#GUESS WHAT IVE JUST WATCHED?!

[larphis]

The Shape of Water (2017)

[puppppppppy]

act 4 :(

@chipper-smol and i came to a realization

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[komaedasass]

I really wish Stella had more character to her. I don’t have anything against being evil for evil’s sake - but there is really nothing going for her character, which is a shame because I feel like she has the potential to be compelling. She’s not the only female character in the series that I wish were better written - I feel like that about most of the female characters that we see.

[monotone-artist]

[id in alt]

some idw redraws

[muchmossymess]

Like they just did that and moved on

[boobchuy]

does it ever mess you up at like how good they implemented sasha's personality before she had any kind of actual screentime? like, you'd think she and marcy were ONLY Bad Friends with how anne seemed to confess how theyd made her do things she didnt wanna do, and that the 'good times' she was talking about was just her making excuses. but by the end of best fronds, you have grime showing sasha anne's shoe. 'now we know that you've been lying to us'

and it makes you think. HUH. maybe she does care. and its just uuueiuruuwuuwueuuwehuauueuuh

[youvejustbeen-quattroed]

sometimes i get artblock and then all of a sudden i draw this while multitasking other things

[s0fter-sin]

it’s the sound that tips him off.

it’s late, half-past hell by his last count, and mactavish knows there shouldn’t be a single soul in the showers this time of night. though he’s sure if he asked, he’d be told a soul isn’t in there.

just a ghost.

he almost chokes on the thick steam filling the locker room; humid and hazy and the perfect cover. or it would be, if the man collapsed in the far stall cared about hiding.

mactavish hates himself a little for the low sigh that falls from his lips. he wishes he wasn't so disappointed; that the promises he's heard over and over and watched be broken as many times hadn't wedged their way into his heart and convinced him that maybe, maybe this could be the time it sticks.

he doesn't know what's worse; the disappointment or the lack of surprise.

he holds his breath through the steam and leans over the limp body; stinging hot water hitting his back, instantly soaking through his clothes and already starting to burn. he flicks the tap enough to take the bulk of the heat out and straightens; a groan startling out of the man beneath him at the sudden lash of tepid water.

mactavish crouches, knees clicking and hooks a hand under his bicep to pull him up straight against the wall. if there was any vomit on his skin, it's been washed away by the pelting stream and he supposes he can count himself lucky for that. he tilts his limp head back and slips his fingers into his mouth; holding down his tongue and ignores the way it lazily jolts under his fingers to check his airway.

clear.

another small victory.

mactavish pulls his fingers out and cups his chin, keeping him tilted up and moves in the way of the water again so he can pull at his eyelid.

the eye he's met with is cloudy, so dilated there's hardly a ring of blue left.

he sighs again; hand falling away and letting his eye fall shut. "god damnit, riley."

riley moans, all his weight resting on the hand holding his jaw.

"aye, 'm talking ‘bout you," he grunts tiredly.

he lets riley's head fall forward to grab his arm, pulling him away from the wall to sit behind him; propping his body up against his chest. he leans his head back over his shoulder, keeping his face out of the water and his airway open just in case he hasn't actually finished throwing up.

he takes the rag riley'd half-managed to soap up and mechanically runs it over him; cataloguing new bruises and cuts and checking if the old ones are healing. sickly yellow fingerprints ring his hips, red splotches paint his ribs; too new to have settled into the deep purple he knows they’ll become.

riley slowly makes more noise as he rubs life into his body; still lying limp against his front but his head's starting to roll restlessly on his shoulder. he swipes between his legs and carefully doesn't think a single thing about what he finds.

"sean?" he rasps and mactavish's hand stills; eyes falling shut. he bites his check, hand clenching around the rag tight enough to shake and breathes hard out his nose.

he doesn't say a word, just forces himself to go back to cleaning.

he's not sure what would come out of his mouth if he did.

riley isn't conscious enough to hear him anyway.

he runs his fingers over his inner elbows for tracks and manages to muster some relief when he doesn't find any. seems to be a pill and booze night; far from the worst condition he's found him in.

he rinses him off, running a curtesy hand over his shaved head only for it to fall back to his jaw; his thumb stroking over the thick scar carved into his cheek.

"you gotta stop doin' this," he whispers.

he isn’t sure if he’s talking to riley or himself.

mactavish gathers up riley's too-light body into his arms and turns off the shower. his head lolls into his throat and he throws a towel over his dripping body and another over his shoulder. it doesn't stop him from tracking water all the way to his quarters but he'd like to see someone try to put in a complaint about it.

he lays out the other towel on the bed and sets riley down; moving his body into the recovery position in an all-too familiar routine. he dries him enough that he won't soak the covers as he pulls them up to his chest and kicks the waste bin within grabbing distance of the bed.

he goes to pull off his sodden clothes when a different noise makes him freeze.

a low sniffle.

mactavish slowly turns back to the bed to find riley's eyes squinting open; glazed with tears as he kneads at the covers.

he stares at him for a moment as he looks around the room and those hazy eyes lock on him for the first time. "cap'n?"

he swallows. "aye; s'just me, riley."

his hand pokes out from under the covers and for all the promises he's made himself - all the “never again”s and “this is the last time”s - at the end of the day, he's weak.

he sits on the side of the bed and takes riley's hand in his; already so cold after nearly boiling himself alive.

"y' mad a' me?" he sniffs.

mactavish runs his tongue over his lip and slowly shakes his head. "no, i'm not mad at you."

"prom'se?" he pushes.

he reaches out and caresses his temple with his thumb. his hand almost covers his head and it cuts like a knife to remember just how small riley is. "aye," he says, hushed. "i promise."

riley's eyes fall shut, voicelessly murmuring 'promise’ to himself over and over.

"I’ll ge’ bett'r," he slurs and between one breath and the next, he's out.

mactavish sighs, running his hand in a final pass over his head and stares at a face that looks so much younger in sleep; bruised and sallow skin hidden in the shadows. "i know you will."

he presses a slow kiss to his forehead, shutting his eyes against the grief that wells in his heart and gets up to pull a chair over to the bed; settling in for another long night's vigil of watching his broken lieutenant sleep, ready to tilt him over if he throws up, eyes locked on the slow rise and fall of his chest fearing tonight may finally be the time it stops.

[goldennflowers]

movies so good you have to draw dogs about it

[opens-up-4-nobody]

...

[puppppppppy]

people who do STEM or administration as a career full time and continue to do art as a hobby, I am scared of you but like in a hot way. youre like if we were allowed to have cold drinks in winter. i look at you and think of miles morales with his two cakes. do you want to make out sometime

[frankburn]

i have got to stop smoking 😭 someone oughta curse my mom for encouraging (down right offering) all her kids to become addicts of various sorts. and out of everything ive stopped doing i still cant stop smoking thats whats pissing me off the most!!! sorry. happy new year. ill figure it out

[kissingarthurclaus]

No thoughts just Arthur in his cute paper christmas crown 🥺💖🥺💖🥺💖🥺💖🥺

[sparring-spirals]

There is a universe in which i was caught up properly on CR whenever what the fuck went down and Imogen verbally and definitively declared that- after everything leading up to this and the back and forth and indecision- that she'd be willing to take down her mom if need be. and i would have been deeply insufferable and writing 20+ separate meta posts and liveblog yelling posts and shitposts. This is not that universe so instead we will put this post here where i can have wildly uninformed (aka 20 eps behind) Emotions about it until someday i actually catch up.

(I know. i accidentally wrote potentially wildly off base/deeply out of date meta again. what can i say. i like shaking the concept of An Imogen (even if it is Outdated Imogen) in a jar. sorry.)

Because i was watching long enough, I think, to see Imogen in the throes of the hope for something better, to understand that Imogen was viewing her mom was a figure and an idea and an answer, that would make things easier. Her mom was- gone, so early. And so her mom, in her mind, was not a person she was an idea, and there was so much hinged on that! Dogged determination and anger at her father and a deep seated dislike of the powers in her hands and head even as they gave her a guilty rush. There were promises there that maybe no one else had made, but Imogen believed. Things built up. Expectations made. Lore crafted, even unconsciously, around someone who was, yes, important to Imogen, but more importantly: Missing. Gone. A blank slate to be filled in. A promise of an answer guide to open questions.

And then she meets her mom, and Liliana Temult goes from a figure to a person- with all the bells and whistles and rough edges. She meets her mom and her mom turns her away. Tells her to run. Tells her she should go. Tells her to leave.

And Imogen doesn't. In the same way she kept visiting libraries, keps asking, kept pushing for answers when it was just about her magic and her headaches and the voices. Imogen always, always wants to know. She keeps digging, she keeps trying, she reaches out, over and over and keeps trying to touch this figure in mist until she's real under her hands, and. Evidence piles up- of deeds gone wrong, blood on her hands, a figure standing next to Otohan (her friends bodies scattered, lifeless, around Otohan). She keeps reaching out, keeps trying, and is rebuffed, over and over. Things get worse and the skies get redder and magic goes dead and she's still- unsure, because what if there's a better reason, what if there's a better way, there has to be a reason, why. There has to be, right- maybe if- maybe. Maybe-

Its just like- a person as an idea. As a symbol. As a promise. One you build yourself up around and towards. One you talk about, not talk to.

And then the fog clears, and they are a human.

(And she's your mom, and she's not what you imagined. She's done you wrong. She's done your loved ones wrong. She's hurt you. She's hurt others. She's going to keep hurting you. She is going to keep hurting everyone. She is too far gone to reason with. She is not listening to you. She is flawed. She is. dangerous. She looks so much like you. You look just like her. You are so similar. You have always known you were similar. You always hoped. You.

Are not her. You are not hers. She is not yours. She is not who you thought she was. She was always someone else. So are you.)

Imogen walks through the bases pretending to be her mother. Liliana is a known face- a powerful one, a figure people fear. A well known silhouette. Imogen slips into the shadows of it, sometimes, when it serves her, but we know- she knows- its all an act. All a lie.

Liliana, after all, is alive, and well, making choices that she believes in and fighting for things with a dogged determination maybe only matched by her daughter.

Imogen knows this. I think. There's a part of her that maybe wishes that wasn't the case.

"There is no loyalty with this blood." And after all- only living people bleed.

[loverboybrightsideghost]

re my last post unfortunately i think viktor is pretty so he is my weakness in this show. i still do wanna throttle him and jayce though