#rhodolite

[dicenete]

I just wanted to draw the 8 princes of Rhodolite side by side, trying to think about their height differences and different body types. I suppose these might be my headcanons? I'm sure there are lot of things you learn about them in their routes and such so if those things are not present it is because I haven't played their routes.

I'm still bit peeved that Licht's sprite looks like a stick when he is the head of the army of Rhodolite. So I will not stop giving him some mass. I made Luke bit more burly, (How about making him a BEAR?👀👀) because I have gotten the idea that he is a warrior too and not just lanky and tall. I wanted to respect their sprites so I didn't go too wild.

IkePri Tag Team:

@scummy-writes @goustmilk @solacedeer @m-mmiy @mxrmaid-poet

@pawnkyyy @ludivineikewolf @violettduchess

[norel-ravenclaw]

Ikepri fans, have you ever actually seen the kingdoms’ gems?

Rhodolite

Benitoite

Tanzanite

Achroite

Jade

[lalathemediterraneanmermaid]

Ikepri reigns as real life countries

Hi there again my dear Belles. As we all know, ikemen prince reigns ar based on real life countries, or at least, that's what it looks like, specially knowing character's names, I mean, we have Chevalier (french), Von Obsidian (dutch - german), Ricci (italian), Yves (french), Kagari Amagase (japanese)... But, even though some kingdoms are easily "recognised" in real life countries, there are some others that are not that clear. That's why I've decided to match each kingdom to a country. This is just my opinion, so feel free to expose yours. Hope you enjoy little rabbits!!!!!!

Rhodolite - France

Romantic and Elegant Atmosphere: France is often seen as the epitome of romance, known for its picturesque landscapes, charming cafés, and the enchanting ambiance of cities like Paris. Rhodolite reflects this romantic and elegant atmosphere through the bookshops, the taverns, the little plaza with the fountain, the market, the pastisseries, the landscapes, the town… creating a kingdom where love stories unfold against a backdrop of beautiful scenery and intimate settings. The kingdom features elements like festivals or traditions that celebrate love, happiness, freedom and union.

Art, Fashion, Culture and roses: France has a rich artistic heritage, being the birthplace of influential movements such as Impressionism and home to iconic fashion houses. Rhodolite emphasizes this connection by showcasing characters who pay close attention to this type of visual and external things, such as Nokto with the jewelry, fashion, perfumes, etc. The presence of roses as a symbol of beauty and love could be significant in Rhodolite, with gardens filled with rose varieties and floral motifs present in everything, echoing the French appreciation for aesthetics, and also, it is known that France’s national flower is the rose.

Royal Legacy and Noble Etiquette: France’s history is steeped in royal legacy, with grand palaces, elaborate courts, and a system of noble etiquette that has influenced many cultures. Rhodolite portrays a kingdom that maintains these traditions, highlighting a royal family that embodies elegance, grace, and responsibility. The interactions among the nobility reflect the formal customs and social hierarchies reminiscent of historical French courts, adding depth to character relationships and political dynamics.

Architectural Beauty and Palaces: French architecture is renowned for its beauty, with iconic structures like the Eiffel Tower, the Louvre, and the palaces of Versailles and Fontainebleau. Rhodolite showcases stunning architectural designs, blending various styles like Gothic, Baroque, and Rococo, for example seen in the palace. The kingdom is dotted with grand mansions and beautifully designed public spaces, reflecting the importance of architectural beauty in French culture and serving as a backdrop for significant events and gatherings.

Revolutionary Spirit: France is known for its revolutionary spirit, marked by events like the French Revolution, which reshaped the nation and inspired movements worldwide. Rhodolite embodies this revolutionary ethos by portraying characters who advocate for change, challenge the status quo, and strive for social justice. The kingdom is depicted as a place where ideas of liberty, equality, and fraternity resonate, driving the narrative of personal and societal transformation.

Obsidian - Germany

Strength, discipline and Military Power: Germany is historically recognized for its strong military tradition and disciplined approach to governance and society. Obsidian embodies these qualities by depicting a kingdom with a robust military presence, emphasizing values such as honor, loyalty, and strategic prowess. Characters in Obsidian reflect the disciplined nature associated with German culture, portraying dedication to duty and strength in adversity.

Industrial Powerhouse and Innovation: Germany is renowned for its industrial strength, being home to leading companies in sectors like automotive, engineering, and technology. Obsidian highlights this aspect by showcasing a kingdom that values innovation and technological advancement, I mean they “invented” the guns. The presence of skilled craftsmen, inventors, and engineers are prominent, illustrating a society that thrives on progress and economic power, mirroring Germany's historical emphasis on efficiency and quality.

Cold and Austere Atmosphere: Germany’s cultural identity often includes a perception of coldness or stoicism, reflected in its architectural styles, weather, and social interactions. Obsidian captures this austere atmosphere through its landscapes, character interactions, and overall aesthetic. The kingdom is characterized by a serious demeanor, where emotions are expressed more subtly, especially fear, emphasizing strength and resilience over overt displays of warmth.

Central European Strategic Position: Germany’s central location in Europe has historically made it a crossroads for trade, culture, and politics. Obsidian represents this strategic significance by showcasing its role as a threat for other kingdoms that surround the obsidianites. Characters navigate complex political landscapes, reflecting Germany's historical importance in shaping European dynamics and alliances.

Architectural and Cultural Grandeur: Germany boasts a rich architectural heritage, with castles, cathedrals, and modern structures that showcase its historical and cultural grandeur. Obsidian features majestic buildings, representing the kingdom’s power and strength.

Benitoite - Italy

Luxurious Lifestyle and Grandeur: Italy is synonymous with luxury and grandeur, known for its opulent fashion, exquisite art, and historical monuments. Benitoite embodies this luxurious lifestyle by portraying a kingdom filled with elegant palaces, lavish celebrations, and a strong emphasis on beauty and aesthetics. Characters dress in fine fabrics and adorn themselves with beautiful accessories, reflecting Italy’s rich cultural heritage in fashion and art.

A nation benefited by the sea: Italy’s long coastline has significantly influenced its culture, economy, and way of life. Benitoite reflects this connection to the sea through its geography, highlighting vibrant coastal cities and a thriving maritime culture. The kingdom showcases bustling ports, trade routes, and a lifestyle that embraces the ocean, with characters engaging in activities like fishing, sailing, and enjoying the beach, mirroring Italy’s deep-rooted relationship with the Mediterranean Sea.

Gastronomy and Sophistication (the best of the best): Italian cuisine is renowned worldwide for its richness and diversity, emphasizing high-quality ingredients and sophisticated flavors. Benitoite emphasizes this culinary heritage by showcasing elaborate feasts, traditional cooking methods, and a strong focus on fresh, local produce. Characters engage in the art of cooking, like Silvio when he swapped bodies with Rio, celebrating gastronomy as an essential part of their culture, reflecting Italy’s status as a culinary capital.

"The cradle of commerce": Historically, Italy has been a central hub for commerce and trade, particularly during the Renaissance when cities like Venice and Florence thrived economically. Benitoite embodies this spirit of commerce, showcasing vibrant marketplaces, trade fairs, and a culture that values entrepreneurship and innovation, I mean, look at Silvio, nothing more to add. Characters are depicted as merchants, traders, or skilled artisans, highlighting the importance of commerce in the kingdom’s prosperity.

Rich Alcoholic Heritage: Italy is famous for its wine production, with regions like Tuscany and Piedmont known for their exceptional vineyards and rich traditions surrounding wine-making. Benitoite reflects this alcoholic heritage by incorporating wine and other alcoholic beverages culture into its narrative, showcasing characters who appreciate fine liqueurs, attend harvest festivals, and engage in alcohol making traditions. This connection to Italy’s rich alcoholic heritage could also be reflected in the kingdom's celebrations, where drinking plays a significant role in social gatherings.

Jade - The Netherlands

Natural Beauty and Green Landscapes: The Netherlands is renowned for its picturesque landscapes, characterized by lush green fields, beautiful flower gardens (notably tulip fields), and tranquil waterways. Jade embodies this natural beauty, showcasing a kingdom filled with vibrant flora and serene environments, where characters are deeply connected to nature. The kingdom features breathtaking gardens, parks, and countryside, reflecting the Dutch appreciation for their scenic surroundings.

Rich Herbal Traditions and Innovation: The Netherlands has a long history of herbal medicine and innovation in horticulture, with a significant focus on cultivating plants for medicinal and culinary purposes. Jade highlights this aspect by incorporating herbal traditions, where characters utilize local herbs for healing, cooking, or crafting potions. The kingdom is portrayed as a center for herbal innovation, showcasing advanced gardening techniques and a thriving market for medicinal herbs, mirroring the Dutch reputation in this field.

Cultural Heritage, Tolerance and Neutrality: The Netherlands is known for its cultural diversity and historical commitment to tolerance and neutrality in international affairs. Jade reflects this spirit by portraying a kingdom that embraces various cultures (obsidianite refugees) and ideas, fostering an environment of inclusivity and understanding. Characters from different backgrounds coexist peacefully, contributing to a rich tapestry of traditions, beliefs, and customs within the kingdom.

Connected Communities: The Dutch are famous for their strong sense of community and interconnectedness, often seen in their cooperative agricultural practices and social networks. Jade emphasizes this sense of connection by showcasing tight-knit communities where people work together for the common good, support each other, and celebrate local traditions. The kingdom features festivals, markets, and communal events that highlight the importance of relationships and collaboration among its inhabitants.

Wildlife: The Netherlands is home to a diverse array of wildlife, including various bird species, insects, and unique ecosystems like marshes and wetlands. Jade reflects this biodiversity by incorporating elements of wildlife into its narrative, where characters have a deep respect for nature and actively engage in conservation efforts. The kingdom showcases natural habitats and characters who are passionate about protecting the environment, mirroring the Dutch commitment to sustainability and conservation.

Tanzanite - Persia

Historical Influence and Rich Heritage: Persia has a rich historical legacy, with significant contributions to art, literature, and science throughout the ages. Tanzanite embodies this heritage by portraying a kingdom that honors its past through storytelling, art, and tradition. The kingdom includes historical sites, ancient temples, and a culture that celebrates its roots, reflecting the grandeur of Persian civilization and its impact on the world.

Persian Aesthetics and Ornamentation: Persian art is renowned for its intricate designs, vibrant colors, and detailed craftsmanship. Tanzanite captures this aesthetic through its architecture, clothing, and decorative arts. The kingdom features elaborate palaces adorned with mosaics, beautiful gardens inspired by Persian design, and characters dressed in richly embroidered garments, showcasing the beauty and sophistication associated with Persian culture.

Philosophy and Mysticism: Persian culture has a long tradition of philosophical thought and mysticism, with influential poets and thinkers like Rumi and Omar Khayyam exploring themes of love, spirituality, and the human experience. Tanzanite reflects this depth by incorporating elements of philosophy and mysticism into its narrative, I mean, Azel is portrayed as a God. Characters engage in discussions about existence, love, and magic, drawing inspiration from Persian literature and thought, creating a reflective and introspective atmosphere in the kingdom.

Trade and Cultural Exchange: Historically, Persia was a vital hub for trade along the Silk Road, facilitating the exchange of goods, ideas, and cultures. Tanzanite could mirror this aspect by showcasing a vibrant marketplace where diverse cultures converge, highlighting the kingdom's role as a center for commerce and cultural interaction. Characters might be seen as traders, merchants, or travelers who bring different perspectives and traditions to the kingdom, enriching its cultural tapestry. Let's not forget the trade relationship between Azel and Silvio...

Economy: Persia was known for its wealth derived from trade, agriculture, and craftsmanship. Tanzanite could have reflected this economic strength by portraying a kingdom that values trade and innovation. The kingdom might have  thrived on the production of unique goods, such as textiles, spices, or artisan crafts, showcasing a dynamic economy that supports its inhabitants and fosters prosperity. But the reality that they have shown us is that they are not as economically powerful as they seem. It almost looks like the greater houses are pretty rich while the rest of the population might live in poverty.

Kogyouku - Japan

Cultural Heritage and Tradition: Japan has a rich cultural heritage characterized by traditional arts, crafts, festivals, and rituals that have been preserved for centuries. Kogyoku seems to embody this sense of tradition through its customs, ceremonies, and the way its inhabitants celebrate their history. The kingdom highlights tea ceremonies, calligraphy, and traditional music, emphasizing the importance of honoring one’s ancestors and cultural practices, thus creating a deep sense of identity.

Sakura trees: Sakura (cherry blossom) trees are iconic in Japanese culture, symbolizing beauty, the transient nature of life, and the arrival of spring. Kogyoku incorporates these trees into its landscape, creating scenes of breathtaking beauty during the cherry blossom season. Characters participate in hanami (flower-viewing) festivals, celebrating the fleeting beauty of the blossoms, which aligns with the Japanese appreciation for nature and the passing of time.

Japanese aesthetic: The Japanese aesthetic emphasizes simplicity, naturalness, and the beauty of imperfection, often seen in art forms like wabi-sabi. Kogyoku reflects this aesthetic through its architecture, gardens, and crafts. The kingdom features tranquil gardens with carefully placed rocks and water elements, understated yet elegant clothing, and art that embraces asymmetry and simplicity, capturing the essence of Japanese beauty.

Civil war: The Sengoku period (1467-1603) was a time of social upheaval, political intrigue, and military conflict in Japan, characterized by powerful clans vying for control. Kogyoku draws inspiration from this historical context, incorporating themes of rivalry, strategy, and the quest for power among noble families. Characters embody the spirit of samurai warriors, showcasing their loyalty, courage, and the complexities of allegiance during a tumultuous era, enriching the kingdom’s narrative with historical depth.

Focus on Honor: Honor is a central tenet of Japanese culture, particularly within the samurai ethos. Kogyoku reflects this focus on honor through its characters’ values, emphasizing loyalty, duty, and respect. The kingdom has a code of conduct that guides the behavior of its inhabitants, with stories centered around noble sacrifices and the importance of maintaining one’s honor in the face of challenges. This aspect resonates deeply with the samurai legacy, highlighting the significance of integrity and personal honor within the kingdom.

Achroite - Sweden/Finland/Iceland

Cultural Coldness and Reserve: The Nordic countries are often perceived as having a cultural disposition characterized by a certain reserve or coldness, particularly in social interactions. Achroite embodies this aspect through its characters, who exhibit a calm and composed demeanor, reflecting the understated communication style of the region. This cultural coldness can be portrayed as a strength, emphasizing the value of inner strength and emotional control, which allows for deep connections beneath the surface.

Commitment to Justice and Equality: Sweden, Finland, and Iceland are known for their strong commitment to social justice, equality, and human rights. Achroite reflects this ethos by showcasing a kingdom that prioritizes fairness and equal opportunities for all its citizens. The kingdom has laws and systems that are pretty strict, emphasizing the importance of social equity in governance and community life, creating a narrative centered around progressive values.

Strong-Minded and Resilient Individuals: The people of the Nordic countries are often characterized by their resilience and strong-mindedness, adapting to the challenges of their harsh environments. Achroite embodies this quality through its characters, who display determination, independence, and resourcefulness in overcoming obstacles. The kingdom might celebrate stories of individuals who stand firm in their beliefs and face adversity with courage, emphasizing the strength of character that defines its inhabitants.

Wisdom and Rationality: Nordic cultures value education, critical thinking, and rational decision-making, often relying on informed discourse and logical reasoning to address societal issues. Achroite reflects this emphasis on wisdom and rationality by portraying characters who approach challenges thoughtfully and analytically. The kingdom is depicted as a center for learning and intellectual exchange, where knowledge and wisdom are cherished, fostering a culture of informed dialogue and progress.

Law and Order as Pillars of Society: In the Nordic countries, law and order are fundamental to maintaining a peaceful and stable society. Achroite mirrors this principle by showcasing a kingdom where justice, rules, and civic responsibility are highly valued. The narrative highlights the significance of laws that promote societal harmony and the role of institutions in upholding order. Characters take on roles as guardians of justice, working to ensure that the kingdom remains a safe and orderly place for all its inhabitants.

And that's it my loves!!!! Hope you've enjoyed this quite long but interesting post!!!! Bibble loves you XOXO.

[memoria-99]

I may be wrong, and someone else may have already done this, but here's some guess about where did the motifs of each IkePri country came from in reality

Rhodolite: Bulgaria - known for roses

Benitoite: Italy(Renaissance) - sea, trade, economically prosper, surname Ricci pronounces as Ri-chi

Obsidian: Germany(WWII) - strong military, food shortage, "von" in the surname

Jade: Switzerland - neutral

Tanzanite: India+Persia - religious, the building resembling Taj Mahal

Achroite: Norway - snow, law

Kogyoku: Japan - island, cherry blossom, actually obvious from the name itself

If any of who reads this have other ideas fill me in pls

[mysticplies]

Rhodolite

She loves to conquer in STYLE!

[pocket-gems]

Rhodolite and the Padparadasha? (Is that how you spell it)

I already had it done tbh about time someone asked

[ravennova7]

The small problem I have with Chevalier Michael.

First of all I would just like to preface that I do not dislike Chevalier. I think he is a good character and his route while not perfect, stands as decent on a narrative level.

Intelligence

However, I do take slight issue with how his intelligence is presented. I think its an issue that plagues many intelligent characters in the fact that it comes off across as too unrealistic.

Stories in no way have to be realistic to be good, sometimes its the opposite. Often real life is pretty mundane. However the audience must be able to suspend their disbelief to buy into the fact what they are seeing is real in the stories world.

Chevaliers intelligence to me felt borderline supernatural in a story that isn’t magical. It comes across as a get out of jail free card whenever the characters are presented with a problem.

War? Don’t worry i could win one at eight years old.

Belle has been poisoned? Don’t worry I can immediately work out the cure thanks to all my medical knowledge.

Chevalier is never really wrong about anything. Even the most intelligent people can make bad mistakes. He likes to say he isn’t human, but biologically he is. He isn’t infallible.

I think this is probably a symptom of the writing above anything else. We see Chevalier have a character arc where his beliefs about love and cooperation are changed, but they are never really directly challenged by the story. He kind of just changes his mind because belle tells him too.

He’s never faced with a situation where his ruthlessness has been the source of a crisis for Rhodolite. He is never directly challenged or forced to reevaluate his beliefs. Even with the anti monarchy faction, they never do any real damage to the kingdom that would make Chevalier consider how his warmongering could have caused it.

Emotions

He is also shown to be nearly completely emotionless. No human ever is like this. Even the most logical people succumb to emotion and irrationality. When he is supposedly fighting off his love for belle, it never really has any real impact in the story.

I think it would be good to see him having to try an deal with other human emotions such as anger or grief. Show the consequences of burying his emotions, as he believes he doesn’t need them. His mother would be a great place to start with that.

His character is fine in the story, and the plot is good, but it could have been given more depth. He’s a popular character for a reason, and this criticism is more for how his character is written.

If anyone disagrees with me, or if I’ve missed something let me know.

[gemville]

Rhodolite, Tsavorite and Diamond Ring In 18k Yellow Gold, Handmade by Ricardo Basta Fine Jewelry

Source: Pinterest

[newhyperfixationhereicome]

Crackhead Ikepri theory: Ok, but what if Emma is secretly Rhodolite's late king's daughter?

I mean... it's technically possible, considering how much of a horndog king was. And we don't really know much about Emma's biological parents.

I'm only half joking

[rjthirsty]

Rhodolite, Monogamy, & Polyamory

If you've played Ikemen Prince, you're aware that there are 8 half-brothers under one former king, all born within a 12-ish year timespan. That's a lot of women to be boinking and impregnating. And while it's totally feasible (cue the guy that had 36 kids from multiple women within 20 years or some wild shit), it brought into question what Rhodolite's marriage and relationship status quo was.

The former king only had one queen, Chevalier's mother. But judging from the estimated ages of all the guys, she was still alive when Leon was born, and his mother was also a noble woman. And considering the time that Leon's mother was still around when Yves was born, that would leave two sets of two noble women both married to the king, with children, at the same time period. Leon states in his route that the king had "other wives and other children" which meant that while not formally accepted or ascended to the throne, they were still his "wife" and not mistress. Meaning we can conclude that the king had multiple marriages whether for political reasons or personal, not all the mothers were mistresses. This really only applies to the mothers that were noble in some way, because Clavis' and Luke's mothers were not involved with the king except for conception, and we know Jin's mother was married to the king. Licht and Nokto's mother is a little bit of a mystery, and while I have guesses, I'm not going to make a call on that at the moment.

Now, this could be summed up as a translation issue since English and Japanese have different ideas for words that mean similar things. Maybe the women were "lovers" or concubines of some sort; the king would have a harem of women to produce sons, and all would be elevated to the royal court in some fashion, but only one was crowned queen. This is entirely possible. The problem is that in English when we try to label what sort of position this is, it comes with many negative connotations such as "mistresses" being secret lovers with no status, or concubines being considered sex and pleasure objects with no regard to the person, just the symbol. So we don't have an easy, equal alternative to label a woman that sits in a position of authority but is not a "wife". This is honestly a failing on English more than anything, imo. The way women were considered property for so long is seen in the terms we have for them.

But enough with all that depressing talk, let's get on to the REALLY interesting thing. Monogamy NOT being the norm.

It is never explicitly stated that monogamy is expected or even normal in Rhodolite. I admit, when I was reading the story for the first time, and even nearly two years into the game, I had been coming at it with the perspective that monogamy was normal and expected, because just like heteronormativity, monogamy is considered the "normal" thing and thus never questioned. But this is literally never brought up in the game.

I thought the game was just very sex positive in the way everyone's sleeping with everyone else. I thought they were depicting nobility as having sex parties because that's just what they did. (I don't know, I hated history and don't look into it. Tell me that drunken orgies were the norm and I'd say okay!) The way that Belle and one of the dudes would end up in sexy times sometimes outside of an actual relationship was refreshing and while it still came with the "I can only fuck people I love" from Belle's perspective, I thought it was still nice for it to not be a wait until marriage or forever after.

But what if it wasn't sex positivity? What if it's just not a big fucking deal to sleep with people because monogamy isn't the status quo? The only time monogamy comes up is treated more like exclusivity. It's hot because it's possessive-lite, but it isn't "we're a couple, you can't sleep with others", it's "I'm the only one that gets to see this" which means that it isn't a rule so much as a desire and possessiveness that needs to be stated. And that's kinda cool, when you think about it. In the way it is being presented, there doesn't seem to be a negative relationship with sex outside of a committed relationship. I'm all for that.

Monogamy is cool for those it works for. But open relationships, poly relationships, and anything else out there is also cool for those it works for. And it's just nice to see that being (silently) established as normal without having to make reasons or excuses for it. Even combing through all the event stories I can recall, I don't think there's one time that someone said, "I'm married, so I'm not interested in sex." And while that is easy to overlook because monogamy is expected in our (US) society, the absence of it is something to note, and could lead to monogamy not being expected.

In conclusion, I've decided that all relationships are valid in Rhodolite, and while other countries might not have the same freedom, I'm going to put it into my fanfics and headcanon for my country of many princes.

[freckled-lili]

That sounds like an actual Rhodolite holiday.

[thegeekcloud]

Bavaria being Rhodolite

Let s start with the munich residence shall we?

I just HAVE to share Queen Theresa's library in Munich cause 🥰 Chevalier vibes 🥰

I swear this is the throne room:

It just needs a long carpet.

Then we have the green galery:

Idk which part this would be but it's freaking beautiful

Some very nice stairs that would totally fit to our favourite palace:

I'm afraid this is the closest that i found to a ball room:

If you don't like this here's Nymphemburg and one from Augsburg with more rhodolitian vibes:

Can't have a palace without a royal carriage:

And this is the Fuggerei, homes for the homeless in Augsburg, but tell me it's not the town

Last but not least;

The royal chapel:

That is all

Thank you for your attention!

[luvsasah]

even in Rio's route 😭😭😭

C'MON WE ALREADY KNOW CLAVIS IS HANDSOME, think my guy is unstoppable

I love it that they keep saying it tho 🤭

[lalathemediterraneanmermaid]

Ikemen Prince Real Life Castles

Hi babes! I'm feeling like adding yet another layer of delusion to our already delulu brains, so here’s my take on what IkePrince castles would look like in real life. This way, you can visit them while pretending to be Belle running down the hallways looking for your beloved prince.

Rhodolite

The Rhodolite castle would be grand and ornate, with French Renaissance and Baroque influences. Expect elegant stonework, elaborate gardens with fountains, and decorative elements like balustrades and statues. The interior would feature intricate tapestries, gold accents, and chandeliers, exuding an air of refined nobility and romance.

Some examples could be:

Château de Chambord - France

Palace of Versailles - France

Château de Chantilly - France

Château de Chenonceau - France

Schönbrunn Palace - Austria

Dunrobin Castle - United Kingdom

Lednice na Moravě - Czechia

Château de Ussé - France

Obsidian

The Obsidian castle would have a stern, gothic architecture with imposing towers and stone walls. Think of dark, medieval castles with fortified structures, high walls, and sharp angles. Interiors would be minimalistic and austere, emphasizing function over ornamentation but with a touch of grandeur in public spaces.

Some examples could be:

Hohenzollern Castle - Germany

Edinburgh Castle - Scotland

Moszna Castle - Poland

Burg Eltz - Germany

Garibaldi Castle - Russia

Château du Bousquet - France

Inveraray Castle - United Kingdom

Cologne Cathedral - Germany

Benitoite

The Benitoite castle would be built with Italian Renaissance and Mediterranean styles in mind. Expect warm-toned stone, arches, and decorative columns. Courtyards would be lush, with fountains and intricate tile work. Interiors might have frescoes, marbled halls, and large windows to let in light, creating a grand yet inviting atmosphere.

Some examples could be:

Palazzo Ducale - Italy

Belvedere Palace - Austria

Howard Castle - United Kingdom

Catherine Palace - Russia

Palazzo Pitti - Italy

Miramare Castle - Italy

Swallow’s Nest Castle - Ukraine

The Royal Palace - Spain

Jade

The Jade castle would be charming, integrated with its natural surroundings. Built in a style that’s less imposing and more in harmony with nature, it would be surrounded by gardens and water features. Think of understated beauty, with an emphasis on wooden accents, greenhouses, and large windows overlooking gardens and the forest.

Some examples could be:

Stoke Rochford Hall Leisure Club - United Kingdom

Harlaxton Manor - United Kingdom

Knebworth House - United Kingdom

Castle de Haar - The Netherlands

Château de Villandry - France

Lowenburg Castle - Germany

Brissac Castle - France

Vouzeron Castle - France

Tanzanite

The Tanzanite castle would be exotic and filled with intricate details, such as domed roofs, archways, and extensive mosaics. The castle would feature courtyards with fountains, lush gardens, and reflective pools, creating a tranquil and mystic vibe. Interiors would be lavish, with patterned tile work, vibrant colors, and plush furnishings.

Some examples could be:

La Sagrada Familia - Spain

Alhambra - Spain

Golestan Palace - Iran

Ali Qapu Palace - Iran

Topkapi Palace - Turkey

Alcázar de Sevilla - Spain

Taj Mahal - India

Shrine of Hazrat Ali - Irak

Kogyoku

The Kogyoku castle would have traditional Japanese architecture, with wooden structures, curved tiled roofs, and wide, open spaces for viewing nature. The castle would be surrounded by gardens with koi ponds and sakura trees. Interiors would feature shoji screens, tatami mats, and simple but elegant furnishings.

Some examples could be:

Himeji Castle - Japan

Matsumoto Castle - Japan

Shuri Castle - Japan

Nijo Castle - Japan

Osaka Castle - Japan

Katsuyama Castle - Japan

Nagoya Castle - Japan

Kinkakuji Castle - Japan

Achroite

The Achroite castle would be a blend of Scandinavian minimalism and rugged fortification, built with stone and wood. It would sit atop a hill or near a lake, with a natural and slightly harsh look. The design would be simple, with a focus on functionality and integration with the landscape, including large fireplaces and wood-paneled rooms for warmth.

Some examples could be:

Neuschwanstein Castle - Germany

Château de Ferreries - France

Château de Boismorand - France

Château de Vigny - France

Château d'Haroué - France

Hallgrimskrikja Cathedral - Iceland

Bojnice Castle - Slovakia

Pierrefonds Castle - France

And that’s everything for now! I’m planning to continue this exploration with possible traditional dances, music, customs, fashion, food, and festivities each kingdom might have. What do you think? What would you like to explore next?

See you on the next post my dears!!!!! XOXO

[theotomeasexual]

IkePri w/in historical European borders—why it works and doesn’t work at the same time

as someone with a history degree studying early modern Europe, i’ve absolutely snowballed on this one…it all started with the italian ass sounding names from Benitoite—which is what makes the accuracy of this so impossible.

Benitoite, when compared to the 1648 map (first modern borders in Europe, chosen specifically for the separate Italian kingdoms), matches with the Venetian territory.

Jadeite, following suit, falls into French territory (Swiss/French/German) based off of Benitoite’s location.

Obsidian is to the NE of Rhodolite and Benitoite, making it line up w/ Austria and what will later be known as the Austro-Hungarian Empire. it’s believed that as Obsidian’s expansion continued, it most likely pushed into Slavic land to the east.

This makes Rhodolite the HRE/Holy Roman Empire by default.

THIS DOES NOT MEAN THAT THIS LIST IS ACCURATE IN ANY WAY, SHAPE, OR FORM.

based on the compass provided in the original map’s top right corner, it might mean that the map is loosely based off of these countries/only take influence from specific countries or nations. that being said, there are a few things that line up quite nicely about each country and their assigned locations.

obviously, Benitoite introduces incredibly italian sounding names such as (i.e. the last name, ricci, the first names of all princes, silvio, valerio, emidio/emilio)

Benitoite is frequently mentioned to be teeming with merchants, comparable to Venetians

Jade is a relatively peaceful country w/ many agreements—similar to Switzerland during the early modern period

the HRE is made up of different principalities rules by princes—similar to the system in which each Rhodolite prince rules his own land

the HR emperor is also elected, which becomes simplified to election via Belle in ikepri

the Austrians, particularly Hapsburg, liked to marry Germans when other Hapsburgs weren’t available…making Yves’s birth and abandonment by Obsidian a possibility to think over

of course, there are also reasons why this doesn’t make sense

little is known about Obsidian past their brutal history/actions—hard to compare to a real country

again, i had to turn the official map off of its original axis to line them up

the HRE is not a kingdom, it’s an empire…therefore, it would not be an elected KING like Rhodolite

where are the Swiss Alps? if we’re comparing maps, there obviously needs to be a mountain range between Benitoite and Jade

the same goes for the mountain range presented between Benitoite and Obsidian—geographic discrepancies

something you might’ve noticed (or maybe not)

all of these countries are named after stones/gemstones

Rhodolite — a reddish colored gemstone, only European natural source can be found in Norway

Benitoite — rare mineral, blue to light blue in color…not found in Europe, but can be found in Japan

Jade — a green mineral often used in jewelry or accessories, majorly exported by Myanmar

Obsidian — a dark colored stone, forms with cooling volcanic lava…which means it forms wherever there is/has been volcanoes. this does include Hungary and Italy.

Knowing the background behind the names can also throw a wrench in trying to fit ikepri lore into European boundaries.

while it is easy to see the European influence behind the lore and kingdoms, it is also evident that these fictional kingdoms are only loosely based on specific aspects of life within Europe in order to justify the style of royalty within the game.

thanks for coming to my tedtalk

[kosova404]

🌙 Selenite & Rhodolite 💕

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2 Gem OCs (They are not mine)

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