#George Karim
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exploring cot3 in the christmas fic !! locklyle is my forever home but cot3 is sneaking up there … it’s sneaking in … i’m down bad, so bad
#lockwood and co#lockwood & co#anthony lockwood#lucy carlyle#cot3#george karim#holly munro#quill kipps#lockwood and co fanfiction#l&co#hollcwboy
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Just had a random flashback to the time I read the second Lockwood and Co book (I think it was the second? The one with the bone glass) and we thought George died cause he looked at it (but he didn't have his glasses) and I put the book down and cried and then I slowly resigned myself to the fate of the universe and read like the rest of the page and then I was like
"oh!! well that's fortunate"
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CHAPTER FOURTEEN IS LIVE
It’s Time To Begin, Isn’t It?
Cot3 School Fencing Competitions AU
Lucy’s new to this whole ‘Public Schools Fencing Championships’ thing. She’s used to small school competitions against other places in her area, not going up against every other school in the country. She also isn’t used to dealing with cocky guys in the year above thinking they know everything there is to know about fencing… that’s where Lockwood comes in. They never have to fence each other for the competition itself, but George finds himself refereeing the two of them anyway.
(link in reblog)
#fanfiction#ao3#my works#chapter update#lockwood and co#lockwood and co fic#lockwood & co#lockwood and co fanfiction#lockwood & co fic#fic: it’s time to begin isn’t it?#fic series: your time will come#poly cot3#poly portland row#poly co#cot3#anthony lockwood#george karim#lucy carlyle#fencing au#fencing
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Has anyone done these yet
#locklyle#anthony lockwood#lockwood and co#lucy carlyle#george karim#ali hadji heshmati#ruby stokes#cameron chapman#lockwood and lucy
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a week in the life of London's youngest agency head (insp.)
#thanks to @womaninwinter for the idea!!!! i had so much fun w this :)) <3#i could write essays and essays abt the scenes i chose here#some of them are just sooooooooooooooooooo#also i finally figured out noise filters and omg im having so much fun#restraining myself from going overboard tho heheh#lockwood and co#lockwood & co#lockwood and co netflix#anthony lockwood#lucy carlyle#locklyle#incorrect lockwood and co#save lockwood and co#george karim
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#georgewood#lol i literally cannot find pics of them and it kinda dives me crazy#lockwood and co#anthony lockwood#george karim#george cubbins#locknation#locklyle#cameron chapman#ali hadji heshmati
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Hey everyone!
I edited this fic finally and it has 2k more words!
If you've already read it, I would reread it, or maybe share it! I added a bunch of new details that weren't there because I finished it at 3am (oops..) also most mistakes are out of it, but I refuse to go back through it and edit it more soooooo here you go!
have funnnnn ehehheee TOODLES - ives ;p
{You again?}
part one! . . . two. . three
pairing: anthony lockwood x gn!reader
word count: 5.3k
summary: As a former Fittes agent, you have honed your craft well on your own. You would never expect an old friend to call you, nor would you ever expect to be so curious about this so-called agency he’s in.
notes: it has been a longggg time since i’ve written ff and i understand that this is a dying fandom, but here are the goodies. shout out to my two weird friends for pushing me to do this. tell me any critiques!! i wanna get better :)
One . . .
4:23am. The North Bank, London.
Silence.
Then…ringing?
The void of noise, of air. It swirls around you and suffocates.
You feel nothing other than your heart beating, the wind knocked out of your lungs. The pounding in your ears only resurfacing once the ringing stops. You are running. You can’t remember from what, all that matters is that you get out.
As the pounding starts to subside and the air comes back to you, the shouts from fellow agents bite at your senses. Nothing but “Run!”...and that is what you are doing, so the voices blur back out to focus on your feet. You have a gnawing pain growing there as you keep going, almost numb from your shitty stiff soled shoes.
This has to end soon. You have to stop at some point...right?
Suddenly, a door appears in your rushed view, slightly ajar at the end of a hallway you've hastily turned down. Finally, you think, an end to this bad dream.
As you near the small wooden door, you let your hand fall on the edge of the opening, being able to catch some oxygen and breathe it once more. However, the door turns almost to ice- you freeze.
Just being able to lift your hand off the door, a horrible gelatinous face appears through the handle, pushing you backward in a cold force. You hit the ground with a thud, and the air is yet again gone from your lungs.
Right. Now you remember. You were sent to investigate an old and dilapidated flat by the Thames. Something strange considering the location, the water should have warded off anything too strong.
You were wrong, the whole lot of you were. Something much more sinister resided deep within the floorboards of this rank building.
Your team is dispersed, and you have no knowledge of how they are faring. All you remember right now is that you turned a corner and had to run, nothing else to aid your cause as a Type Two spirit had you in its vicious sights.
Malaise setting in, you found yourself running with anything you had left, being drained as you try and fight your way out of this bloody shitshow.
But...now you’re locked. You can’t move, you can’t look away. The figure melts through the door, like thick, murky water. There appears an apparition of a man, jaw stretched so far down you can't bear to look- but you're forced to. His sunken eyes have you gripped in some horrifying way. It seems that even if you weren't being ghost-locked, you would freeze under the sheer terror that is inflicted upon his gaze.
How idiotic, you think in this moment, assuming you could outrun a Type Two with all of your supplies, everything, out of your reach. Now you are here, laying back on the ground as a Visitor forces you into a ghost-lock. You feel a stone on your chest, like the dreadful ghost itself is standing on your body, forcing your consciousness into submission.
Then...a kind of peace wavers over you. Although, the air leaving your lungs leaves a part of your active brain scrambling to get away from something impossible. Wavering dangerously close to calm, your body is giving up. Weak, you finally quiet the active part of your brain as the lock is settling in nicely- a solemn goodbye. . .
. . . then, a snap.
A flash appears before you.
You feel a hard tug on your body- then you're suddenly sitting up, feeling so dizzy you could faint. Your vision blurs as you get a hard punch of air back in your lungs and start to feel the cold of the hallway. You’re being pulled up on your feet now, being able to hear the familiar ringing in your ears again, followed by the pounding.
As your focus finally settles, you are face to face with Kat, one of your teammates. She gives you a hard smack across the cheek as she's trying to talk to you, but you can only hear mumbling. You wipe your face and as you look at her again, your hearing starts to seep back in.
But, before you have the chance to fully regain your senses, she pulls you away from the hallway. Feeling your feet, you stop stumbling after a few seconds as another wind hits you, and you’re back.
You two eventually find a window, the frame broken and glass crumbling. This has to do. Before Kat can get something to bust it out, you're kicking it out. You do it rather messily, however, as your pantleg is torn up by the glass and new scars are made along your right leg. You can't feel much of the bleeding, but you can see its residual on the moldy window frame through your hasty kicks.
When it is broken enough for you two to slip through it, you gauge what floor you're on- the second. It isn't that far down, and you see a large, open rubbish bin with various bits of bags and a half termite-eaten mattress. You two look at each other, then you jump.
A loud metal pumph sound, then pain. You can feel better now, the air from the outside making you regain more of yourself. Despite that, you landed bad, and you can't be sure that you didn't break something from that fall. You look over, and Kat is starting to leap over the side of the bin, hand clutching her ribcage as she falls over the other side. You find some abominable strength from inside you to push up on a rotting box and climb over the bin, falling on the other side soon after Kat does.
Sitting up in some dingy patch of grass, you find yourself towards the back of the flat, facing the Thames. The sun is starting to rise, but only enough to disturb the deep black of the night sky. You two are on the ground, but by helping each other up you eventually stand. You feel a twinge of pain in your torn up leg as you put your weight on it finally. Something worse must have happened to it in the fall, but you can't focus on that now.
You both rush (hobble) to the front of the flat, and as you turn the corner you see only one other agent back. As your vision settles and you call out, you see it's Bobby, your researcher. You are almost relieved, but by the look on his face at you two and the nervous looks he gives the building, something is desperately wrong. As you catch up to him, you quickly realize that the two other agents in your team are missing.
You take a deep breath in, mostly cognizant again as the malaise seeps out of your body. Instantaneously you take a shaky stride towards the front of the house, ignoring the shouts to stop from the two behind you. As you reach the cracked front step, a tottering figure suddenly stumbles out of the doors, holding something.
You ready yourself, not prepared to go out without a fight. But, this isn't a ghost...you then suddenly relax your fighting stance at seeing your leader, Quill Kipps.
Kipps is holding one of the new recruits, sent with your group by your supervisor, on his shoulder. There's a pause as he takes what seems to be his first breath, and you all realize the event unfolding in front of you.
He then suddenly staggers down the steps and sets the kid down a good ways from the front door in front of the three of you. He stands back up and runs a shaky hand over his neck. He is bleeding, bruised, and looks like he also went through the same kind of hell. The kid, however, is still. His eyes pasty and spread open, staring at the fleeting stars. Kipps finally speaks, but almost in a hush.
“He’s locked.”
Silence fills the night air once again, and you all hang your heads and rush to help the two boys. Whispering curses as you quickly realize the young boy is too far gone. Then, away from the madness, you and Kipps lock eyes. He is terrified.
Placing hands on each other's shoulders as the other two call aid, you stumble to the ground. Whilst the numbness from the adrenaline starts to drain away, the pain in your leg, in your body, and in your mind, is all too much to bear to keep standing. He seems to feel the same, and you two just lie there on the pavement. As the sirens whirl, you both watch the sunrise light up the stars, observing how they fade with the coming light.
Then, exhaustion finally takes you over and all that’s left
is darkness.
2 Years Later. Saturday morning. Your flat.
Working by yourself has its perks. Sure, it could be better with some help, but you don’t ever peck above your grade. Besides, a lot of normal, everyday people have issues with spirits that don’t have the means or time to go through a real agency.
You enjoy these smaller cases anyways, it feels more relevant and actually helpful than the expensive cases you pursued at Fittes. You have also grown your connections by a substantial margin. You know all of London better in these two years than you ever did during your almost 8 years at that blasted organization.
Growing a kind of reputation for closing a plethora of ghost cases by yourself, you are rivaling even Fittes and Rotwell in numbers. Agents like to jeer at you when you make your presence at certain events for higher agents. It could be from jealousy or intimidation, yet either way you don’t tend to care because you suit your occupation just fine. They would be less inclined to detest you if they could get out of their own pretentious skulls and use their Talent to the fullest whilst they still have time. Or at least, that's what you tell yourself.
Your flat could be better, but for someone who doesn’t need much or occupy much space, a one bedroom works out just fine. It is much better than living around snobby arseholes like every other agent. You would rather move the country than have to do that ever again, to have to go back to that place.
As you're thinking about this, you start to stir in your bed. Waking up has always been a bit hard, but you've found a good routine. Before you can even open your eyes, you feel the sunlight from between the curtain shades peeking out and dazzling your bedsheets.
You finally open your eyes, taking in the same room you've seen for the past two years. It is kind of comforting, or claustrophobic, either way- it's home. It's decorated with bits and bobs from your travels and time spent over your almost 17 years of life. You see old family portraits and pictures with old friends- stuff that makes you a bit teary if you think about it for too long.
Which is great, because you are immediately distracted and tuned into a certain buzzing on the other side of the room. As you wake up a bit more quickly, you sit up and find that it's your telephone ringing.
Oh no...what time is it? You quickly check the clock beside your bed, only 10:38am.
You sigh and start to get up, chasing the phone before it hangs up. You cannot miss a call from any potential clients, it's been a bit slow recently as other agencies have caught onto your tactic for gaining clients. Pricks.
You pick up the phone, barely being able to utter a "Hello, this i-" before a boy begins to yell at you on the other side of the line.
“Y/N!! I saw you in a small clipping in the back of the paper, I can’t believe it! A solo agent?? Oh wait.. sorry for the intrusion...and the yelling. It's George by the way.”
You pause for a moment, confused as to which George in your life might know you and nevertheless YELL at you after not speaking for so long. You think for two seconds until it hits you.
It's George Karim, a smart boy you knew from Fitts who got fired on biased and unfair grounds, you were one of the only people to defend him. You two were kind of inseparable at some point, so you reply with haste in a similar overly-friendly manner.
“GEORGE KARIM!! It’s been so long...you startled me.” You tiredly laugh. “Also don’t apologize, you are always welcome to call me whenever. What’s up mate? How have the years been to you?”
You rub your crusty eyes and smile lightly as it settles in that you still do have one friend from Fittes. It’s easy to get lost in everything bad that came from there. On the other end, you hear some yelling and...things being thrown? He gives a small sigh, then a hesitation before continuing.
“I’ll get straight to the point. You should come over for tea. Today, preferably. I’ve been working with a smaller agency that I think you would work well with. I’ll let you know why when you get here, I’m afraid I must go. Does half past one sound alright?”
You snicker a little, missing his awkward tangents, but also a bit uncomfortable with what chaos you hear on the other line. Wait.. “What agency? And tea sounds just fine then, but what cafe should we go to? The same one next to that fountain on Clermont?” You find yourself reminiscing on your younger exploits, you two certainly shared some fond memories before he left.
He pipes back up, now more hurriedly, “No, no. You should come here. Lockwood & Co on 35 Portland Ro-”
You are so surprised you cut the poor boy off in an almost shout, “LOCKWOOD?? George I-”
He cuts you off with a quick, “OKAY BYE SEE YOU THEN!”.
You’re left with the sound of a dead line as he hangs up. Sighing, you put your phone back on the wall and lean against the wall, still weak from waking up so suddenly and pondering the new day that has been spread for you.
There is no way that George left to work for Anthony Lockwood of all people. You didn’t actually know the guy personally, only heard rumors and quips from Kipps.
From what you’ve gathered over the years, he’s an egotistical geezer that fits right in with the rest of those types at Fittes. Yet...his one thing is that he hates them just the same as you. And they hate him, or rather they did when you were there.
As much as you have a kind of disdain for those kinds of men, you trust George. And you also were going to spend this Saturday doing absolutely nothing, so you technically have no excuse.
You check the time. Quarter past 10. You push back on your feet and make your way to your dresser to get ready for the day. He said it was 35 Portland Row right? That's just a little ways down a few blocks.
“...It can’t hurt” you mutter as you pick up a comfortable and clean sweater. You get dressed and make sure you have your errands list ready. Grabbing your rapier as you head out the door, you stop for a second and ponder on the situation. Why did George Karim of all people call you? This can't just be to hang out, he's too weird to be so forward like that normally.
Whatever, you think. You lock up the flat and start to head out for whatever this day may bring. One final thought crosses your mind as you shift out of the building,
"I can't believe I am visiting another fucking agency."
1:25pm. 35 Portland Row. Still Saturday.
You've been staring at this house for about a minute now. It's nicer than expected, but also smaller than you might have thought. For as much as you have heard about Lockwood & Co, you would expect a headquarters that's kind of...well...greater.
You finally give a hearty knock on the door.
...Nothing.
You think for a second, you don't want to disturb a neighbor so you check to make sure you're at the right place- and you are. You take a quick sigh and go to knock on the door again, but your hand hesitates. Is that...yelling?
You hear things being knocked over, running, people shouting. Your heart tenses as you think of the possibilities of either an intruder or some insane ghost mishap occurring on the other side, and you quickly reach for your rapier.
But then suddenly, the door opens with a gust of wind and you welcome the sight of a seemingly safe, slightly older, George Karim. He looks kind of swept up, it seems whatever made him hang up this morning is still going on. Your sigh of relief is met with his welcome.
“Y/N! You’re early.” He smiles meekly and steps aside in the doorway. “Please ignore the mess, we’re not always living in a barn...it’s been a rough day.” Wearing an orange hoodie and some joggers, he really hasn’t changed that much.
He shies away from your curious gaze, which he seems to read as more judgmental. You smile at the boy and take your hand off the rapier to put it on his arm, giving it a soft squeeze. “George, I’ve known you for most of my short life. I could care less about the state of your house.” You stifle a laugh, “I’ve seen your room before, nothing scares me.”
He looks back and meets your eyes now, a smile creeping back onto his face. “I’m glad you’re here, y/n..”, he gestures into the hectic house, “..but please come inside and watch your step, it’s a circus in this place.”
He moves a bit more as you shuffle inside, moving quickly to shut and lock the door behind you. Before he's done, you take in the sight of the house for a few seconds. You spot a shorter girl with medium length brown hair and a blue sweater running down the stairs and into a distant room, yelling about something you can barely make out. Just as she leaves and George comes to lead you away from it, a taller, slender boy in a suit makes the opposite strides from a far room up the stairs, also yelling?
George is on your right now, patting your arm to follow him. "I told you to ignore the circus, y/n, come on through here."
You shudder your head to focus on George, now leading you into a sunny kitchenette, somehow untouched by the storm in the other rooms. It's a quaint area, like people live here quite comfortably. It's nice. Sunlight stretches across the windows and reaches just to the back edge of a small dining table.
You notice the sharpie sketches on the table cloth. Three distinct figures...maybe more...are depicted. You can see the one that is meant to be George, a figure with glasses and notes about being nerdy and complaining. Yup, has to be him. Along with the George stick figure is a boy in a suit, a girl with short hair- maybe the two you just saw?- and then two other names mentioned here and there- Holly and Flo. Must be associates, their names aren't much mentioned.
As you analyze the table cloth, George comes back with two cups. "Please actually sit, y/n, you don't have to stand like you don't know me- do I have to remind you of our preteens? I could blackmail you into anything at this point."
You laugh and act offended, sitting at the table. "I can't believe you would ever use my childlike wonder against me, G." You put a dramatic hand to your forehead, peeking to see him roll his eyes as you two share a chuckle. As you put your hand down you remind him, "Besides...who would you even share it with. You're like my only friend now you tart."
He nods in thinking, setting the two cups down. "I mean you're in my home with my agency sooooo~" You try to grab him as he laughs and narrowly evades a fake punch, "I'm kidding! Just kidding." He laughs and grabs a small pot. "Before you kill me you want only one sugar right."
You sit back in the chair and respond, "Yes! Wait how did you remember that?"
He sits down across from you and dips a cube into your cup. "You really haven't changed that much...I was worried you'd be a bit more annoyingly stoic after you left and started to work on your own." As he sets the sugar back down, you take the tea, starting to stir with growing curiosity to his thinking. "George. Karim. You've known me since I was like 9 years old. Who could ever make you think I'd be that different, huh?" you quip. You inhale the tea and blow just a small bit before taking a sip, perfect.
He takes his own teaspoon and stirs around the cup, thinking, before he looks back up to you with the cup in his hand. "People tend to do that. It happens- I don't know. I mean right now I can think of a person or two that can be rather...neurotic." You snort, "More than you??"
His face drops to his usual sarcastic sneer, jaw kind of dropped to feign shock with a scoff. "As a matter of fact yes, y/n. Oh I am sure you and Lockwood would get along great." He sneers at you, his voice laced with a hidden joke.
That damned guy again. Why does George give the same impression of Lockwood that others have in the past? Isn't that his literal boss? You respond, more withdrawn than the previous jests, "...Well then. Until that happens I am sure you're fine company- with all of your neuroticism." You start to snort but stop, opting to pick up your cup again. You stop for a second as you do this, taking a breath and continuing, "Why did you call me here, George. What's really going on."
As you take your sip he stares, only a small bit hesitant to begin this conversation. “So this is my new agency. I don’t know what you’ve heard about Lockwood & Co. from arseholes at Fittes but I can guarantee I wouldn’t be here if any of those were true.” He takes a short breath, sipping on his tea as if he couldn't wait to get that statement out.
You respond, picking up on his nerves. He really does care, not just about your potential judgement but his team. “I would mind more if Lockwood was someone I knew…but to be very honest I have only heard rumors. I trust your judgement George, you’re one of the few left with a good head on their shoulders- including me of course.”
You go to take a sip. He brightens at this response and goes to speak, but you cut him off. “But! I can still exercise caution. You of anyone should understand the issue with trusting other agents these days. Especially in their expertise.” You take the sip.
He sighs, but an understanding look softens his features. “I get it y/n, but this is why I called you. You told me yourself to get in contact if I ever needed a hand whenever I was thrown out, and now we need a hand more than ever” You nod, and he continues, picking up his face as he explains.
“It’s only a few of us. I do research. Holly Munro is our new assistant, but she’s in and out. Right now she’s out because we don’t have too much to deal with, so it's only 3 of us in the house.” One of the lesser mentioned names on the table cloth. You turn to look at her little stick figure portrait before responding.
Turning your brow, “Right...because not too much still entails turning the house over…” you prod.
He ignores you and continues, “Lucy Carlyle has an incredible Talent for Listening, and she’s strong in the field. You two would get along.” He has a smile attached to the end of this statement.
You turn your nose up inquisitively, “I’d like to meet her,” and just as you finish speaking, the same girl in the blue sweatshirt from earlier comes busting through the other door.
“GEORGE!” She shouts as she almost slips on the way to the table.
He sighs and turns, telling you ‘one sec’ with a roll of his eyes. “What, Luce.”
“We still can’t find th-”
She stops for a second once she reaches the table, realizing the stranger in the room. She straightens her sweater and quickly holds out her hand for you, her movements fastened with hesitance. “Hi. I’m Lucy. George’s friend.” You take it as she leans to George, “…is this the old colleague you-”
He cuts her off with a hushed and agitated, “YES.” This new girl, Lucy, seems to be a bit standoffish or shy. She talks like she's trying to keep you at a distance, but you can notice the fact that she is actively trying to be polite and welcoming for George's sake. They must have spoken about you beforehand, you shy away at the thought.
She smiles out of formality as she waits for your response. “Nice to meet you Ms. Carlyle, my name is Y/n L/n. I've just heard great things from George. What can’t you find..?”
She thinks for less than a second before she’s back in her hurry, turning to George again. “OH! We still can’t find it, we’re going out tonight to see if one of us dropped it.”
He withholds a panic, simply nodding, “Fine, but…do I have to go..” he complains. You notice a new cut on his eyebrow, and a patch on his hand- something you didn't have time to notice beforehand. Remnants from recent battle, you assume from the conversation.
“If you think for a second we’re leaving behind our eyes then you’re better off working the Tesco down the road.” He scoffs and agrees as she is whisked back out the door, yelling a hurried “Nice to meet you Mx. l/n!”. Then with a shaky thud she exits back to the flurry in the other part of the house.
“Sorry about that, we’re all a little stressed right now...obviously." He huffs in annoyance as he ends the sentence, thinking on something distant.
You speak up, “yeah..is this why you called me?” You glance out towards where the girl had left, wanting to know what is happening behind those doors.
He takes his tea again, “Yeah.. I couldn’t think of a more qualified person to help us. We have been getting stronger and stronger cases, and without some sort of saving grace we barely make it out alive each time. I just want us to have the reassurance of a trusted and skilled agent when we go on these higher risk contracts.”
You nod and take a large sip, seemingly startling the boy who ended up staring at his cup. “I’m in. Not in the company or anything, but I could use the money and being hired help isn’t too bad- I'll even stake out if you need it.”
He gleams, standing up and extending his hand, “We only need you on call for certain nights. If you keep those nights free so that I can contact you if anything goes to shite, that would mean the world.”
You shake his hand, “It’s a deal then, do I need to meet your boss or-”
He shuts you off, “oh no, Lockwood doesn’t really know that we’re hiring some peace of mind. He kind of insists that we don’t because of his pompous thick skull, but Luce and I agreed that it would be safer. He knows you’re over and-” then doing his best posh impression, “-a friend of George’s is a friend of mine.”
You both chuckle into the table, something tells you that Lockwood is a real treat of a person. A fanciful trio, from what you can gather. You pipe back, “Well it isn’t the first time we’ve done some undercover work. When do you need me first?”
He sinks back into the chair, delighted, “Well, apparently we might need you tonight…if that’s okay. We lost a potential source at a hotspot in the middle of a park. There was a nasty cluster and I guess it just sort of slipped when we were escaping. If you can’t that's okay I-”
You cut the boy off excitedly, “That’s fine! I have nothing to do for the rest of the week. Somehow, I think the higher agencies are trying to steal my cases. They're appealing to lower classes in ways I have never seen, and I get less and less calls as the days drone on. I can never escape those dicks, huh.” You scoff and sit back down, setting a reminder on your phone as you two discuss the details of the reconnaissance mission.
He stops the planning to reply, “If it makes you feel any better, you are still considered a saint for the locals right now. We’ve heard you mentioned a few times in our own contracts. Fittes’ pedestal might be crumbling from your work over the past year or so. Keep making them scared. You've got our support.”
You smile at each other warmly as you set down your teacups in the sink and both go back to the front door. The house seems quieter, and you secretly hope you could have some more time to meet his new colleagues. They don't seem horrible, just interesting characters. You can handle that.
As you are saying your goodbyes, smiles and laughs abound between the old friendly pair, you catch a figure in the staircase. For a moment you smile lightly at the slender boy out of formality, and you seem to think he starts to smile back.
But, just as quickly you’re now out the door and heading back to your own flat. You find one standout emotion whilst walking out the door and back to your place. Excitement.
11:28pm. Your Flat.
Tying the final knot around the stalks, you stand on the edge of your bed to hang a fresh bundle of lavender on your window. You climb back down to check your phone, still no call.
The silver blade from your aunt lies next to your go-bag, and you sit in your room in comfortable underclothes, your work outfit folded next to the supplies and ready for a quick leave.
You do worry for George, whether you would like to admit it or not, but you’ve always been like that. He was one of the only people there for you as a person, not just as an agent.
You used to have shared bracelets, labeled as the “Ghost Siblings”, a snide remark from a former teammate turned point of pride. Somewhere between the two of you leaving you lost touch, but it was nice to see the sentiment never left.
RING RING RING
You almost jump out of your skin as your telephone rings, disrupting your thoughts. You answer it immediately, putting it on a kind of speaker as you hurry away from it, starting to button up your shirt.
George sounds sort of breathless, but hushed on the other end. “Hey y/n, I was right. Be quick!-"
He hangs up, or rather something happens to make him hang up. Your heart starts to race, it doesn’t matter if it is down the block- what if you don’t make it?
You’re out the door as soon as you get your shirt on, barely grabbing your supplies as you lock your door.
What did they get themselves into?
~fin~
I hope you all enjoyed this!! There is MUCH MORE coming, hopefully soon,,, thank u for reading <3
EDIT: This chapter has been edited to clear it of any stupid mistakes and lulls that appeared bc I made this at 3am. toodles! - ives :p
#anthony lockwood x reader#anthony lockwood x y/n#anthony lockwood x you#lockwood x reader#lockwood x y/n#lockwood x you#lockwood and co x reader#lockwood and co reader insert#reader insert#lockwood and co x you#lockwood and co fic#love writes#xreader#george karim#lucy carlyle#lockwood and co#lockwood netflix#anthony lockwood#fanfiction#fanfic
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Don’t think I’ve talked about it before but I do love that we get to see George “zero social skills” Karim chastise Lockwood for how he handled the whole praising-Lucy-on-the-news situation and it’s perfectly in character, because Lockwood’s so used to being able to charm his way out of situations that he’s legitimately confused, and George may not pick up on social cues, but he knows how to follow directions, and “she specifically asked you not to.” Idk it’s just such a reversal of their usual dynamic where George is just casually and unknowingly offending people that it tickles me.
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Here's some sketches with the best trio of all time, i love drawing them !!
They're look so silly in chibi style lmao
#lockwood & co fanart#lockwood netflix#lockwood and co#fanart#sketch#art#anthony lockwood#lucy carlyle#george karim#lockyle
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#dead boy detectives#dead boy detectives netflix#edwin payne#edwin paine#dbda#charles rowland#dead boy detective fanart#crystal palace surname von hoverkraft#crystal palace#anthony lockwood#lockwood and co#lucy carlyle#george karim#dead boy detectives x Lockwood and co#Lockwood and co x dead boy detectives
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Lucy: You don’t want Lockwood to die
Lucy: And I don’t want Lockwood to die
Lucy: Now we just gotta make sure Lockwood doesn’t want Lockwood to die
George: Fantastic plan but have you met Lockwood
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I've been thinking about the door on the landing.
It's easy to understand that opening that door is a sign of Lockwood's growth, him learning to trust his friends and let people in, but... keeping it closed was also learning to let people in. Specifically, letting George in. George Karim was fired from Fittes for breaking rules, asking too many questions, and visiting areas he wasn't allowed into. Lockwood knew that and brought him into his metaphorically haunted childhood home anyway. Then Lockwood made a rule that George could not enter the door on the landing, and could not ask why, the three things George had not been able to do at Fittes.
And George didn't.
He didn't ask, he didn't push, and he didn't go in. And that, Lockwood deciding to trust George even when he could be setting himself up for pain and George being worthy of that trust, that's the first cornerstone on which Lockwood could eventually build a new home, a new family. Trusting George not to cross his boundaries was Lockwood's first big leap of faith, his first step towards opening himself to others and healing.
George is just... so important. Lucy and Lockwood are incredible for each other, they're the catalysts for so much of each other's growth, but if Lockwood had met her before he met George he wouldn't have had deep enough roots to begin to bloom.
#i just love them so much#lockwood and co#lockwood & co#save lockwood and co#renew lockwood and co#anthony lockwood#george karim#george cubbins#lucy carlyle
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reminder that it’s GEORGE who lucy first confides in after arriving in london. it’s GEORGE that she has a genuine connection with in the conversation, and she opens up a bit about her past to him. george is so genuinely caring and considerate in the conversation, and you can tell this is when he really changes his mind about lucy and her place in lockwood & co, and the VERY NEXT SCENE he’s telling lockwood not to fire her
#underrated duo#truly makes me AHHHHHHHH#AHHHHHHHHHHHHHG#lockwood and co#anthony lockwood#lockwood & co#lucy carlyle#george karim#girl blog
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Lockwood and Co. | Behind the Hauntings
#lockwood and co#lockwood and co netflix#cameron chapman#ruby stokes#ali hadji heshmati#lockwood and co cast#lockwood and co interview#lockwoodandcogifs#lockwoodandcoedit#lockwoodandcosource#gifs in the palace#edits in the palace#made these a while ago#like this has been in my drafts since march 7th#just cleaning out my drafts#I miss them#also wouldn’t it be so fun if l&co did a mockumentary haha#anthony lockwood#lucy carlyle#george karim
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