#GIVE ME E E E E E E E EE. E E E. E EEE E E E
Explore tagged Tumblr posts
Text
need a quinn captaincy canucks skate jersey NOW
24 notes
·
View notes
Text
I recently learned that the best feeling for me is to be someone's older sister/guardian angel 😭😭😭😭😭
Like, I just want to make someone feel loved and to depend on me
I can obsess over you, hmu and I will spam your ask box or reblog your stuff or tell you you are pretty and give you attention when you want
I just love having little siblings
uee😭🥺💧eu💧💧ee😭😭 e eue🥺🥺😭uuuue😭🥺💧🥺😭 ue 💧ee😭🥺💧ue 🥺 eee😭 e
#jiraiblr#landmineblr#jirai girl#jirai kei#jiraiblogging#landmine girl#landmineblogging#landmine kei#jirai onna#🪷 diary
27 notes
·
View notes
Text
HEY, TUMBLR! I MADE THIS SIDEBLOG TO MAKE A PROPER INTRODUCTION BECAUSE MORE PEOPLE ARE TALKING ABOUT GRAVITY FALLS RECENTLY.
I have been a Bill Cipher kin for over a DECADE. I used to be like the only (I THINK) Bill kin on G+ back in the day when nobody knew what that was. And people just thought I was super in character always even when posting personal things, ANYWAY… I’m 23 so keep that in mind! And oh yeah! I’m ALSO demonkin… I don’t mind giving out my main “PERSONAL” blog also, I just like to keep it CLEAN and DELETE my begging for interactions and attention, but I don’t want to do that here since I would like if people can find and share it… because this is my attempt at finding other sourcemates and such. I guess I am similar to canon or the same, I mean it feels like my reality. And such. BUT HELLO!
I have ADHD and ASPD. ALLEGEDLY. Apparently that’s relevant? Or bothers some people. I think normality is relative. I don’t feel disordered at all. But some people can understand me quicker through that lens... I like having fun, ANYWAY TALK TO MEE EEE EEEEEeeee eeEE E e Ee…?
#gravity falls kin#bill cipher kin#source call#gravity falls fictionkin#kin#kinning#fictionkin#gravity falls#the book of bill
16 notes
·
View notes
Text
h-h-h-Hi all! I'm b-b-b-Bill or b-Billy, my s-s-source i-is "O-one flew o-over t-t-t - t-the c-c-.. -cuckoo-os n-nest" I-I'm a g-ghost, I-I specific-ally g-g-g-go by T-TransGhost I-I also a-am T-TransSelfharm A-As you can t-tell I-I have a s-ss-s-s-stuutter, T-thats all t-the ty-yping q-q-quirk I ha-a-ave though! M-my s-ss-s-stu-uhtter is s-sometimes w-worse th-than o-other t-times, i-it de-d-depends on t-the d-day. M-M-mh-mnhg-mmy c-calling c-c-c-card w-will b-be writing i-ihn the c-ch-ch-chaat font a-ahnd m-my stuh-stuhterrs! I w-will a-also write d-down how it-it-i-it'd s-sound w-w-w-whengh i-im struh-h-gl-ling w--with a wword eee-ee-even i-if i-ts not how it'd b-be s-s--s-s-spelled! I-hng-iuh-i w-w-will a-always trry to-t-to g-give a p-p-p-pngh. ph- phlaint-text aa-aa-a-ddit-tion! Pplease be p-p-p-a-pattient w-with m-m-mhg-me! A-And u-u--u-nders-s-standing i-if i forget t-to Plainte-ext a p-post, i-it f-f-ff. h f-feels e-extr-remely un-ngh-natural t-to wr--write w-w-w-without i-it!
(Plaintext:
Hi all! I'm Bill or Billy, my source is "One Flew Over The Cuckoos Nest"
I'm a ghost, I specifically go by TransGhost I also am TransSelfharm
As you can tell I have a stutter, thats all the typing quirk I have though! My stutter is sometimes worse than other times, it ddepends on the dday.
My calling card will be writing in the chat font and my stutters!
I will also write down how it'd sound when im struggling with a word even if its not how itd be spelled! I will always try to give a plain text addition!
Please be patient with me! And understanding if i forget to Plaintext a post, it feels extremely unnatural to write without it!)
TransGhost TransSelfharm (l-link)
4 notes
·
View notes
Text
Shinonome Ena (東雲絵名), Shinonome Ena is a second-year student at Kamiyama High School who only attends night classes. She is the illustrator for the underground music circle 25-ji, Nightcord de., going by the alias "Enanan." Ena has wide, dark brown eyes that become a gradient into beige. She has short brown hair with medium-length bangs swept to the right. The left part of her hair is braided and tucked behind her left ear, tied with a short ribbon. Her voice is sweet and airy. Shinonome (東雲) means "dawn". Ena (絵名): E (絵) means "picture, drawing, painting" and Na (名) "name" or "distinguished, great". Ena's username, Enanan (えななん), is an expansion of her first name. She spent a lot of time trying to come up with a good username, only to give up and settle with something related to her actual name. Ena is extremely strong-willed, and harshly critical of her own work. Because of her father's dismissal towards her and her art, she has grown envious of those she deems to have talent, which she believes she doesn't have. Ena is easily flustered and angered, and is described as a "tsundere" by Mizuki. Ena's desperate craving for recognition has led to her becoming addicted to social media. Her dad is a famous painter, and she posts her own art online. Kanade came across Ena's artwork, and invited her to join the group as an illustrator. In her casual outfit, she wears a pink, frilly long-sleeved top and a short, frilly, black skirt with a pair of black low heels, as well as a black choker. The ribbon that holds her braid is also black. this is not in order because i am not copy & pasting it from the wwbsite i just have it with me anytime i need Shinonome Ena: Fellow circle member. Kanade feels she hides her true feelings as she draws, but at the same time values her artistic skills and has said their circle wouldn't be the same without Ena's art. Yoisaki Kanade: Fellow circle member. While online, Kanade came across her artwork one day and invited her to be their group's illustrator. Ena is grateful that Kanade saw worth in her illustrations and told her that their unit needs Ena's art, how it wouldn't be the same without her. She likes it when Kanade compliments her art, and is gentler towards her than the other unit members. UEE 😭🥺💧Eu💧💧E E😭😭E EUE🥺🥺😭UUUUE😭🥺💧🥺😭ue💧 ee😭🥺💧 ue🥺 e e e😭. e💧🥺😭Uueuuue.💧💧ue😭🥺ee e🥺🥺😭eYEE💧🥺💧EEE💧💧😭U E🥺😭 EE G💧🥺😭E EYU💧🥺😭 UUEHH🥺💧😭EUEH💧🥺😭💧💧ue e😭😭eeeeee💧💧💧uu🥺😭hh😭🥺uUEEE���😭💧
Anyone: Hey (asks about a special interest of mine)? Me: Becomes an unskippable cutscene
216K notes
·
View notes
Note
NOO I GOT PUSHED DOWN THE STAIRS AND BY THE STSIRS I MEAN THESE STIPID FUCKING TALLASS SPIRALY STAIRS INMM6 FRIENDS HOUSE I CANT FEEL MY BONES I FHINK THIS WAS ATTEMPTED MURDER... MY BONES ARE A FINE POWDER AND MY FLESH FEELS LIKE GROUND BEEF.
UEE 😭🥺💧Eu💧💧E E😭😭E EUE🥺🥺😭UUUUE😭🥺💧🥺😭ue💧 ee😭🥺💧 ue🥺 e e e😭. e💧🥺😭Uueuuue.💧💧ue😭🥺ee e🥺🥺😭eYEE💧🥺💧EEE💧💧😭U E🥺😭 EE G💧🥺😭E EYU💧🥺😭 UUEHH🥺💧😭EUEH💧🥺😭💧💧ue e😭😭eeeeee💧💧💧uu🥺😭hh😭🥺uUEEE🥺😭💧UEE 😭🥺💧Eu💧💧E E😭😭E EUE🥺🥺😭UUUUE😭🥺💧🥺😭ue💧 ee😭🥺💧 ue🥺 e e e😭. e💧🥺😭Uueuuue.💧💧ue😭🥺ee e🥺🥺😭eYEE💧🥺💧EEE💧💧😭U E🥺😭 EE G💧🥺😭E EYU💧🥺😭 UUEHH🥺💧😭EUEH💧🥺😭💧💧ue e😭😭eeeeee💧💧💧uu🥺😭hh😭🥺uUEEE🥺😭💧UEE 😭🥺💧Eu💧💧E E😭😭E EUE🥺🥺😭UUUUE😭🥺💧🥺😭ue💧 ee😭🥺💧 ue🥺 e e e😭. e💧🥺😭Uueuuue.💧💧ue😭🥺ee e🥺🥺😭eYEE💧🥺💧EEE💧💧😭U E🥺😭 EE G💧🥺😭E EYU💧🥺😭 UUEHH🥺💧😭EUEH💧🥺😭💧💧ue e😭😭eeeeee💧💧💧uu🥺😭hh😭🥺uUEEE🥺😭💧
" .. Right.. Uh. I'll get to giving you medical attention after I stop these anons from basically killing me. "
0 notes
Text
CHENLE !!!!!
#IM GOING INSANEEEEEEEE#SOMEONE GIVE ME A VENTILATOR RNKFKFKJRKFN#CHENLLEEEEEEEEE E E E E E E E E EEE EE E E#chenle
40 notes
·
View notes
Text
Telugu Baalasiksha with Manu
Hello! I'm Manu and here on this hellsite this morning we're sitting down and learning Telugu📝📝
I myself learnt it a bit late, half from my grandma (a Telugu pandit) and half from baalasiksha (baala - child, little one ; siksha - teaching guide - in this case). Practice helps. So we will practice sentences and words etc but that's after we cover the basics. We will probably do 4 posts with basics: the vowels, the consonants, the matras and then the votthulu (don't worry, i'll explain everything my sweeties). After the basics we will learn more.
(alphabets in telugu are called "AKSHARAALU" like "अक्षरालू")
Part 1 📍 | Part 2 | Part 3 | Part 4
so!
VOWELS
or as we call them in telugu "acchulu"
అ = अ = a (ah)
ఆ = आ = aa (aaah)
ఇ = इ = i (like you pronounce 'e' but cut it halfway)
ఈ = ई = ii (like 'eee', drag the sound)
ఉ = उ = u (a short 'ooh')
ఊ = ऊ = uu (drag the 'oooh')
ఋ = ऋ with a 'u' attached = rhu (like "ooru becky")
ౠ = ऋ with a 'uu' attached = rhuu (like "ooroo becky")
ఎ = short ए = e (like "ey get lost")
ఏ = normal ए = ee (drag the "eey" a bit)
ఐ = ऐ but like "अय्याशी "= ai (say "ayyayo")
ఒ = short ओ = ⅟₂ oh (very short)
ఓ = normal ओ = oh
ఔ = औ but like "oww" = au (like a wolf howl)
అం = अं = am (from the throat, like "umm i can't freddie")
అః = अ: = ahuh (a low fake cough, focus on the 'hhhh' sound)
that's it for the vowels, now it's akka's time to pat y'all on the back, give forehead kisses and some chockies for being such good darlings.
it might be daunting, tricky and irritating to learn a new language. This is you nudging a section of your brain to make space. Space for new instructions for the tongue to move in a different way. I've tried my best to explain the sounds for the tricky vowels, and i will continue to break down every alphabet in the same way, don't worry.
let me know if you have any feedback, doubts or just want to vent.
a lot of us here know how to speak telugu, but not write it as easily. and we can deal with any and all problems. just stick with me!
here's an image of the vowels we've learnt today, handwrittten (so that you can practice how it's written instead of getting stuck with the online/keyboard version)
(don't mind the lines and all, i just wanted the letters to be visible so i wrote them big like that)
tagging:
@mentally-a-sea-walnut @maybebees @rambheemisgoated @timetravellingkitty @budugu @lite-teesko @hissterical-nyaan @ree-wantstochange @bishh-kanya
let me know if you wanna get tagged!
168 notes
·
View notes
Text
Let Me Go!!
Card: Dorm Uniform - SSR Characters: Epel, Rook, Vil, Idia
Chapter 1
—INTERIOR HALLWAY—
Epel: Um... This is where the film studies club meets, right?
—CLASSROOM—
Epel: Excuse me...
Rook: Hello, Epel-kun! I see Vil asked you to lend a hand here.
Epel: I’d say it’s more like I was forced... Did he ask you too?
Rook: I’m helping on my own accord. The pleasure is all mine if I’m able to be with Vil.
(Clap, clap!)
Vil: Film studies club! Everyone gather around.
I’m going to discuss the details for when we begin our next student-produced film.
I’ll hand out the script first. Everyone, take one each.
Epel: Whoa, this script is so thick. They must really go all out with their activities here...
Vil: The next film we’re producing will be about time travel.
It’s set in the present day. The students of Night Raven College use a time machine...
And travel to the era of the Great Seven’s Fairest Queen of All.
Rook: The era of the Fairest Queen of All... How très bien!
What a fascinating idea, don’t you think, Epel-kun?
Epel: Hah... I guess.
Vil: The leading role is still undecided. I’ll let you know once I’ve chosen them.
Now, the time machine is the key item in this story... Epel!
Epel: ! Yes?!
Vil: I’m putting you in charge of designing it.
Epel: What?! I-I’m just the help. Why am I in charge of something so important...?
Vil: I’ve deemed you the most suitable for this.
Epel: (What gave him that idea?! I’ve never designed anything in my life. I want to say no...)
Vil: The time machine will use a magical wheel as a base. You’ll be customizing the exterior.
This way, we can shoot driving scenes.
Epel: You said magical wheel...?!
Vil: Yes. I’ve already arranged for one to use in our shooting.
I’ve asked Ignihyde’s dorm leader, Idia, to modify it, so you will work with him to complete it.
Epel: Got it!
Vil: ...You sounded very genuine there. Well, if you’re feeling motivated now, then that’s fine.
The theme of the time machine’s design should be “something beautiful and fitting for the setting.”
Your deadline is in three days at noon. Is that clear?
Epel: Yes, Vil-san!
(I was so reluctant about having to help out the film studies club... but I didn’t expect there to be a magical wheel involved!)
(That feeling of the passenger becoming one with the vehicle as they ride on... Just watchin’ it gets me all excited.)
(Maybe if I made a design that makes Vil-san’s jaw drop, he’d even let me take it for a test run.)
(Okay, I’m gonna do my best!!)
—IGNIHYDE DORM - LOUNGE—
Epel: I’m Epel, a first-year from Pomefiore. You’re Idia-san, right? Let’s work hard together.
Idia: Ugh... The glittery Pomefioran is here, hurray...
O-Oh, um... Vil-shi explained everything to me. We’ll use this lounge to work...
Epel: Okay, thank you.
Oh, that’s the magical wheel we’re going to modify there next to you, right? It’s so cool...!!
Idia: Hah... I only agreed to this ‘cause Vil-shi said he’d compensate me...
But working with other people... really makes me irritated by the second.
I need to finish this and go back to my room ASAP before my sanity gauge runs out.
Epel: (I know Vil-san’s taste pretty well since he’s been training me for months ever since I enrolled here.)
(I need to aim for a fancy design that goes with the setting and also satisfies Vil-san.)
Idia-san. Let’s do our best designing this magical wheel...!
Idia: Yeah. Let’s get this done as fast as we can...
Chapter 2
—IGNIHYDE DORM - LOUNGE—
Epel: It took all night... but it’s done! Idia-san, the coloring for the magical wheel is all finished.
Idia: Congrats on getting it done. You told Vil-shi you’d show it to him once it was finished, right? Shouldn’t you call him?
And end this so I can be alone.
Epel: Yes, I’ll go do that!
Epel: Here’s the magical wheel, painted to look like a time machine.
The design was inspired by the peacock engraved into the Fairest Queen of All’s favorite chair.
Vil: ......
Epel: Um... Vil-san?
Vil: Epel. Are you satisfied with this design?
Epel: What do you mean, am I satisfied...?
Vil: I ordered you to design something “beautiful and fitting for the setting.”
However, this piece conveys nothing from the creator’s heart.
You wouldn’t consider this design “beautiful,” would you?
Epel: ...! Well, I...
Vil: To me, this looks like you only tried to match the setting.
Redo it, Epel. And don’t think about coming back to the dorm until it’s finished.
Epel: What?! Vil-san, wait a seco— ...He’s gone.
...Dammit! How can he be angry that I made it exactly as he said...?!
But I get to work with a magical wheel, which I love so much. No way am I giving up after failing once!
I need to make something that I think is beautiful, that matches the setting,
And something that would make Vil-san satisfied, right?
I’m gonna do it!!
...... But what would that be...?
—IGNIHYDE DORM - IDIA’S ROOM—
Idia: Hehee! I got that kitty accessory I wanted! It’s a rare strength item that boosts my speed by 100!
Hehehe, now, the boss from this ultra-hard quest... You should tremble in fear of my dodging power.
(Running footsteps!)
(Epel barges in)
Epel: Idia-san!
Idia: Eee! E-E-E-E-Epel-shi! It’s rude to come into someone’s room without knocking!
Epel: Oh... S-Sorry.
It’s just, we have to redo the time machine...
Idia: Hah? He rejected that flashy design?
Epel: Yeah... So please help me make it over again!
Idia: (I can’t believe Vil-shi. He should’ve done this himself if he was going for something specific. Why’d he leave it to someone else?)
(I can’t stand them taking away my gaming time anymore. I gotta get this done now and chase out Epel-shi...)
H-Hey, Epel-shi. Do you have anything you’re good at?
Epel: Huh? Why are you asking?
Idia: ‘Cause wouldn’t this get done faster if Vil-shi just made it himself instead of having you make it over again?
But he still put you up to it... So shouldn’t you consider that maybe you’ve got some kind of secret talent?
In online games, leveling up skills you’re good at makes getting through the game easier.
Epel: But I’m just good at things like carving apples. I can’t really use that in desig——
(...Hm? Apples...?)
I figured it out!!
Idia: Ee! I-I-It scares me when you yell out of nowhere! Wh-What did you figure out?
Epel: I figured out what I can make that’s as beautiful and fitting for the setting as I can!
Idia: I-I’m glad to see you came up with an idea. Well, let’s get on with it then.
Epel: Huh? But you stayed up all night last night. Are you sure you shouldn’t rest a little...?
Idia: Heh, staying up all night is nothing to me. I stan a group of idols who look elderly but with hearts eternally 17...
And even Moirai on the Edge can do live performances for 72 hours straight.
We’ll prevail over this ultra-hard quest!
Epel: M-Moi...rai? I-I don’t know what that means, but let’s work hard!
(This time, we’ll make a design that Vil-sanーno, that anyone would approve of!)
Chapter 3
ーーThe day the time machine is due.
???: ...el... Epel!
—IGNIHYDE DORM - LOUNGE—
Epel: *Yawns*...?
Huh? Ahh! When did I go to sleep?! And Vil-san, what’re you doin’ here?
Vil: Your deadline is today at noon, so I came to check up on how you were doing. Honestly, I cannot believe you were sprawled out asleep on the floor.
So? Have you finished the time machine?
Epel: Oh... I did. Take a look at this!
There’s a story where the Fairest Queen of All made a poisoned apple, right?
So this time, I used that as my inspiration.
The color of the whole body represents a ripe, red, shining apple.
Like one you reach out to take without even realizing it... Anyway, I made sure it looked delicious!
Vil: Hmm... Go on.
Epel: Right. The other thing I worked especially hard on was this design that’s hidden when the machine is stopped, and only gets revealed when it starts up.
I’ll turn it on to let you see.
Vil: ! You painted the tire kept inside... Is that a skull?
Epel: Yes! One of the stories mentioned that a skull rose up before the poisoned apple the Queen made turned red...
So I added a symbol that can’t be seen from the outside unless you start it up.
This time machine is as “beautiful and fitting for the setting” as I can make it right now!
Vil: ...Allow me to ask you one thing. Why did you change to a poisoned apple?
Epel: Um... When I tried to use a peacock in my design, I honestly couldn’t tell if it was good or bad...
But then I thought, no one would be able to resist a design that makes apples look appealin’...!!
Vil: ......
...Heh. You finally came up with a design that reflects you.
Epel: ...! Yeah!
Vil: Now, I will leave you with the keys to this magical wheel.
Epel: Huh? Why me?
Vil: I’m heading back to our set. You’ll deliver the machine to the film studies club yourself.
You have until noon to bring it, just as we discussed. Don’t be late. Understood?
(Vil leaves)
Epel: ...If he was in such a rush, he could’ve just taken it himself... Wait, hold on?!
Does this mean I can ride it back to the set... maybe?
AHH~! ALL RIGHT!!
Idia: Ugh... Epel-shi, you’re too loud... Your voice is ringing through my sleep-deprived head...
Epel: Oh! S-Sorry, Idia-san.
I’ve always wanted a magical wheel... And I get to ride one I designed myself. I just can’t believe it...
Alright, let’s get to the school building!
—MAIN STREET—
Film Studies Student A: Hm...? What’s that? There’s something coming towards us from the front gate.
Rook: That is a magical wheel. And the one driving it is... Monsieur Cherry Apple, Epel-kun.
Film Studies Student A: It’s so glossy, like a real apple... And his Pomefiore uniform looks so nice. It’s beautiful!
Film Studies Student B: Driving that machine, Epel-kun’s got a radiance that’s different from his usual frail beauty.
Film Studies Student C: Yeah. That piercing cold look and his unconsciously curled-up lips... I’m so drawn to it; I can’t look away.
Rook: Did you hear that, Vil? Everyone is praising Epel-kun!
Vil: Hehe, these potatoes’ reactions are perfect.
Epel: Oh... There he is! Vil-san! Just as promised, I’m here to deliver this.
Let me stop the machine... Okay. Well, I’ll get going now.
Vil: Hold it, Epel. Stay right there.
Film studies club, your attention! I have an announcement to make regarding our next film.
For our undecided leading role... I’ve decided to cast Epel right here.
Epel: Wh... What?!
Vil: You all saw how he looked riding that time machine, yes?
I believe there’s no better person out there more suited for this role. Are there any objections?
Rook: It’s true, the sight of him riding that time machine up here almost felt like a scene from a movie.
Film Studies Student B: Yeah! Hats off to you for how dashing you looked. I’ll let you have my seat today.
Epel: W-Wait a second. I thought I was just helping with the design——
Vil: I’ve already made up my mind. I’ll thoroughly train you to be an actor, so do prepare yourself.
Now, you must do a costume fitting. Costume committee, take Epel to our club room.
Costume Committee: Okay!
Epel: I-I still haven’t said anything about doing th—let me go!!
Vil: ...I see now how drastically the sparkle in his eyes changes depending on whether he’s interested or not. Honestly. He’s a difficult apple to deal with.
Rook: Epel-kun was shining like a completely different person than he was yesterday, yes...
But perhaps were you anticipating this finale from the start?
Vil: Well, now. Who’s to say?
606 notes
·
View notes
Text
Spice Girls on Tour Dolls Unboxing Solve (okay)
https://pangenttechnologies.tumblr.com/post/643295988024508416
This post links to this video: https://youtu.be/VgO_VNYdt8s Spice Girls On Tour Dolls [Galoob 1998] Unboxing / Mood Table Around 1:07 when the scene changes, there is spectrogram content in the audio.
Which can be decoded using the Gravity Falls Author Cipher
OFETTAGSUJSOJXRYGBQAXIXUGUNJOU
vigenere with ‘mayorsassenheim’: CFGFCIGACFFHFPFMGDCJFIFCCHGFGI
A1-PF: 3676397136686F6C74306963387679
hex: 6v9q6holt0ic8vy
mediafire: https://mediafire.com/?6v9q6holt0ic8vy fantastic.zip
Containing several pictures from 'The Fantastic Funnies’ (1980) with Loni Anderson, which was Garfield’s first animated appearance.
See this Pangent Blog post for some of the artwork and a link to the Signal and Noise version of the video: https://pangenttechnologies.tumblr.com/post/643024207533522944
In addition to stills, there are some possibly re-inked Art from the show, and a flyer and what looks to be a word-search titled searching.png
Finding each of the characters listed on the flyer, then reading off the shaded letters from each one gives what appears to be a letter frequency code:
1 CHARLIE BROWN (E) 2 NIPPER (E) 3 DENNIS THE MENACE (EEE) 4 TUMBLEWEEDS (TEDS) 5 BLONDIE (E) 6 BC (-) 7 LITTLE ORPHAN ANNIE (EHE) 8 BARNEY GOOGLE (EOE) 9 DRABBLE (E) 10 FRED BASSET (REE) 11 MISS PEACH (-) 12 PRINCE VALIANT (RNI) 13 DOONESBURY (E) 14 DICK TRACY (D) 15 NANCY (N) 16 SLUGGO (-) 17 BEETLE BAILEY (EE) 18 SNOOPY (N) 19 BROOM HILDA (OH) 20 POGO (O) 21 MARMADUKE (-) 22 HAGAR THE HORRIBLE (HEE) 23 DAISY (S) 24 ALLEY OOP (E) 25 DAGWOOD (D) 26 GARFIELD (RED) 27 CATHY (T)
ETAONRISHD 1234567890
EEEEETEDSEEHEEOEEREERNIEDNEENOHOHEESEDREDT 111112108119114116116571051154949118106102
111 112 108 119 114 116 116 57 105 115 49 49 118 106 102 oplwrtt9is11vjf
https://mediafire.com/?oplwrtt9is11vjf orukak.png
A kakuro puzzle.
ScopingL solved it and said:
And done. That was rather hard. Red cells are 72 87 79 89 80 113 69 83 45 48 111 32, which is HWOYPqES-0o
Which leads to an unlisted Signal and Noise YouTube video of Leslie giving a message to Lottie, with the state of things at Pangent:
https://youtu.be/HWOYPqES-0o titled 'o k a y’ here is the transcript:
Hello Lottie. If you ever see this, I want you to know that things are okay. At least for now. Nobody’s heard from Alex. It’s like he fell off the face of the Earth. Couldn’t have happened to a nicer guy. Pangent’s still running. I mean it still exists, sort of. We’re all just, we’re all just trying to pick up the pieces. They promoted me, I mean can you believe that? I’m actually kind of in charge now. Kristi’s there too. Or Baby Spice. She's Baby Spice now. There are some things I’ll never forgive her for, but yeah, she’s a Spice Girl now, and it’s, uh, it’s a big improvement. We have a Scary Spice too. My girlfriend. You haven’t met her, but she’s. She’s nice. I miss you. It’s just past midnight now, so, happy birthday Rachel, wherever you are. I hope you know that your daddy loved you. I hope you know I love you too. I love you both. Happy birthday, from your auntie Leslie.
So again, it appears we are getting indications that Rachel survived the accident, so perhaps the timeline has changed from that which Cube Eric had/is/was/could be experienc(ed)(ing)?
Hopefully we are working towards that more happy ending so long hoped for.
2 notes
·
View notes
Text
converting a horizontal matrix to vertical
Hello. I am trying to convert a 100*2 matrix to 2*100 matrix. I appreciate if you give me any idea. The reason is I need to find the pick of negative data at second column, and I am using following code:
NEG=[find(E(:,1)<0) E(E(:,1)<0,1)]; so for using following code I need my matrix be 2*100 EE=findpeaks(NEG(:,2));
ANSWER
Matlabsolutions.com provide latest MatLab Homework Help,MatLab Assignment Help for students, engineers and researchers in Multiple Branches like ECE, EEE, CSE, Mechanical, Civil with 100% output.Matlab Code for B.E, B.Tech,M.E,M.Tech, Ph.D. Scholars with 100% privacy guaranteed. Get MATLAB projects with source code for your learning and research.
Use
transpose
, which can also be written .'
>> A = [1,2;3,4;5,6;,7,8] A = 1 2 3 4 5 6 7 8 >> A.' ans = 1 3 5 7 2 4 6 8
Comments
1 note
·
View note
Text
Mermish
‘What is Mermish?’
The Language of the Merfolk, often called either Aquan or Mermish, is both complex and simple all at once. It is incredibly subtle, and to the observer, seems limited and simplistic in its nature. To human ears, our language sounds like waves of the shore, dolphins chirruping and even whale sounds. The truth of old Mermish is that it is an expressive language that goes beyond the Mer palate and lungs. The language is of rhythm and song. Verse and poem. Spoken to illuminate anyone who hears it to seek and join our peoples while washing away the egos and creating a new Mer-Soul through trill.
‘Literacy through History’
Because we possess a dual breathing system, those that permit both the flow of air and of water can speak True Mermish. And because of the nature of the medium we live in, out vocal range and volume far surpasses anything that would be heard on land. The language is reflective of that; heavily tonal, with much of the meaning conveyed in the sound rather that the word itself. To understand this, True Mermish isn’t about words, it is about the meaning of song and joining in the harmony.
About 1000 years ago, Humans began to cross the seas and brought with them their own songs and language and we tried to communicate our songs to them with devastating results! Those who listened eventually transformed into Merhuman or simplistic as Merman and the women, Mermaid. They joined our people and lived along side of us…but sadness caused them to seek out their own kind and we learned to silence the song and develop a written language alongside of a verbal one which was as powerful as Old Mermish. We lived close to the surface of the water, near actively literate communities…in major harbors and ports of call. We listened and written medium for all of merfolk society to learn. We preferred picture to word and preferred songs to pictures…nevertheless, we drew what we could understand and were dedicated to understand Humans and merge with them and bring them into our society.
The Merfolk related to symbology and merged True Mermish to Second Order Mermish to create Third Order Mermish that we use to talk to humans on their ships at sea and to their ports and streams. We sang our songs as gifts to them and created a whole new species in the process…humans were frighten of the sea, but our songs made them move to it, swim in it and live in it…and love it! Not a human on Earth is not affected by the sound of rolling waves, or the melody of falling rain or the ebbs of the current’s pulse. They all have become in-between, slowly changing not of the body, but of the mind and the spiritual plane.
Mermish sentences tend to be vague when spoken and the same word used may not be used again if it does not carry the appropriate emotional power. When speaking in terms of direction, me must always point. When speaking of the present, past, or future, we can only refer to the phases of the current moon, and seem to have no memory of the past further than that. We have no concept of money, morals or logic in our language. Mermish has no individual ‘I’ either as Mers are a family (Pod) and always refer to themselves as ‘We’ or ‘Us’. Things simply are and opinion of others don’t phase them.
True Mermish
True, Old or Genuine Mermish, is a primarily-whistled and sung language which carries for long distances underwater and is almost un-reproducible in the human mouth. However, merfolk being the curious mimics which they are, have taken up many human words and integrated them for speech with the sailors, fishermen and beach-walker whom they often encounter during gatherings, transformations and adding to the Collective. Merfolk use long whistling melodic phrases which can be represented in human’s transliteration by hyphenated sentences, the hyphen (drawn as a wave form to signify the Mermish Tongue) is placed between separate words where they can be distinguished as individual comments.
True Mermish is sometimes difficult to separate from emotion and behavior of the speaker as they are blended into the song the Mer sings. For example, a Mer speaking in True Mermish might give a sharp dual cough (Uk~Uk) and this could mean ‘No’ as in a command or as a feeling depending on the amount of trilling they do in-between.
To learn how to speak True Mermish is pretty simple as long as you don’t over complicate the process. Using the knowledge of the human alphabet that the Mer’s adopted (as art is there way of words, but difficult to make universal around the world) they only spoke in vowels and melodic sounds:
BEHAVIOR VOWELS: A = aa, E = ee I = ii O =oo U and Y
EMOTION SOUNDS: Ih = ih, Ae =ae, Uu = uu, Sh = sh
MERMISH SONG: Pa, Whoosh, Ba, Ooww, Drr-drr, Www-ooo, Hummm
These were the common roots of True Mermish when they spoke, with the Vowels being behavior and the Sounds being the trill emotion that connects the behavior into a melodic song.
When pronouncing the Vowels:
‘aa’ sounds like ‘~ah~’,
‘ee’ sound like ‘~eh~’,
‘ii’ sounds like ‘~ee~’
‘oo’ sounds like ‘~ooh~’
‘u’ sounds like ‘~ou~’
‘y’ sounds like ‘~eee~’
When pronouncing the Sounds:
‘ih’ sounds like ‘~uh~’
‘ae’ sounds like ‘~aye~’
‘uu’ sounds like ‘~you~’
‘sh’ sound like ‘~shhh~’
When pronouncing the Song:
‘pa’ sounding like ‘~pah~’ (Dripping Water And Light Rain)
‘whoosh’ sounding like ‘~wa~shhh~’ (Sound Of The Waves)
‘ba’ sounds like ‘~baaa~’ (Sound Of Underwater Bubbles)
‘Ooww’ sounds like ‘~oou~’ (Sound Of Whales)
‘Drr-drr’ sound like two clicks (Drips and Dolphin Talk)
‘Www-ooo’ sound like a descending high pitch whistle (Dolphin Talk)
‘Hummm’ sound like high pitch humming (Mermaid Talk)
Second & Third Order Mermish
Trying to communicate, Mers would linger close to the boats and sea towns to see what words humans used to describe who they were, what am item was and their environment they lived in. Mer’s broke up the language in drawings and letters as they began to write in human tongue with Mermish trills. True Mermish only relied on the song, but people above water could not hear it underwater unless extra letters began to carry the notes in the range of 20,000 hertz that Human’s could hear and elevated the tones higher to mix with their auras creating ‘Siren Song’ that sailors feared.
As seen in True Mermish, the Second Order of Mermish still contains many words for feeling and emotions they have for water. Listening too long to these words will cause other Mers and Humans to grow sympathetic for water and fall in the harmony of fluid. To understand, water is life, water is home, water is everywhere and epitomizes the daily life of the Mer.
We as Mers are keen observers of sensation and emotion alike and appear to have therefore a wide variety of adjectives for all types of colors, sounds, textures, touch, temperatures and taste…many of which have been forgotten over time. Merfolk emotions change rapidly like the sea, and it is hard to quickly document the wide range we go through; especially since some resonate on levels we do not comprehend. Often body language accompanies the translation for easier interpretation of a Mer’s behavior.
Those that live above the sea need to remember that we can only relate well to things beneath the sea. If we speak of things, it is usually from that perspective. For example, a Mer might finds it confusing if someone asks whether they mean ’above’ or ’below’ the surface, and can only point when asked about other directions. However, they do have words for ‘up’, ‘down’, and ‘ahead’, used in swimming and fin positioning, but not for cardinal direction.
Below is a list of known Second Order Mermish:
Ahead (Swimming Command) - Chi (Chai)
Alcohol - Kiini-beeah
Alive - Hnguloo
Amused (Calmness) - Daahuu
Anger (Describing Behavior/Emotion) - Gahfooruu
Are - Bi
Bad (Ancient Mer’s Struggle With This Word) - Bett
Beneath (Below - Submerge) - Ghaajii
Bored (Restless) Affehoo (Ah-feh-oo)
Bright (Very Hot) - Kiini
Bubble - Baabah
Change - Mhaawhoo
Cheerful (Similar to ‘ffewuu’, but calm) - Hwuu
City - Paaepooh-paash
Confidence (Describing Behavior/Emotions Of Sureness) - Dehooffa
Cold - Jiiii
Cold (True Mermish) - Yeeni
Color - Koohur
Coral (Dead) - Meessuk
Coral (Living) - Messuloo
Crab - Kraah
Dancer (With Tail or Legs) - Daashu
Dead - Hngukk
Depression - Huumuu
Desert - Toh-chii
Determination - Heehii
Dolphin - Ffeechuvo
Dolphin Mermaid - Ukuk-ffeechuvo
Down - Mmawtt
Dragon - Deeragoh
Dried Up - Uuniigo
Earth - Vvundra
Excited - Ffuuhii
Family - Faaraarii
Fear (Behavior/Emotion) - Uuriigo
Feeling (Emotion - Attitude) - Llii
Female (Woman - She - Her -Hers) - Lla
Fin - Feen
Fish - Fees
Fish Eggs (To Spawn - Caviar - Mate) - Bllusu
Food (Edible Plant Or Lower Life Form) - Yyt (yeet)
Forest (Tree - Kelp) - Aah-teeree (Ahh-ter-ree)
Freshwater (Ancient Mer’s Could Not Tolerate For Long) - Bett-wuutaah
Freshwater (True Mermish) - P’chaaoo
Froth (Sea Foam - Small Bubbles) - Apupua
Frustration (Behavioral/Emotional) - Shaahii
Goddess Of The Sea (High Spirit) - Bavverissi Baveras
Good (Ancient Mers Don’t Understand This Word) - Ghood
Good Bye - Jai-quay’
Happy (Playful - Fidgety) - Ffewuu
Hard - Haarduuh
Has - Bi
Have - Bi
Healthy (Well) - Haaih (hay-uh) (Sounds like a sigh)
Heart - Hhu-hng
Hello - O-kee’-ya
Hot (Temperature) - Hhu-huu (Pronounced as two sharp pants of breath)
Hot (Taste) - Jeech
Human - Hyuuman
Hungry (For Food) - Hnn-kii
Hunger (Lust - Hunting) - Chuun
Hungry (Wanting Food - Wanting Sex - Wanting Attention) - Oowii
Hurts (Ouch) - Ah-ee (Ahh-ee)
Ice - Ttheeni
In (Covered - Surrounded By - To Be Inside) - Woolbul
Is (To Be - To Have - To Be With) - Bi
Is Not (Without Existence) - Oosoyyo
It - Lle (lay)
It (Pronoun For Any Inanimate Object Or Thing) - Uhff
It & Its (Person) - Llo
Jealousy (Describing Behavior/Emotion) - Gahooraa
Knowing Not (Don’t Know - Don’t Have - Isn’t) - Oosoyyo
Land - Lleehada
Love (Similar to ‘paaffoo’, but more intense) - Taafoowii
Male (Man - He -Him - His) - Lli (lee)
Many - Ss (Sounds like a hiss)
Many (True Mermish - Typically added to Nouns and Pronouns) - Uk-uk
Merfolk (Merperson) - Baovveche
Moon - Ttheeni
Nervousness (Flailing of Limbs and Tail In Water) - Fffeechii
No - Toh
No (True Mermish) - Ungh (quick grunt)
Our (Ours) - Ffa
Oyster - Mchuuk
Person (Mermaids) - Ffuegane
People (Humans) - Paaepoohss
Playful (Jumping - Twirling - Splashing) - Chahho
Rage (Describing Behavior/Emotion) - Gahuuii
Rain (Heavy) - Aagiaag (Ahh-jaag)
Rain (Drops) - Aagii (Ahh-ga)
Reflection - Kiinaagii
Ripple - Ffuen
Roar - Rroo-er
Rock (Platform) - Ciipaa
Rock (Stone) - Hurriff
Rock Shelf Underwater - Wwiigoo
Rocky (Irregular Seafloor) - Ghoontuh
Sad - Dehffoo
Sand (Grains) - Saahd
Sandy (Smooth Seafloor) - Ffehpaah
Sandy (Lots of Sea-weed) - Haarii
Scale - Scaahoo
Sea - Chii (Chee)
Sea-Dragon - Feenhoom
Sea-Horse - Chuu-ffeenii
Sea-Weed - Cheehuuii
Seal - Cheeoo
Shallows - Kiinaa
Ship - Ssheep
Sick - Huu-iik (Sound of vomiting)
Silver - Shaavoh
Somber (Lazy - Blank Expression - Seclusion) - Haanii
Storm - Ssturm
Sulkiness (Refuse To Swim) - Sshuurii
Sun (Fire) - Echrassa
Surprise (Describing Behavior/Emotions) - Liiffoo
Thirsty - Hss-tii
Tide - Taahi
Tide (The Movement - Sound - Smell - Sight of the Tide) - Cuua
Tired (Slow) - Sshiiji
Touching (Playfulness - Staring) - Paaffoo
Transgender - Llo
Unknown (Describing Behavior/Emotions Of Anger) - Dehiifaa
Up - Hekk
Us - Ffa
Volcano - Echundra
Water (Evenly Cool in Temperature - Atlantic) - Ruutaroo
Water (Evenly Warm - Tropical) - Meetamaa
Water (Good To Breed In) - Caatuu
Water (Hard Currents - Disturbed or Troubled by Weather) - Chaachiioh
Water (Optimum For Mers) - Saahem
Water (Polluted) - Assuuh (Ahh-sue)
Water (Pretty or Attractive (Also used to label a mermaid)) - Maakeeffaa
Water (Rich In Fish) - Eenii
Water (Surface Cool, Colder Beneath, Barely Tolerable - Arctic) - Sooroo
Water (Surface Cool, Luke-Warm Currents - South Pacific) - Ruunii
Water (Too Cold) - Fuuacho
Water (Traveling Depth) - Tehmoo
Water (Troubled or Churned by Fish) - Feenwaa
Water (Warm on the Surface, Cool Beneath - Lake Water) - Maaroo
Water (Warm on the Surface, Ice Cold Beneath - North Pacific) - Maasoo
Water (Wave - Home - Fluid) - Alassi (Ah-la-see)
Wave (Curl or Tunnel) - Ccuuoo
Wave (Sharp Peaked Wave That Collapses In The Ocean Before Shore) - Sshuuka
Wave (Single Breaker Of Water) - Huuaae
We (Also Used For I) - Ffa
Whale (Mers Refuse To Name Them Although) - Huaool
Whirlpool - Llinoo
Without (Not Existing - Not Having - Not Knowing) - Oosoyyo
Wind - Hhoole
With (Together - Possessing) - Bi
Yes - Eeas
Yes (True Mer) - Heh (quick grunt)
1900 Altered Words For 3rd Order Mermish
Beachcomber - Anit (AH-neet)
Want - Antorum (AHN-toe-rume)
You - Dal (DOLL)
Am/Is/Are - Em (EM)
Low Tide - Fan (FAHN)
High Tide - Fimra dom (FEEM-rah-DOME)
Help - Fimra tre (FEEM-rah-TRAY)
Male - Fre (FRAY)
Swim - Hredenu (HRED-eh-noo)
Was/Were - Hron (HRONE)
Female - Ifen (EE-fen)
Many - Kesseni (KESS-seh-ni)
Here - Kila (KEE-lah)
Far Away - Li (LEE)
See - Luron (LOO-rone)
Someone Who Would Fail To See A Mermaid Right In Front Of His Face -Lusa (LOO-sah)
Love - Mortum (MOR-tume)
Storm - Nulma (NOOL-mah)
There - Ohora (O-ho-rah)
Mermaid - Olo (O-lo)
Friends Of Mermaids - Sessa (SESS-sah)
Human - Sesmuna (SESS-moo-nah)
Curious But Harmless Person - Setanim (SEH-tah-neem)
Curious And Dangerous Person - Setannor (SEH-tahn-nor)
Sailor - Setantreya (SEH-tahn-TRAY-yah)
Wave - Setsur (SET-soor)
Hello - Suron (SOO-rone)
I - Tala (TAH-lah)
Beach - To (TOE)
Ship - Torm (TORM)
I Mean No Harm-I Am A Friend - Tritse (TREET-say)
I Am In Love With A Human - To hisna rendi-to fan sesmuna
I Am In Love With A Mermaid - To fan in nulma with a setanim
Fourth Order Mermish
Almost 2000 years later, in the decade of 2000, the Fourth Order of Mermish was devise by Kristin when she was under the spell of Mermish that gave her the full abilities of the Mermish language and used those abilities to elevate her lover, Katara to becoming Mermish like herself. Frightened, she and Katara left Spirit Lake and tried to ignore the song that was calling them back to the water. Kristin spoke Second Order Mermish to Steven, Bobby and Ryan at Holiday and altered their brains with the song as they crazed to hear more of it. With a glimpse into the future, Kristin saw the death of everyone if she did not give in to the song and made the sacrifice by writing all the words of Second and Third Order Mermish for the camp to learn…this opened her brain to True Mermish as it began to take over her brain as she was having identity issues.
Loowit saved her from her fate and gave her the ability to control the energy however, that brief exposure to True Mermish was enough to damage Kristin’s identity as she struggles with a few basic human words and self identity, speaking in the terms of we or us and her sense of direction unusable to others besides herself. She blocked out the Mermish for a few days until the combine emotional energy release made the song unbearable and she was knocked out and was conditioned like the rest of the campers.
Days later, Kristin began to write the rules of the Fourth Order of Mermish and how to write and speak the language that would become to capstone of speaking while underwater; however, having evolved beyond True Mermish, she can speak telepathically in normal English without the limitations Mermish gave to her.
RULE ONE - 4th Order Mermish is any Human word with the Mermish tongue trilling all the vowels in a fluid rhythm.
RULE TWO - All vowels are double except for words that begin with a vowel and will be written with an extended trill.
Example: ENGLISH ‘My Love Is The Sea’ translated into MERMISH ‘My Loovee Iiis Thee Seeaa.’ The only vowels that do not double are the letters: U & Y.
RULE THREE - Speaking Mermish in the 4th Order while underwater with the same sentence is to remove all 20,000 hertz letters leaving only the vowels. We add hyphen’s to the sentence to carry out the words in rhythm:
ENGLISH ‘My Love Is The Sea’ translated into 4th ORDER MERMISH ‘My Loovee Iiis Thee Seeaa’ translated into MERMISH ‘y~ooee~iii~ee~eeaa’.
RULE FOUR - Speaking Mermish in the 4th Order while underwater with the same sentence, removing all 20,000 hertz letters leaving only the vowels and adding emotion sounds. The emotional trills are (ih, ae, uu, sh) and are connected to the matching letters before a trill.
For example: ‘y~ooee~iii~ee~eeaa’ would turn into ‘y~ooee~(IH)’iii’(IH)~ee~eeaa’(AE)(SH) with the letters SH always at the end.
ENGLISH ‘My Love Is The Sea’ translated into 4th ORDER MERMISH ‘My Loovee Iiis Thee Seeaa’ translated into MERMISH ‘y~ooee~iii~ee~eeaa’ translated into EMOTIONAL MERMISH ‘y~ooee~ih’iii’ih~ee~eeaa’aesh’
RULE FIVE - Speaking Mermish in the 4th Order while underwater with the sane sentence, removing all 20,000 hertz letters leaving only the vowels, adding emotion sounds and now song sounds. This is the hardest part of Mermish to learn and equally hard to speak! We work with the most common song letters (Pa, Whoosh, Ba, Ooww, Drr-drr, Www-ooo, Hummm) and typically only one song is picked per conversation in regard to the oceans conditions or with there are other Mers around. Typically when Kristin sings, her trade sounds that identify her is huming…the easiest a Mer can do. All of hyphenated ares are filled with trill and would look like this: ‘hmm’y’hmm’ooee’hmm’ih’iii’ih’hmm’ee’hum’eeaa’aesh’hmm’ and can repeat over and over until her message is delivered. If another Mer joins the song, Kristin would drop Rule 1 through 4 and just trill with alternating ‘hums’.
It isn’t uncommon if the message is long to change the song to signify a break in the sentence. And example of this would be:
‘hmm’y’hmm’ooee’hmm’ih’iii’ih’hmm’ee’hum’eeaa’aesh’hmm’hmm’hum’ooww’y’ooww’ooee’ooww’ih’iii’ih’ooww’ee’ooww’eeaa’aesh’ooww’
And if you have a whole pod of Mers all signing, you can have an idea of the solo turning into a harmony. This is why Mer’s prefer to keep their conversations to a minimum.
(Had To Re-up This Post Due To Being Flagged For Image Due To New Rules)
23 notes
·
View notes
Text
“I've been jotting down some ideas!”: a ficlet - Deuxième Partie (that means “Part 2″)
If you haven’t read the first part please shimmy your way down my blog as I have just posted it again. Here is the dramatic conclusion! :p ;D
Luca waves his hand in front of Armie’s eyes to wake him from his reverie.
Luca: “Armie!! Tesoro! You cannot be seeereeous with some of thees!” He points to a page. “Thees entire page, weech ees reeten in very verrry small font with reedeeculus margins...”
Armie: (blushing only slightly, he will not be bowed) “It’s Times New Roman size 12 and the margins were only slightly narrowed.”
Luca: He waves the screenplay frantically. “There ees NO WAY thees ees 12 point. Eet ees, AT MOST, 11!”
Armie: (composed and slightly indignant) “It’s a standard size font.”
Luca: “Reeegardless! Thees eentire page is a deescreepshon of Elio...como si dice...’eating out’? Yes? Eating Oleeever out! I mean, how would I feelm that!?!”
Armie: (dignified) “I believe you will find the anilingus is true to the story.”
Luca: “...And how would that even work caro mio! Your ass would suffocate poor Teemy! Eeet ees too beeg!” He holds up a hand and looks at Armie “No offense amore!”
Armie: (standing up) “Luca believe me when I say that it is COMPLETELY possible and that Ti--...mm-Elio knows how to handle that ass!” He looks around the room. “I need a drink now goddamn it!”
Luca: “What would you like? I have brandy!”
Armie: (waving Luca off) “I don’t care. Whatever gets me drunk soon-ish.”
Luca pours Armie a drink, hands it to him and then sits down to look at his “screenplay” again.
Luca: “I mean, some of the dialogue Eees pretty good! Though I admit, it sounds a leetal familiar...”
Armie: (perking up) “Oh? Which lines?”
Luca: “ ‘Elio: You are my road map. I will follow you to the ends of the earth, brother. Now please: fuck my mouth.’ Okay not that last part but thee ferst part sounded fameelear.”
Armie: (shrugs) “Well Timmy e-mailed me some ideas and I incorporated them as best I could. The--” He makes air quotes “‘eating out’ scene was his idea!”
Luca: (flipping through the pages with a smirk) “Was thee shower sex scene hees idea as well?”
Armie: (clearing his throat and looking down at his shoes) “Ahem, that was a collaboration.”
Luca puts the script down on the coffee table. He leans in towards Armie.
Luca: “Piccino! Ees thees ‘screenplay’ basically a transcript of your and Teemy’s sexting sessions?!”
Armie looks aghast and reddens to the marrow of his bones.
Armie: “Whaaaaaa--! Luca! I...wha--How...”
Luca looks at him indulgently. He goes to kiss Armie on the cheek and gives him a hug.
Luca: “Mio dio! What have I done! You poor loveseek baybeeees!! Luca you must not play Cupido ever again!!!”
@xiavttini @raquelsantos92 @green28bluehl @cristinasea@larawashere@ohana@ickivaychalamet @chalametgreen@lovetheawesomeness@timothee-soft-boy @lovingyou4ever2018694699 @foryou-insilence@cumpeachx@thelovelybess@holdmygazeoliver @stakemyentirelifeondreams@ladyblakeney25@dekaohtoura@visionsofgidevn @simpi2274bitchstolemyvapepen @shes-gone-roguelaurenluxe @shellgoes211 @lion-from-the-north @scatterbrained-soul-stuff @ellibellybutton @morganwolfe@timmycallmebyyourname@subjectivelyspeaking @gypsypointe @mjquintas @hecklin11@ceciliatec @beige-honey @whatitis-inside @whereisvimini96
THe ENd
146 notes
·
View notes
Note
hi, hello
first of all - i apologise for my language
okay let’s get it
HOLY FUCKING SHIT. so i just read you trilogy(?) (sweet like candy, hdd and don’t shoot me) and oh god…I LOVED IT SOO FUCKING MUCH. jesus, the way your mind works??? it was definitely something new for me, because i usually read those sappy little love stories (because that’s all there is, i still like them tho lol) and the way you added those criminal activities in your stories was sooo interesting and captivating. like i couldn’t stop reading, it was like a movie.
although there were times when i got a little bit lost because of many characters but that’s my problem lmao my brain can’t function sometimes. i had to remind myself who they are connected with and what is their connection every single chapter lol
okay, back to the point. the fact that you were able to portray three heavy stories through texts???? that’s a talent. literally, i didn’t think i would enjoy it that much. i love how those three stories interlaced with small details and even if it was somehow a “similar” plot (well not really but idk how to explain, like i said before, my brain can’t function. maybe plot is not the right word) it was still soo different and individual.
another thing - characters. oh my god. the way you shaped each of the character made me believe that’s how they are (i obviously know they’re not but you get the point). and the way it all fit? like i seriously imagine jisung not knowing how to feel but still act “goofy” like some kind of psychopath lmaoo. felix just appearing out of nowhere (in slc), being secretive but also sweet? seungmin acting like he doesn’t give a fuck but in reality he gives a lot of fucks? minho being possessive af? basically every single person in your stories felt sooo REAL.
okay i’m gonna stop here lmao sorry for the long message but i loved it, thank you for sharing🥰
UEE😭🥺💧Eu💧💧E E😭😭 E EUE🥺🥺😭UUUUE😭🥺💧🥺😭 ue 💧ee😭🥺💧ue 🥺e e e😭. e 💧🥺😭Uueuuue. 💧💧ue 😭🥺ee e🥺🥺😭eUEE 💧🥺💧EEE 💧💧😭U E 🥺😭EE H💧🥺😭E EUU💧🥺
thank you for this!! huhu, honestly my favorite compliments are just the rants and the character observations, because most of the time, it really makes me see into the readers' eyes and i appreciate that alot!! 💕💕💕
thanks for taking the time to send an ask huhu
1 note
·
View note
Text
king krule: NOTHING IS WORKING WITH MEE EEE EE EEE EE E ÁÁÁÁÁÁÁÁÁÁÁRCHGÁÁÁÁÁÁHG ÁÁÁÁÁÁÁRGH me: someone *sobs* give him some nice *sobs* warm tea and tell him *sobs* he’s going to be okay *sobs*
5 notes
·
View notes
Note
I would really like to say that as someone who once believed they were ace, being asexual or aromatic does not inherently make someone lgbt?? It allows people that are literally straight that just don't like having sex or being in romantic situations to be allowed resources etc that should be going to people that are actually oppressed. I honestly thought this "discourse" was done with, but yea like I don't hate acearo people obviously, I'm not "prejudice" against them, and like I'm sorry but-
im not posting the second half of this bc i really dont give a shit and im not going to pretend like this conversation has significant or notable real world effects. you should dedicate this gatekeeping energy toward literally anything else that matters. grow up.
e: literally you saw the words “ace” and “community” and went railing off into a discussion no one was having and no one wants to have. jesus christ
ee: you sent me three separate asks about this topic.
eee: four
23 notes
·
View notes