#Frédéric Müller

[motorsportsminiatures]

[cinematic-phosphenes]

ASOIAF as historical paintings (15/∞) Oberyn Martell's four eldest daughters: Obara, Nymeria, Tyene and Sarella

Art by Leopold Müller, Félix Auguste Clément, Frédéric-Pierre Tschaggeny, and an unknown artist

[ortut]

Frédéric Müller - L'oiseau en plongée/The diving bird (bronze sculpture, polished, on green veined marble base)

[dailywec]

Nico Müller of Peugeot TotalEnergies during WEC's 2024 6H of Spa-Francorchamps at Circuit de Spa-Francorchamps by Frédéric Le Floc'h / DPPI / Michelin

[worldsandemanations]

Frédéric Müller - L'oiseau en plongée/The diving bird

[jogoscombonusderegisto]

¿Cuáles son las estadísticas de goles más impresionantes en la historia de la Europa League?

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¿Cuáles son las estadísticas de goles más impresionantes en la historia de la Europa League?

Historial de goles en la Europa League

La Europa League es uno de los torneos de clubes de fútbol más prestigiosos de Europa, que ha visto a algunos de los mejores jugadores marcar goles increíbles a lo largo de los años. El historial de goles en la Europa League es impresionante, con jugadores legendarios dejando su huella en la competición con actuaciones memorables.

Uno de los máximos goleadores en la historia de la Europa League es Radamel Falcao, quien brilló con el Atlético de Madrid anotando goles espectaculares que lo convirtieron en una leyenda del torneo. Otros jugadores destacados que han dejado su marca en la competición incluyen a Klaas-Jan Huntelaar, Aritz Aduriz y Kevin Gameiro, entre otros.

Equipos como el Sevilla FC han dominado la Europa League en años recientes, con jugadores como Frédéric Kanouté y Wissam Ben Yedder anotando goles clave en el camino hacia la gloria. El torneo ha sido testigo de momentos emocionantes y goles increíbles que han dejado a los aficionados con la boca abierta.

El historial de goles en la Europa League es un reflejo del talento y la pasión que se vive en cada partido, con jugadores y equipos compitiendo al más alto nivel para lograr la gloria europea. Cada gol anotado en la competición queda grabado en la memoria de los aficionados, creando momentos inolvidables que perdurarán en la historia del fútbol europeo.

Jugadores con más goles en la Europa League

La Europa League es una competición emocionante que reúne a algunos de los mejores equipos de fútbol de toda Europa. En cada temporada, los aficionados tienen la oportunidad de ver a talentosos jugadores brillar en el campo, anotando goles espectaculares y dejando su marca en la historia del torneo. A lo largo de los años, varios futbolistas han destacado por su capacidad goleadora en la Europa League, convirtiéndose en leyendas del torneo.

Entre los jugadores con más goles en la historia de la Europa League se encuentran nombres ilustres que han dejado huella en el mundo del fútbol. Uno de ellos es Radamel Falcao, el delantero colombiano que brilló con el Porto y el Atlético de Madrid, anotando un total de 30 goles en la competición. Su habilidad dentro del área y su capacidad para definir frente al arco rival lo convierten en uno de los máximos goleadores del torneo.

Otro jugador destacado es Klaas-Jan Huntelaar, el delantero holandés que ha dejado su sello en equipos como el Schalke 04 y el Ajax. Con 34 goles en la Europa League, Huntelaar es conocido por su instinto goleador y su capacidad para marcar en los momentos clave del partido.

Además, no podemos olvidar a jugadores como Aritz Aduriz, Mladen Petrić y Dieter Müller, quienes también han dejado una marca imborrable en la Europa League con sus goles y actuaciones destacadas.

En resumen, estos jugadores son ejemplos de excelencia en el ámbito del fútbol europeo y su legado perdurará en la historia de la Europa League por su habilidad para encontrar el camino hacia el gol una y otra vez.

Estadísticas de goles por temporada en la Europa League

La Europa League es una competición que reúne a algunos de los mejores equipos de fútbol de todo el continente europeo. A lo largo de las diferentes temporadas de la Europa League, se han registrado diversas estadísticas en cuanto a la cantidad de goles anotados por los equipos participantes.

Cada temporada, los aficionados al fútbol esperan con ansias ver a sus equipos favoritos en acción y disfrutar de los emocionantes encuentros que la Europa League ofrece. Durante estos partidos, los jugadores muestran todo su talento y habilidad en el campo, lo que se traduce en una gran cantidad de goles anotados.

Las estadísticas de goles por temporada en la Europa League son un reflejo del nivel de competitividad de los equipos participantes y de la calidad de los jugadores que forman parte de cada plantilla. A lo largo de los años, hemos visto cómo algunos equipos destacan por su capacidad goleadora, mientras que otros se destacan por su solidez defensiva.

Cada gol anotado en la Europa League es celebrado con entusiasmo por los aficionados y queda registrado en la memoria de todos los que siguen de cerca esta apasionante competición. Ya sea un gol de cabeza, un gol de tiro libre o un gol desde larga distancia, cada tanto marca la diferencia en el transcurso de un partido y puede ser determinante para el resultado final.

En resumen, las estadísticas de goles por temporada en la Europa League nos brindan una visión más amplia del desempeño de los equipos y jugadores en esta competición tan especial, que sigue emocionando a los amantes del fútbol en todo el mundo.

Ranking de equipos con más goles en la Europa League

La Europa League es una competición de fútbol que reúne a algunos de los equipos más destacados del continente europeo. A lo largo de los años, varios equipos han dejado una huella imborrable en la historia de este torneo gracias a su capacidad goleadora. En este ranking de equipos con más goles en la Europa League, algunas escuadras destacan por encima del resto.

En primer lugar, se encuentra el Sevilla FC, un equipo español que ha demostrado su potencial ofensivo en múltiples ediciones de la Europa League. Con jugadores talentosos y una mentalidad ganadora, los sevillistas han conseguido anotar una gran cantidad de goles en este prestigioso torneo.

Otro equipo que no puede faltar en este ranking es el A.C. Milan, un histórico club italiano que ha brillado en la Europa League con su estilo de juego ofensivo y espectacular. Los rossoneri han deleitado a los aficionados con goles memorables y han dejado su sello en la competición.

Además, equipos como el Arsenal FC, el Chelsea FC y el Borussia Dortmund también han destacado por su capacidad goleadora en la Europa League, demostrando su calidad y poder ofensivo en cada partido que disputan.

En definitiva, el ranking de equipos con más goles en la Europa League es un reflejo del talento y la ambición de las escuadras participantes, que luchan por dejar su marca en la historia de este prestigioso torneo continental. ¿Qué equipo logrará destacar en las próximas ediciones y sumar más goles a su cuenta personal en la Europa League?

Datos de goles en finales de la Europa League

La Europa League es una de las competiciones de fútbol más emocionantes a nivel europeo, donde los mejores clubes se enfrentan en intensos encuentros hasta llegar a la ansiada final. Uno de los aspectos que más se destaca en este torneo es la cantidad de goles que se han anotado a lo largo de las finales a lo largo de los años.

En promedio, se han anotado alrededor de 2,5 goles por partido en las finales de la Europa League, lo que demuestra la intensidad y competitividad de los equipos que llegan a esta instancia decisiva. Algunas finales han sido verdaderos festivales de goles, con marcadores abultados que han mantenido a los espectadores al borde de sus asientos hasta el último minuto.

Históricamente, equipos como el Sevilla, Juventus, Atlético de Madrid y Liverpool han destacado por su capacidad goleadora en las finales de la Europa League, dejando momentos inolvidables para los aficionados al fútbol en todo el mundo. Estos clubes han sabido imponer su juego ofensivo y demostrar su talento en el terreno de juego, marcando goles que quedarán grabados en la memoria de los seguidores del deporte rey.

Sin duda, los datos de goles en las finales de la Europa League reflejan la pasión y la emoción que rodea a este torneo, donde cada gol anotado es un paso más hacia la gloria y la conquista del título. Los aficionados seguirán disfrutando de partidos cargados de emoción y goles que quedarán en la historia del fútbol europeo.

[ulkaralakbarova]

A great French restaurant’s owner, Monsieur Septime, is thrust into intrigue and crime, when one of his famous guests disappears.  Credits: TheMovieDb. Film Cast: M. Septime, patron d’un grand restaurant parisien: Louis de Funès Le commissaire divisionnaire: Bernard Blier Sophia, la secrétaire du président Novalès: María Rosa Rodríguez Henrique, chef de la sécurité du président Novalès: Venantino Venantini Le président sud-américain Novalès: Folco Lulli Le sommelier buveur: Paul Préboist Le ministre: Noël Roquevert Henri: Yves Arcanel Le conspirateur français: Robert Dalban Le général conspirateur: Julián Antonio Ramírez Le complice de Novalès: Eugene Deckers Un conspirateur: Frédéric Santaya Un conspirateur: Albert Dagnant Le maître d’hôtel « Mon Dieu ! Mon Dieu ! »: Jean Ozenne Le second maître d’hôtel: Pierre Tornade Le troisième maître d’hôtel: Yves Elliot Petit-Roger, le serveur lèche-bottes: Michel Modo Un serveur: Jacques Dynam Un serveur: Guy Grosso Un serveur: Jean Droze Un serveur: Pierre Roussel Un serveur: René Bouloc Julien, un serveur et violoncelliste forcé: Maurice Risch Marcel, le chef cuisinier: Raoul Delfosse Marmiton Louis, le filleul de Marcel, le chef cuisinier: Olivier de Funès Le violoniste / Client qui dit que “ce n’est pas cher du tout”: Max Montavon Le Doktor Müller ” Kartoffeln und Muskatnuss “: Claus Holm L’invité ignoré du ministre: André Badin Un client du restaurant: Marc Arian Le pianiste: Roger Caccia Le second inspecteur adjoint: Henri Marteau L’agent de police: Jacques Legras …: René Berthier Le client satisfait: Bernard Dumaine Un client du restaurant: Roger Lumont Le client taché: Paul Faivre …: Julian Ramirez Le baron: Robert Destain La baronne: France Rumilly Film Crew: Writer: Louis de Funès Writer: Jean Halain Writer: Jacques Besnard Movie Reviews:

[carsthatnevermadeitetc]

Ford F-250, 1967, by Frédéric Müller. MADGallery presents Rides of the Wild by the Swiss digital artist who has created a series of artworks featuring wild animals emerging from classic cars. Ready for adventure? This heavy-duty pick-up truck  features a "ROAR" across the hood (instead of "FORD"), and a 'L10N' license plate.

[merzbow-derek]

SOUFFLE CONTINU, 30 NOVEMBRE 2018, RELEASE PARTY III : Tir groupé pour la sortie du livre Agitation Frite 3 de Philippe Robert !

Philippe Robert & Guillaume Belhomme (Lenka Lente) proposent une rencontre en invitant à jouer Pepe Wismeer avec Thierry Müller et Marc Sens, pour la sortie du troisième volume d'Agitation Frite...Ainsi que Frédéric Acquaviva (également dans le livre) qui se greffera sur l'événement pour présenter ses nouvelles parutions.

Mis à l'honneur dans le récent ouvrage Agitation Frite 3, Pepe Wismeer est un duo des Ardennes emmené par Anne-Laure (claviers) et Damien (voix, guitare, basse et samples). Ils manient l’épure, la délicatesse, le minimalisme depuis 1999 et une vingtaine d'albums (dont quatre sur les labels US Beta-Lactam Ring Records et, en vinyl, Equation Records), tous relativement inclassables et profonds, aux confins de l’expérimental, de l’indus par moments, de la dark-folk et de l’ambient. Dans ces plages glaciales ou brûlantes où se tapit un subtil mélange d'angoisse et de mélancolie, émergeant d’une multitude de sons organiques et analogiques, la voix languide, le piano et les effets parfois épiques insufflent des mélodies et des trames. Nurse with Wound ne s'y est pas trompé, en les choisissant pour sa compilation de versions de Two Shaves And A Shine.

Frédéric Acquaviva a toujours développé un esprit libertaire et DIY, créant ses propres structures de diffusion, faisant aussi le travail que les institutions ne font pas, ou pas correctement. Les éditions ''AcquAvivA'' sont aujourd'hui riche d'une quarantaine d'ouvrages d'artistes de tous horizons, « ß@£ » (Berlin) et « £@ß » (Londres) avec Loré Lixenberg. Son art est un univers de rencontres et de remises en question permanente, plaçant la création au centre. L'immense culture d'Acquaviva engendre une réflexion et celle-ci prend la forme d'une œuvre, il faut parfois un certain « bagage » pour l'apprécier mais elle fait appel à la sensibilité de l'auditeur autant qu'à sa propre créativité, cette musique invite à chercher l'œuvre au fond de soi et à« penser avec ses oreilles », selon la définition qu'il donne de la musique.

[tethys-the-aquatic-sea-godness]

Arianne Martell Appreciation Week 2022 - Day Three: Relationships - Family (Part One)

Luigi De Servi - Portrait of An Arab Gentleman

Camille Corot - Femme algérienne

Leopold Carl Müller - The Almeh

Georges Antoine Rochegrosse - Chef oriental

Charles Bargue - The Albanian Sentinel in Cairo

German Aracil - *

Carl Leopold Müller - Portrait of a Bedouin girl

Theodorus Rallis  - Jeune ottomane, 1879

Frédéric-Pierre Tschaggeny - Young woman with parrot

Ilja Efimowitsch - Repin Negerin

[detournementsmineurs]

Oeuvres en grès émaillé ou flammé d'Emile Müller et Cie, Frédéric Deschamps, Jean-Joseph-Marie Carriès, Antonin Mercié et Georges Hoentschel (circa 1889-1902) et "Cheminée" attribuée à Emile Müller et Cie en grès cérame émaillé (circa 1904) dans les Collections Permanentes du Musée d'Arts Décoratifs, janvier 2022.

[spaceexp]

Solar Orbiter’s first images reveal ‘campfires’ on the Sun

ESA & NASA - Solar Orbiter Mission patch. July 16, 2020 The first images from Solar Orbiter, a new Sun-observing mission by ESA and NASA, have revealed omnipresent miniature solar flares, dubbed ‘campfires’, near the surface of our closest star.

Solar orbiter first images revealed

According to the scientists behind the mission, seeing phenomena that were not observable in detail before hints at the enormous potential of Solar Orbiter, which has only just finished its early phase of technical verification known as commissioning. “These are only the first images and we can already see interesting new phenomena,” says Daniel Müller, ESA’s Solar Orbiter Project Scientist. “We didn’t really expect such great results right from the start. We can also see how our ten scientific instruments complement each other, providing a holistic picture of the Sun and the surrounding environment.”

 Solar Orbiter’s first view of the Sun

Solar Orbiter, launched on 10 February 2020, carries six remote-sensing instruments, or telescopes, that image the Sun and its surroundings, and four in situ instruments that monitor the environment around the spacecraft. By comparing the data from both sets of instruments, scientists will get insights into the generation of the solar wind, the stream of charged particles from the Sun that influences the entire Solar System. The unique aspect of the Solar Orbiter mission is that no other spacecraft has been able to take images of the Sun’s surface from a closer distance. Closest images of the Sun reveal new phenomena

Images above: First views of the Sun obtained with Solar Orbiter's EUI on 30 May 2020, revealing the omnipresent miniature eruptions dubbed 'campfires'. The campfires shown in the first image set were captured by the Extreme Ultraviolet Imager (EUI) from Solar Orbiter’s first perihelion, the point in its elliptical orbit closest to the Sun. At that time, the spacecraft was only 77 million km away from the Sun, about half the distance between Earth and the star. “The campfires are little relatives of the solar flares that we can observe from Earth, million or billion times smaller,” says David Berghmans of the Royal Observatory of Belgium (ROB), Principal Investigator of the EUI instrument, which takes high-resolution images of the lower layers of the Sun’s atmosphere, known as the solar corona. “The Sun might look quiet at the first glance, but when we look in detail, we can see those miniature flares everywhere we look.” The scientists do not know yet whether the campfires are just tiny versions of big flares, or whether they are driven by different mechanisms. There are, however, already theories that these miniature flares could be contributing to one of the most mysterious phenomena on the Sun, the coronal heating. Unravelling the Sun’s mysteries

Image above: One of the newly found campfires in an image from Solar Orbiter's EUI. The circle in the lower left corner indicates the size of Earth for scale. “These campfires are totally insignificant each by themselves, but summing up their effect all over the Sun, they might be the dominant contribution to the heating of the solar corona,” says Frédéric Auchère, of the Institut d'Astrophysique Spatiale (IAS), France, Co-Principal Investigator of EUI. The solar corona is the outermost layer of the Sun’s atmosphere that extends millions of kilometres into outer space. Its temperature is more than a million degrees Celsius, which is orders of magnitude hotter than the surface of the Sun, a ‘cool’ 5500 °C. After many decades of studies, the physical mechanisms that heat the corona are still not fully understood, but identifying them is considered the ‘holy grail’ of solar physics. “It’s obviously way too early to tell but we hope that by connecting these observations with measurements from our other instruments that ‘feel’ the solar wind as it passes the spacecraft, we will eventually be able to answer some of these mysteries,” says Yannis Zouganelis, Solar Orbiter Deputy Project Scientist at ESA. Seeing the far side of the Sun

Closer than ever: Solar Orbiter’s first views of the Sun

Video above: Complementary views of the Sun and its outer atmosphere, or corona, based on the EUI, PHI, Metis and SoloHi instruments on Solar Orbiter. The Polarimetric and Helioseismic Imager (PHI) is another cutting-edge instrument aboard Solar Orbiter. It makes high-resolution measurements of the magnetic field lines on the surface of the Sun. It is designed to monitor active regions on the Sun, areas with especially strong magnetic fields, which can give birth to solar flares. During solar flares, the Sun releases bursts of energetic particles that enhance the solar wind that constantly emanates from the star into the surrounding space. When these particles interact with Earth’s magnetosphere, they can cause magnetic storms that can disrupt telecommunication networks and power grids on the ground. “Right now, we are in the part of the 11-year solar cycle when the Sun is very quiet,” says Sami Solanki, the director of the Max Planck Institute for Solar System Research in Göttingen, Germany, and PHI Principal Investigator. “But because Solar Orbiter is at a different angle to the Sun than Earth, we could actually see one active region that wasn’t observable from Earth. That is a first. We have never been able to measure the magnetic field at the back of the Sun.”

The Sun and its magnetic properties

The magnetograms, showing how the strength of the solar magnetic field varies across the Sun’s surface, could be then compared with the measurements from the in situ instruments. “The PHI instrument is measuring the magnetic field on the surface, we see structures in the Sun’s corona with EUI, but we also try to infer the magnetic field lines going out into the interplanetary medium, where Solar Orbiter is,” says Jose Carlos del Toro Iniesta, PHI Co-Principal Investigator, of Instituto de Astrofísica de Andalucía, Spain. Catching the solar wind

Image above: Combining remote-sensing observations from SPICE with in situ measurements from SWA. The four in situ instruments on Solar Orbiter then characterise the magnetic field lines and solar wind as it passes the spacecraft. Christopher Owen, of University College London Mullard Space Science Laboratory and Principal Investigator of the in situ Solar Wind Analyser, adds, “Using this information, we can estimate where on the Sun that particular part of the solar wind was emitted, and then use the full instrument set of the mission to reveal and understand the physical processes operating in the different regions on the Sun which lead to solar wind formation.” “We are all really excited about these first images – but this is just the beginning,” adds Daniel. “Solar Orbiter has started a grand tour of the inner Solar System, and will get much closer to the Sun within less than two years. Ultimately, it will get as close as 42 million km, which is almost a quarter of the distance from Sun to Earth.” “The first data are already demonstrating the power behind a successful collaboration between space agencies and the usefulness of a diverse set of images in unravelling some of the Sun’s mysteries,” comments Holly Gilbert, Director of the Heliophysics Science Division at NASA Goddard Space Flight Center and Solar Orbiter Project Scientist at NASA.

Image above: A 'family portrait' of the first images and data from Solar Orbiter's ten instruments. Solar Orbiter is a space mission of international collaboration between ESA and NASA. Nineteen ESA Member States (Austria, Belgium, the Czech Republic, Denmark, Finland, France, Germany, Greece, Italy, Ireland, Luxembourg, the Netherlands, Norway, Poland, Portugal Spain, Sweden, Switzerland, and the United Kingdom), as well as NASA, contributed to the science payload and/or the spacecraft. The satellite was built by prime contractor Airbus Defence and Space in the UK. The Solar Orbiter First Images photo gallery is available here: https://www.esa.int/ESA_Multimedia/Sets/Solar_Orbiter_first_images/(result_type)/images Solar Orbiter: https://www.esa.int/Science_Exploration/Space_Science/Solar_Orbiter Images, Animation, Video, Text, Credits: ESA/Ninja Menning/Solar Orbiter/EUI Team/ ESA & NASA; CSL, IAS, MPS, PMOD/WRC, ROB, UCL/MSSL/Solar Orbiter/PHI Team/ESA & NASA. Best regards, Orbiter.ch Full article

[sorrysomethingwentwrong]

“Rides of the Wild” by Frédéric Müller,

Ford-250 (1967) x Lion,

Aston Martin DB5 (1963) x Hippopotamus,

Chevrolet Corvette Stingray (1968) x Alligator,

Fiat 600S (1977) x Panda.

[neo-wise-tk]

ESA/NASA'nın Solar Orbiter uydusundan ilk veriler geldi, Güneş'in en yakın fotoğraflarını çekildi!

ESA/NASA'nın Solar Orbiter uydusundan ilk görüntüler, Güneş'in şimdiye dek çekilmiş en yakın fotoğrafları yayınlandı.

Solar Orbiter, en yakın yıldızımız olan Güneş'i incelemek için ESA ve NASA arasında yapılmış uluslararası bir iş birliğidir. 9 Şubat 2020'de fırlatılan uydu, Güneş'e olan ilk yakın geçişini haziran ortasında tamamladı.

NASA'nın Greenbelt, Maryland'deki Goddard Uzay Uçuş Merkezi'nde çalışan NASA bilim insanı Holly Gilbert, “Güneş'in bu benzeri görülmemiş fotoğrafları şimdiye kadar elde ettiğimiz en yakın görüntüler” dedi. “Bu şaşırtıcı görüntüler, bilim insanlarının Güneş'in atmosfer katmanlarını bir araya getirmesine yardımcı olacak, bu da Dünya'nın yakınında ve Güneş Sistemi boyunca uzay havasının nasıl sürdüğünü anlamak için önemlidir.”

ESA'nın Solar Orbiter proje bilimcisi Daniel Müller, “Bu harika sonuçları bu kadar erken beklemiyorduk” dedi. “Bu görüntüler Solar Orbiter'in muhteşem bir başlangıç yaptığını gösteriyor.”

Bu noktaya gelmek basit bir başarı değildi. Yeni tip koronavirüs Almanya'da bulunan Avrupa Uzay Operasyon Merkezi'ni (ESOC) bir haftadan uzun bir süre boyunca kapanmaya zorladı. Her bir cihazın kapsamlı bir biçimde test edildiği dönemde ESOC personeli bir iskelet ekibi haline getirildi. Gerekli personel hariç herkes evden çalıştı.

Solar Orbiter'in görüntüleyicilerinden birinin baş araştırmacısı olan Russel Howard, “Pandemi süreci, uzaktan kritik işlemler yapmamızı gerektirdi – bunu ilk defa yaptık” dedi.

Ancak ekip bu duruma adapte oldu, hatta 1 ve 6 Haziran'da kuyruklu yıldız ATLAS'ın iyon ve tozdan oluşan kuyrukları ile beklenmedik bir karşılaşmaya hazırdı. Uydu, 15 Haziran'da Güneş'e olan ilk yakın geçişi için devreye alma işlemini tam zamanında gerçekleştirdi. Güneş'in 48 milyon mil uzağında uçarken 10 enstrümanın tümü titredi ve Solar Orbiter, Güneş'in bugüne kadarki en yakın fotoğrafını çekti. (Diğer gönderilen uzay araçları Güneş'e daha yakındı fakat hiçbiri Güneş'e bakan görüntüleyicileri taşımadı.)

Solar Orbiter, her biri Güneş'in farklı yönünü inceleyen altı görüntüleme cihazı taşıyor. Normalde, bir uzay aracından gelen ilk görüntüler aletlerin çalıştığını doğrular; bilim insanları onlardan yeni keşifler beklemez. Ancak Solar Orbiter'deki Aşırı Ultraviyole Görüntüleyici (EUI), daha önce bu kadar ayrıntılı gözemlenememiş olan Güneş özelliklerine dair veri ile döndü.

Belçika'daki bir gözlemevinde astrofizikçi olan baş araştırmacı David Berghmans, EUI'nin görüntülerinde Güneş'i gösteren “kamp ateşi” dediği şeylere dikkat çekiyor.

Berghmans, “Burada bahsettiğimiz kamp ateşleri, en az bir milyon, belki de bir milyar kat daha küçük olan Güneş patlamaları yeğenleri” dedi. “Yeni yüksek çözünürlüklü EUI görüntülerine baktığımızda, tam anlamıyla baktığımız her yerdeler.”

Bu kamp ateşlerinin ne olduğu veya diğer uzay araçlarının gözlemlediği güneş parıltılarına nasıl karşılık geldiğini bilmiyoruz. Ancak nanoflar olarak bilinen mini patlamalar olabilir – Güneş'in dış atmosferini ya da taç kürelerini güneş yüzeyinden 300 kat daha sıcak olan bir sıcaklığa kadar ısıtmaya yardımcı olmak için teorize edilmiş küçük ama her yerde bulunan kıvılcımlar.

Kesin olarak bilmek için, bilim insanlarının kamp ateşlerinin daha hassas sıcaklık ölçümüne ihtiyaçları vardır. Neyse ki, Taç Küre Ortamının Spektral Görünütlenmesi (SPICE) enstrümanı da Solar Orbiter'de bunu yapıyor.

Fransa'daki Uzay Astrofiziği Enstitüsü'nün SPICE operasyonları baş araştırmacısı Frédéric Auchère, “Bu yüzden bir sonraki veri setimizi hevesle bekliyoruz” dedi. “Umut, bu nanoflarları kesin olarak tespit etmek ve taç küre ısınmasındaki rollerini ölçmektir.”

Uzay aracının diğer görüntüleri, Solar Orbiter'in Güneş'e daha yakın olduğu görevde misyonun ilerleyen dönemleri için ek vaatlere saklanıyor.

Washington DC'deki Deniz Araştırma Laboratuvarı'ndan Russell Howard liderliğinde sürdürülen Güneş ve Heliospherik Görüntüleyici (SoloHI), gezegenler arası gelen tozda yansıyan ışık ait ışığı ortaya çıkardı – Güneş normalde parlak yüzünü gizler. Bunu görmek için SoloHI, Güneş'in ışığını orijinal parlaklığının bir trilyonda birine düşürmek zorunda kaldı.

Howard, “Görüntüler mükemmel bir burç ışığı deseni üretti, çok temiz,” dedi. “Bu bize Güneş'e yaklaştığımızda güneş rüzgarı yapılarını görebileceğimize dair çok güven veriyor.”

Polar ve Helioseismik Görüntüleyici'den (PHI) alınan görüntüler, daha sonraki gözlemleri için de hazırlandığını gösterdi. PHI, Güneş'in manyetik alanını kutuplarına odaklanarak eşler. Solar Orbiter'in yörüngesini yavaş yavaş gezegenlerin düzleminin 24 derecesine kadar eğmesi ve daha sonra Güneş'in kutuplarına eşi benzeri görülmemiş bir görünüm kazandırması nedeniyle görevinde bir altın çağ olacak.

Almanya'daki Max Planck Güneş Sistemi Araştırma Enstitüsü'nün baş araştırmacısı Sami Solanki, "Görünür yüzeyde gördüğümüz manyetik yapılar, PHI'nın en kaliteli verileri aldığını gösteriyor. Güneş'in kutuplarının büyük bir kısmının ortaya çıkması ile ortaya çıkacak yeni, büyük bir bilime hazırız.”

Bugün açıklanan bilgilerde Solar Orbiter'in görüntüleyicileri vurgulanıyor ancak görevin 4 yerinde enstrümanı ilk verilerini açıkladı. Yerinde enstrümanlar, uzay aracının hemen çevresindeki uzay ortamını ölçer. Güneş Rüzgar Analizörü (SWA), iç heliosferden gelen güneş rüzgarındaki ağır iyonların (karbon, oksijen, silikon, demir vb.) ilk özel ölçümlerini paylaştı.

Ayrıntılı açıklamalar içeren filmler ve resimler dahil olmak üzere yeni veriler ESA'nın galerisinde görüntülenebilir.

Solar Orbiter, ESA ve NASA arasındaki uluslararası bir iş birliğidir. Almanya'daki ESOC, Solar Orbiter'i işletiyor. Solar Orbiter, Airbus Savunma ve Uzay tarafından inşa edildi ve 10 enstrüman içeriyor: dokuz tanesi ESA ülkeleri ve ESA tarafından sağlandı. NASA bir enstrüman, SoloHI, diğer üç enstrüman için donanım ve sensörler ve Atlas V 411 fırlatma aracını sağladı. İspanya'daki Avrupa Uzay Astronomi Merkezi (ESAC) bilim operasyonlarını yürütüyor.

Bugün açıklanan bilgilerde Solar Orbiter'in görüntüleyicileri vurgulanıyor ancak görevin 4 yerinde enstrümanı ilk verilerini açıkladı. Yerinde enstrümanlar, uzay aracının hemen çevresindeki uzay ortamını ölçer. Güneş Rüzgar Analizörü (SWA), iç heliosferden gelen güneş rüzgarındaki ağır iyonların (karbon, oksijen, silikon, demir vb.) ilk özel ölçümlerini paylaştı.

Ayrıntılı açıklamalar içeren filmler ve resimler dahil olmak üzere yeni veriler ESA'nın galerisinde görüntülenebilir.

Solar Orbiter, ESA ve NASA arasındaki uluslararası bir iş birliğidir. Almanya'daki ESOC, Solar Orbiter'i işletiyor. Solar Orbiter, Airbus Savunma ve Uzay tarafından inşa edildi ve 10 enstrüman içeriyor: dokuz tanesi ESA ülkeleri ve ESA tarafından sağlandı. NASA bir enstrüman, SoloHI, diğer üç enstrüman için donanım ve sensörler ve Atlas V 411 fırlatma aracını sağladı. İspanya'daki Avrupa Uzay Astronomi Merkezi (ESAC) bilim operasyonlarını yürütüyor.

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  The M.A.D.Gallery introduces “Rides of the Wild,” a collection of eight works by Frédéric Müller, a young and talented Swiss artist with an extraordinarily creative mind. In this series, Müller brings his imagination to life, using his expertise in 3D art to morph classic cars into complementary transport for animals of the wild including a lion, a hippo, and an alligator. There’s even a ride for a panda!

An Aston Martin transforms into a hippopotamus while a Ford truck turns into a lion…these images have our minds shifting gears. “I want to create pieces that viewers can lose themselves in, look at for longer than just a couple seconds, and jump-start their own imaginations,” Müller explained. “I am always looking to create something that is a bit special, that hasn’t been thought of before, or that has a special vibe to it.”

Here at the M.A.D.Gallery, we are both thrilled to present Müller’s playful compilation of clever 3D images and slightly obsessed with letting our imaginations run wild with potential storylines. “We always try to incorporate something that makes us, and hopefully those who discover our pieces, smile. Frédéric Müller’s work does exactly that!” Max Büsser, founder of MB&F and the M.A.D.Gallery, enthuses. “Not only is his work impressive and based on vintage cars, a theme close to my heart, but it recaptures a sense of whimsical and childhood that we need to hold on to.”

Rides of the Wild

A fast ride, a classy classic or a powerful pickup truck drive these animated beasts into a new habitat as Müller discovers his version of the ideal relationship between car and animal. By outfitting each “character” with personality traits, he transforms each being and conveyance using a variety of subtle accessories and shapes.

The sweeping, steel grey curves of an Aston Martin DB5 from 1963 perfectly pair with the voluptuous silhouette of a hippopotamus. Enhancing the semblance is a pair of “ears” ideally placed on the roof of the vehicle and a license plate personalized with ‘H1PP0’. Clients can choose between a print showing a straight-on view of the hippo-inspired Aston Martin or a scene portraying a suited-up hippo heading from his car into the office.

H1PP0 01

H1PP0 02

Ready for adventure? A lion behind the wheel of a transformed Ford F-250 with a pop-up camper in tow is just the thing. This heavy-duty pickup truck from 1967 fittingly takes on the feline features of a lion with a grill fashioned as a lion’s nose, a cab embellished with “ears,” and fur-coloured paint. Müller, a perfectionist when it comes to details, adorns the front of the truck with ‘ROAR’ across the hood (instead of ‘FORD’) and completes the license plate with ‘L10N’.

L10N 01

L10N 02

At the other end of the horsepower spectrum, a 1977 Fiat 600S playfully doubles as a panda bear with black and white features including a nose on the grill and ears peeking out from under the luggage rack. In Müller’s second panda-themed artwork, a globetrotting bear couple embark on a road trip; a fun detail is the luggage exploding with bamboo. Appearing lost, the driver holds a map while staring at illegible road signs. For added detail, the license plate is customized with ‘P4ND4’.

P4ND4 01

P4ND4 02

An alligator behind the wheel of a 1968 Chevrolet Corvette Stingray races around a corner at breakneck speed: the thrill-seeking reptile harmonizes with its powerful machine sporting an elongated frontend (similar to an alligator snout) and pointy teeth positioned alongside the personalized ‘G4T0R’ plate on the grill. The deep emerald colour of the classic car coordinates with the creature hanging out the window having the time of his life.

G4T0R 01

G4T0R 02

Each customized ride has a World Wide Fund for Nature (WWF) sticker thoughtfully placed on the window to remind us of the vulnerable status of these wild animals.

Two images are available for each of the four hybrid cars in either a frontend view or a coordinated setting with an animal driver. Each of the images is printed on fine paper, framed in white matte aluminium and protected by a two-millimetre-thick glass cover. Each motif is available in two sizes, 128 x 90 cm and 70 x 50 cm with white margin (image 114 x 76 cm and 60 x 40 cm), limited to eight prints and one artist edition per size. And for those desiring to have all eight prints, 18 collector boxes of 51 x 41 cm prints with white margin will also be available (image 45 x 30 cm).

Creation Process

Müller draws inspiration from everyday items and situations when creating his unique computer-generated imagery (CGI). In particular, this series came to life when a hippopotamus lamp in a second-hand store caught his eye. “The shape of the lamp looked like the front hood of a classic car,” Müller described. “I thought to myself: what if a car actually looked like a hippo? Most of my work begins with that simple question: what if? These two words are amazingly powerful in kicking off your imagination as they force you to think out of the norm.”

https://vimeo.com/315889060

The hippo-esque Aston Martin continued to develop a unique personality and storyline in his mind, eventually unfolding into a series of four classic cars digitally morphed into wild animals with correlating characters.

Regarding the creation process, once the concepts are complete the next step in the digital imaging process is to design and build a 3D model of the cars using computer animation and modelling software. When modelling is completed, the 3D models are textured and shaded (defining their material properties), composited in the final scene by setting the camera angle, and the “lighting” arranged. The image is then test-rendered multiple times to fine tune the materials and lighting setup in order to achieve a photorealistic rendering. The final steps, including colour grading and contrast, take place in Adobe Photoshop. Working in a 10,500-pixel format allows the finest of details to shine through, from the fur on the animals and dust on the wheels to squashed mosquitos on the windshield.

The process is not at all smoothly linear, each step requires several testing phases to produce the finished image Müller envisions. It takes lots of time to integrate the countless details: the “Rides of the Wild” series took nearly three years to complete from start to finish.

3D-Preview / Test lighting / Final Image

Completed 3D-Model

Grooming the Panda’s Fur

Preview Rendering for Lighting Setup

About the Artist

“First and foremost, it’s about fun! Having fun and conveying fun,” Müller excitedly says as he describes his approach to art. Graduating with a bachelor’s degree in industrial and product design from the FHNW Academy of Art and Design in Switzerland, Müller was fascinated by the creative work behind shaping objects that surround us in our daily lives. After working as a designer, he discovered a passion that was not in product design but in using photography, computer-generated imagery (CGI), and 3D-visualisation techniques to make imaginative ideas become visual. “Bringing concepts or products to life by showing them in photorealistic images, putting them into context, and telling stories of where and how the products would be of use in real life,” Müller explains.

A move to Amsterdam for a role as a 3D artist at a leading CGI production company came in 2013, providing a great experience and a mentor who brought out the best in him. Müller started publishing his work online, which resulted in positive attention and even magazine features. Gaining traction, his images were displayed next to the work of admired artists. Müller moved back to Switzerland to develop this opportunity, securing freelance projects for clients in the advertising industry while also developing his own projects.

Today Müller’s studio time is split between a converted firefighter’s van and an office in Switzerland. “Being able to work remotely and getting out of the regular working environment is quite a boost for creative input,” he describes his time in his “Atelier on Wheels,” which runs on a large solar-powered battery. A substantial part of this series – research, development of the concept, sketching, and modelling of the cars – was created during adventurous road trips through Switzerland, Germany, Denmark, the Netherlands, and France.

Take a close look at the G4T0R and P4ND4 background: the sky and horizon line in the perspective images came from photographs captured by Müller while on the road. The largest resolution part of the work – including detailing, building of the CGI environments, and especially the rendering – were executed at the workspace in Switzerland, where he has more computing power.

The future is bright for this young digital artist who is dedicated to provoking feelings – especially happy ones – in those who observe his work. “To have viewers stop for a second and consider; what if this actually was real? To make people react, smile, laugh, reflect, and consider things from a different perspective. I loved (and still do love) the fact that you can express your creativity/ideas with little to no budget, except the time and effort you are willing to put into it,” Müller said.

For more information please visit the M.A.D.Gallery at Rue Verdaine 11, 1204 Geneva, Switzerland (+41 22 508 10 38), the Website or request info info@madgallery.ch

The M.A.D.Gallery introduces “Rides of the Wild” by Swiss Digital Artist Frédéric Müller The M.A.D.Gallery introduces “Rides of the Wild,” a collection of eight works by Frédéric Müller, a young and talented Swiss artist with an extraordinarily creative mind.