#Gacha Every review

[gacha-every]

Another casual Movie Review!

From meee!!! :D

Hello again, we got one of my main sources to my love for animated movies/shows today, Disney!

And we got their new movie, Wish!

First off, !!🟥SPOILERS🟥!!

I watched this at home and it released in Cinema so I can't count reviewing the animation because I only got the low quality cinema vid for now. Still tho, animations are great, so ye, I'm sure it gud UvU

But we're talking more about the story, characters, and other perks!

In my first watch, I was pretty chill, entertained, and unbothered... in most cases. Honestly, I was only feeling unbothered sometimes because of the expectations of people's critics all over Wish

In my second watch tho, I was pretty bored, yet still enjoyed it somehow, but anyway–

I give the movie ALONE a 7/10

The characters are great, the songs are gud to listen to while watching (This Wish is on loop in my head tho, that one's catchy), the comedy is gud too, story is gud too!

Yeah, guys! The movie is actually not bad!

...It's just not jaw dropping that is, y'know?

The movie is a little generic but also not??? I dunno

It kept me entertained, it's a gud movie for funzies, and it's especially not that triggering at least to me, it's just not that rewatchable y'know? Also had some trouble remembering some of the characters' names even

Anyway ye, movie, okie

Easter eggs were fun to catch

(My dad even has his own theories like Asha being the fairy godmother like from Cinderella and Magnifico being the mirror like from Snow White)

...BUT—

I WANNA TALK 'BOUT SOMETHING ELSE

Huh? What? No it's not critism, I'm already done

NO, it's my favorite part of all

IMAGINING POTENTIALS!!!

Don't get me wrong, I'm not saying the movie had potential, I mean, it does in some cases but not generally

HOWEVER

If you consider their SCRAPPED CONCEPTS like these fav examples: Star is supposed to be a shape shifter and has a male human form (possible romance with Asha), and Magnifico and Amaya are supposed to be a villain COUPLE! LIKE BRO! This is the ONLY part I'm triggered by the movie honestly, because it's MISSED potential! This potential didn't come from the movie itself, no! It's from the dumps!

I'm honestly glad fanfics exist

Like imagine bruh, what more new set of formulas can you think of? Asha's father being Magnifico instead? Making her a PRINCESS?! WHOLE NEW TOP TIER LEVEL TO TACKLE– oh wait

SOMEONE'S ALREADY DOING THAT! YASSS

read it pls, it gud

Anyway, ye, that's honestly the only fun I have from the movie, imagining it's potential

But it's honestly a shame that the potential is missed rather than the potential is oozing... you confused? Okay, what I mean is, missed potential is like those scrapped concepts, oozing potential is like from the movie itself has potential for a few tweaks here and there and boom! Better movie! So ye, Gacha Every math for ya lol

Anyway, ye, it's a shame...

BUT DON'T LET IT STOP YA THERE!!!

DO SOMETHING ABOUT IT IF YA URGED TO🔥🔥🔥

YOU, ME, ANYONE, TACKLE THE INGREDIENTS! MAKE A MEAL!! AND WE'LL FEAST!!!

Artist, writer, daydreamer, WHATEVER! I JUST w i s h ;D PEOPLE SHOW THEIR REVISIONS OF THE MOVIE! Let the creativity and fun DRIVE!!!

I SURE I AM! WOOO!!!

Movie fine: 7/10 :)

Revision rush: 9/10 B)

Wish is gud, healed my inner child which is what my constructive criticism is orbit to, so if you're into that thing, stay tuned for more! ^w^

[shadowcat-13]

Concept: a gacha game that teaches you a language, you earn pulls by completing lessons, and characters have special lessons based on their interests/personality

[popponn]

i didn't expect to see a future with you.

summary: it began as another fun and beneficial thing to have. until suddenly, it was about wanting ‘you and him for a very long time’. (in other words, he really didn’t mean to fall for you. really.)

characters: kaiser, reo, nagi.

notes: i tried to write about l word without mentioning it once. i hope i manage to get them right, this is my first time writing reo and kaiser especially. warning: relationships that started as casual and unserious, gacha at nagi's part. i really like fall later and harder troupe recently...

kaiser

months ago, if kaiser knew you got a fever, he would type a message of ‘get well soon’ without much meaning behind it along with a few extra sentences just to charm it all up. he would just cancel the date the two of you were supposed to be having and do anything else. practice, review his performance, or hell maybe have a different date and have fun with someone else. it was written all over the place, how this thing between you and him were anything but serious. he would never ask for your care, therefore he wouldn’t give you anything other than ‘the fun’ either.

and yet, here he sat on your bedside, porridge in hand like a nagging nanny because a moronic idiot—you—thought it was smart to walk through a storm instead of calling him or someone to pick you up. the thought of relationships and definitions and such as became the furthest thing in his mind the moment you called him with your slurred voice. you, being a helpless mush that could only wrap yourself with a blanket, couldn’t exactly protest to both his presence and harsh words. kaiser certainly didn’t shy away from calling you names—incompetent fool, being one of the tamer ones—the moment he arrived at your bedroom with medicines.

after cursing you and your useless outdated static of a brain, kaiser ushered you into the bed as he searched through your cabinets and ordered foods for your empty stomach. under the haze of your fever, you apologized to him and thank him. kaiser just gave you another comment about being stupid and baited a laugh from you. it was raspy and uglier than usual, but kaiser thought it would suffice. then, like a noisy sickly chatterbox, you asked why he choose you instead of his ‘anything else’.

“…it’s because I’m not an idiot,” Michael Kaiser replied to you after a long moment of silence. His back was turned towards you, the tone in his voice unshaken and flat, yet undeniably honest. ���I know what I want.”

Your head throbbed painfully not truly understanding what he meant. But for him, you pushed out a chuckle, “’s that so, Michael…?”

“Do you even know what you are saying?” he shot back, his blurry figure walking closer towards you. As the view of his profile became clearer, you realized how you couldn’t quiet put a name on his expression. “Just rest up, you big baby.”

reo

as cruel as it was to say this, reo didn’t exactly begin with seeing you as a ‘person’. to him, you were more of the embodiment of ‘momentary excitements, rest, and escapism’. somewhere for him to have fun without thinking much, a someone who he could interact without any law of cause and effect following him. reo was certain you too saw him the same way. the two of you were a ‘why not?’ that could and would end like a passing breeze. it was nice, but it wouldn’t last long.

then, slowly came the late night chats, the voice notes filled with mundane things and lame jokes. afterwards, long talks about both anything and nothing followed. you came to his match, you were introduced to his teammates, you were a presence that was almost became a constant in every hour reo spent awake. and reo knew more than anyone else that he didn’t hate it when he watched you cry uglily at a movie he didn’t bother to pay attention to. in a way, he knew he was gone.

snotty and messy, your hand blindly reached around his sofa for a box of tissues. reo couldn’t take his eyes away from you as he laughed lightly and pushed the tissues towards you. hearing his chortles, you threw your cold feet towards his lap. you were looking at him with a pissed off questioning look whilst reo could only think how he could do this everyday.

“Is it even that sad?” Mikage Reo asked, teasing even when he slowly shifted your legs to comfortably rest on his lap. When the ‘pissed off’ look on your face intensified, Reo wondered if you would let him took a photo. For what, he didn’t exactly know either, but he certainly would be happy if you would let him.

“It’s about him finally realizing what he should have done, Reo!” you said, as if it answered everything. Reo could only chuckle—because perhaps it did. “Stop laughing! I didn’t laugh the last time you cried at that lame movie!”

He pushed himself closer towards you, a smile that felt like it wouldn’t die down plastered itself on his face. As the space between the two of you disappeared and you slotted yourself on his side like a piece long gone, he leaned his head against yours and didn’t stop himself from wrapping a hand on your shoulder. Still with a feeling he would soon said out loud to you, Reo continued to laugh merrily, “Come on, don’t say that. Here, here, let me wipe off those tears.”

nagi

the two of you started as a pair of gaming buddies simply because he found you funny and became what was pretty much ‘maybe-dating by convenience but still play together every now and then’ because one of his nosy sponsors who would love nagi to date his daughter. you were not troublesome, you did not ask much from nagi, you did not disturb his soccer career, and you seemed to like choki a lot. nagi didn’t exactly understand why you ‘date’ him, but if the comments from his friends were anything to go by, he supposed whatever reason you had were not terrible for him in any way.

the two of you sometimes hang around his room. usually it because you wanted to pull a gacha character and demanded nagi’s hands for luck. nagi didn’t exactly get it, but it wasn’t rare for you to made an interesting expression depending on what you got, so he supposed it was entertaining in a way. and each time the two of you did this, he also found it was fun to sit beside you and had you grab his hand for ‘luck’.

then the sunset came through from the window that day and you grabbed his hand yet again. suddenly, nagi found it unsurprising for him to remember every contour and corner of your hand. his eyes were trained on your face, watching you focusing on your phone screen and it felt like seeing you for the first time. when he intertwined your fingers with his as you cheered, it felt natural.

“Did you get her?” Nagi Seishirou leaned his weight towards you, letting the bed tilted along with him. He let you held his hand tighter as you too pressed your side to him. A grin that was bright and messy plastered itself on your face and Seishirou thought it suited the color of sunset. “You get her, huh? Yay.”

You were still buzzing with joy and excitement, your other hand reaching over him to hug his head to your chest. “Thank you! Thank you! Sei, I owe you!”

“Owe me, huh…?” Seishirou tried his best to think of a respond, but honestly all he could think of was how pleasant it was to be hugged by you, even if you probably weren’t thinking much of the action. Perhaps he really was as lucky as you had stated through big words and stressed intonations. As he returned your hug, Seishirou said, “Then, can I ask something for my payment?”

[sasaranurude]

Okay. I've been playing Tokyo Debunker today, since the release happened to catch me on a day when all I'd planned to do was write fanfiction. I just finished reading the game story prologue (it was longer than expected!), so here's a review type post. If you're reading this post not having seen a single thing about this game: it's a story-based joseimuke gacha mobile game that just released globally today. It's about a girl who suddenly finds herself attending a magic school and mingling with elite, superhuman students known as ghouls. If you look in the tumblr tag for the game you'll see what appears to be a completely different game from 2019 or so: they retooled it completely midway through development, changing just about everything about it due to "escalating competition within the gaming industry."

I'll talk about how this looks like a blatant twst clone at the end.

Starting with the positive: The story is charming. I enjoyed it thoroughly the entire time and am excited to read more. The mix between visual novel segments and motion comics was really nice--it broke things up and added a lot of oomph to the action or atmospheric scenes that visual novels generally lack. I like the art in the comic parts a lot. the live2d in the visual novel parts is... passable. Tone-wise, I think the story was a little bit all over the place and would like to see more of the horror that it opened on, but I didn't mind the comedic direction it went in either. The translation is completely seamless. The characters so far all have unique voices and are just super fun and cute. Of the ones who've had larger roles in the story so far, there's not a single one I dislike. It's all fully voiced in Japanese and the acting is solid. (I don't recognize any voices, and can't seem to find any seiyuu credits, so it seems they're not big names, but they deliver nonetheless.) Kaito in particular I found I was laughing at his lines a ton, both the voicing and the writing.

He's looking for a girlfriend btw. Spreading the word.

The problem is like. The gameplay is the worst dark-pattern microtransaction-riddled bullshit I've ever seen. Hundred passive timers going at all times. Fifty different item-currencies. Trying to get you to spend absurd amounts of real world money at every turn. There's like five different indicators that take you to various real-money shop items that I don't know how to dismiss the indicator, I guess you just have to spend money, wtaf. Bajillion different interlocking systems mean you have zero sense of relative value of all the different item-currencies. I did over the course of the day get enough diamonds for one ten-pull, which I haven't used yet. Buying enough diamonds for a ten-pull costs a bit under $60 (presumably USD, but there's a chance the interface is automatically making that CAD for me--not gonna spend the money to check lmfao), with an SSR rate of 1%. BULLSHIIIIIT.

There's like a goddamn thousand-word essay explaining the dozen different types of character upgrades and equippables and equippables for the equippables!! Bad! Bad game design! That's just overcomplicating bullshit to trick people into thinking they're doing something other than clicking button to make number go up! That is not gameplay!

In terms of the actual gameplay, there is none. The battle system is full auto. There might be teambuilding, but from what I've seen so far, most of that consists of hoping you pull good cards from gacha and then clicking button to make number go up. There's occasional rhythm segments but there's no original music, it's just remixes of public domain classical music lmao. I'd describe the rhythm gameplay as "at least more engaging than twisted wonderland's," which is not a high bar

At least there's a cat in the rhythm bit.

And like, ok, I gotta remark on how derivative it is. Like I mentioned in my post earlier, this game is unabashedly aping twisted wonderland's setting and aesthetic. (That said, most of the stuff it steals from twst is magic school stuff that twst also basically stole from Harry Potter, so...?) However, it isn't exactly like twst: in this one, the characters say fuck a lot and bleed all over the place and do violence. Basically, the tone is a fair bit more adult than twst's kid-friendly vibe. (Not, like, adult adult, and I probably wouldn't even call it dark--it's still rated Teen lol. Just more adult than twst.)

Rather than just being students at magic school, the ghouls also go out into the mundane world to go on missions where they fight and investigate monsters and cryptids. Honestly, the magic school setting feels pretty tacked-on. The things that are enjoyable about this would've been just as enjoyable in about any other setting--you can tell this whole aspect was a late trend-chasing addition, lmao. So, yeah, it's blatantly copying twst to try to steal some players, but... Eh, I found myself not caring that much. Someone more (or less) into twst than me may find it grating.

Character-wise, eh, sure, yeah, they're a bit derivative in that aspect too, but it's a joseimuke game, the characters are always derivative. Thus far the writing & execution has been solid enough that I didn't care if they were tropey. If I were to compare it to something else, I'd say the relationship between the protagonist and the ghouls feels more like that of the sage and wizards in mahoyaku than anything from twst. There's some mystery in exactly what "ghouls" are and their place in this world that has me intrigued and wanting to know more about this setting and how each of the characters feels about it. I have a bad habit of getting my hopes up for stories that put big ideas on the table and then being disappointed when they don't follow through in a way that lives up to my expectations, though.

So, my final verdict: I kind of just hope someone uploads all the story segments right onto youtube so nobody has to deal with the dogshit predatory game to get the genuinely decent story lol. Give it a play just for the story if you have faith in your ability to resist dark patterns. Avoid at all costs if you know you're vulnerable to gacha, microtransactions, or timesinks.

[alexissara]

5 Years Of Three Houses, 5 Years Of Loving Edelgard.

5 Years ago today, I was first able to enter the continent of Fodlan, I meet Edelgard and from there I fell for a character in a way I never had before. I was already a professional writer with published worked and focused on Character driven work but I was still blown away by what an amazing character Edelgard was. 5 years ago, I got Engaged at a queer con, I was playing my 2nd route of three houses having played from Three Houses. The game was with me at this wonderful landing point in my life, it was there during the rough covid era struggles, when I was deeply, deeply sick, I was sicker than I ever been, not with Covid but with stomach issues and was hospitalized multiple times in one month ending in a surgery. I ran a roleplay inspired by Three Houses in Thirsty Sword Lesbians which I played for many years, I dated one of my exes through the whole campaign and grew a lot closer to one of my current girlfriends through it. I refined a version of one of my favorite OCs Ever Lena to do a Three Houses OC AU version of her for a different roleplay and while that fell through she did end up being used for that previously mentioned TSL game.

I reviewed Three Houses after finishing all four routes, I wanted to be really through and experience every route, every story, every FF romance arc, etc before I reviewed it. I gave the game a 7/10, I think now I'd give it an 8/10 maybe but a review score is what I think of the game as an overall package. The life changing power of Crimson Flower was really the big deal for me. That was 10/10, that was peak, it was just that the other routes were nowhere near as good for me. Edelgard the revolutionary who is happy to cast herself as a villain if that's what it takes to change the oppression in the world, something that was so strong, so powerful that it was reflected into our world. She was so good at being a character who impacted a fictional world, the only reason things happen at all that people to this day get angry about people loving her, discourse about her, cast her off, make up shit, show their political asses, etc. What a fucking character to be hated so strongly, for so long by this rabid group. Keeping love from a small fan base over time is hard but maintaining hate as a fictional character, that's harder especially with a 24/7 culture war of new women to hate. However, she also maintained love, Edelgard is the most popular character in all of Fire Emblem, in the 5 years she's got the most fan art, the most votes in CYL, she clearly makes nearly the most money in the gacha given how often they make new versions of her or rerun her, she is the moment.

Of course, it is not just Edelgard I love but the Black Eagles as a whole from the classic roster to the extended family of Mercedes, Lyesthia, Shamir, Leonie, to the Hopes additions of Monica and Shez. Edelgard stands so tall but she doesn't overshadow her amazing allies in changing the world. Even the men, me a famous not man enjoyer, finds at worst like, kinda boring rather than like repulsive. Plus I really love Hubert and Jeritza both as characters and think they are lovely, brilliant characters I wouldn't want to see replaced.

Three Houses hit me in a way "better" games haven't hit me in. I still think about the characters, the world, the politics, the ideas, the lore, the romances, everything so often, daily. I love so much art, most of this little blog is me talking about art I engaged with and I struggle to think of another piece of art that took me by storm in the same ways that Three Houses has. I'd love to have another game sweep me off my feet and have me giggling like someone who just met their idol but even if it doesn't happen again I am glad it happened with Three Houses.

Then there was Three Hopes and I fucking love Three Hopes, it only exists in the context of Houses but Scarlet Blaze and Golden Wildfire blew me the fuck away. Both routes do a ton for the characters in the series, the plots are fantastic, bringing Monica back and making her one of the best characters in the Fire Emblem series was so fucking great, and I adore the Warriors gameplay. Three Houses was a gift that not only gave itself but Hopes which really just furthered helped put Houses in focus, tie in way more lore, way more context, and way more information. I could explore the world of Fodlan even more honestly, I still hope for Hopes DLC because I just love this game.

It was so amazing to see Edeglard freed of Those Who Slither in the dark and the way her revolution works if she could just have saved her lesbian best friend and probably girlfriend. I loved to see the new amazing paralogues, the way the war shakes out, how she operates free of enemies resting in her house, how the nobles react when Edelgard is a free agent, the way the church fights back in this new time line. It really exciting and it is fun to see how the world once again revolves around the actions and moves of Edelgard and how she sets Fodlan Ablaze with change but now with more time to do things more carefully. It is such a great alterative look.

I don't have enough glowing things to say about Three Houses but I do have some things to say for the future of my favorite video game series. I deeply hope the future of Fire Emblem is more like Houses and not like the games around it. Houses was a return to form and the first story that blew me away since Radiant Dawn. I want more games that have the style and budget and scope and ambition of a Houses. I don't really trust intelligent systems to bring me that kind of story, so I hope they work with Koei again in the future and let their writers do their thing,

I love the smaller scale Fire Emblems but I can play indie games and smaller budget SRPGs and get the scope and ambition of a smaller scale Fire Emblem but only Nintendo money can bring the kind of game Houses is to the table. I really want to see the expensive class system brought back hopefully without the sexism and the big roster of characters and so much of the little things that made houses so charming. I don't need multiple routes but I would like a good political message like Crimson Flower to be in the future. I don't know if I'll ever love a character not made by me or my loves ones as much as I love Edelgard again but I want them try and I want them to pull it off.

Happy 5 Years Fire Emblem Three Houses, you are something special. If you want to see more of me gushing about houses you can read my fics here https://archiveofourown.org/users/AlexisSara/works?fandom_id=23985107

[omg-ame-chan]

ok i played tokyo debunker all day here is a quick (not really) review

first off gameplay is for the most part non-existent. you do fight against monsters but the entire thing is in autoplay and you can skip the whole thing by pressing a single button

there is a rhythm game part every like 10 battles or so though which made me happy. even if the songs are all public domain ones. and it's extremely offbeat. and there's tap registration issues.

ok next why does tokyo debunker use ai art in it. genuinely embarrassing.

went on a 4 year hiatus to "elevate the quality of the game to further meet your expectations and be able to face elevating competition in the gaming industry" only for the game to release and not even have the effort put in to hire actual artists... ITS SO DISAPPOINTING what was the point of that hiatus if you aren't even gonna try. they should've released the original game they had at this point

ai art is used in all the backgrounds of the visual novel section and some of the interactable items like the images for the quiz you do during the prologue. The manga style and card art don't use it at all it seems though

and once you realize it you cannot unsee it and it completely ruins everything

seems like all the budget went towards the voice actors because the game has no original soundtrack either. everything is remixed classical music.

not to mention the game is super cash grabby. it's a zigzagame game so it's to be expected but still. stuff like having to pay more than a 10 pull just to be able to change your icon from the default one is actually insane. also 1% SSR rate and pity is at 500 pulls and it doesn't even guarantee a character card it could be a warding card please end it all!!!

also the devs are blocking everyone who criticizes the game on twitter. lol. lmao.

despite all that the story is interesting and i really like the characters especially these 2 guys i love the "medic who definitely shouldn't be a medic because they are Extremely Off and have committed medical malpractice atleast 10 times" type of characters they are always my favorite

damn you "bad gacha game that makes me have to resort to watching youtube videos of the story because i don't wanna support monetarily it in any possible way and go through the pain it brings by actually playing it".... you have won once again

[anendoandfriendo]

We could've sworn we made an actual post about it but if you say "everything can be an addiction," but then go "lol no, sex addiction doesn't exist" we hate to tell you that...you're not saying "everything can be an addiction" and like, you can give us all of the papers you want about it being otherwise but, like, those are also contradictory because hypersexuality exists. By all accounts, what it looks like to us is it's the same idea under a different paint.

So, like, maybe we stop moralizing sex as an inherently a good thing instead? We aren't saying to swing the other way and act like it's inherently bad (that would be a terrible idea) but we see so many people who say they're "sex positive" and then become sex negative when the sex is nonexistent.

And we think the dismissal of hypersexuality/sex addiction/whatever you would like to call it as a serious thing is possibly also a symptom of that, as contradictory as that sounds.

If we simply stop universalizing it as a necessity for every single human out there and that "if you have too much of it you're bad" and "if you have too little of it you're bad" can stop being undercurrents within the environment, please, maybe we can have more nuanced discussions over it instead of pretending everything anyone ever said about universalizing sex as a moral whatever is reactionary.

WDK what else to say here. We could be entirely off base about the hypersexuality thing but like. We'll look it up and literally every single article we pull up, just doing a precursory search, says about the same thing. Hell, THE PUBMED ONE LITERALLY SUGGESTS RESEARCHING IT TO FIGURE OUT IF IT IS SIMILAR TO GACHA ADDICTIONS.

Maybe, just MAYBE, if we're seeing people ID themselves as hypersexual the idea we are presenting has a bit more credence than most leftists are willing to admit? Maybe y'all are just as reactionary as the people you want to fight against, for that matter.

[fluffiestpancakees]

I pulled 200 times on the Recollection Banner currently live on Project SeKAI to determine if it is worth it

The recollection Gacha will be held from 28. August to 1. September and features all limited characters (except for Colerfestival and Birthday cards) as well as all permanent cards. With every Pull a bar will fill up, from zero to 200, a none paid ten pull will award 5 points. At 50 points (non-paid 100 pulls) you will be guaranteed to recieve a permanent 4 star card. At 100 points (non-paid 200 pulls) you will be guaranteed a limited 4 star card. At 150 points, a permanent card of your choice and at 200 you will recieve a limited 4 star of your choice, meaning without payment you need 400 pulls to guarantee your desired limited four star card. This banner features the same 6% droprate as a colorfestical banner. To try out whether this banner is worth pulling on, I made a throwaway account with 200 pulls and while the drop rate and four star rate was no doubt amazing, this banner is in no way better than a colorfestival banner. While the concept of the Recollection Banner in and of itself is a very nice idea, I was a little disappointed that a f2p player would have to spend 120 000 crystals in total to obtain their desired limited four star card. This seems more like a scam to waste crystals on than anything else. In 200 pulls, I got 19 4 star cards, one of which was the limited Scramble Festival Kohane. With the same rate up as a ColorFes, it was fun to pull but I would not do this on my main account, as I personally see it as a waste, where you aren't guaranteed to get anything you actually want without spending large amounts of crystals or even using up a real life currency. If this comes to ENSekai in 1 year, then I recommend saving for the 4th Anniversary instead, as it has the same drop rate and you can pick cards you want. You will not be able to obtain every limited card in a colorfestival gacha but even in the Recollection Gacha, the chance was slim or close to zero. At the end of the day: If you wish to pull, please do. I'm not trying to discourage anyone or force you to stop, this is just my honest review of the Recollection Banner. <3

[coco-bee]

COCO'S REVIEW: BLUE'S STORY

Welcome to Coco’s Review! Where I review and breakdown episodes, movies and etc and overthink every tiny detail and/or give my thoughts and opinions :D !! THE STORY I’M ABOUT TO DISCUSS HAS TOPICS ABOUT S/A AND OTHER DISTURBING TOPICS PLEASE PROCEED WITH CAUTION !! Ok so this may not be something you’d expect me to cover but I wanted to discuss this series on my blog for a while now! Today I’m discussing Blue’s Story by Victaton!

Blue’s Story is a series by Victaton over on youtube that mixes gacha life 2 character designs along with animation. I like to think of the gl2 designs as character models and Victation expands on it through animation. The series doesn’t have proper episodes, its installments mainly continue music videos that go in a specific order. The story is about Blue, a man in his early 20s entering the company his older sister works in with a positive attitude only for it to fade away as a lot of women in his new job want to get in his pants and cause irreversible trauma on the poor guy. This series is meant to show how abuse in the workplace can happen and how s/a can be done anywhere and by anyone. It seems to be a response to the misconceptions of how men who are preyed on by women are not valid victims of s/a and how they should’ve enjoyed it or that only women can be victims (which is never true). Though keep in mind I’m not qualified to determine if the way the story conveys s/a and just abuse in general is shown accurately because I have not had these experiences myself but my heart goes out to the victims in the world who could resonate with Blue’s Story and I wish for nothing but happiness and peace for you guys. You all are very strong and deserved much better<3

I can tell Victation really touched people’s hearts and according to some people in the comments who are victims the story is pretty accurate to some experiences and some research has been put in this series which I heavily appreciate. So I’m happy people can feel seen with this!

So with this series I want to start off light and mention the animation- AND MY GOODNESS DOES THIS SERIES HAVE AMAZING ANIMATION!

I really love this art style that Vic has going on here

Like I said the gl2 designs seem to make the base and Vic uses their art skills to expand on it It really gives a dynamic feeling and you can hardly tell it’s gacha

Vic has a lot of dynamic poses and a great understanding of body language with these!

AND THE EXPRESSIONS<33 I LOVE THE WAY VIC DRAWS FACIAL EXPRESSIONS! IM SUCH A SUCKER FOR VERY EXAGGERATED AND STYLIZED FACES

And I’m not even showing the best parts! But I want to keep it as a surprise for those who are interested in watching the series. I just couldn’t stop praising the visuals enough! Vic is the most experimental gachatuber I’ve seen when it comes to the visuals!! I hope to talk with them sometime to get some tips or to post how their creative process works because THE ART IS SO GOOODDDDD! AND THE CHARACTER DESIGNS RADIATE SM PERSONALITY AND ADD TO THE SYMBOLISM AND UNDERTONES OF THE STORY! It’s so fun to see :D and the color associations are a very interesting character design choice! It helps add a very colorful look to what is otherwise a very heavy story and makes it very easy to distinguish the characters and give them certain color motifs. Anyway I want to talk about the characters in Blue’s Story! Mostly by order of their debut! And I’ll only talking abt the characters that have a big impact on Blue (So I won’t be talking abt Magenta or her brother) and the ones that don’t have a definite character (So the red eye people won’t be mentioned) Anyway now that that’s established the character I want to talk about first is well- Blue himself! After All this is his perspective we’re following

Also quick appreciation for the silly little Blues that Vic draws<3 Anyway Blue is the most interesting character I’ve seen in a gacha series. I like how Vic doesn’t use Blue as a representation or a role model for victims to take after but a person who goes through his own stories and has room to be human. You can see his descent in his own trauma and self loathing in his story. Which leads him to make mistakes and have a difficult time navigating his relationships and how to make meaningful connections. Seeing him go from confident and upbeat to quiet and reserved is so heartbreaking. What I find so great about Blue is that not everyone can relate to his situation but his thought process is near universal. I can relate to having to be in survival mode when it comes to relationships after being done dirty by different people. Not to mention people would do the same things Blue did, they just went through different experiences. It’s a really great touch to the writing. What’s also interesting I find about Blue are these different personas of different ways he handles the trauma caused by all these women.

This is sorta a mix of my interpretation of what these versions of Blue are plus what Vic actually calls them From left to right 1.Hypersexual Blue (confirmed) 2.Heart Eyes Blue (confirmed) 3. Reality Blue (not confirmed) 4. Cyan Blue (confirmed) 5. Numb Blue (not confirmed) I’ll expand more on these personas when I do a character study on Blue (which is something I REALLY wanna do sometime)

Next up is Pink Who is the first character we meet when Vic started this series

Pink is a married woman around Blue’s age who he engages in an affair with. And one of the women Blue has a significant relationship with throughout the series since Pink was the first one in the workplace to have her way with Blue. A truly manipulative bitch 💀 I don’t have much to say about her because Vic themself made a video discussing the women in Blue’s life and their thought process on writing them(?). So I’ll just give my thoughts! Pink is a very interesting case of the “Abused to Abuser” situation and not to mention how she’s not one dimensional. She’s an abuser to Blue but also a victim to a different man. (her husband) There are scenes where she is being a nice person (highlighted with her scenes with Lilac) but what’s preventing her from being good is her philosophy of how men cannot be victims. How could they be? To her the most heartless person she knows is a man, while it’s close minded, it’s understandable but not excusable why she perceives men this way. Which I find very interesting! There’s also a cool animation choice with her lipstick color! Her lips are white when she’s doing nice things or is not perceived as a bad person, then grey when it’s more neutral (I think) and finally black when she harms Blue. Hence why her kiss marks start from white to black.

What’s also interesting is that Blue pursues her first! Since he started out so confident and upbeat he wanted to try and shoot his shot with an attractive woman. But backs off when he learns that she’s married, but things didn’t go as planned. But I find it very interesting how that’s how things started. Next we have Purple who is the CEO or just the boss of the company Blue works in

Purple imo is definitely the most uncomfortable character to watch (what am I saying ALL the abusers make things uncomfortable to watch) but Purple just gives me a chill up my spine. Especially with her design, it has been confirmed by Vic that Purple is in her 40s and would prey on much younger people. First she attempted to prey on Red (who is confirmed to be 19), but was unsuccessful then went after Blue, and was successful.

Not to mention she’s very inconsiderate of her workers, example in the second part of “Baby Hotline”.

Up next we have Red! Who is my personal favorite in terms of how she is written and her design! (I do not condone her actions)

I love how Vic went for a more cutesy innocent look for Red!

But not without giving her sharp black nails to show how harmful she is

It really nails the message home on how anyone can be an abuser no matter how they look like. I also want to appreciate her little heart eye effect that Vic does with her that’s constantly looping like HOW DOES VIC DO IT- IT LOOKS SO DIFFICULT TO PULL OFF- I’m guessing it’s green screen With Red she is an obsessive stalker who has feelings for Blue and is constantly pursuing him even if he doesn’t return the feelings. It starts off as an innocent crush but turns into something more harmful. I don’t have much to say that’s not been said by Vic on their video. I just really want to appreciate how well designed she is and I rly like the heart motif she has. You can tell she’s a naive girl who can’t understand how harmful she is. I’ve met someone who was my equivalent to Red and while thankfully I had people who managed to protect me, doesn’t mean the harm did not get to me. While they were not as intense and Red, I was still being harassed verbally and I just didn’t feel safe. ALSO HOW DOES VIC DO HER HEART EYE EFFECT I NEED ANSWERS Now we have Lavender who is Blue’s SISTER

YEAH THATS RIGHT- SHE IS BLUE’S SISTER And I swear everytime I see her I just want to punch her in the goddamn face and wipe that stupid smile off her face- Lavender is an example of non-physical s/a and incest with how she had sexual thoughts about Blue and would show it through more subtle actions. Not to mention she’s also a bystander to Blue being abused by other women and doesn’t do ANYTHING about it. As an older sister myself with my own little brother- Lavender ENRAGES ME! I could never imagine doing what she did to my own brother. He drives me crazy but I’d protect him no matter what. What is fascinating about her design is definitely how her eyes are constantly closed, as if she’s turning a blind eye to the harm Blue is a victim of and/or how she’s hiding so many things. Especially with how she only opens her eyes when she’s preying on Blue.

SHE'S JUST AS TERRIFYING AS PURPLE Lastly we have Lilac! Who debuts in the same video as Lavender

WHO IS THE ONE PERSON THAT DOESN’T TREAT BLUE LIKE SHIT She’s a very fun character! She’s a single mom who works in the same company as Blue. She has a lot more significance in later installments so I won’t spoil but I just love her<3 She’s so sweet I just can’t- it’s such a breath of fresh air compared to the toxic waste Blue’s been getting from the other women. Her relationship with Blue is so interesting to watch and I am just rooting for them to at least stay friends.

(Also she looks so pretty here) AND THAT’S ALL THE CHARACTERS!!

Overall I really enjoy this series but I do have some gripes with it. The pace is definitely a bit much- so much can be happening in a span of a few mins. And there are stories that could rly benefit a longer time limit. This problem comes up most with “Baby Hotline” where I hardly understood what was happening. Like I got the gist but I didn’t get the specifics. It can be difficult to keep up with. So yeah the series could work with a longer timeframe- “Sweet Little Bumblebee'' is a great example! Not everything is too fast and everything makes more sense while “Baby Hotline” tried cramming a lot in one minute. Well the first part of ot, the second part of “Baby Hotline” was at a much better pace in my opinion but still a bit hard to keep up with at first.

Anyway in conclusion! Blue’s Story is a really interesting story that deserves the recognition it gets and is worth your time if you are into really deep stories with heavy subjects!

(Credit to Vitaton for all the art presented) This is Coco typing.. Thank you for reading!

[oddygaul]

Zenless Zone Zero

Well, I’ve been playing the shit out of this game, so fair warning, there will be significant brainrot ahead.

Overall, I really dig it. I’m a huge mark for character action games, and well-done life sims tend to suck me in; Zenless Zone Zero is nailing both those aspects pretty damn well. In fact, it’s nailing them well enough that… how do I put this… it starts to slip into the territory of being A Good Game Generally, rather than just a gacha. And while this is a big accomplishment for ZZZ, this also puts it into direct conversation with other full-price games, resulting in its gacha elements causing more friction than Honkai Star Rail’s ever did*.

*I’ll be comparing this to HSR a lot, because I play way too much of both and they’re made by the same developer. I recognize that it is pretty odd and potentially even problematic to A / B compare them when I could be looking at the game through the lens of, you know, Gaming At Large. But hey, that’s why this is a subjective journal and not a holistic review blog! It is what it is.

So, the aesthetic of this game fuckin rules - it’s like, late 90s to early 2000s VHS-core. The main characters run a Blockbuster, for Christ’s sake. Presentation-wise (and systems-wise, and, hell, music-wise), ZZZ is obviously borrowing a lot from the Persona series, but like… great? I’d love it if more things cribbed that style and made it their own, from the confidant hangouts, to the small but comfy explorable areas, to the dynamic menus with edgy character poses. The character design itself is all superb, all the way down to the crowd NPCs - some the shopkeepers here have cooler designs than the main characters of some other games. Even aside from the designs, ZZZ is doing a lot with lighting and color desaturation that really lends it its own unique vibe. They actually have a cohesive artstyle in here! wild.

The presentation of the story is also killer. Sure, a decent chunk of the conversations are just models lip-flapping at each other - although they at least emote and pose a bit here, unlike the Star Rail dialogue scenes with their demure princess waves. In the main story, though, we get not only a heap of fairly lengthy cutscenes, but also this really cool comic panel-style presentation.

I feel like there was a bit of a trend in the PS3/360 era of games to present a game’s story in this comic panel / storyboard style. I understood the motivation: games increasingly demanded a more involved, consistent storytelling approach, rather than the ‘One big rendered cutscene at the beginning and end’ they used to get away with, and the generation’s increased visual fidelity meant that doing even basic, in-engine cutscenes took a lot more resources to make something half-decent. In Spyro the Dragon on PS1 you could get away with a fun little 15-second gag with a barely animated polygonal yeti or whatever; in the PS3 era, you were going up against tryhards like Metal Gear Solid 4. Amidst this landscape, the pitch of having your illustrators pretty up some storyboards and put them in the game sounds like it’d save a lot of work - plus, consoles were finally outputting a high enough resolution that this sort of flat image wouldn’t be compressed to hell.

Thing is, I always kinda hated that approach. In some cases, I think that’s the popular opinion - I fuckin love Bayonetta, but I don’t think I’ve ever seen anyone defend its weird slideshow cutscenes. Even in games where the execution is perfectly fine, though, it rubbed me the wrong way. I think of Infamous - objectively, the art’s solid and fits the tone of the game, and the motion graphics aim to capture some of the dynamism typical cutscenes would provide. Despite all that, it still feels cheap to me - all of the panning, effects, and graphic imagery feel like they’re trying to polish up something that inherently doesn’t fit.

In ZZZ, though, I’m loving every one I come across. It’s obviously still done for efficiency reasons - there’s already a handful of characters that exist only in these panel scenes, saving the team the effort of having to model and rig them. But the freedom this allows for staging and storytelling is huge; the characters are more expressive here than anywhere else in the game, and we’re able to see situations with huge crowds and new locales much more often than would be possible in typical cinematics. And the illustrations are genuinely good, too - full of character, cool poses and creative compositions/angles.

if everything actually had to be modeled, there's no way we would've gotten Legally Blonde Nicole

Plus, the cutscenes are constant, and boy do I love the animation here. It feels so rare nowadays for a high-budget game to do stylized 3D animation of this ilk. Your biggest budget games are all going for the cinematic look, and pushing realism as much as they can - and while I know an immense amount of work and craft goes into animating something like The Last of Us, boy, I just could not care less about something so lacking in flair*. Even bigger properties that use a stylized artstyle these days, like Breath of the Wild, still tend to lean towards fairly naturalistic animation. Zenless Zone Zero’s cutscenes, on the other hand, spin and stretch motherfuckers around like we’re back on the PS2, are filled with forced perspective, and I am absolutely living for it. It’s not even reserved only for bombastic action scenes, either - we get honest to god character acting-focused conversation cutscenes.

*Seriously, take me back to the Naughty Dog that animated Jak & Daxter. Jak’s hero animation is top tier to this day

Of course, the combat animation slaps too; each of the playable agents is absolutely dripping with character. Even characters whose designs initially left me cold won me over once I saw the amount of care put into their movement and combo strings. It’s honestly shocking to me that this is the same studio that made Genshin Impact, a game I dropped after about 2 hours because of how lifeless all the animation felt*. Unique run cycles for every character, actual non-human designs, the flourishes everyone has when stopping mid-combo to snap them back to idle, the absolute synergistic audiovisual bliss of the parry… it’s really impressive stuff from a young team.

*Same studio in name only, totally different team, I know, but still

Mechanically, I have some mixed feelings about the combat as a whole. Zenless Zone Zero is, without a doubt, aiming to present complexity and depth as a team battler - that is to say, it’s more about team synergy, tag combos, and knowing who to use when, rather than soloing as any particular character. Nonetheless, I really would’ve appreciated individual characters having a bit more depth to their movesets; a jump, a launcher, cancels, anything. As outstanding as all the animation work is, there’s some characters that only have a normal attack string on square and one special attack on triangle. Like, sub-Dynasty Warriors level of complexity here. It’s rough.

This is where ZZZ’s gacha nature gets a bit ugly: so far, more complex kits and skill expression are mostly locked behind rarity, which is kind of scummy. In Star Rail, for the most part, 4-star characters are defined as such due to their numbers: they still have mechanics and complexity, they just aren’t tuned as high as the limited characters. Hell, in some cases they have more complexity. Ruan Mei is an almost incomparably stronger unit than Asta, but Ruan Mei’s play pattern is fucking boring: you use skill every three turns when it runs out. Asta, meanwhile, basically has her own risk & reward minigame that demands more thoughtful SP management.

In ZZZ, on the other hand, the lower-rank characters straight up have less going on in their kits. Nicole has like… one tech, sorta. Anby has one single animation cancel to chain her normal into her special quicker. Lucy’s only skill expression is choosing whether to tap special or hold special. Meanwhile, Zhu Yuan, a limited character, has a normal string that bounces between melee and ranged attacks, can be dodge-canceled at any point in the combo to branch into variations of the string, and a hold-normal attack string that’s completely different and has the same branching dodge-cancel tech.

It’s one thing to lock raw damage and meta viability behind a gacha, but locking the characters that are mechanically more interesting to play straight up sucks. If I hadn’t been lucky enough on the standard banner to pull exactly the two characters I find the most mechanically satisfying, I don’t know that I’d still be playing - and this is the point where ZZZ begs comparison to other, non-live service character action games. Sure, it’s probably not fair to compare a random A-rank’s moveset to Devil May Cry V’s iteration of Dante, a feature-creeped nightmare of a kit 3 console generations in the making. But what about Sengoku Basara Sumeragi, my personal character-action GOAT? By all accounts a mid-budget title, yet it offers 40 full characters chock-full of more unique mechanics and animation cancels than you can shake a stick at.

Fuck, can we please get a new Sengoku Basara? Please? I’m desperate out here. I’ll take anything, y’all.

There’s also the inherent issue that plagues every action RPG (usually deftly avoided by the character action genre), which is the delicate balance of player success depending on the numbers vs actual mechanical skill - a balancing act made even more noticeable due to the gacha genre-standard of characters taking weeks of grinding to level up. This is a topic for another day, but suffice to say, a big part of the reason Honkai Star Rail works for me as a very pretty version of Cookie Clicker is because of the Autoplay option. In Zenless Zone Zero, if you’re not willing to grind out the same mob fight for a week or two, you’re gonna hit an endgame roadblock of doing chip damage to a boss you’ve mechanically mastered because you’re underleveled, and boy, that never feels good.

For all those issues stemming from the gacha, I will say, it’s great that the story missions let you use the characters that are actually supposed to be present for those missions, even if you don’t own them. Aside from how nice it is to have an opportunity to put the whole roster through their paces, it goes a long way for actually getting invested in the story. Honkai Star Rail’s storytelling is a hot mess for many reasons, but it’s always particularly jarring rolling up to a sidequest at like, a local theater troupe with a wanted space criminal, the sitting president of a completely different planet, a ten year old child, and a shirtless cyborg cowboy, none of whom have canonically met each other; ZZZ’s approach sidesteps this issue. The proxy angle even provides a pretty valid diegetic explanation for why agents that don’t know each other might be working together.

Now that we’ve sort of meandered back to the story after talking about animation led us on a long detour - the story is surprisingly solid. In particular, I really appreciate how straightforward the writing is. I don’t know if the issue lies with the original text or the localization, but Star Rail’s dialogue, even in simple missions, tends to be incredibly meandering and overstuffed; ZZZ is a lot better about letting all its characters talk like actual humans. It also helps that the plot so far is a lot more grounded, and spends more time focusing on each faction’s group dynamics rather than the overarching plot. These games live and die by their characters, so leaning into those strengths is a smart move.

Zenless Zone Zero is, unfortunately, fully in line with Hoyo’s weird conservative politics - in particular, 1.0 and 1.1 are absolutely stuffed full of copaganda. With how many safety regulation jokes they made at the construction company, I initially hoped they’d lampoon the police faction a bit, or make a commentary on how comically heavily armed New Eridu’s police force are. In a vacuum, Zhu Yuan shouting combat lines like “Stop resisting!” or “Freeze, hands up!” while blasting someone with her gigantic, ‘JUSTICE’-emblazoned rocket launcher shotgun feels like it ought to be satire. Every time we talk to the officers, though, it’s just line after line about their solemn duty to protect the people of the city, how essential and important they are for the community, and so on and so on.

This wholehearted embrace of the world’s current power structure is something Zenless Zone Zero approaches in nearly the exact same way as Star Rail. In both games, your playable character is someone that’s sort of operating outside the law - in Star Rail, as the maverick organization that is the Astral Express, while in ZZZ you work as an illegal proxy. Despite this setup, any time the protagonists come into contact with a governing body, they are no less than thrilled to help them enforce the will of the law.

In Star Rail, you aid the local governments (one of which is an undemocratic monarchy) in committing massive cover-ups to hide their failures from the populace not once but twice. In ZZZ, you aid the police to an obsequious degree - playing along with them to not arouse suspicion is one thing, but helping them organize a fucking community day on Sixth Street? Fuck that. Hell, said community day is even shown to initially be DOA because none of the local residents trust the police - and you best believe we get two full scenes of the MCs changing the resident’s minds, resulting in them spouting shit about “Oh, it was our fault for judging the police too harshly - they really do have our best interests at heart!”

is it tho

There’s an argument to be made that the N.E.P.S. are a little different, given that they exist in a post-apocalyptic world with monsters popping up every day - and ZZZ’s copaganda is certainly a little less flagrant than something like Spider-Man helping the NYPD install civilian surveillance networks in Insomniac’s Spider-Man. And, sure, perhaps this can help excuse why they post fully armored, rifle-wielding soldiers in the Lumina Square DMV, and provides some justification that their existence is more helpful than the real world’s civilian-murdering property guards.

Thing is, though, at every turn you’re hit with dialogue and situations which make it clear that, no, they’re the normal cops. Every other sidequest seems to involve calling the N.E.P.S. in on somebody or helping with an investigation, and for every time we see them handle ethereal activity, there’s two instances of them being called in for petty property theft or something similarly minor - even the playable character has heaps of dialogue choices threatening to call the police on someone*. Much like Star Rail’s reactionary politics were strangely at odds with the ‘blazing a new path’ ideals of the trailblaze, Zenless Zone Zero’s obsession with the police puts a damper on its underground, counterculture aesthetic.

*Including a case where both options threatened this, leaving me without a non-narc dialogue choice.

illustration by Lv01KOKUEN

And finally… I don’t know where to fit this in, so I guess it just goes in its own little section at the end here. Lots of people, myself included, have touched on the Persona inspirations - and they’re certainly significant. One thing I’m surprised I haven’t seen anyone mention as a huge influence is Yasuhiro Nightow’s Kekkai Sensen / Blood Blockade Battlefront. From its sense of style to its worldbuilding, ZZZ damn near feels like fanfic to me. Hell, it’s right in the name - BBB? ZZZ? And this is on top of the dimensional crossover / big city vibe, the retro fashion, the different factions. Victoria Housekeeping might as well be Libra 2.0 - Von Lycaon is a damn near perfect 50/50 expy of Klaus and Stephen Starphase. And then Belle / Wise, who assist these powerful fighters in a noncombat role just like Leo, also turn out to have some sort of special magical eyes granted to them by untold powers from within the dimensional rift??

I’m here for it, don’t get me wrong - love Nightow. But that can’t be coincidence, right?

[gacha-incels]

TBH

Looking at the CN gacha space right now, Situation may get even worse with current “有男不玩” ("If there is men, [I] don't play") movement in CN. They basically want devs to kneel to their demand to get rid of female MCs (only male MCs are allowed for self-insert) and all playable males, so "stinky female dogs" (as they refer to female players) stay away from their games. Also they emphasize, that they are "Number One" paying costumers and don't want their money to be wasted on creating content for female playerbase.

And we kinda see that happening ... I guess? correct me if I'm wrong

My friend told me if this goes on : in the next 1 to 2 years, all gacha will be all female cast aka the female players will flock away while incels stay.

Which for me : I doubt it's permanently but i won't be surprised?

Also Why when it comes to gacha incel I see it's always CN and KR? I tought JP had incels? or they're just the least vocal insufferable?

Edit- here’s some more info thx to @megafreelyfuzzystudentthing-blog ! “mixed toilets” is crazy. this type of misogynist gamer male is everywhere they just freak out about different things, while I think their level of hatred and vitriol towards women remains the same.

in regards to if we are seeing that right now, the majority of these games have been created with a male target market in mind for years and I don’t think there’s been an overwhelming change in the market with regards to that. I think even one game like Genshin being very successful and having multiple male banners in a row and male character designs that the men playing hate while being mixed sex is enough for these guys to think they’re “losing” this no girls allowed gacha playground, so they bug out and act like every gacha now has a feminist mandated fanservice male character they release every other patch for women. but because of the overwhelming success of GI, this shows the greater market it’s worth it to invest in getting female fans, and this is what these men are afraid of. this is also why they specifically use Genshin as the “Genshinification” of gacha, meaning adding male characters that appeal to women and making a mixed sex gacha. So in order to deter this from happening any further, they have to cause a big enough ruckus so that studios think “it’s not worth it to have to deal with all of this,” the end goal being gacha remains a separated boy’s club. this is just a basic read of the situation for anyone who is unfamiliar. It’s disgusting the way they talk about women but I think this is also the reason they emphasize how much more money they have and spend. But the way you write about it, do you see them ramping up tactics significantly? I’m interested.

edit lol I just saw this 💀 I would think things like bot spamming and AI use are going to become much more frequent. the second post talks about this so I added it. It’s kind of just gossipy but it talks about botting and the attitudes there. the hate they have specifically for this character is fucking unbelievable. I looked up this story since these guys were fucking losing their minds and everything seemed so benign. but the thing is he’s still used as a main character in stories and events so this type of freakout doesn’t do shit…and it seems like they’re able to remove the bot comments and mass one star reviews after a while anyway? maybe if the company was smaller. when I check the revenue it still seems to be making a huge amount of money

In the next 1-2 years in terms of tech it looks like the trend will be new 3D gachas and more 2D gacha studios transitioning to 3D. for the companies making the switch to 3D I think it could go fine or it will be like what happened to some actors with the transition from silent films to talkies. designs will depend on how much money has been invested and predicted to be made. From what I’ve seen it kind of looks like more of the same, either all female or all female with a couple male characters. this is typical. jiggle physics when a woman breathes like wuthering waves, “feet quality increase update” like snowbreak or another Arknights game you can say is just different than other gachas (jk). none of this looks like a huge shift in either direction but idk i could be totally wrong and something crazy could happen. let me know if I’m missing anything but this is the kind of thing I’ve been seeing.

in terms of this blog, right now it primarily focuses on the South Korean gacha incel phenomenon, I only started looking into this Chinese incel movement wrt gacha because I was able to find a little more information in English and I was curious but it isn’t a focus or mainstay. I haven’t put much here from Japan because I typically don’t check out their social media that much and like China it isn’t a focus, but off the top of my head I remember the FGO fans going after artists on twitter if they didn’t like the way a character was drawn, like sending congratulations to an artist that his father had died and that he deserved it??? After this he deleted his social media I believe, it was the artist for Parvati. Stuff like that. They have that otaku idol culture and I’m not sure if that bleeds into the gacha scene but I would think that would be the type of crossroads where you would find this gacha incel behavior. I hope this was a helpful answer and not just me rambling lol I’m always worried about this

[gacha-every]

Congratulations, Pixar

You made me, my cousin, and my sister cry, my mom misty - and I dunno my Dad like Ennui ig lol - while watching Inside Out 2 in theaters 👏

First my rewatch of the first movie, and now this

[cerastes]

My smug ass going to read character reviews online to see how wrong they are about Lin and being completely correct, predicting that they would call her a mediocre unit who only has her S3 while I whoops copious amounts of rumpus in High Waves IS3 with her S1.

Just don't look at online wikis or databases when it comes to gacha, man, they never know jack shit, it's funny every time. Not in FGO (paragraphs upon paragraphs of "AoE NPs are bad in general, but they are good for farming!"), not in Epic Seven, and sure as hell not in Arknights.

[300iqprower]

Reading what the anni Servant is is like going down a flight of stairs, but you're missing every step and eating shit all the way down.

"Oh it's Ereshkigal. In a summer alt. From the Servantverse. In a Beast alt. Weak to Avenger so they can keep her one-note rivalry with Ishtar. Waow."

So, review time, this is what I mean when i keep talking about how most of the audience doesnt matter to people who make gacha, and casting a wide net etc.

This is always the endpoint of gachas no matter how good or bad they start out. We've seen this with Genshin and how when it finally started to fall off, instead of implementing things most fans wanted they created an entirely new game with those requested features but kept Genshin as is and instead used it to springboard a new gacha.

the sea creature comparisons with gacha players aren't arbitrary, it's about WHY non whales matter in the first place. It's about how fishing works and net sizes.

When mass fishing as, the mesh size is very important, as in the distances between each section of the net. The reason for this is that when mass fishing for a specific market, you dont want your haul to consist of unintended fish who live in the same area that then have to spend that much more time being sorted through and tossed back. Basically it's a way of selectively filtering out the small fry.

You can probably already see where I'm going with this. Gacha does the same thing. it casts a massively wide net that will surround all sorts of players but as that net gets pulled in, all but the biggest catches will slip out of the net because they never mattered in the first place, it was just about maximizing the small concentrated number of big fish. The whales. Fuck everything else, it can be filtered out, it's not efficient to even try to catch them.

And so, these "massive" gacha who "are different, this one's good" end up in the exact same place every time.

[yandere-daydreams]

Totally get what you mean with obey me!!! Look I've played older swd games, and I'd been looking forward to obey me release since early 2018 (when there was only a short intro vid). I even played the og beta! And I have been playing the game EVERY SINGLE DAY since its release (which was over 4 years DAILY) and when nightbringer was out I was like, fuck. Neither brought me much excitement and I have stopped reading events for almost 2 years. Now I just logged in to send AP to my friends and quitted. The only thing I'm gonna read is the main story probably.

(Tbh twst is superior is so many ways but I'd argue the gacha system in om is a little better and this is coming from someone with more than 200 UR/UR+ in om despite being completely f2p)

wait am i the only one who played for two solid years and had like,,, three URs total. it was my first gacha game tho so it might've just been a me issue. still requesting peer review though.

on topic though!!! i remember playing a few of shall we date's game pre-obey me and,,, like,,, there were definitely issues with very prolonged story lines and adding on character later one, but at least there were like,,, finished games,,, with routes you could play,,, and look forward to Not playing eventually. i really did like obey me, but there's just,,, too much of it. a good thing can only go on for so long until you're, like, just dangling around its corpse and occasionally dressing that corpse up in a fun outfit for special occasions. i might come back if it ever looks like they're going to, y'know, do an actual final arc with an Ending, but i do not think that's ever going to happen and i feel like it's pretty easy to see why.

[ashuribbon]

I agree with you Ashur. 100%.

Anon is correct. Apparently from Twitter, the CRK EN team told Devsisters to change some things about the GC Kingdom, which, I assume, is the reason for the delay in the release of the GC update/story.

What do you think we should do? I've seen people on Twitter talk about sending the trucks again.

There's a lot of ways we can take action! I'm seeing people trying to get this to the Korean player's attention so they have extra aid for the protest! Here are some ways we can take action on what to do (people are free to reblog this and add on anything else):

1.) Do not watch any ads or buy any packages from the games. Devsisters' main source of profit is from ads and from the packages we get. The strongest way that you can hurt any company is through their pockets. It's worked for a long time.

2.) Contact Devsisters by email! You can reach out to Devsisters through their emails, and you can reach out to them and express your concerns there! While you can also put feedback in the official servers, they don't get as much attention. It has to take a lot of outrage like how it was with the Ancient+ situation.

3.) Listen to minorities! Don't get angry when we talk about our concerns and how the games have had racist elements. As I said, we're not discouraging you or trying to stop you from playing the games. We don't mind if you play them since we do too! We're just voicing our criticisms on the misrepresentation and racism that has been going on for years.

4.) Boycott and don't play the games for a while! This is something that I did when I was affected by a Yogurca event to where I had a full-blown panic attack. Ended up buying my time and played Rain World instead! It's something most players do when we protest, and it's just by not playing the games! Don't log in to any CR game, don't check out any new events, and spend some time playing something else. Sure, it's tempting, but it's pretty much something that functions like all gacha games.

5.) Leave a review! This is something that can be affective, even if it's a small amount! Leave 1-star reviews, and point out that the game has racist elements in them, and say that you can't support the games if they keep up with misrepresenting the people in their community who play their games.

Remember, none of us don't want a beloved franchise to fall. We want it to be better and don't want it to be tarnished by dumb corporate decisions!

We really should bring back those trucks, because they always work every time during a protest. c: