#Give 'em enough rope

[jt1674]

[mrbopst]

[gotankgo]

The Clash "Safe European Home" (1978)

[blanksoullesseyes]

Thanks, AI Art

[thefairmaidenoffandom]

so, for all the firefighter!yuuji aus that i adore, i never see any ems!megumi, which feels like a crime

[theclasharchives]

poster in the clash's give em enough rope

[ineedhjalp]

I hate it when I like an album because I’ll listen to it and nothing else for months and then refuse to touch it again

[hoodienanami]

best and worst The Clash song?

excluding any song from cut the crap bc everything on that album is objectively the worst, i def think ghetto defendant is the worst clash song simply for having allen ginsberg on it. fuck that guy. combat rock is already a mid album but his presence just makes it so much worse

as for their best song...its white riot. i mean ofc its white riot. how can it not be white riot? its everything great about 1976/77 era clash distilled into one song. punchy and politically resonate lyrics, fast and catchy, joe giving it his all on vocals, and tons of fun of listen to. it makes you want to get up and pogo but the message behind the lyrics sticks with you long after the song has stopped playing

but my personal favorite clash song is stay free. mick has always been good at inserting real wistful longing into his vocals when its time for him to sing. you dont need to know that the song is based on a true story to tell that mick cares a lot about the person hes singing about and means every lyric from the bottom of his heart. its a powerful song and, like a majority of clash songs, the lyrics are some of the best ever written for a rock song

[capitalradio]

if you flip the colombian flag you get give em enough rope

[thecoolerantistraight]

Got my birthday gifts and my cd collected has increased!

[archivist-crow]

The Clash - Give ‘Em Enough Rope (1978)

Forty-six years ago today, on November 10th, 1978, Give ‘Em Enough Rope, the second studio album by the Clash, was released. The first of the band’s records to be released in the US, the album was initially well-received by the press and fans, peaking at No. 2 in the UK and No. 128 in the States. Supported by two singles—“Tommy Gun” and “English Civil War”—the album is tied with Combat Rock for the band’s highest chart position in the UK. Taking on such topics as terrorism, war, corruption, and drugs, the album—while perhaps not the pointed statement of their debut, nor the musical adventure of their later works—is nonetheless a milestone of punk, rock, and everything that entails.

[gianlucacrugnola]

The Clash - Give 'Em Enough Rope

Il 10 novembre ’78 esce il secondo album dei The Clash, Give ‘Em Enough Rope. Nonostante la produzione pompata da Sandy Pearlman, l’eccesso di pulizia e le infinite sovraincisioni ne limitano la vena punk, questo disco rappresenta l’inizio di una nuova tendenza per la band, una maggiore ricerca musicale, un tessuto sonoro e concettuale più evoluto e complesso che anticipa scelte future…

[g33ktragedy]

my browser logged me out of tumblr on desktop (?? google chrome daily attack of the vapors. chalk it up to hysteria) and i am taking the opportunity to peruse the everyman's dashboard [smacks lips]

my review? toothless

[absolutely-esme]

Amity Park is different

Amity Park has a local superhero.

He's great. He works hard to protect his town. That said, Amity's local hero is a teenager. The people he relies on to help and support him are teenagers. The town's superhero defense is a handful of kids figuring things out on their own.

They do good, but sometimes the people of Amity have to be prepared to lend a hand or hold their own for a bit. That's just how life is under these conditions. Communities come together and support each other. It's fine. People adapt. Life goes on. They're really doing quite well.

A class from Amity Park visits a museum in Gotham on a field trip. They get caught in an unfortunately timed Scarecrow attack.

Scarecrow should have known better than to activate the fight or flight responses of a group of Amity Parkers.

The gas canister drops and discharges. The field trip group explodes into action.

A pair of Football players quickly overturns a table and use it as a shield as they charge the goons with the most firepower. Cheerleaders toss each other into the air for aerial attacks. Nerds turn objects from a nearby Janitor closet into a surprisingly effective trebuchet with astounding speed. One girl utilizes impressive martial arts skills.

A boy with Black hair and blue eyes flits about the battlefield pilfering and disassembling weapons with a shocking degree of efficiency as a Goth girl follows him around and bludgeon anyone who attempts to make a grab for him with a stand that had been holding up a rope barrier, and a boy in a beret lays down cover fire by launching pencils out of a makeshift bow formed from a binder and rubber bands with a startling degree of accuracy.

The teacher flits around pulling kids out of the path of attacks they hadn't seen, stowing any injured behind cover, and giving foes solid thwack on the noggin when the opportunity arises. He actually ends up knocking out Scarecrow himself.

The statement "We're not trapped in here with you. You're trapped in here with us," is repeated several times by different people.

When the Bats or police arrive, they have to carefully pull the feildtrip group off of the unfortunate rogues.

It takes a while to get the antidotes administered, but they do eventually manage. The class remains in defensive formation the whole time.

When the kids finally calm down enough to give statements, they mostly just say that Scarecrow gets what he gets for deliberately activating Amity Parkers' fight or flight responses. After the antidotes take effect, the class seems unfazed and goes about their business as soon as the authorities allow.

Some other visitors to the museum upload videos of the event online with titles like "the one class that was prepared for a field trip to Gotham" and "What kind of place is Amity Park, and why haven't I heard of it before?"

It doesn't take long for people to edit the videos to set the fight to music. Popular song choices include Ballroom Blitz, Bring 'em Out by Hawk Nelson, and the "we like to party" song from the six flags commercial.

Now the Bats are investigating Amity Park (and why they haven't heard of it before).

[yawnderu]

>Being invited to have sex on camera was never in Simon's plans or Part II of Simon being obsessed with a pornstar.

Half-lidded brown eyes struggle to focus on you, shivers running down his spine at image in front of him. You're riding his meaty, long cock on your feet, the sounds of your ass slapping against his thighs and your wet cunt mix in, forming a symphony he's never heard before.

His rough, calloused hands guide you up and down, feeling his numb nuts getting stickier as your cream leaks down his cock, perfect, pierced tits bouncing up and down right in front of his face. His eyes drift to the set up of cameras in different angles, all of them being displayed on a large TV as you record.

“Fuck, angel...” Simon grunts out, muscles bulging as he squeezes your pretty waist, trying his best not to cum yet despite how your experience mixes in with the desire, fucking him nice and hard, your hands using his hard chest as support.

He's barely lucid enough to push you off of his dick, registering your expression of surprise when he positions you in all fours, one of his warm hands coming up to make your back arch, getting a better look at your sopping, slutty cunt.

“Give 'em a good show.” He whispers only for you to hear, voice dripping with dominance. This is all he ever wanted; the chance to prove he could fuck you way better than any of your co-stars, better than any of the many people he's seen you fuck on social media.

His grip tightens on your waist, slamming into your needy cunt without a warning. He manages to catch the surprise on your pretty face first-hand, a small smirk forming beneath the mask when he sees you give the camera your trademark smile. Simon doesn't hold back, his thrusts aggressive and unrelenting, the natural curve of his cock hitting your spongy cervix in such a perfect angle that you're not even able to follow your regular dialogue.

“Harder...” You manage to moan out, a sharp gasp leaving your lips the moment the intensity in his thrusts builds up, becoming faster and more erratic. His hand snakes around your pretty throat, applying just enough pressure to add an extra edge of pleasure.

“Yeah...? Like that?” He growls in your ear, his voice low and thick with desire. You can barely nod your head, your hand coming up to hold his tattooed arm as he chokes you, holding you even closer to his imposing, burly body, his grip possessive and demanding. He can feel your walls tightening up around him, louder moans escaping your fucked-out body that only seem to encourage you to go harder.

“That's right, sweetheart...” Despite not being a porn actor, Simon's words contain a hint of affection that can't be denied by either of you, only making the tight knot in your stomach come undone. Your long nails grip the sheet, feeling the familiar sensation on your core before you're cumming all over his cock, coating every single inch in your needy juices.

Simon's thrusts become more intense when he realizes you're cumming, fully lost in the primal need to drag out your orgasm as he fucks you raw with pure hunger.

“Show 'em how much you love being fucked.” His hand drifts up to your jaw, applying light pressure and lifting your head up, making sure that your audience gets a perfect look at your face when you have a real orgasm for the first time on camera.

With his own words as the catalyst, Simon follows close after, his release washing over him with the intensity of a tidal wave, shooting ropes of thick, hot cum deep inside you.

Part I | Part III

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