#Fuel Card Market

[corporatenews]

Navigate Spain's Fuel Cards Market future in 2027. Explore size, share, key players, and forecasts for a strategic fueling advantage.

[bharat059]

Fuel Cards Market Size, Share & Industry Analysis, By Type (Branded, Universal, Merchant), By Application (Fuel Refill , Parking , Vehicle Service, Toll Charge , Others ) And Regional Forecast 2022-2029

[zooophagous]

So why do you hate the advertising industry?

Hokay so.

Let me preface this with some personal history. It's not relevant to the sins of the advertising industry perse but it illustrates how I started to grow to hate it.

I wanted to be a veterinarian growing up, but to be a vet you basically have to be good enough to get into medical school. I do not have the math chops or discipline to make it in medical school. I went into art instead, and in a desperate attempt to find some commercial viability that didn't involve moving to California, I went into graphic design.

I've been a graphic designer for about seven or eight years now and I've worn a lot of hats. One of them was working in a print shop. Now, the print shop had a lot of corporate customers who had various ad campaigns. One of them was Gate City Bank, which had a bigass stack of postcards ordered every couple months to mail to their customers.

Now, paper comes from Dakota Paper, and they make their paper the usual way. Somewhere far, far from our treeless plain there is a forest of tall trees. These trees are cut down and put on big fossil fuel burning trucks and hauled to a paper mill that turns them into pulp while spewing the most fowl odors imaginable over the neighboring town and loads the pulp up with bleach to give it a nice white color.

Then the paper is put on yet another big truck and hauled off to the local paper depot, then put on another big truck and delivered to my print shop, where I turned the paper into postcards telling people to go even deeper into debt to buy a boat because it's almost summer. The inks used are a type of nasty heat sensitive plastic that is melted to the surface of the paper with heat. Then the postcards are put on yet ANOTHER truck and sent to the bank, which puts them on ANOTHER truck and finally into the hands of their customers, who open their mail and take one look at the post card and immediately discard it.

Heaps and heaps and literal hundreds of pounds of literal garbage created at the whim of the marketing team several times a year. And thats just one bank in one city.

I came to realize very quickly that graphic design was the delicate art of turning trees into junk mail.

And wouldn't you know it there are a TON of companies that basically only do junk mail. Many of them operate under the guise of a "charity," sending you pictures of suffering children or animals and begging for handouts and when they get those handouts the executives take a nice fat cut, give some small token amount to whatever cause they pay lip service to, and then put the rest of the cash right back into making more mailers. "Direct mail marketing" they call it.

Oh but maybe it's not so bad, you can advertise online after all. Now that there's decent ad blocker out there and better anti-virus ads usually don't destroy your computer anymore just by existing.

Except now when I search for the exact business I want on Google it's buried under three or four different "promoted search items" tricking me into clicking on them only to shoot themselves in the foot because I searched for the specific result I wanted for a reason and couldn't use those other websites even if I felt like it.

And now we have advertising on YouTube and on every streaming service, forcing more and more eyes onto the ad for the brand new Buick Envision that parks itself because you're too stupid to do it on your own.

Oh thats ok maybe I'll get Spotify premium and go ad free and listen to some podcasts- SIKE we have the hosts of your show doing the song and dance now. Are you depressed and paranoid from listening to my true crime podcast about murdered and mutilated teenagers? That's ok, my sponsor Better Help can keep you sane enough to stay alive and spend more money.

It's gotten so terrible that now you have content farms, huge hubs of shell companies that crank out video after video to get more and more precious clicks. Which if the videos were innocuous maybe that wouldn't be so awful except now you have cooking hacks that can actually burn your house down and craft hacks that can electrocute you being flung into your eyes at the speed of mach fuck so some slimy internet clickbait jockey doesn't need to get a real job.

It of course goes without saying that animals are also relentlessly exploited by clickbait companies that will put them in compromising situations on purpose to create a fake fishing hack video or even just straight up killing them for sport by feeding small animals to a pufferfish that rips them apart for the camera.

And all of this, ALL of this doesn't even touch how adveritising is the death of art in general. Queer topics, any kind of interesting art, any kind of sex or substance use topics are scrubbed clean and hidden at the behest of advertisers.

Sex education, a nude statue, topics such as racism or sexism or bigotry in general have tags purged or hidden from search, even life saving information about SDTs or drug use, because if someone saw that and complained then Verizon might sell fewer tablets and we can't fucking have that.

Conservative talking heads often bitch and moan that they're being censored on social media. The stupid part is, they're right! They are being censored! But it's not by a woke mob, it's by ATT and Coca Cola not wanting their adspace sharing screen time with their stupid fucking opinions.

However, they won't ever figure that out, because the talking heads they get their marching orders from like Tucker and Jones ALSO rely on the sweet milk flowing from the sponsorship teat and they aren't about to turn on their meal ticket so they have to come up with even stupider shit to say for the train to continue rolling.

I managed to rant this far without even getting into the ads I see for the beauty industry. The other day a botox ad described wrinkles as "moderate to severe crows feet" as if wrinkles are a symptom of a fucking serious disease! Like having a flaw in your skin is a medical problem that you need thousands of dollars of literal botulism toxin to fix! I was incandescent with anger.

Advertising is a polluting, censoring, anti educational and anti art industry at it's very core. It destroys human connections, suppresses human thought and makes us hate our own bodies. It ads no value, actively detracts from value, and serves no real purpose and I believe it should be almost if not entirely banned.

[blond3ang3l]

Being Reiners pretty little doll😵‍💫

———————————————————————

He’s utterly obsessed with you. Always working hard on his farm so he can make sure you can run his card going to get your hair colored or going to get a pretty outfit to show off to him. He was so in love with you. Taking you to your nail appointments and bringing you food when you get hungry, feeding it to you so you don’t mess up your wet nails. He drove you everywhere no matter how much you insisted you didn’t want to disturb him.

He always made it his priority to make sure you were taken care of. Anything you wanted was yours. The moment you even hinted you wanted a ring on that pretty finger he was already shopping. A lot of people said y’all moved too fast, getting engaged after only two years. Reiner disagreed. He knew what he wanted and he was gonna be damned if he didn’t make sure he took you off the market. Another man getting you to themselves before he could? He’d be damned.

He was more than dedicated to you. Your name tatted on him four different times. One behind his ear, across his chest, on his hip, and the last one boldly right on his right bicep. He loves that one the most because he can see it when he wraps his arms around you. He even got you name all cute and small on his ring finger for when he has to take off his ring when he had to work. You were just as tatted as him. His initials between your chest, right above your ass in a tramp stamp, on your wrist, and on your ankle.

———————————————————————

But most of all he loved feeding you deep strokes after a hard and long day. A tight grip on your waist with one hand and his other one forcing your head into the bed. His large body covering yours as he grunted into your ear. It was a sight to him, the tears in your eyes only fueling him on. Hearing you whine and cry out to him was something he wanted to hear all ours through out the day. The pretty anklet he got you with his initial rubbing against his thigh.

“Cmon baby, makin a mess creamin all over me.”

You whined in response, clawing at the pastel yellow sheets under you. He chuckled, his large hand coming down on your ass making you gasp.

“You forgot how to speak or something doll? Could have sworn I said something to you.”

“Fuck- m’ sorry daddy. I hear you. I hear you.”

“And now you’re cursing at me? You just seem to have lost your mind today. That’s alright, daddys gonna teach you exactly how to behave…”

This was not supposed to be this long I just got a little out of control I fear🎀🍒

[genericpuff]

The Elephant in the Room - Queer Erasure and Westernization in Lore Olympus (and all its horrid stepchildren)

This is one people have been asking me for a while now, and I've been waiting for the right inspiration to hit, as is required for my ADHD hyperfixation-fueled rants. After recently watching a video that did an objective review of Cait Corrain's Crown of Starlight, I felt now was the time, because Crown of Starlight effectively proves exactly what Lore Olympus - and other Greek myth interpretations like it - has issues with.

And I want to preface this post with one question - why do we keep getting these Greek myth adaptations written by queer women that still wind up perpetuating toxic heteronormative culture?

Buckle up, because this one's HEFTY.

In that aforementioned review of A Crown of Starlight, there were a lot of points that came up about how Cait wrote the female protagonist - Ariadne, wife of Dionysus - where I immediately stopped and went, "Wait, this sounds awfully familiar."

It should be mentioned briefly for anyone who's unaware - Cait Corrain is an author who was recently (and still) under fire for using sock puppet accounts on GoodReads to intentionally sabotage the ratings of other debut authors, many of whom were her own peers or from the same publishing imprint as her (Del Rey), and most of whom were POC. I mentioned in that previous essay that I just linked that Cait Corrain is a fan of Lore Olympus and decided to give it 5 star ratings from these alt accounts, not just de-legitimizing the reputation of the books she bombed, but also the ones that she praised (including her own book, because of course she had to leave an obvious calling card LMAO). I felt it necessary to tie Cait into my discussion of white feminism in LO and its fanbase because people like Cait are exactly who we're talking about when we dissect the intent and consequences of LO's writing - much of its brand of "feminism" seems to only be catered to a specific kind of woman (i.e. white women who fetishize queer people/relationships) and seem to encourage/embrace violence towards women if those women aren't "behaving correctly" or just aren't fortunate enough to be white and rich - and so Cait choosing to give Lore Olympus 5 stars in her hate-raiding and even have it visibly in the background of her headshot photos was... not exactly disproving my argument that these are the types of people LO caters to and encourages, to say the least.

But then I watched Read with Rachel's "Did It Deserve 1 Star" review of Crown of Starlight and it cemented my assumptions and concerns regarding Cait's intentions and influences even more.

As a brief tangent, I've read A Touch of Darkness by Scarlett St. Claire. It very obviously is using Lore Olympus as its blueprints, but it's not super obvious that if you didn't read Lore Olympus or weren't aware of it, you probably wouldn't notice. It's still not a great book on its own, it's riddled with writing problems, but at least it can call itself its own thing to some degree.

Crown of Starlight is just blatant Lore Olympus fanfiction pretending to be original, even down to its marketing (which I'll get to shortly) but swapping out Hades and Persephone with Dionysus and Ariadne, and setting the entire story in space. Why is it in space? There doesn't seem to be any actual necessary reason for this, it just is, go with it. I'd be willing to accept this because changing up the setting of pre-existing stories can be fun (god knows I loved the premise enough of Lore Olympus being a modern day Greek myth retelling that I had to go and make my own version of it that's still in that modern setting) but as RWR says in her review:

"... we're told that it's the 'island' of Crete, but then we talk about commbands, airlocks, [holo-shields] and it wasn't really written in a way that I felt meshed 'Greek retelling' and 'sci-fi' in a cohesive way."

Needless to say, Crown of Starlight unsurprisingly suffers from the same problems Lore Olympus does, where it will try to "subvert" the original myths by changing their setting and characters and then doing absolutely nothing interesting with them to justify those changes.

To really drive my point home that Crown of Starlight is undoubtedly Lore Olympus fanfiction, Lore Olympus was literally used as a comparison point in Crown of Starlight's marketing which is a fair tactic to use to advertise to a specific niche or demographic, and while some have argued that Cait isn't technically the one to come up with that marketing jargon, it's made much more clear that she used that comparison herself when writing and pitching the book because it is quite literally just Lore Olympus with a different couple in space, right down to the main female protagonist being part of a purity cult. And of course it wouldn't be a bad Wattpad romance if it didn't have our main female protagonist Ariadne talking about how inconvenient her MASSIVE BREASTS are and of COURSE Ariadne is a poor innocent uwu babygirl who needs a man to come in and rescue her from the evil purity cult and of COURSE it hints at them eventually having raunchy sex just for it to wind up being milquetoast bondage and of COURSE it all just winds up taking traditionally queer characters and stories and turning them into this sanitized Disney-esque plotline where the boy and girl were always meant to be together and nothing else matters except their love-

And that, at its core, really just screams "this is bad LO fanfiction". From the stylization of the book's writing which never outgrew its "adorkable fanfiction writing" phase-

"Realizing that I'm being gaslit by my entire world doesn't make it easier to deal with, but hey, at least I still have some part of my soul!" - an excerpt from Crown of Starlight quoted from RWR's review timestamp 13:03

-to the "creative" choices made to turn Ariadne into a chastity cult girl whose resolution is obviously going to be to have what's implied to be dirty raunchy sex just for it to be like... the most tame level one bondage stuff;

-to the classic "she breasted boobily down the stairs" focus on Ariadne's body and breasts and sex appeal that's being kept in check by that pesky purity club.

And that's really disappointing because I had seen people say, "Yeah, Cait did an awful thing and deserves to be removed from her publishing schedule, but it's a shame that that book was written by Cait because it's actually a really good book!" because now it's just making me even more sus of people's Greek myth adaption recommendations (I'm still mad at BookTok for convincing me that A Touch of Darkness was worth reading). All I could think while listening to some of the excerpts quoted by RWR was that if I didn't know about Cait Corrain and read Crown of Starlight blind, I'd undoubtedly assume it was being written by a heterocis guy... but it's in fact being written by a queer woman.

And this is where I segue into talking about the root of this problem, where the calls are really coming from - Lore Olympus and its erasure of queer identities and relationships, despite also being written by a queer woman who should know better.

I could think of no better character to help carry this essay than Eros.

Unlike many of the characters in LO that Rachel has managed to straightwash by changing their motives entirely or straight up changing their identity from the source material (ex. Zeus, Apollo, Crocus who was turned into a flower nymph, Dionysus and Achilles because they're both literally babies, the list goes on), Eros has largely remained the same on paper who had zero reason to not be queer within the story.

Eros is still the god of love in this, he's still a guy and presumed to be an adult, but we NEVER see or explore him having relationships with anyone other than Psyche, aside from a brief mention of organizing orgies in the beginning that's used as a quick joke and then promptly never mentioned again.

Just like with Crown of Starlight and A Touch of Darkness and all these other "dark romance" stories, it's that brand of "pretends to be sexually liberating but isn't actually" writing, where they'll briefly mention orgies or sex-related things and then beat around the bush or avoid involving them entirely like a kid at Sunday school who doesn't want to say the word "penis".

(fr out of all the corny and awful slang for genitals I've seen used in stories like this, "a certain part of my anatomy" is definitely one of the most boring and stupid, like for god's sakes Hades you're both adults and at the beginning of this comic you thought she wanted to bang in the kitchen, why are you suddenly talking like a 7 year old boy LOL)

All that aside, while Eros might still be hinted at being queer and sex-positive, it's only as vaguely as possible so that the story can quickly move on to focus on him and Psyche or, better yet, Hades and Persephone. When Eros isn't deadset on finding Psyche, he's being the gay best friend for Persephone, who he has NO right having a friendship with when he introduced himself by intentionally getting her as drunk as possible with the intent of dumping her in Hades' car as per his mom's command. It's brushed off later as "well Aphrodite maaade him do it, for Psycheee!" but Eros still agreed to potentially put Persephone in danger over a relationship that had NOTHING to do with her and was also mostly his fault in its fallout (which Artemis calls him out for, but of course, like all the other times characters have called out the actual issues in the story they're inhabiting, they get brushed aside so that Persephone can talk about Hades):

Now, the Eros and Psyche plotline is one I've talked about before here and not the focus of this essay so I'll keep this tangent brief, but it's absolutely wild to me that Rachel took a story about a woman going to the ends of the earth to prove her love for someone whose trust she broke (a common theme in a lot of Greek myth stories, such as the myth of Orpheus and Eurydice) and turned it into... woman of color gets turned into a nymph slave for Aphrodite to 'test' Eros, a test that isn't clear at all in what it's trying to achieve, and wait hold up, didn't Eros actually fail that test by kissing Ampelus while completely unaware that it was Psyche-

This is just that episode of Family Guy where Peter justifies emotionally cheating and eventually physically cheating on Lois because "well you were the phone sex lady the whole time so no harm done!", isn't it? (×﹏×)

Anyways. It's all very convenient that the comic will hint at queer rep just to either have it be a constant question of whether or not they're actually queer (ex. Morpheus) OR to have it be promptly swept under the rug to make way for other characters/plot points. It's like when mongie tried to be "inclusive" by writing a stereotypical vaguely Asian character with no specific ethnicity just to get angry at her fanbase for calling her out on this that you can't just call a vaguely Asian character "representation" of anything (because Asia is MASSIVE and covers so many different ethnicities and languages and cultures).

Eros is only as gay as he needs to be to fill the role of "gay best friend" for Persephone.

Krokos is no longer a male lover of Hermes but a flower nymph created by Persephone because... apparently we can't dare imply that Hermes would be into anyone besides his unrequited childhood love, Persephone.

Achilles is introduced as a baby even though it makes no sense in the comic's own timeline where Odysseus is presumably already a well-known hero in Olympus, so much so that he was invited to the Panathenea.

Apollo is turned into a flat-out rapist who's only concerned with getting Persephone at all costs and when that doesn't work, he tries to get ANOTHER flower nymph (Daphne) who's actually genuinely interested in him (contrary to the original myth, there's that "swap it subversion" Rachel is known for) to cut her hair so she'll resemble Persephone more because we can't have a single plot point not resolve around Persephone.

Despite there being loads of genderbent characters already, Morpheus is supposedly the only one we're supposed to assume is specifically trans and not just a gender-flipped version of a Greek myth character. Why? Not because Rachel stated so explicitly, not because the comic has actually explored her identity as a trans woman, but because the readers just assumed it in good faith and Rachel was clearly fine with taking credit for trans representation that's only there via assumption (and only confirmed via her mods in Discord, which is... not how you establish canon information in your comic, Rachel.)

Hestia and Athena are part of a chastity club, until uh oh how convenient that they're secretly in a relationship with each other even though it further vilifies them and their morals, particularly Hestia who was promptly called out for being a hypocrite for taking Persephone's coat gifted to her from Hades while secretly being in a relationship the whole time. Not only does the Hestia and Athena relationship manage to commit queer erasure - of two gods who are considered icons in the aroace communities - but it also makes the only two lesbians in the story come across as assholes AND ON TOP OF THAT ALSO manages to somehow invalidate queer sex and relationships as being legitimate due to the even deeper implication that breaking their chastity vows "doesn't count" because it's not a male x female relationship. It's the 'ole poophole loophole all over again.

And then there's Artemis, who has MORE REASON THAN EVER TO BE IN THE PLOT but keeps being conveniently ignored. Her finding out about Hestia and Athena doesn't get any more screentime than her going "oh you're in a relationship, okay" , we never see her question the true intentions of TGOEM or what it means to her, we never see her have any opportunity to carve out her identity beyond just being Apollo's twin sister (it tries to at times, but then immediately goes nowhere with it, amounting to just poetic word salad), and she really just comes across as what a lot of people assume aroace people to be - alone and standoffish, because obviously someone who's nice and a good person would be in a relationship, there has to be a reason they don't want to have sex or fall in love, and that reason obviously has to be that they just hate everyone and want to be alone forever (￢_￢;) Then again, like many of the queer characters in LO, I don't know if I can definitively call her aroace because it's kept as vague as possible, and - going by Rachel's answers to these questions way back in her Tumblr era - apparently people can't be gay and ace at the same time-

There are undoubtedly loads more examples that I could cover here but that goes for practically any essay I write about LO - the more you peel it apart, the more you start unearthing some really questionable and frankly mean-spirited stuff. Queer people feel largely ignored in LO, alongside many of its derivative offspring such as A Touch of Darkness and Crown of Starlight, and it really speaks to how so many people - queer women, no less - have somehow managed to bastardize and sanitize what were traditionally very queer stories with queer characters. It's like these people think "olden times" and can only get as far as "women were slaves and men were rich assholes". Like, yeah, okay, that was the case for many cultures, but not all of them, and for some of them it wasn't as clear cut as that, many had misogynist power struggles in them while also still celebrating women and queer people in their own way. Greek myth is full of stories of women being forced into marriage or being made the victims of assault, but many of them are supportive of women and their struggles, unlike works like LO that somehow manage to be less feminist and sympathetic to women and queer people than these works from thousands of years ago.

This is another topic that's surely meant for another post, but it really speaks not only to the straightwashing and whitewashing of Greek myth, but also the Westernizing of it. That's not to say Rachel Smythe and Cait Corrain and Scarlett St. Claire are intentionally trying to whitewash another culture's works here, but if you're raised predominantly on Western media, you're undoubtedly going to absentmindedly adopt ideas about society that are primarily molded around Western beliefs .

And this is apparent in LO, while Rachel is from New Zealand, you can tell she grew up on a lot of Western media and its influences are sorely showing through LO's worldbuilding, character designs, and narrative choices. That "modern setting" that I mentioned before is much less Greek and a lot more adjacent to The Kardashians which lends to the theories that most of the media that Rachel consumes is American. Rather than actually going to the effort of doing her research on Greek culture, she seems to just prefer defaulting to the easiest assumption of how modern society is across the board - a generic Los Angeles clone with big glass skyscrapers and pavement walkways. She rarely ever draws food or clothing from those time periods; despite this story being about gods she's spent so little time on the people who passed on the stories about those gods, the mortals, and the gods themselves rarely feel like gods, rather just like Hollywood celebrities covered in body paint. The clothing feels very generic and uninspired with often very little Greek influence, even though Greek clothing is designed around Mediterranean living which you could do a lot with, to such an egregiously Western degree that Hades and Persephone's wedding was Christian-coded. The food... well, there ISN'T any because as we've seen, like the stereotypical American child, Persephone apparently only wants chicken nuggies and Skittles for dinner, so we never see her eat; and not only do we not see Persephone eat, but Rachel weirdly tries to use Persephone's vegetarianism as some kind of anti-capitalist characterization when much of the Greek diet is predominantly vegetarian. It's NOT HARD or uncommon to be a vegetarian in Greece!

(it looks like they're literally all eating the same thing so IDK what Hera is referring to here, it looks like they're all eating toast and lettuce LMAO)

All that's to say, much of LO - and the books like it that I've gone over here - are written with this idea that every culture - including the one that it's trying to adapt - was subject to the same ideas that Western culture lives by in the modern day - that being a vegetarian is "counterculture" in every culture, that the notion of sexual purity is enforced in the same way it's enforced in the Western education system (cough Christianity cough), that queer or otherwise "unconventional" relationships should stay inside the bedroom and not be seen. As much as Rachel claims she wants to "fight the patriarchy" and "deconstruct purity culture", all she winds up doing is reinforcing it through a Westernized lens, which is, as I've talked about before, very indicative of right-leaning white feminism and what it embraces and promotes - being a "good woman" who follows the rules and willingly becomes part of the system that's oppressing them because that's what "good women" do. Women who are confidant in their sexuality are evil and should be shunned for being "sluts". Women who are in relationships with other women "don't count" as real relationships the same way heteronormative relationships do, and cannot be trusted because they're likely trying to spread an agenda that's designed to brainwash heterocis women. Women should only aim to achieve marriage and their entire personality has to be built around their true love. Women are allowed to be kinky, but only as kinky as roleplaying the exact same gender structures that puts the man in a position to dominate a woman, and it should always and only ever be with her first love who she marries immediately, no one else.

This is exactly what the critics are getting at when they hold LO - and its creator - accountable for the messages it's been sending for five years to its audience of middle aged women and young girls. Having a demographic is fine, if this were just a comic for girls it would be fine, but it becomes a lot more problematic when that demographic is being fed toxic power fantasy stories based on a culture that's being gentrified and sanitized of all its original messaging and characterization right before our eyes. It feels blatantly misinformed from the very beginning in its intention to be a "feminist retelling" of Greek myth, because somehow Lore Olympus manages to be less feminist than these stories drafted and written by men from 2000+ years ago.

I opened this essay with a question: why do we keep getting these Greek myth adaptations written by queer women that still wind up perpetuating toxic heteronormative culture?

I think cases like these really highlight how deep the heteronormative brainwashing from childhood onward goes. That, despite these writers being queer or women, still manage to reinforce the same ideas and tropes and harmful predisposed notions that were designed to be used explicitly against queer people and women. These are things that we can't ever stop challenging, and asking, and truly deconstructing, because it runs deep in many of us who grew up on popular media even as innocent as Disney. Learning about more complex social concepts like sexism and misogyny and queerphobia doesn't automatically absolve us of those very same biases that have been both blatantly and subtly ingrained into us since childhood. All that said, Rachel being bisexual does not mean she's not capable of straightwashing; Cait Corrain being a queer debut author with a POC main character didn't stop them from targeting other POC debut authors at their own imprint; being part of any minority group or identifier does not automatically protect you from perpetuating the cycle that you, too, likely had enforced upon you at some point or another in your life. The fact that these creators and writers are still perpetuating that cycle to begin with is indicative of why it's a cycle at all - it takes work to break on a subconscious level because those cycles are specifically designed to target and hijack the subconscious.

At its worst, do you really think Lore Olympus can claim to be a feminist retelling that's "deconstructing purity culture" when the creator herself admittedly never fully identified or understood sexism until her mid-30's and has the audacity to say her audience is "harsh" on the female characters that she constantly vilifies through her own narrative?

"I feel like female characters in general, people will be a little harsher on them and sometimes way harsher on them, and I used to be like.. before I started writing the story and like making a story I was like yeah, sexism is not that bad, and [now] I was like oh it's bad. It's quite bad [laughs], so like, I don't know, I feel like the female characters in the story don't get so much of a pass. But this isn't consistent across the board, it's not all the time" - Rachel Smythe, in an interview with Girl Wonder Webtoon Podcast

If Lore Olympus truly was just a series meant to be for fun "no thoughts head empty" drama and spice, that would be fine. I've said it time and time before on this blog and I'll say it again: I wouldn't have an issue if Rachel was just writing a story exclusively revolving around heterocis men and women. I'm just frustrated and tired and annoyed that she keeps lying about it, and doubly so that this comic and its creator who claim to be "feminist" have inspired other people in the same headspace to continue to perpetuate that cycle through works that are clearly inspired by LO and never challenged the things LO promoted - violence towards "unconventional" women, violence towards POC, and erasure of queer people. And worst of all, for writers like Cait Corrain, it's more than just writing a really bad book with really bad messaging, it's going so far as intentionally targeting those same groups of people that are regularly vilified in works like LO - people who are just existing, who don't pose a threat to anyone, but had the misfortune of becoming the target of a white woman's insecurity.

I don't know what the answer to this problem is. I don't know what form the solution will come in, if any, to address the ongoing issues with Greek myth adaptions that are being sorely written through an "America as the default" point of view and praised for "rewriting the script of Greek mythology", quite literally cultural appropriation happening live right before our eyes all for the sake of cheap entertainment. Maybe it'll take the failings of works like Crown of Starlight to really get people talking about it. But so long as the roots of these works - such as Lore Olympus - are still being protected and marketed en masse by the same kinds of people who don't see the issue in Americanizing other cultures and their stories, then Lore Olympus and Crown of Starlight will not be the last ones to cause harm to the source material - and the cultures that source material is born from and a part of - they're taking from.

I opened this post with a question, and I'm going to close it with another to really leave it as food for thought. That question comes from another video that I'll link here for you to watch at your convenience that spends even more time diving into and discussing the nature of works like this that have seemingly attempted to "deconstruct" the very dogmas that they still wind up reinforcing all the same.

Does the romance genre have a white supremacy problem?

(yes. yes, it does.)

[probablyasocialecologist]

Ex-Meta employee Madelyn Machado recently posted a TikTok video claiming that she was getting paid $190,000 a year to do nothing. Another Meta employee, also on TikTok, posted that “Meta was hiring people so that other companies couldn’t have us, and then they were just kind of like hoarding us like Pokémon cards.” Over at Google, a company known to have pioneered the modern tech workplace, one designer complained of spending 40 percent of their time on “the inefficien[cy] overhead of simply working at Google.” Some report spending all day on tasks as simple as changing the color of a website button. Working the bare minimum while waiting for stock to vest is so common that Googlers call it “resting and vesting.” ​ In an anonymous online poll on how many “focused hours of work” software engineers put in each day, 71 percent of the over four thousand respondents claimed to work six hours a day or less, while 12 percent said they did between one and two hours a day. During the acute phase of the Covid-19 pandemic, it became common for tech workers to capitalize on all this free time by juggling multiple full-time remote jobs. According to the Wall Street Journal, many workers who balance two jobs do not even hit a regular forty-hour workload for both jobs combined. One software engineer reported logging between three and ten hours of actual work per week when working one job, with the rest of his time spent on pointless meetings and pretending to be busy. My own experience supports this trend: toward the end of my five-year tenure as a software engineer for Microsoft, I was working fewer than three hours a day. And of what little code I produced for them, none of it made any real impact on Microsoft’s bottom line—or the world at large. For much of this century, optimism that technology would make the world a better place fueled the perception that Silicon Valley was the moral alternative to an extractive Wall Street—that it was possible to make money, not at the expense of society but in service of it. In other words, many who joined the industry did so precisely because they thought that their work would be useful. Yet what we’re now seeing is a lot of bullshit. If capitalism is supposed to be efficient and, guided by the invisible hand of the market, eliminate inefficiencies, how is it that the tech industry, the purported cradle of innovation, has become a redoubt of waste and unproductivity?

[venus-haze]

Homelander x Supervillain!Reader Headcanons

Note: Mildly fem-coded reader, but no other descriptors are used. This is mostly from Homelander's perspective. I always thought it was interesting how apart from the "superterrorist" arc in season one (and into season two), supervillains aren't really a thing in The Boys universe, pretty much everyone with superpowers is affiliated with Vought.

Warnings: Violence, some mentions of sex, Homelander being Homelander. Do not interact if you’re under 18 or post thinspo/ED content.

Your powers emerge later in life, so you aren’t one of the many lauded child prodigies who accidentally burned down their own birthday parties or took out a school bus, but almost as soon as you spit at a cat-caller and the side of his car melted from the acid, Vought had its eye on you

Unfortunately for them, you aren’t interested in the slightest. The money’s good, but signing your life away to a mysterious corporation was never in the cards for you. Why let a bunch of suits call the shots when you were the one with powers? Pretty soon you’re melting bank vaults, wreaking general havoc, and living on the run. You love every minute of it

Homelander knows he can take you on, but to his shock and fury, he finds himself in a meeting with Stilwell and the marketing team who tell him that having a supervillain “arch-enemy” would further mythologize him. As much as people love having someone to root for, they’re just as intrigued by the evil thing that goes bump in the night. Besides, you mostly damage property, not people, so they figure you’re not too much of a threat to the general public

He thinks it’s ridiculous, not letting him laser you in half or snap your neck makes him look weak, or even worse, that you’re as strong as he is. The first time he takes you on, you spit at him as a Hail Mary, and to both of your shock, he hisses in pain and his skin blisters–comparatively mild to the outright bone-melting your toxin was capable of, but it cements your space in his mind as his arch-enemy

To his frustration, the suits at Vought are right, social media posts that mention you in regard to Homelander get a lot of engagement and the general public sees him even more as an otherworldly protector figure

You don’t have a supe name, but Vought dubs you ‘Rosethorn’ because you’re “beautiful yet deadly.” They slap your face on comic books that fly off the shelves. You find it ironic that Vought still finds a way to make money off of you despite your refusal to work with them

Homelander isn’t nearly as amused. The first time he sees one of the Homelander Vs. Rosethorn comics he sees red. “More like thorn in my fucking side,” he growls at the cartoonified version of you. He resents you for taking half of his spotlight, but part of him knows his resentment comes from the fact that you don’t have to answer to anyone. You do whatever the hell you want, and some people regard you as a kind of anti-hero rather than an outright villain. He doesn’t understand, you’re a criminal. You rob, cheat, and steal, and just because you hand out fistfuls of dollars every once in a while, you’re turned into some kind of underground folk hero? 

Social media is buzzing with theories that you’re actually a Vought plant to make Homelander look good or that you’re stronger than him and holding back. Naturally, people begin shipping you because of course they do. He has mixed feelings the first time he sees #Roselander trending on Twitter. It doesn’t help that sometimes you leave notes at your crimes scenes that read ‘Give Homelander my regards, XO’ 

Despite the internet frenzy and Vought marketing, you and Homelander have only been face to face a few times following the first encounter, each one giving more fuel to Homelander’s fire as he broods, stewing in his resentment toward you. You laugh at him, taunt him, literally spit at him, and he can’t do shit because Vought says not to

He definitely fantasizes about hate-fucking you, they’re all extremely deranged and elaborate. Overall, he has a lot of really complicated emotions when it comes to you. There’s some underlying affection that he’ll deny to anyone who asks. Sometimes he lets his mind wander, and in the ideal situation you’d reform and join Vought and–who the fuck is he kidding, part of him wants to break the invisible chain that keeps him tethered to Vought and see if the grass is really greener on the other side

Homelander decides he’s going to end your reign of terror once and for all when Vought indicates they want supes in the military. They now think your existence is just one of the barriers standing in the way of that, making the other Vought supes, but especially him look weak and incapable. With you out of the way, it’ll show their supes can handle military missions

Easier said than done, because when he finally corners you, ready to laser you in half like he should have all those years ago, he hesitates, and that’s all it takes for you to pounce

“Why do you let them tell you what to do? You’re stronger than them. Why do they call the shots?” you ask, and he doesn’t miss the conniving ass twinkle in your eye. He knows what you’re doing, and his gloved fists ball up at his side as everything in him screams to just kill you already. He knows you’re right. He’s the one with the real power, but he lets them order him around like a dog

“Shut the fuck up,” he hisses through clenched teeth that he wishes were clamped around your throat–except he doesn’t, not really. You’re giving him an out, but he can’t take it, he’s too afraid to. After all, who is he if he’s not The Homelander?

You give him a sad smile, the kind old friends give to each other in movies when they see each other for the last time. He lets out a shaky breath. He won’t miss you. He won’t even think about you once Madelyn hears what he’s done and he gets supes into the military and Vought a lucrative contract with the Department of Defense. Another success for Homelander

“I really do like you,” you say. “I just wanted you to know that before you kill me.” Your heartbeat is steady, gaze locked in on his glowing red eyes. No one’s ever looked him in the eye upon facing their certain death from him before

He grabs your face, resisting the urge to squeeze it hard enough to break your jaw, “You’re a real piece of work. I don’t answer to anyone, got that, Rosethorn?”

You whisper your name to him, your real name, and he repeats it softly before letting go of your face and taking an unsteady step back. “You owe me. I didn’t kill you, and now you owe me.” You nod in understanding before disappearing into the night

He returns to Vought covered in blood, claiming victory over his arch-enemy once and for all. He never played poker, but you’re an ace up his sleeve if he could ever have one

[robertreich]

The Biggest Economic Lies We’re Told

In America, it’s expensive just to be alive.

And with inflation being driven by price gouging corporations, it’s only getting more expensive for regular Americans who don’t have any more money to spend.

Just look at how Big Oil is raking it in while you pay through the nose at the pump.

That’s on top of the average price of a new non-luxury car — which is now over $44,000. Even accounting for inflation, this is way higher than the average cost when I bought my first car — it’s probably in a museum by now.

Even worse, the median price for a house is now over $440,000. Compare that to 1972, when it was under $200,000.

Work a full-time minimum wage job? You won’t be able to afford rent on a one-bedroom apartment just about anywhere in the U.S.

And when you get back after a long day of work, you’ll likely be met with bills up the wazoo for doctor visits, student loans, and utilities.

So what’s left of a paycheck after basic living expenses? Not much.

You can only reduce spending on food, housing, and other basic necessities so much. Want to try covering the rest of your monthly costs with a credit card? Well now that’s more expensive too, with the Fed continuing to hike interest rates.

All of this comes back to how we measure a successful economy.

What good are more jobs if those jobs barely pay enough to live on?

Over one-third of full time jobs don’t pay enough to cover a basic family budget.

And what good are lots of jobs if they cause so much stress and take up so much time that our lives are miserable?

And don’t tell me a good economy is measured by a roaring stock market if the richest 10 percent of Americans own more than 80 percent of it.

And what good is a large Gross Domestic Product if more and more of the total economy is going to the richest one-tenth of one percent?  

What good is economic growth if the way we grow depends on fossil fuels that cause a climate crisis?

These standard measures – jobs, the stock market, the GDP – don’t show how our economy is really doing, who is doing well, or the quality of our lives.

People who sit at their kitchen tables at night wondering how they’re going to pay the bills don’t say to themselves

“Well, at least corporate profits are at record levels.”

In fact, corporations have record profits and CEOs are paid so much because they’re squeezing more output from workers but paying lower wages. Over the past 40 years, productivity has grown 3.5x as fast as hourly pay.

At the same time, corporations are driving up the costs of everyday items people need.

Because corporations are monopolizing their markets, they don’t have to worry about competitors. A few giant corporations can easily coordinate price hikes and enjoy bigger profits.

Just four firms control 85% of all beef, 66% of all pork, and 54% of all poultry production.

Firms like Tyson have seen their profit margins skyrocket as they jack up prices higher than their costs — forcing consumers who are already stretched thin to pay even more.

It’s not just meat. Weak antitrust enforcement has allowed companies to become powerful enough to raise their prices across the entire food industry.

It’s the same story with household goods. Giant companies like Procter & Gamble blame their price hikes on increased costs – but their profit margins have soared to 25%. Hello? They care more about their bottom line than your bottom, that’s for sure.

Meanwhile, parents – and even grandparents like me – are STILL struggling to feed their babies because of a national formula shortage. Why? Largely because the three companies who control the entire formula industry would rather pump money into stock buybacks than quality control at their factories.

Traditionally, our economy’s health is measured by the unemployment rate. Job growth. The stock market. Overall economic growth. But these don’t reflect the everyday, “kitchen table economics” that affect our lives the most.

These measures don’t show the real economy.

Instead of looking just at the number of jobs, we need to look at the income earned from those jobs. And not the average income.

People at the top always bring up the average.

If Jeff Bezos walked into a bar with 140 other people, the average wealth of each person would be over a billion dollars.

No, look at the median income – half above, half below.

And make sure it accounts for inflation – real purchasing power.

Over the last few decades, the real median income has barely budged. This isn’t economic success.

It's economic failure, with a capital F.

And instead of looking at the stock market or the GDP we need to look at who owns what – where the wealth really is.

Over the last forty years, wealth has concentrated more and more at the very top. Look at this;

This is a problem, folks. Because with wealth comes political power.

Forget trickle-down economics. It’s trickle on.

And instead of looking just at economic growth, we also need to look at what that growth is costing us – subtract the costs of the climate crisis, the costs of bad health, the costs of no paid leave, and all the stresses on our lives that economic growth is demanding.

We need to look at the quality of our lives – all our lives. How many of us are adequately housed and clothed and fed. How many of our kids are getting a good education. How many of us live in safety – or in fear.

You want to measure economic success? Go to the kitchen tables of America.

[sourcreammachine]

GREEN PARTY MANIFESTO 2024 SUMMARY

tldr: there's a feeling of tension in this manifesto, between youthful zennial climatic ecosocialism and old-guard hippy-liberal environmentalism. this year the greens may well go from 1 MP to the dizzying heights of 2 (there's whispers on the wind that they may even get 3...), and the green council delegation is at 800-odd now, so this could easily be a changing-of-the-guard moment

with the great Berry and the ok Denyer in parliament the party could have more momentum in battling the starmerite government, and with that, it has the ability, the possibility to pick up more momentum. this is a big opportunity in the party's history - over the next five years it can and could be pushed into a holistic ecosocialist movement by the centrally influential mass party membership, and remove the last dregs of its tunnel vision to provide a lefty movement for everyone, green and pink, a Newfoundland coalition. with votes at 16 on the cards and this potential evolution of the party, 2029 could be a big moment for this country's left. whether or not the greens play the role of keystone is up to them

it is also the only manifesto to use the term 'neurodivergent'

💷ECONOMY

wealth tax of 1% on individuals with assets over §10m and 2% for assets over §1b (an extremely humble proposal), reform capital gains and investment dividend taxation to be at the same rates as income taxation, remove the income-based bands on national insurance contributions, ie raising total income taxation by 8% at §50k/a, – altogether raising government revenues by upwards of §70b/a

stratify VAT to reduce it for consumer stuff and hike it for stuff like financial services

permanent windfall tax on banks for whenever they get windfalls

perform a holistic land survey to get the data needed for a new, effective Land Tax

abolish the tax relief on existing freeports and SEZs

heavy carbon tax to raise a boatload of billions, rising progressively over a decade to allow industrial adaptation, for a ~§80b state windfall for five years that'll be for green investment as this windfall starts to recede

renationalise water and energy

§15 minimum wage, 10:1 pay ratio for all organisations public and private (ie §150 sort-of maximum wage, ~§300k/a), mandatory equal pay audits, 'support' lower hours and four-day weeks [clarification needed]

unambiguously define gig workers as workers with contract rights from day one, repeat offenders of gig-slavery will be banned from operating in the country

every City bank required to produce a strategy with a clear pathway to divestment of all fossil fuels "as soon as possible and at least by 2030", every City non-banking organisation simply to be banned from having fossil fuel in their portfolios, credit to be banned for repeat City climate offenders, mandate the BoE to fulfil the funding of the climate transition and climate leadership of the City, FCA to develop measures to ban fossil fuel share trading in the City and immediately prohibit all new shares in fossil fuels

"we will explore legal ways for companies to be transformed into mutual organisations"😈

develop regional cooperative banks to invest in regional SMEs, coops and community enterprises

diversify crop growth, promote local agricultural cooperatives and peripheral urban horticultural farms, give farmers a sort of collective bargain against grocers

aim towards a circular economy: require ten-year warranties on white goods, rollout of right-to-repair

tighten monopoly laws on media with a hard cap preventing >20% of a media market being owned by one individual or company and implement Leveson 2

🏥PUBLIC SERVICES

abolish tuition fees and cancel standing debt

surge nhs funding by §30B, triple labour's spending plans for everything, the entire budget, the entire state, everything

free personal care, with occupational therapy being part of this

35h/w free child care (eg seven hours over five days, or seven days of five hours)

renationalise many academies under local authorities, abolish the "charity" status of private schools and charge VAT

surge funding for smoking-cessation, addiction support and sexual health service

surge funding for public dentistry with free care for children and low-earners

free school breakfasts in primary school and free school lunches for all schools

one-month guarantee of access to mental health therapies

online access to PrEP

let school playing fields be used in the evenings by local sports clubs

greater funding for civic sports facilities and pools

🏠HOUSING

unambiguously-under-the-law nationalise the crown estate for an absolute fuckton of land and assets for housing and for green energy and rewilding for FREE

rent control for local authorities, ban no-fault evictions and introduce long-term leases, create private tenancy boards of tenants

local authorities to have right of first refusal on the purchase of certain properties at aggressive rates, such as unoccupied or uninsulated buildings

all new homes to be Passivhaus standard with mandatory solar panels and heat pumps

§30B across five years to insulate homes, §12B of which is for social homes, and §9B more for heat pumps, and §7B more for summer cooling

planning law reform: council planning mechanisms to priorities little developments all over the place rather than sprawling blobs, demolitions to require as thorough a planning application as erections, new developments required to not be car dependent

planning laws to require large-scale developments feature access to key community infrastructures such as transport, health and education, often mandating the construction of new key infrastructures, support nightlife and local culture in planning regulations

exempt pubs and local cultural events from VAT

building materials to be reusable, builders' waste rates to be surged to encourage use of reuse

750k new social homes in five years

🚄TRANSPORT

'a bus service to every village', restore local authority control and/or ownership of their busses

renationalise rail via franchise-concession lapsing, slowly assume ownership of the rolling stock (currently leased, and would continue to be so under labour's implementation of renationalisation) by buying a new train when the stock needs to be replaced

electrification agenda across the rail network, strategic approach to rail line and station reopenings

bring forward (sorta, the tories suspended it but labour says they'll reinstate it) the new petrol car ban from 2030 to 2027, existing petrol cars targeted to be off the road by 2034, investigate road-price charges as a replacement for petrol tax, hike road tax proportionally to vehicle weight, drop urban speed limits from 50kph to 30kph (or from 30mph to 20mph if you only speak Wrong), mass funding for freightrail and support logistics firms transitioning away from lorries

§2.5b/a for footpaths and cycleways, target of 50% of urban journeys to be extravehicular by 2030

frequent-flyer levy, ban on domestic flights within three-hour rail distance, remove the exemption of airline fuel from fuel tax, prioritise training of airline workers into other transportational jobs

👮FORCE

abolish the home office, transfer its police/security portfolio to the justice ministry and its citizenship/migration portfolio to a new migration ministry separate from the criminal justice system

abolish the kill the bill bill and restore the right to protest

recognise palestine, push for immediate ceasefire and prosecution of war crimes, back the south africa case, "[support] an urgent international effort to end the illegal occupation of palestinian land"

grant asylum-seekers the right to work before their application is granted

end the hostile environment

abolish Prevent

end routine stop-and-search and facial recognition

commission to reform 'counterproductive' drug regime, decriminalise personal possession

amend the Online Safety Act to "[protect] political debate from being manipulated by falsehoods, fakes and half-truths", ie actually protecting 'fReE sPeEcH' and not everything that rightists imply by that phrase

decriminalise sex work

reform laws to give artists IP protections against ai

cancel trident and disarm

push for nato reforms (in its and our interest, they're not russophiles, they're not galloway, it's ok): get it to adopt a no-first-use nuclear policy, get it to prioritise diplomatic action first rather than military reaction, get it to adopt a stronger line on only acting for the defence of its member states

right to roam🚶‍♂️

🌱CLIMATE

zero-carbon by 2040, rather than the ephemeral ostensible government target of 2050

stop all new oil/gas licenses, end all subsidy for oil/gas industries, regulate biofuels to end greenwashing, end subsidies for biomass

decarbonise energy by 2030, minimum threshold of energy infrastructures to be community owned, "end the de facto ban on onshore wind" with planning reform

massively expand the connections between the insular grid and the UCTE continental grid to increase electricity import and export and prevent the need for energy autarky

more targeted bans on single-use plastics

"give nature a legal personhood" ok grandma let’s get you to bed

§2b/a to local authorities for local small-business decarbonisation

"cease development of new nuclear power stations, as nuclear energy is much more expensive and slower to develop than renewables. we are clear that nuclear is a distraction from developing renewable energy and the risk to nuclear power stations from extreme climate events is rising fast. nuclear power stations carry an unacceptable risk for the communities living close to facilities and create unmanageable quantities of radioactive waste. they are also inextricably linked with the production of nuclear weapons. green MPs will campaign to phase out existing nuclear power stations." because some people just can't let go of the seventies. nuclear is good. nuclear is our friend

invest in r&d to find solutions to decarbonise 'residual' carbon in the economy, such as HGVs or mobile machinery

increase unharvested woodland by 50% (no time frame given), grants to farmers for scrub rewilding, rewet Pete Boggs, make 30% of the EEZ protected waters and ban bottom trawling

§4b/a in skills training to stop gas communities getting Thatchered, prioritising shifting these workers into offshore wind

a.. licensing scheme for all pet animals? you guys sure about that one

regulate animal farming with a goal of banning factory farms, ban mass routine antibiotics, ban cages/close confinement and animal mutilation

ban all hunting including coursing and "game", ban snaring, ban hunt-landscaping such as grouse moors, end the badger cull, mandate licensing of all animal workers with lifetime striking off for cruelty convictions, compulsory hedgehog holes in new fencing, 'push' for 'ending' horse and dog racing [clarification needed], new criminal offences for stealing and harming pets, 'work towards' banning animal testing

🗳️DEMOCRACY

proportional representation for parliament and all councils

abolish voter ID

votes at sixteen

votes for all visa'd migrants

restore the electoral commission's prosecutory powers and remove the cap on fines it can impose on parties

increase Short Money, especially for smaller parties

create a manifest legal category of organisation for think tanks, to allow better enforcement of lobbying and funding restrictions

consider fun new measures for political accessibility such as MP jobsharing and allowing public provision of offices for all parliamentary candidates

🎲OTHER STUFF

Self-ID including nonbinary recognition, including with an X passport marker

"work towards rejoining the eu as soon as the domestic political situation is favourable", join the eea now (with restored free movement)

let local authorities invest shares in sports teams, including professional ones, dividends ringfenced for public sports facilities and coaching

right to die

[urthredd-pantheon]

Dunno if this helps on the prompts but I too love me some Buggy especially the pathetic kind so I thought I’d share

I really like the idea of a Buggy who is either pushy (not quite a bully but more like the anything for attention type) or who is presenting as dominant but then folds like a flea market card table when reader has had enough. With the first type it would likely be by her acting really cold towards him and avoiding him and in the second type it would make more sense for her to feel hurt or scared and that makes him panic. Like can you imagine Buggy trying to deal with accidentally making his love interest cry?? and not in the sexy way?????

Also love the idea of him getting tearful (and then maybe further embarrassed because of that reaction) when his partner treats him very tenderly during sex. Like the type of affectionate sex where it’s really slow and exploratory like sweetly kissing and massaging along the whole body, hands on cheeks and hand holding, gently bumping noses, eye contact, etc and one minute he’s fine if not a bit nervous cuz it’s so new and then just all of a sudden motherfucker is overwhelmed and sniffling and he can’t even understand why atm cuz it’s just simple touching but he’s never been touched like someone is super in love with him until that moment. Could either be the first time with this person or they have a history of quickies or rough stuff and this is a turn in the habit.

Feel free to use or ignore as you please! I love your work a lot both Bugs and otherwise <3 May the obsession continue to fuel you brave soldier

FOLDS LIKE A FLEA MARKET CARD TABLE PFFT. He would oh my god, that’s so cute

Also I-

Buggy all tearful and overwhelmed cause he’s being treated with the tender love and care he deserves? I’m gnawing on the leg of my chair over the thought

Thank you so much!! I don’t want to fail our man, that means so much to me!

[quirkymarshmallows93]

Gas Station Stream of Consciousness Post

Gas Stations as Liminal Spaces

I've had quite a few hyperfixations in my day - ATMs, laundry detergents, credit cards - so my current one pertaining to gas stations is fitting considering my affinity for liminal spaces and the dedication of this blog to them. Liminal spaces are transitory in nature, hence their portrayal in online circles through photos of carpeted hallways, illuminated stairwells, dark roads, and backrooms, among other transitional points.

Gas stations are posted online as well; images of their fuel pumps or neon signage photographed through a rainy car window communicate their liminality and the universal experiences they provide to all of society. Perhaps they are the ultimate specimen of a liminal space. The machines they are created for, automobiles and tractor trailers alike, themselves are tools for motion, vestibules that enable travel and shipment across long distances at high speeds. Cars and roads are liminal spaces, albeit in different formats, and gas stations serve as their lighthouses. Vehicles at filling stations, therefore, are in a sense liminal spaces within liminal spaces within liminal spaces.

The uniqueness of a gas station as a liminal space, however, is its intersection with the economics and aesthetics of capitalism. Gasoline (and diesel fuel) is a commodity, downstream from crude oil, merely differentiated by octane ratings. Some argue that minute distinctions between agents, detergents, and additives make some brands better than others. Indeed, fuels that are approved by the Top Tier program, sponsored by automakers, have been shown to improve engine cleanliness and performance, but this classification does not prefer specific refiners over others; it is simply a standard. To a consumer, Top Tier fuels are themselves still interchangeable commodities within the wider gasoline commodity market.

The Economics of Gas Stations

The market that gas stations serve is characterized by inelastic demand, with customers who reckon with prices that fluctuate day in and day out. This is not to say that consumer behavior does not change with fuel prices. It has been observed that as prices rise, consumers are more eager to find the cheapest gas, but when prices fall, drivers are less selective with where they pump and are just happy to fill up at a lower price than last week. In response, gas stations lower their prices at a slower rate than when increasing prices, allowing for higher profit margins when wholesale prices fall. This has been dubbed the "rockets and feathers" phenomenon.

When portrayed as liminal spaces, gas stations are most often depicted at night, places of solitude where one may also enter the adjacent convenience store and encounter a fellow individual who isn't asleep, the modern day lightkeeper. The mart that resides at the backcourt of a gas station is known to sell goods at higher prices than a supermarket, simultaneously taking advantage of a captive customer, convenient location, and making up for the inefficiencies of a smaller operation. It may come as no surprise, then, that gas stations barely make any money from fuel sales and earn their bulk through C-store sales. This is a gripe I have with our economic system. Business is gamified, and in many cases the trade of certain goods and services, called loss leaders, is not an independent operation and is subsidized by the success of another division of a business, a strategy inherently more feasible for larger companies that have greater scale to execute it.

Nevertheless, most gas station owners, whether they have just one or hundreds of sites, find this method fruitful. Even though most gas stations in the US sell one of a handful of national brands, they operate on a branded reseller, or dealer, model, with oil companies themselves generally not taking part in the operations of stations that sell their fuels. The giants do still often have the most leverage and margin in the business, with the ability to set the wholesale price for the distributor, which sells at a markup to the station owner, which in turn will normally make the least profit in the chain when selling to the end customer at the pump. This kind of horizontal integration that involves many parties lacks the synergies and efficiencies of vertical integration that are so applauded by capitalists, but ends up being the most profitable for firms like ExxonMobil, who only extract and refine oil, and on the other end of the chain merely license their recognizable brands to the resellers through purchasing agreements. Furthermore, in recent years, independent dealers have sold their businesses to larger branded resellers, in many cases the ones from whom they had been buying their fuel.

A Word on ExxonMobil's Branding Potential

The largest publicly traded oil company in the world is Exxon Mobil Corporation. It is a direct descendent of the Rockefeller monopoly, Standard Oil, which was broken up in 1911 into 34 companies, the largest of which was Jersey Standard, which became Exxon in 1973. This title was generated by a computer as the most appealing replacement name to be used nationwide to unify the Humble, Enco, and Esso brands, decades before AI was spoken of. The latter brand is still used outside of the United States for marketing, arising from the phonetic pronunciation of the initials of Standard Oil. In 1999, Exxon and Mobil merged, and the combined company to this day markets under separate brands. Exxon is more narrowly used, to brand fuel in the United States, while Mobil has remained a motor oil and industrial lubricant brand, as well as a fuel brand in multiple countries.

Mobil originated in 1866 as the Vacuum Oil Company, which first used the current brand name for Mobiloil, and later Mobilgas and Mobilubricant products, with the prefix simply short for "automobile". Over time, Mobil became the corporation's primary identity, with its official name change to Mobil Oil Corporation taking place in 1966. Its updated wordmark with a signature red O was designed by the agency Chermayeff & Geismar, and the company's image for service stations was conceived by architect Eliot Noyes. New gas stations featured distinctive circular canopies over the pumps, and the company's recognizable pegasus logo was prominently on display for motorists.

I take issue with the deyassification of the brand's image over time. As costs were cut and uniformity took over, rectangular canopies were constructed in place of the special ones designed by Noyes that resembled large mushrooms. The pegasus remained a prominent brand icon, but the Mobil wordmark took precedence, which I personally believe to be an error in judgement. This disregard for the pegasus paved the way for its complete erasure in 2016 with the introduction of ExxonMobil's "Synergy" brand for its fuel. The mythical creature is now much smaller and appears only at the top right corner of pumps at Mobil gas stations, if at all.

Even into the 90s and the 21st century the Pegasus had its place in Mobil's marketing. In 1997, the company introduced its Speedpass keytag, which was revolutionary for its time and used RFID technology, akin to mobile payments today, to allow drivers to get gas without entering the store or swiping a card. When a Speedpass would be successfully processed, the pegasus on the gas pump would light up red.

When Exxon and Mobil merged in 1999, the former adopted the payment method too, with Exxon's less iconic tiger in place of the pegasus.

The program was discontinued in 2019 in favor of ExxonMobil's app, which is more secure since it processes payments through the internet rather than at the pump.

What Shell has done with its brand identity is what Mobil should've done for itself. The European company's logo was designed in 1969 by Raymond Loewy, and is a worth contender for the "And Yet a Trace of the True Self Exists in the False Self" meme. In recent years, Shell went all in on its graphic, while Mobil's pegasus flew away. I choose to believe that the company chose to rebrand its stations in order to prevent the malfunction in the above image from happening.

ExxonMobil should have also discontinued the use of the less storied Exxon brand altogether, and simplifying its consumer-facing identity to just the global Mobil mark. Whatever, neither of the names are actual words. As a bonus, here is a Google map I put together of all 62 gas stations in Springfield, MA. This is my idea of fun. Thanks for reading to the end!

[bharat059]

Fuel Cards Market Size, Share & Industry Analysis, By Type (Branded, Universal, Merchant), By Application (Fuel Refill , Parking , Vehicle Service, Toll Charge , Others ) And Regional Forecast 2022-2029

[sunshinesmebdy]

Moon in Virgo: Tidy Up Your Biz and Harvest Financial Abundance

Astrologers, rejoice! Business gurus, unite! Because under the meticulous gaze of the Moon in Virgo, it's time to blend cosmic wisdom with practical strategy. Get ready for a potent mix of grounded energy, keen analysis, and a sprinkle of earthy magic ready to boost your business and finances.

Virgo's Virgo-ness: Picture a spotless spreadsheet, a perfectly balanced budget, and a to-do list so organized it whispers sweet satisfaction. That's Virgo's domain. When the Moon dances through this earth sign, it brings a laser focus on details, a knack for efficiency, and an urge to declutter both your physical and financial spaces.

Business Benefits:

Sharpened Skills: Hone your expertise, take that online course, or finally master that new software. Virgo's energy fuels learning and skill development, making you a powerhouse of knowledge and competence.

Channel your inner Hermione Granger under the Virgo Moon! Devour knowledge like polyjuice potion, mastering that new software with flick-of-the-wand ease. Whether it's an online course on astrological forecasting or the intricacies of blockchain technology, Virgo's studious energy makes you a sponge for information, transforming you into a confident, competence-wielding powerhouse ready to tackle any business challenge.

Streamlined Operations: Virgo loves a well-oiled machine. Use this lunar phase to audit your business processes, identify bottlenecks, and implement systems that save time and resources.

Don your efficiency hat, because under the meticulous Virgo Moon, streamlining your business becomes a cosmically ordained quest. Scrutinize processes like a celestial accountant, unearthing time-sucking bottlenecks and banishing them with automated spells (aka, handy new systems). Watch as email chains unfurl into streamlined communication channels, meetings morph into laser-focused action sessions, and your once-chaotic workflow hums like a perfectly tuned engine, freeing up precious time and resources for your entrepreneurial magic to truly shine.

Networking with Purpose: Quality over quantity is Virgo's motto. Connect with potential clients or collaborators who share your values and expertise. Think strategic partnerships, not random coffee chats.

Forget the business card bingo of generic gatherings – Virgo's discerning Moon demands quality connections. Seek out collaborators and clients who mirror your values and expertise, like kindred spirits drawn together by constellations of shared passion. Think chess match, not cocktail party. Craft targeted pitches that resonate with their specific needs, and cultivate strategic partnerships that feel like cosmically ordained alliances. This intentional networking isn't about collecting contacts, it's about igniting mutually beneficial collaborations that propel your business towards the stars.

Marketing Magic: Craft targeted campaigns that speak directly to your ideal customer's needs. Virgo's analytical prowess helps you understand your audience and deliver messaging that resonates.

Under the analytical gaze of the Virgo Moon, ditch the shotgun marketing blasts and unleash laser-focused campaigns that whisper sweet nothings to your ideal customer's soul. Virgo's eagle eye pinpoints their deepest desires and pain points, transforming you into a messaging maestro. Craft content that speaks their language, addresses their specific struggles, and showcases your solutions like the missing puzzle piece to their perfect life. Let go of generic pitches and embrace storytelling that resonates with their values, because under this lunar influence, targeted marketing isn't just effective, it's downright magical.

Financial Fortunes:

Budgeting Bliss: Break out the spreadsheets and get granular. Categorize expenses, track income, and create a budget that feels secure and sustainable. Virgo loves a balanced bottom line.

Spreadsheets sing and budgets balance under the Virgo Moon! Unleash your inner accounting alchemist and transform financial chaos into crystal-clear clarity. Categorize expenses with the precision of a cosmic librarian, track every penny like a moonbeam, and craft a budget that feels not like a restrictive cage, but a beautifully organized, secure haven for your financial future. Virgo craves equilibrium, so find that sweet spot where income and outgoings waltz in perfect harmony, leaving you feeling abundant and empowered, the maestro of your own financial orchestra.

Debt Disposal: Tackle outstanding debts with renewed determination. Negotiate better terms, make extra payments, and experience the liberation of financial freedom.

Ditch the debt demon and embrace the warrior spirit under the Virgo Moon! Channel your inner debt disposal dragon, breathing fire upon outstanding balances with renewed determination. Hone your negotiation skills like a celestial diplomat, securing lower interest rates and crafting repayment plans that fit your budget like a cosmic glove. Make extra payments with the fervor of a moonbeam illuminating a dark cave, watching those numbers shrink faster than a vampire in sunlight. Embrace the sweet liberation of financial freedom, feeling the weight of debt lift like a cosmic spell dissolving, leaving you empowered and ready to conquer your financial Everest.

Savvy Investments: Research, compare, analyze – Virgo's energy is perfect for making informed investment decisions. Seek advice from trusted professionals and prioritize long-term stability over short-term gains.

Transform into a celestial stockbroker under the Virgo Moon! Put on your research goggles and analyze potential investments like a cosmic detective, comparing, contrasting, and sniffing out hidden risks. Consult trusted financial oracles for guidance, but ultimately, let your own Virgo-honed discernment be your compass. Prioritize long-term stability over fleeting trends, building a portfolio that grows like a well-tended celestial garden, not a gambler's dice roll. Embrace the slow and steady path, for under Virgo's meticulous gaze, informed investments blossom into financial freedom, one calculated decision at a time.

Unexpected Windfalls: Keep an eye out for unexpected opportunities to increase your income. Virgo favors those who put in the work, so your dedication could be rewarded with a bonus, a new client, or a lucky windfall.

Keep your antennae tuned to cosmic whispers under the Virgo Moon, for fortune often favors the prepared! Your dedication and sharpened skills could attract unexpected boons like a bonus shimmering out of thin air, a new client drawn by your newfound expertise, or a windfall landing softly as a celestial feather in your lap. Remember, Virgo rewards hard work, so keep hustling, honing, and learning, and trust that the universe may just surprise you with a bonus chapter in your financial story.

Bonus Tip: Embrace the earthy magic of Virgo! Surround yourself with green spaces, incorporate crystals like citrine and jade into your workspace, and practice grounding exercises to channel the Moon's practical energy.

So, there you have it! The Moon in Virgo is your invitation to tidy up your biz, fine-tune your finances, and reap the rewards of your focused efforts. Remember, success is a marathon, not a sprint. Pace yourself, celebrate the small wins, and trust that under Virgo's meticulous guidance, your business and finances will shine.

Now go forth and conquer, astrologically savvy entrepreneurs! Your financial stars are aligned.

[ariparri]

Peregrine Pearce - The Puppeteer

The Hogwarts Mystery Cardverse is an AU that takes place in a fantasy land called Cinderhaven. There are five regions, four of them representing a suit of cards; Spades, Clubs, Hearts, Diamonds. The final region representing the Jokers.

Cardverse Masterlist

We finally introduce Peregrine in the AU! He will be known as Peregrine Pearce because we gotta give him a last name. He’s also not related to the McQuaids so his connection with them is strictly through Veruca where he helps her come to terms with everything going on in the country. Also thanks to @carewyncromwell for helping me figure out Peregrine's character!

Note: Sorry there hasn’t been much content for Cardverse or just HP in general. After dealing with someone, and I now no longer associate with them, I lost the motivation to work on any HP related content for a while. I’ll still be making HP content but it won’t be as much as my other fandom stuff. Also sorry there’s no illustration for this man, but I currently got other wips I really need to finish 😖

Peregrine Pearce is a master of duality, seamlessly blending charm and darkness in his role for the Cardverse AU. At first glance, he presents himself as a profound connoisseur, relishing in the intricate style of the trade market and its instruments. With an air of sophistication and class, he holds himself in high regard, showcasing a talent that extends beyond the financial realm.

Having served in the war and enduring the loss of his closest companions, Peregrine Pearce shares a resonance with Rakepick regarding the injustices embedded within the Spades system. His past includes a stint in the military, a chapter he left behind, disillusioned by the pain it wrought. The harsh reality of his experiences, coupled with societal judgment on his poverty and lack of formal education, fueled his departure and entrance into the trades market.

Peregrine embodies the archetype of a puppet master, adept at manipulating emotions and situations to his advantage, yet not devoid of empathy. His emotional detachment, cultivated to shield himself from past mistakes and betrayals, aligns with his pragmatic approach to navigating the complexities of power. The tragedy of his manipulative tendencies manifests in the loss of his friend, a casualty of Peregrine's pursuit of personal glory. Rather than confront the role his actions played, he deflects blame onto the military and the system, reinforcing his emotional distance and manipulation tactics.

As a master of the trade market, Peregrine relishes in the complexities of commerce and finance, wielding his knowledge like a weapon to gain influence and power. He is a connoisseur of strategy, always several steps ahead of his adversaries, and unafraid to play both sides of the board to achieve his goals.

Beneath this polished exterior, however, lies a complex and cunning individual. Peregrine is a dark-minded manipulator who takes pleasure in playing with the lives of others. Peregrine's vanity is evident in his calculated manipulation of others, using flattery and charm to mask his true intentions and bend them to his will. Yet, despite his smarmy demeanor, there is a hint of playfulness in his interactions, a subtle wit that shines through even in the darkest of moments.

His alliances, transient and transactional, serve as shields against vulnerability, enabling him to sever ties when necessary. His allegiance shifts from aiding Rakepick to assisting the rebels, exploiting the chaos for his gain while protecting his involvement. He is a man who thrives in the shadows, pulling strings from behind the scenes to shape the destiny of nations and individuals alike. But beneath the layers of deception lies a man with a heart, however tarnished it may be, and a lingering sense of morality that occasionally peeks through the cracks in his carefully constructed facade. In absolving himself of responsibility for his manipulations, Peregrine perpetuates a cycle of self-preservation and exploitation, masking his own culpability.

Operating in the shadows, he orchestrated a series of recent events that transpired in the Country of Spades to achieve his hidden agenda. His involvement in helping Duncan Ashe persuade Coby McQuaid to run for a pivotal role in the country showcases his strategic mind, setting off a chain reaction that disrupts the country's stability. Peregrine's role as the architect behind the shutdown of the railroad system and the closure of borders, basically ‘throwing out ideas’ for Rakepick to take, highlights his willingness to plunge the region into chaos for his own gain. Manipulating circumstances, Peregrine reveals his prowess as a puppet master capable of influencing key figures which have also led to Rakepick’s downfall.

Despite his darker inclinations, Peregrine displays a unique sympathy toward Veruca and the rebels, particularly in light of the fate of her brother. As a result, his assistance to her, both during and after the war, paints him as a confidant and ally, even as suspicions linger among others. Mostly as he covertly orchestrates numerous schemes against both sides of the civil war.

[thejabberwokk]

City Elf Appreciation Week- Day 5 - Alienage

Day 5 - Alienage for @cityelfweek

- The only home many city elves ever know.

>Post Tabris origin scene<

The dawn had barely made a break of the horizon when the alienage began to wake. The lazy watch stumbled through their version of a patrol, the nightly curfew at an end. (Not that it stopped whom the lord wanted, just the innocent scared of what the humans might do to them and theirs.)

The first to stir were the hawkers, workers gathered, booths propped up, baskets and crates of goods set out. Next came the errand kids, their mothers at home stoking the hearths. Coin and trades swapped hands, bread and eggs for a coin, apples for a “found” silver knife.

Chatter begins. News from the night prior making its way through the people. Ears prick up, eyes cast wary glances.

‘Trouble up at the Keep’

‘Someone did what? Couldn’t have been an elf.’

“This better not bring those guards back here. Stirring up trouble.’

‘Mamae, I want a honey roll!’

'Hush child!’

The sun continues to rise, more people come out, news continues to spread.  Cicadas scream as the heat swells and the din of the market picks up to a fever pitch. Guards patrol, no more than usual, yet. The elves of the alienage are apprehensive, waiting for the angry shouts, the unjust punishments to be doled out. Even the cut purses seem leery. But it is yet to come, almost normal.

If the patrols notice the ‘knife-ears’ acting especially cautious, they turn a blind eye. There’s ale and cards to get back too.

Whispers of a Grey Warden add further fuel to the gossip as the sun begins to set. The wariness of the day sends the shops into early closure, more goods then coins in their coffers. The errand child called home before the lamps were even lit.

A crier shuffles hastily to the announcement board, stained parchment and hammer under arm. The lamp lighters spare him a curious glance, then continue with their nightly work.

Hammer falls against creaking boards disturb the dusk, shutters cracking open to watch, wait. He stops, nodding at the notice posted, then shuffles back out. The alienage gate slamming shut, loud as a thunder clamp.

[ NOTICE: DENERIM ALIENAGE TO BE KEPT BARRED UNTIL FURTHER NOTICE!]