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darkbluekies · 10 months ago

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GOLDEN TRIAL PT1: In the belly of the beast

Part 2

Yandere!mafia x yandere!female!mafia x female!yandere x yandere!king x yandere!doctor x male!detective!reader

Summary: Its 1935 and you've been sent on the Liner Normandie to retrieve a stolen painting. You have six suspects and the clock is ticking — you only have four days before the ship reaches New York to find it. But soon, you find yourself caught up in something even more serious than you could have believed.

Warnings: getting hit in the head with a bottle, kidnapping, mentions of drugging, stalker behavior, light misogyny(?), guns, needles, violence

Word count: 11.7k

DAY 1 — Debark

The ship towers over you like a mad giant. Gray smoke rises from the two forward funnels. It’s the biggest in the world, bigger than any man made object that can float. You shake your head. Focus. You’re not here for pleasure. You continue your way over to the terminal. The agency sent you in hopes of finding the lost painting, no one else. You need to stay focused, they’re counting on you.

Without questioning, you give the fake ID to the man behind the desk. When you had started out as an agent, you were always nervous that your covers would be blown and you would be found out. Nowadays, you’ve noticed that if you look nervous, risk are that you’ll be asked questions.

You walk over the gangway with your bag in hand. You have just above four days to find the painting — a very famous portrait of a woman with her head slightly turned to the viewer, wearing a big, blank pearl earring. It was stolen from the Mauritshuis in the Netherlands two weeks ago, and details have revealed that it has been taken to France, and will be moved to America on the SS Normandie. The painting itself isn’t insanely big, but the fuss about it’s disappearance is. You have to find it at all cost.

Before you got here, you had time to take a look at the passenger list. There are six people you recognise, where of five could be your potential smugglers.

Silas Achilleos, a mob boss wanted by the police, and his second in command. A man like him was probably not interested in paintings, but he could have clients who did. And those could pay him heaps of money.

Edmund of Vesanus, a young king who likes the bachelor life. He surrounds himself with loads of women and alcohol, partying like nothing matters. He would take the painting because he doesn’t want anyone else to have it. He’s traveling with his doctor, a certain Karl Kry who you don’t know much about.

Hedwig Carter, a young heiress who’s father is noble, and who's mother is famous in the acting business is traveling with a young woman named Jerry Kim, someone you guess is Hedwig’s chaperone. Hedwig is known for getting whatever she wants with a snap of her fingers, and if she wants a painting … she will get it. Jerry, however, does not have much information out in the open. Everything about her before she started to work for Hedwig is wiped away. You want to know who she is and where she comes from, and what she would want a painting for.

You walk down the stairs to your cabin on A-deck and start to pack up, using the second bed in the room to store your bag. After settling in, you decide to take a look around this magnificent vessel to get familiar with it. You make your way up to the promenade deck and give the open cinema by the stairs a quick look. You guess that they’re going to put on movies once the ship reaches open water. If you’re lucky you’ll see something interesting. And hopefully, you have the time to watch it.

The promenade is enclosed decorated with a gray floor, comfortable deck chairs and clear windows. A line in the tricolor fashion runs along the floor, as if to show where to walk. You walk on the line, flashing a little childish smile. You’ve left Le Havre and are on your way out towards the Atlantic’s open arms. The clock is ticking.

Your eyes lock onto someone walking towards you and you immediately realize that it is Hedwig and her chaperone, an east asian girl … wearing pants and a long sleeved shirt. You don’t realize how obvious it is that you’re staring until the woman opens her mouth and you realize that they’ve stopped right in front of you.

“What are you staring at, sir?” she asks, raising her eyebrows and putting her hands in her pockets. “If you want to say something, do it.”

“No—no, sorry”, you say quickly, feeling your cheeks heat up. “I didn’t mean to stare.”

“Tell me, do you approve of women who wear pants?”

It sure looks weird, but is it? When you think about it, aren't pants just pieces of the same fabric as skirts, just sewn differently?

“Uh, I … suppose so.”

To that, Jerry nods approvingly.

“I don’t see why only men should wear pants”, she says.

“Well, I don't feel comfortable wearing them”, Hedwig chuckles nervously and smiles softly. “But they fit you, Jerry. They really do.”

“You must be miss Carter”, you say, as if you don't know, and shake her hand. “It’s nice to meet you.”

“Nice to meet you too, please call me Hedwig! Who are you?”

“I’m Axel Ainsworth, I'm in the art industry.”

Hedwig’s smile widens. “That is very interesting, I love art. Especially portraits. Capturing humanity’s differences and details are magical. Don’t you think so, Jerry?”

“I’m more for that new thing — surrealism, I think it’s called — where everything is here and there and weird to believe”, Jerry says, shrugging. “But portraits can be okay too, depending on what type.”

Hedwig has turned her eyes to you, glued them onto you as if you are the only thing she could ever see. “Are you traveling alone, mister Ainsworth?” she asks.

You have remembered your entire forged background and learned it skillfully. Even your fake name rolls off the tongue as smoothly as if it was your real name. You're traveling alone because you're on your way home to your fiancé from a business trip.

“I see”, Hedwig smiles and turns to the woman next to her. “Let me introduce you to my chaperone, miss Jerry Kim. You're always welcome to sit with us during dinner. We'd be more than happy to accompany you.”

“I'm grateful to know that, miss.”

With that said, the two women walk away. You frown and sigh. Hedwig seems like a very sweet young woman, it’d be a shame if it was her who was the culprit. Her chaperone, on the other hand, gives you weird vibes. Something about the look in her eyes … as if she’s looking right through you, scanning you.

You continue down the promenade until you turn into the Winter Garden, a half moon-shaped room full of plants and lamps and big, wide windows, overlooking the special shaped bow that has given Normandie the speed it has. Passengers have already started gathering in the Winter Garden to talk to friends and family and watch how Normandie makes her way out onto the Atlantic. None of them resembles the men you’re looking for. You continue your way through the ship, eventually finding yourself in the smoking room on the embarkment deck, where you had stepped onto the ship. You had only glanced at the room before, but now when you’re standing in the smoking room — and very well the lounge since they’re connected — you realize how stupid you must have been to miss it. There must be ten meters up to the ceiling, you think, and bigger than a concert hall. A long, grey staircase leads up to the outside deck. The art deco interior is modern and sleek, but the whip overall has a classic, conservative design that reminds you of the great liners of the old age. You sigh while thinking of the Mauretania and the Olympic, Britain's biggest rivals which now are laid up in Jarrowtown, side by side, ready to be scrapped. There’s something melancholy about it all, and at the same time something beautiful, starting as enemies and now ending it all under the same flag, together.

You shake your head. Focus. Your eyes catch someone standing by the windows, someone very familiar. Silas and his right hand man. You move closer, trying to hear what they’re talking about.

“I’m not complaining, I just think that it is annoying that it has to take four days to get to America”, Silas mutters and takes a whiff off his cigar.

“Any other ship would take double the time, sir”, his second in command says apologetically. “I doublechecked.”

“I don’t like being in one place for too long.”

“See it as a vacation. You’re deserving of it. Let’s enjoy some good food, alcohol and some company. It’ll do you good.”

“I don’t like to be in one place too long. Especially when we know that they're on board!”

You furrow your brows. Who?

“Nothing will happen.”

Silas hums and smokes again. You’ve stood by the windows a few meters away, pretending to be interested in the horizon. Silas turns his eyes to you.

“You, sir”, he says, pointing at you with his cigar.

You look away from the ocean. Both Silas and his second in command have turned to you, their dark eyes looking right at you.

“Yes?” you ask.

“Is it true that the Normandie keeps her speed?” Silas asks. “No matter the weather?”

“I believe so, sir.”

Silas nods in satisfaction. “Good.”

You decide to try to get some information out of him. You know who he is, but he doesn’t know who you are, doesn’t know that you’re out to get him. To him, you’re just another first class passenger.

“Are you in a hurry?” you wonder.

“You could say that”, Silas sighs and turns his eyes out the window again.

You hold out your hand. “I’m Axel Ainsworth.”

Silas second in command gives him a short look before his boss shakes your hand. His grip is hard, firm.

“You can call me Silas”, he says. “No need for a surname.” He takes another blow on the cigar. “What brings you out on the ocean like this?”

“I’ve been on a business trip, but now I’m going home to my fiancé”, you say, pretending to smile at the thought of your made up fiancé.

“What business are you in?”

“Art.”

Silas lifts one of black his eyebrows. “Art?”

His second in command straightens his back.

“Yes, sir”, you say.

“Are you a … painter?” Silas wonders.

“God no, I can’t handle a brush even if my life depended on it. I’m an art trader, I help people sell their paintings for the right price.”

“I see. Well, one can’t do everything.” He blows a cloud of smoke. “Have you traveled on this ship before, Axel?”

“No, it’s my first time. But I’m not unfamiliar with the ocean, I used to travel a lot on the older ships in my younger days.”

“Then I suppose you have a favorite?”

You think for a second. “I did like that Cunarder, the Lusitania … such a shame Germany sunk it.”

“You never know which ships are safe or not, just look at that Titanic fiasco. They thought it was the safest ship afloat. Yeah, sure it was.” Silas shrugs. “Wouldn’t surprise if this peace of junk also sinks. Why wouldn’t it?”

“Well …”

Silas’s second in command taps him on the shoulder and whispers something in his ear. Silas frowns and nods before turning to you.

“It was nice speaking with you, but I have some business to deal with”, he says shortly.

“Have a good day”, you say.

Silas nods politely and leaves. You follow him and his second in command with your eyes until they’ve left the smoking room. He was nicer than you had anticipated.

Your next suspect, you find in the dining hall that evening. You’ve met up with Hedwig and Jerry in the reception. Hedwig is wearing a pink evening gown with pink gloves. Her honey blonde hair is curled and put up with hairpins. Jerry is wearing a dark purple, sleeveless dress, showing a couple tattoos. In her short, black hair, there’s a little decoration that reminds you of a flower. She's wearing dark lipstick, in contrast to Hedwig who wears a Hollywood red.

“They wouldn’t let me in unless I dressed ladylike”, she mutters.

“I think that you look gorgeous, Jerry”, Hedwig smiles and takes her hand.

“I guess that it isn’t that bad.”

“I like your tattoos”, you say. “Where did you get them from?”

“A tattoo artist, of course.” She then twists her arm to show something on the inner side of her bicep. “Okay, I made this one myself.”

You step closer, seeing a small heart tattooed on her arm.

“That’s cute”, you smile.

“Thank you”, Jerry smiles smugly. “Hurts like hell though.”

“I can imagine.”

The stewards allow you into the dining room and — for what feels like the thousand time today — you’re amazed by the interior. Silver walls with golden ceiling and art decor wherever you could see. In the middle of the long dining hall, there’s a gigantic, golden statue of a woman.

Hedwig and Jerry leads you to a table and sit down. That’s when you see your last suspects. They’re walking through the dining hall, dressed in tuxedos. The king can’t be more than twenty years old. His doctor is a minimum of fifteen years older.

“You son of a bitch”, he says suddenly and looks at the table you’re sitting at. “Hedwig?”

Hedwig’s eyes widen in shock.

“Edmund, what are you doing here?” she asks with a smile. “Sit with us, please.”

The king and his doctor sit down at your table.

“Good evening”, the blonde doctor says and shakes yours and Jerry's hand before introducing himself. “I’m Doctor Kry.”

“Nice to meet you, I’m Axel Ainsworth”, you say.

“This is king Edmund.”

You’re about to shake his hand, but Doctor Kry removes your hand.

“I’m sorry, but he doesn’t shake people’s hands”, he whispers.

“Oh, I see”, you say.

The king gives you a bored look.

“It’s a pleasure to meet you, your majesty”, you tell him politely.

“How do you know Hedwig?” he asks shortly. “I haven’t seen you before.”

“We met today”, Hedwig smiles. “Axel, Edmund is my relative. It’s been months since we last saw each other.”

“I’ve told you to visit.”

“I know.”

“Are you that much of a hypochondriac that you need a doctor to accompany you while you’re traveling?” Jerry chuckles.

“What are you doing here, Jerry?” Edmund mutters coldly.

“She’s my chaperone”, Hedwig explains.

“Oh fuck me.”

“Your majesty, maybe you should think about your language”, Doctor Kry says. “We are around others.”

Edmund rolls his eyes before looking at you in a bored manner.

“Tell me”, he says, “where do you come from, mister Ainsworth?”

You ramble your rehearsed background. Edmund nods along with you.

“I’ve always wanted to visit that place”, Doctor Kry says. “I’ve heard that it is a beautiful city.”

“It is”, you say.

“And now you’re going to America”, Edmund says. “What were you doing in France?”

“I was on a business trip.”

“What type?”

It strikes you as odd. He doesn’t sound interested, but still he asks you curious questions.

“I’m in the art business”, you say.

“What for?” Edmund wonders.

“Art is beautiful and should be getting what it is worth.”

“I like art”, Doctor Kry. “I would do anything to see the Mona Lisa.”

“Why didn’t you visit it when you were in France?” Hedwig wonders.

“We didn’t have time … Edmund didn’t want to go there.”

“Why should I squash together with other people to see paintings?” Edmund scoffs. “If I want to see a painting, I get it for myself. That’s that.”

“But do you like art, your majesty?” you ask.

“Everyone likes art”, Edmund replies nonchalantly. “That’s what gives life meaning.”

“Have you read a certain story, Edmund, called ‘The Picture of Dorian Gray’?” Jerry asks with a teasing smile. “Thought that it’d fit you.”

The story is about a man who wants nothing more than to remain youthful … to the point where he has a painting of himself where all of his sins can be seen. In the end, the picture is as gruesome as can be, but Dorian himself is as youthful as he started.

“Oh, shut up, Jerry”, Edmund mutters angrily. “One day, I’ll teach you manners, believe me.”

Jerry smirks.

You eat dinner together with the young king and the doctor. Afterward, to soothe your aching stomach, the five of you walk up to the outside promenade deck to get some fresh air. You strut under the lifeboats, under the stars. Above you, a big luminous sign spells out the name 'NORMANDIE’, casting a soft light on you. Doctor Kry has lent his blazer to Hedwig, and you’ve tried to offer yours to Jerry who refused before you had the time to open your mouth.

“Ladies, I think it’s time for you to retreat”, Edmund says, sounding sweeter than before. “It’s starting to get late.”

“The evening is young”, Jerry insists.

“I’m tired”, Hedwig yawns.

“Jerry, be a good girl and bring Hedwig to your cabin”, Edmund grits. “Please. I’m not fighting with you again.”

Jerry rolls her eyes, removes the doctor’s blazer and tells you goodnight. Hedwig gives you and Edmund a hug. Her flowery perfume clogs up your nose, dulls your head for a moment. The three of you wish the girls a pleasant evening and continue walking.

“Hedwig is a stupid girl”, Edmund says, strolling slowly. “One can’t help but want to take care of her.”

“She seems very sweet”, you admit.

“She is. Just very naive. I’ve promised her father that I’m going to take care of her whenever I meet her.”

“Her chaperone is … interesting”, Doctor Kry remarks.

“God, yes, I hate her!”

“What is it about her that you don’t like?” you ask curiously.

“I do not like girls like her. Did you see her tattoos? She often walks around in man’s clothing and I don’t think it’s fitting for a woman — especially someone that is close to my relative. I don’t want her influencing Hedwig.”

“I don’t think you have to worry, your majesty”, Doctor Kry says calmly. “I think Hedwig is going to be okay.”

“If there’s one thing I’m glad for, it is that Hedwig is predictable.” He groans. “I need a cigar. Let’s go to the smoking room.” Edmund turns around to give you a look. “Axel, are you joining?”

“I don’t know”, you reply. “It’s the first day, I’m still tired from embarking.”

“Don’t tell me that you’re going to bed now.” He looks at his expensive watch. “The clock is ten. Stay one hour.”

You give up and follow them to the smoking room. Maybe it is for the best. If you want to get close to them, you’ll need to spend as much time observing them as you can.

Sitting with them in the smoking room, you find that Silas and his second in command aren't here among the other men. You frown, thinking that they would be here since they were earlier.

When you’re allowed to leave, two hours later, your mind is fogged up by smoke and whiskey. You make your way through the empty corridors to your cabin, closing and locking it behind you. Tiredly, you sink down on your bed and sigh out. You have observed them, and talked with them the entire day, and yet you haven’t figured out who could be hiding the painting. They all seem interested in art. They all could have taken it.

There's so many questions. What kind of doctor is Kry? Where did Jerry come from and why is there no information about her? Why would someone like Hedwig hire her as her chaperone? And who is that person that Silas doesn't want on board? Is there someone you haven't accounted for, someone else that can have stolen the painting?

You hide your face in your hands and groan. Three days left.

DAY 2 — Sea

You wake up early, get ready and head out into the corridor. You lock the cabin door behind you, feeling the handle to make sure that it is locked and make your way to the Winter Garden to have a cup of coffee. The large windows give you a wide view of the calm ocean. The sun rises up from the blue water in a magical sense that has you hypnotized. It's all so very quiet and relaxing.

After your cup of coffee, you stretch your muscles, and contemplate going down to the swimming pool to take a few laps, to warm up your muscles and clear your head for the day's work. You pay the purser and make your way down to the swimming pool on D deck. The tile walls are covered with art that reminds you of ancient Greece and the new, abstract type of paint. The pool itself was formed as a long rectangle with curved corners, green steel ladders, and a steep and a shallow part. Throughout the shallow part, there were thick, dull spikes, likely to stop children from going out into the deep end.

Despite being the early hours of the first morning on board, someone is already in the water. Doctor Kry.

“Good morning”, he says. “You’re up early.”

“So are you”, you reply.

“I always need to clear my head before starting the day.”

“What about the king? Is he swimming too?”

“Don't kid around. He doesn’t wake up until nine. I wouldn’t be able to get him out of bed before that anyways. He’s a very deep sleeper and hates getting woken up.”

You feel your heart skip a beat.

“Where do you have your cabin?” you ask.

“On the promenade deck, one of the suites. A-54.”

Bingo.

“Why do you ask?” Doctor Kry wonders.

“I was just thinking that since the king doesn't want to be disturbed, choosing the right cabin place is important.”

“Did we choose a good cabin then?”

You nod, despite not knowing a single thing about cabin placements. The only thing you're aware of is to be as far away from the noisy engine room as possible.

Perhaps if you asked the purser, you could get the number of the other cabins. He, if anyone, should have the passenger list.

You glance back at Doctor Kry who's still hanging by the side of the pool. This is your time to investigate him. You slowly get into the water.

“Such a shame that you didn't get to visit the Mona Lisa”, you say as you start to swim. “It's a very pretty painting.”

“So I've heard”, Doctor Kry says slowly.

“My favorite painting is ‘the girl with the pearl earrings’, have you had the opportunity to see it?”

He's quiet for a second.

“I haven't”, he says, sounding low. “I guess that, an art trader like you, must be troubled by its disappearance.”

“Of course”, you answer.

At this point, a detective and an art trader don't seem like different things, especially since both would be looking for the same thing.

“Can I ask you something?” you wonder.

“It depends”, Doctor Kry says. “Go ahead.”

“Forgive me for being nosy, but why doesn't his majesty like Jerry?”

“He is very old fashioned. He doesn't think that women should be dressed in pants or have tattoos. Edmund is very self centered, yes, but he's also very possessive of the ones he holds dear — example being miss Hedwig. As you may know, his parents were murdered by enemies to the monarchy and ever since, the only relatives that have been in his life have been Hedwig and her family. They're very close in age too — Hedwig being eighteen and Edmund nineteen — which has been a very important thing for him. He sees her as a friend, maybe his only friend. So having someone that could potentially blemish his friend and only family is a threat to Edmund.”

“Then why does Hedwig have Jerry?”

“I don't know. It could be because of a teenage revolt. Jerry is different to everything that Hedwig has ever known … and now that she's eighteen she might want to try something new.”

“Do you think that Edmund is worried about her? Because of Jerry?”

“I wouldn't say worried, because the only thing the king worries about is himself, but I think that there's something along those lines. I think that he sees Hedwig as an extended part of himself rather than her own person.”

You nod carefully.

“I wonder where Hedwig found Jerry” you say. “How someone like her could get the job as Hedwig’s chaperone. Do you know where she comes from?”

Doctors Kry suddenly laughs.

“You ask an awful amount of questions this early in the morning”, he says and gets out of the water. “I'm sorry, I don't have more answers for you, Axel.”

You look up at him, where he stands on the tile floor. He looks down at you with a small smirk.

“You remind me of a little boy”, he says and lowers his eyes onto your physic. “You're awfully trained to be an art trader. One could think that you were an Olympian.”

“Shouldn't a doctor be pleased that I am taking care of myself?”

“I am. You look good, healthy. Just found it humorous.” He wipes away a few drops of water trying to go into his blue eyes. “I suppose that I will see you later. Goodbye, Axel.”

“Goodbye.”

You decide to do a few more laps around the swimming pool before getting up and drying yourself. Tomorrow morning, you will sneak into Edmund’s and Doctor Kry’s cabin to see if the painting is in there. But for now, you need to go to the purser.

You change into your suit. In the front pocket, you keep a little commonplace book to take notes. You make your way back to the pursers office. The man behind the desk gives you a service smile and asks how he can help you.

“Do you happen to have the passenger list?” you ask. “I would like to know where some people’s cabins are located.”

“What is your name?” the purser wonders.

“Axel Ainsworth.”

“Who are you wanting to find?”

“Hedwig Carter and Silas Achilleos.”

The purser disappears into his office. You wait impatiently, suddenly feeling watched. Carefully, you glance over your shoulder, but the only ones in eyesight are two men who are conversing. The purser returns. You fish out your notebook, ready to note it down.

“Miss Carter has cabin B-23 and Mister Achilleos has cabin A-11.”

You write it down. “Thank you.”

With that said, you leave to go to the staircase. You’re not sure where to go, so you decide to take a stroll down the enclosed promenade while thinking. Doctor Kry knows more, you think, but he doesn’t want to tell.

You sit down on one of the deck chairs to write down what you have gotten to know, so that you won’t forget any important information. You write down the suspects' motives to steal the painting, Silas’s weird enemy, their relation to each other — which only connects Edmund, Kry, Jerry and Hedwig — as well as the answers that you have gotten from Doctor Kry earlier today. Who has the painting? Your first instinct says that Doctor Kry doesn’t have it, because he’s not interested in that painting. Had it been the Mona Lisa, things would have been different, but this painting doesn’t interest him. That doesn’t mean that the painting couldn’t be in his room, though, because Edmund could still want to have it.

You stand up after a while and continue walking. Your eyes fixate on something in the distance. A woman dressed in pants talking to a man in a suit that seems to be hiding in the corner of the promenade. You frown.

What does Jerry have to do with Silas's second in command?

You want to move closer, but you don’t want to expose yourself. You’ll have to change the relations in your notes, because there’s clearly something more than you’ve been led to know.

What if Jerry’s lack of background has something to do with the mafia? It would explain her tattoos … that or being a sailor. But because of what you've just witnessed you can most likely scratch the latter. A shiver runs down your spine. If Jerry is dangerous, then Hedwig could be too. You stop in your tracks. Hedwig? Really? Edmund said it himself, she's a stupid, naive girl. Could she be dangerous?

You walk up to the open deck in the stern of the first class accommodations where you find a few kids playing something reminding you of curling. You sit down on the zig-zag benches placed out on the deck and watch them. They notice you looking and ask you to join them, so you do. You decide that maybe you can pleasure yourself in a harmless children's game for a few minutes, and continue the mission after.

When lunchtime rolls around, you make your way down to the dining hall. It's emptier than yesterday evening. You find Silas and his second in command sit by a table. Silas notices you and waves you over. Your feet bring you to him.

“Sorry to cut our talk short yesterday, Axel”, he says politely and gesticulates at the chair in front of him. “Sit down. Let me buy you lunch.”

And so, he does. You sit down and try your best not to glance at the second in command who’s black eyes burn through you. Your stomach twists.

You both get lamb, something you have eaten many times before. Still, it tastes better at sea.

“What did you say that you were here for again?” Silas asks suddenly as he’s cutting his meat.

His voice sounds different from yesterday. You clear your throat to make sure that your voice won’t shiver.

“I’ve been on a business trip”, you say. “And now I’m going home.”

“Yes, yes, I know that. What I mean is that you didn’t tell me why you were in France. What kind of business trip was it? What did you do? I know that you were there for art, but what do one do on an art business trip? You have to forgive me for being curious.”

“I was meeting some people from the Louvre.”

“I see. About what?”

“Art’s future, how to make sure they don’t break or smudge or get tainted by the sun. And how to protect them. You must have heard about ‘the girl with the pearl earrings’ missing?”

“Yes, of course. Isn’t it weird that someone would steal that painting? Why not a Monet painting? Or the Mona lisa?”

“I don’t know. Maybe taking one of them would be too big of a deal. Maybe the one taking the painting thought that since it isn’t one of the most cherished, they’d have an easier time taking it … that the commotion about it would die out sooner or later.”

“Perhaps.”

You’ve noticed that you haven’t heard the second in command’s voice at all, beside the talk he had with Silas yesterday. He doesn’t speak to anyone else than Silas … and Jerry. You still don’t dare look at him, scared that he will see right through you and know that you’ve seen him talk to her. You wonder what they were talking about.

“Did you have a good time yesterday?” Silas asks.

“Yes, I did”, you reply.

“Did you meet someone?”

“No, I didn’t. I chit-chatted with some people here and there, but kept mostly to myself.”

“You do good in that. You never know who you can trust on a big ship as this. You never know who wants you good or not.”

“Why are you traveling, Silas?” you ask innocently. “You said that you were impatient to get to America. Is there a reason?”

“Of course. Everything has a reason. But I don’t think I can share that with you. At least I shouldn’t.”

“Why not?”

Silas turns his black eyes to you and smiles slightly. His hungry gaze makes you freeze. He had seemed so sweet yesterday, but you finally see a slice of what makes him so terrifying.

“Because someone like you shouldn’t know that”, he smiles.

“I understand”, you say and take a piece of food into your mouth, to avoid speaking further.

“You have to excuse my man here”, Silas says and nods at his second in command. “He’s the shy type. He goes wherever I go, so you have to get used to him.”

“Is he your bodyguard?” you wonder.

“You could say that. But I’m always prepared in case someone wants to attack me.”

He opens his blazer, showing you a revolver tucked into the fabric. You have your own in your suitcase. Walking around with it feels too risky, but maybe you’ll have to go get it. In case anything happens.

After lunch, you’re left with a weird feeling in your stomach. You have talked with him for an hour, about everything between heaven and earth … and yet it feels like you have been having two conversations in one — one on the surface and one real.

You walk to your cabin and press down the door handle and walk into the room. The first thing that strikes you as odd is that there’s a new smell in the air. A flowery scent. You can swear that you have felt it before. Without a second to waste, you open your bag and pick up your gun, putting it in your suit. Quickly, you turn around, realizing something. Didn’t you lock the door when you went out this morning?

That evening, you spend dinner with the two girls and stay in the smoking room with Edmund for what feels like an eternity. Edmund wants to play a deck of cards with you. He seems a bit more relaxed than yesterday and even smiles a bit.

After your games against Edmund, you decide to retreat. You walk down the long, dimly lit corridor. The narrow spaces feel almost ominous at night time, although barely any daylight reaches here at daytime either. You glance over your shoulder every tenth step, hesitating, can't help but feel watched. Your hand reaches for your gun, but before you have time to get it, someone reaches up behind you and smashes something heavy in your head. Everything turns black.

DAY 3 — SEA

“He's waking up.”

Your eyes feel like lead, and your head is even heavier. It takes a few tries to open your eyes and when you finally manage to, you want nothing more than to close them again. For a few seconds, you wonder if you're dreaming. They're all here, looking down at you. You look around and notice that they've tied your hands and feet, and left you on the floor at the end of the bed, with your back against the footrest.

You catch a glimpse of the clock on the wall. Just a bit past one in the morning. The third day has begun. You have been blacked out for three hours.

Your head is pounding, making it hard to think clearly.

Jerry bends down, grabs your chin and turns your head back and forth to inspect the damage caused on your head.

“He'll live”, she says and gives your cheek a quick, but harsh, tap.

“Well, well, Y/N”, Silas says, smirking. “You're a bit nosy aren't you?”

The mention of your name causes you to twitch and widen your eyes. In your dulled stage, you wonder if you've heard wrong, but the smirk in their faces confirm that you have, indeed, not lost your hearing.

“So, you were the agent”, Silas continues and shrugs. “I gotta admit, I was hoping that it wasn't you.”

“You were smart-”, Doctor Kry starts.

“But not smart enough”, Edmund cuts him off sharply with his arms crossed over his chest. “‘Art dealer’, yeah, sure. A detective dealing with art. That's not the same, Y/N, if you didn't know that.”

Silas picks up something from his pocket, a small commonplace book.

“‘Suspects are all interested in art, could be any of them’”, he reads out loud. “‘J involved with S? Talked with SIC.’ Jerry? Involved with me? Talked with my second in command? You seem to have it all written down.”

“I was involved with Silas”, Jerry says. “I know his second in command very well.”

“How—How did you … know?” you ask, baffled. “Were you all in on it?”

“Not from the start, no”, Doctor Kry says. “I only knew Edmund and had met Hedwig before. I didn’t even know Jerry, Silas or his second in command.”

You quickly realize that Jerry is the linking chain between them. She linked Hedwig, Edmund and Kry to Silas and his second in command.

“I had already been informed and knew that there would be someone on this ship out to get me”, Silas says. “I heard that Jerry was on board and caught up with her. She told me that she and Hedwig had met you. It was her that thought it was weird that you asked all of us about art. My men dug, and found out your real identity. My men saw you speaking with the purser, hearing you ask for our cabins and decided to tell it all to me and my second in command, who told Jerry … who told the others.”

“You have more men?” you ask and can’t hide how shocked you get.

“Of course. You don’t think I would go on board with only one man? Do you think I'm stupid, darling? You, on the other hand, probably should have had someone, at least.”

“Awfully inconsiderate of your bosses, don't you think, to send you all alone?” Jerry says.

“You were looking for this, weren’t you?” Edmund asks and pulls out something from a wooden box behind him.

You stare at it with wide eyes. The painting.

“Who—Who had it?” you can’t help but question, gulping between the first word.

“Me, of course”, Edmund says with an offended, yet proud scoff. “It will do nicely in my castle.”

“Now, little Y/N, you know”, Silas says. “Are you happy now? Your mystery is solved.”

Your head hurts too much to answer. You’re not sure if you’re happy. You have learned where the painting disappeared, but you’re tied and hurt, and in the enemies’ grasp. A mixed bag, so to say.

“I can’t watch the blood”, Hedwig suddenly says and stands up from the armchair she's sitting on.

She has been the only one that hasn’t smirked at you and seems genuinely apologetic that you're here, but you don't trust that damsel in distress look anymore. She pushes through the others to reach you with a wet handkerchief in her hands. Carefully, she kneels down in front of you and wipes the wet cloth against your forehead. She wipes away the dried blood gently.

“What are you going to do now?” you spit, coming your head to the side. “Throw me overboard?”

“Not exactly”, Silas says, smiling menacingly.

“Not yet, at least”, Jerry says, grinning.

“If I don't meet my contact in New York, people will know that something has happened to me”, you say coldly. “They'll hunt you down.”

“Oh, will they now? I didn't realize that we had stolen their golden boy.” Silas's cruel smile widens. “Well, Golden Boy, plans seem to have changed.”

You glare at him in confusion. Silas pets your head twice and you hiss at the painful touch. Whatever they hit you with, it must have caused a gigantic bruise.

“Seems like we have to keep you for a while”, he says. “But you will have to stay in here, I’m afraid. You probably understand that we cannot let someone like you wander around the ship.”

You glare at him.

“Do you really think ropes will stop me?” you ask. “I'll be out of here in no time.”

“I would very much like for you to see what we do to you if you decide to break free.” He gives you a testing look before turning to his new companions. “Oh, and one more thing …” He picks up a familiar revolver, spinning it around his hand. “... thank you for the free gun.”

You want to curse at him, but keep quiet for your own sake.

“It's late, the ladies should head to bed”, he says, gesturing for Hedwig and Jerry to leave. “We need to keep someone here to make sure that our little Golden Boy won't free himself and run around, causing trouble.”

“I can take the first shift”, Doctor Kry says and golds up a syringe filled with a translucent liquid.

“Do not harm him, you hear me?” Silas tells him warningly. “I want him alive, coherent and unharmed.”

“Where am I supposed to sleep?” Edmund questions angrily. “In this cabin? Now that I'll have people staring at me?”

“You and Doctor Kry will take Y/N’s cabin”, Silas says.

“Are you fucking kidding me?”

“Stop being so spoiled, your majesty.”

“Won't that be suspicious?” Silas’s second in command questions. “If they see the young king exit and enter someone else's cabin instead of his own?”

“No one knows his cabin”, Silas says as if things were obvious. “Besides, we're in New York tomorrow anyways. It won't be a problem.” He turns to the others. “Scatter.”

The five of them walk out, leaving you and Doctor Kry alone. The doctor sits down in one of the two armchairs in front of you with a long, tired sigh. In his hand, he twirls the syringe.

“What is that?” you mutter.

“Something that will make you go to sleep if you're trying to escape”, Doctor Kry says simply, as if he was talking about watering flowers.

“Why did you hit me in the head if you had that instead?” you ask bitterly.

“Because it wasn't me, it was the second in command and Jerry.”

“Did you lie down in the swimming pool? About not knowing where Jerry came from?”

“No, Y/N, why would I? I told you that I didn't know anything. I didn't get to know until this afternoon.”

“And yet you're quick to jump the wagon to get me killed. I thought doctors were supposed to be nice.”

“I’ve never said that I was nice.”

“What do you gain from this? Why do you want to engage in collusion with people like this? What kind of doctor even are you?”

“Still, with all these questions … look, Y/N, it’s late. You’d do good in trying to get some sleep.”

“On the floor? With my head pounding in pain? With my hands and feet tied?”

“Suit yourself.”

There’s a deadly silence after that. You listen to the sounds the Normandie creates, and somehow wishes that she could save you, but you’re trapped within her, there’s nothing to be done. You rest your head back onto the edge of the footrest and sigh heavily. Doctor Kry looks at his syringe as if it is the most interesting thing he has ever witnessed.

“I'm thirsty”, you say after a while.

Doctor Kry stands up, walks over to the dressing table where a crystal carafe is waiting and pours you a glass. He returns to you and holds the glass to your lips, making you drink. You gulp it down and breathe heavily. Doctor Kry returns to his armchair.

You don't know how long you've been sitting on the floor before you start to fall asleep. You thought that you wouldn't, not in this position (figuratively and literally) but you somehow fall asleep.

“Wakey wakey, Golden Boy.”

You feel someone poke your head to the side multiple times and open your eyes to see Jerry hold a stick in her hand which she's using to poke your head.

“It's morning”, she says.

You groan groggily. She imitates you and chuckles.

“Did you have a pleasant night?” she teases.

You decide not to answer, not to humor her further. Your eyes draft onto a silver tray on the table.

“Yes, that's your breakfast”, Jerry says and lifts the tray, putting it on the floor in front of you before sitting down.

She picks up a piece of toast and holds it to your mouth. You take a bite, feeling more humiliated than ever. If only you knew that this was where you'd end up when you stepped on board in France.

“We will be in New York tomorrow”, Jerry says, holding the toast to your lips. “And we'll sneak both you and the painting past your contact.”

“It's just a painting”, you say cluelessly. “Why do you all want it so much?”

“I’m not particularly interested in the painting, but I know that Edmund and Hedwig are.”

“Why?”

“Art nerds.”

“Is it even selling for much?”

“It is — if you give it to the right consumer.”

“And you? What do you gain from this?”

“The thing isn’t about what I gain, it is what I lose … in case I let you roam freely. I don’t trust what you will do with the painting or it’s contents. Plus, you know who I am. If you wouldn’t have stuck your nosy head in everything, you wouldn’t have any problem with me.”

You suddenly realize something.

“Jerry, I need to go to the bathroom”, you say. “I haven’t been to the bathroom since before you knocked me in the head.”

She sighs heavily. “Alright, come here.”

Before pulling you up on your feet, she unties them. You stumble, almost falling on Jerry.

“Watch it, big boy”, she warns you. “If you knock me down I’m kicking you between your legs until you can’t have children.”

“If you hadn’t tied my feet, I would actually have blood in them. I can’t feel them.”

She unties your hands bitterly. You make your way into the bathroom and catch a glimpse of yourself in the mirror. Hedwig had wiped away some of the blood, but there were still traces of it in your scalp. You sigh heavily. What should you do? Finally, your hands and feet are free, but you aren’t yet. And — after a quick look around — there’s no way out. The only way out is through the door which Jerry is guarding.

You could perhaps get out by defeating Jerry, but you have something against fighting women. But, then again, she had knocked you with — what you guess was — a glass bottle. You look around for something that can help you and lay your eyes on a metal bar over the bathtub, used to pull one up. Without a second thought and will all your might, you rip it off. You give it a few squeezes, feeling if it could be strong enough to be used as a weapon and trying to find a comfortable, yet strong, grip.

You open the door quickly and swing the metal bar towards Jerry. She tries to grab it out of your hands but you push her off and knock her to the ground with the bar. You're not sure how hard you are hitting her, but it's enough force to keep her down. Quickly, you make your way past her and storm out of the cabin, almost crashing into the opposite wall in the corridor. You look around quickly, trying to think of where to go. After what Silas said, that he has more men than just his second in command lurking around, you're not sure who you can be seen by. You need to find an officer. You need to get higher.

Shit, the painting!

Your heart is beating loudly in your chest as you scurry back into the cabin. Jerry is lying on the floor, unconscious, and you almost feel bad for knocking her, but you know that it had to be done. It was her or you. Quickly, you open the wooden box and fish out the painting, tucking it under your arm. You can't hide it in your cabin, not when they know about it. You have to dispose of it somewhere safe.

Every step you take is careful, planned and mortified. You clutch the painting tightly, as if it is life itself.

Moving through the long corridor, you're certain that someone will jump out behind a corner and knock you out, like yesterday. Adrenaline is pumping through your veins, almost making you nauseous. You continue through the corridor, over to the hall with the staircases. Your suit has dried blood on it, you look (and feel) manic, will anyone take you seriously?

You freeze as you see a pair of eyes on you. Kry. His blue eyes seem to darken as he notices you, and the painting.

Quickly, you throw yourself into the elevator, and press a random button, wanting the doors to close before Doctor Kry reaches you. And they do, but when you look at the display beside you, you're going the opposite to where you need to go. New plan, you think, I have to sneak into tourist class — or third class, whatever gets you furthest away.

While standing in the elevator, you take a look at the painting to make sure that it hasn’t been damaged in this mess. You turn it around to inspect the canvas and notice something stuck in the corner of the wooden brackets. Carefully, you reach your fingers in and pull out a folded paper. Tucking the painting between your arm and your waist, you unfold the paper to find a list of names and locations … some of which you recognize. They’re all wanted criminals and you guess that the ones you don’t recognize are criminals as well. And the locations …

Your body goes cold and stiff. For a few moments, it feels like the entire world has stopped spinning. This is suddenly more serious than you could ever expect. Quickly, you put the paper in the pocket of your black pants.

You make your way through corridors you haven’t been in before, through doors you’re sure you’re not allowed through. You can’t help but look around at the new environment. Despite being one of Normandie’s lower classes, the attention to detail had been given to every centimeter of the ship.

Focus!

You’re not sure where you’re going, but you need to find someone that can help you. You consider giving it to a random passenger and ask them to give them to an officer, but in your entire training, you have been told not to pull innocent civilians into your job. They could get seriously hurt and it would be completely your own fault.

You make your way through tourist class, making sure not to be seen by anyone. If Silas have more people than you thought, why wouldn’t they be in multiple classes? You’re not even sure why the painting have caused this big of a commotion, but there’s no way you can give up the painting now — not after everything you’ve gone through. Your head is still pounding from the glass bottle and your heart beating out of your chest by the sight of Doctor Kry. He knows that you’re roaming freely, and soon, they all will know … and they will look for you. Silas’s words still ring in your ear; “I would very much like for you to see what we do to you if you decide to break free” — well you surely don’t. But where can one run where the space is limited? It’s not like you can grab a lifeboat and sail your way to safety. The sea can be just as dangerous as the people you’re dealing with.

You look around for someone in black uniform, desperately wanting to find someone to help you before you get a bullet through your head. Finally, you find a steward carrying a metal tray. Like lightning had struck through you, you barge forward and grab his arm.

“Sir, you have to help me!” you hiss and pull him into an empty corridor.

“What are you doing-?” he gasps.

“Please listen and listen quickly”, you whisper in pure panic. The words fall out of your mouth incoherently, but you somehow manage to create the sentences you need for the steward to listen to you. “I have to get to the Captain! Like … now! It’s really, really urgent! Please, just trust me!”

You look around with wide eyes, heart now pounding in your throat. The steward nods in confusion and signals for you to come with him. You’re not sure why he decides to trust you, but you’re ever so grateful for it. He takes you through hidden passages used for staff so that none of the paying passengers will have to see them, up a couple of steep stairs and through some more doors. You hug the painting tightly against your roaring chest. Every corner makes your heart stop, terrified that someone will stand on the other side and knock you out the second you turn.

The steward points at a door with a golden sign on it — ‘Officers’ quarters’. You pound on the door until you’re sure your knuckles bleed. A stern looking man in neat uniform opens, giving you a dark look.

“Who are you?” he questions. “What do you want?”

“I’m Y/N L/N, I’m an agent of the crown and this is the missing painting that has been all over the news … you have to keep it secure until we reach New York.”

The officer looks confused as he takes the painting in his hands and lets you into the quarters.

“You’re bloody, what happened to you, sir?”

“There’s six passengers — Mr Achilleos and his man, His Majesty Edmund of Vesanus, Doctor Karl Kry, Miss Hedwig Carter and Miss Jerry Kim. They knocked me out and kept me in a cabin the entire night. They’re working together. They want this painting …”

… and probably my life by now.

“ … keep it safe”, you beg the officer and feel your voice quiver. “Please. If i can’t meet you at the harbor when we dock tomorrow, please give it to my contact — I will write down his name — and tell him that he can find further information on board the ship.”

“I will tell the captain about the passengers, they will be taken care of and kept in arrest until we reach land where the police will deal with them”, the officer says.

“Thank you. A lot. Really.”

“You can stay here if you want.”

You feel for the note in your pocket and shake your head. “I have to do something first.”

The officer nodded. On shaky legs, you open the door and walk out into the corridor again. The steward is long gone and you’re alone in an unfamiliar corridor. You suddenly feel exhausted and decide to stay close to the door for a few moments to catch your breath, as if the officers’ quarter was a safe place.

The note has to be hidden somewhere across the ship so that your contact can find it in case you don’t make it out alive. The note is more important than the painting and can, under no circumstances, go in the wrong hands. These names have to reach your contact. The group will look for the painting in belief that the note is still there, so the note has to be hidden separately so that they won’t find it.

You make your way through the corridors slowly, making sure not to be caught with the list of names on you. In a weird, panic filled daze, you make your way through corridors, through lounges and dining halls where you hide the note. Underneath a chair, stuck to the corner. You deice to find your way back to the officers’ quarters and somehow find yourself out on deck. The wind is grabbing at you, pulling you left and right. You have a hard time keeping yourself on your feet. No one else is outside and you suspect it has to do with the fact that it’s early in the morning and the dark gray sky above you threat of rain.

“Y/N, don’t move.”

You turn to see the second in command with a gun in his hand.

“If you shoot me you'll ruin your life”, you say to him as confidentially as you can muster, but you can't help but worry if he's going to pull the trigger.

“Do you think I care?” the second in command questions with a scoff. “I serve my boss until my last breath, I couldn't care less about other trivial matters. Where's the painting?”

“You don't care for the painting. Ask me instead where the note is.”

His eyebrow twitches.

“You know about the note, huh?” he says, eyes narrowing. “Seems like I'll have to get that out of you.”

“Why don't you have your boss do it? Or is he in arrest?”

“Don't worry about him, he always comes out on top. Come with me now or I will shoot you-”

“Shoot me then. The note is hidden and the painting is with trusted people.”

“Idiot. Do you think I was born yesterday? If I shoot you, I can't get the note. You may be stupid, but i dont think youre careless enough To sacrifice yourself for such a trivial thing. Get over here. Now.”

You're unarmed and alone, but if there's one thing you've been taught, it is to not give up without a fight. Your eyes catch onto an officer patrolling the upper deck and whistle. As the second in command takes his eyes off of you, you dive head first into the swimming pool. From his perspective, you don't think — wish — that he sees the man above him. The water wraps around you like a cold blanket and for a few seconds you can't even feel the wetness, only biting cold that almost makes you gasp under the surface. Somewhere, you think that you can hear a gunshot and see something whooshing past you in the water. And then another, and another. And then nothing.

You don't return to the surface until you're sure that the bullet rain has stopped. Your burning lungs gasp for air and you grip the ladder to your left. The second in command has been wrestled down on the deck by the same officer you saw. A smile tugs at your lips as the second in command glares at you from the floor, smashed against the planks.

“Sir, are you alright?” the officer asks, panting.

“I'm okay”, you reply, panting heavier.

An ice cold wind cuts right through you.

“Go inside”, the officer tells you.

“Y/N!” the second in command shouts as you've started to walk. “Don't forget that there are more. You barely know half of the people we have on board. Don't think for a second that you are safe!”

You pretend not to hear him and make your way inside for warmth. Unsure of where to go because of the second in command’s words, you return to the officers’ quarters.

That evening, you make your way down to the arrest. There are still two questions you haven’t gotten an answer to. You've gotten your gun back from a steward and have tucked it in your blazer. Nausea is eating you up from the inside as you walk into the room, watching the cell and its habitants.

“Look who it is”, you hear Jerry snicker. “Change your mind, Golden Boy? Do you want us out?”

You don't even bother to answer.

“The painting is in a safe place, and so are the note”, you say. “I suppose that Jerry, Silas and your second in command wanted the note and not the painting … and Edmund and Hedwig wanted the painting … but what did the Doctor want?”

“Me?” Kry asks coldly and walks over to the bars with his arms crossed. “What I wanted?”

“Yes”, you reply.

“You, of course. Imagine, my own little lab rat that I could do whatever I wanted with … no one would even bat an eye if both you and the painting disappeared.”

“You won't get any of it.” You let your eyes wander over the six people. “Not the painting, not the note, and absolutely not me. Jail is what you will get.”

You can hear Hedwig start to sob in the corner of the cell. She has sunken down along the wall with her head hanging between her knees, body shaking with sobs. Edmund sighs and walks over to her side, grabbing her shoulders and trying to pull her up on her feet.

“Don't cry”, he says quietly. “We won't go to jail, I will make sure of that. I won't allow it.”

“Did you just come down here to revel in our misery?” Silas asks you.

You're not sure why you came down here. Did you want to make sure to yourself that they were behind bars? Or make you feel more powerful? Or even just get to see them?

“You do know that we will have our revenge, don’t you?” Edmund says and looks at you. “This is not the end.”

“I hope that you like being a dog, because that's what you're going to be, leash and all”, Silas scoffs.

“Tattooed”, Jerry adds on with a tilted smile. “Marked. Would Golden boy like that?”

You ignore her, and walk over to the cells bars, eyes glued onto Hedwig.

“What were you doing in my cabin?” you ask.

She freezes, looking cluelessly at you through her teary eyes.

“What?” she asks in shock.

“Your perfume was all over my cabin”, you say coldly. “Why were you in my cabin?”

“I-I’m sorry, Y/N!” she cries and runs over to the bars, reaching out for you.

You back away.

“I’m sorry, I-I … I looked through your things. I couldn’t help it, I just … I really, really wanted to hold you. I didn’t take anything, I promise! Please believe me, Y/N, I just wanted to- … it doesn’t matter. Forgive me.”

You don’t answer. Maybe Hedwig isn’t as sweet and innocent as you thought.

DAY 4 — End of voyage

After your hell night last night you couldn't be more grateful for the somewhat pleasant night you had. Every single sound and movement woke you up, preparing you to see one of the six criminals or their acquaintances. And since a ship is in constant movement and makes sounds only God knows about, you barely slept for an hour straight. But at least you were in a warm bed.

You can't eat anything during breakfast. You stare at the sandwich and steaming coffee in front of you with a twisted stomach. The room is filled with passengers, like normal, but the bright room can’t be more dark and sinister. It is as if someone has drained it of color. Any of the smiling guests can be one that want to put a bullet through your skull, and is waiting for you to rise from your chair and follow you outside.

When a waiter comes over to your table, the coffee has stopped steaming.

“Good morning, sir”, he says politely and places a silver tray with a silver cloche on your table.

“What is this?” you ask in confusion.

“A gentleman told me to give this to you. He has paid for it and everything.”

With that said, he smiles and walks away to continue his job. You glance down at the dome looking metal and feel your heart sink. Although you don’t want to, your heart reaches out to pull it away and reveal whatever is lying on the silver tray underneath. You’re not sure what you are expecting but a small, folded paper is certainly not it. As if on autopilot, you open the paper to see only a line.

“We will be waiting for you when we dock, you won’t get past us. We are watching you.”

You were right. A knot appears in your throat. Your legs go numb. You will be killed.

The air is hard to breathe in and you have to get out before you suffocate. You get out on the deck with the lifeboats hanging above your head and lean against the railing. In a few hours, Normandie would dock and you would be caught. You’re not sure that the steward who had helped you before would be able to save you, and you don’t want to put him in more danger … but you can’t step off the ship in New York’s harbor. The lifeboat above your head gives you an idea. A stupid, right out ridiculous idea …

You look around you before your shaking hands release the lifeboat from its holds. You have been taught the most outrageous things to rescue yourself — including lowering an ocean liner’s lifeboat. The davits slowly bring the lifeboat downwards and you climb in, lying down to avoid being seen. Your body trembles with fear, unsure of what this will bring you … or where it will bring you.

There's nothing on the ship that you should bring with you. There's no guarantee that the lifeboat will reach the harbor safely, but its a try. The painting will be more secure with the steward.

You feel a ‘thump’ from when the lifeboat hits the waves underneath you. You see how Normandie towers above you, the black steel never seeming to end. A pair of heads stick out from the side and something hits the water beside you. Quickly, you cover your body with your arms and legs, curling up until all vital organs are covered. Hitting you with bullets on this distance are harder than one can think, but not impossible. The second you’re sure that they can’t reach you, you get up and start to paddle. If the men tell a steward about the missing lifeboat, they’ll steer their ship over here to get you.

Your arms quickly grow sore. From now on, you’re entirely alone. There’s no one to save you in case anything happens and you will have to find your way to land by yourself. But it's better than being on board the ship.

The sea around you feels abnormally calm. There’s no distinctive sounds apart from the waves hitting the side of the lifeboat.

You sit for a moment, taking the time to think. This case has been different from all the others you have done. More personal than you could ever have anticipated. You’re not sure why, but something with this case told you that things wouldn’t be over if they got their way. It was more than just materia, they want you too … to use as they please. Doctor Kry was right. Who would bat an eye if you disappeared along with the painting? They wouldn’t call it a kidnapping, it would be a disappearance that could be explained by the painting. And now they have none of it. Not the painting, not the list of criminals and not you. Pretty successful, you think. Maybe you succeeded this mission after all?

You hiss as you touch your sensitive head. You’ll have to find a doctor in New York.

Hours go by. You row, you rest, row, rest, row, rest. Throw up. Damn if you have gotten a concussion, you think, but it’s probably just the sea air making you nauseous.

How things had turned out. You thought that you would have had to deal with one or two criminals … not six. Ad how Silas had seen right through you …

It’s over now. It will be over soon. Is it over?

You continue to row.

in the distance, you see a fishing ship pulling up their net and you wave with your arms in hope for them to see you, which they inevitably do. Your exhausted, cold body is picked up and wrapped in an old blanket.

“What were you doing out in a lifeboat like that?” one of the old sailors asks. “Which ship has sunk?”

“It’s the Normandie!” another one says as he reads the name on the wooden planks. “Has the Normandie sunk?!”

You tell them that it hasn’t suck — in fact, it’s steaming on better ad stronger than ever — but that an accident had happened, which resulted in you all alone in a lifeboat in the middle of the ocean.

They give you a yellow rain coat that you use to hide in and join the sailors to New York’s harbor that evening. In the distance, you see the different ocean liner piers. Cunard-White Star Line, United States Lines, HAPAG, Italian Lines, Swedish-American Lines … and finally, Compagnie Générale Transatlantique. Normandie was towering above all the other liners and you stood there on the pier, looking at it. Four days ago, you had been standing in the harbor at Le Havre and been excited to step on board. But now, that you are looking at it from afar, in the dim lights, there’s something unsettling about the her. It looks like she’s apologizing to you for everything that she allowed to happen between her walls. You almost start to cry.

You turn around and walk without giving the ship one more glance, hoping that it will be the last time you get to see the Normandie.

You meet up with your contact in a small warehouse that following morning and tell him what you have hidden on the ship. He promises to retrieve it. He already has the painting and has secured it, had gotten it from the very steward you had left it with.

“I have something else too”, he says and gives you an apologetic look.

“What?” you ask and watch him closely as he takes out a paper from his pocket.

“I’m sorry, Y/N.”

You open the paper and feel your blood go icy cold. The handwriting is unfamiliar, but the nickname you see written in black …

“Thought you could lock us in? Think twice, Golden boy, we’re already out. We’ll find you, be so sure of that. Don’t think that we will let you slip away. You will look good in a leash.

S.A”

You fold the paper just as quick and breathe out a shaky breath.

“Don’t worry, Y/N, you will be protected”, your contact promises. “It will not be any problem, I assure you.”

With the six people’s contacts and power, you doubt that your protection will do much, but you nod. The painting is safe and the note is safe. They may have escaped jail and are looking for you, but you succeeded with your mission. And that is all that matters.

#yandere #yandere x reader #yandere x you #yandere imagines #yandere drabbles #yandere oc x you #yandere mafia #yandere oc x reader #yandere fics #yandere stories #yandere doctor #yandere king #yandere female #female yandere #yandere rich girl #yandere oneshot #yandere ocs #yandere ocs x reader #male reader

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takes1 · 10 months ago

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p.3 asahi x feral reader w/ a size k!nk

skip the intro if you want/ i had a very fun time writing suga/daichi/asahi being realistic high school friends. shit had me giggling. anyways ty for all the support!! taglist has gotten big i love it!!

warnings. heavy nsfw. minors DNI info. nsfw / m!receiving oral / f!receiving oral / grinding / gentle giant!asahi / mutual size kink / sweet asahi / asahi climbing a window / kuroo's sister!reader / kuroo cockblocking / kuroo being protective / 3.7k words / multipart series so reply to be added to taglist! haikyuu collection. more hq here! part one here. part two here. final part here. more links. my ao3. masterlist. requests open!

"How good are you at climbing?"

Asahi repeated his plan many times to his two most trusted friends on the walk from the hotel. They were prepared for what this was going to look like when they hit a kneel behind the brick half-wall in front of your home.

"God," He sighed, courage fading from his face the longer he stared up over the barrier.

Your window was pretty high.

"Should I-- should I go through with this? I mean, this is crazy--,"

Daichi grabbed both sides of his face and gripped hard.

"Is that even a question?"

Completely taken off-guard, Asahi looked around, a little freaked out, but was only squished harder.

Daichi's expression was stone, "You have to do this."

"Dude, I don't think any chick is gonna be this into you ever again," Suga added.

"This is once-in-a-lifetime opportunity," Daichi gave him a few hard slaps to the face and finally released him.

He rubbed his burning cheek, brow furrowed at the sudden tone-shift first, then with rising confidence. He nodded with resolution.

He was super into you, so why not? It was just a jump. He jumped all the time!

A few more supportive back-pats and half-pushes, and he was checking the look of the house to make sure Tetsuro wasn't on standby at any doors or windows. Thankfully, it was just your open window, exactly how you described it would be.

Asahi's big ass went into a full sprint across the yard, stirring a round of laughter from his peeping friends behind the wall.

The prospect of some old lady calling the cops on this giant sneaking around in the neighbor's yard was too funny of a concept to them.

Daichi snorted at Suga propping his phone up to record.

"Aaahah! Yess-ss-s!!" He giggled under his hand.

Their buddy jumped for the window, but only tapped it with his fingers.

"Noo-oo-hhha-haha-!"

Suga was belly-laughing into his arm. The brunette could hardly speak to encourage him to keep watching as Asahi looked around for anything to help him up.

To their delight, the only possible object to help him at this point was a skinny, unreliable sapling that sat an awkward distance away. He might have been able to properly use it if it was two feet closer, and if he weighed 80 pounds less.

They were grabbing at each other's hands, their laughter not even quiet anymore, when he began to climb it.

"OOoh-, Ooh! OH my-" Suga's laughter turned to just a scratchy whistle at the back of his throat as Asahi fell out of the tree with a thump!

At this point, the two were gripping each other, silently shrieking and vibrating, barely able to open their eyes enough to watch through the phone.

Daichi gasped for air when he saw him land on his ass, "AAAH!! AH-Hh--,"

"SHHHH! SHsh-ss-ss," Suga gripped his shoulder and slipped off, headbutting him in the process.

They were both whistling now, not even watching anymore, as Asahi finally got his hands on your open window just by a powerful vertical.

Fuck that tree. He was glad he left the stupid thing bent at 90-degree angle.

The two sat there on the sidewalk for the next seven minutes, overcome with demonic squeaking, gasping, and hissing, with tears rolling down their red faces. Every time they started to calm down, they'd look at the sideways tree and return to hysterics all over again.

Finally; the easy part was the muscle-up to get inside.

"God damn," He groaned in pain and slid into your bedroom with a stumble.

You swiftly got up, shut, and locked the window behind him, then drew the curtains for good measure.

From his seated position on the floor, he could see all the way up your simple white t-shirt. Pretty, lacy white panties right in front of his nose were the only thing you opted to wear underneath. He grew much, much warmer.

"God damn..." He repeated, though it sounded entirely different.

His hand reached to grab at you, but he stilled, thinking better of himself.

He noticed how pretty your long lashes were, looking down at him like he was your next meal, and wondered what you actually saw in him to make you so eager.

"Hi," You grinned and backed up to pull him to his feet.

It was a struggle to not just sit on him and make-out immediately. But the sun was just setting, and you wanted this to last all night, so you figured you could take a little time out for 'formalities.'

He quickly kicked off his shoes and took your hands, but didn't rely on your help to get up.

Your hands stayed connected between you. His thumb rubbed against the back of your knuckles, slow and tender.

You really were just a sweet little thing. He couldn't believe you were so forward over the phone.

"Hi," He replied softly. A big, warm smile down at you.

Sure, you wanted to know how his day was, how he was feeling, what he was thinking, if he liked your 'outfit'-- but that little exchange transformed your anticipation into desire, and you neededhim now.

A little sweaty from the climb, a little out of breath too, he gladly gave into your guidance to sit on your bed. It groaned under his weight, but you couldn't care about the noise when your lips were crashing onto his.

He tasted like one of those green Listerine strips- spearmint, you caught- and man, was he so good. His lips were full and soft, like you could melt into them all day. He wasn't over-ambitious, nor was he too passive with his mouth.

A growl rose in the back of his throat when you pushed his hands under your shirt.

"Please touch me," You sighed, brow furrowed, limbs growing weaker under his palms.

He sucked on your bottom lip for a moment and caught his much-needed breath. That low laughter was even hotter in person.

"God, you're so cute," He smiled, a small tease at your neediness, but he wasn't hiding the fact that he liked it.

His compliment made you melt in his arms as he picked you up to set you in his lap. The foreign feeling of hands covering your hips, pushing your softness down onto his jeans inspired a small, unfiltered whine onto his lips.

"Fuck," He chuckled, gasping at that unmistakable heartbeat around his tortured, trapped cock, then rasped, "I've got so many questions."

There was almost no resistance when you pushed him to lay down, mostly because he wouldn't trade where his hands were to catch himself. You swallowed an amused sound from him and only responded when he pushed up into you.

"a-Ah-ha," You whined, letting him trail a number of messy kisses down your neck, "Me, too."

Curious hands slid up his light shirt, massaging and prodding nearly every square inch of his hardened frame. He had some chest hair and a little tummy trail, which only added to your ferocity.

He noticed this interest and did you the favor of removing his own shirt.

The sight of his athletic build was not surprising, but it certainly made you want to speed things up. Your fleeting focus shifted to the next thing you wanted to see.

"You feel so big," You breathed, hips rolling against him when he wasn't holding you still.

Judging by the shy, modest smile against your skin, your deduction was right.

"You gonna be okay with that?" His voice buzzed against your ear.

You gasped at the sensation and his tone.

His fingers were edged up under your panties, gripping the plush of your ass, effectively driving home the question's sincerity.

Before you granted him the answer, you pressed a kiss onto his temple and retracted to sit up on his lap, "Are we asking our questions?"

"Yea-h," Just fell out of his mouth.

He didn't realize he even said anything until you responded to him. His focus was on how you rolled waves of pleasure onto his lap, back and forth, real slow, with that gone-look on your face.

"How many girls have you 'been with'?" You hooked your fingers under his waistband and watched his tummy twitch.

"Two."

You nodded with consideration, knocking out his past and future question with your present response, "Me too."

That adage sparked a look of relief and certainty on his face. His hold strengthened around your thigh when you unbuttoned his pants and started lowering the zipper.

"Let me know if it's..." He trailed and tried to suppress a shiver when you pulled him out.

He watched your eyes widen, lips pursed in an adorable astonishment.

It was a conscious effort to not shy away from the size. You couldn't believe your luck, as you took it in your hand to assert that you were not intimidated.

His chuckling interrupted your awed stare.

"Too much?"

A quick head shake, but you weren't convincing enough to his heedful mind.

Another slow, studied kiss between one another. He was holding you still by the side of your face and the back of your head, quieting every worry in your brain.

"We'll take things slow," He reassured you.

Though you were certain nothing on your face expressed concern, his promise stood as a reminder that you could stay calm, because he was safe.

You settled next to him, propped onto your elbow for the most comfortable angle you could get.

Huge, but safe.

The way his stomach tapered down into his hips had you staring and rubbing all around his dick, just curious to touch every inch of him.

A dark, pulsing head was already leaking a bit of precum. You pumped him once, real slow, and let the clear drip onto your tongue.

Salty, yeah, but not much burn to it. You licked the rest of it off of the slit.

He gave a strangled curse and you earned a big hand brushing through your roots.

"Mm..." You sucked a sloppy kiss to the head with a chuckle at his twitching in your mouth.

You stuck your tongue out past your bottom lip and bobbed down. His head fell back onto the blankets and his fingers flexed in your hair.

"Ooh, fu-ck," Was a pretty sound above you.

He was too big for you to take all of him, but he sounded completely satisfied with what you were comfortable doing.

With a slight bend in his knee, he was able to turn his hips slightly towards you. His firm hand in your hair guided you to a rhythm and depth he preferred.

"A-ahh--Fuck, baby that's s-o good..."

You never realized before, but it made it so much easier on your neck and shoulders-- not to mention the fact you didn't have to think anymore.

It helped you relax.

His muttered praise was just the cherry on top. Your thighs squeezed at how good he made you feel for just letting him take your mouth.

He lingered right at that threshold between too difficult and too easy for you, and let up as soon as you gave him some resistance to judge you by.

There wasn't a better person you could've chosen to trust with your body. His tendency to play it safe turned you on because it let you run wild without worry that he'd take advantage of it.

He was so gentle, yet firm- you wanted to discover what you could do with him.

"Fuuck, ah- good girl," He groaned at your ability to take him so well, a shocked, pleasure-soaked chuckle as he was able to fuck deeper into your throat.

You felt pliable and empty when he pulled you up by your roots. It was brand-new and a rehash of everything you wanted from him all at once.

He had a hungry admiration in his eyes for you.

Your hands flew up to tangle in his long hair in a passionate, rushed kiss.

Soft, kissy missionary or the roughest backshots his strength would allow-- you wanted anything, everything, as long as it was with him.

You wanted to be his.

He sucked the spit off of your lips and chin- the rest came off on your shirt, swiped away and forgotten onto the floor.

He readjusted to slide his pants off, yet chose to keep his briefs on. When he pushed you back onto the mattress, it was smooth and skilled, like he'd been planning exactly how he wanted to hold you.

Big, rough palms scoured your body, scratching and squeezing in all the right places to make you jump and squirm against him while he kept you occupied with his mouth.

"I'd love to return the favor," He chuckled against the shell of your ear when you wiggled away from his gentle pinch to your breast.

Your sensitivity motivated him to take his weight off of you.

You gasped at the chance to breathe with ease again. He trailed slow, wet kisses down your neck, across your collarbone, and stilled at your exposed chest.

Even when he wasn't doing anything, he felt so good on top of you. You pushed out your chest for him and locked your legs around his waist, a silent beg for him to keep going.

The act stirred another question, muttered between increasingly rough stimulation on your sensitive skin.

"Why me?"

You kept your hand over your mouth to keep some higher tones quiet. Your heartbeat was pounding between your legs-- why was he so humble?

"You're-- mn-! so hot," You admitted. It sure was simple, but it was effective.

It made him blush and laugh a little against your tits, so you kept going, "You ever just, God, ah- know that you need somebody?"

It looked like he didn't really get it, but he was plenty flattered, and that was more than enough.

"Well," He smiled and pushed himself up to sit between your legs. He let his hair fall onto his shoulders so he could re-tie it, "I hope I make it worth your while."

How could he say it like that? You couldn't tear your eyes away from his flexed arms, reaching up for nimble, veiny fingers to comb through his gorgeous locks.

You finally understood it. His self-esteem was testy at best.

"You already have," You admitted.

With the new knowledge that he could be a bit shy, you slid your panties off for him with a coquettish smile.

A sort of challenge, a sort of invitation, when you spread your legs for him again.

He loved your flirty nature. You had this 'Come and get me, big guy' attitude that he couldn't ignore or back down from. In a way, it gave him the confidence he always wanted. Plus, it got him super hard.

A moment to drink up the sight of you completely nude for him.

His hands were rubbing, spreading your thighs open as he settled between them.

He could've been just-alright and it would've been enough for you. Just his breath was setting your nerves on fire. But, like everything else so far, it wasn't mediocrity that defined him.

His lids were low as he got a good look at what he was working with. He pushed your legs far and split you open in spite of -or perhaps because of- your bashful writhing.

A slow, hot kiss against your sex shut down your attempts to get in his way.

Scratching nails turned a bit sweeter, more trembly against his scalp.

A light touch was all you needed, and it was exactly what he offered; his tongue traced every bit of your already longing cunt before taking a feather-light approach to your clit.

"Oh, fuc-k," You whined, having not anticipated how quickly he'd work you up.

There was usually a learning curve to this.

You could see in his eyes that he was smiling, or that he at least found your surprise amusing.

This gentle, sweet method inspired your squirming again, but he kept you in place with heavy arms around your hips.

He kept you so still that his grip was making your muscles ache underneath him. It was a subtle, sweet mix of pain and pleasure that you craved.

"Does that feel good, baby?" His tongue dipped down, a pressure against your soaking wet, tragically still empty, hole.

He knew you couldn't reply.

"Can't wait to fuck you," He mumbled, words buzzing on you.

You were being good about staying quiet under your hand before his admission. But it seemed that you forgot your precarious situation as soon as the man was back to tonguing your clit, edging you much too close to orgasm.

"A-ah-!" You slapped a helpless hand onto his arm and threw your head back onto your pillow, "Asahi-,"

Your unrestrained sounds only encouraged him to keep going.

The sight of you coming completely undone, arching at his touch, calling his name like that, despite not knowing a damn thing about him-- he was starting to understand what you meant by needing somebody.

The tension in your tummy was starting to crest high and quick.

"I'm so close- no," You whined, scratching at him.

You couldn't push away from his grasp, nor escape his dogmatic tongue to relieve your overstimulated clit.

"No-o plea-se, I-want you," Your pleading was finally granted his attention.

He finally stilled and pressed a thoughtful kiss to the inside of your twitchy thigh. The desperation in your voice took his breath away.

Just when he thought you couldn't get any cuter, you pull a move like this.

Who was he to deny you the chance to cum around his cock?

"Damn," He grumbled.

You flinched at his last, longing kiss to your pussy.

He settled next to you and became subject to some fast, light kisses to the side of his face while he finally removed the last of his clothes. You were so happy that he listened to you and that he was pulling out his dick again.

"Yesss!" You giggled and climbed on top of him before he could even straighten back out.

"God," He choked.

Your hips rocked back and forth on top of his strained cock- you were so wet for him, so eager, he couldn't help but compulsively buck against you, too.

His slick, pulsing cock slipped between your folds and bumped against your clit with every slow, strong thrust.

Hands stretched over your ass, he brought you back and forth exactly the way he wanted.

He was using you like a little toy.

You leaned down to your elbows, lips brushing his, and moaned to egg him on, "You feel soo good."

"D'you wanna fuck me?" You bit his lip, testing his patience, his temperament, with a blissed-out look in your eyes.

One set of nails buried into your curves, the other was grabbing the back of your neck to shut you up.

A deep groan surfaced past his lips and onto yours. His low-lidded stare was so intimidating, it made your thighs clench around him.

"Fuck-," He moaned, remembering he would need to stand up to go grab a condom, "My pants are so far away."

He laughed at how badly his cock hurt, hands now trying to still the addictive motion, "I gotta-"

You pried his fingers from you and sat up so you could keep going.

"Mm-mm, I've got some..."

A vague motion to the side of the bed. You leaned your head back at the friction and hoped he was watching you.

That was shockingly attractive of you to just have condoms. He looked to the dresser you pointed to with a raised brow, then closed his fist at the sight of your pretty body getting off on him.

"Alright," He groaned, "Watch it."

The room spun for a moment.

You were suddenly on your back, jaw slack at how he just picked you up and set you down so easily.

It was only disappointing for a moment, because you loved how he could throw you around, and his disgruntled, yet soft instruction.

You gave a shuddery, "Oka-y," through a big, excited grin.

He was leaning to sift through the contents of the drawer, on a search of a large amongst a handful of regulars, when he saw your phone light up at his presence.

"Looks like your mom texted you, by the way," He passed you the device without a further thought.

Finally one for his size in hand, he got back down and started to open it.

You frowned.

7:30 p.m: Make sure you take Maru out before it gets too dark.

9:00 p.m: take maru out. im on the game

A frantic look to the window. How long had it been dark for?

He sat straight up, "Woah, what's wrong?"

Breathless, you informed him, "I was supposed to take the dog out like, 2 hours ago."

His relief at the news was one-sided. For all he knew, a text from your mom could've been much worse. He didn't understand the trouble here.

"Wouldn't your-," He hesitated to bring up Tetsuro in this fragile environment, but had to, "Your brother just do it?"

You snorted. He never did anything that he could just put on you, especially chores that were specifically meant for you.

There was the idea to text and ask if he had done it already, but if he was still occupied, he wouldn't reply, and if he wasn't doing anything, there was the chance he would come up here and bother you until you did it yourself.

You shook your head and slinked off of the bed, despite every fiber of your being telling you to do otherwise.

"I'm surprised he hasn't knocked, yet," You shivered at the new cold and gave a nervous glance to your fortified door.

You looked divine, standing against the dim light that escaped through your blinds. Like a liquid silver painting, just for him.

Asahi grabbed a pillow to cover himself with and sat on the edge of the bed so he could put his hands on you.

He pulled you into a starved, rough kiss that you had to be gently pushed away from.

"Hurry back."

taglist.

ty for supporting!!!! i love writing this. reply to be added to taglist for next(likely last) part!

@valiantqueengarden @rinheartshyunlix @alpha-mommy69 @yuyunhoo @insertamazingnamehere

@kreishin

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masterlist. requests open!

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