#Functional and beautiful interior spaces
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#Best residential interior designers in Faridabad#Affordable home renovation services#Luxury residential interior designers#Top commercial interior design companies#Award-winning home interior design services Faridabad#Custom office interior design solutions#Functional and beautiful interior spaces
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End the mess with a touch of class! Transform your living space with these 20 stunning Ottoman Tray Ideas. Add elegance and organization to your home today.💫
#Ottoman Tray Ideas#Stylish Ottomans#Home Decor#Decluttering Ideas#Beautiful Interiors#Space Saving#Interior Design Inspiration#Living Room Ideas#DIY Ottoman Trays#Modern Home Decor#Creative Decor#Organizing Tips#Practical Design#Functional Decor#Furniture Styling#Home Organization Solutions#Decorative Trays#Chic Living Spaces#Home Improvement#Personal Space Style
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Contemporary Living Room - Living Room Small contemporary loft-style living room idea with a dark wood floor and white walls
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The Griya Lesmana, Luxury Residence (NO CC)
The Griya Lesmana is a luxurious tropical modern mansion, valued at 1,2 million simoleons.
This exquisite residence seamlessly blends sleek contemporary design with intricate Indonesian cultural art. The home features expansive, open spaces that harmoniously connect the lush outdoors with the refined interiors, all while showcasing fine art that beautifully reflects rich heritage.
A masterpiece by The Lesmana Enterprise, this home exemplifies a perfect fusion of elegance and Tradition.
About Griya Lesmana
Welcome to Griya Lesmana, where modern elegance meets serene luxury. This breathtaking estate showcases a perfect blend of natural beauty and contemporary design, with lush greenery framing the sleek architecture. From the stunning pool area in the back facade to the peaceful study space inside, every corner of this home exudes sophistication and tranquility. It’s a haven of peace and a true reflection of timeless style in Del Sol Valley
Make Your Way In
Step inside Griya Lesmana and immerse yourself in a world of contemporary art and warm, earthy tones. Each piece in the home has been carefully selected to evoke a sense of culture and elegance, such as the Garuda Dwi Kencana (1977) by Oktaviano Sudarmadji and Gamelan (1960) by I Wayan Sudana. These art pieces, along with the striking Legong LempuYangan (1960), breathe life into the home, creating a refined and serene atmosphere. The rich wooden textures and soft lighting perfectly complement these works, making Griya Lesmana an extraordinary blend of modern luxury and cultural homage.
At the Peak of Del Sol Valley
Perched with breathtaking views of Del Sol Valley, Griya Lesmana seamlessly blends elegance with its stunning surroundings. The expansive windows showcase the golden landscape, while the Constellation Chandelier (Priced at §25,000) in the sunken conversation pit adds a celestial touch to the home’s refined, luxurious design. Every detail, from curated artwork to rich wooden textures, radiates sophistication in this contemporary masterpiece.
The Ultimate Home Kitchen and Dining
The dining room at Griya Lesmana is a refined space where art meets functionality. The stunning piece Transaksi (1992) by Chusin Setiadikara serves as the centerpiece, setting a tone of cultural richness, while the modern light fixtures bring warmth to every meal. Adjacent to it is the full-metal, industrial-grade kitchen, designed for the ultimate cooking experience. Equipped with top-tier appliances and plenty of counter space, this kitchen is perfect for everything from casual family meals to grand dinner parties.
Four Spacious Bedrooms
The bedrooms in Griya Lesmana are a true retreat, each designed with comfort and luxury in mind. Every room comes with its own walk-in closet, in-suite bathroom, and a private balcony to take in the stunning views of Del Sol Valley. Adorned with hand-picked artworks, like Pedagang Ayam by Hendra Gunawan and Roleplay by Made Toris Mahendra, these spaces blend art, culture, and modern elegance. Whether it's the rich wooden tones or the plush furnishings, each bedroom promises tranquility and style.
Step Into the Backyard
The backyard of Griya Lesmana is an oasis of relaxation and entertainment. Featuring a spacious pool area with a fully functional pool bar, it's the perfect spot for soaking up the sun or enjoying an evening drink. A BBQ patio invites you to indulge in outdoor dining under the warm glow of overhead lights, while the lush greenery surrounding the yard offers a serene retreat. With carefully landscaped gardens and ample lounging space, the backyard is designed to bring the beauty of nature right to your doorstep, all with stunning views of Del Sol Valley in the backdrop.
The Basement
The basement of Griya Lesmana is a hidden luxury haven. It features a spacious parking area that accommodates more than five cars, ensuring plenty of space for any vehicle collection. For fitness enthusiasts, the fully-equipped gym offers a private space to work out, while the sleek, modern sauna provides the perfect spot to relax and unwind. The basement also includes well-designed service quarters, ensuring that every aspect of living in this home is taken care of in style.
Packs Used
If the lot is recognized as modded, it is due to the paintings being registered as CC. There is no CC you need to download to use this build.
Download
Download here via Google Drive
Sul Sul!,
The Lesmana Enterprise Co., Ltd.
#simblr#sims 4#sims 4 aesthetic#sims 4 screenshots#sims 4 build#lesmana-enterprise-ltd#sims 4 mods#sims 4 no cc#sims 4 cc#no cc#residential#modern#tropical#mansion#ts4 residential#sims 4 residential lot#lots#showusyourbuilds#download
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EPOXYSHİNE - DRAGON+ (4)
When it comes to innovative interior design, the choice of flooring plays a pivotal role in defining the overall aesthetic and functionality of a space. Among the various options available, metallic floors have emerged as a striking trend, blending style with durability. Their unique finish not only adds a contemporary edge but also reflects light, creating a sense of openness in any room. Meanwhile, alternatives like quartz flooring offer an equally compelling mix of elegance and resilience, perfect for those seeking a natural yet refined look.
Metallic Floor
Metallic floor have become an exciting trend in modern interior and exterior design, offering a sleek and futuristic aesthetic. This type of flooring is typically made using materials like epoxy, polished concrete, or terrazzo, which can be infused with metallic pigments that reflect light. The unique appearance of a metallic floor allows for a striking look, making a bold statement in any space.
One of the significant advantages of metallic floor finishes is their durability and resistance to wear and tear. Unlike traditional flooring options, metallic surfaces are often resistant to stains, scratches, and impact damage, making them ideal for high-traffic areas such as commercial spaces or homes with pets and children. Additionally, they can be easily cleaned and maintained, preserving their luster and shine over time.
In terms of design versatility, metallic floors can be customized to fit various interior themes, from industrial chic to modern minimalism. Available in a range of colors and finishes, they can seamlessly blend into the environment or stand out as a focal point. Furthermore, incorporating metallic flooring can enhance the overall ambiance of a space, reflecting light and creating an illusion of depth, thus making a room feel larger and more open.
Quartz Flooring
When it comes to choosing a flooring option that combines beauty and durability, Quartz flooring stands out as a premier choice. This type of flooring is composed primarily of natural quartz crystals, which are not only aesthetically pleasing but also incredibly tough. As a result, Quartz flooring is resistant to scratches, stains, and other wear and tear that can occur over time.
Another significant advantage of Quartz flooring is its versatility. It is available in a vast array of colors and patterns, making it a suitable option for any home or office decor. Whether you're looking for a sleek modern look or a more traditional style, Quartz flooring can provide the perfect finish to your space.
Furthermore, Quartz flooring is known for its low maintenance requirements. Unlike other flooring types that may need frequent refinishing or special cleaning products, Quartz flooring can be easily cleaned with mild soap and water. This not only saves time but also makes it an economical choice in the long run.
Concrete Floor
When it comes to flooring options, concrete floor have risen in popularity due to their durability and aesthetic appeal. Unlike traditional flooring materials, concrete can be customized in various finishes and colors, allowing homeowners and businesses to create a unique look that complements their design vision.
In addition to their visual versatility, concrete floors are incredibly strong and resistant to wear and tear. This makes them an ideal choice for high-traffic areas, where traditional flooring may suffer from scratches, dents, and fading over time. Concrete not only stands up to heavy use but is also easy to maintain, requiring only simple cleaning and occasional sealing.
Sustainability is another key advantage of concrete flooring. As a naturally abundant material, concrete has a lower environmental impact compared to other flooring options.
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Recognize this build?
Something that's always bothered me about Grian is that he doesn't. ever. do. interiors. His builds are soo good and have so much potential, but I always fall short when trying to imagine his character actually living there. So I took it upon myself to recreate his house in minecraft, and build an interior myself, in a way I think he would do it (using a couple resource packs and mods, to make it more fun for myself)
I don't think he would waste any space - especially not for storage, so I've tried to add a few extra chests around.
the colour scheme is one I've been LOVING. petition for hermits to make more cozy living rooms. I don't care if they're not functional.
Grian build an actual bedroom challenge. For once in your life. Please.
Lastly, an appreciation on how beautiful this season's seed is and a testimony to how the hermits should use shaders more:
#the house isnt 100% accurate but I did the best I could!#this is how I've been picturing it in my head so far#and the top window he uses to fly in/out of his bedroom#hermitcraft#grian#grianmc#hermitcraft season 10#message me if you wanna know the specific cits and textures i used cause theres a lot and i dont wanna type them all out lol#spark builds#hc 10
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Ikemen Prince Real Life Castles
Hi babes! I'm feeling like adding yet another layer of delusion to our already delulu brains, so here’s my take on what IkePrince castles would look like in real life. This way, you can visit them while pretending to be Belle running down the hallways looking for your beloved prince.
Rhodolite
The Rhodolite castle would be grand and ornate, with French Renaissance and Baroque influences. Expect elegant stonework, elaborate gardens with fountains, and decorative elements like balustrades and statues. The interior would feature intricate tapestries, gold accents, and chandeliers, exuding an air of refined nobility and romance.
Some examples could be:
Château de Chambord - France
Palace of Versailles - France
Château de Chantilly - France
Château de Chenonceau - France
Schönbrunn Palace - Austria
Dunrobin Castle - United Kingdom
Lednice na Moravě - Czechia
Château de Ussé - France
Obsidian
The Obsidian castle would have a stern, gothic architecture with imposing towers and stone walls. Think of dark, medieval castles with fortified structures, high walls, and sharp angles. Interiors would be minimalistic and austere, emphasizing function over ornamentation but with a touch of grandeur in public spaces.
Some examples could be:
Hohenzollern Castle - Germany
Edinburgh Castle - Scotland
Moszna Castle - Poland
Burg Eltz - Germany
Garibaldi Castle - Russia
Château du Bousquet - France
Inveraray Castle - United Kingdom
Cologne Cathedral - Germany
Benitoite
The Benitoite castle would be built with Italian Renaissance and Mediterranean styles in mind. Expect warm-toned stone, arches, and decorative columns. Courtyards would be lush, with fountains and intricate tile work. Interiors might have frescoes, marbled halls, and large windows to let in light, creating a grand yet inviting atmosphere.
Some examples could be:
Palazzo Ducale - Italy
Belvedere Palace - Austria
Howard Castle - United Kingdom
Catherine Palace - Russia
Palazzo Pitti - Italy
Miramare Castle - Italy
Swallow’s Nest Castle - Ukraine
The Royal Palace - Spain
Jade
The Jade castle would be charming, integrated with its natural surroundings. Built in a style that’s less imposing and more in harmony with nature, it would be surrounded by gardens and water features. Think of understated beauty, with an emphasis on wooden accents, greenhouses, and large windows overlooking gardens and the forest.
Some examples could be:
Stoke Rochford Hall Leisure Club - United Kingdom
Harlaxton Manor - United Kingdom
Knebworth House - United Kingdom
Castle de Haar - The Netherlands
Château de Villandry - France
Lowenburg Castle - Germany
Brissac Castle - France
Vouzeron Castle - France
Tanzanite
The Tanzanite castle would be exotic and filled with intricate details, such as domed roofs, archways, and extensive mosaics. The castle would feature courtyards with fountains, lush gardens, and reflective pools, creating a tranquil and mystic vibe. Interiors would be lavish, with patterned tile work, vibrant colors, and plush furnishings.
Some examples could be:
La Sagrada Familia - Spain
Alhambra - Spain
Golestan Palace - Iran
Ali Qapu Palace - Iran
Topkapi Palace - Turkey
Alcázar de Sevilla - Spain
Taj Mahal - India
Shrine of Hazrat Ali - Irak
Kogyoku
The Kogyoku castle would have traditional Japanese architecture, with wooden structures, curved tiled roofs, and wide, open spaces for viewing nature. The castle would be surrounded by gardens with koi ponds and sakura trees. Interiors would feature shoji screens, tatami mats, and simple but elegant furnishings.
Some examples could be:
Himeji Castle - Japan
Matsumoto Castle - Japan
Shuri Castle - Japan
Nijo Castle - Japan
Osaka Castle - Japan
Katsuyama Castle - Japan
Nagoya Castle - Japan
Kinkakuji Castle - Japan
Achroite
The Achroite castle would be a blend of Scandinavian minimalism and rugged fortification, built with stone and wood. It would sit atop a hill or near a lake, with a natural and slightly harsh look. The design would be simple, with a focus on functionality and integration with the landscape, including large fireplaces and wood-paneled rooms for warmth.
Some examples could be:
Neuschwanstein Castle - Germany
Château de Ferreries - France
Château de Boismorand - France
Château de Vigny - France
Château d'Haroué - France
Hallgrimskrikja Cathedral - Iceland
Bojnice Castle - Slovakia
Pierrefonds Castle - France
And that’s everything for now! I’m planning to continue this exploration with possible traditional dances, music, customs, fashion, food, and festivities each kingdom might have. What do you think? What would you like to explore next?
See you on the next post my dears!!!!! XOXO
#ikemen prince#cybird#cybird ikemen#ikemen series#ikemen games#belle#ikepri#ikeprince#rhodolite#obsidian#benitoite#jade#tanzanite#kogyoku#achroite
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athena cabin headcanons
children of athena
• they all have amazing penmanship.
• they help with any school/summer work when a camper needs it.
• they also offer a free tutoring service to other campers.
• they have a long list of study tips for demigods, including what has worked for them to help focus their adhd in school (as most demigods struggle with remaining on task in work environments).
• they secretly love police procedural/detective shows. law & order, criminal minds— you name it, they watch it. and there's always a "friendly" competition to see who can solve the crime first.
• someone engineered glow-in-the-dark paper for late-night studying and planning. they always have a huge supply.
• they have a pet owl that they all take turns feeding and looking after.
• they help organise camp events that aren't run by chiron and they have a calendar full of birthdays and dates that are special to other campers.
• they are the only people on earth to have discovered a constantly comfortable reading position.
• they all start to feel slightly nauseated if they're in water for too long. showers, the lake, a pool, the rain— any water. this comes from athena's rivalry with poseidon. the only way for it to be neutralized is if they are in the presence of a friendly child of poseidon.
• some of them trap spiders and use them in experiments. this helps them gain more knowledge, combat their fears, and take revenge on these spiders all at the same time.
• they aren't normally ones to break rules. however, they rarely go to bed on time. when other campers ask them why, they simply laugh and say, "we're all night owls." (get it? i’ll stop. 😔)
• they aren't scared of normal horror movies. they usually just laugh at how frustratingly stupid the characters are. the only movies that make them scared are ones where spiders are involved.
• they take monopoly way too seriously and take it as a personal affront that they keep losing to the hermes cabin.
• they have a website that you can only view inside of camp half-blood. it’s sort of a virtual log book, which makes it easy for the kids that have been away during the year or on quests to catch up on what they’ve missed.
cabin exterior
• their cabin is designed in a classic greek architectural style, reminiscent of the parthenon, with tall, elegant columns supporting a triangular pediment.
• the cabin itself is made of grey, marble-like stone. the stone is etched with intricate designs and ancient greek patterns.
• the exterior features intricate carvings and statues of owls. they are perched on the roof of the cabin and integrated into the designs on the columns.
• carvings of books and scrolls are incorporated into the exterior design, highlighting the importance of knowledge.
• celestial bronze shields and pieces of armor are displayed on the inside and on the outside of the cabin. these items are both decorative and functional, ready for use if needed.
cabin interior
• their cabin gives off industrial vibes with its marble and concrete exterior.
• this is balanced out with beautiful ornate rugs, cozy woven blankets, and hardwood (olive obviously) floors.
• two words: organized. chaos.
• they have a caffeine station for pulling all-nighters or for long afternoons of studying, debating, and inventing.
• their cabin always smells like peppermint oil because spiders hate it.
• they have floor to ceiling bookshelves and boxes of rolled blueprints EVERYWHERE.
• they all have a customizable personal space with a bed, a desk with adjustable lighting, and ample storage for personal items and projects.
• personal areas feature soundproofing options to allow for quiet studying or rest amidst the bustling cabin environment.
cabin traditions
• they have debate nights at camp half-blood that get more and more heated until the cabins start watching the two opposing sides instead of listening to the actual debate.
• they even have debate nights in their own cabin. huge cups of coffee are passed around as the "discussion" of the day begins, growing louder and louder as time goes by. books are pulled from the shelves, laptops are opened and the most obscure sources are cited just to prove the most minor points.
divider by @plutism
#percy jackson and the olympians#heroes of olympus#pjo#hoo#pjo hoo toa#pjo fandom#hoo fandom#pjo series#hoo series#pjo tv show#pjo disney+#pjo cabins#athena#minerva#athena cabin#cabin six#cabin 6#children of athena
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Solar Return : Home (4th House)
4th House in Aries (Solar Return): This placement places emphasis on a dynamic and energetic living space, characterized by bold colors, modern designs, and an atmosphere of constant activity. There might be a focus on renovating or updating the home, and the individual may seek a space that reflects their independent and pioneering spirit.
4th House in Taurus (Solar Return): With this placement, there is an inclination towards creating a cozy and comfortable living environment. The individual may prioritize stability and security, aiming to build a solid foundation for themselves and their loved ones. They might also be drawn to properties with natural surroundings and an emphasis on quality and longevity.
4th House in Gemini (Solar Return): This placement suggests a preference for a versatile and communicative living space. The individual may enjoy a home that allows for flexibility and adaptability, and they may appreciate a property that provides opportunities for intellectual stimulation and social interaction. A space that accommodates various interests and hobbies would be ideal.
4th House in Cancer (Solar Return): With the 4th house in Cancer, there is a strong focus on creating a nurturing and emotionally fulfilling living space. The individual may prioritize comfort, security, and a sense of belonging in their home environment. They may be drawn to properties with a cozy and intimate atmosphere, possibly emphasizing a connection to water or a natural, family-oriented setting.
4th House in Leo (Solar Return): This placement suggests a desire for a luxurious and creative living space. The individual may seek a home that reflects their unique personality and allows for self-expression. They might prioritize entertaining and hosting gatherings, and they may be drawn to properties with grand designs, ample space for socializing, and opportunities for showcasing their individuality.
4th House in Virgo (Solar Return): With this placement, there is an inclination towards a practical and well-organized living space. The individual may prioritize functionality and efficiency, aiming for a home environment that promotes productivity and a sense of order. They might be drawn to properties with a focus on practicality, a manageable size, and a well-maintained and clean atmosphere.
4th House in Libra (Solar Return): This placement suggests a preference for a harmonious and aesthetically pleasing living space. The individual may prioritize balance and beauty, seeking a home environment that promotes peace and social harmony. They might be drawn to properties with elegant designs, inviting atmospheres, and an emphasis on social gatherings and creating a sense of unity among family and friends.
4th House in Scorpio (Solar Return): With this placement, there is an inclination towards a private and deeply transformative living space. The individual may prioritize a sense of depth and emotional intensity in their home environment, aiming for a space that allows for introspection and personal growth. They might be drawn to properties with a mysterious or intense ambiance, possibly emphasizing seclusion and privacy.
4th House in Sagittarius (Solar Return): This placement suggests a preference for an expansive and adventurous living space. The individual may prioritize freedom and exploration, seeking a home environment that allows for travel and spiritual growth. They might be drawn to properties with spacious interiors, ample natural light, and a connection to nature or outdoor activities, fostering a sense of optimism and a spirit of adventure.
4th House in Capricorn (Solar Return): With this placement, there is an emphasis on a structured and disciplined living space. The individual may prioritize stability and long-term security, seeking a home environment that supports their ambitions and professional endeavors. They might be drawn to properties with a solid foundation, a traditional design, and a sense of authority, possibly emphasizing a connection to prestigious or established neighborhoods.
4th House in Aquarius (Solar Return): This placement suggests a preference for an innovative and unconventional living space. The individual may prioritize originality and intellectual stimulation, seeking a home environment that fosters creativity and progressive thinking. They might be drawn to properties with modern designs, high-tech amenities, and a sense of community or social involvement, possibly emphasizing a connection to innovative or artistic neighborhoods.
4th House in Pisces (Solar Return): With this placement, there is an inclination towards a serene and spiritually fulfilling living space. The individual may prioritize a sense of tranquility and compassion, seeking a home environment that promotes relaxation and emotional healing. They might be drawn to properties with a calming ambiance, a connection to water or natural surroundings, and a cozy and dreamy atmosphere, possibly emphasizing a connection to artistic or spiritually enriching locations.
#astrology#astrology observations#astrology solar return#solar return#astrology 4th house#4th house#astrology ic
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"The Chronicles of Forgotten Light"
Chapter One: The Council of Echoes
---
The Council chamber was a marvel of ancient and modern architecture, a sacred space that seemed to
exist outside of time. High vaulted ceilings, soaked in centuries of history, were adorned with glowing
runes that pulsed with life, responding to the thoughts and emotions of the beings gathered below. Soft
golden light streamed into the room from crystalline spheres that floated in the air, shifting colors in
tune with the mood of the discussion.
Representatives from across the galaxy had gathered in this hall—beings of incredible diversity, each
one embodying the unique beauty and power of their race. Tall and luminous, Ethereal beings seemed
to shimmer as they moved, their garments ranging from simple robes to intricate, ornate attire, each
bearing the emblem of their status. Alongside them stood warriors with bronze skin, wisps of smoke in
humanoid form, and metallic creatures that glinted in the light, all coexisting in a delicate balance.
Despite the importance of the topics being discussed, the atmosphere in the chamber was thick with
the weight of bureaucracy—a slow, creaking machine of deliberation that had long lost momentum. The
Council was mired in debates over trivial issues that could quickly wear down even the most patient
listener.
Dundul Kron sat in his seat, his gaze drifting over the assembly, but his thoughts were far from this hall.
His restless mind sought escape from the monotony. And as often, he slipped away to another place,
far removed from the noise and tedium.
With a deft shift, he connected to the collective unconscious and, with just one leap, transported
himself to a bar, leaving the assembly behind. His decisions would be recorded and documented
regardless; why waste energy on being present where the only task was to select the distinctive feature
of a specific model, or to decide why it should have a particular color, with periodic rescan for
additional functions that enhance the model’s ability to perform its assigned tasks?
In this other reality, everything was sharper, more vivid. Here, there were no debates, no endless
discussions, only peace and harmony. The bar where Dundul had transported himself was located on
the rings of Saturn, a place that epitomized tranquility and seclusion, far from the bustle of the galaxy.This bar, hidden among billions of icy and rocky particles, offered a breathtaking view of the planet's
rings, slowly streaming through the vastness of space. It was called "On Saturn's Rings" and was the
embodiment of what could be called the perfect place for those seeking quiet and solitude away from
the chaos of the universe.
The interior of the bar was simultaneously cozy and futuristic, with floor-to-ceiling windows that allowed
guests to gaze out at the endless expanse of Saturn and its famous rings. Beyond these windows, like a
river of time, the distant stars slowly drifted by, creating a sense of eternity and calm.
Tables and chairs, made of soft yet sturdy materials, were arranged so that each visitor could enjoy the
panoramic view. The lighting in the bar was subdued and soft, emanating from neon tubes that gradually
changed color depending on the time of day and the mood of the patrons.
The bartender, seemingly an extension of the bar itself, effortlessly mixed drinks that seemed to absorb
the atmosphere of the place. Each cocktail served here was more than just a drink; it was an entire
universe of flavors and sensations, adjusting to the emotions and thoughts of those who consumed it.
This bar was the place where one could come to ponder important decisions, immerse oneself in
reflections on life and the universe, or enjoy a moment of silence in the vastness of space. For Dundul, it
was the perfect place to meet her—a place where time slowed down, allowing him to focus on what
truly mattered.
Meeting with Sophia was what truly mattered now. She was a beacon of calm in the storm of his
thoughts, her presence a reminder of the beauty that lay beyond the confines of duty. Her deep,
understanding eyes met his gaze, and a soft smile played on her lips as she voiced the question that had
been lingering in her mind.
“It’s fascinating how you understand things as if you’re seeing through layers of reality,” she began, as if
continuing a thought out loud. “I had a strange feeling during my last work. It was as if my brushes were
painting not by my hand, but by someone else’s. Is this what you talk about—the unconscious?”
“It’s similar to what Jung would call ‘the projection of the unconscious onto matter,’” Dundul replied,
smiling slightly. “Perhaps your brushes weren’t guided by your hands but by archetypes hidden deep
within your subconscious. They might manifest through you, as if you were a conduit for their energy. Do
you feel them influencing you?”She pondered this, her gaze drifting to the rings of Saturn outside the window.
“Yes, but it’s a bit unsettling. It feels like there are two forces within me: one striving to express
something I can’t understand, and the other trying to maintain control. Have you ever felt that?”
“Often,” Dundul responded calmly, his voice deep and assured. “It’s the eternal struggle between
consciousness and the unconscious. The second force is your ego, trying to maintain order. But to
achieve true harmony, we must learn to listen to both sides. Have you ever tried talking to these forces
as if they were living beings?”
She nodded slowly, her face lighting up with understanding.
“Talking? I’ve never thought of it that way. But you’re right, they do seem alive. How would you suggest I
begin such a dialogue?”
“Try entering a state of light trance, when you’re on the edge between sleep and wakefulness,” Dundul
suggested, his voice nearly a whisper, as if he were sharing a sacred secret. “In that moment, you can
visualize these forces. Imagine them as figures with whom you can converse. Ask them what they want
to tell you, and listen. You might be surprised by what you hear.”
She looked at him, her eyes once again meeting his gaze.
“I’ll try. It seems like this could be an important step toward understanding what’s happening inside me.
Thank you. I feel a bit more at ease knowing you’ve been through something similar.”
Dundul smiled gently.
“We all go through this, it’s just that not everyone realizes it. I’m glad I could help. Remember, this is a
journey to your true self, and only you can define what it means.”
Their conversation flowed effortlessly, a natural exchange between two souls connected by a deep
bond—a love that transcends the physical, a union rooted in mutual understanding and respect. They
didn’t need words to express it; their shared presence was enough.But as Dundul began to speak again, he felt a familiar tug at the edge of his consciousness. The Council
chamber was calling him back, its sluggish discussions demanding his attention. He blinked, and the
serene landscape outside the bar window faded, giving way to the grand hall filled with beings from
across the galaxy.
He straightened in his seat, realizing that his brief mental escape hadn’t gone unnoticed. The speaker at
the podium had paused, his eyes fixed on Dundul with an expression of curiosity and something else.
The room had fallen silent, all eyes turning toward him. Misael, a figure known for his rare but impactful
interventions, stood at the edge of the gathering, his gaze locked onto Dundul.
Dundul sighed inwardly, preparing to re-engage with the discussion. But before doing so, he allowed
himself one last thought of the woman in the bar and the utopia they both knew—she was so close.
— And don’t forget to stay with me, he thought to himself. — The journey has only just begun.Chapter 2: The First Artifact
---
‘‘Introduction and Familiarization’’
Dundul was stationed at an ancient archaeological site located in one of the most remote corners of the
galaxy. This forgotten outpost, which once served as a hub for studying ancient civilizations, was now
engulfed in silence and oblivion. Centuries had passed since the last scientist left these walls, leaving
behind only dust and ruins.
But recently, the station had once again attracted the attention of researchers. Strange energy surges
detected in this region indicated the presence of something unusual, possibly linked to ancient artifacts
that held the power and wisdom of long-lost peoples. Now, with the station becoming a focal point of
interest once more, Dundul had arrived to unravel the mysteries hidden deep within.
This life-sustaining planet had become the subject of investigation due to its unique position and
complex history. Once, Salt III had been part of a great civilization, but now only ruins and enigmas
buried beneath its surface remained. The shift in the planet's axis in the past had led to climate
changes, making it similar to Earth, though with a less polluted atmosphere.
Salt III was surrounded by a massive ring system, reminiscent of Saturn's rings, but with a mystical
touch, as if the planet itself was encased in ancient artifacts. These rings, encircling the planet, created
a mesmerizing spectacle in the night sky, giving everything around a sense of mystery and eternity.
The station was built many centuries ago on the ruins of an ancient city, which may have been one of the
centers of the vanished civilization. The station's main dome, constructed from a durable and nearly
invisible energy material, provided protection from harsh external conditions and allowed the station's
inhabitants to observe the majestic rings shimmering in the night, evoking a feeling of peace and
oblivion.
The planet's terraforming process had begun, but it was interrupted for unknown reasons. Outside the
dome, the atmosphere was still unbreathable, though its composition was slowly changing. A complex
life-support system artificially maintained a favorable environment inside the station. Biomes, where
rare plants were cultivated, played a crucial role in oxygen production. These domes resembled vast
parks filled with diverse flora and fauna, where both exotic plants and rare animals thrived. Thesebiomes not only sustained life on the station but also served as a reminder of nature's vitality, despite
being far from their home worlds.
Around 50 people lived on the station — archaeologists, engineers, biologists, linguists — each a
specialist in their field. They formed a diverse group, gathered from across the galaxy for a single
purpose: to unravel the mysteries of ancient civilizations and use their knowledge to understand the
present and future. The researchers lived in compact modules connected by a system of corridors that
provided easy access to various excavation zones and research centers. Though small, these modules
were designed to create a cozy atmosphere and foster a sense of camaraderie. However, some
preferred to live in townhouses located in the park zones of the biomes, where they could enjoy solitude
and the tranquility of nature.
Despite the harsh conditions, the station became a place where a sense of camaraderie thrived. Those
who lived and worked there became like family. In such extreme conditions, mutual support was not
just a necessity but the foundation of survival. Here, on the edge of the galaxy, amid cold wastelands
and ancient ruins, unique human bonds were formed, built on trust, mutual aid, and a common goal.
In the evenings, when the workday ended, the station's inhabitants often gathered in the central hall
beneath the main dome. There, they discussed their discoveries, shared thoughts, and told stories of
their home worlds. These moments were essential for maintaining morale and fostering a sense of
unity. Dundul, though lost in his own thoughts, could not help but feel the powerful energy emanating
from these people. Their dedication to their work and to each other inspired him to achieve new heights.
At the same time, especially for the sensitives, the station's atmosphere was imbued with a sense of
mystery. Every corner, every ancient mechanism seemed to hold secrets, waiting for their time to be
revealed. Dundul, with his innate ability to delve into the essence of things, could not help but feel this
tension, this call from antiquity that echoed in his mind.
But he needed to complete routine tasks before he could unravel these mysteries. Scanning debris,
analyzing energy fields, checking the operation of old mechanisms — all these were part of the work
that needed to be done to prepare the station for further exploration. These moments, filled with
monotony and sameness, seemed especially dull against the anticipation of what might be discovered
next.
Dundul wandered the station slowly, lost in thought. To him, artifacts were more than just ancient
objects. He understood that their true power lay not in their physical shell, but in what they symbolized.
An artifact had meaning only to the one who created it, and only in that person's hands did it hold truevalue. In Dundul's view, there was no difference between artifacts and totems — they were all merely
reflections of their creators' inner worlds.
Yet despite his skepticism about material objects, Dundul knew that they could be the key to unraveling
deeper truths. Each artifact held a piece of history, a fragment of knowledge that could shed light on
current events. Runes, though merely symbols to him, could still contain hidden power, capable of
opening doors to new understandings.
Immersed in these reflections, Dundul continued his work, preparing for the upcoming quest that
awaited him. With each step, he felt the station's mysterious energy becoming more palpable,
foretelling an inevitable encounter with what lay hidden in its depths.
The scientific team assembled to study the ancient artifacts on Salt III soon faced unforeseen
challenges. Initially, everyone worked in unison, striving to uncover the secrets of this enigmatic planet.
Still, as time went on, internal harmony began to unravel under the pressure of ambitions, fears, and the
unseen influence emanating from the ancient relics.
‘‘New Discoveries’’
The first signs that the station was on the verge of great discoveries came unexpectedly. Routine scans
conducted on the surface and deep within Salt III began detecting powerful energy surges. Initially, they
were dismissed as equipment errors or natural phenomena, but over time it became clear that these
were not random spikes. These energy anomalies were too regular, too powerful, and too purposeful.
Dundul, responsible for this sector, gathered the team to analyze the new data. It soon became evident
that the sources of these surges were located in the ancient ruins, deep beneath the planet’s surface.
Analysis showed that these surges were linked to something more significant than simple artifacts —
possibly to the awakening of a consciousness of an ancient civilization that had been dormant for
centuries in the depths of Salt III.
The more the researchers delved into their study, the more it seemed that their actions were themselves
the catalyst for this awakening. The terraforming process, which had been interrupted millennia ago,
began slowly resuming. The planet's atmosphere became cleaner, more stable; the domes that
protected the station started to disappear as if the planet itself had decided to reveal itself to its new
inhabitants.However, the joy of such discoveries quickly darkened. Along with the awakening of ancient systems,
strange and disturbing phenomena began to occur on and around the station. Researchers started
encountering mysterious visions and indistinct shadows wandering the station’s corridors. These
entities seemed not to belong to this world but were closely tied to Salt III’s past. Some researchers
claimed to have seen fragments of the past, scenes of ancient battles and destruction now coming to
life before their eyes.
On Salt III, everything seemed calm and predictable at first glance, but each day spent on this planet
brought the researchers closer to uncovering what was happening on a much deeper level. The energy
surges detected by the instruments were just the tip of the iceberg, signals that something ancient was
awakening. Initially, Dundul and his team treated these as ordinary anomalies, but over time it became
clear that they were dealing with something that could not be ignored. The awakening of the ancient
mind was not driven by malevolent intent but rather a result of ancient forces striving to return the
planet to its original, paradisiacal state.
The energy enveloping Salt III was like a massive wave that swept through space and time, and with
each wave, it grew stronger, causing changes on the planet and within the researchers themselves. This
energy began to influence people's behavior, not with the aim of harming them but as a natural process
aimed at purification and restoration.
The planet’s power manifested itself subtly, covertly. The ancient mind of Salt III did not seek to control
people directly; instead, it guided them through its energy surges, creating conditions in which they
were forced to act. Each energy impulse was a message, a riddle that needed to be solved. But to do so
required not just strength, but a deep understanding that every action had its consequences. Like an
experienced ruler, the planet did not reveal its intentions, forcing those around it to act under conditions
of uncertainty.
Salt III acted through its energy surges and influence on the researchers' consciousness, compelling
them to make decisions and take action rather than merely discussing possible options. The energy of
the ancient mind awakened hidden emotions, fears, and ambitions within people. These surges were
not aimed at destruction; rather, they forced people to confront themselves, their inner demons, and
shadows. Nature sought not to destroy but to awaken the dormant power within each individual, forcing
them to act and thus cleanse themselves.
‘‘Memories of the Past’’: As Dundul immersed himself in his work, he increasingly noticed that strange
visions engulfed his consciousness. These visions were fragments of the planet's past, where ancientcivilizations performed their rituals, connecting with the forces of nature. The visions did not just come
to him; they took hold of him entirely, immersing him in the atmosphere of a distant time when artifacts
were not relics but living, active sources of power.
In these visions, he saw ‘‘Platunus’’
— a planet that was once full of life but became a victim of its own
technology. He observed how the ‘‘Temple of Energy’’ became a center of birth and death, how energy
meant for creation turned into a destructive force. These visions were so realistic that Dundul
sometimes could not tell where reality ended and illusion began.
‘‘The planet’s awakening’’ became increasingly apparent. Salt III, like Platunus, could become a victim
of its own power if it was not managed properly. But this power did not seek to destroy its new
inhabitants — it sought to restore the planet to its former glory. Dundul understood that their actions
needed to be aimed at maintaining balance, that any wrong move could lead to disaster. And though
they longed to uncover all the secrets of this land, they also realized that their mission required special
caution and respect for the forces they encountered.
With each passing day, more intense changes occurred on Salt III. The disappearance of the domes
opened new horizons for the researchers, but also brought new challenges. The awakening of ancient
spirits and entities connected to the planet’s past became a new reality for those who remained at the
station. These entities were not malevolent, but they could not fully interact with the planet’s
inhabitants without creating discomfort and fear.
These spirits were a mixture of memories and entities, gathered into a single consciousness that tried to
reconnect with the physical world. They were nothing more than archetypal shadows trapped in the
collective unconscious, attempting to restore a lost connection with reality.
Salt III, like a king, demanded respect and understanding from those who dared to step on its surface.
The planet did not forgive mistakes, but it did not seek revenge. It wanted to restore its grandeur, and for
this, it was necessary to understand its needs and goals. Those who could act consciously and with
respect had a chance to see the planet bloom again, returning to its paradisiacal state. But those who
could not handle its powerful energy were doomed to become its victims.
The researchers and Dundul found themselves at the center of this process. They had to act like wise
rulers, maintaining a balance between power and respect for the planet's force. They stood on the brink
of great discoveries, but every action they took could lead to either restoration or destruction. Salt III
demanded not only skill but also inner maturity to deal with the challenges it presented.Dundul understood that he and his team needed to become flexible, like water, to cope with the growing
challenges. They needed to act not just with strength but with wisdom, adapting to changing conditions.
Salt III, like an ancient teacher, tested the patience and adaptability of everyone who dared to enter its
sphere of influence. Like water, which always finds a way around obstacles, Dundul and his team had to
learn to navigate the invisible barriers the planet set before them. But these barriers were not meant to
stop them but to teach them to act with caution and wisdom.
With each new energy surge, with each new encounter with ancient spirits, Dundul's team increasingly
realized that they were not controlling the process but were a part of it. The planet dictated its
conditions but also revealed its secrets to those who were ready to listen and learn. The researchers
needed to become more than just observers — they had to become partners in the great restoration
process.
Salt III, despite its power and grandeur, did not seek to subjugate its guests. It sought to restore
harmony, and for this, it needed allies, not conquered slaves. To achieve this harmony, the planet
required them to have fluidity of thought, the ability to quickly adapt to new conditions, and a readiness
to change their perspective.
Dundul felt how he himself was changing under the influence of these forces. His own connection to the
collective unconscious grew stronger every day, making him more sensitive to the vibrations and
energies emanating from the planet. He realized that they were not just researchers on a mission but
participants in a grand cosmic plan that was only beginning to unfold before them.
It was this fluidity and adaptability that allowed them to avoid the traps and dangers that could have
destroyed a less flexible and dogmatic team. They had to remain adaptable in their approaches,
constantly adjusting their actions in response to the changes occurring on Salt III. The planet’s energy
could be both creative and destructive, and only those who could tune into its wavelength could truly
benefit from it.
Instead of trying to control the planet, Dundul and his team decided to work in harmony with its forces.
They stopped perceiving the energy surges as a threat and began to see them as signs and indications
that could lead them to uncovering the great secrets of the ancient civilization. This shift in approach
allowed them not only to survive but to thrive, gradually approaching the moment when Salt III would
fully reveal its deepest secrets.Salt III continued to change, and with it, so did those living on its surface. Their mission became not just
an exploration but a journey inward, a dive into the depths of their own consciousness, where the
answers to many questions they asked themselves lay hidden. They needed to become part of this
planet so that it could become part of them, and only then could they hope that everything they had
planned would lead to a successful conclusion.
Ultimately, the success of their mission depended not on how much they learned about the planet but
on how deeply they understood themselves in the process of this knowledge. Salt III was not only a test
of their knowledge and skills but also a test of their spirit, their ability to remain fluid, adaptable, and
wise in conditions that changed every minute.
So they moved forward, attuning themselves to the planet’s rhythm, merging with its energy, and
gradually uncovering the secrets it had kept for many centuries. This journey promised to be long and
difficult, but those who could adapt, who could become fluid like water, could hope that something
great awaited them at the end, something that would justify all their efforts and trials.
The scientific team, gathered to study the ancient artifacts on Salt III, soon faced unforeseen
challenges. Initially, everyone worked in unison, striving to uncover the secrets of this mysterious
planet, but as time went on, internal harmony began to crumble under the pressure of ambitions, fears,
and the unseen influence emanating from the ancient relics.
The Mystery of Artifacts and Their Influence
Energy artifacts revealed their true nature only in the hands of those connected to their creators. This
discovery was not just a scientific fact but a blow to the team's confidence. Some artifacts that had
previously seemed harmless, in the hands of those obsessed with their creators, became sources of
power. These individuals began to feel that they could control the artifact's power, but in reality, the
artifact was controlling them.
Artifacts discovered by the team on Salt III were unique in their nature and action. Each had specific
properties and could strongly influence the environment and even the researchers themselves.
However, as they delved deeper into the study of these objects, it became evident that the power of the
artifacts could have been more unequivocally beneficial. Some, like the ‘‘Misantreon’’ (named after an
ancient artifact capable of awakening the dark sides of human nature), began to sow discord and
mistrust among the team.
‘‘Misantreon’’
, an artifact emitting dark, almost imperceptible energy, was found deep within a ruined
temple and immediately drew attention. Its influence was invisible but palpable: as soon as one of thescientists began to study it, they began to feel inexplicable suspicions toward their colleagues, fear, and
a desire to possess the artifact alone. Initially, these changes were barely noticeable, but over time,
they grew into open conflicts.
Other artifacts, such as the ‘‘Crystal of Dawn’’ (functionally similar to the Resurrection Stone), emitted
a bright energy that promoted healing and restoration. However, its power was also ambiguous: the
crystal demanded sacrifices, as if hinting at the inevitable balance between light and darkness.
The ‘‘Crystal of Dawn’’
— a majestic artifact reminiscent of a lost civilization that may have used it to
revive or restore the deceased. But its bright aura hid a dark secret: every time someone tried to use its
power, they felt something slipping away in return, as if the crystal demanded sacrifices in exchange for
its action.
These two artifacts became the epicenters of conflict. Some scientists, obsessed with the idea of using
‘‘Misantreon’’ to uncover the secrets of the ancient civilization, insisted on further research despite its
obvious negative impact on the team. Others, on the contrary, saw in the ‘‘Crystal of Dawn’’ the key to
restoring harmony on the planet, although its dark sides caused no less concern.
Conflicts Within the Team
As tension within the team grew, two opposing groups began to form. One, led by Dr. Laren, believed
that the artifacts should be studied at all costs, even if it involved certain risks. Laren argued that
without a deep understanding of the artifacts' power, they could not uncover all the planet's secrets.
Her supporters believed that the risk was justified and that the knowledge that could be extracted from
the artifacts was worth it.
The other group, led by Dr. Iris, called for caution. They saw how the influence of ‘‘Misantreon’’ and the
‘‘Crystal of Dawn’’ was changing their colleagues' behavior and believed that continuing the research
could lead to catastrophic consequences. Iris and her supporters insisted that the artifacts should be
isolated and studied remotely to avoid their negative influence.
“We cannot afford to lose our sanity for the sake of discovery,” Iris said at one of the team meetings.
“These artifacts may hold not only knowledge but also destruction. If we’re not careful, Salt III will
become our grave.”
Meanwhile, the artifacts continued to exert their influence on the researchers. Each of them felt the
pressure emanating from the ancient relics. ‘‘Misantreon’’ heightened paranoia and distrust, makingpeople more closed off and aggressive. Some even began to see their colleagues as rivals rather than
allies, leading to open conflicts and quarrels.
The Influence of Artifacts on Consciousness
The influence of the artifacts on the researchers' consciousness became increasingly apparent. Visions
that initially seemed like mere illusions began to invade their reality. Some began to experience an
inexplicable fear of the artifacts, while others felt an irresistible attraction to them. These behavioral
changes intensified, leading to conflicts within the team. Dundul, with his natural resistance to such
influences, began to notice how his colleagues were slowly but inexorably changing.
The ‘‘Shadow of Power’’, an ancient staff capable of subjugating its wielder's mind, became the focal
point of such influences. One researcher, under its influence, began to see himself as a ruler striving for
power at any cost. These visions were so vivid that he began to perceive his colleagues as threats to his
future greatness.
The researchers realized that they needed to protect themselves and their team from the artifacts'
influence. They began creating protective gear designed to block the relics' effects on consciousness.
The team also started training to strengthen their inner resilience and concentration to withstand the
forces contained in the artifacts. Dundul, with his innate mental defense abilities, became a mentor for
others, teaching them methods of resisting ancient influences.
Chaotic Control
At the peak of the crisis, when ‘‘Misantreon’’'s influence reached its zenith, the team faced the greatest
danger. The energy released by the artifact began to break down the station’s defense systems.
Everything seemed doomed to fail. But those who remained sane knew that chaos could only be
controlled by embracing it. The team’s actions, which seemed chaotic and meaningless, were actually
meticulously calculated.
Even the most powerful protective measures could not fully shield them from the artifacts' influence.
When the incident with ‘‘Misantreon’’ occurred, the station plunged into chaos. The dark energy
released by the artifact began to spread at an unimaginable speed, like a living entity seeking to engulf
everything in its path. Everything happened so quickly that it seemed each moment teetered on the
brink of destruction.The team, gripped by panic, froze in terror at the unmanageable force. But those who remained
conscious immediately pulled themselves together. Without a word, as if by an invisible command, they
began to act. The intricate dance of interactions that unfolded at the station appeared chaotic and
unstructured to an external observer, but within this chaos, there was hidden harmony.
Every action was part of a complex plan, with each note played at the right moment. The entire team,
acting as one, began working, creating a symphony out of chaos. They knew they couldn’t fully suppress
‘‘Misantreon’’’s energy, but they could redirect it. At the moment of climax, the artifact was encased in a
protective field and transported to an indestructible vault. This step was necessary to save the station
and continue their mission.
When it was all over, silence reigned on the station. The researchers realized they had encountered
something beyond their understanding. But they also realized that the power contained within the
artifacts could be both creative and destructive. It was important not to suppress it but to learn to work
with it, respecting its nature.
Now they knew their mission was not just a scientific inquiry but a spiritual journey, in which they had to
find a balance between the thirst for knowledge and respect for the forces they were unveiling. Salt III
continued to hold its secrets, but now the team was prepared for new challenges, understanding that
their success depended not only on knowledge but on their ability to maintain balance between light
and darkness.
And only time would tell whether they could uncover all the mysteries of this enigmatic planet without
losing their humanity in the process.
“These artifacts,” Dundul said as the situation on the station began to stabilize, “can give us answers to
many questions. But they can also lead to our demise if we don’t learn to understand and respect them.
We must remember that the power hidden within them can be both creative and destructive.”
This incident was a turning point for the team on Salt III. The conflicts and disagreements that nearly led
to disaster showed how dangerous the misuse of the artifacts' power could be. The researchers
understood that their mission was not only about the pursuit of knowledge but also about maintaining a
balance between the thirst for discovery and caution.Salt III continued to hold its secrets, and each day brought new challenges. However, the team now
acted with greater caution, understanding that every action they took had consequences not only for
themselves but for the entire planet. And though they continued to strive to uncover the secrets of the
ancient civilization, they knew that their success depended on their ability to maintain unity and respect
for the forces they had encountered.
Thus, the station on Salt III became not only a place of scientific research but also an arena where
human ambitions and fears clashed with ancient forces awakened from a deep slumber. And only time
would tell whether they could uncover all the mysteries of this enigmatic planet without losing the most
valuable thing — their humanity.
#authors#mysteries#fiction#ScienceFiction#SpaceExploration#AncientCivilizations#CosmicMystery#PsychologicalThriller#AlienArtifacts#ArchaeologicalAdventure#TeamDynamics#PlanetaryExploration#SupernaturalForces#Terraforming#MysticalScience#CollectiveUnconscious#MindControl#DarkEnergy#TechnologicalRuins#CosmicHorror#AncientRituals#SurvivalInSpace#PowerStruggle
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Tommykaira M20B Tuned GC8 Impreza WRX
Challenge to the highest peak! Tommykaira's confidence for running seekers
The M20b, a complete machine with overwhelming "hyperdimensional" running, is now even more powerful.
The highest potential hidden in the boxer sound goes beyond the output and torque numbers and is active in a wide power field, and its response supports the drivability unique to Tommykaira tune.
The 4WD and well-developed tuned suspension provide excellent cornering characteristics with high stability and controllability.
At all times of acceleration, the sense of speed that responds sharply to the accelerator is unique to Tommy Kaira's tuning spirit.
The M20b is an unbeatable machine that combines sports car pedigree with a WRC champion.
Intense acceleration G that transcends dimensions realizes the ultimate in driving.
●Interior
A driving cockpit that invites the driver of the M20b into the world of WRC. A 36.5cm diameter genuine leather-wrapped steering wheel provides the smooth steering work required by works drivers. The top of the stress-free, short-stroke shift boot features a machined aluminum shift knob. An original console box made of carbon three-dimensional molding with a triple gauge meter that meets the demands of hard driving. The center panel features a 260 km/h speedometer that stands out in Tommy Kaira red, as well as original Tommy Kaira meters. The cockpit, made of silver and carbon, is a functionally beautiful space dedicated to driving.
●Engine
An uncompromising accumulation of theory and prototypes. Tommykaira's confidence. Maximum output 297ps. Maximum torque 34.3kgm. A power unit that stands at the very top. Tommykaira's tradition and track record speak for itself, with characteristics and excellent response across the entire range that go beyond the potential expressed in numbers. It produces drivability with plenty of power befitting a pure sports car, and acceleration G that transports you to a different dimension.
●Front bumper spoiler
Tommy Kaira's original design spoiler has large openings above and below the bumper line for the air intake to maximize the cooling effect. Together with a pair of fog lamps, it creates an aggressive front view and brings out the M20b's presence.
●Rear wing
The rear wing, which gives an impression of a strong rear form, is made of glass fiber with a two-stage bridge. The high rectification effect in the high speed range is reflected in the improvement of stability through downforce at high speeds.
●Side decal
The flowing Tommykaira is the confidence and pride of a tuned car.
#gc8 WRX#WRX#Impreza WRX#impreza#subaru Impreza#gc8 impreza#Tommykaira#tommykaira M20B#m20b#tommy kaira#tommykaira wrx
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Explore 20 stunning Ottoman tray ideas on our latest blog post! 🌟 Transform your space from cluttered to chic with these trendy styles and practical solutions! ✨🏡💖 #HomeGoals #ChicSuggestions
#Ottoman Tray Ideas#Stylish Home Decor#Space Saver#Organized Living#Interior Design#Beautiful Interiors#Clutter Free#Home Makeover#DIY Projects#Decor Inspiration#Minimalist Living#Trendy Furniture#Room Décor#Lifestyle Tips#Storage Solutions#Home Styling#Decorating Ideas#Functional Decor#Modern Ottoman Tray#Design Aesthetics
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I’ve been seeing a few posts on minimalism going around, one being @bisquitt’s post on sustainability and minimalism—how the two terms shouldn’t be conflated, and how real sustainability is about anti-capitalism in the forms of reuse, repair, and community interdependence. Another is @allstrangeandwonderful’s post on how Minimalism is an aesthetic based around coping in the "corporate hellscape" we live in—contemporary designers gravitate towards neutral colors as a respite from the warlike corporate use of color to catch the attention of a consumer (See Mina Le's video on this concept also. She offers up a few possible reasons for this trend towards "greige" interiors, one being the inundation from advertising we experience in our everyday lives).
I wanted to talk about these concepts and tie in some other things I’ve been seeing around.
Imo, minimalism is anti-consumerist, but not anti-capitalist. The lifestyle and aesthetic is intended to address the systemic problem of living in a consumerist society on an individual level. Instead of ending the capitalist system that thrusts consumerism on us all, it suggests that minimalists create a safe space away from consumerism. It is not interested in changing the system, only the individual. What really drove this home for me was watching The Financial Diet on YouTube interview The Minimalists, the guys who kicked off the trend. She keeps trying to ask them about the underlying issues Minimalism acts as a band-aid for, and they keep dodging her questions.
The lifestyle choices bisquitt offers up as sustainable are typically lumped under the umbrella of Solarpunk: “fixing shit around your house. thrifting. patching clothes and handing them down. a community garden. potluck dinner parties. farmer’s markets. a barter system among friends and neighbors. kindness. love among community members.“ These things do not conform to the minimalist aesthetic tenets of order, function, and simplicity. They are often vibrant, mismatched, and chaotic, messy even (see my post on solarpunk aesthetics here). This is because solarpunk aims to solve the same issues minimalism does, but on a societal level. Solarpunk is working towards a utopian future of degrowth, where the forces that Minimalism is in opposition to will no longer exist. This allows for everyday people to reclaim vibrancy from corporations. That busyness is only desirable in a world where capitalism isn't such a burden. Solarpunk advocates for simplicity in all but design, instead of the other way around.
Another thing is the separation between meaning and function present in Minimalism. Minimalism is often associated with deriving pleasure from experiences, not things. The physical space is deprioritized (I know the movement is about changing the physical space, but the idea is that the physical space just makes your life more efficient) for a kind of zen outlook about mind over matter. Solarpunk is much more holistic in its recognition that inner peace comes from a play between the external and internal worlds—from connection and respect for people, things, and resources. Instead of removing meaning and beauty from a space to prioritize the mind, Solarpunk instills it, to elicit interaction with the world instead of a retreat from it. Thus, Solarpunk rolls meaning and function into one: a visibly mended shirt is both functional (the hole is gone), and meaningful (it says much more about the politics of the wearer than one mended invisibly). Another example is the bottle walls commonly used in Earthships: Making the bottles visible is beautiful, and it communicates that the builder is interested in using sustainable material.
In short, minimalism is individualist while Solarpunk is collectivist, and the aesthetics of each reflect that. Retreating from a broken society will not fix said society. Sustainability needs to be solved on a societal level, so minimalism as a solution to overconsumption just isn't gonna cut it.
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Finally finished the Xavier School for Gifted Youngsters or Xavier Mansion!! I had a hard time feeling up the huge space but I think I managed.
The exterior/silhouette is definitely inspired by the 90’s cartoon, while the interior looks like the movie (I loved how beautiful the movie’s school looks like, it reminds me so much of my former university).
For the basement… that is all I can do, I tried making the danger room but I also wanted for it to function hence the gym equipments. Cerebro… let’s not talk about.
I’ll try and compile all of the mods I have used and will try and upload it someday but for now, I’ll play with my RoLo sims.
#sims 4#simblr#sims 4 gameplay#sims#sims 4 screenshots#ts4#rolo#sims 4 build#sims build#marvel#x men#x men marvel#xavier school#ts4 simblr#ts4 build#ludibundus
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HMMARBLEDESİGN - DRAGON+
When it comes to elevating the elegance of your bathroom or kitchen, few materials compare to the timeless beauty of marble. Marble sinks have become a popular choice for homeowners and designers alike, offering a luxurious touch that can transform any space. With a myriad of styles and finishes, marble sinks not only deliver functionality but also serve as stunning focal points.
Marble Sink
A marble sink can transform any bathroom or kitchen into a luxurious space. Made from natural stone, a marble sink not only adds elegance but also durability to your home. The unique veining and patterns in marble ensure that each sink is one-of-a-kind, making it a statement piece in your decor.
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Marble Sinks
Marble sinks are an exquisite addition to any bathroom or kitchen, providing a touch of luxury and elegance. Known for their stunning appearance and durability, marble sinks have become increasingly popular among homeowners and interior designers alike. With a wide variety of colors and patterns available, each piece is unique, allowing you to find the perfect match for your interior style.
One of the main advantages of using marble sinks is their aesthetic appeal. The natural veining and rich textures of marble can elevate the overall look of your space, making it feel more sophisticated. Whether you prefer a classic white marble with subtle grey veining or a bold dark marble with striking patterns, there’s a marble sink that can fit your vision.
Apart from their beauty, marble sinks are also known for their durability. Marble is a hard and long-lasting material, making it a great investment for any home. While it requires some maintenance to preserve its shine and prevent stains, a well-cared-for marble sink can last for decades. Regular sealing and gentle cleaning solutions are essential for maintaining the integrity of your marble sink.
When considering a marble sink, it's important to think about the design and functionality. Various styles, including undermount, vessel, and drop-in sinks, are available to suit different tastes and layouts. Each style offers a unique way to highlight the beauty of marble while ensuring practicality in daily use.
In addition to their aesthetic and functional benefits, marble sinks can also enhance the value of your home. High-quality stone fixtures are often perceived as luxurious and can increase the appeal of your property to potential buyers. By investing in a marble sink, you not only elevate your living space but also add value to your investment.
With countless options available, selecting the right marble sink for your home can be an exciting journey. Explore different colors, sizes, and styles to find the perfect piece that complements your design vision and fits seamlessly into your bathroom or kitchen.
Marble Wash Basin
A marble wash basin is not just a practical addition to your bathroom or kitchen, but also a statement of elegance and style. Crafted from natural stone, these sinks offer a unique blend of functionality and aesthetic appeal that can elevate any space. The beauty of a marble sink lies in its intricate veining and rich textures, making it a captivating centerpiece.
One of the key advantages of a marble wash basin is its durability. Marble is a hard, resilient material that can withstand daily use while maintaining its contemporary charm. With proper care and maintenance, a marble sink can last for many years, making it a wise investment for any homeowner.
Beyond durability, the maintenance of a marble wash basin is relatively simple. Regular cleaning with gentle, non-abrasive cleaners will keep the surface pristine. However, it’s important to avoid harsh chemicals and acids that may damage the marble. Sealing your marble sink periodically can also help protect it from stains and water damage.
The versatility of marble wash basins is another reason for their growing popularity. They come in a variety of shapes, sizes, and colors, allowing homeowners to choose the perfect sink that matches their decor. Whether you prefer a classic white marble or a striking black vein, there's a style to suit every taste.
In terms of installation, a marble wash basin can be integrated seamlessly into different countertop materials, enhancing the overall look of your bathroom or kitchen. Pairing a marble sink with fixtures made of brass or chrome can create an eye-catching contrast that will impress your guests.
Furthermore, the luxurious feel of a marble wash basin adds a touch of sophistication to your space. It not only serves a practical purpose but also transforms your bathroom or kitchen into a sanctuary of relaxation and comfort.
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So, I thought I'd make a little compilation of visual stuff for my fan fiction series “Shadows Of Our Past, Present, And (possible) Future”
This needs to be two posts, because tumblr only allows 30 images per post (I think). Please don't steal the images. It took me ages to build the apartment in an interior design/architecture program (Planner 5D). If you want to use them, feel free to ask :)
Tumblr may screw with the quality of the images. Maybe it helps if you click/tap on them to view them in full-screen mode.
Shota's (and Yoru's) small apartment in the prequel:
The main room — kitchen, entryway, living room Details: The guitars, Shota's bike helmet (and a kid's motorbike helmet), Yoru's little house slippers and her little yellow coat, the black coat on the right side of the rack is supposed to be Shota's hero costume, and the gray thing next to it (under Yoru's yellow coat) is his scarf. The furniture is mismatched. Aizawa truly doesn't give a shit and was tight on money. As long as it's functional, there's no need for furniture to go well together.
The bathroom: Details: it's small and functional. There's a little duck for Yoru to play with while she's having her bath, as well as a shark on top of the shelf.
Shota's room: Details: none — purely functional. Completely Shota Aizawa
Yoru's room: Details: the complete opposite of Shota's room. Hizashi and Nemuri (Present Mic and Midnight) helped him (forced him) to get most of it and prepare it the way it is now. They also paid for pretty much all of it. The string lights are important — they're always turned on during the night (Yoru hates sleeping in the dark, already did when she was still little — probably even more back then), Uni the Unicorn plushie: Shota gifted it to her when he found her in the back alley. It's magical and its horn can glow. The room is completely cramped with everything and more a four-year-old child could need (it's so full that the window is hidden behind the little play-tent-thingy).
The balcony: Details: Shota is a secret smoker (not very often and always makes sure that Yoru doesn't notice), the cherry tree: he got it for her the day she officially moved in. He prepared with a lot of parenting books once the adoption was approved (because, of course, he did) and one of them mentioned how some parents plant a tree the day their child is born, so they can grow (strong) together. Alas, he doesn't have a garden, so the little cherry tree sapling on the balcony has to do.
The complete layout of the apartment:
Shota's and Yoru's new, big loft apartment in the canon story:
So, after starting at U.A. (which pays very well, I mean… it's Japan's most prestigious (hero) school) and with Shota earning more money, they moved places when Yoru was ten. It's an old building that used to be open-office spaces and the plumbing doesn't always work, but it's home. Money was still sort of tight (it's a big apartment, therefore expensive and needed some major renovating and furnishing), so Hizashi and Nemuri, once more, chipped in. They have enough money, you know — being public pro heroes with multiple jobs and business deals, so it didn't really hurt them. Don't worry, Shota paid it all back by now, though. Hizashi and Nemuri paying for a lot of it also meant that they had a lot to say regarding decoration and what to get, though. Shota himself would have been happy with half of the stuff, feeling as if it's a lot of things people don't need. He likes it though — it's comfy, but I'm not sure he'd ever admit it.
We'll start with the layout this time because the place is a whole lot bigger.
Layout: Details: a little bit like their old apartment, meaing it has a very open floored plan.
Balcony: Details: Almost the whole ceiling-high-window area opposite the entryway opens up. The sunlight, especially when the sun sets, is absolutely beautiful. It's what made Shota and Yoru choose the apartment. The cats are allowed to go outside to the balcony — they know they're not allowed to jump up on the railings. They enjoy hunting little birds and small bugs there, often bringing their dead prey inside as gifts for their humans, who in return have to clean up feathers and other messes. The cherry tree is, of course, there, too. It's the big one opposite of the sitting area. It's started to become too big for all its pots and Shota makes sure to replant it annually so it can continue to grow and expand its roots. He's about to hit the maximum pot size, though. He doesn't know that he will, however. Yoru, her Dad, Hizashi, and Nemuri (the latter two often inviting themselves over to the Aizawa household) often spend their evenings outside in the sitting area if the temperature allows it. Shota's keeping a secret (he thinks it's secret) ashtray behind the big climbing support for the pipe wines close to the outdoor sitting area. On the left, in the corner (almost cut off from the image) is a little training equipment thing (can't remember the name of it).
The main area — entryway, side-genkan, guest bathroom, kitchen, dinner area, reading area, living room, Shota's work desk: Details: The cats have their food/water area on the floor in front of a kitchen counter. The big, unoccupied space between the kitchen/the entry area and the shelf with the green moss piece above it, is used for their workout/yoga/hand-to-hand combat training at home. There are a few trophies on the shelf — those are some of Yoru's trophies she won for dancing/ballet with her solos or her group. The chairs closest to the kitchen are deceiving: they only hold the weight of cats. Shota keeps on repairing them, but if a human sits on them — they break. They still serve a function, though (the cats can sit on them), so Shota sees absolutely no reason why they need to be repaired or replaced. It's not rational. Their guitars on the wall, next to the fireplace (which they barely ever use). The wall panels/boards on the wall opposite the couch and in the corner of Shota's work desk are for the cats to play on them. Shota took his video game console from the old apartment and brought it to the new one. Toshi and Yoru sometimes play on it, but Shota rarely has time anymore.
Main bathroom:
Details: Important — Do NOT flush the toilet without turning on the faucet first. While the toilet will flush and everything will… go away, new water will continue to come in while the water in the toilet bowl itself will not drain. It will overflow. As mentioned previously, the plumping in the building is old and doesn't always work. Yoru hates this and had to clean up clean toilet water more often than she can count. There's a fix, though: One of the tiles over the toilet can be removed. Behind it, is a very MacGyver-esque contraption: a plastic bottle held up with hemp strings and the pipes for the fresh toilet water. They need to be meddled with while flushing the toilet three times. Simultaneously, the faucet needs to run. It's a two-man job, which means Yoru can't secretly screw up the toilet and has to ask her Dad for help. He's not happy about the amount of times Yoru fucks it up, but helps nonetheless. Again, same with the chairs in the dining area: if used correctly, it's functional. So Shota doesn't see a need to fancy-fix it or call and pay a plumber to do it. He's still very frugal, and it's illogical to fix something that technically isn't broken if used correctly. Yoru strongly disagrees with her Dad's mindset here.
So, that's Part 1 of the post. I hit the 30 image file limit that tumblr allows. We're still missing Yoru's and Shota's room — they'll be up in a moment.
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