#GIVE THEM A SEASON 4 YOU COWARDS

[laurrelise]

does five drive himself around in season 4. i want to see it.

cowards. show me his car

what is five’s daily driver? did he ever get a chance to buy his 1970’s corvette stingray? he should’ve. the old man deserves a nice car.

something about the thought of five parallel parking is so funny to me. i know he drives a few times throughout the seasons but picturing him doing certain tasks that surround driving is so entertaining

i want to see five with road rage. i just know he’s heavy on the horn bro. he’s absolutely cussing out the people around him and he 100% rolls down the windows to let them know he’s talking to them. you can’t look at five and tell me he hasn’t nearly gotten in a physical altercation due to a traffic backup and the guy in front of him being stupid or something

and i want to SEE IT. season 4 why couldn’t you give us five (road rage edition). i want.

[mantequillamcwhoremick]

Why did you start shipping Bunny? What made you realize their characters had a certain dynamic you enjoyed?

Alright, story time.

My best friend is the one who introduced me to South Park and they started out by showing me select episodes from season 4 and forward, and around the time we were at like season 10ish they informed me what like popular ships exist in the fandom. Namely Creek, Style (I had already seen Tweek x Craig, it was actually the first SP episode I ever watched lmao, and I could kinda see why Style was a thing because they're best friends with lots of moments that CAN be read as romantic), and Kyman (I could also see why it was popular lmao) but when they mentioned Bunny it surprised me. Like these two characters barely/never interact on screen, but my friend just said "Trust, you'll see why later in the show." Instead of waiting to see why later in the show, the idea infested my brain and it clicked anyway.

At first it was just vibes, they seemed sweet and compatible. Let's over-articulate the "vibes" a little further; Keep in mind these are all conclusions I was able to draw about these characters pre season 14 (Pre "Coon & Friends", pre "The Poor Kid" and pre "Going Native".)

These two come from opposite ends of the family trauma spectrum; With Kenny it's neglect, with Butters it's an overly controlled/sheltered environment.

Butters is a yapper, Kenny is a patient listener.

Butters gets cut off/belittled very often for his yapping whereas Kenny isn't one to judge or dismiss.

But Butters isn't the kind of yapper who just likes to hear himself talk; he engages a LOT with whatever someone tells him, and always takes his conversation partner seriously. Kenny is rarely asked for his input, he's rarely ever even referred to directly in a room full of people, but rather just a spectator.

Based on this, I could see Butters rambling to him directly and give importance to Kenny's input and opinions, something we rarely see with anyone else. Funny that this was even confirmed to be true in season 16's "Going Native"

(idk these are just instances that kind of prove to me how Butters values & respects Kenny and his side of things, by either outright saying so or just referring to him in conversation and asking for his input that I rarely see anyone else do. This even gets driven super far in the vaccination special where Kenny is just completely and utterly patronized by his best friends & treated like their child)

So all of these things, without ever even having them seen interact, just made it make sense that these two characters were very compatible in a healthy and sweet way. They both have heavy trauma, but the ways that they cope/express themselves likely wouldn't be triggering for the other. Rather they'd kind of be good for each other to heal; Butters is the least apathetic character in the show, so he wouldn't ever make Kenny feel ignored or neglected. Kenny has seen & lived through enough shit, making him incredibly unprejudiced, he'd never even think to make fun of any of Butters' quirks he's been punished and belittled for.

As I got to the Coon & Friends trilogy and "The Poor Kid" and the whole Kenny lore bomb, something about the two of them being the most tragic characters in the show just kinda fucked my head even worse.

Picking that apart; it was kind of this underlying fact that Butters would believe Kenny about his deaths BECAUSE he's so naïve and gullible. Again, Butters would take Kenny seriously and value his input and emotions, he'd be the ideal person for Kenny to finally relieve some of the burden he's forced to carry alone. Matt and Trey are cowards for not making an episode about this like c'mon seriously it doesn't even need to be romantic

I'm not gonna get further into "Going Native" right now, mostly because the episode speaks for itself, has been probably talked about most in the fandom and kind of confirmed a lot of the things I already assumed about these characters (but if you'd like me to pick it apart feel free to send another ask), so instead I'm gonna tell you why I started going insane over them on a fandom level. Funnily enough, it was the Style-centric fic "The Scenic Route" by Hollycomb.

The coolest thing is Hollycomb actually published The Scenic Route BEFORE "Going Native" aired, and the way that they handled these characters and their relationship still fucking blows my mind. Dude, they're not even the focus of the story. They're a side story. A background ship. I'm not saying the main storyline isn't entertaining lmao but the Bunny background storyline was probably just so much more my taste I think? Especially how imperfect and messed up it started out, continued and went on. It implemented the canon fact that Kenny did kind of just not care about Butters and how his fucked up parents treat him, just like the rest of the town. Like Kenny is kind and all, but he can also be very apathetic and indifferent, and there's lots of instances in canon where the other boys treat Butters like crap and Kenny just watches it happen.

(Episodes: "Good Times With Weapons", "Marjorine", "Cartman Sucks", "Butters' Bottom Bitch" and "The Tale of Scrotie McBoogerballs")

(mind you, they're also just 9 year olds though lmao)

The way Hollycomb wrote how Kenny slowly started caring and falling in love with Butters even though he initially just intended to use him for venting about his own problems just stuck with me so hard. Like yes. That makes so much fucking sense. Kenny needs someone to take him seriously, and he doesn't need that person to be someone he cares about. He picks the easiest person available. But the slow realization that he's started pitying, then caring, and then deeply loving and wanting to help and save this person? That shit hit the SPOT.

Anyways, what I'm saying is that this fanfic was the reason I started thinking about possible ways they could get together and stay together, a lot of them messy and tragic and every bit wholesome as it is entertaining and fucked up. Kenny and Butters' traumatized asses finding comfort in each other is just something that became so special to me. I started out reading & writing Style, but whenever I tried to craft my own fics I'd always be thinking so much about what Kenny & Butters were doing and what their story is until I thought "damn dude why aren't you just writing about them instead". and thus I fell down the rabbit hole. enter chaos plan lol

This is such a tiny part of why I love these characters and why both of them separate AND their dynamic is incredibly comforting and interesting to me, and I haven't even mentioned anything about the many foil/parallel narratives around these two; Kenny & Butters as Kenny's replacement. Mysterion & Chaos. Princess Kenny & Paladin Butters. Philanthropist Dr. McCormick & capitalist scammer Vic Chaos. Especially the last one what the fuck I could write my bachelor thesis on Post Covid Bunny.

Thank you so much for the ask, anon. I'm so happy I got to ramble about my favorite little assholes <3333

[immaturityofthomasastruc]

Every Episode of Miraculous Ladybug Season 5 Ranked (Part 2)

Part 1

(This site's stupid 30 images per post forced me to do this, so thanks for nothing, Tumblr)

#14: Transmission

I swear, I'm not doing these on purpose. This is just how I've been ranking the episodes.

Like I said in the last part, this episode just did not need to happen. The first half is cheap melodrama between Marinette and Adrien and the second half is a run of the mill Akuma fight with two different heroes. This is the story that seriously warranted two parts this season?

I just can't stand the fact that Marinette and Adrien gave up their Miraculous so easily here. Maybe if it was Season 2, Season 3 at the latest, I'd buy it, but near the middle of Season 5? They honestly view their love lives as more important than the battle with Monarch. If it was anything else like the stress or physical danger, I'd also be understanding, but Tikki and Plagg decide that Marinette and Adrien are so miserable that they need to be happy by losing their Miraculous without a fight. Remember, this was just two episodes after “Reunion”, which showed Joan of Arc was a Miraculous holder. So fighting in the Hundred Years' War didn't get so much as an ounce of concern from Tikki, but teenage angst is too much for her little heart to bear?

Maybe it's the benefit of knowing this won't be permanent, but the issue I have is how much the show draws this out for so long, as if the audience is supposed to buy it. “It's really happening, guys! Ladybug and Cat Noir won't be the stars anymore, we swear!” This kind of plot can work under the right circumstances. All you needed to do is at the very least, make it something they choose to do instead of their Kwamis taking their Miraculous away so we can see them weigh the benefits of giving up life as a superhero in ways that aren't exclusively about their love lives. I'd even buy it if it's something Ladybug and Cat Noir actually agreed on before quitting.

While I can sort of get Alya becoming Scarabella due to her experience with the Ladybug (even if she chose to give up using any Miraculous at the end of Season 4), Zoe getting the Cat just feels like the writers put a bunch of names in a hat and picked hers. The two just don't have as compelling a dynamic as Ladybug and Cat Noir do, because they don't get a lot of time to know each other. Alya and Zoe have almost never interact with each other, so the masks don't really shake up their relationship, because there's no relationship to speak of.

Also, the Akuma here was really forced. We know nothing about this new character while the show acts like we're supposed to know who he is based on some minor hints with Nora calling earlier. While I will give the show credit for arguably giving us the most powerful Akuma of all time due to being both a man and a bear, he's as forgettable as a villain as Kitty Noire is as a hero.

Just about nobody here comes out smelling like roses in this episode. The Kwamis are morons for caring about one ship becoming canon, Marinette and Adrien are selfish cowards for giving up their Miraculous with little hesitation, their friends are ignorant buffoons for thinking some random attempt to get Marinette and Adrien to talk will somehow seal the deal, and Alya and Zoe are idiots for not thinking that they should take off the shiny ring that tracks their every movement. It's a terrible episode, and the only reason why “Deflagration” is ranked higher is because it didn't irritate me as much as this one did.

#15: Determination

And now we're onto the really bad episodes this season.

This episode is pretty much what you've come to expect by Season 5. People keep forcing Marinette into situations she's clearly uncomfortable, and we're supposed to just laugh at her anxiety, because we still have eight episodes to go before the show decides to take her mental health seriously.

What makes this episode really sting for me is that it's Luka and Kagami that are forcing Marinette into these unfunny antics this time. For the most part, they never really stooped to this level and didn't try to force anything with their respective love interests until they had trouble in their relationships that required them to communicate. But now, even though one knows Marinette and Adrien are superheroes while the other is usually very blunt with her feelings (at least, before she became this season's next victim), they're going to try forcing Marinette and Adrien to spend time together even they both know they have feelings for each other and MY GOD, THIS IS SO STUPID! It's just a cheap excuse for more pointless shenanigans that stopped being funny years ago.

Yet somehow, that's not the worst of the Love Square drama this episode. It's here where we learn that Adrien fell in love with Marinette over a season ago, during a scene where she violated his personal space. In addition, Adrien somehow showed no signs of attraction to Marinette until the plot demanded it, and came right after another episode showing him falling for her. Why not make it the fake confession Marinette practiced with Cat Noir in “Glaciator 2”? The kiss Marinette gave Adrien at the end of “Heroes' Day”? I'd even take another umbrella scene callback like in “Mr. Pigeon 72”. But no, it's the statue scene that the writers decided on. It's like they noticed all the criticism Marinette got in that episode and were like “Joke's on you! Adrien actually liked being lusted over like an object!”.

And then the masks come on and make things even more convoluted. Adrien at least got to reflect on the events of a previous episode to explain his new feelings for Marinette, but what caused Ladybug to suddenly fall for Cat Noir after four seasons?

The writers don't even bother with an explanation for this. Ladybug spontaneously becomes attracted to Cat Noir with absolutely no foreshadowing, buildup, or even callbacks to earlier episodes. The writers either wanted to complicate things one last time before Adrienette became canon, they wanted to bury the Ladynoir conflict arc from last season in the sand, or the most likely option, a combination of both.

The idea of the public turning on Ladybug was an interesting one to take, seeing how she's been universally beloved for the past four seasons. But despite hinting at it in “Multiplication”, this is the farthest is goes, and even then, guess who's behind it? You can't keep raising points against the main characters if it's only Chloe who does it. It doesn't open debate on the story and essentially tells the audience that they're wrong to agree with her, no matter what kind of point she makes.

As dumb as the way it happened was, Ladybug still screwed up and endangered the city by losing the other Miraculous, but we can't actually challenge children by acknowledging that the hero actually did something wrong and needs to grow as a person. We need to use a recurring character as a strawman to tell the audience that only bad people think this way! Way to remove any interesting internal conflict, writers.

The Akuma was pretty weak, just being an older Puppeteer, down to using wax statues like what happened in “Puppeteer 2”. The army of wax heroes could have been interesting, but there wasn't enough time to do much with the idea. The one thing I liked was how the Ox Miraculous' Resistance was used. It felt like an upgrade instead of a core power Manipula got.

This episode pretty much set the stage for a new level of frustrating Love Square drama this season, and it was one of the season's first outright awful episodes.

#16: Conformation

The only reason this episode isn't at the bottom is because the rest of the ones on this list are far worse by comparison. Make of that what you will.

Like most season finales, this one continues the tradition of being better at buildup than actual execution. Gabriel's plan is pretty decent, even if it's just Heroes Day on a global scale. He utilizes his public influence and business skills to plan out a plan to get almost all of humanity working for him. While I don't like the Miraculized, I still think Gabriel being on top works here, especially since he's not going out into the field like the last three finales.

But other than an okay evil plan, this episode is still pretty bad. Marinette being infected with nightmare dust only happens to get her to the Agreste manor because the writers forgot that Marinette learned Gabriel was Monarch last episode. It could have been a decent way to up the stakes by showing Ladybug not being at 100%, but like everyone else, she just fights off the nightmare dust and doesn't have a single problem during her fight with Monarch. In general, the nightmare dust isn't really utilized well, only being an excuse to bring out the Miraculized. It doesn't impact everyone fighting off the Miraculized, and there's no lesson or theme about fear that's conveyed here.

Speaking of nightmare dust, I'm pretty sure the only reason why it was introduced in the first place was to bench Adrien, which is still easily one of the dumbest decisions the show has ever made. While everyone else had no problem resisting the nightmare dust, Adrien is just physically incapable of doing so because of some half-assed character arc the show pretended happened. So either Adrien got a more potent dosage of the nightmare dust, or Adrien's just too weak to actually overcome his fears. “Sandboy”? Never heard of it! The fact that the writers also tried to claim they were being subversive with fairy tale tropes and cliches didn't help, since it devalues Adrien as a character even further. He's not a superhero and Ladybug's closest ally. He's just some damsel in distress who needs to be saved. Let me just remind you, if the genders were reversed, this would not be seen as some bold move, but the same overused cliche trying to be something new.

I already talked about my problems with Nathalie in “Passion”, and the stuff she does here isn't really different. Despite enabling Gabriel for five seasons, the episode has the balls to act like Nathalie always had morals and is appalled by Gabriel planning to sacrifice someone to save his wife. Just remember, “Passion” established that Nathalie had a history as a treasure hunter, so this is like Indiana Jones not knowing what the Holy Grail does. Nathalie only got dumber than in “Passion” because she somehow thought she could take on a supervillain with nothing but a crossbow and a body that already has one foot in the grave. And just like Felix, Nathalie can't even apologize to Ladybug for the aiding and abetting a terrorist thing. Between Nathalie, Felix, and Gabriel, does using the Peacock Miraculous just make you an idiot?

While the buildup is decent, it's just not enough to really get audiences excited for the second part.

#17: Representation

This episode is yet another example of the show's double standards.

Without going into detail too much, this episode came right after “Revolution”, the one that essentially portrayed Audrey taking control of Chloe's life as a karmic punishment. What happens in this episode? We learn Felix's father literally took control of his life and it's portrayed as wrong as child abuse should be. That's why this episode is still better than “Revolution”. It at the very least understands how serious child abuse is, and tries to tell Felix's story with as much dignity as two teenagers in white onesies can have.

With that being said, there's a reason why this episode is as low as it is. The Sentimonster play used to tell Marinette about Felix is just so stupid. The sets and costumes look ridiculous, it's hard to take the story seriously with Felix and Kagami doing all the voices, and most of it is unnecessary since the whole point is to tell Marinette that Gabriel is Monarch... something that the writers decided she needed to find out on her own in the next episode. It comes across less like Felix trying to alert Ladybug to who Monarch really is and more like he's just trying to justify his own actions. Hell, the actual reason he decided to tell Marinette about Gabriel was because he and Kagami were worried about their own relationship being ruined by him. And yet somehow, Ladybug lets him on the team at the end of the season.

The stuff with Adrien was also pretty dumb. It's cheap fanservice that reminds the audience of Cat Blanc when none of the characters should know who Cat Blanc is. You can call him Anticat all you want, but everyone can see that he's just Cat Blanc with blue hair. It's bad enough that this was what all the times Cat Noir almost Cataclysming people this season was meant to lead up to, but this is pretty much the reason why Adrien is benched during the finale.

This episode really shows how desperate the writers are to make people take this show seriously by showing serious topics like genocide and child abuse, as if the show didn't already ignore the horrible implications previous episodes (like the very last one before this) raised and will continue to raise during the season finale. So much of the episode is just dark for the sake of being dark. It's nothing too horrifying for children, of course, but the issue is how obvious it is that the writers are trying to raise the stakes right before the season finale and show how mature the show's writing is. For lack of a better term, it's this show's equivalent to “Ow The Edge”.

#18: Revelation

Get ready for the episode where the writers abandon all attempts to be subtle and create an episode specifically to attack people who think Chloe isn't the most evil character on the show. Because how dare they be optimistic and try to see the good in people! What do they think this is, a kids' show?

While a big problem with the Lila episodes was how stupid the class is, this episode made it so Marinette got to join in on losing brain cells too. Despite outright admitting to neglecting her duties as class representative (as absurd as it is to be in charge of notifying teachers about student progress they should be aware of), we're supposed to agree with her for not telling her teacher about Chloe cheating. Not only does this make no sense since you'd think Marinette would want to see Chloe get punished, but her claiming that all Chloe does is abuse her privileges loses any point to it because Marinette admitted to not doing her job as class representative, making her just as lazy as Chloe and unintentionally helping her through not telling the teachers. And that's not even getting into how many times Marinette has broken the secret identity rule despite also being the one to enforce it the most as the Guardian.

If the episode at least admitted to Marinette having personal issues that prevented her from displaying any form of professionalism towards Chloe (especially since this episode takes place after “Derision”), that'd be fine. Sometimes, people just can't let bygones be bygones and let their emotions dictate how they handle things. If she willingly resigned from her position by admitting she was just as at fault for Chloe getting as far as she did with her cheating, that would have worked. Instead, the episode does the same things it did with Adrien for the last few seasons: Go out of its way to vindicate Marinette's complaining and never even consider the idea of her being wrong in the slightest.

It's also hilarious to see Ms. Bustier act like an actual teacher for once and plan to work with Chloe to help make up her missed work, but portray it as a bad thing because in Marinette's eyes, that's not a punishment. Since the school year is almost over, Chloe will have to attend summer school at best and be held back or even expelled at worst. How the hell does that not count as a punishment, Marinette?

And don't forget how she gets not one, but two separate scenes insulting people for being idealistic and not wanting to write off people as beyond saving, the second one being copied from Astruc's Twittter.

And remember, this was right before a string of episodes where characters were able to change their ways, including Sabrina (Chloe's accomplice), Andre (Chloe's enabler), and Gabriel (Chloe's supervillain contact). How the hell is Chloe the only one being written off as irredeemable when she didn't pull off any of her evil plans without help? You can still punish Chloe. All I want is for the other characters to be punished as well.

But let's talk about the main event for this episode: Lila. In one of the most confusing “twists” in the show's history, she's now an identity thief who lives with three different mothers. Why? Because the writers have no idea how to hype people up for her being the main villain for Season 6, so they think just making her mysterious for the sake of making her mysterious is enough to build her up as a villain. It's like the writers realized Lila had absolutely zero resources of her own, so they felt like they needed to establish her as an evil genius to compensate. “Who cares if there's no logical explanation for how she's gotten as far as she has despite constantly boasting about her celebrity connections in public? We have to make her vague and mysterious, damn it! It worked for Judas Traveller and Kaine, didn't it?”

This episode takes multiple shots at fans and tries to make Lila seem more compelling than she actually is. It feels more like damage control than an actual plot-relevant episode.

#19: Illusion

Want to see the main characters acting like idiots for almost a half-hour? No? Too bad!

So much of this episode's conflict, the characters trying to investigate a possible lead related to Monarch, comes from everyone making stupid decisions. Nino tries to get one of the most influencial men in Paris akumatized, talks about it in public, falls for his trick, and lets him into his secret alliance. This season really cemented his role as the Zapp Brannigan of Miraculous Ladybug with how incompetent he is. If you really want to start portraying Nino as a tactical genius, maybe you should actually show him doing something smart instead of getting outsmarted by obvious tricks.

Of course, the other characters aren't immune to Nino's stupidity either. Marinette, Adrien, and Alya just go along with his asinine plan to get Gabriel akumatized, never question his logic, and ultimately still go along with the Resistance despite how obnoxious their leader is. The worst part is Ladybug not recognizing her own partner being stung by Venom... when they're fighting someone with access to over a dozen Miraculous. I know Cat Noir was born with glass bones and paper skin, but I don't think he literally freezes in terror when he's scared. And of course, Ladybug never questions the tiny invisible men who stunned Cat Noir after this scene.

The cafeteria scene is something that should really be cited as an example of how terrible this show is with acknowledging continuity. You thought there would be some compelling drama discussing the secret identity rule and all the double standards it has? NOPE! It's a funny joke about how confusing the identity stuff is at this point. The fact that Nino somehow doesn't understand the concept of secret identities in this scene is yet another reason as to why he isn't even qualified to lead an anime club, much less a resistance against Monarch.

The idea of Monarch using an illusion to fight Ladybug and Cat Noir was an interesting one, but it still had some holes. For one thing, what if the two heroes can't dodge one of the illusion Collector's attacks? What if they're fast enough to try tying him up, only to dispel the illusion? The entire plan pretty much relies on the fact that Ladybug and Cat Noir are too slow to catch the Collector.

But one scene that has only become more questionable after the finale is Ladybug trying to reach through to the illusion Collector. Like several episodes this season, it comes across like the show is spitting on idealism and wanting to solve problems peacefully because Monarch tricked Ladybug into believing he willingly rejected an Akuma. Remember kids, if someone says they want to change, it's really a trick as part of an evil supervillain's plan to maintain his secret identity.

This episode is like a microcosm of everything wrong with Season 5. Poor morals, characters acting like idiots, shooting down any potential for plot development, and being told characters are right when their actions say otherwise.

#20: Confrontation

Ladies and gentlemen, I give you the episode where the writers just gave up.

There is just so much that happens in this episode that the writers cram in. There's Marinette's “final” confrontation with Lila, the battle with Reflekta, Sabrina's redemption, Juleka's character development, Ms. Bustier's character development, Mr. Damocles' character development, and the reveal of Lila's true nature. I don't think I need to tell you that the writers struggle to make all of these plot threads work in less than a half-hour.

First off, Marinette and Lila. The previous episode implied that Marinette let Lila have this short-term victory because she had her own plan to expose her. This episode puts that plan into action. See, she has the genius idea of going along with submitting school application forms to Lila and Chloe with no actual countermeasure in place, waiting for Sabrina to have a sudden change of heart so they can work together to expose Lila and Chloe through a bathroom peephole. This is the kind of tactical intelligence that will be studied in the history books, let me tell you. There's just no weight to Marinette and Lila's final battle of wits because there isn't any. There's no series of gambits or scenarios that actually pit their minds against each other, so you don't get a lot of satisfaction from Marinette's triumph over Lila. It doesn't help that there's more focus on Sabrina than on Marinette, but I'll get to that later. Even the actual payoff is anti-climactic. Most of the class' apology to Marinette was deleted because Mr. Damocles using a Magical Charm shield was just too important to leave on the cutting room floor according to the writers.

This episode really shows just how Marinette's classmates are like NPCs in the Lila-centric stories. They don't second guess Lila's accusations due to their past experiences with Marinette, and as soon as Marinette's name is cleared, they instantly apologize to her and don't even think about how easily they were fooled by Lila and Chloe. The worst example is Alya, Marinette's confidant and someone who was trusted to temporarily use the Ladybug Miraculous last episode, falling for this and not trusting Marinette. My sister in Christ, your friend goes out and saves lives on a weekly basis at least. How can you fall for Lila's story? This is why I think the Lila episodes should have all been set pre-Season 4, so Alya falling for Lila's lies is a little more believable since she isn't already in on Marinette's biggest secret.

I also have to roll my eyes at how melodramatic the talk about everyone's “futures” is. Yes, I don't know a lot about the French education system (If there's anything I'm getting wrong here, don't hesitate to let me know), but I don't get why they're treating their high school choices like such a big deal. Maybe if it was college, I'd get it, but high school? Why can't you just transfer if it doesn't work out? But then again, this is the same show created by a man who thinks school uniforms are a sign of fascism.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Speaking of futures, this episode also showed just how little the writers cared about Adrien at this point, with how a supposedly heartwaming moment is him having no plan in life other than Marinette. I know this might seem weird given my problem with him last season was his refusal to think about anyone but himself, but there's a difference between wanting someone to follow orders without complaining and giving them absolutely no motivation outside of their significant other. And once again, if you swap the genders, this becomes sexist as hell.

But the big problem comes in the form of how the side characters are utilized. I don't know why the writers decided to focus on developing characters like Sabrina, Juleka, Ms. Bustier, and Mr. Damocles with five episodes left in the season. This should have been done in earlier episodes, not in the middle of a major story arc. I'm just left not caring about the development because it takes away from the conflict between Marinette and Lila, to say nothing about how little Adrien and Alya contribute to the story.

To me, this episode feels like the writers had no idea how to make Marinette outsmarting Lila into an episode, so they crammed in all these half-assed character arcs to pad out the runtime. While “Revelation” personally upset me more, I personally think this is the worse episode of the two from a writing standpoint.

#21: Revolution

Given how often I've criticized the way Chloe has been handled over the years, I bet you're surprised that this one isn't at the bottom of the list. You'll be even more surprised to learn that I think Chloe is one of this episode's saving graces.

This episode (along with “Derision”) provide an example of the Chloe we should have gotten ever since Season 3 ended: A villain who's allowed to be a threat while still being funny. So much of the past two seasons have done nothing but portray Chloe as nothing but an incompetent joke, but here, near the end of the season, she's in a position of power and is taken seriously. The episode does a good job showing how tyrannical Chloe's rule as Mayor is while still making it funny and in-character for her. She uses her power on frivolous things because she's a teenage girl who doesn't understand the complicated issues that come with politics. It's also why her idea of punishment involves detention, because it's something she's more familiar with as someone in middle school. Of course, even the episode all about Chloe ruling Paris with an iron fist isn't stupid enough to actually let Chloe be a compelling antagonist. No, we need to constantly remind the audience that Chloe is being played, as if we're supposed to see her as nothing more than a pawn even though the show still wants us to see her as an irredeemable monster.

Putting aside that one speck of something interesting, this episode is still incredibly bad. So much of the story is dependent not on how smart the villains' plan is, but rather, how lazy the heroes are. Not only is there not a single moment where Ladybug and Cat Noir acknowledge that the whole reason why Chloe was able to take over as Mayor was their fault, they act as if Chloe abusing her power to make everyone's life a living hell isn't enough of a reason to stop her. What kind of Prime Directive bullshit is this? YOU JUST HELPED SOMEONE LEAD AN INSURRECTION AGAINST A POWERLESS CIVILIAN! HOW IS THIS ANY DIFFERENT?! If there was at least something involving Ladybug and Cat Noir taking responsibility for what happened or at least showing that they played a part in this (especially since they “grow up” in this episode), I'd get it. Instead, because this is Season 5, our heroes are perfection incarnate, and can't ever be wrong. Even when they finally decide to get off their asses and stop Chloe, they didn't know she was akumatized, and nobody seemed to care before Chloe blurted it out, so Ladybug and Cat Noir have no excuses for slacking off.

The final battle is just a joke. Not only is it another excuse to force the Resistance into the plot, it shows Ladybug and Cat Noir unlocking the full power of their Miraculous in the most anti-climactic way possible. Even though they spent most of the episode caring more about their personal lives than actually stopping the obvious threat, somehow, this means they “grew up”. There's no buildup, no explanation, and no catharsis gained from this achievement. All of a sudden, Ladybug and Cat Noir are adults now. There's one decent scene with Adrien, but that's far from an actual explanation. What, did you actually expect an explanation for something this huge? Too bad! We need to have Marinette tell Chloe she's not afraid of her anymore even though she was never afraid of her prior to this season. Of all the things that happened this season, this is the one that makes it clear that Season 5 was supposed to be the end. There is no way Season 6 can happen unless the writers come up with some crap that undoes this, because Ladybug and Cat Noir have essentially unlocked god mode.

But I saved the worst for last, and you all know what it is: Chloe's punishment. I still can't get over the fact that there's actually a scene heavily implying we're supposed to be happy Chloe is going to live with her emotionally abusive mother in the same season that's trying to tell a serious story about child abuse. There's already been so much said about all the horrible things this implies, so I'm going to try and bring up something else. Specifically, how everyone is just okay with this. I can buy Ladybug given all the things Chloe has done to her, but it's pretty odd that Cat Noir, Andre, and Zoe all decide to wash their hands of their association with Chloe as if they never knew her. They don't even feel bad that it had to come to this, and feel absolutely no sympathy for her. Remember in episodes like “Malediktator” and “Queen Banana” that showed Adrien and Zoe still cared for Chloe despite all the terrible things she's done, teaching kids a lesson about trying to show compassion to your enemies? The writers sure didn't, because Adrien and Zoe don't get to say a thing about Chloe after she's defeated. Way to establish connections between characters and do nothing with them, writers!

This episode had so many things wrong with it, and it only got worse the longer it went on, to the point where the ending is essentially condoning child abuse. It's disgusting, but at the very least, it means we're not going to have to deal with Chloe in Season 6.

.....

#22: Adoration

This is one of those episodes I honestly didn't think would hate as much as I did.

I think of all the episodes this season, this is the one that shows how frustratingly inconsistent the characterization is. Characters will either announce how much someone has changed or will take a complete 180 while the show makes it clear this is how things have always been. Not only does the show say Zoe has somehow changed and suddenly developed feelings for Marinette, but Chloe's view of Sabrina has gotten even lower, to the point where she calls her an underling to her face. Because actually showing character development and changing interpersonal relationships is too hard for these writers. It's like that rule everyone knows: Tell, don't show. That's how it goes, right?

Before anyone gets on my case about this, I'm not trying to say that Zoe having a crush on Marinette was a bad idea. The issue is more how it comes across like the show is trying to earn brownie points with LGBT+ audiences with the reveal. The issue is that this major revelation isn't about Zoe, but rather, Marinette. It's from a Marinette-focused episode all about her heterosexual feelings for Adrien while Zoe's coming out story is nothing more than a cautionary tale to get Marinette to finally try kissing Adrien. I'm not saying Marinette should have dumped Adrien to be with Zoe. The point I'm trying to make is if you want to show something as huge as a character coming out as sapphic, maybe put more focus on that character's struggles than the struggles the straight main character goes through. Maybe instead of being an afterthought in the story, make the episode about Marinette helping Zoe confess her feelings to a girl she likes.

This was also the episode that laid the groundwork for Andre and Sabrina's “redemption arcs”. Normally, I wouldn't mind something like them changing, but it's less to show a character becoming a better person and more to vilify a different character. Andre went from a corrupt politician who abuses his power to please his daughter to an honest politician who is forced to abuse his power to please his daughter. Sabrina went from Chloe's loyal friend who chooses to help her make people miserable to Chloe's underling who is being forced to help make people miserable. Both of them were perfectly willing to go along with Chloe's acts in the past, and as we saw in “Revolution”, being a pawn didn't excuse her from being punished, so by that logic, they shouldn't get a free pass either. It's also strange how this wasn't the episode where Andre and Sabrina officially cut ties with Chloe, considering they already had issues with them. There wasn't really a reason to wait if they already made their issues clear, especially Sabrina. Somehow framing Marinette here is okay but doing it a few episodes later is too much for her?

Also, Lila served no purpose in the episode. Just like in “Collusion” and “Revolution”, all she does is tell Chloe to do things she was perfectly capable of doing in earlier episodes. We're supposed to see her as a mastermind, but I don't get why she has to hold Chloe's hand here. Why can't Lila come up with her own plan or manipulate different people from behind the scenes? It only further highlights the double standards because while Sabrina being a lackey to Chloe earns her sympathy, Chloe being a lackey to Lila doesn't for some reason.

I am getting really tired of the whole “Nobody believes Marinette” formula that every Lila episode relies on (Chameleon, Ladybug, Risk, Revelation, Confrontation). It's the exact same story. Everyone who has known Marinette for the past four seasons suddenly loses all trust in her, only instead of instantly believing Lila, it's Chloe. CHLOE. This is worse than Lila, because she's at least in good graces with other people, but this is the same season that solidified the idea of nobody liking her at all. They seriously take her words at face value over Marinette, someone whose friends know has tormented her for a year at least (Derision)? Put aside how I feel about Chloe, this is a story that depends on trusting someone nobody has any reason to trust, and it makes no sense.

There are just so many minor issues in this episode that pile up enough to really piss me off. It's like a death by a thousand cuts.

#23: Collusion

I normally don't try to get political on this blog unless I absolutely have to, and talking about this episode is one of those occasions.

If you've been around since the early days of this blog, you'll remember that Astruc once compared Chloe to Donald Trump, and not too long after the January 6th attack on the Capitol Building at that.

Even before that thread, Astruc made a joke comparing Trump to Chloe less than a week after the attack.

Whether you agree with Astruc's views on Trump or not, the point is that he kept up with American politics and strongly opposes him. So anyway, let's get to the episode where the heroes let someone lead a small army to storm the mayor's office and force him to resign, which is totally different from what Trump did.

I cannot get over just how confusing this episode is. For a show created by someone who usually keeps up with American politics, this is such a tone-deaf episode. I get that the story is trying to lean into French history, and I'm not sure how far into production the crew was when the attack on the Capitol happened, but given how Astruc was aware of the drama, he and his team should have at least considered the implications this episode could raise. The problem with the discussion around January 6th is that the supporters see it in as righteous a light as Miss Sans-Culotte is. As far as they know, what happened wasn't a violent invasion of government property, but a peaceful demonstration. Sure, none of the talking balloons said “Hang Andre Bourgeois!”, but it still brings similar imagery to mind.

Something that also harms the French Revolution narrative is the fact that all of Miss Sans-Culotte's supporters are helping her against her will. Much like countless Akumas throughout the show's history (Darkblade, Kung Food, The Puppeteer, Princess Fragrance, Despair Bear, Befana, Zombizou, Malediktator, Gamer 2.0, Mr. Pigeon 72, Hack-San, Revelation, Confrontation), Miss Sans-Culotte brainwashes innocent civilians so they can help her cause. This goes against the idea that she's speaking for the people, because her victims don't have a say in this. She's not reenacting the French Revolution, she's reenacting Order 66!

Also, this is something I've neglected to discuss. Why make Miss Bustier pregnant at all, much less akumatize her while pregnant? Outside of her students telling Chloe not to make a scene because the stress caused from dealing that is bad for the baby, Ms. Bustier's pregnancy adds nothing to the story. Seriously, the story thinks Chloe annoying the class is more dangerous for Ms. Bustier's baby than Ms. Bustier herself running around and getting into fights with her baby inside. It could have made for some interesting drama where Ladybug and Cat Noir are hesitant to hurt a pregnant woman, even if she's been akumatized. While the writers do try to work around it by giving her minions to do the fighting (as much as it mucks up the themes of this episode), it still doesn't explain why she needed to be pregnant during this episode in the first place.

Putting aside how unlikable Miss Sans-Culotte is in this episode, you can't even enjoy seeing Andre getting kicked out of office because this is the same episode where the writers really want us to feel bad for him. Look at how sad the rich white politician is. Let's ignore the fact that he's a big part of the reason why Chloe is as bad as she is, has abused his power multiple times, and is all around the cause of his own problems. But even though this is a show that tries to take an anti-capitalist stance (which I'll get to more in “Emotion”), we're supposed to side with one of the biggest symbols of everything wrong with capitalism and political corruption. Even then, Andre is framed for corruption instead of the several instances he actually abused his power, as if they're trying to say he was never a corrupt man. He just loves his daughter. Is that too much to ask for? His daughter herself? Eh, who cares? You really need to support the rich white man. Are we sure this show was created by a liberal?

But the biggest issue is the moral. It's impossible to frame Miss Sans-Culotte storming the mayor's office as a peaceful protest because she's clearly inspired by one of the bloodiest and most violent revolutions in history. If she was supposed to be a violent warrior who needed to learn there was a better way, that would work, but instead, the show downplays how dangerous she is... when she has a guillotine blade for a weapon. You can't claim Miss Sans-Culotte is non-violently protesting Andre's administration when she brainwashes innocent civilians, storms into the building, and demands he resign without any question. Even taking all that into consideration, the moral ends up backfiring because forcing Andre out of office caused an even bigger problem with Chloe taking over, and the very next episode threw the non-violence message out the window.

Whether or not you want to consider the political implications here, this is still a terrible episode with a terrible moral.

#24: Pretension

I've always had issues with Felix, and after the trainwreck that was “Emotion”, let's just say this didn't exactly do anything to raise my opinion of him. Just like his other appearances for the last few seasons, he did absolutely nothing to help Ladybug, focused on only doing things that benefited him, and making everyone's lives worse due to his incompetence. And somehow, this idiot is the one who moves the plot along the most.

The entire conflict happened because Felix kidnapped Kagami without even coming up with a plan. Even when he believes that Kagami is a Sentimonster (I apologize for saying that word Felix hates, but once again, the show provides no alternative to it), he doesn't think of Tomoe being able to track her or command her to leave even at a far distance. He doesn't even try to explain himself to Ladybug and Cat Noir and spends more time running away from everyone who wants to kick his ass. But by the show's logic, he just needs friends, even though his entire deal is that he works alone to get what he wants.

It's bad enough that Felix has to screw up everything he touches, but now he's dragging Kagami to his level. Kagami has cemented her role as Felix's lackey/girlfriend and nothing more. People give Marinette crap for the way the behaves around Adrien in and out of universe, but Kagami knows nothing about Felix, yet a single conversation about his past is enough for her to fall head over heels in love with him. She went from someone not willing to take any bullcrap from Marinette and Adrien to believing Felix's story in a fraction of a heartbeat. This season really likes ruining the few likable characters the show has left.

I also have to roll my eyes at the conversation Marinette and Gabriel have about fashion. For one thing, it's one of the few times the entire season remembers that Marinette wants to be a fashion designer and doesn't really factor into her rivalry with Gabriel. This season made their conflict revolve around how to treat Adrien, not their views on fashion. It feels like they only brought it up to remind viewers that Marinette is still into fashion. Well, that, and also to take a stance on artistic integrity... supposedly.

And on that note, it's amazing how the writers display little to no self-awareness during this scene. The show that embraces sticking to the status quo and rejecting almost any attempt at keeping consistent continuity is now trying to teach children about the importance of being willing to take risks when creating something. This is like Hannibal Lecter trying to promote veganism. I get the message, but the messenger's history is keeping me from buying it. It doesn't help that for a scene trying to point out how outdated certain views are, the show ultimately chooses to take the side of the man with the “wrong” mindset by the end of the season.

The pancake metaphor really confuses me too. It's meant to be a running gag that the only thing Gabriel knows how to cook is pancakes, but A) Nothing is really indicated to show how terrible they are as a metaphor for how bad his outdated views are other than Marinette's verbal assessment of them, and B) We later learn Gabriel used to be poor, so either he never knew how to cook prior to earning his fortune or being rich somehow made him forget basic living skills. I'm just saying, when an episode of Sid the Science Kid manages to better convey someone doing a terrible job making pancakes, you might need to put in a little more effort to show how bad Gabriel's pancakes supposedly are.

Finally, Tomoe. This episode didn't really do much to show her as a compelling threat, given all she did was nag Gabriel and try to shoot her daughter when she didn't even try commanding her to fight back when she was kidnapped. She's nothing more than a female Gabriel and is another example of how overstuffed this show's cast is,

This episode is awful, plain and simple. It took aspects from previous episodes that were already questionable, and doubled down on them while acting like there weren't any problems at all.

#25: Derision

And now we're onto the really, REALLY bad episodes this season. One of the reasons why this post took so long to make was that I wasn't sure how to rank these last three episodes. Thankfully, I managed to find a way to rank them based on the morals are executed. With that being said, let's start scraping the bottom of the barrel.

Ah, “Derision”. You're the only episode that makes the backlash caused by “Chameleon” seem like a pleasant breeze. It's incredible to see just how much negative a reputation this episode has in the fandom. Virtually nobody likes it because it manages to upset everyone with its poor characterization. I'm talking Marinette fans, Adrien fans, Chloe fans, Kim fans, and pretty much every other character's fans. I've only seen a few die hard fans defend this episode, and they're the people on Tumblr who defend pretty much everything done this season.

I have just one question to ask about this episode: Why did it need to happen? We didn't learn anything new that we didn't know already. We know Chloe is mean, and we know Marinette used to be more timid and had no friends. We didn't even need that much of an explanation for why Marinette acts the way she does around Adrien, seeing how it was usually played for laughs

Speaking of which, let's talk about the fact that the episode tries to shame the audience for laughing at the jokes about Marinette's reactions to Adrien. You know, something that was the show's primary running gag ever since Season 1? A running gag the writers ran into the ground by the end of Season 3 but still chose to go with it? Now we're not supposed to have laughed at it, assuming we laughed at it all. Way to insult even the small portion of viewers who didn't get on your case about this, writers.

I only have about two positive things to say about this episode. For one thing, Chloe actually served as a pretty decent antagonist in the flashbacks. Much like in “Revolution”, when the writers actually let her be a villain on her own without being made a pawn, she can be somewhat entertaining. If this was the Chloe we got after Season 3, I don't I would have been as upset at the direction Astruc's team took with the character.

In addition, the thing that saves this episode from being at the bottom is that unlike the next two, it actually understands that what the antagonist did was wrong. They don't make up excuses for what Chloe did and she actually gets called out as a result. It doesn't lead to anything major, but it's something.

Like with “Queen Banana”, there's not much else I can say that hasn't already been said. There's plenty of retcons, the characterization for everyone is off, it attacks the audience, and the message about trauma got fumbled by the show's usual double standards. It's been said over and over again, and it's become a symbol of how much the show's quality has degraded.

#26: Emotion

I think if you've kept up with my reviews of this season, you should know by now that I don't exactly like Felix, and most of the problems I have with him can be attributed to this episode. In fact, for a while, this was going to be my choice for the bottom slot.

It's clear that the writers want to make Felix this wild card who's only in it for himself, but like most of the show's antagonists, they want to show Felix as this devious mastermind... but he's also not really evil, and you should feel bad for him. For most of the episode, Felix does nothing but make everyone's lives worse during his first outing as Argos. He smears his cousin's reputation yet again, tricks his girlfriend into dancing with him, condemns some rich kids for the crime of being rich when he's just as rich, and eventually wipes out all life on the face of the earth. But he's just doing it for his cousin, we swear!

While Felix has understandable motivations for what he does, wanting to free Adrien and Kagami, the way he tries to achieve his goal makes it hard to sympathize with him. If the whole point was that what he did was wrong and that he needs to find a different way, that could work. Instead, we're supposed to see him as this tragic figure who was forced to do terrible things when the episode shows him happily singing while causing chaos. It's the same problem with Gabriel, wanting a sympathetic character to do unapologetically evil things. The fact that he has to be told that genocide is bad doesn't make us want to sympathize with him when he breaks down crying. It paints a picture that he's crazy but the show wants to act like he isn't.

Even putting all the crap with Felix aside, the episode is still unbearable. The stuff with Marinette was poorly executed and was just done to get her involved in the plot, and later become the first one to excuse Felix for betraying her. Other than the dance scene, you could easily just have Marinette swing in as Ladybug when Argos starts his rampage and nothing would really change. The episode tries to make jokes about how unnecessary this is, but as usual, its attempts to be self-aware come across like its saying “What we're doing it wrong, we know it's wrong, but we're gonna do it anyway!”

Speaking of the dance scene, I can't stop rolling my eyes whenever Felix tries to be all “We live in a society” to Marinette. Forget the corrupt politicians, corporate moguls, human traffickers, and despotic rulers of foreign nations. The absolute worst section of humanity is composed of the teenage children of the 1%. Sure, you'd have to break my legs before I'd agree to supervise them at this party, but I don't get why these are the people we're supposed to see as irredeemable monsters. Do the writers think because these kids associate themselves with Chloe, we'll automatically hate them? Newsflash, but if I had to choose between hanging out with some annoying kids and a mass murderer, I'd stick with the annoying kids.

Rewatching this episode was what helped me finally realize just what my problem with the show's anti-capitalist message is. How the hell am I supposed to hate the villains on this show for being rich when several characters are rich or at the very least, are successful thanks to their connections to the rich? Think about it for a second. Putting aside Adrien and Kagami, you have Marinette, the daughter of two of the most popular bakers in Paris and earned the respect of multiple celebrities, Alya, the daughter of a chef who works at a five-star hotel, Nino, someone who got to DJ at a major fashion show, Rose, who is friends with a literal prince, Luka and Juleka, the children of a popular rock star, and Max, the son of an astronaut with access to cutting-edge technology. Somehow, these people are supposed to be poor? They make Monica from Friends look like Oscar the Grouch. It's why I can't take the message seriously. You can't write a story about a class struggle when both classes are shown to be pretty well-off.

The only thing that saves this episode from being at the bottom of the list is the fact that despite committing genocide while singing, Felix at least gets what he did was wrong and makes up for it. It doesn't fix everything else he did in this episode, but that's better than nothing. As for the villain featured in the episode that's at the bottom of this list? If you've been keeping track, I think you know who I mean.

#27: Re-Creation

I'll admit, I'm sort of cheating here. I'm judging this episode more as a finale than an individual episode, but I'm making an exception because the plot is tied to wrapping up all the loose ends this season.

I'm mentioning this because for a season finale, the stakes just feel so low. The fight between Bug Noire and Monarch doesn't have any weight to it because they've barely interacted at all for the last five seasons. These are supposed to be two mortal enemies, but you can't really buy the enmity between them. It ultimately cheapens the moment of Bug Noire triumphing over Monarch in the end... before Monarch triumphs over her not long afterwards, but we'll get to that.

The stuff with the Miraculized doesn't help either. We already know that the Ladybug and Cat Miraculous are in the Agreste manor, so the Miraculized's goal is impossible to achieve. It's never even explained why the Miraculized don't go back to the manor to help Monarch beat Bug Noire, since they should still be able to track the Miraculous. All of the fights with them just come across like filler, and there's no real sense of danger or hopelessness to be found. Whether the Miraculized win or lose is irrelevant. Nothing will happen either way because the important stuff is happening in the Agreste manor.

This extends to the part where all the heroes appear to help. It doesn't come across as an Avengers-esque moment for the climax, because it doesn't change anything. The episode never explains what any of these characters were doing prior to the events of this episode and why only now they're helping out. The United Heroes are the most egregious example because unlike Fei or Su-Han, they're a major organization whose members include the president, and they didn't do a damn thing when Monarch stole all of the other Miraculous. Speaking of, there is no way in hell that Su-Han taught Mirakung-Fu to three random people over Ladybug and Cat Noir, much less that those three people are actual masters after about two months at best. Maybe they got to train in Bunnix's Burrow? After all, she's not doing anything else to stop the end of the world other than sending four people over to Paris. This whole sequence really highlights how bland the other heroes of this universe are. If they're not slacking off when they're needed, they're criminally underdeveloped because there's a slim chance they'll get spin-offs to flesh them out.

But I think the biggest issue me and other people have with this finale is the resolution. In what is easily one of the most baffling decisions the show has made, Bug Noire doesn't defeat Monarch, and Monarch gets to make his wish. I don't care how many times the writers technically say she won because she beat him in a fight. Gabriel backstabbed her at the last minute and got her Miraculous to make his wish. Yeah, he died, but he succeed in achieving his goal, never faced any real consequences, didn't get any closure with his son (much less apologize for abusing him), told Marinette to lie about the monster he was to him, and was turned into a martyr with a statue made of the same things he used to control the world.

This ending infuriates me because it not only makes Marinette out to be a terrible hero for failing to do the one thing she was chosen to do (get the Butterfly Miraculous back), but it also ultimately makes Gabriel out to be a decent person even though he destroyed and recreated the world. All Marinette did was take credit for saving the world, and even then, Gabriel got more celebration in the end. Our hero, ladies and gentlemen! She got outsmarted by an abusive parent and didn't even get a new statue in her honor!

But the most damning thing of all this is the fact that this finale retroactively makes everything that's happened over the last five seasons completely pointless. If Gabriel making a wish wasn't as bad as it was supposed to be, why didn't Ladybug and Cat Noir let him borrow their Miraculous? Why make the stakes this high if you're going to downplay the impact of a madman recreating the world in his own image? Follow-up question: why make the stakes this high if the wish being made is ultimately shown to have huge benefits for society? In an attempt to wrap things up with a happy ending, the writers accidentally made the conflict completely meaningless.

That's why this resolution is the ultimate example of the writers refusing to allow any major changes to happen. If they're willing to treat the end of the universe as less important than Ms. Bustier becoming mayor, why should we assume they'll ever take their story seriously? For God's sake, every character you know and love is essentially dead, and we're supposed to act like that isn't a big deal? That's how you wanted to end the show originally? Then again, at least they tried to resolve something, unlike the Love Square. We still haven't gotten a reveal, and I don't think we ever will at this point. These writers will drag out the story until the show stops becoming profitable, which won't be for a long time.

And with that, I am officially done with Season 5. Honestly, after having to rewatch this season again, I'm not sure if it's even worth giving Season 6 a shot. There's nothing to look forward to, and Lila becoming the main villain isn't really appealing to me. At the very least, I have the movie review to look forward to, meaning I can watch something good for a change.

[sadcoms]

AU where Rose stayed with the Time Lord Doctor after Journey’s End and they start to argue more like they did in S1 because the Doctor is doing his “I never would” thing and Rose is now saying “but sometimes you HAVE to” which causes him to start down another Davros-inspired spiral about how he’s “turned her into a weapon” and she’s like...actually travelling across dimensions trying to fight eternal darkness brought about by a ton of genocidal aliens will do that to you regardless!

Because Rose was never for pacifism-above-all-else. The episode before Dalek Harriet Jones straight up says she’s a very violent young woman because Rose (not unreasonably) wants the Slitheen to be blown up after they murdered countless people. Same with the Nestene Consciousness - but the Doctor says he has to give it a chance, and that is what she mirrors back at him in Dalek. This is usually why the pair works, because if one doesn’t have mercy on or compassion for someone the other one usually will (eg Cassandra). That’s why Ten is even willing to give Davros a chance, though it’s exacerbated by a lot of guilt around the Time War, especially when it kicked off in-part because of what he did, and failed to do, in Genesis of the Daleks.

And that is what Davros never got - that Rose had already seen the Doctor’s soul and loved him anyway; that part of their souls are the same because they helped each other grow. And it’s the same for all of the companions this era, whether it’s Jack saying he never doubted the Doctor would kill him, or Donna seeing him murder the Racnoss and still regretting not travelling with him, or Martha (somehow) forgiving the Doctor for the year that never was and for everything he burdened her with.

Because I think what Davros and the Doctor came to see as him turning people into weapons was actually just people willingly taking on the burden he carried. Again, a lot of people sort of write Tentoo and Rose off as the dalek genocide couple, but what exactly was the alternative? Let them destroy the universe? The Doctor is a coward, any day, and that makes complete sense as a reaction to already bearing two genocides on his shoulders, but it’s also that cowardice that makes other people step up and be brave, which usually means sacrificing themselves, and the Doctor carries that too. That is why Martha gets the direct parallel to the Doctor with the Osterhagen key - both are willing to burn their planets to save the rest of the universe, and Martha already spent S3 being more like the Doctor than he was because he was so broken by grief. By Season 4, the Doctor is already so self-destructive and so self-loathing that only he, the "true" Time Lord, can be the arbiter of genocides and who can’t be. Even when it comes to Martha, or to another exact replica of himself.

(Never mind that he makes essentially the same decision the Metacrisis Doctor and Martha did again in End of Time when he sends Gallifrey back into hell, but hey, he got there in the end.)

And it’s one of the reasons why the Doctor’s so reliant on the Master. I’m not sure he would have gone to get his ‘reward’ had some of that weight of destroying Gallifrey again not been shared with another Time Lord. Ten does, ultimately, put humans on a pedestal and does his best to protect them even when they are willing to share his burden (note that Tentoo destroying the Daleks means Donna doesn't have to take on any of the burdens Rose or Martha did, so she stays the least militarised companion). He simultaneously wants that other Time Lord judgement while needing humans as another perspective.

All of this to say that, I think most people understand that Ten being with someone but especially with Rose would have stopped him going Time Lord Victorious, but they don't necessarily understand why. TLV comes from his desire to save everyone, because all the loss he's seen and has caused is too much. Not only does having Rose help soothe that, but she also specifically could have helped ground the Doctor back to where he was morally in the first two series, which is quite different from where he is by S4.

(Also The Next Doctor would have been an absolutely wild story for Rose and the Doctor to have gone on next. They arrive thinking they might have a fun Christmas and then they have to confront the fact that the Battle of Canary Wharf is still following them and how when they lost each other they lost everything. And how the villain in that is defeated by the Doctor showing her herself, which is what Davros tried to do the Doctor.)

[write-here-n-now]

What to do when you've crossed a line?

C.(S). Jeonghan x Reader | WC. 1218 | G. Angst| Pt. 3/? | *Jeonghan's POV* |

Part 1 | Part 2 | Part 4 | Part 5

When someone you care for deeply, tell all your secrets to and want to spend all your time with blurts out a love confession to you in the middle of the night, what possible responses could you come up with? 

You could tell them thank you. You could maybe get by with an awkward “oh”. If you weren’t completely caught off guard you could maybe start questioning them. When? Where? How long? Why? And with just their luck you could respond with “finally” but none of those responses came out of Jeonghan when Y/N confessed to him.

Why? Well because…

Why? Why? Why? Because, because, because had been swimming around in his head for days. He didn’t dare to stop you from walking away or chase after you and he stood there, frozen and shocked, watching you walk away from him. 

You needed space, he reasoned with himself, so he walked away, towards his apartment, repeating your words over and over in his head 

“I’m in love with you” “You don’t even care”

He always had an answer for everything. His tongue short, witty, ready for any comment, but never had he felt like he had escaped the ability to think of words much less get them out of his mouth, only yours stayed, knocking around in his head. 

He was a coward, that much evident that he couldn’t even pick up the phone to press your contact. Fear and worry were holding him back but at the same time limiting him. How long can you avoid speaking to your best friend? His friends tried to pry why he suddenly became AWOL for the last three days; he couldn’t even give them an answer.

*Ping* “Where have you been the past few days?” - Mingyu *Ping* “There is a new restaurant near campus, I’ll pay” - Jun *Ping* “How long are you gonna be cooped up at home?” - Seungkwan *Ping* “Are you good?” - Hyungwon *Ping* “You haven’t been to class for a while…everything ok?” - Joshua *Ping* “It’s literally midterm season, are you studying or avoiding exams?” - Woozi

Not a single notification interested him, he knew none of them were yours. How had he taken your presence for granted and now all he wished were for you to message him, even if it was to curse at him, call him names; anything at all would have worked.

Jeonghan hadn’t been hurt in love. He’d fallen in love and fallen out. He’d had his fair of crushes and partners, but you can never prepare for falling in love with your best friend. Losing your most cherished friend comes with a feeling of hollowness, one that leaves you feeling restless and alone. He couldn’t lose you, not like this anyway. He hadn’t eaten, sleep wouldn’t come easy no matter how much he wished it to. He checked his phone despite knowing full well you would never in a million years reach out after the situation he had created for you two. 

Four days was how long it took for Seungcheol to bust down his door and drag him out of the house. 

“You can’t be inside for this long. You need to get out of the house…maybe even clean it up”

Walking up to his bed, Seungcheol pulls off the covers and grabs a hold of Jeonghan’s arms, pulling the man towards him haphazardly trying to get him to a standing position.

Seungcheol’s strength was unmatched, and the most Jeonghan could do was continue being deadweight and cause him enough resistance until Seungcheol let him be, but his friend was nothing if not fucking persistent. Any other time, Jeonghan would appreciate it but he couldn’t find it within himself to face the world, what if everyone laughed at him?

Letting him go, Jeonghan falls back into the lying position Seungcheol had found him in, attempting to sleep without avail.

“She’s on campus today,” Seungcheol mentioned in a tone so nonchalant, hands on hips as if Jeonghan wasn’t mentally beating himself up all week trying to figure out how he could see your face. “Don’t lie to me” “Why would I need to lie to you? I know you probably haven’t seen her in the last four days like a coward,” he replies as he walks towards Jeonghan’s closet. “I saw her as at the campus café after my morning lecture.”

Despite never properly admitting how enamoured he was by you, Jeonghan had spilled everything from the day of the party over the phone to Seungcheol two nights ago. From the dejection in his voice, yet the coolness of his words gave away the façade he was still trying to put up; he was only hurt that his best friend confessed and stopped speaking to him, which was also his fault for enacting by not even a weak effort to leave a voicemail.

The wheels were turning in his head, maybe if Seungcheol could get them to see each other there could still be some salvage to their friendship and perhaps a potential beginning to a future being something more.

Wide-eyed and frozen, Jeonghan’s face is met with a thump of the hoodie and jeans.

“Here, put this on and get down to the car in the next 15 minutes,” Seungcheol yells out walking out of the room.

Never in his life had he rushed to dress faster. He had to see you today and clear up everything, if he didn’t, he could kiss you and your friendship goodbye. 

Seungcheol had said 15 minutes as a courtesy, he hadn’t expected Jeonghan to surge into his car, 7 minutes later, hair a mess, shoes untied (were they on the wrong foot?), phone in hand, yet not even a pencil on him—if he hadn’t picked out the hoodie himself he would have thought a random stranger burst into his car. 

“Let's go,” Jeonghan breathes out, clearly spent from sprinting out of his apartment. “Whoa, hold on, are you going to go to campus like this?” “Nobody is going to care, just drive” “...ok…don’t say I didn’t give a chance to change,” Seungcheol reprimands as he starts the car and begins to reverse out of the parking lot.

The ride to the campus is silent save for Jeonghan’s fingers drumming against in thigh, then the dashboard, then the edge of the door, then again on his thigh.

“Can you maybe not use my car as a drum set?” “I can’t help it. What if Y/N doesn’t let me explain?” “What exactly do you plan to say?” questions Seungcheol.

He knew Jeonghan could likely talk himself out of a literal court case but if he hadn’t been able to face his feelings for you before…His hopes were low.

Pin drop silence. He had been planning all the possible scenarios and speeches he could utter the minute he found the presence of your face in his vicinity, promising himself to not let you walk away again.

“..i..”

The ever-infamous smooth talker Yoon Jeonghan was once again brought into debilitating silence, as if speech was foreign to his lips and thoughts vanished completely.

What was he going to say to you, could he even say anything to you that would make up for how he ghosted you since that night?

Worst of all, would you forgive him?

[serialadoptersbracket]

Quarterfinals, Match 4: Jawbone O’Shaughnessey vs. Whitebeard

Submitted kids:

Jawbone O’Shaughnessey: Tracker O'Shaughnessey, Adaine Abernant, Fig Faeth, Kristen Applebees

Whitebeard: Marco, Portgas D. Ace, Thatch, Izou, Haruta, Deuce, Jozu, Vista, and a bunch more I can’t think of rn

Propaganda under the cut!

Jawbone O’Shaughnessey:

1. “A lot of the main characters of this story have shit parents, and Jawbone, formerly a drug dealer and bouncer turned high school counselor happily opened his home to all of them.”

2. “He's a former druggie that the intrepid heroes met at a club during an investigation. Instead of fighting him, they offered him a job as guidance counselor at their school. He took the job and, after a bit, began dating fig's mom. Kristen was dating his niece, who lived with him at the time. During the final battle with Kalvaxus, he helped Adaine work through a panic attack and gave her anxiety meds. Those meds have a mechanical advantage too, as she would roll for panic attacks. As mentioned in the notes for this post, he makes a pretty incredible speech. Anyways, Adaine's parents abandon her soon after and jawbone offers her a place to stay, along with Kristen (who moved in with tracker), Fig (who moved in with her mom), and the Barkrocks (who they're sharing the house with). Zayn Darkshadow also lives in the cemetery at Mordred Manor, and they took in Aelwyn before she got herself an apartment. So he does a lot.”

3. “Jawbone O'Shaunessy is the single best parental figure in those kids lives.

They rescued him from a bad spot, and time and time again he proved that he was willing to be the stable figure when nobody else was there for them.

Adaine, his officially adopted daughter, has panic attacks throughout the whole first season. During the big final battle, when she's inflicted with the and "fear" condition, causing a panic attack, he arrives just in time to help save her from running away fully. When Adaine's parents abandoned her and never gave her treatment for her condition, he's the one who really sees her. He says his famous line "You are not a coward- you have a goddamn medical condition, okay?" He's the first person to give her meds to help, and she's able to get back in the fight because of him. (If somebody else has the whole clip please reblog with it, it definately needs to be part of the propoganda).

He also says "You're easy to love, and anybody who couldn't figure it out is a real bozo." to Adaine in a different conversation”

Whitebeard:

1. “His biggest dream in life is to have a family of his own, but how to go about that? Settle down with a wife and have lots of kids? Boring. No, the best way to go about it is to become a pirate, find the most outcasted and lost people you can, and make them your crewmates/sons”

Link to the rest here!

[bidisasterevankinard]

The only hope i have rn is that as with kiss break up was just a shock plot twist that is going to be explained later. As you might remember 7x3 gave us almost nothing to really believe bucktommy will happen (not talking about me who was already all in my "tuck (I called bt that that time) is happening guys". And then next episode till Buck is kissed by Tommy we are led to believe Buck is jealous about Eddie. The kiss was a shock, till the moment they started to move close, but even then. We didn't really expect it to happen. It was like BOOM. And then the episode ended and interviews were all like "yeah Buck is finally bi". And ga were really surprised, and some of them were homophobic ofc, some were just really surprised Buck is into men. Since when?. And then more explanation and answer to that question and exploring happened only next episode. The explanation on the screen, not in interviews that ga more likely do not read, that it's actually NEW to Buck, that he never thought he's into men before Tommy

So rn i kinda hope it's the same with break up. It was the shock that would be explained later, in the next two episodes, tho I'm not sure if it will lead to bt make up or not

At least I hope they'll end it better, give Buck actually say I'm bisexual and say either good bye to Tommy, but firstly admitting he is in love with him, even if it will happen not to Tommy's face, or him chosing to go and get his man saying it to Tommy. 911 never does cliffhangers tho Wendell died in 6x9 and Bobby was looking in his death only in the next part of the season. so hope is here that maybe they'll end the middle finale after emergencies, when they show us how they leave out characters before 3-4 months time jump in montage, that Buck is knocking at the door that Tommy opens, and Buck says "you're wrong about me. I can see our future not because I'm so excited that I understood I'm bisexual because of you, but because I love you. I don't need anyone else. But if you can't see our future then ok, tell me to go home. And I'll do it. But stop being coward and just run without explanation. I, as Abby did, deserve it". Black screen

Boom again. Fandom runs around speculating that will happen, and you don't need to write all fix it of 8x6. Just show in another part that:

a) bucktommy are actually talk and not the shit that they showed that apparently they never talked that Tommy is gay and Buck (possibly bc you can enjoy watching smt and not play it) hates basketball

b) Buck sees Tommy's flaws.

And you can do what you want with their progression as a couple. Or ok if you still don't want bt you can make one scene where Buck says that he's boyfriend said they can't be together. But it at least will give everyone closure

[elodieunderglass]

Referring to you "anxieties of the culture" horror tropes post, I just watched the 1990 adaptation of IT and this comes less than a month after watching both Kolchak movies & starting the TV show. What do you think it was about the late-70s/early-80s that led to "the killer is a monster that hibernates for a set number of years before returning to perform the killings again, as a grim echo of the past, and it's up to the heroes to stop it now before it rears its ugly head again"? There's gotta be some "pass-the-buck" crisis that PEAKED in that time period, something that was a long time coming before that and may or may not have continued since. I don't think it's climate change, that wasn't really at Critical Mass yet until the HFC hairspray crisis of the mid-80s. Your thoughts?

(In reference to this post: https://www.tumblr.com/elodieunderglass/729604545735458816)

Oh that is SO interesting! I also like the Horrors of the Past that Re-Emerge. You get them in fantasy too. To some extent they’re quite nice, because they displace responsibility, allowing the heroes to grapple with something distanced. necromantically resurrected Zombie Nazis will always be a more appealing enemy, for a broad market, than your present-day actual real life QAnon uncle. You can blow up an Ancient Horror as much as you like, can’t you? You don’t need to worry about the tricky present-day political circumstances that birthed the serial killer if it’s actually an ancient time-travelling monster. Monsters are often articulated and described and used because they are “safe” in this way: a displaced thing that can be used. Separate from us in species, appearance, home planet, history of origin, motives, spacetime - the farther they are from us and our shared background, the more justifiable it is to nuke them from orbit, to make a splashy movie.

HOWEVER. As I said in that post - “horror reflects social anxieties” is a SUPER well-described piece of media study and you can read proper writing about that anywhere. I encourage you to seek it out! They say it much better than I do.

I also said in that post that I, myself, don’t watch horror/movies/film. It isn’t due to contempt for the genre, or fear of the content - I just can’t get into it or get immersed, which defeats the point of an immersive genre meant to provoke response. (For example, despite being explicitly told that I would love Stranger Things Season 4 and that I was required to write fic about it for a friend, I gave out at the beginning of season 2; despite being really fond of Welcome to Night Vale at a formative time of my life, I dropped out before StrexCorp. And those are things I generally liked, wanted to consume, and knew I would enjoy! It’s a me problem, and I’m not bothered by it. I am TOO BUSY.)

That’s just to say that I could spitball some thoughts, but I’d be out of my depth.

But here’s an idea. A very small minority of people in the notes took offence to me having meta thoughts about horror when I don’t consume the genre - and worse, saying them out loud, while also openly admitting that I’m out of my depth and would prefer an expert to say it better. “YOU are a COWARD,” they say. “The audacity of commenting on a trend in a genre that you don’t even watch.” “You complain so much but don’t even watch these films” “imagine writing all this with such a bad attitude about horror.” etc.

I think those people have effectively volunteered to write you an essay. They clearly have the horror-consuming chops! Perhaps not the reading comprehension … or analysis skills… but they definitely watch a lot more horror media than I do, so why not give them a crack at it? (This is jokes, don’t bother them.)

Alternatively - there are a lot of clever and savvy people with good takes around here, so they’re welcome to spin out some answers on this post.

[star-trek-fandom-confessions]

#1038

tbh i can't help but feel a bit...disappointed by the lack of queer representation and development of spock and kirk's relationship so far. don't get me wrong, i adore anson mount as pike and i'm thrilled he's getting his much-deserved time in the captain's chair. he's killing it and snw is very much his show. but as a prequel to TOS, i was really hoping we'd get more than just the tiniest glimpse into spock's queerness and his iconic bond with kirk. instead, the focus so far has been almost entirely on spock's relationships with female love interests like t'pring and chapel. which is fine, but it feels like such a missed opportunity to explore the queer subtext and history that's been part of spock's character for literal decades. this is the vulcan who inspired the entire slash fiction genre! the pointy-eared gay icon! put some respect on his name, snw writers! i'm not expecting the show to go full-blown spirk or anything, but would it kill them to include a few meaningful nods to spock's potential bisexuality and his special connection with kirk? even just *hinting* at the depth of their relationship would mean so much to queer fans who see ourselves in their journey. toss us more than a single crumb challenge. look, i know queer rep was limited in the 60s. subtext and queer-coding were often the only options. but it's 2024 now and we're in the middle of a queer renaissance across media. star trek has always been at the forefront of social progress. it's beyond time for snw to boldly go where no trek has gone before and finally make spock's queerness canon. give us bi spock, you cowards. i'm holding out hope that season 3/4 will course-correct and give spock's character the nuanced queer development he deserves. and for the love of surak, bring in kirk soon so we can *finally* see that legendary bond start to form. not to take pike’s spotlight but to actually build up what’s shown on TOS as the prequel SNW supposedly is?? anyway, thanks for coming to my ted talk. i still love snw, but i just had to get that off my chest. #makespockcanonicallyqueer2025 #letspockbespock

[outismm]

Hi- I just wanted to thank you for your Huck posts, it's like the only positive thing in his tag and it made me happy 😭 He's so good and deserves more appreciation! Have you seen season 2 yet? I would LOVE to hear your thoughts!

EEEEEEE HELLLOOOOO!!!!! This ask made me so incredibly happy. There will never be a time when I am not ready to Scream from the rooftops about Huck. Okie this is all just going to be rambling. Bouncing off the walls, giggling, kicking my feet, etc. Spoilers for acts 1 + 2, I'll probably rb this with more thoughts after act 3.

Being bisexual is so embarrassing bc while other people are doing in-depth analysis of the beauty that is this show, and I'm over here spinning a goober around that has,,, MAYBE 10 mins of screen-time, or less.

I DON'T EVEN CARE THOUGH MY HUSBAND IS BACK!!! WE'RE SO BACK!!!!!!!

Truly the instant I clocked his glasses I started squealing and pacing my room MNASDMAN there is no hope for me.

As expected, babygirl is not doing well! The moldy food was a good touch. The terrors are terroring.

Also not Huck related - but loved the Moses vibes Victor was bringing out this scene? Lots of Moses imagery w/ him, just a great move on the writers + animators part, considering his backstory.

It's really important to me that he's terrible at this MANSDMAN

Not only bc it's really Woughe (tm), but just,,, I do love that Huck is a coward? He's a coward in a very human way. 99% of what he does is purely out of desperation.

Just a great character trait tbh!

Also the fact that he's so hesitant gives me the vibes that he's probably never/rarely done this? Like :

This is not the stance of a man who mugs people on the regular MANDSMAN he looks so profoundly out of his depth. The second Victor starts walking towards him instead of trying to run, he starts freakin' the fuck out.

Either he's not used to doing this, or he's used to doing this to ppl who don't/won't/can't fight back. Ack.

^^ He also makes a little sob here when he's holding up the knife. Very important to me.

UHHNGHNOUGHH!!!!

They fixed his hairline and took away his stutter and de-aged him - which are all tragic for me specifically, BUT that's forgiven bc YIPPEEEEEEEE he no longer looks like he's on the verge of death MNADMANSDMN.

I'll forgive Hextech Jesus for hitting him with the Twink Beam. for now.

Victor DID however take away his beautiful brown eyes, and that cannot be absolved.

LOVE how the marks on his face line-up w/ where Victor touched him. Magnificent. Amazing. Kissing the artists with tongue.

Also can't believe I never noticed this before, but the chip in his tooth? Wagh <3

I do appreciate them getting a bit of not-quite-closure? Honestly just nice to see Vi and Huck interacting again after the whole Silco fiasco.

Also - have we ever seen Huck stand upright??? I think?? this might genuinely be the first time we see him at full height???

He's really not as short as he seems!! He's just always curled into himself like a pangolin. Love that deeply.

Also appreciate him getting a gun pointed at him again, always a good time. I love seeing him scared and stressed out <3 MNASDMNAD

He still reacts the same, too! Shoulders all tense, a lil leaned back, lips pursed. Idk I just like how the animators keep the Vibes of characters. All those little traits.

Hm.

I don't approve of him being in a cult but I DO approve of him being in a dress. So once again it balances out.

To whatever artist(s) on the team decided that outfit for him, I'm transferring my savings to your bank account.

No comment.

Actually yes comment - seeing him not back down from a threat is such a contrast to how he usually acts. Woughe. Cult Commune Induced Character Development (mixture of yays and boos)

It's interesting to see how while Victor is able to cure ailments, it also pulls away aspects of the individual's personality. Like that's Huck but that isn't Huck, y'know? We see it way more obviously w/ Salo in ep 4, which is real cool

AND AGAIN, NOTHIN' GOOD LASTS FOR LONG.

Can't wait to see the consequences of this on his physical and mental health <3 need to see him going through it tbh. He will find peace eventually.

Not yet though. get up you gangly fuck there's still more terrors to experience AKJDSAKDJ

I feel like he still has quite a lot of Character Arc To Character Arc so I doubt he's just gonna be like. A Corpse And/Or Corpse-Adjacent. Next act. t'would be very disappointing AMSDNAMDN.

OUGHEEEEE. OKAY. once again anyone who read through all this gets a cookie and a little flower as a hat. runs away.

[thatmexisaurusrex]

if we got a second season of tfatws what would you want to be in it 👀

Oh my gosh, such a good question to ask! 😆 A very hard one too Cassie, lemme think on this 🤔

Okay, a few things that would be a must would be:

A "Meanwhile, on the boat..." moment, or perhaps a montage of moments where things are happening throughout the MCU movies that happened post-TFATWS and Sam and Bucky are just 😂 on the boat, hearing about the events after the fact. I keep thinking about the scene in season 7 of Supernatural where they montage Dean commenting on what Castiel does with his new godlike powers while Dean fixes his car, but it doesn't have to be like that (3:16-3:46 here for reference lol).

Sam needs to save Bucky from falling. Sam had someone he couldn't save in the air. Bucky didn't have anyone to save him when he fell. Sam and Bucky both need that catharsis and it's wild that didn't happen in the first season.

Sam flying around as Bucky snipes at things 😂 Again - how did that not happen in the first season?

Sam and Bucky must either be already roommates or looking for an apartment which will be the place they will live in together.

Sarah, AJ, and Cass must be in it as well as other people we've seen like Carlos, Tommy, Isaiah, and Eli.

Another song by Curtis Harding must close the show's next sunset ending (it MUST be a good ending where they look into the sunset again, I'm sorry, I don't make the rules). Perhaps Can't Hide It by Curtis Harding?

Joaquín! There must be more Jay, I refuse to believe there wouldn't be so much more Jay in a season two.

FLASHBACKS. WHERE. WERE. THE. FLASHBACKS. Gimme Sam and Riley flashbacks, flashbacks of Sam with his family, gimme more info on Sam.

Can we???? Get more info on Sarah too???? Like was she married before??? Who are Cass and AJ's dad or dads??? How does she feel about Sam disappearing for a huge chunk of years??? I just want to know more about her.

And GIDEON. GIVE SAM HIS OLDER BROTHER.

Also, GIVE SAM BIRD TELEPATHY, YOU COWARDS, AS WELL AS A FALCON NAMED REDWING.

AYO AND ANEKA VISIT. THEY HAVE TO VISIT. LET AYO AND ANEKA BE BESTIES WITH SAM AND BUCKY.

Acknowledgment that Sam found Bucky in Europe but kept Bucky's secret and visited Bucky. Also that Sam visited Bucky during his time as a goatherder in Wakanda, possibly with a reference to the costco tub of lube 😂

MORE EPISODES. GIVE US MORE EPISODES. GIVE US TEN EPISODES AT LEAST, YOU COWARDS.

Things I can live without but I think would be a waste if they aren't in a hypothetical season two:

A huge and exciting action sequence during a New Orleans Mardi Gras Parade with Sam being the King of that parade.

There's a team of villainous jugglers in the Marvel comics called the Death-Throws. I really want them as secondary comedic villains who may or may not be kind of good people a la Jessie, James, and Meowth from Team Rocket in Pokemon movies. Just let Sam and Bucky have some comedy villains in the background doing their thing, Marvel.

Visiting Steve on the Moon. I just think Sam and Bucky deserve space shenanigans. I will also take a Facetime, if that's too out of budget, though.

Misty Knight cameo where Sam and Misty either imply or outright talk about being exes. Probably amicable, though, it would be funny if Sam's a bit awkward about it, but Misty's chill with him.

Karli resurrection. She deserved more of a redemption arc than Walker. Bring her back to life, Disney, I dare you.

Bucky and Falcon!Redwing don't get along. More because Bucky is jealous than anything else.

A VISIT TO WAKANDA! Do they go to Birnin Zana? Do they visit the town Bucky was living in as a goatherder? Do they go to Ayo and Aneka's home for dinner? Maybe they possibly only let Sam into the country while Ayo is like "I told you to lie low for a while, White Wolf" to Bucky 😂

Baron Zemo can have a cameo, if only because Anthony Mackie was bummed that Daniel Brühl isn't a part of Cap 4.

Wildest Options I Don't Think Would Happen But I Would Love:

SamBucky wedding. It all takes place the days leading up to their wedding. Or, if I'm being more realistic, a wedding. Like, if, say Sarah and Rhodey were getting married or Carol and Valkyrie or perhaps Ayo and Aneka.

SamBucky kiss? Though, again, highly doubt that and I'm really okay with SamBucky not being canon.

Fourth wall break where Feige himself walks into a room, sits down, and apologizes about how he treated Sam Wilson's character in the MCU and promises to do better. He pulls out an entire slide show and the episode is just him talking about how he will be integrating Sam more thoroughly into the MCU. I'm talking how specifically Sam will cameo, where he will cameo, pitches for other projects Sam will be heavily tied to, the works.

[raisedbythetv89]

Kristen is literally describing how she used to make peanut butter, whipped cream, blueberry bowls and the way Jason is looking at her while she does is making me psychotic

GIVE THEM ALL PLUS MAC BACK TO ME YOU COWARDS😭 AND STOP WITH ALL THE NOIR GARBAGE ROBERT.

Veronica Mars should be bordering camp at all times you made the new sheriff DAN LAMB aka Don Lamb’s “evil brother” that is RIDICULOUS and Weevil says to Chardo “You’re out. Out of the club…. out of my life” the most cartoonish line you could ever have a gang member utter 😭

Basically just start season 5 with Veronica waking up from the bad dream that was season 4 and try again and stick to season 1 vibes please and thank you because I need them all back together and I need Jason and us to have Logan back 😭

[animentality]

As someone who recently had a family member start The Boys, and this was after my mom said she started it and then quit because she thought it was dumb, I'd like to thank you for breaking it down in a much more eloquent way than I ever could. I've just been sitting here bitching

I was tempted to make this anon so you wouldn't have to deal with nothing but cowards who can't say their opinion with their chest, but then I thought 'nah, let's give them another target if they're so dead set on defending something'

Aw.

That's the nicest consideration I've ever received on Tumblr, but don't you worry.

I'm a hater at heart, I know how to deal with other haters, they're my people.

Glad that you agree though.

I was just sitting there after seeing an annoying TikTok about how deep The Boys was...

And like, listen I haven't seen the entire thing.

hilariously I forgot to mention.

it's not like I watched a single episode or anything.

I watched 4.

I watched half of the first season.

but as far as I could see, and from the discourse and clips I've seen, it's just so dependent on other media to succeed and to me, that's not good world building.

like the actors might be amazing, and the story passable, but the idea of super hero sponsorships and corporatism by itself is not an entirely unexplored genre.

it doesn't stand alone when you have to know the Justice League and marvel movies to understand the dark jokes they're making.

also the way it presents its violence and its sex, is just pushing boundaries for the sake of it.

it's also such a grim story that takes itself so seriously- but super heroes have never been that serious.

you being grimdark is like a 13 year old emo kid who hates the establishment just because he's 13 and hormonal, disregarding the fact that he's a middle class white boy who benefits the most from the establishment.

what are they satirizing and taking a serious look at?

people say super heroes... but since when have super heroes been some kind of important social phenomenon?

they're escapism and wish fulfillment, but they're also just pure entertainment.

they're not fucking real.

so is the boys criticizing something deeper? corporations? capitalism? corruption?

but most people only really care about how it "humanizes" heroes...

by making them sex offenders and murderers and psychopaths.

how "human."

so you have no meaningful social commentary and you have no meaningful characters for us to root for.

you think you're making something deep, but it's shallow and malicious, it's jabbing at other people's fictional tastes, and inviting you to laugh too.

but it's a joke itself.

and it doesn't realize that it is.

South Park ass show.

so "self aware" without having the self awareness to see that its as shallow as the stories it condemns.

[circle-with-me]

'tis the damn season - part 4

Pairing: Will Ramos x OFC (Gen/Viv/Vivvy)

Content Warning/tags: 18+ MDNI!, vaginal fingering, oral sex (female receiving), unprotected vaginal sex, body worship, hurt w/ comfort, fluff

Word Count: 4.6k

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Author’s Note: This part took longer than I had anticipated due to some personal issues, but hopefully this was worth the wait! I'm certainly proud of this part. Thank you to @deathblacksmoke for editing this and helping me rewrite parts that I was unsure about. Thank you to @concretenoah for helping me brainstorm and letting me bounce ideas off of you. Love you both sm 🤍.

A loud knock at the front door scares Gen awake. She sits up abruptly, holding onto her head as the pounding begins. She looks over at the coffee table and eyes the empty whiskey bottle, remembering the night before. Once Will left she downed the rest of the bottle to numb the pain and anger. Soon after, she passed out on the couch, whispering his name over and over. 

She groans when she hears another loud knock, scooting off the couch and heading towards the door. The knocks become louder and more frequent the closer she gets. 

“I’m coming. I’m coming!” she grumbles, flinging the door open. She immediately holds her hand up over her eyes as the sun blinds her, her head now pounding even harder. A tall figure steps in the ray of light currently burning her retinas, blocking it from her view. She silently thanks them.

Once Gen’s vision returns to normal, she recognizes the tall figure as Mr. Shaw. He was dressed much more casually from their initial encounter — a thick black sweater, jeans, and sneakers. He surveys Gen’s appearance and she’s suddenly very self conscious as she realizes she probably looks like a complete mess.

“Good Morning, Ms. Taylor.” He flashes his thousand watt smile at her. She smiles back.

“Good Morning, Mr. Shaw. Would you like to come in?” 

He shakes his head. “I’m afraid I can’t. I just came to make sure the rental company dropped this dumpster off.” He turns and points to a gigantic blue dumpster sitting at the curb. “I figured it would make cleanup easier.” 

“That’s very kind. You didn’t have to do that though.” 

Mr. Shaw waves her off. “Don’t get too excited. I used money from your inheritance to pay for it.” 

Gen raises her eyebrows in amusement, and he laughs at her. “You steal my money and you don’t even stick around to help me out.” Gen teases. “You really are a great lawyer!”

He laughs louder this time. “What can I say? I’m good at what I do.”

She laughs with him and leans against the doorway. “Jokes aside, thank you for all your help.” 

“It’s not a problem. If you need anything else, give me a call.” He walks to his car and leaves. 

Gen falls back on the couch and huffs. After a half gallon of water, some greasy food from the gas station and a few tylenol she decided to take on the house. Six hours later she has barely made a dent in all of the clutter. The entire kitchen is clean at least so she accepts the small victory. 

She has spent all day staying busy to keep him out of her head but as soon as she sits down and is alone with her thoughts, he is there. The way his face contorted at her words, his lips on hers, the final words he spoke to her as he slammed the door. All of it comes back in a flash and suddenly her head is pounding again. She pushes her palms into her eyes and curses loudly.

Gen eyes her phone. You can’t call him. You don’t know his number. She thinks to herself. Is she really going to be that much of a coward and apologize over the phone? She wanted to avoid this situation all together but her heart was beating her brain into submission. What did everyone always call her? Bullheaded? Obstinate? 

Stubborn.

She snatches her phone and dials the only number she remembers. It rings a few times and a woman speaking a language she doesn't understand answers. Gen hangs up quickly and drops her phone in her lap. Well that idea didn’t work. 

With no idea how to get in touch with him and no way of knowing where he lives now, Gen was out of options. Her phone pings in her lap and she looks down. An Instagram notification from Natalie sits on her home screen and Gen mentally chides herself. The solution is obvious. Stalk him on social media like a normal person.

Will’s Instagram is easy enough to find. He was verified now and had amassed a lot of followers. As she scrolls through his account, It doesn’t take long for her to find a photo of him with a woman hanging off of him. She scrolls past quickly, ignoring the way her heart sinks. The rest of his account is full of photos with his band, his car, and his cats. And a few more women. 

“You can’t expect him to be alone for the rest of his life just because you plan to be.” She whispers to herself tauntingly. She immediately groans at her own words. Could she be more insufferable? 

A video he posted two days ago catches her eye and she clicks on it. Will is standing outside in the snow. She’s so focused on his face she doesn’t even pay attention to what he’s saying. He flips the camera around to show his cats standing behind a familiar glass patio door and her mouth drops open. 

No fucking way.

The apartment building looks mostly the same as it did when Gen left, save for a fresh coat of paint and a few repairs to the outside. She stares at the door. Will’s car was right next to hers so she knows he’s home. That knowledge makes her nerves even worse.

She lays her head on the steering wheel and howls in frustration. Her head makes light repeated contact with the steering wheel as she hopes for some form of higher power to smite her now so she didn’t have to do this. 

Bullheaded.

Obstinate.

Stubborn.

Once again, her heart beats her brain into submission. She sighs and gets out of the car. As she approaches the front door, Gen reaches for the knob but pulls her hand back quickly because the door is already opening. She hears laughter, Will’s and someone she doesn’t recognize. A female appears and almost runs into her. 

“Oh!” The woman exclaims. “I’m so sorry I didn’t see you.” She laughs nervously and adjusts the bag on her shoulder. She’s pretty. Blonde, slender, and slightly shorter than Gen. Her bright blue eyes are accentuated by her long eyelashes. She has plugs and multiple facial piercings. There were no visible tattoos from Gen’s quick once over but winter isn���t exactly the best time to show them off. 

Gen holds her hands up. “No need to be sorry. I was the one just standing here.” 

“Viv? What are you doing here?” Will steps into view behind the blonde. His voice is honeyed for the sake of company, but his expression gives away his annoyance. 

As they both stare at Gen her mind goes blank. What is she doing here? She isn’t going to say it in front of this woman. It isn’t any of her business. Besides, Gen doesn’t even know who she is. She could be his girlfriend for all she knew. Gen ignores the queasy feeling in her stomach at the thought. 

“I- um…” She starts. Will cocks an eyebrow in anticipation and his friend gives her an awkward smile. Gen flounders for a few more seconds but luckily the woman has mercy on her. 

“Ya know, I was just leaving! I will leave you both to it. See you later, Will?”

Will stares at Gen for a moment longer then clears his throat. “Yeah, see you.” He gives her a soft smile and waves goodbye. 

He returns his gaze back to Gen, this time it’s a little softer. He steps out of the doorway and silently invites her in. She holds her breath as she walks past him but it’s forced out of her quickly once she’s inside. Everything was almost exactly the same as it was when she left. 

Gen feels something rub against her leg and a soft meow follows. She looks down to see a tan and black cat with white socks staring up at her, circling between her legs. She squats downs to pet it, cooing as it meows back at her. 

“This is Bobbi.” Will says crouching down next to her. 

“Hi Bobbi.” Gen says, planting a kiss on the top of the cat’s head. She looks back at Will and he smiles softly. He looks around for a moment before his eyes land on something and he rolls them. “And that loaf,” he points to her left, “would be Dusti.” 

Lying in a basket attached to the window sill is a black cat completely unfazed by the new guest in the home. Gen walks over and scratches Dusti’s head, chuckling as he rolls over and bats at her hand playfully. 

“What are you doing here, Vivvy?” Will asks. He’s leaning against the back of the couch now, fidgeting with his hands. His curls were out of his face for once, secured in a bun with a spiral hair tie. The look he gives her, likely without even meaning to, gives her goosebumps and causes her cheeks to heat. 

“I need to apologize about last night.”

He takes a deep breath and considers her for a moment. Gen can see he’s chewing on the inside of his lip. He looks down at his hands and adjusts the bracelet on his wrist. 

“No, you don’t.” He looks up, eyes boring into hers. “It’s me who needs to apologize.” Gen stares at him in disbelief. She had said such horrible things to him and he’s apologizing instead?

“I don’t understand. What do you mean?” She questions.

“I’ve been a dick since you got here, Viv. All I’ve done is complain about you leaving and throw it in your face when I’m the reason you left in the first place. You’ve made this wonderful life for yourself. You made your dreams come true. I’m so fucking proud of you, Vivvy. You were right. If you had stayed you would have fucking suffocated here with me.” 

“Will, I-“ Gen starts but he puts a hand up to stop her.

“If I had been a better boyfriend… If I had just been honest with you in the first place then none of this would have happened. Maybe we would still be together and… L.A. would be our home.”

“What are you talking about?” Gen says as she walks closer to him. Will sighs and runs his hands over his face. 

“When you first told me that you wanted to go to New York, I was really excited for you,” Will starts, fidgeting with the skin of his fingers. “I knew how badly you wanted to get out of here, and how much you loved your job. I would have gone anywhere for you,” he admits. Surprised by the confession, Gen watches as tears begin to well up in his eyes. “I told my friends because I thought they would be excited too, but they all said how it was a terrible idea,” Will continues, face twisting uneasily at the memories. “They said you would be working with these big artists and producers, and you’d get so caught up in the music industry that you’d forget about me,” Gen’s heart sinks, she wouldn’t have, but she can’t exactly blame him, either. “I couldn’t let that happen, so I freaked out and refused to let you go. I should have talked to you,” The shame is clear, gnawing at him. He’s been sitting with this, alone, for so long. “I was selfish and thought I could keep you here with me, but I lost you anyway.”

Gen is left speechless at his confession. The more it sunk in, the more it made sense. He would never give her a straight answer even when she begged him to tell her why he wouldn’t go. This whole time he was scared she would leave him for someone else?

“If you were so afraid of me leaving you then why did you just let me go? Why didn’t you tell me the truth then?”

Gen watches as he shifts uncomfortably. A tear rolls down his cheek and he’s quick to wipe it away. 

“You made it clear you were going with or without me. I was heartbroken and angry.” Will closes his eyes, the memory becoming too much to bear. “When you left and never came back it just confirmed my fear. You forgot about me.”

His words punch her in the stomach, forcing all of the air out of her lungs. They’ve known each other since they were kids. They started dating at thirteen. He was her first boyfriend, her first kiss, her first everything. They made plans to spend the rest of their lives together. How could he possibly think that she could forget him?

It dawns on her that for him, the situation was reversed. All of this time she had spent thinking he didn’t care, that he had forgotten about her. When in reality, he thought the exact same thing. She was his first for everything too. How could she think he could forget about her? 

Suddenly, the photos of all of the women on his instagram and the woman at the door crosses her mind. Her heart starts to race and jealousy crashes into her. She knew it was irrational. He had every right to pursue other relationships but did he really have the audacity to be upset with her and accuse her of forgetting about him when he so clearly had no problem replacing her?

“I forgot about you?” Gen challenges, scoffing. “From the looks of things you had no problem forgetting about me. It seems I was easily replaceable.”

Will’s brows furrowed in confusion. “What on earth are you talking about?”

“I’ve seen your instagram. You haven’t been shy about posting your girlfriends.” Gen watches as he leans forward, like he’s making sure he’s hearing her correctly. “You haven’t posted the pretty blonde that just left yet, though. Is she brand new or just not special enough?” 

Will remains silent for a moment. He watches her, his jaw clenched, lips pressed into a straight line. “The blonde you are referring to is Austin’s girlfriend. He’s the drummer for Lorna.” Gen’s stomach drops as she realizes her mistake. “She came by to pick up some stuff he left here on her way home from work. So, no, I’m not fucking her.”

He takes a deep breath and stands up, walking towards her. Peering down at her, he speaks calmly. 

“Even if I was, I don’t owe you an explanation for how I choose to cope with losing you. It took me over a year to even look at someone else.” Gen begins to feel sick, overwhelmed. She backs up, but he follows her. “When I finally touched another woman it damn near killed me but I wasn’t going to put my life on hold knowing you had moved on with your life.” 

“Will, You have no fucking idea what you’re talking about.” Gen snarls, shoving her finger into his chest. “When we broke up every shred of belief I had in true love dissolved into thin air. I’ve spent the last eight years alone or having meaningless sex because what was the fucking point if it wasn’t you?” 

Will’s face falls, the shame evident. He reaches for her but she recoils and turns away. She sits in the chair by the window and wraps her arms around her legs. Will wrings his hands and sits down. He fucked up again. How does he keep doing this? 

They sit on opposite sides of the room in silence for what seems like hours. Gen focuses on the snow falling outside, crying silently. Will sits on the edge of the couch with his head in his hands. The guilt and grief in the room is so palpable they can’t even look at each other. Will decides he can’t take the silence anymore. He sits up straight and looks at her.

“Viv?”

Gen folds in on herself as soon as she hears her name. He sees the sobs wracking her body and his heart aches. He was sick of the fights, the hurt. All he wants now is to fix things for good this time.

“Viv.” He repeats softly. “Will you come here to me, please?” 

Her sobs continue and his instinct is to walk over and take her in his arms, but he doesn’t. From her body language alone she was on the verge of a meltdown and he knew better than to touch her without her permission. Despite this, he couldn’t let her sit there all alone. Besides, he would be lying if he said he couldn’t use some comfort of his own.

“Vivvy…please?” Will begs, his voice cracking. “I need you.” Gen stiffens, her sobs turn to quiet sniffles. She shifts and for a moment he thinks she’s going to get up but instead she just repositions herself. Will sighs dejectedly and places his head back in his hands. 

A few moments later, he hears soft footsteps followed by the feeling of a warm hand resting in the juncture between his neck and shoulders. Will looks up to see her standing in front of him, her face flush from crying. 

She studies him, her other hand coming to rest on his opposite shoulder. Her fingers absentmindedly dip underneath the collar of his shirt. She rubs circles into the muscles of his back, a calming tactic she picked up years ago. Will exhales and drops his head forward. He begins to reach for her but stops.

“Can I touch you?” He requests. He tries his best to keep it from sounding like he’s begging. Gen nods but he isn’t satisfied. “You know I need your words, honey.” Tears brim in her eyes and as soon as the soft “yes” passes her lips he wraps his arms around her waist, burying his head in her stomach. 

Gen wraps her arms around his neck, and Will opens his legs to allow her to step in between them pulling her even closer. She feels his body shake as he weeps and she gently shushes him and scratches his scalp.

“I’m so sorry, Will.” She utters. “For everything.”

Will shakes his head. “No, I’m sorry. This is all my fault and I’ve been treating you like it’s yours. If it wasn’t for me, none of this would have happened.” He places a single kiss on her clothed stomach right above her belly button and looks up at her. She runs her hand along the side of his face. “I guess we both made some mistakes, huh?” 

Will agrees and swallows harshly. He plays with the hem of her shirt, his fingers lightly caress her bare skin. “Let me make it up to you?” Gen’s heart pounds in her chest at his words, her own proving to be difficult. An “okay” is all she can manage but that’s good enough for him.

Will takes both hands and places them under her shirt, pushing it up slightly. He peppers the soft flesh of her stomach with soft kisses, his thumb lightly rubbing against her hip bone. He dips his thumb in the waistband of her jeans and looks up. She nods and he pops the button open, sliding them down her legs and helping her out of them. 

Will places his hands on either side of her thighs and squeezes. He takes in the sight of her, the plush hips and thighs that he loved worshiping. The dark spot that forms on the red lace panties she wears makes him lick his lips. Will pulls her closer to him and kisses her hips, the top of her thighs, her clothed pussy, anywhere he could reach. He inhales her scent and his cock twitches in his jeans.

He grabs her leg and hikes it up over his shoulder, making sure she holds onto his other shoulder for purchase. He pushes her panties to the side and runs a finger through her folds. They both gasp at the same time, Gen from the feeling and Will from how wet she was already. He gently presses a finger inside her and watches as her head falls back, moaning quietly. 

Will continues to watch her savoring the moment until she squeezes his shoulder and whines. “What do you need, baby?” He coos. “M-more.” She stutters, rolling her hips into his finger. Will smiles and kisses her thigh. He slides another finger in and she keens. 

He continues to kiss up and down her thigh, leaving soft nibbles as he goes. This was all about her but the way her slick was running down his hands made his eyes darken. It had been so long since he tasted her. He stares at her pussy as he fingers her, attaching his mouth to her thigh and sucking on the flesh as he’d suck on her clit.

Gen looks down at Will, his eyes rolling back into his head, and she nearly cums just from watching him. She grabs him by the hair and gently pulls him away from her thigh. “If you want to taste me, just ask.” 

“Can I?” Will pants. “Please?” Gen nods and he lunges forward, licking through her folds. He closes his lips around her clit and sucks. She shudders and grips his hair tighter, grinding against his face. Will moans into her, bucking his hips. He desperately wants to free himself from his jeans but his hands currently have a more important purpose.

Will is ravenous as he devours her, his fingers digging into flesh of her thigh. He feels her clench around his fingers and the arm he was using to hold her steady wraps around her waist, pulling her tight against his face. Legs shaking as she cums, Gen cries out Will’s name. Her release gushes over his face and down his arms. 

He doesn’t waste a single drop. 

Will barely gives Gen a moment to breathe before he’s picking her up and toting her to his bedroom. He lays her on the bed and makes quick work of removing his clothes. When he turns his attention back to her, the way she looks makes him stop in his tracks. 

She’s fully naked now, propped against his pillows. One hand is playing with her hair while the other draws lazy patterns on her stomach. He follows the curve of her breasts and he swears there has never been a woman more perfect than her. Their eyes meet and something akin to embarrassment settles in them as she attempts to cover her body. 

Will frowns and crawls next to her. “Hey.” He says, placing his hand over hers. Gen peers at him from the corner of her eyes, then down at their hands. “Please don’t hide from me.”

“I don’t look the same as I did before.” She laments. Will removes his hand from hers and cups her cheek. “No, baby.” He kisses her temple gently. When she leans into his touch he continues, leaving a trail down her face and along her jaw. “You’re even more beautiful now. Let me show you.” 

Gen lets him move her hands away. Will hovers over her and leaves soft kisses on her neck. He palms her breasts, drawing her nipple into his mouth. When his tongue swirls around and he bites down, she gasps and arches into his touch. 

“You’re perfect.” Will whispers as he leaves open mouthed kisses between her breasts. “You’re soft. And warm.” He punctuates each compliment with a kiss to her belly. He kisses and nibbles his way back to her lips.  “And you’re even more beautiful than the day I met you.” 

Their mouths meet in a deep, heated kiss. Will swipes his tongue on her bottom lip and her lips part inviting him in. Gen feels his hard cock press against her core and she squirms beneath him, desperate for friction. Will moans into her mouth and hooks his arm under her leg, using the other to push himself up on his knees. 

Will strokes his cock and places the tip against her slit, rubbing it against her and collecting her slick. He lines himself up with her entrance but looks up first. “Is this okay?” He breathes. She nods. “Mhmm.” He pushes in slowly. His head falls back, eyes squeezing shut at how good she feels.

The feeling of him stretching her out makes Gen dizzy. She grabs ahold of his shoulder and he turns his head to kiss her hand, continuing to slowly pump inside her. As he bottoms out she takes a deep breath and rolls her hips into his, a silent plea for more. Will groans as he begins to thrust into her harder. 

Every single inch of him consumes her. Will grips her hips tight, biting his lip. His eyes focus on where they’re connected and he slams into her even harder. She cries out, clinging to him and scratching his arms. He dips his head down to kiss her and she wraps her arms around his neck to pull him closer. The kiss is messy and desperate. 

“Fuck, I’ve missed you.” Will moans against her lips. Tears form in her eyes. She isn’t sure if it’s from Will’s admission or because he feels so god damn good. All she knows is that she hasn’t allowed herself to feel like this, to feel satisfied, in ages. She has punished herself for years and she decided she was done. It was time to surrender and take everything this man was willing to give.

“I’ve missed you, too.” Will doesn’t miss the crack in her voice as she says it. He kisses her fervently and sneaks his hands between them, massaging her clit with the pads of his fingers. “Want you— fuck,” He pants. “..need you to cum for me, Vivvy.”

The moans and cries that flow from Gen’s mouth as she climaxes are music to Will’s ears. He watches her face twist in pleasure and rubs his hands up and down her thighs as they shake. Her pussy clenches around him and he knows he’s not far behind. 

Will takes both of her hands and places them above her head. Instinctively, Gen wraps her legs around him and pushes him in deeper. He grinds into her and pulls all the way out, then slams back in. He repeats this a few more times and picks up his pace. Both of their moans fill the room. Will buries his face in Gen’s neck, sucking on the flesh as his orgasm approaches quickly. 

Gen can feel his thrusts get sloppy and by his whining pants in her ear, she knows he’s about to cum. The barrier breaks as she raises her hips to meet his. He cries out and sinks his teeth into the flesh of her neck, grunting and groaning as he stills inside her. She can feel the muscles of his stomach tense as he collapses on top of her. 

Will releases her hands and she scratches her nails up and down his back. He brings his hand to the top of her head and plays with her hair, the other caressing her cheek. She smiles and strains her neck to look at him, kissing the vein on the side of his head. 

“Are you just going to stay there forever?” She questions, poking him in the side. 

“Hmm.. don’t tempt me.” He mumbles into her neck and she laughs. She pokes him again and he squirms but doesn’t budge. “Willllll!” Gen whines playfully. “You’re suffocating me and I have to pee.” 

Will pops up suddenly. “Fine! I will let you up. On one condition.” 

Gen narrows her eyes at him and smiles. “And what is that?” 

“Will you stay here with me tonight?” 

part five

[shes-an-oddbird]

911 Lone Star Countdown Tag Game: Redemption

I’m seriously struggling with the word "redemption" so these answers probably trail off course a few times but please enjoy anyways.

Thank you for tagging me @lonestar-s5countdown

(1) Which 911 Lone Star character redemption moment is your favorite? (Feel free to interpret “redemption” as loosely as you like. This can include moments of forgiveness, moments characters proved themselves, moments characters learned from their mistakes, etc.)

The one that’s coming to mind is Mateo standing up to Captain Tatum and the 129. I respect that he was willing to do the grunt work without complaint because he’s the new guy or whatever, but they were awful to him and him telling them off needed to happen and in the end they did respect him. It was also just a great episode for proving to everyone what a good firefighter he is.

(2) Is there a character you think deserved more of an on screen redemption moment than we got in the show?

There are maybe a few little things I would have liked to have seen. I think it would have been nice for a scene between Carlos, TK and Iris after everything that happened at the beginning of season 4.

I also would have liked to have known why the woman with the DNR bracelet ultimately dropped the lawsuit. If there really was something Nancy or Tommy did or said that changed her mind.

(3) Is there a recurring (or even one-time guest) “villain” that you would like to see return with a redemption arc? Or if not, is there a “villain” you absolutely would not want to see get a redemption?

Personally, I think characters like Billy Tyson and Sgt. O’Brien are funniest when they are being best frienemies with Owen. Pearce too actually. He got a little redemption since he and Tommy ended up with a common enemy but it’s just so much funnier when they are fighting that I wouldn’t want him to completely redeem himself. Let him continue to be a coward and a sellout and too full of himself.

(4) Are there any unresolved conflicts from the first four seasons that you wish were reconciled on screen?

Quite a few actually! Let’s be honest, Lone Star has a way of not really solving problems, just brushing past them, but the one that bugged me the most was “A House Divided”. I had such high expectations for that episode so it’s probably my fault that more than a year later I’m still disappointed. It’s not that it was a bad episode, it’s just that they didn’t actually resolve the issue between Judd and Tommy. They just injured Wyatt and decided that that was more important, so the fight was over. And yes, Wyatt is more important but actual resolution would have been so much better.

The conflict could have been so interesting if it was more developed, maybe even over a couple of episodes. Watching it seep slowly into the rest of the team instead of having them have a childish argument about it that was so embarrassing I could barely watch. It could have been so good! The teams not working at their best being on different shifts and not on speaking terms? Not knowing what to do with their little group fighting. No Catan?! It could have thrown TK and Carlos’s entire home schedule off and have had them struggling because maybe they barely get to see each other. It should have directly affected Nancy and Mateo who were on opposing sides but god forbid their relationship be allowed to have any development.

I’m ranting now but it just irks me that this could have been such a good conflict/resolution for the whole 126. They could have had Owen come home, realize something was up and play devil’s advocate or give a different perspective to Tommy about why Judd reported her. They could have let Judd make a similar decision as Tommy or at least have him struggle with making that decision when he is put in a similar situation. All while the rest of the team is working together to accomplish something/save someone and admit to each other that it wasn’t their battle to fight. It could have been an episode(s) that had a story that included all of them, a conflict that affected all of them and instead we didn’t even get a resolution to the one conflict they did give us.

(5) Which main character would you like to have a more developed backstory?

Nancy is really the only character left who doesn’t have a backstory and I would give every penny I have to fix that. I think Paul could use a more developed backstory and they could have been more consistent with Mateo’s backstory but poor Nancy, we know almost nothing about her. And we are four seasons in. We know she is close with her sister, but why? We know she has always wanted to help people, but why? Maybe I’m reading her wrong but I’ve always felt Nancy was slow to trust people and maybe is even a little introverted (crazy right?) but every time I think they’re are going to explore that that, they don’t.

[ravenadottir]

i started playing season 6, and i've got shit to say for the half of dozen people that are still following me in this cobweb infested blog (i apologize, i'll be explaining what's happening on a different post)

i'm only on day 2 of the season, right when it's announced that roberto is coming (which is so disappointing to me that he isn't brazilian but portuguese, like... WHEN ARE WE GETTING A GOOD BRAZILIAN CHARACTER????)

anyway, here are my thoughts:

WRITING:

i actually didn't see much of a problem with it so far. it feels on par with similar conversations we had in the past, except this time we're getting to know them a little deeper than, say, season 3.

knowing bella's family situation or roberto's is kind of refreshing because we barely learned bobby had a sister on a throwaway scene on s2, so... yeah, it's ok.

i like how they express themselves because as an litg player, i'm used to some eloquence, but as someone who sometimes watches the show i HAVE to suspend my disbelief since i know islanders from the show are just... NOT GOOD AT EXPRESSING THEMSELVES, to say the least.

i like the conversations we had so far, it felt fluid and fun, but then again i've only coupled up with jamal, because obviousoly i did, who would i go for, fucking ryan? WAKE UP.

the challenges piled up but because of how many dialogues we had in this little time i think it worked pretty well.

CHARACTERS:

grace - girl, it's been a day and ozzy is not even that hot. HAVE YOU SEEN YOURSELF? he's punching, not you. chill. (and i hate they're giving the intensity they gave hope here, feels bitterly familiar and they better fucking knock it off).

bella - FINALLY a girl i like who's available and slutty (affectionate) since the beginning. i absolutely think bella might be right there with talia when it comes to arc as an LI, but we'll see. if anyone dares stealing her or if fusebox even make the slight suggestion of a slowburn i'm burning their HQ idc

ivy - alright i see you bootleg marisol, but i don't give a shit, you're annoying, die in a hole.

amelia - i think she's putting a front and deflecting the negative attention to ivy but that's just me. also, the twist of the public choosing who she should couple up with before she could tell us is extremely dumb and unnecessary, but also a reason for her to say a different name later, maintaining her image of good sister. i don't trust her, i WILL step on her head to the finale, die in a pit you're also annoying.

jamal - i like the attention but everything with moderation gives me way more tingles than a crybaby that can't stop talking about how he wants to be with me again. we were coupled up for a few hours and only had one conversation, chill bitch. it's giving ted mosby and every himym fan knows how bad that is. i'm not sure if every guy that the public chooses to be with amelia on night 1 acts the same, but i'm slightly turned off. it's too much boy, calm down, i'm here to be a slut, calm down.

ryan - get a haircut or let it grow because looking twelve and the coolest lesbian at the same time is not the look for you. its giving hipster with a chemistry kit at the local café.. also, either you're the douchey musician or a bad poet, you can't be both, PICK A STRUGGLE.

lewie - the impersonation of being stuck in traffic. i don't care for you, die in the same hole as ivy and amelia.

ozzy - fucking pulling the noah, man. i've seen this before and i'm not interested. stop being such a coward and tell grace how you feel. i know for a fact you're gonna be drama and it's because you refuse to be honest. it's so embarrassing, bestie.

roberto - HOT. i only saw the preview but i'm excited.

PACING

it's great. i think it was kind of weird how fast and furious it was with some previous seasons (remember the last season i played was 3 and half of 4 {it was soooo tedious i gave up half way through}) but i think so far it's ok. it definitely has better cliffhangers than other times when they thought they tried their darnedest.

OBSERVATIONS WITH SCREENSHOTS:

there's no fucking way they thought these were worth diamonds. and 22 diamonds for that frufru purple shit??? it looks like something who doesn't sew would put together with a hot glue gun, stop.

ivy i might kill you like they kill one of those vampires at the end of the twilight saga, by opening your mouth so wide it cracks off your skull. SHUT - UP.

and amelia... you're irrelevant, get out.

BUDDY, YOU'RE THE MOUTHPIECE OF THE GROUP NOW, HOLY SHIT. grace has me on my knees, i can't.-

bitch, we did! i kissed you in the challenge. EXCUSE YOUR BEAUTIFUL SELF! (also, for the breasts appreciators, i feel you, boobs are great, really! but like, those... two... lines... coming out of the bikini???? yeah, that is actually what gets me. you didn't need to know but i told you anyway, because i'm happy bella is hot and cool and i don't know how to shut up when i'm love, leave me alone!) whoever designed her knew EXACTLY what they were doing.

I LOVE GRACE. I JUST DO.

i'll give ryan some cool points because 1, he burned ivy in front of everyone, and 2, he admitted and owned up to it. good for you, bestie, good luck when you take a trip to the hair salon and get rid of that... hair. also, STOP SKIPPING LEG DAY BUDDY. from the waist up it's giving "abs, hot, i go to the gym", from the waist down is giving "i'm twelve and there's a reason i go to the beach in pants".

bella and grace looking naked and glamorous but feeling threatened by this ugly ass dress is the funniest joke in the writing so far. truly. i've had mermaid costumes at 4 years of age less embarrassing than this atrocity. stop lying, bella and grace, YOU'RE BOTH NAKED AND PERFECT.

and that's what i have to say so far. i'll continue playing this season until they inevitably fuck up. i'm not being pessimistic, i'm just... well, i guess i am. but i have no reason to believe otherwise.

also, i keep forgetting ozzy is here even though it's been a day. idk why.

anyways, i'll come back with more litg brain rot in a bit.