#GDIF

[lamilanomagazine]

Barletta e Andria. Controlli a tappeto di Polizia di Stato e Guardia di Finanza nel settore dell'autodemolizione: sequestrata un'attività e controllati 35 soggetti

Barletta e Andria. Controlli a tappeto di Polizia di Stato e Guardia di Finanza nel settore dell'autodemolizione: sequestrata un'attività e controllati 35 soggetti. La Polizia di Stato ed il Comando Provinciale Guardia di Finanza della B.A.T., coadiuvati dalla Polizia Stradale, dai "Baschi Verdi" e dal Reparto Operativo Aereonavale di Bari, hanno effettuato numerose verifiche presso autodemolitori, autoparchi e rivenditori di pezzi usati della provincia, con l'obiettivo di svolgere controlli sulla regolarità delle attività, sul rispetto delle misure di tutela ambientale e contrastare i reati contro il patrimonio, con particolare riferimento alla ricettazione. Nelle 3 aziende controllate, due ad Andria ed una a Barletta, sono emerse diverse importanti irregolarità sulle quali sono tutt'ora in corso i relativi accertamenti. Nello specifico, un'attività di rivendita al dettaglio di pezzi usati di autovetture è stata sottoposta a sequestro per il reato di attività di gestione di rifiuti non autorizzata, ai sensi di quanto previsto dall'art. 256 del Testo unico Ambiente. All'interno della ditta veniva esercitata abusivamente la gestione di rifiuti oltre alla vendita e allo stoccaggio di pezzi d'auto in un'area in realtà destinata alla conduzione agricola. Sono stati apposti i sigilli all'attività economica abusiva ed il contestuale deferimento alla Procura della Repubblica presso il Tribunale di Trani del Titolare dell'azienda. Le operazioni di polizia hanno interessato un autoparco, dove all'interno di due box sono stati individuati circa 9.000 pezzi di cosmetici e di cura della persona, sottoposti a sequestro poiché privi dei requisiti di sicurezza contemplati dalla normativa a tutela del consumatore (codice del consumo) e la contestuale segnalazione alla Camera di Commercio per l'irrogazione delle sanzioni amministrative previste dalla normativa vigente. Sono inoltre stati rinvenuti 799 profumi contenenti sostanze nocive poiché contenenti la sostanza chimica Butylphenyl Methylpropional, vietata dal Regolamento della Commissione Europea 1902/2021 del 29 ottobre 2021, in quanto annoverate tra quelle cancerogene, mutagene o tossiche, che hanno portato alla segnalazione dei responsabili all'Autorità Giudiziaria di Trani. Le attività investigative espletate hanno inoltre consentito di rinvenire e sequestrare circa 800 litri di gasolio ad aliquota agevolata e destinato ad uso agricolo, in quanto lo stesso era privo del libretto UMA (utenti motori agricoli), requisito imprescindibile per l'utilizzo del suddetto beneficio e che pertanto porterà alla quantificazione dell'accisa evasa. Il titolare è inoltre stato denunciato alla Procura della Repubblica di Trani poiché il gasolio era custodito in violazione della disciplina antincendio e quindi con modalità potenzialmente pericolose. Durante le operazioni di controllo, che hanno visto l'impiego di 50 unità tra poliziotti e finanzieri, e di un elicottero di ultima generazione della Sezione Aerea della GdiF di Bari, sono stati inoltre controllati 35 soggetti molti dei quali gravati da precedenti di polizia ed analizzate le posizioni lavorative del personale intento ad espletare la propria attività lavorativa all'interno dei siti controllati, le cui posizioni amministrative e contributive sono al vaglio degli organi ispettivi. Si rappresenta che i provvedimenti di sequestro sono stati tutti convalidati e che i due soggetti indagati non possono considerarsi colpevoli sino a quando la responsabilità non sia accertata con sentenza di condanna definitiva.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[bitcoincables]

Grayscale Launches Crypto Staking Fund for Investors: Earn Income via Staking

Grayscale, known for its spot bitcoin ETF, has launched a new fund that allows investors to earn income by staking cryptocurrencies. The Grayscale Dynamic Income Fund (GDIF) will hold assets for nine different blockchains and distribute rewards in U.S. dollars quarterly. This move expands Grayscale's product suite and offers investors a way to participate in multi-asset staking through a single investment vehicle. The fund includes popular cryptocurrencies like Solana, Polkadot, and Ethereum.

Staking plays a crucial role in some blockchains by allowing token holders to pledge their assets to support network operations and earn rewards. With the cryptocurrency market experiencing a surge, the launch of GDIF comes at an opportune time. Grayscale's decision to introduce this fund reflects its confidence in the long-term potential of blockchain technology and cryptocurrency assets. Despite market volatility and macroeconomic factors, GDIF provides investors with a convenient and efficient way to generate income from their crypto holdings.

Supported by the recent rally in bitcoin and other cryptocurrencies, GDIF aims to offer investors exposure to various blockchain projects and the potential for income generation in the evolving crypto market. As the market continues to mature and attract mainstream attention, products like GDIF contribute to expanding investment opportunities for both seasoned and new investors interested in cryptocurrencies. The launch of GDIF signals Grayscale's commitment to innovation and diversification within the digital asset space, offering a promising avenue for investors to explore the world of staking and cryptocurrency income generation.

Read the original article #Bitcoin #Cryptocurrency #Investment #Staking

[autistme]

IT WASNT THE REASON I COSPLAYED IT FOR DIF REASONS. BUT I DID LOVE HS DESPITE NOT READING IT BC OF HIM. BIG DIF. BIG GDIF. i almost cosplayed gamzee a DIFFERENT TIME!!!!!!!!!! SEPERATE ISSUES. the first (and only) cosplay was DIFFERENT

goign to CRY frank said OF COURSE when i said i thought gamzee was hot :((((

[londonpicturescapital]

OSCYL Variation - GDIF - Dancing City at Canary Wharf, London, UK - Images | Picture Capital @GDIF #GDIF #GDIF2019 https://t.co/ukj6JTGCQP https://t.co/fIn2VLqCba https://www.instagram.com/p/BzTTZNVA4lalb2bHhMOfSuiRn9qCukgcGz8DOw0/?igshid=2o5sfb6mt43l

[lycanstonebutch]

FQXTUPXTF P JTU FQ BQZHOFTG MBOC FXUPXTF PUSS HTTS SPAT RT KDNT FOBK D RTPYG HSPYUDUPQOF YTSDUPQZFKPW QY MDBZ DZG HQYUK RKPBK GQTFZU MQUKTY XT MOU QUKTY UPXT IQOSS MDYTSI PZUTYDBU QY UDSA DMG PUF QHUTZ SPAT UKT GDI DHUTY RT PZUTYDBU XQYT BSQFTSI DZG FXUPXTF P JTU FBDYTG UKDU XDIMT PUF IQO YTDSPCPZJ OY OZBQXHI QY YTJYTUUPZJ PU QY RDZUPZJ UQ WOSS DRDI DHUTY MTPZJ NOSZTYDMST QY HSPYUI P XTDZ XDIMT UKTYTF LOFU D SQU JQPZJ QZ FQ O GQZU KDNT XDZI FWQQZF QY O GQZU HTTS JQQG MOU P HTTS SPAT XQFU QH UKT UPXT RT MQZG DZG JYQR BSQFTY RTSS KDNT D HTR GDIF RKTYT RT MDYTSI UDSA QY PZUTYDBU DZG P BDZU KTSW MOU RQZGTY PH PNT GQZT FXUK RYQZJ DZG UKPF GQTFZU YSSI KDNT UQ GQ RPUK UKT FPUODUPQZFKPW QY RKDUTNTY TNTZ MTHQYT UKDU RKTZ RT RTYT LOFU BKPSSPZJ DZG P KDG ZQ PGTD DMU OY HTTSPZHF RKTZTNTY RT JQU BSQFTY QY RQOSG KDNT D MPJ MQZGPZJ UPXT P HTSU SPAT IQOG QOSS DRDI UKT ZTVU GDI DZG PU KOYUF FXUPXTF MOU P DSFQ GQZU MSDXT IQO P AZQR OT JQPZJ UKYO D SQU MATK

[trademarknickersoncharm]

Dream Nancy Drew Adventure

Nancy Drew: The Sadal Melik Theft

Teaser

“Remember that time I got to work with the Italian GDIF and stop the notorious Phantom of Venice dead in his tracks? Well, apparently I did such a good job, that GDIF investigator Sophia Leporache has invited me BACK to Venice, where there has been another country wide crime occur which strangely ties back to my previous Venetian caper. It seems that the Sadal Melik Sapphire, by which I myself stole in my last investigation, has been stolen yet again. This time, from the clutches of the GDIF. The only clue as to who is to blame was a Venetian Carnavale Mask, left at the scene of the crime with no traces of a person to match. Even stranger, Sophia believes that “it takes a thief to know a thief” so she has tasked me to team up with the one and only Nico Petit, in order to catch the thief dead in his tracks. Can Nico and I manage to infiltrate Italy’s newest crime ring? Or, will this Venitian Crime seal the end of my involvement with the GDIF? Join me on my next adventure The Sadal Melik Theft.”

Cast of Characters

Isabella Rossellini as Sophia Leporache- the returning officer of the GDIF who tasks Nancy with solving yet another Venetian case. Sophia believes in Nancy more than she believes in everyone else. Yet, she also knows how Nancy works and acts. Could this knowledge of Nancy make Sophia capable of more than she lets on?

Al Pacino as Giovanni Regio- the Venetian owner of a museum which harbors artwork as well as rocks, located in Venice. Giovanni is deadset on acquiring the Sadal Melik sapphire for his collection in the museum, but claims his innocence with an airtight alibi. Did Giovanni steal the sapphire to add to his mundane collection of art?

Nicholas D’Agosto as Nico Petit/The Phantom of Venice- The returning criminal whom Sophia assigns as an aid to Nancy in the investigation of the newest Italian theft. Nico is not the brightest person and claims he has not left jail since arrested by the GDIF, but mysterious circumstances which mirror the Leo Machiano crime ring make Nancy instantly suspicous. Is Nico really willng to help and as dumb as he seems? Or, is he leading Nancy into a trap?

Anya Taylor-Joy as Claire Adams- Claire is an American tourist who is studing geology at the Univeristy of Chicago in the US. Claire is in Venice on account of her study abroad and has a vast amount of knowledge about the sapphire and the Leo Machiano crime ring. Could her extensive knowledge prove that she is in Italy for much more sinister reasons?

Steve Buscemi as Luigi Ricci- Luigi is a gondola driver who is extremely comedic and opteimistic. Being a gondola driver, he is extremely knowledgeable about not just Venice, but the people as well. Does he transport more than just people across the canals?

Mystery Details

Sophia Leporache is finally shown as a character 

Nico is promised early release if he aids in the solving of this crime.

The primary location is mid-Venice, where Sophia and the GDIF work

Nancy utilizes much more spy technology than in VEN, more in par with SPY.

You can visit the museum, the gondolas, the ‘Ca, the GDIF headquarters. as well as the nightclub.

Sophia is a phone contact as well as an in-game character.

The sapphire was stolen in the middle of the night from the GDIF building, leading the others to believe the job was internal.

Helena, Tazza, or others from the OG ring are not involved.

Nancy is not staying at the ‘Ca, she is staying in a guest room at the GDIF.

NO SCOPA! I cannot.

Samantha Quick is used again as an alias.

Sophia is located at the GDIF headquarters.

Giovanni is located in the museum parlor.

Nico Petit is located both in the prison, but he also can be released under watch to go places with Nancy.

Claire is located at the Ca Nascosta.

Luigi can be found by the gondolas.

Faked footage shows Nico escaoing jail.

The culprit is BOTH Claire and Giovanni. Claire is revealed to be Giovanni’s daughter, who teamed up with their extensive knowledge to commit the crime. The Moretta mask is the mask left behind.

[skiplo-wave]

I’m sorry if this sounds dumb but what’s a GDIF?

An older dilf or hot granddad

Example

Also Gmilf is hot grandma

[yeetus-fleetus]

Oneshot with Classic? Any topic, genre, whatever XD I just want Classic ^^

Oki! (this took longer then I planned and I apologize-) ((also sorry that this is so short, I’m not used to this))

Total time: 2 days ;-;

Words: 364

FLUFF FOR DAYS!! OWO

~~

You felt the airplane shift under your weight as it landed, could’ve been more smoother but your’re not complaining. Ah, finally, it’s been three years since you got to see Sans and it was almost nerve-racking. It was pretty hard bringing up the topic of wanting to be in the Military to Sans and he took it as if you told him you want to shoot yourself, but after the shock he accepted and boom! 

You looked around from where you were sitting, everyone felt pretty nervous but it was the good kind of nervous, like waiting for you parents to tell you it’s okay to open your presents now.

The door to the airplane slowly opened and your commander (captain?) gave a little speech of how you guys have grown and then everyone grabbed there stuff and one by one huddled out. You felt so exited that you didn’t even notice that you were already out the door and walking down the stairs, when you saw him!

“Sans!” you cried, running as fast as you can, also leaving all of your belongings in the middle of the road.

“oh, hey love.” Sans said, in the handsome laid-back tone you fell in love with.

“Did you miss me?” You asked sarcastically, going in for a hug, Sans hugged back, enjoying the moment.

“no duh i did.” He replied, letting go of the hug.

You two headed towards the car. It was beautiful, the ruby red with..flames? Huh. Then you noticed Papyrus waving from the front seat, so this must be his car..

“HELLO DEAR SECOND MOST COOL COUPLE, WOULD YOU LIKE TO TAKE ONE OF THOSE FREEDOM GRENADE CHOLO DRAGON GDIF VANTUCKY?! IS THAT WHAT HUMANS THSESE DAYS SAY??” You fought the urge to facepalm yourself.

“of corse it is bro, after all, i think id be boned if it wasnt.” You snickered at the skeleton pun which made Sans face light up.

“OH NO..”

“oh yes..”

“-but don’t work yourself down to the bone-“ *snicker* “-too much because tibia honest pap, i don’t think i have the guts to continue.”

“SANS!!”

“oh come on now, you’re smiling~”

“I AM AND I HATE IT!”

~~

Hi there! I don’t know how to end a story but I hope you like it! I’m pretty self conscious about my writing so I’m sorry if it’s not that good.. hope you like it though!! My ask box is always open, so you can send some stuff if you’d like!

[rabbitstu]

The closing weekend of the Greenwich and Docklands International Festival saw the focus shift to Woolwich.

The proudly multicultural London town played hosts to diverse acts from around the world to make up Woolwich GDIf 2017.

Table Manners by Avant Garde bringing a new meaning to a dinner party at Woolwich’s Public Market.

Table Manners by Avant Garde were not frightened to add the crowd into their performance at Woolwich GDIF 2017.

Table Manners by Avant Garde even included a table mounted wedding ceremony!

Namlo Band reflected the Nepalese culture to be found in Woolwich

Namlo band performed a number of songs for Woolwich GDIF 2017

Namlo band performing in the centre of Woolwich.

The Greenwich and Docklands International Festival (GDIF) is a free annual outdoor performing arts festival, which takes place across East (Tower Hamlets) and South East London (Greenwich) every June. GDIF was founded by its Artistic Director Bradley Hemmings as an independent festival in 1996 and is produced by the charitable organisation Greenwich+Docklands Festivals (GDF). The festival organises over 200 performances during 10 days, which are attended by over 80,000 people each year. (Wikipedia)

  For more information visit GDIF.

Other articles Woolwich  GDIF 2017.

Dancing City – GDIF 2017Woo

Greenwich Fair Weekend 2017

Greenwich Fair Opening Night 2017

Photography and Text by Stuart Smith.

Some of my images from the festival at Woolwich GDIF 2017 The closing weekend of the Greenwich and Docklands International Festival saw the focus shift to Woolwich.

[wolflowyoga-blog]

'Orbis' at #gdif 😮🌛😍 Always feel so enchanted and inspired by @humanhood_ #contemporarydance #movement #spirals #moon #greenwich #park (at Royal Observatory Greenwich)

[ivan-anzellotti-blog]

P166 DL3 in formation, G.di.F Air Force, Italy, year 1997. #aviation #aviazione #p166 #p166dl3 #piaggioaereo #aereimilitari #gdif #wings #volare #pilotslife #cockpitview #flying #aviators #instaaereo

[topeka-commission-for-the-arts]

Nancy Drew 20 Questions

Based on the post by @letmeclaireify here is my top three favorite...

1. Games?

Danger on Deception Island

Secret of the Scarlet Hand

The White Wolf of Icicle Creek

2. Soundtracks?

Creature of Kapu Cave

The Phantom of Venice

The Haunted Carousel

3. Suspects?

Henrik van der Hune

Wade Thornton

Dave Gregory

4. Culprits?

Taylor Sinclair

Helena Berg

Clara Thornton

5. Phone friends?

Professor Hotchkiss

Hilda Swenson

Prudence Rutherford

6. Character dynamics?

Everyone in SSH

Frank and Joe

Bess and George

7. Cover artworks?

The Creature of Kapu Cave

The Phantom of Venice

The Ghost of Thornton Hall

8. Indoor locations?

Icicle Creek Lodge

Pachinko parlor

Nancy’s house and room

9. Outdoor locations?

Beach at Big Island Mike’s

Bolet garden

Dread Isle

10. Hidden locations?

Hidden beach in DDI

Speakeasy

Rolfe Kessler’s workshop

11. Overall game atmospheres?

Danger on Deception Island

The White Wolf of Icicle Creek

The Creature of Kapu Cave

12. Historical backstories?

Noisette Tornade

The Thorntons

Jake Hurley

13. Cutscenes?

The ending of SSH

Completion of Jake Hurley’s contraption

Finding Bruno’s crystal skull

14. Treasures?

Dirk Valentine’s golden hearts

The Whisperer

Golden coins from MHM

15. Mini games/puzzles?

Cooking at the Icicle Creek Lodge

Scopa

Snack Shop and Bento Boxes

16. Rooms Nancy has stayed in?

Chinese Room

Ca’ Nascosta

JJ’s apartment

17. Jobs Nancy has held?

Deputy curator at Beech Hill Museum

Maid/cook at Icicle Creek Lodge

Undercover agent for GDiF

18. Foods Nancy has eaten?

Jambalaya

Ice cream at Scoop

Shave ice at Big Island Mike’s

19. Animals Nancy has encountered?

Iggy the iguana

Casper the squirrel

Bob the horse

20. Memories of your experiences playing the games?

Playing the games with my mom!

Having a friend that played Nancy Drew games as well; I even lent him some gave I had that he did not.

Finishing a game without a walkthrough for the first time.

[londonpicturescapital]

PULSE! - GDIF - Dancing City at Canary Wharf, London, UK - Images | Picture Capital @GDIF #GDIF #GDIF2019 https://t.co/ukj6JTGCQP https://t.co/fpggXLvaUp https://www.instagram.com/p/BzTTVKbgXtz9DpWgzB_22-vD4Qru2wcFOPXVfc0/?igshid=120qjio6llsed

[checkoutafrica]

CheckOutAfrica Highlights: SCALPED is The New Dance Theatre Piece Celebrating Black Women’s Natural Hair

Addressing and exploring the objectification of black women’s hair through the eyes of western society, SCALPED is the new dance theatre piece that’s educating the masses on the experiences black women face on an everyday basis. After making their debut at Brighton Festival in May, we caught up with the creators of SCALPED, Damilola D.K Fashola and Wofai, ahead of their London’s Greenwich + Docklands International Festival. Here’s what went happened:

What first gave you the idea to create “SCALPED?”

The piece was created in response to a call out from our partners GDIF, part of the Without Walls Consortium for an outdoor piece that explores “living in the city”. With our native city being the cosmopolitan metropolis that is London, what came to mind almost immediately was the shared experience of Black women (and men) of being looked at, poked and prodded, and how much our hair becomes the focal point of this in day-to-day life.

Why did you choose dance as the expressive medium?

All our work incorporates physical theatre, with both movement and acting featured throughout. The nature of outdoor work makes physicalising a piece and the emotions behind it all the more significant. So dance theatre was a natural choice. On a personal level, dance (and music) is such a big part of who we are. Dance is our culture and another way we express ourselves.

Obviously “SCALPED” touches on experiences that a lot of black women deal with – Have you dealt with these experiences yourself? and if so, how did you handle them?

There have been plenty of instances, from childhood to today where both of us have had people ask “can I touch your it [your hair]?” It was only a few weeks ago a random lady saw me with my crochet afro/braid out, only to stroke my hair and tell me “what a good girl.” Honestly I was amazed and lost for words that a stranger would not just, think to, but actually say that to me. She just stood there and I reflexively walked away even be I had processed what had just happened.

It’s a funny one because often you feel like you should or need to educate someone on what’s wrong with what they’re doing, but at the same time, it’s almost not even, or shouldn’t even be your responsibility.

You debuted “SCALPED” in Brighton, and you’ve been on a short tour around the UK since. What’s the been like? and How has the reception been?

It’s a 3 city tour with London being our 2nd stop. The interim between shows has been a bit odd in fact, as it’s almost like we had to take time to get used to the show again and coming back into the process/rehearsals

The show is hinged on the objectification of black women’s hair through the eyes of western society. A topic that some people don’t believe is true. Have you received any backlash?

We haven’t received any backlash thankfully. It has been interesting to hear non-black audiences realise that it’s something they don’t think about or realise can be so significant for black women

We live with a dominant narrative that insists the only choice to look presentable is for black women to wear their hair straight. How do you believe we can change this, especially for young girls who don’t feel comfortable enough to showcase their natural hair?

Education. Pieces like Scalped which can bring awareness in an engaging way, and generally informing yourself of the history and culture of other people – or to be honest, often your own culture – and how that’s shaped norms and perceptions today are a big part of changing this discourse/discussion

What do you think about how more women choosing to embrace their natural hair and start their natural hair journey? 

Funnily enough, Scalped is about “attachments or no attachments”, so that’s feeling free to rock any style you choose, and loving yourself regardless of that choice. I personally don’t believe in any treatment or similar that can severely damage your hair, so relaxers, perms etc. But I have always been adventurous with my hair – I’ve probably had it dyed every colour under the sun at least once.

Ultimately I think it’s great, and reflect people learning to love themselves more. It’s funny that even within the natural hair community, there is still the glamourising of a particular look of natural hair. Usually a looser curl huge afro will get a lot more shine that a 4c TWA might. But the whole movement is a journey in of itself so I’m grateful for the progress.

How do you feel about people touching or asking to touch your hair when you’re wearing it naturally?

People ask, or just straight touch it whether it’s natural or not. The overriding feeling is always to do with an invasion of personal space, if not a complete violation. This and feeling like I’m seen as an animal or something less than human to be stroked or petted in that way

Who is the intended audience for “SCALPED” – the black audience? Everyone else? or all the above?

Definitely all of the above. Black audiences will relate to the majority, if not every aspect of the piece. And everyone else is being invited to take part in the much-needed dialogue. And of course, we want everyone to be entertained, seeing and experiencing black bodies, black artistry in ways they haven’t before

Besides the obvious, what else do you hope people take away from “SCALPED?“

We hope people are more aware of the perception of women, specifically Black women. Less judgment and a huge takeaway is definitely that being a Black woman isn’t one dimensional – we are so many things, forms, fashions and cultures. Whatever we are, love us or f**k off. Celebrate Black women, celebrating oneself and or blackness in whichever form it takes.

The post CheckOutAfrica Highlights: SCALPED is The New Dance Theatre Piece Celebrating Black Women’s Natural Hair appeared first on CheckoutAfrica.

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[mariacallous]

PRESENTED BY Live Canon and the Ukrainian Institute London

The Trojan story retold by Ukraine’s pioneering feminist writer, Lesia Ukrainka; a UK premiere in an award-winning new translation.

Imagine if you could see the future, but no one would believe anything you said. This is Cassandra’s fate. Stuck in besieged Troy and knowing exactly how the war will end, Cassandra sees the destruction unfold around her, just as she knew it would. 

First published in 1908, Lesia Ukrainka’s poetic drama retells the story of the Trojan war, from Cassandra’s perspective. Nina Murray’s fresh new translation of this monumental work won the Ukrainian Institute London’s 2021 Ukrainian literature in translation prize. 

This premiere is brought to the stage by the Live Canon ensemble, who specialise in working with verse, and who have performed all over the world from Broadway to Abbey Road. 

The production is directed by Helen Eastman, whose work has included The Cure at Troy (Delphi International Festival and world tour), Bridgetower (Hackney Empire and UK tour), Fair (Trafalgar Studios) and Bicycle Boy (GDIF and UK tour), and advising on many contemporary productions of Ancient Greek plays, most recently Paradise, by Kae Tempest at the National Theatre.

The production is presented by Live Canon and the Ukrainian Institute London, in association with the Polish Cultural Institute, the Lithuanian Cultural Institute, the Goethe-Institut and the Institut Français.

Post-Show Q&A Sunday 9th October Free to ticket-holders

Joining the panel is Helen Eastman (director of Cassandra), Nina Murray (translator of Cassandra), Sasha Dovzhyk (expert on Lesia Ukrainka; lecturer, University College London), Ola Rondiak (Ukrainian artist) and Olesya Khromeychuk (director of Ukrainian Institute London; historian and author).

On Saturday 8 October the matinee performance at 3pm will be free for displaced Ukrainians. Email info@ukrainianinstitute.org.uk to book.