Hammer Film Productions tries to update the play THE MAN IN HALF MOON STREET by Barré Lyndon, with mixed results. Take a listen to hear what we liked and didn't about 1959's THE MAN WHO COULD CHEAT DEATH (Fisher)!
Context setting 00:00; Synopsis 22:30; Discussion 32:19; Ranking 46:04
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Francis de Wolff, #botd in 1913
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18 aprile … ricordiamo …
18 aprile … ricordiamo …
#semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2023: Anita Sanders, Anita Johannesson, attrice e modella svedese. È stata principalmente attiva nel cinema italiano a cavallo tra la metà degli anni sessanta e la metà degli anni settanta, lavorando anche con alcuni fra i più prestigiosi registi italiani di quegli anni. Si trasferì in Italia dalla natia Svezia nei primi anni sessanta per lavorare come modella, grazie alla sua bellezza luminosa e…
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Remebering Paul Chambers on his birthday !!
Paul Chambers in Manhattan on the way to the Whims of Chambers recording session, 21 September, 1956.
(English / Español)
Paul Laurence Dunbar Chambers, Jr. (April 22, 1935 – January 4, 1969) was a jazz double bassist.
A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the length and breadth of his work in this short period but also his impeccable time and intonation, and virtuosic improvisations.
He was also known for his bowed solos.
Chambers recorded some dozen albums as a leader or co-leader, and prolifically as a sideman notably as the anchor of trumpeter Miles Davis's "first great quintet" (1955-63) and with pianist Wynton Kelly (1963-68).
Photo by © Francis Wolff
Source: www.facebook.com/TheWorldOfJazz
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Paul Laurence Dunbar Chambers, Jr. (22 de abril de 1935 - 4 de enero de 1969) fue un contrabajista de jazz.
Un fijo de las secciones rítmicas durante las décadas de 1950 y 1960, su importancia en el desarrollo del bajo de jazz puede medirse no sólo por la longitud y amplitud de su obra en este corto periodo, sino también por su impecable compás y entonación, y sus virtuosas improvisaciones.
También era conocido por sus solos de arco.
Chambers grabó una docena de álbumes como líder o colíder, y fue muy prolífico como músico de acompañamiento, sobre todo como ancla del "primer gran quinteto" del trompetista Miles Davis (1955-63) y con el pianista Wynton Kelly (1963-68).Chambers recorded some dozen albums as a leader or co-leader, and prolifically as a sideman notably as the anchor of trumpeter Miles Davis's "first great quintet" (1955-63) and with pianist Wynton Kelly (1963-68).
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Dexter Gordon played the tenor saxophone. His sound was big and unapologetic. You could feel his warmth and power at the same time. The musician was imposing in stature too. 6 foot 6 inches of a man.
He played ferocious bebop when he started. However, like Miles Davis, he decided to explore slower and longer sounds, especially when he lived in Europe. He stayed there 14 years.
I love his album “Our man in Paris” (1963), especially “A Night in Tunisia”, co-wrote by Dizzy Gillespie and Frank Paparelli. Dexter Gordon is among great friends, Kenny Clarke on drums and Bud Powell on piano. These are exceptional musicians.
A sophisticated player, Dexter Gordon is at his best in small bands. “Go!” and “A Swingin’ Affair” (1962) are also great albums. Sonny Clark on piano is trading great vibes with Dexter Gordon.
Dexter Gordon jouait du sax ténor. Son son est imposant et remplit l’oreille. Vous pouvez sentir sa chaleur et sa puissance. Le musicien était grand de taille dans la vie. 2 mètres de haut. Il jouait du bebop avec fureur au début de sa carrière. Mais, comme Miles Davis, il décida d’explorer les autres styles et joua plus lentement, surtout lorsqu’il s’est expatrié en Europe. Il y est resté 14 ans.
J’aime son album « Our man in Paris » (1963), surtout « A Night in Tunisia” que Dizzy Gillespie a écrit avec Frank Paparelli. Dexter Gordon est avec des amis, Kenny Clark à la batterie, Bud Powell au piano. Ce sont des musiciens exceptionnels.
Dexter Gordon est un joueur sophistiqué qui brille surtout dans les petits orchestres. « Go! » et « A Swingin’ Affair » (1962) sont aussi de très bons albums. Sony Clark au piano échange brillamment avec Dexter Gordon.
Pic by Francis Wolff
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A Christmas Carol (AKA Scrooge) | Brian Desmond Hurst | 1951
Francis De Wolff, Alastair Sim
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Hartley's S/I List
I have so many S/Is because I get too confused using the same one over and over again and having to change the lore each time. Also, I just love thinking about character names.
Alastar O'Reilly (MCU)
Billy Snart (Flash)
Bryn Bowen (Dead Boy Detectives)
Cai (Lucifer)
Cedar Allaway (Repo: the Genetic Opera)
Charlie Aldana (Obliterated)
Ciar Callaghan (Supernatural)
Claude James (Scott Pilgrim)
Cody Doyle (The Magicians)
Conor Kennedy (Resident Evil)
Devyn McKendrick (Supergirl)
Drai Harria (Sandman)
Eden Ryder (Arrow)
Gael (Les Miserables)
Hadley Parson (Check, Please)
Harlow Woods (Preacher)
Hemming Wolff (Blue Exorcist)
Izar McDevitt (In the Heights)
Jase Thorn (AEW)
Killian O'Neil (Umbrella Academy)
King Eirian (Galaxy Express)
Kurt Coghlan (Dirk Gently's Holistic Detective Agency)
Layne Miller (Buffy the Vampire Slayer)
Lex Phaelyn (Hunger Games)
Luca Fletcher (Dollhouse)
Lucian de Rolo (Vox Machina)
Lyall Kirby (WWE)
Morgan Urbina (Marvel Comics)
Niko Perry (DC Comics)
Nolan Payne (Icebreaker)
Olly Malone (Z-Nation)
Prince Trystan (Disney)
Quincy the Red (Our Flag Means Death)
River Cassidy (Marvel Comics)
Rowan Maximoff (Marvel Comics)
Sage Archer (AEW)
Salem Saxon (Doctor Who)
Sawyer Mahoney (DC Comics)
Siobhan Maddox (WWE)
Tiernan Quinn (Brain Dead)
Tierney Constantine (DC Comics)
Toby Donne (Beetlejuice)
Will Francis (WWE)
Wyatt Rothschild (Jack of All Trades)
Wynne Hardie (DC Comics)
Zorion Roux (X-Men)
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