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dclblog · 3 years ago

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Ballade von der weißen Kuh (O-Ton)...

...schildert in virtuosen Bildern die Geschichte einer iranischen Frau, deren Mann unschuldigerweise hingerichtet wurde und welche sich zögernd in einen vermeintlichen Freund der Familie verliebt, ohne zu ahnen, dass es in Wahrheit der von Gewissensbissen geplagte Richter ist, der ein Jahr zuvor das Todesurteil beschloss.

Dass dabei die Themen Schuld und Sühne sowie eine klar formulierte Abrechnung mit der Todesstrafe tief in die DNA dieses Filmes verwoben sind, ist natürlich nicht wirklich überraschend. Doch "Ballade von der weißen Kuh", dessen fantastische Hauptdarstellerin Maryam Moghaddam hier zugleich zur Hälfte für die Regie verantwortlich war, versteht es, auch die Momente, die klar politische Positionen beziehen, immer mit toll gespieltem menschlichen Drama zu verweben, so dass es sich nie wie ein gut gemeinter Lehrfilm und durchgehend wie ganz großes Kammerspiel anfühlt.

Zudem schafft es dieser wunderbare Film, einerseits behutsamer und andererseits gerade auch im finalen Akt kompromissloser zu sein als sein US-amerikanischer Bruder im Geiste "Monsters Ball" und diesen somit in meinen Augen sowohl handwerklich als auch inhaltlich zu übertreffen.

Aufwühlendes, tief bewegendes, packendes Drama. Große Sehempfehlung.

D.C.L.

#Ghasideyeh gave sefid #ballade von der weißen kuh #ballad of a white cow #spielfilm #filmkritik #kritik #d.c.l.#chronicles of d.c.l.#drama

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why-munich · 3 years ago

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Over 100 000 visitors – ZFF is the #1 Film Festival in Switzerland

Zurich, October 3, 2021

The 17th Zurich Film Festival, which ends this Sunday evening, continues to grow, with 50 percent more visitors than last year. Welcoming more than 102’000 visitors, it is the largest festival in Switzerland for the second time in a row. Hollywood icon Sharon Stone was delighted, as were auteur filmmakers Paolo Sorrentino and Paul Schrader, to once again be able to make personal contact with the audience. In addition, NO TIME TO DIE, the most highly anticipated film in years, was launched during the ZFF, and numerous up-and-coming directors presented their debut works as world premieres.

The 17th Zurich Film Festival (ZFF) is thrilled with the outcome of its purely physical edition, which took place with a full programme of 164 films from 53 countries. 102’000 visitors came to the ZFF, that figure was 68’000 in 2020, making it the most visited film festival in Switzerland twice in a row.

“Our expectations were far exceeded,” said Festival Director Christian Jungen. “The last few days have impressively shown that people are once again in the mood for cinema and shared common experiences. The mood was positive right from the start and many international guests were touched because they were able to present their films to a real audience for the first time.”

The new venue in the Zurich Convention Center, Switzerland's largest cinema, has contributed to the growth. Yesterday Saturday alone, four performances there were sold out with 1300 spectators each. A total of 67 screenings were sold out, with the festival recording the greatest growth in attendance in the three competitions for the Golden Eye. “We have succeeded in winning a loyal, cinéphile audience, which is prepared to engage with demanding works and also attends afternoon screenings in increasing numbers,” explains Christian Jungen.

Among the guests the ZFF had the pleasure of welcoming were such auteur filmmakers of international standing as Jacques Audiard, Todd Haynes, Paolo Sorrentino and Paul Schrader, character actresses like Cécile de France and veteran star Timothy Spall, the Oscar-winning composer Mychael Danna and Sharon Stone, who was honoured with the Golden Icon Award. The Hollywood star was delighted beyond measure and described the award as “simply the greatest honour of my career”.

As part of the glamorous Award Night, the Golden Eyes, each endowed with a 25,000 Swiss franc cash prize, were presented to the winners of the three competition categories yesterday evening at the Zurich Opera House. The Golden Eye in the Focus Competition went to the Swiss film LA MIF by Fred Baillif. For his authentic social drama set in a home for girls, the director worked with actual residents who co-wrote the script, improvised and delivered impressively uninhibited performances. A Special Mention went to the German documentary BEHIND THE HEADLINES / HINTER DEN SCHLAGZEILEN by Daniel Andreas Sager. The Golden Eye in the Feature Film Competition went to A CHIARA by the Italian-American director Jonas Carpignano. In this neorealist mafia and family drama, 15-year-old Chiara discovers her father's criminal involvement and delves deep into the milieu of the Calabrian 'Ndrangheta in search of answers. The jury, presided over by actor Daniel Brühl, gave Special Mentions to the American drama JOCKEY by Clint Bentley and the Iranian-French production BALLAD OF A WHITE COW / GHASIDEYEH GAVE SEFID by Behtash Sanaeeha and Maryam Moghaddam. LIFE OF IVANNA / ZHIZN IVANNY by the Russian-based director Renato Borrayo Serrano won the Golden Eye in the Documentary Film Competition. The doc follows a tough 26-year-old tundra nomad over the course of four years to show her fascinating yet equally harsh reality, and highlights her struggle for the survival of her family. A Special Mention went to the French-Belgian documentary SOY LIBRE by Laure Portier and the Swedish-produced film SABAYA by Hogir Hirori about female IS slaves. Strong Swiss Presence In addition to the festival’s guest country, Tunisia, Swiss film also enjoyed a strong presence. A total of 22 home-grown productions were screened, including the Taliban thriller AND TOMORROW WE WILL BE DEAD / UND MORGEN SEID IHR TOT by Michael Steiner, which opened the festival. Leaving a lasting impression in particular were filmmakers from western Switzerland, including Andreas Fontana, who won the Critics’ Jury’s Emerging Swiss Talent Award for his debut AZOR, and Fred Baillif, whose drama LA MIF won the Focus Competition. The Zurich Film Festival also screened two documentary films about renowned Swiss artist personalities as World Premieres: Erich Schmid’s ADOLF MUSCHG – DER ANDERE and Nathalie David’s HARALD NAEGELI – DER SPRAYER VON ZÜRICH. The Zurich Summit, which took place last weekend at the Dolder Grand, was also a great success. Leaders from the global film industry met to discuss the challenges facing the film industry. Among the participants was Pamela Abdy, the Game Changer Award-winning President of the legendary studio Metro-Goldwyn-Mayer's Motion Picture Group. The Chairman of MGM, Michael de Luca, was also present, as was Roeg Sutherland from CAA Media Finance. Daiva I. Petrosiene

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