#Franchise Network Building

[franchise-guru]

Franchise Guru™: Your Trusted Partner in Franchise Success

In the dynamic world of franchising, navigating the path to success requires expertise, strategic insights, and unwavering support. Franchise Guru™ emerges as a beacon of guidance, offering comprehensive Franchise and Business Consulting Services to both emerging franchisors and franchisees. This article delves into the multifaceted approach of Franchise Guru™, exploring how it has become the go-to partner for realizing franchise aspirations.

Section 1: The Franchise Landscape and Its Challenges

Franchising presents unique opportunities and challenges, demanding a nuanced understanding of market trends, consumer behavior, and operational intricacies. Franchise Guru™ begins by acknowledging the complexities inherent in the industry, recognizing that success hinges on a delicate balance of strategy, innovation, and adaptability.

Section 2: Franchise Guru™: A Holistic Approach to Franchise Development

Franchise Guru™ sets itself apart through a holistic approach to franchise development. By offering services ranging from strategic planning and market analysis to operational efficiency consulting, the team at Franchise Guru™ ensures that every aspect of the franchising journey is meticulously addressed. This comprehensive approach is designed to empower both franchisors and franchisees with the tools they need to thrive.

Section 3: Tailored Solutions for Emerging Franchisors

For those looking to expand their business through franchising, Franchise Guru™ provides tailored solutions. From developing effective franchise development strategies to optimizing franchise systems and assisting with legal considerations, Franchise Guru™ is committed to paving the way for emerging franchisors to build successful and sustainable franchise networks.

Section 4: Empowering Franchisees for Success

Franchise Guru™ recognizes the pivotal role played by franchisees in the success of any franchise system. Through targeted business advisory solutions, market entry consulting, and ongoing support, Franchise Guru™ empowers franchisees to navigate the challenges of entrepreneurship while maximizing the potential for profitability.

Section 5: International Reach and Expertise

With a global presence spanning key locations like Al Huda Building (Dubai), Mumbai (India), and Beirut (Lebanon), Franchise Guru™ brings international expertise to the table. This global perspective is invaluable for businesses aiming to expand their franchises across borders, offering insights into diverse markets and cultural nuances.

Section 6: Success Stories and Testimonials

The true measure of a franchise consulting service's effectiveness lies in the success stories of its clients. Franchise Guru™ takes pride in the achievements of the franchisors and franchisees it has supported. Through testimonials and case studies, this section highlights real-world examples of businesses that have thrived under the guidance of Franchise Guru™.

Conclusion:

In the ever-evolving landscape of franchising, having a trusted partner like Franchise Guru™ can make all the difference. From strategic planning to operational execution, Franchise Guru™ stands as a beacon of support for those aspiring to achieve franchise success. With a commitment to excellence and a proven track record, Franchise Guru™ invites both emerging franchisors and franchisees to embark on a journey of growth, innovation, and lasting success.

For more information or to explore how Franchise Guru™ can support your franchise goals, contact us today. Your success is our mission.

[dakoosuperapp]

💡 Entrepreneurship requires a range of skills that are essential for success. Some of the basic skills that every entrepreneur should possess include: 💡 Opportunity identification and evaluation 💡 Creativity and innovation 💡 Effective communication and leadership 💡 Financial management 💡 Risk assessment and management 💡 Time management and organization 💡 Networking and relationship building 💡 Problem-solving and decision-making 💡 Adaptability and flexibility 💡 Resilience and perseverance These skills are necessary for entrepreneurs to navigate the challenges of starting and running a business. By developing these skills, entrepreneurs can increase their chances of success and achieve their goals in their entrepreneurial journey. 🎢 #dakoo #franchise #business #india #entrepreneurship #innovation #leadership #success #success #opportunity #entrepreneurs #entrepreneur #networking #building #creativity #communication #management (at India) https://www.instagram.com/p/CqIjWDDvDaZ/?igshid=NGJjMDIxMWI=

[perseidlion]

Streaming in Kaos

Well, it happened. I can't say that I'm surprised that KAOS has been cancelled by Netflix. I am a little surprised at the speed at which it was axed. Only a month after it aired, and it's already gone.

That has me wondering if the decision to cancel was made before the show even aired. We have to remember that marketing is the biggest cost after production. If the Netflix brass looked at the show and either decided (through audience testing, AI stuff or just their own biases) that it wasn't going to be a Stranger Things-level hit, they probably chose at that moment to slash its marketing budget.

That meant there was pretty much no way that KAOS was ever going to hit the metrics Netflix required of it to get a season 2.

What makes me so angry about this (other than the survival of a show relying on peoples' biases or AI) is that it becomes a self-fulfilling prophecy. If you decide before a show is ever going to air that it won't be a success, then it probably won't be. If you rely on metrics and algorithms and AI to analyze art, you will never let something surprise you. You'll never let it grow. You'll never nurture the cult hits of the future or the next franchise.

Netflix desperately needs people behind the scenes that believe in stories and potential over metrics. Nothing except the same old predictable dreck is ever going to be allowed to survive if you don't believe in the stories you're telling.

The networks and streamers have a huge problem on their hands. They need big hits and to build the franchises of the future to sustain their current model (which is horribly broken.) But people have franchise fatigue and aren't showing up for known IPs like they used to. The fact that Marvel content is definitely not a sure thing anymore is a huge canary in the coal mine for franchise fatigue. People aren't just tired of Marvel, they're tired of the existing worlds both on the big screen and the small one. Audiences are hungry for something new.

It is telling that the most successful Marvel properties of the last few years have been the ones that do something different. Marvel is smart to finally pull out The X-Men because that is a breath of fresh air and something people are hungry to see more of.

There's pretty much no one behind the scenes (except for maybe AMC building The Immortal Universe) that is committing to really taking the time to build these new worlds. Marvel built the MCU by playing the long game. That paid dividends for a solid decade even if it's dropping off now. That empire was built not with nostalgia for existing IP (don't forget the MCU was built with B and C tier heroes) but with patience. Marvel itself seems to have forgotten this in recent years.

Aside from that, I think people really want stories that aren't connected to a billion other things. That takes commitment on the part of the audience to follow and to get attached to. People WANT three to five excellent seasons of a show that tells its own story and isn't leaving threads out there for a dozen spinoffs. We're craving tight storytelling.

KAOS could have been that. Dead Boy Detectives could have been that. So could Our Flag Means Death, Lockwood and Co, Shadow and Bone, The Dark Crystal: Age of Resistance, Willow, and a dozen other shows with great potential or were excellent out of the gate.

If you look at past metrics, you only learn what people used to like, not what they want now. People are notoriously bad about articulating what they want, but boy do they know it when they see it. Networks have to go back to having a dozen moderate successes instead of constantly churning through one-season shows that get axed and pissing off the people who did like it in a hamfisted attempt to stumble on the next big thing.

The networks desperately need to go back to believing in their shows. Instead, they keep cutting them off at the knees before they ever get a chance because some algorithm told them the numbers weren't there.

[robots-here-and-there]

Now that I've gotten some sleep and feel more awake, I can't help but feel that I need to give some context for people to better understand my random thought.

So quick and small info dump; when computers started to become a thing in the mid 1900s, Alan Turing (an English mathematician, computer scientist, logician, cryptanalyst, philosopher and theoretical biologist) created a test in 1950 (which is why the test is named after him) to see how advanced and sophisticated a machine's AI is. The test does so by comparing it against human "intelligence" ("intelligence" as in behavior, though process, problem solving, etc.). If a machine's AI is indistinguishable from, or equivalent to, that of human "intelligence", then it passes the Turing Test.

Cybertronians might be living machines, but they're still machines. So the Turing Test is a test that very much applies to them. And since their "intelligence" is indistinguishable from human "intelligence", they pass the Turing Test with flying colors. Which means that bit of info can be used to argue that cytronians are people just like humans are.

The fact that none of the Transformers series (or fanfics) out there (that I know of) have the autobots'/cybertronians' human allies mention or use the Turing the Test as a way to defend their robotic friends from humans who are racist toward cybertronians is a shame. So it is, in my option, a missed opportunity to add that little bit to the world building of the Transformers franchise.

Random thought; its a shame that no Transformers media ever mentions or make use of the Turing Test.

[positivexcellence]

Jared Padalecki Joins ‘Fire Country’ For Guest Arc That Could Lead To New Franchise Offshoot

EXCLUSIVE: Jared Padalecki is returning to series television. The former Supernatural star, coming off a four-season run as the lead of Walker, has been tapped for a three-episode arc on the upcoming third season of CBS‘ hit drama series Fire Country, headlined and executive produced by Max Thieriot.

He will play Camden, a SoCal firefighter and maverick with a surfer swagger who is a force to be reckoned with and immediately recognizes Bode’s (Thieriot) raw talent.

The deal with Fire Country producer CBS Studios is strictly for the recurring role, sources said. Given Padalecki’s status as a popular leading man with two hit series under his belt, I hear there is a possibility for the guest stint to lead to a new spinoff headlined by him that would join the upcoming Sheriff Country.

Sources stress that the idea is still in its nascent stages. And similarly to the NCIS franchise, which originated on CBS and has generated four domestic offshoots on the network but has also expanded into streaming with the latest spinoff, NCIS: Tony & Ziva (as well as the streaming/broadcast NCIS: Sydney), a new Fire Country spinoff could be for broadcast or streaming. Reps for CBS and CBS Studios declined comment.

Fire Country, which was the most watched new broadcast series in its freshman season, was quickly identified by the CBS leadership as a potential franchise anchor that could spawn multiple spinoffs.

“We are focused on mass-appeal franchises,” CBS President and CEO George Cheeks said in June 2023. “This season’s number one show was Fire Country, which completely lends itself to building out a whole new universe… It became very clear that not only was the show special, it really felt like this could be a great example of us building together a franchise from scratch.”

The first Fire Country spinoff, the Morena Baccarin-starring Sheriff Country, which started off as a planted spinoff episode on the mothership series this past season, was recently picked up to series for 2025-26.

Keeping Padalecki in the fold has been a priority for CBS Studios following the end of its CW drama Walker, on which he was star and executive producer, leading to creating the opportunity for him on Fire Country. Walker was canceled for financial reasons despite being the network’s most watched series.

Fire Country averages more than 10 million viewers per episode in multi-platform viewing. (Live+35-day on Paramount + and CBS TVE)

Season 1 became available on Netflix in the US August 1 and has already reached #3 in the streamer’s daily rankings. This is an additional domestic streaming window for Fire Country whose first two seasons are on Paramount+. It is designed to give the show additional exposure ahead of its Oct. 18 Season 3 premiere on CBS.

From creators and executive producers Tony Phelan, Joan Rater and Thieriot, inspired by Thieriot’s experiences growing up in Northern California, the series follows Bode Donovan (Thieriot), a young convict seeking redemption and a shortened prison sentence by joining a prison release firefighting program in Northern California, which sends him back to his hometown.

Billy Burke, Kevin Alejandro, Diane Farr, Stephanie Arcila, Jordan Calloway and Jules Latimer also star. Tia Napolitano, who also serves as showrunner, executive produces alongside Jerry Bruckheimer and KristieAnne Reed of Jerry Bruckheimer Television.

Since the end of Walker, Padalecki also has discussed a role on the upcoming fifth and final season of Prime Video’s The Boys, developed and executive produced by Supernatural creator Eric Kripke. He is repped by UTA, Industry Entertainment and Fuller Law.

deadline

[pwhl-mybeloved]

The Professional Women’s Hockey League is officially preparing for expansion.

The league — with six franchises in Toronto, Montreal, Ottawa, Minnesota, Boston and New York — will add up to two teams as early as the 2025-26 season.

League officials have not shared where they plan to send their request for proposals — which marks the first step in expansion — only that the league is looking for the right market size, fan base, facilities and economic opportunity.

“It’s about finding the best market, the best fan base and the best partners,” Jayna Hefford, the PWHL’s senior vice president of hockey operations told The Athletic after Tuesday’s announcement.

It’s still very early in the process, but here are our top eight potential PWHL expansion teams.

Pittsburgh

It’s fair to imagine Pittsburgh will be among the top contenders for expansion. The Penguins — backed by Fenway Sports Group, which owns the Penguins, the Boston Red Sox and Liverpool F.C. — have been staunch in their support for women’s hockey and desire for an expansion franchise.

The Penguins hosted a PWHL game at PPG Paints Arena last season with almost 9,000 fans in attendance — the ninth-most attended game in the regular season. A women’s team could play its home games at PPG or at an expanded Lemieux Sports Complex in Cranberry Township, which is around 22 miles north of the team’s downtown arena.

The facility serves as the Penguins’ practice facility with two NHL-sized sheets of ice and land on which to build. Penguins president of business operations Kevin Acklin has suggested that a new third sheet of ice, with seating in line with modern arenas for NCAA Division I programs, could serve as a base of operations for a PWHL team. That would include offices for management and coaches, locker rooms, training and medical areas — essentially anything and everything a professional team would require, want and “deserve,” Acklin told The Athletic in January.

Games could also easily be broadcast on SportsNet Pittsburgh – a regional sports network FSG acquired in 2023 – which already carried some PWHL games last season, even without a team based in Pittsburgh.

Detroit

The city affectionately known as “Hockeytown” would be a natural choice for an expansion franchise. Hefford basically said as much at the neutral site game hosted at Little Caesars Arena last season, which set a U.S. record for attendance at a women’s professional hockey game (13,736).

“It just seems like an obvious (spot) for a hockey market that we’d love to be a part of,” she said. “And although not in our Original Six, it’s somewhere that we still, I think, have our eyes on. And tonight has just been another proof point that this is a market that loves hockey and I think loves women’s hockey.”

Given the attendance at the game last season and the fight for a Division I women’s team at the University of Michigan, there is an appetite for women’s hockey in the state and a strong grassroots system, with programs like Little Caesars and HoneyBaked Hockey Club. According to USA Hockey, Michigan ranked fourth in female hockey registration last season only behind Minnesota, Massachusetts and New York – three states that already have PWHL franchises.

The biggest issue with Detroit is the venue. The Red Wings and the NBA’s Detroit Pistons are full-time occupants at LCA, which also hosts plenty of concerts and other events. USA Hockey Arena in Plymouth, Mich., less than 30 miles outside of Detroit, is a potential alternative, but with a 3,500 capacity it would be on the small side.

PWHL fans can pack venues such as Scotiabank Arena in Toronto. But what’s the best size and scope for every game of the season? (Mark Blinch / Getty Images)

Washington, D.C.

Before the PWHL officially selected its original six markets, D.C., often came up as a potential landing spot, and it made a lot of sense. The Washington Capitals hosted two successful Professional Women’s Hockey Players’ Association events that served as the barnstorming precursor to the PWHL. Back in April, Monumental Sports & Entertainment majority owner Ted Leonsis told CNBC he wants to make D.C. “the capital of women’s professional sports.”

Like Pittsburgh, a Monumental-backed PWHL team would have broadcast infrastructure via the Monumental Sports Network. But, like Detroit, it could struggle to find an appropriate – or available – arena. Capital One Arena hosts the Capitals, the NBA’s Washington Wizards and the Georgetown men’s basketball team. The Capitals practice facility, where the PWHPA events were held, only has seating for around 1,200. Entertainment & Sports Arena – home of the WNBA’s Washington Mystics, which is also owned by Monumental – would be an upgrade in size with around 4,100 seats, but it’s unclear if the facility has the capacity to accommodate a hockey rink.

Chicago

If the PWHL wants to lead its first wave of expansion with a major American sports city, Chicago will be tough to beat.

It’s a strong grassroots hockey market, with several youth programs and a number of notable home-grown national team players including Hockey Hall of Fame inductee Cammi Granato, Kendall Coyne Schofield, and Abbey Murphy – who could graduate from college and be the team’s first-ever draft pick. You have to admit, that would be very cool.

Not to sound like a broken record, but the venue will be the biggest hurdle when it comes to a city like Chicago.

The United Center is likely too big and too busy. Wintrust Arena, where the WNBA’s Chicago Sky play, is interesting with around 10,000 seats. But it’s largely a basketball venue. Could it facilitate a sheet of ice? That remains to be seen.

Allstate Arena, home to the AHL’s Chicago Wolves, seems like an easy alternative. It’s around 20 miles from the downtown core in Rosemont, Ill., where Chicago’s O’Hare Airport is located. It’s a big venue (18,500), but shouldn’t be as hard to get in as the United Center.

It’s also worth noting the Minnesota Frost are the only team in the American Midwest; a Chicago expansion could fix that.

St. Louis

Speaking of Midwestern cities, St. Louis checks a lot of the boxes. It’s a dedicated hockey market – the Blues’ attendance figures have hovered around 18,000 for over a decade now – with strong girls youth hockey participation.

The Blues have invested in growing girls and women’s hockey in St. Louis, with learn-to-play programs and previously hosting PWHPA events. CEO Chris Zimmerman has also been open about the team’s desire to host a PWHL game in the city.

Figuring out facilities in St. Louis seems less complicated than some other destinations. The Blues are the primary tenant at the Enterprise Center and have a new $83 million practice rink just outside of the city, the Centene Community Ice Center. The facility is home to the NCAA DI Lindenwood hockey teams and has capacity for over 4,500 people – a fine size for a new franchise.

The Minnesota Frost are currently the only PWHL team in the American Midwest. Expansion to Chicago or St. Louis could add another. (David Berding / Getty Images)

Halifax

While the first five cities on this list have been in NHL markets, a potential NHL partnership is not a prerequisite. Neither is being in the United States, although there certainly seem to be more major U.S. markets than what might be possible in Canada. That being said, Halifax is an interesting prospect, especially if the league wants to consider markets outside of Ontario or the greater Toronto area.

Nova Scotia is a smaller province than Alberta, Manitoba or British Columbia but it is geographically closer to where the league currently operates, which is largely in Northeastern U.S. cities and Eastern Canada.

The Scotiabank Centre – home of the CHL’s Halifax Mooseheads – has a capacity of around 11,000 and will host Game 6 of the Canada-USA Rivalry Series in February. The arena also hosts pro lacrosse. Truthfully, it would be surprising if Halifax was the seventh PWHL franchise, but the Rivalry Series game could prove to be an critical audition for pro women’s hockey in the Maritimes.

Quebec City

On Wednesday, the PWHL officially announced Quebec City will host a neutral-site game between Montreal and Ottawa this season. City councillor Jackie Smith has already called the game the first step to landing an expansion franchise in Quebec City, according to the Associated Press.

Quebec City has an NHL-caliber rink – the 18,000-seat Vidéotron Centre where the neutral-site game will be played – that could host a full-time PWHL team with little to no scheduling issues.

Not to mention, the city is a hockey hotbed that hasn’t had a major professional hockey team since the Nordiques left in 1995. The Los Angeles Kings and Boston Bruins played in front of a packed building during this year’s NHL preseason. The Quebec Remparts, the city’s QMJHL team, are typically among the leaders in attendance across the CHL.

It’s easy to imagine the city embracing a PWHL team.

Western expansion

League officials have said they are not putting any guardrails on potential expansion franchises – meaning they aren’t shutting down expanding far outside its current footprint.

Calgary has had successful women’s professional sports franchises in the past – the CWHL’s Calgary Inferno won the last-ever Clarkson Cup in 2019. The Seattle Kraken hold the record for attendance at a U.S. women’s national team game on American soil (14,551). The Vancouver Canucks are a billion-dollar-franchise and British Columbia has become a hotbed for elite young talent, including Canadian phenom Chloe Primerano. There’s California to consider, too, where many of PWHL owner Mark Walter’s franchises – the Los Angeles Dodgers, Los Angeles Lakers and Los Angeles Sparks – are currently based.

There are places in Western Canada and the Pacific Northwest that could and eventually should be home to PWHL franchises. However, adding a team on the other side of North America would come at a significant cost at a really early – and still growing – stage of the business.

Of course, it’s all going to depend on what is proposed. If, say, the Seattle Kraken are offering the kind of support and infrastructure we saw during the Rivalry Series, maybe the league won’t be able to say no.

[nyaagolor]

What are your thoughts on Apollo Justice (the character)?

OH BOY. OHHHHHH BOY. I have a fever and some free time lfg.

So honestly, I think part of the reason I love Apollo so much is because he runs parallel to Phoenix but also counter to him at the same time. I always saw Simon and Athena as the successors-- in terms of ideology and job and all that other stuff-- to the Phoenix-Edgeworth dynamic and status rather than Apollo and Klavier. Athena and Simon, to me, feel like extensions of the arcs of Phoenix and Edgeworth + the vibes of the original trilogy. Apollo and Klavier ( who I will not talk about bc we will be here all day)? They're the antithesis.

Apollo Justice The Game directly foils the original trilogy in so many ways, but I think even on a more base thematic level it runs counter to a lot of the ideas that we take for granted about the original trilogy, and because Apollo sits at the center of this, the things I love about the game are encapsulated in why I like him. There are a ton of themes in the ace attorney trilogy-- support networks, faith, trust, the truth-- and Apollo is defined by their limits, their failures, and their absence. He is let down, kicked around, defined by abandonment and betrayal and distrust. Apollo is defined by everything that Phoenix is not, and bc of how the timeline goes we don't really get any retribution for that, just a steady march forward, and I think that gives me a lot to think about with his character

Phoenix's arc right from Turnabout Sisters is about the building of a support network, and the ways that developing this support is integral for when things go wrong. We contrast Phoenix with Godot, Maya with Dahlia, and see how people left to stew in their resentment can chase vengeance to dark places (wow I wonder who also does this after the death of a dear friend leading to a crusade of misplaced revenge that almost leads someone they care about being killed.). With Apollo we get to stand on the precipice of resolution, but the important part is we don't get it. Apollo's life falls off the rails, and he's the one left to pick up the pieces.

We see through him how our trust can be betrayed by people of good and bad intentions, and the lingering consequences that has on one's ability to not only trust the people around them but themselves. And yeah!! That's why I adore him so much-- he's tested not by the possibility of failure like Phoenix often is, but climbing up from the reality of it. It's less "how do we make our way out of this mess before it goes nuclear" and more "things are already destroyed-- where do we go from here?". It has more of an element of recovery than prevention to me, and I think that's a fascinating avenue to explore in stories like these. Apollo pushes the envelope of the themes of the narrative and the characters-- he is the epitome of what it looks like when things fall apart, and it gives him and the trilogy characters something to reconcile

A lot of people have complained that Apollo barely feels like the protagonist in his own game, but that's honestly a huge part of the reason why I love him so much. He's defined by the spaces between, the limits and failures of things we had up to this point taken to be true, and left with a pretty limited degree of autonomy through it all. He's pushed around and puppeteered by people who mean well and those who don't, and I feel like a major theme of AA4 that I love but don't often see talked about is "what does it mean to have autonomy-- and by extension, control? What does it mean to take it back? What does it mean to lose it, and what does it mean when you'd do anything to keep it." Most of what I said is only partially resolved bc AA4 is... a game. A technically finished game. but!! Because it eviscerates our expectations of the franchise so thoroughly AND leaves open so many avenues, it makes Apollo and the rest of his crew some of my favorite characters because there's so much you can think about and do with them!!

also he's like. An insect to me. <3

[starsreality]

do u have some ways/explanations I could logically become rich and wealthy? I wanna be a billionaire but I just can’t imagine doing that without being unethical…

I was just thinking of this question a few days ago and consulted with ChatGPT, so I have the answers ready and loaded!

Ways to become super ultra rich without having to resort to unethical or immoral methods/practices:

› Entrepreneurship: Start your own business in a growing industry. Identify a gap in the market, create a product or service that meets a need, and scale it. Focus on innovation and customer satisfaction.

› Investing: Educate yourself on investing in stocks, real estate, or other assets. Consider long-term investment strategies, such as index funds or rental properties, which can compound wealth over time.

› Build a Personal Brand: Create a strong online presence in your field. Share knowledge through blogs, podcasts, or social media, and leverage your brand for consulting, speaking engagements, or product endorsements.

› Develop Valuable Skills: Acquire skills in high-demand fields like technology, finance, or healthcare. Expertise can lead to high-paying job opportunities or freelance work.

› Networking: Build relationships with influential people in your industry. Networking can lead to collaborations, partnerships, and opportunities that can significantly boost your wealth.

› Innovate and Create: Focus on research and development in emerging fields, such as renewable energy, biotechnology, or artificial intelligence. Invent new products or improve existing ones.

› Real Estate Development: Invest in real estate, starting with rental properties or flipping houses. Learn the market and focus on areas with potential growth.

› Passive Income Streams: Create sources of passive income, such as writing books, creating online courses, or investing in dividend-paying stocks.

› Franchise Ownership: Consider investing in a reputable franchise. This can provide a proven business model and brand recognition while allowing you to operate your own business.

› Philanthropy and Ethical Investing: Invest in socially responsible businesses or initiatives. This can lead to both financial returns and positive societal impact, enhancing your reputation and network.

Ways to “stumble” into wealth without (directly) hoarding wealth:

› Inheriting Wealth: Unexpectedly inheriting wealth from a distant unknown relative or family friend.

› Winning the Lottery: Not a very sustainable source of income but it works.

› Discovering Hidden Talents: Uncovering a unique skill or talent that becomes highly valued—like writing a bestselling book or creating viral content.

› Investing Early: Accidentally investing in a promising startup or stock that later skyrockets in value.

› Networking: Making a valuable connection at a social event that leads to a lucrative job or business opportunity.

› Crowdfunding Success: Launching a project that resonates with a broad audience, leading to substantial financial backing.

› Accidental Invention: Creating a product by chance that fills a market need, like a popular app or gadget.

[liyawritesss]

ᴄᴏʟʟᴇɢᴇ!ᴍɪʟᴇꜱ ᴍᴏʀᴀʟᴇꜱ ʜᴇᴀᴅᴄᴀɴᴏɴꜱ

Characters: College!Spider-Verse!Miles Morales 

Type: headcanons

Synopsis: What would our lovely boy Miles be like as a grown up college student? Does he change or does he still keep his dorky, boyish demeanor?

A/N: HAPPY JUNETEENTH TO MY FELLOW NEGROS!!! In honor of Juneteenth and the release of ATSV, I'm dumping some headanons on yall, and I'm so proud of how these turned out. I was talking with my friend how we heavily believed that we would see a grown up Miles but when we found out only a year passed in Miles’ timeline for him, the topic of college!Miles came up. So these headcanons are pretty much a product of how we thought miles would be as a college student around our age.

Note: the first pic is of Shameik Moore, I just used a cartoon filter over it to try and make it look like the art style in the spiderverse franchise. The third one is not Shameik Moore but I use the same cartoon filter over it for the same effect

Warnings: Some cursing but that’s about it. KEEP IT CUTE PG-16 CUZ THIS IS NEPHEW WE TALKIN' BOUT HERE!!!

Tags: @6-noir @babyboiboyega @badass-dora-milaje @jacuzziwaters @venusdraco @mbakuetshurisprincess @shuriszn @verachii @writingintheshadowsforever @cafehyunji @lulu-network @niyahwrites @pantherheart @marsfunzon22

Sign Up For My Taglist Here!

College!Miles isn’t a complete one-eighty of his mid-teen self, but rather, he builds on the defining attributes of his youth and matures them. He’s still pretty self-effacing, modest and humble, but he’s more confident in himself and the man he wants to become. He’s selfless and courageous and loving to a fault, and anyone who’s anyone who has been in his presence can say that Miles is a great person all around.

College!Miles ends up going to study in New Jersey, majoring in Physics Engineering, but also minoring in African Psychology on the track for social work. He knows that he can only do so much good behind his Spiderman mask, and believes that he should also be putting in the work when he isn’t wearing it. It’s an obligation for him to put his best food forward for his community and his people.

College!Miles who mixes his style with 90’s black streetwear and modern day. He’s a sneakerhead, so his dorm room gradually accumulates with boxes upon boxes of shoes damn near reaching the ceiling. His room back home is much worse though (Rio can’t even clean his room anymore because everywhere she looks, it’s a box of shoes chucked somewhere. Mama has given up lmao). And similar to the first outfit we see him in in ATSV, he loves the sports-jersey-over-solid-color-shirt combo, but has a decent amount of hoodies and tee’s both graphic and plain, that he likes to throw on with a pair of jeans and shoes. He knows how to dress, and he knows that he looks good in what he wears too.

College!Miles who never steps out the house without a chain on. He’s got two specific ones that he wears primarily - a silver cuban link his parents got him for his eighteenth birthday that he wears daily, and a gold snake chain that he bought for himself with his first check from his first big boy job. There are other necklaces that he has that he’ll throw on it he wants to switch things up. He’s not a big fan of things on his wrist (he’s gotten too used to the web shooters that everything else just feels funny or wrong), but he has a watch that he only wears to be fancy and a couple of rings that go on his middle or forefingers. He also has a few pairs of studded earrings he switches between every now and then to keep up a fresh look.

College!Miles who starts to take special care in his appearance as he reaches his late teen years. He can only go to his mom when he’s on breaks or vacation when he travels back to Brooklyn, but he’s learned enough from Rio to do his own line-ups and touch ups to make him look decent. It took him a minute to get used to doing it on his own, but he was adamant on learning because he was firm on not letting anyone else into his head besides his mother. He’d recently gotten into cutting slits into his eyebrows too, as they make him feel super cool

College!Miles who knows he’s got girls & guys coming left and right waiting for the opportunity to get with him, but as much as he’s a loverboy, he’s also very intentional with how he moves and is very perceptive of people (his Spidey senses enhance it a lot more than what he wishes sometimes) that he peeps that a lot of them are only attracted to his looks. He doesn’t date for the first few semesters of college, and when his parents ask if he’s gonna bring someone home soon, he tells them that he’s too busy making gateways to dimensions to open the gateways to dating

College!Miles whose love for hip hop never dies over the years. Instead it seems to grow. He adds a few new artists to her playlist - JID, Young M.A., Tobe Nwigwe, & Kendrick Lamar from the hip hop and rap scenes (Miles uses many of Tobe’s songs as hype music to gas himself up). Though he’s also found an appreciation for other genres, like R&B and Neo-Soul. Some of these artists include but are not limited to: H.E.R., UMI, Ari Lennox, and Bryson Tiller.

College!Miles who still holds on to his art as a hobby and destresser from his many classes and double-identity. His street art follows him wherever he goes, tagging new places that have people wondering who the hell made it all the way up there to tag that. There’s a secret pride that swells in him when he sees passersby admiring the artwork.

College!Miles who, when the world gets too much and he feels like everythings going wrong, he climbs the tallest building he can find and just watches the sunrise or sunset. He lets the breathtaking view ease his mind and the warm sun soothe his worries away. Being so high up and away from people allows him to actually think about the troubles that plague him, so when he comes back down, he can address them accordingly

College!Miles who’s still very much a momma’s boy. He calls Rio almost every day, either to just talk or to rant about something silly. She’ll put him on speaker for Jefferson to hear and just looks at her husband like “Listen to your son” when he’s being silly. But it’s so sweet that Miles always has his parents on his mind when he’s away at school. He also calls his dad to have ‘guy talk’, which ain’t nothing but Miles and Jefferson either talking about sports, his academics (which Jeff is really supportive of, even if he doesn’t understand the physics part, he loves to hear his sons ideas on the psychology minor he’s taken on) or random funny shit the guys that they hang around do every day.

College!Miles who grows more confident in his Spanish and uses it more and more in his day-to-day life. He’ll speak it when he’s talking to himself, when he’s angry or if he’s hurt himself (which happens the same amount of times as it did when he was a teen), or he’ll try and surprise his mom with a conversation in complete Spanish (which he does succeed in sometimes).

College!Miles who’s barely changed from the loveable boy who we all know and love as a teen. He just grew some more and became cooler, but he still radiates the same dorky, intelligent, and loving energy he’s always had.

[namitomoon]

Honestly, I think the fact Yugioh isn't popular at all with kids in the West compared to Pokémon needs to be studied.

Most people would (rightfully) blame how overcomplicated the game became compared to the early DM/GX days with all the new meta. But I think part of the blame relies on the way Konami handled the anime too. Both the broadcasting and the core.

I read on the Wiki that Yugioh DM, GX and 5Ds were dubbed by 4Kids and broadcasted it on Saturday morning blocks. When cable and with it the Saturday morning cartoon blocks faded away, 4Kids Entertainment (and their succesor, 4K Media) were very slow in adapting to the new reality. They moved to Nicktoons, then Hulu and then for free on Pluto TV.

Compare this to Pokémon franchise which was pretty much taken away from 4Kids and handled much better by TPC, staying solidly on the same network and then switched to the much more massive and GLOBAL Netflix.

Yugioh has the dubious "honor" of being one of the few remaining anime that still gets localized and dubbed following the heavy censored 4Kids handbooks and I think I finally figured the reason: Konami (who directly handles the dubbing and localization of Yugioh through Konami Cross Media NY, which is basically the remnant of 4Kids) is DESPERATE to build a younger gen Z/Alpha audience on the West.

The average Yugioh player in the West is in their mid 20s who was hooked with the original DM and GX (and maybe also 5Ds). Konami is fine with it but they really wish their game was as popular among kids as the Pokémon TCG is. There's always the fear of the mature audience simply leaving the game because they have bigger responsibilites with work, families, etc. Heck, that's the biggest reason why they didn't bother bringing the physical Rush Duels cards.

Which is why they focus heavily on targetting their shows towards kids. They could perfectly make more loyal-to-the-original teenage/mature focused dubs and broadcast them on Adult Swim or Crunchyroll. But because of their desperation in building a new audience, they instead make kiddified dubs so SEVENS is shown on Disney XD of all places.

[invested-in-your-future]

I am new to rwde stuff, and I'm wondering why Miles is so often singled out in criticism? Like, with self-insert stuff that makes sense, but I also see people criticize the relics/gods worldbuilding as a Miles thing, without mention of Kerry. Same for similar criticisms like the plot driving them into a corner in v10, or the mishandling of the WF plot line. Is there a reason for that, or is it holdover from not liking him for the self-insert? Is he the one who talks about it the most, or has he specifically claimed responsibility for that, or he writes more than Kerry, or something? Is it because he just seems to be the more public of the two of them, doing things like his cameos? Is he simply the more unlikable one? Thank you in advance, if you answer this question.

I think it is that, yeah - Miles is the one most often putting his foot in his mouth with weird hot takes that come back to bite him.

Him being tasked by Monty to watch a bunch of anime to see what NOT to do and ending up gushing about sword art online and loving the one soul eater character he was supposed to understand about being crass?

Him going on an off-tangent rant about how Korra world building is bad only to then rip off parts of that lore and it all end up a mess.

Him ranting how on how LGBTQ+ rep in Korra has absolutely no build up only for BB ending up getting ZERO PROPER DEVELOPMENT that it SHOULD HAVE GOTTEN FOR VOLUMES (because the show was too busy queerbaiting) and only getting a desperate kiss to attempt to get the views back up... (Mind you Korra was under a LOT of network restrictions and actually doing what the show did took actual guts while the only excuse RT has for dancing around the topic is "we don't wanna")

Him watching Land of Lustrous (a show about an immortal being experiencing trauma and PTSD and dealing with grief and existential crisis) and going "I don't get it" and then delivering the absolute messy v9 nonsense that literally vilifies trauma and goes against basic mental wellness concepts.

There's a trail of Miles stepping on the same rake over and over again going back years so he kind of became the face of all the wrong decisions taken in the show.

Plus, you know, yeah, Jaune is his baby and he somehow ends up being the faux protagonist of the show leeching off the screen time of actual protagonists and getting more development and focus than actual protagonists. And him being the guy to whom "the idea of brother gods came to in a dream" and it's easy to see why he kind of became the poster child for everything bad in the show.

However, Kerry is just as guilty for a lot of aspects of the writing but people are bit more lenient because again two worst parts of the show - Jaune and brother gods both come from Miles.

RWBY having borderline nonsensical setting and offensive problematic writing is a group effort though because RT as a whole never grew out of the "edgy homophobic jokes machinima youtuber" phase - not even after becoming a company that owns million dollar franchises.

[dakoosuperapp]

💡 Entrepreneurship requires a range of skills that are essential for success. Some of the basic skills that every entrepreneur should possess include: 💡 Opportunity identification and evaluation 💡 Creativity and innovation 💡 Effective communication and leadership 💡 Financial management 💡 Risk assessment and management 💡 Time management and organization 💡 Networking and relationship building 💡 Problem-solving and decision-making 💡 Adaptability and flexibility 💡 Resilience and perseverance These skills are necessary for entrepreneurs to navigate the challenges of starting and running a business. By developing these skills, entrepreneurs can increase their chances of success and achieve their goals in their entrepreneurial journey. 🎢 #dakoo #franchise #business #india #entrepreneurship #innovation #leadership #success #success #opportunity #entrepreneurs #entrepreneur #networking #building #creativity #communication #management (at India) https://www.instagram.com/p/CqIjPDLPB7X/?igshid=NGJjMDIxMWI=

[crazykuroneko]

Mark Johnson Builds Anne Rice Universe for AMC Networks

The interesting points from this are:

And that Talamasca show hasn't been ordered to series yet. But the fact they're running a PR on Mark and the franchise should be a good sign

[livebloggingmydescentintomadness]

Wait I’m late to this, so I’m genuinely asking. Do Jensen and Jared secretly hate each other or something?

oh. uh...

kind of, basically, yeah. jared has been an asshole who receives special treatment from the network for a long time, while jensen has tried to keep the peace and got fucked over by the end of spn. now that he's free from having to work with jared all the time, he seems to have lost his patience with jared and has been getting noticeably more and more prickly toward him. jared seems oblivious to this, or doesn't care, because he thinks being an asshole is funny.

the punchline is, jensen now has full control of the spn franchise as it moves forward. if jared ever wants to be in a spn show again, he's going to have to do it on jensen's terms.

here's some links to further explore the drama:

the "gutted" incident + building tensions surrounding the finale

"j2 fallout theory" explained

jared's homophobic destiel rant + jensen's face listening to it, his angry body language

my jared tag, for all your "why is jared an asshole?" needs

my j2 tag, for more documentation of jensen having had it with jared's bullshit

[robin-hood-for-freedom]

The reason I typically dont concern myself with lore issues and retcons in the Fallout series(Although Fallout 76 is testing my limits on that), is that well...the series has always had that problem from the very beginning.

Take for example how Vault-Tec has become more cartoonishly evil as the series has progressed. In the original Fallout(ignoring everything to come after), its pretty clear the problems with the Vaults are the result of short-sightness and greed, Vault-Tec cut corners and didnt really think about how people would actually have to live in the vaults(possibly because they didnt really think nuclear war would happen, and were just raking in money). Theres no indication that there were experiments or that there was anything more nefarious than corporate greed.

Fallout 2 hints that there was some wider agenda, but doesnt indicate much more. Apparently the original idea was that the vaults were experiments on building a spaceship to escape earth And interplay's Fallout 3 would have revealed this. But it got canceled.

Fallout Tactics revealed that government leaders and top scientists had had their brains placed in vats networked to a supercomputer. And were supposed to use the data from the vaults to assist in rebuilding civilization, but flaws in the machinery drove them insane and caused to try to kill everything instead. (Its also questionable if FoT is canon, but I like to accept it as such)

Once Bethesda got ahold of the franchise Vault-Tec is like 'We're gonna pump drugs through the ventilation system' and other such mad-scientist nonsense.

Then the Fallout tv series reveals that Vault-tec actually orchestrated the war so they could rule the world afterwords.

[brekkie-e]

Something I have been thinking about is the fact that so much of my issue with elements of Veilgaurd is it's just. Not the sequel I wanted, and in my opinion not the better sequel of many potential options.

The thing about that, though, is that is a bit of a universal truth through the Dragon Age franchise. Dragon Age 2 may be a love-able chaotic and messy game. But it's a very poor sequel to Origins. It was a soft reboot. It removed the best parts of Origins. It took the story in a very specific direction. It was always building to the next point. The beginning and end of Dragon Age 2 is always setting up it's sequel.

Which brings us to Inquisition. I would say it's not as bad of a reset as DA2 was because the previous game atleast clued you in something big was on the horizon. Cassandra needed Hawke to fix something. But Inquisition still pivoted hard. If you were able to accept the narrative reboot and get invested in Hawke, you don't want the Inquisitor. You want to know what the hell is happening with the Kirkwall crew. Hawke seems the person naturally in position to be the hero again, given they were the one Cassandra was seeking. Where the hell is Anders? He began the whole thing, and we're NEVER going to talk about him again? We are deciding the fate of the mage and templar war, but he never makes an appearance? He's not the leader of the rebel mages or an advisor to Fiona or a side quest in the Witchwood where you find him hiding. It all feels off when you take a step back and ask yourself was there a better story in there somewhere? Was there a way to tie the narratives together more tightly? Because there was! Sit with it for five minutes, and you can think of a dozen ways to make the first three games flow together in more satisfying ways.

So Veilgaurd feeling like it lost out on being all that it could be because they aren't pulling in the vast network of qualified people from the Inquisition and Solas's own army is kind of a familiar ache. The game is good. I am enjoying it a lot. I don't love all of it. But I also didn't love the fact that the root of every problem in DA2 was blood magic to a comedic comic book villian degree, or that the pacing of Zevran's romance is all off in DAO. I'm never happy with a Dragon Age game. But letting go of the idea of what the story could have been and accepting what it is- that's just part of the experience I think? The question always remains whether you can accept the changes.

For me, personally, the jury is still out. But Im beginning to lean towards yes. I can get behind it. Enough of it has the bones of what draws me into this series. Am I going to ignore certain lore tweaks and possibly entire plot points in my headcanons and fic with aggression and hostility? Yes. Yes, I will. But I ALREADY do that with Dragon Age. So all this nonsense just feels familiar in the end.