspiration? I’m guessing the sick drunks at Pirate’s Cove in 1975 weren’t thinking they were living in a rusty Paris of the ‘30s. Though I will say a thing I really loved about your book was that, for all its yearning and historical weaving, you still stick to facts and don’t seem to over-mythologize or put any gauze on the smog, like “Isn’t that so cool, man.” You capture the quiet and damp desperation of that era and Laughner’s milieu.

Poverty, decline, decay, entropy – these things are real. By aestheticizing them we are able to gain some control over them. And once you have control, you have the power to change things. This is not “slumming.” “Privilege” has nothing to do with it.

Page from Ain't It Fun

Do you know why the Terminal Tower (once the second tallest building in the world when it opened in 1928) was named that? It seems somewhat fatalistic, given the usual futurist positivism of the deco design era.

Terminal as in train terminal. It really pisses me off that there was once a time where you could go there and catch a train to Chicago or New York. It’s infuriating how this country dismantled its rail systems. And the Terminal Tower isn’t deco, but I think it is often confused with that style just by virtue of not being a gigantic rectangle. In that sense it does have more in common with a deco structure like the Chrysler building. Honestly, if you are looking for deco you might find more notable examples in Akron than you would Cleveland.

I notice a kind of – and bear with my lesser abilities to describe illustrative art – swirly style in your work that kind of aligns with art deco curves, maybe some Gustav Klimt…? In general, who were some illustrative inspirations for you early on?

That “swirly” style you describe is art nouveau. Deco came after that, and is more angular and clean. Additionally, a lot of underground comix guys were also poster artists, and there was often a nouveau influence in that psychedelic work – so there’s a bit of a thread there. As far as Klimt, I came to him kinda late, but I love him now.

The music of many northeast Ohio bands of that era has been generally tagged as “industrial” (the pre-dance industrial style, of course), cranky like the machinery of the sputtering factories in the Flats, etc… My guess is maybe the musicians were already finding used R'n'R instruments in thrift stores by that time, which would add a kind of layer of revision, turning old things into new sounds. Did you hear about of any of that? Or were there enough music stores around town? I know DEVO was already taking used instruments and refitting them; or electric eels using sheet metal and such to bang on…

I’m not a musician, so I don’t know anything about gear or stuff like that. I do know that Allen Ravenstine made field recordings in the Flats, and utilized them via his synthesizer. Frankly, I wish more of the Northeast Ohio bands had taken cues from Ubu and early Devo, because an “industrial” subculture definitely could have formed, like it did in England and San Francisco. But that never really happened here.

That kind of music was pretty popular on college radio and in a few clubs in Cleveland, though not many original bands with that sound arrived, aside from Nine Inch Nails who quickly took his act elsewhere… So in the book you mention local newsman, Dick Fealger. My memories of him are as a curmudgeon whose shtick was getting a little old by the time I was seeing him on the news, or his later opinion columns. Kinda your classic “Hey you kids, get off my lawn” style. You rightly paint him as a somewhat prescient reporter of the odd in his earlier days, though. I once had to go to a friend’s mother’s funeral, and in the next room in the funeral home was Dick Feagler’s funeral. I always regret not sneaking over and taking a peak into it to see who was there.

I like Feagler in the same way that I liked Andy Rooney on 60 Minutes. These were people that my grandparents liked. So I suppose my appreciation for Feagler is half nostalgia, half irony. I like cranks, grumps, letter-writers, street prophets. I like black coffee, donuts, diners, and blue plate specials – that’s Feagler’s world, the old newspaper world. Get up at 6 am and put your pants on, that kinda thing.

Yeah, I still found Feagler kinda funny, but like Jane Scott, while respect was always there, by the later ‘80s/’90s, both were set into almost caricatures  who were kind of resting on their laurels. 

Yeah, I remember seeing Jane at some random Grog Shop show back in the ‘90s, and I was kinda impressed. But no, she was never really cool. Jane was pure Cleveland, her career couldn't have happened anywhere else.

I remember seeing her sit right next to a huge house amp at the old Variety Theater for the entire duration of a Dead Kennedys show, taking notes for her review. Pretty impressive given her age at that point.

You also make a point of carving out an important space for The Damnation of Adam Blessing, a band that seems to get forgotten when discussing Cleveland’s pre-punk band gaggle. I find that interesting because in a way, they are the template for the way many Ohio bands don’t fit into any exact genre, and so often people don’t “get” them, or they’re forgotten later.

Damnation worked as a good local example for that whole psychedelic thing. They were very ‘60s. While the James Gang on the other hand, was more ‘70s— the cracks were starting to show with the ‘70s bands, they were harder and less utopian. Damnation feels more “Woodstock,” so they were useful to me in that regard.

I must add – for years I thought it was pronounced Laugh-ner, as in to laugh, ha ha, not knowing the Gaelic roots. Once I learned I was pronouncing it wrong, I still wanted to pronounce it like laughing, as it seemed to fit so darkly correct with how his life went, and Cleveland musicians’ love of bad puns and cheap comedians and such… Of course when I learned that it was an “ethnic” name, it made it that much more Cleveland.

Yeah, everybody says his name wrong. I used to too, and had to really force myself to start saying it as Lochner. But everybody says Pere Ubu wrong as well – it’s Pear Ubu.

I hate any desecration of any artwork, but I always loved the blowing up The Thinker statue story, as it seemed such a powerful metaphor of the strength of art, and Cleveland itself – the fact that The Thinker himself still sits there, right on top of the sliced-up and sweeping shards from the blast. It’s still there, right? And isn’t it true that there are like three more “official” Thinker statues in the world?

Yeah, I don’t condone what happened, but it is kinda cool. As a kid, the mutilated Thinker had a strong effect on me — I couldn’t have put it into words at the time, but I think it gave me a sense of the weight of history. It’s almost like a post-war artifact in Europe, something that is scarred. And yes, it’s still there outside the museum. And it’s a cast. I think there might be five official ones, but I’d have to look that up. If you are ever in Philadelphia, swing by the Rodin museum and check out The Gates of Hell.

I have only become a bigger fan of Laughner’s as the years pass. But there is something to the critique that perhaps he never really found his singular sound; that he was copping bits from Lou Reed and Dylan, and couldn’t keep a band together to save his life. And there was supposedly a feeling among some in the NYC scene that he was a bit of a carpetbagger.

Everybody has their influences, so Peter wasn’t in any way unique in that sense. I know he has a reputation for doing a lot of cover songs — which is true — but he also wrote a lot of originals, and there are some damn good ones which are still unreleased. “Under the Volcano” is just one such unheard song which I mention in my book, but there are others. As far as finding his own singular sound, he probably came closest to that with Friction. That group borrowed heavily from Television and Richard Hell, but also drew upon Richard Thompson and Fairport Convention. And when you think about it, those were really unlikely influences to juxtapose, and it created something original. Frustratingly though, Friction never achieved their full potential, as Peter was already losing it.

Yeah, Friction is kind of way up there with the “What if” bands… It’s interesting that for all his legend as a proto-punk figure, perhaps Laughner’s signature songs – Sylvia Plath” and “Baudelaire” – were gorgeous acoustic numbers. Though of course those early Pere Ubu songs were proto-punk and post-punk templates, somehow...

I honestly don’t know what happened with Ubu, as it is pretty distinct from Peter’s other work. Thomas isn’t really a musician, so we can only give him so much credit with how that sound developed. I honestly don’t know. There just must have been some sort of alchemy between the various players, and Thomas understood it and was able to encourage and guide it in the projects that followed over the years.

Page from Ain't It Fun

You also didn’t really detail Pere Ubu’s initial breakup – was there just not much to say?

Yeah, I think I mentioned it, but no, I didn’t really get into it. Pere Ubu is kind of a story unto themselves. But it might be worth mentioning here that Home and Garden was an interesting project that came out of that Ubu breakup. And Thomas also did some solo albums, but I’m not as familiar with those.

Yeah, I saw Home and Garden a few times way back, good stuff. You’ve mentioned to me that there were some people that didn’t want to talk to you for the book; and that people were very protective of Peter’s legacy and/or their friendship with him. To what do you attribute that?

It has everything to do with Peter’s early death. Some people are very protective of how Peter is remembered. And I think some people weren’t exposed to Peter’s dark side, so when they hear those descriptions of him it strikes them as untrue. I think Peter showed different sides of himself to different people.

I kind of felt as I was reading that you might say more about Harvey Pekar, as not only is he an interesting figure, but the most famous graphic novelist from Ohio, and I assume an inspiration of your’s.

Pekar’s great. Especially the magazine-size issues he was doing in the late ‘70s up through the ‘80s. It was important to me to include him in the book. But Pekar was a jazz guy, and that’s a whole other story, a whole other tangled web.

So, Balloonfest! Hilarious. I almost forgot about that. But I do remember Ted Stepien owning the short-lived Cleveland professional softball team; and for a promotion, they dropped softballs off the Terminal Tower, and if you caught one you won $1,000 or something. Do you recall that? It’s one of my favorite fucked-up Cleveland stories. Balls smashed car roofs, and cops immediately told people to run away.

Yeah, I’m aware of that baseball stunt. I generally try and stay away from anything even remotely related to professional sports teams — it gets talked about more than enough elsewhere. Oddly, I am interested in athletes who work alone, like Olympic skiers. I’m attracted to that solitary focus, where the athlete isn’t competing against other teams or players, but more competing with the limits of the human body, competing with what the physical world will allow and permit, that whole Herzog trip. I’m also interested in the Olympic Village, as this artificial space that mutates and moves across time and across continents.

As far as Balloonfest, I still watch that footage all the time. I use it as a meditation device. I’ll put it on along with Metal Machine Music and go into a trance.

A few years ago, as I am sure you are well aware, noted British punk historian Jon Savage put together a Soul Jazz Records comp of Cleveland proto-punk called Extermination Nights in the Sixth City. I grew up in Cleveland, lived in Columbus for awhile, and I never heard it called “the Sixth City.” Have you? If so, what does it refer to?

Nobody calls it that anymore. It’s an old nickname back from when Cleveland was literally the sixth largest city in the country.

I’d guess Ain’t It Fun was a tiring feat to accomplish. But do you have another book in the works? And if someone wanted to option Peter’s story for a movie, would you sign on? I personally dread rock biopics. They’re almost universally bad.

Yeah, I’ve got an idea for another book, but it’s too early to talk about that. As far as biopics, they are almost always bad, rock or otherwise. Rock documentaries are often pretty lousy too. A recent and major exception would be Todd Haynes’ Velvet Underground documentary, which is just goddamn brilliant. A film about Peter in that vein would be great— but there’s just no footage to work from. He didn’t have Warhol or Factory people following him around with a camera. So unless somebody like Jim Jarmusch comes calling, I won’t be signing off on movie rights any time soon.

Unless there is more you’d like to say, thanks, and good luck with the book and future ventures!

Stone Church Press has a lot of projects planned for 2024 and beyond, and I encourage anyone reading this to support small publishers. There is a lot of very exciting stuff going on, but you have to work a little to find it. Amazon, algorithms, big corporate publishers — they’re like this endless blanket of concrete that smothers and suffocates. But flowers have a way of popping up between the cracks.

Aaron Lange, 2023 (Photo by Jake Kelly)

[lostinadrama]

[theacadominique]

Monday, 4.22.24

Today I:

Did some Yoga With Adriene

Watched East of Eden (1955, rentable through Amazon Prime)

Informed recommenders, ex-coworkers, family, and friends of where I'll be going for grad school

Read "Stolen Salvator Rosa Painting Returned to Oxford University Gallery after Four Years"

Listened to ep. 7 of the Coffee Break French podcast

Listened to ep. 20 of the ArtCurious podcast

Watched El Seed (free via All ARTS)

Requested an official transcript from my undergrad college to be sent to my MA program's college

Applied for on-campus housing

Bought school merch

Read "Francisco Goya, The Sleep of Reason Produces Monsters"

Watched "The Artist Project: Enrique Chagoya"

Watched "Goya, The Family of Charles IV"

Read "Francisco Goya, And there’s nothing to be done from The Disasters of War"

Updated my finances

Entered galley giveaways on Goodreads and Storygraph

Watched an ep. of Grey's Anatomy

Finished reading The Hunting Party by Lucy Foley

Played The Sims 4

[thelensofyashunews]

CHANI NATTAN, INDERPAL MOGA & AR PAISLEY BRIDGE BORDERS WITH JOINT PUNJABI-ENGLISH HIP-HOP EP EAST TO WEST

 Today, Chani Nattan, Inderpal Moga and AR Paisley bridge East and West with the release of their highly-anticipated joint EP “East To West”  via 91 North Records. Merging authentic western hip hop sounds with traditional South Asian roots, the 7 track tape, which draws inspiration from early 90s and 2000s Hip Hop, sees Vancouver’s Chani Nattan and Inderpal Moga unite with Toronto’s rap titan AR Paisley in a project of timeless music that stays true to its roots while breaking international boundaries.

Featuring evocative bars, as well as a soulful, emotive blend of nostalgic sounds, East to West is sure to cement Nattan, Moga and Paisley's status as the new titans in the Punjabi - Hip Hop scene. Opening track 'Block Boys', blends the essence of early 2000s hip-hop with vibrant Punjabi sounds, in a dynamic fusion that highlights the artists lyrical flair, while fueling an exciting narrative of their collective grind and hustle.

‘Heater’ splices hypnotizing synths, and bouncy bass-heavy percussion over laid-back production from collaborator Jass G, on a track that embodies an aura of dominance and carefree enjoyment. The vibrant and uptempo vibes of ‘Dancer’, an experimental and innovative sound influenced by 90s disco, gives way to ‘Mehndi’, a song inspired by the vibrant culture of Punjabi wedding season - an interplay of nostalgia and romantic undertones that exemplify the artist’s versatility.

The project changes pace on love song ‘All Eyez On You” an intense cut that beautifully reflects on the feeling of being completely enamored by a single person that becomes the center of one’s world, despite the constant allure of the spotlight.  Nattan, Moga and Paisley ride out the ups and downs of life's relational tides, with their most introspective single to date “Seasons’ - an ode to the unpredictable nature of relationships that compare to ever changing seasons. Rounding out the tape is the 2023 release, ‘What’s Beef’, the first collaboration between the artists, which started their ascent together in the hip hop space.

Chani Nattan, Inderpal Moga and AR Paisley are one of the most exciting breakout rap talents of recent years. With music that is relatable in every sense, driven less by punchlines and more by traditional roots and nostalgia, the artists reflect on their personal experiences of the process saying, “We feel nostalgic when we listen to music right now, the sound reminds us of when we were in middle school going to theme parks, playing basketball etc. We had a lot of relatable connections to music like the music that resonated with us most during our upbringings.”

Chani Nattan, Inderpal Moga, and AR Paisley also blaze a trail as the first Canadian South Asian trio to showcase Punjabi hip-hop on the viral platform On The Radar.

Shot in New York City, the trio delivered a dynamic East To West Cypher freestyle on the platform, which has seen the likes of Drake & Central Cee, Lil Baby, Lil Yachty amongst other notable rap acts. The East To West tape follows an exciting 2024 for the rising stars, with a consistent slate of releases from Chani Nattan and Inderpal Moga that includes their 91 North Records debut ‘Facetime’ which garnered nods from outlets such as Billboard Canada, reaching #1 on Spotify Canada's Vancouver Pulse Chart and recent release ‘Bhabi’. 

The year has also proved to be a breakout one for Paisley, whose surprise collaboration ‘Drippy’ with the late Sidhu Moose Wala accumulated over 15 million views in under a week, charting #9 on Canada's Billboard Hot 100. They are set to round out the summer with a performance at the UK’s R5B Festival on August 31st!  

[blogger360ncislarules]

Young Sheldon boss Steve Holland would like to use this opportunity to address the fate of Paige Swanson (and debunk all of your tragic theories about her absence in The Big Bang Theory).

Mckenna Grace‘s character, a fellow child prodigy, was introduced early in Season 2 of the prequel series and served as Sheldon’s chief revival at East Texas Tech. Aside from Tam, who crossed over to Big Bang, she was the closest thing that Sheldon had to a friend, and remained an acquaintance for many years, eventually befriending Sheldon’s twin sister Missy.

“People ask about Paige all the time, and she was only in [nine] episodes of Young Sheldon,” executive producer Steve Holland points out to TVLine. What’s more, only three of those episodes overlapped with Big Bang Season 12. By the time her role was expanded, “Big Bang was done, and there was no way to go, ‘Can we go back and retrofit [her] into Big Bang Theory?’

“People online respond to Paige and I think that’s because Mckenna is incredible,” Holland posits. “The downside of Mckenna being incredible is that Mckenna is a movie star” — most recently seen in Ghostbusters: Frozen Empire — “and that makes Mckenna very difficult to get.”

But even if they had gotten Grace back for a final season encore, he’s not so sure that there would have been a definitive answer about her Big Bang future. She was last seen midway through Season 6, when she and Missy ran away from home.

“When we got into this season, especially with it being a shortened season, we never thought that [Paige’s storyline] was an arc that needed more closing than it got,” Holland says. “There was a parallel; she was a bit of a mirror image of Sheldon — a different way that Sheldon could have turned out — and I think we saw that play out.

“I know there are some dark theories about what happened to Paige and why Sheldon doesn’t mention her [on Big Bang],” he acknowledges. “I don’t think she’s not mentioned because she went down a dark path and is dead in Big Bang Theory. For us, it was just an interesting way to explore another kid who had a similar thing to Sheldon and the different roads that they could take. [By Season 6] she is not a huge part of Sheldon’s life; she’s more of Missy’s friend in the show than she is Sheldon’s friend. That said, it would have been great to have Mckenna back because she’s incredible, always.”

Another fan-favorite character who is never acknowledged on Big Bang is Sheldon’s childhood mentor, Dr. John Sturgis (played by Wallace Shawn). For a year, both Sheldon and Paige audited Sturgis’ physics class. Sturgis even dated Meemaw for year. Alas, “we didn’t realize how big a part of this show Sturgis was going to be,” Holland concedes. “That’s the honest answer. The in-universe answer is that Sheldon is still a little hyper-focused. It’s not that Dr. Sturgis isn’t a big part of his life, but it was three years of his life, and he has gone on to work with Stephen Hawking and other big people… but I do think Dr. Sturgis is an important [figure] in his life.”

[aphelionsabyss]

Hello hello hello my lovely little stars!Welcome back to another episode of:

APHALLY OBSESSED!

YOUR new favorite "daily radio show" in which your host, Aphelion (That's me!) tells you all about music they're ACTUALLY OBSESSED with!

Today's episode is gonna be a little bit different. I haven't done one of these in a little bit and that's because I'm going through sort of a music funk. That meaning: Music is a bit overstimulating and overwhelming for me and I just haven't had something I really like come to mind.

I'm also going through HUGE writer's block. I'm very burnt out. So it may take me a bit to get back to our regularly scheduled programming. HOWEVER, because of this I've decided to add a NEW segment to this show!!!!!!

Aphelion's Absolutely Amazing Album Recommendations!!!!

Or, AAAAR for short! (Name is subject to change)

In this segment, I will be recommending three different albums or EPs for your listening pleasures! It will not get TOO much of a personal story behind it, but they WILL all be genuinely one I like (Which is rare!!! I don't listen to albums!)

The albums for today are:

AQUARIUM CITY by Louie Zong

Drones by Muse

Jubilee by Japanese Breakfast

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

AQUARIUM CITY

This album actually just came out TODAY (Friday, July 26th, 2024)

I just finished listening to it and of course, it's amazing! Louie Zong never misses.

It is self described as "Masayoshi Takanaka flavor" city pop album. This seems to add up as it has mych very funk / electro-funk influence. This album really evokes a summery island vibe. If you like city pop, future funk, electro r&b or electro jazz, this may be for you. It's mostly instrumental but contains some vocal snippets throughout the tracks. The most vocal song would be Swim With Me.

Louie Zong also makes great use of an iconic sample from the song "Soulful Strut" by Young-Holt Unlimited in Track 3: Tuna Turnpike. I'm sure there's many other samples of which I can't identify currently. Especially probably from Masayoshi Takanaka, who I'm sure I've heard the songs of but do not know the names 😅

There's only 8 songs, and the album tops out at 24 minutes and 7 seconds long. This is closer to what some would call an EP so you should be able to listen to it fairly quickly!

Drones

This is my current favorite Muse album, finally growing on me and taking the top spot from The 2nd Law.

Muse also rarely has missed and I feel like this is one of their best albums quite honestly. It's a progressive rock concept album about soldier going from being an indoctrinated "Drone" in the military, to a Defector. Despite being an English rock band, the album includes heavy critiques of the U.S military in the song, especially the Obama administration and the use of drones in bombing civilians in the middle east.

It has two tracks that are mostly vocal snippets, [Drill Sargent] and [JFK] which perfectly leads into the songs that follow them. The final and title song, Drones, includes music from "Missa Papae Marcelli" by renaissance composer Giovanni Pierluigi da Palestrina. With Matt Bellamy singing over-top it in the final minutes of the song, expressing the soldier's grief at the loss of everything and everyone he loved, it is truly brilliant. Having said that, my favorite song on this album has to be Reapers.

The album is 12 tracks long and clocks in at 52 min 42 sec. This is the longest album on the list :)

If you like rock and critiques of the military, go check it out!

Jubilee

Japanese Breakfast's 3rd album, this time much more joyful than the previous two, which were very much about the grief of. This album is like a dream pop...well...dream! It's a somewhat similar in vibe to AQUARIUM CITY in its use of instruments with synthesizers, funky bass lines, and an overall 80s pop vibe. So I guess that is the vibe today. But it's very different from that album, I swear.

The album seems to mostly be about love. A love story in fact. Just being in love with someone and all it entails. From falling hard, to needing to distance yourself from the person to be healthy.

I would say this album is one of the least electronic of the three, but correct me if in wrong. We get a lot of sweet and soft vocals from lead singer Michelle Zauner accompanied with what I think to be live electric guitar, bass guitar, and drums. They make great use of dissonance in the album to provide that dreamy feel as if looking back on a memory.

My favorite song from this album is currently the 2nd track: "Be Sweet"

This album has 10 songs and is 37 minutes and 3 seconds long.

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ ☾. ݁₊ ⊹ . ݁˖ . ݁˖°✧

As always, I listen to these on Spotify, but you can listen to these albums anywhere you find music!