#Forms and Controlled Components

[cipheramnesia]

The reason I probably shouldn't be allowed to make movies is I have no impulse control and I would immediately make something called Revenge Of The Dead Tranny Hooker. It would be about a trans woman trying to break into acting, but no one wants to hire her for anything except playing a sex worker who gets murdered. Then one day she does an open casting call which runs her through a series of increasingly bizarre line readings, which it turns out are meant to summon an eldritch demon to grant the movie producer god-like powers.

The culmination is supposed to be sex on the casting couch, but she ditches at the last minute, destroying the ritual and splintering the extradimensional entity across California. She unknowingly receives powerful extradimensional blood, while the rest of the fragments seek out the powerful and violent people of the world. Meanwhile the movie producer uses his new powers to transform his PAs into henchcreatures, and sends them after the protag to finish her off. She discovers her new powers in the ensuing fight, which also seem to be gradually altering her body every time she uses them.

The rest of the movie is a steadily escalating game of cat and mouse between trans woman and movie producer. While the former transformers the fragments into powerful psychic weapons like chainsaws and spiked bats, the later uses fragments to make himself bigger and physically stronger. At first the fights are short and brutal, the protag outmatched and outgunned, but she gets more confident to the point of an anarchic battle of against the LAPD led by a demonic police captain, including a scene where she stands on the roof of a speeding police car and rips the driver through the windshield.

Her eventual form is some kind hyper sexual draconic mantid squid rippling with biomechanoid components. In the fight with the producer he thinks he's winning by tearing apart the last of her human flesh, but this just complete her transformation, letting her easily overwhelm him. It's implied from that point forward she plans to conquer the world.

[gothhabiba]

St. Paul, MN – During the early morning hours of November 20, 50 pro-Palestine protesters gathered at the site of Lockheed Martin’s new microelectronics subsidiary, ForwardEdge ASIC, in Saint Paul. They unfurled long banners, one reading, “MN, divest from Lockheed,” and blocked the driveway entrances to the facility for almost eight hours.

Police arrived shortly after the activists occupied the space and made their presence throughout the day, but no arrests were made. Due to the protesters’ presence, no employees of ForwardEdge ASIC were able to enter the facility and go to work that morning. The parking lot remained empty save for a lone security guard’s vehicle.

Lockheed Martin is the world’s largest weapons company by revenue and one of the major suppliers to the Israel Defense Forces. Lockheed Martin supplies Israel with a wide variety of weapons, including fighter jets, attack helicopters, and missiles. Lockheed Martin technologies are also integrated into Israel's main weapon systems.

Activists participated in as part of the newly formed Free Palestine Coalition in the Twin Cities, which comprises groups such as the Anti-War Committee (AWC), American Muslims for Palestine – MN, Council on American-Islamic Relations – MN, Students for Justice in Palestine – UMN, Students for a Democratic Society – UMN, Women Against Military Madness (WAMM), Jews Against Genocide, Red Nation, and several others.

Protesters emphasized the role of the state of Minnesota in funding Lockheed as well as other companies that make possible Israel’s violence against Palestinians. “Minnesota granted Lockheed over $1 million to open the Saint Paul facility this year,” explained Wyatt Miller of the AWC. “Meanwhile, the State Board of Investments has invested over $53 million of public pension money it controls in Lockheed. Governor Tim Walz chairs that board, so we also want to send a message that Minnesotans don’t want to see our taxpayer dollars used to fund this massacre in any way.”

After protesters determined that a majority of the workday had been disrupted, they marched in unity towards the facility to plaster the building with the protest signs as a show of victory.

Sarah Martin, a longtime anti-war activist with WAMM who was prepared to be arrested Monday, stated, “Because of our presence, weapons components were not made at the facility today by a manufacturer largely responsible for the murder of Palestinian children.”

“Protesters across the world have been shutting down business as usual as long as this massacre of Gaza continues,” said Miller. “We are proud to do what we can to slow the operations of the U.S. military-industrial complex, which is the backbone of Israel’s oppression of Palestine.”

[autistichalsin]

Astarion and Halsin's traumas were meant to be foils

When characters are foils, there are two components: first, there's a shared background, event, personality trait, etc. But how the characters act from then on are diametrically opposed, allowing us an insight into the various ways people can act or respond to one core "element". In this case, I would argue that Halsin and Astarion are meant to be foils in their responses to sexual slavery.

Both Astarion and Halsin were denied their freedom and agency, raped and abused. Both were very young when this happened; Astarion was in his 30s, which is before elves reach their majority, while Halsin's age wasn't specified, but he goes out of his way to mention "youth" many times. In other words- both were young enough for this to be a formative memory for them. Both carry deep traumas from their experiences. Both are incredibly physically attractive, and allude to or outright say that their looks played a part in their captivity; Astarion was used to seduce others for Cazador, while Halsin notes that his Drow captors "took an interest in him" and saw him "as a novelty"- most likely for his looks as much as for his race. Both were enslaved by people of high social status- Cazador a wealthy influential figure in Baldur's Gate, and Halsin's captors high-ranking Drow nobles. That is what they have in common.

But their responses to their traumas are complete opposites.

First, just the nature of how they express their traumas. Astarion is loud about it. He expresses it all openly; he is traumatized. And he knows he didn't deserve what happened to him.

Halsin buries it. He pretends it was no big deal. He victim-blames himself, saying it was his fault for being a "foolhardy young Druid" intent on seeing the Underdark.

Astarion despises Cazador; he wants revenge. He will do anything to get revenge on his abuser. This need for closure is the core of Astarion's entire arc, to the point that of all the scenarios I can think of where Astarion leaves the party, most of them involve his journey to kill Cazador.

Halsin has trauma bonds to his captors. He speaks kindly of them even when describing their abuse. He says he feared for his life, but he "did some things that were less than necessary," making it sound like he was complicit in his own rape. He can't even bring himself to call them captors (except for one option in the post-patch 5 dialogue), nor himself a sex slave; instead, he was something "between a guest, prisoner, and consort."

Astarion is (in most cases) ultimately allowed closure; he kills Cazador. In the bad path, he then joins the cycle of abuse by killing the other vampires and subjugating a romanced avatar; in good scenarios, he only kills Cazador, and then has a cathartic, tearful breakdown after.

Halsin never had (or seemed to want) that kind of closure; he escaped while his captors were fighting another noble house, and his freedom was all he wanted. Whether his captors lived or not, he doesn't care. All he wanted was his own freedom.

Astarion is younger, and his trauma a shorter time ago, yet he has processed what happened more; he is both further ahead and further behind on his healing journey than Halsin.

Halsin is older, and his trauma longer ago, but he hasn't processed what happened to him; bouncing from trauma to trauma and being forced into a leadership role caused him to have to bury it. He is both further behind and further ahead on his healing journey than Astarion.

Astarion makes a point of avoiding intimacy, and he only has a few exceptions with the player. (Ascended Astarion becomes much more confident, but that's a bit different.)

Halsin is incredibly sexually open. He enjoys sex of all kinds, finding it comforting, and the only way he can openly express his emotions after having to stay in control as Archdruid all the time.

Astarion dissociates during the Drow brothel orgy. He is miserable and uncomfortable, but doesn't regret it; he needed to take the step to explore his sexuality on his terms. Even if it triggered him, he still wanted the experience, and indeed, finding what one's triggers are is an important step for many survivors.

Halsin enjoys himself during the orgy, and even seems pleased after, but then he lets the cracks show, talking about how he was held as a slave. He enjoyed the orgy during, but after, the thoughts started creeping in, as he was reminded of his captivity.

Astarion will respond to cruel player comments about Cazador with a massive hit in approval, and possibly breaking up with a romanced player, like when they say they have a kidnapping fantasy about him if he's kidnapped by the spawn in act 3.

Halsin, in the post-patch 5 dialogue options, doesn't seem to react that much even to cruel comments; when the player threatens to sell him back into slavery, all he has to say is, "you would be unwise to attempt it, trust me. In any case, the house of my captors is long-extinct." (Followed by him having an epiphany that they WERE his captors) He never gets angry at the player despite the absolute evil of this option; as with nearly every other mean thing the player says to him, he simply shrugs it off, clearly sad but brushing it off as always. Being the "bigger person", literally and metaphorically.

Astarion was left with scars all over his back, symbolizing how this is something he'll never break free from entirely.

Halsin was left with no scars, his only prominent one being from an unrelated incident, symbolizing how much work he puts in to hide his traumas.

It's understated, so a lot of players aren't going to think about it much because of this, but I think it's worth bringing up as a note on characterization!

[stellarwhisper]

Random Astrology Observation

The fact that Mars is in the first house suggests that confidence, physique, and self-image are highly valued. These people appear to focus their energy on keeping up a powerful, alluring persona. Being eager to give people more self-assurance points to a helpful and inspiring personality.

Mars's position in the ninth house presents an exciting and daring image. The love of adventure, philosophy, and travel fits very well with this placement's expansive character. Extreme sports fervor is indicative of a will to push limits and experience life to the fullest. A desire to disseminate knowledge and a broader viewpoint are reflected in the goal of education and teaching. Adhering to specific values gives their approach more depth and makes the journey lively and meaningful.

Sagittarius Mars traits indicate a great dislike for anything that restricts their freedom or stifles their independence. They don't like to wait around and value efficiency, thus being on time is crucial to them. They cherish their autonomy, therefore any attempts to limit or control them may encounter opposition. People in this role may also become frustrated by unreasonable responsibilities and rigidity.

The variety of characteristics that people with Leo moons exhibit, from a difficult connection with trust to creativity, forgiveness, and a craving for attention and giving. The knowledge of their inclinations, driving forces, and educational experiences deepens the comprehension of this lunar positioning.

Even though it can occasionally come out as judgmental, Virgo Sun people's honesty is valued for its directness. Their readiness to be open about their true emotions and to offer candid counsel is indicative of their dedication to truth and authenticity.

People with Jupiter conjunct Moon are described as having a strong and alluring emotional presence. They seem to have a significant influence on people around them if they can control emotions and use their auras to create a spell. Through their artistic or intellectual endeavors, individuals appear to have secret knowledge banks that open up when they communicate their feelings. The secret to revealing the depth and richness within is found in the allure of their bursting emotions.

In fact, the 10th house in astrology is frequently linked to one's profession and public life. It stands for a person's reputation, accomplishments, and career goals. The planets and signs that make up the 10th house, along with any aspects that they may form, can provide information about a person's attitude toward their work, public persona, and desired global influence.

The depiction of Pisces Mercury in a relationship creates a lovely image of profound understanding of their partner and nearly psychic communication since they have sensitive energy to sense whether something is off. When words are utilized they will use it to bring out the most understanding and sensitive parts of their partner, they love a connection that appears to be a source of consolation and healing. They want their friendship or relationship to take on a lyrical and inspiring dimension due to their appreciation of arts especially music and they have the possibility of writing or even dedicating songs for their loved ones.

Mars in the seventh house frequently denotes a forceful and proactive approach to interpersonal connections. People that have this placement tend to be direct, aggressive, and passionate in their relationships. They can be looking for a companion who can have lively conversations and is just as vivacious. They might have a strong desire to take the lead in relationships and relish the excitement of working together on projects. Direct communication and a desire to resolve conflicts amicably are two possible components of conflict resolution.

Venus in the Ascendant, sometimes referred to as Venus in the First House, frequently improves a person's attractiveness, charm, and relationship style. People that are placed in this position typically have a friendly and cheerful disposition. They could be naturally magnetic, capturing the attention of others with their charisma or beauty. Their identity is greatly shaped by their relationships, and they may place a high importance on harmony and aesthetics in their self-expression. A great desire to establish and preserve lovely relationships in the social and personal domains may be present.

[dmbakura]

OK so I want to stress that this is NOT a slight against OP of this post or how they feel about the way the game presents certain options, but I've seen sentiments like this before and I feel like people still aren't quite grasping WHY the game doesn't allow the option to do a "slow burn romance where you can show him you truly care about him beyond sex" if you ascend him. So I wanted to take the opportunity to talk about Astarion's route and objectification, and the very intentional limitations of player choice regarding the ascension path.

Objectification is the act of degrading someone to the status of a mere object. It often involves a sexual component, but not necessarily. It's reducing someone to being a tool or toy, as if they have no feelings/opinions/autonomy of their own. In Astarion's case, his objectification is very much tied to his sexuality, but also his own views on power and control, and how that reflects on both him and his romantic partner.

I think people get too fixated on Welch's quote "it's reducing your relationship with him back to being a kink/form of gratification... it's very much admitting you failed to think of him beyond a sex object" and take this as commentary or judgment on the players choices, when it isn't actually that. It's quite literally the story that is baked into the route and Astarion's character as a whole. There are obviously reasons to ascend him that have nothing to do with how you personally feel about him as a character, ie you want stats, you think it's just more fun, or interesting, or you like the tragedy, etc but in regards to the story itself? It's actually more commentary on how Astarion views himself more than anything else. He is an intentional subversion of the seductive vampire trope. You cannot engage with his story without interacting with this aspect of his character.

Even if you had a dialogue option to try and initiate a romance with him without that first night of sex, Astarion wouldn't take it. If you had a dialogue option to "show him you cared and want to protect him" he would either scoff at it or get angry, as he does if you try and express similar sentiments about protecting him from Cazador. He doesn't want to be coddled. He doesn't trust mindless heroism or altruism. He initiates sex because he uses it as a tool for manipulation and insurance of his own safety. You can either play into that manipulation or don't (and he seems to respect you more if you don't, which says a lot about his self worth). You can't initiate a slow burn romance because Astarion is so distrustful of EVERYONE and has no ability to conceptualize genuine care at this point in the game due to his mistreatment as a vampire spawn. This is an incredibly important aspect to his character and to change the foundation of this is to rewrite his character entirely.

(There is ONE exception to this: Karlach. Karlach is the only character that can initiate more of a slowburn with Astarion and won't sleep with him the first night because she quite literally, physically can't. And Astarion doesn't immediately accept this either. He belittles Karlach, to the point of calling her frigid and basically defective, wondering if he's wasting his time, before she chews him out for being an asshole. Again, he has no idea how to approach a relationship without using sex as a transaction and it shows. He only goes along with it because he quite literally cannot do his normal routine. This is the only reason he won't start a relationship with Karlach using sex.)

So anyways, that choice at the start? The way Astarion's romance initiates on the first night? It intentionally parallels the way ascended!Astarion will offer you an ultimatum: become his spawn or leave him. At the start of the game, Astarion intentionally plays into the sexy vampire trope to get what he wants, is highly paranoid, afraid and distrustful of everyone. At the end of the game in the ascended route... he's intentionally playing into the sexy vampire trope, is highly paranoid, afraid and distrustful of everyone, only this time he has power to back him up. Nothing about his views has been fundamentally challenged if you ascend him; he's completely validated in his beliefs about power and control and entirely in the mindset that he has no value without becoming the ascendant.

It's not about whether you personally find him sexy or not. It's not about having sex at this point. It's not about you or your character. Astarion objectifies himself, fully playing the only hand he knows (as he himself puts it) because that is all he knows how to do. In the ascended path, he has been shown no other option. Your character, good intentions or not, has not given him the tools to see himself as anything else. There is no way too make himself see himself as anything else, except by not ascending him! Either you let this man degrade you as he degrades himself, or don't. That is the option provided, and anything otherwise wouldn't make sense without rewriting his character completely.

Do you value what he actually wants (freedom) or do you value what he says he wants (power, because he views it as the only way to get that freedom)? To me the game makes it obvious (ESPECIALLY with the newly added epilogue) that walking in the sun again or gaining the power of the vampire ascendant aren't the keys to Astarion's happiness. Stuff like that, while nice, doesn't magically grant him peace and it's not a substitute for character growth and self reflection. It honestly just feels like people want the personality and development of spawn Astarion but in the ascended Astarion path, which doesn't make any sense with the way the story unfolds.

Anyways, I just wanted to say that objectification can be more than just seeing someone as a sex object, and doesn't necessarily have to do with sex itself. It can tie into views about power and degradation and a lack of self respect. Furthermore, it's not the game telling you you're a bad person or some sex addled freak if you ascend him, it's asking you to engage with what Astarion's personal story can say about sexuality, cycles of abuse, trauma and recovery - for better or worse.

[headspace-hotel]

It's easy to see how chemophobia became so widespread to the point that companies advertise their products as containing "only ingredients you can pronounce." It's wretched that this spawned the antivax movement and other similar movements, but there are incredibly good historical reasons behind WHY people are terrified of "chemicals."

Reasons like: Agent Orange, DDT, Superfund sites, any of a wide range of incidents where chemical companies—in many cases, knowingly—poisoned people and communities because Number Go Up. History has shown again and again that companies do not give a fuck about ruining people's lives exposing them to toxic substances.

Unfortunately these people live in a world where EVERYTHING around them contains ingredients they can't pronounce and there is very little knowledge of basic chemistry, and a person has no choice but to either develop life-altering paranoia about contamination, or just settle into a sense of (naive?) security about the Chemicals in the world around them.

So these powerful cultural memories (and totally rational distrust of Bayer, DuPont, and Monsanto) have been hijacked to Sell Product (No chemicals! Ingredients you can pronounce! All Natural! Organic!) and/or been channeled into some horrible and ultimately baseless movements that, these days, form a pipeline straight into fascism.

Alex Jones' anxiety about chemicals "turning the freakin' frogs gay" is part of The Anxiety about a world that is now made of ingredients we can't pronounce. Our world is now made of very different physical stuff than the world of our ancestors, and it makes total sense for panicky reactionaries to blame sexualities, genders, religions, and ways of existence they don't understand on the strange, unprecedented "chemicals" that have intruded into the material components of the world around them.

The material changes to our lives mesh quite nicely with the paranoia of fascism. People, without any scientific expertise that would inform them, decide that "natural" things are good and "artificial" things are bad, and this leads people to reject very simple, comprehensible, and well-understood processes like "heating something up, but not quite to boiling, and letting it cool down" (pasteurization) in favor of "contracting bovine tuberculosis."

But it's not that natural is good and artificial is bad, it's that natural is, at least in theory, understandable, and artificial is bound only to the laws that tell DuPont it must disclose what is in a product being sold and test the product for harms to human and animal life—and the power of those laws to actually control DuPont. Hemlock and nightshade can be recognized and avoided, but a Product emerges from an Amazon Prime box in a curiously sterile afterbirth of plastic and foam, stinking of acrid VOC's that some people enjoy in the form of the "new car smell."

And we know that nature has no shortage of things that kill us that we CAN'T readily detect with our senses, like lead and uranium, but before mining for coal and metals ripped open our Earth and pumped thousands upon thousands of tons of toxic waste up from its depths, any given creek or patch of dirt in Eastern Kentucky was at least less likely to be dangerously toxic and radioactive.

This definitely fuels the blind and often dangerous urge to go back to a time when things were "simpler." It lubricates the slide down into reactionary bigotry a little bit, this abundance of ways the world has gone Wrong and has been irreparably changed.

It gets harder and harder to say "No, natural is not always good/bad, no, unnatural is not always good/bad" and be listened to. Our world is far, far harder to understand now in some ways, but we have to try, and that's a hard sell.

[sastrology]

SYNASTRY/COMPOSITE: INNER DISCONTENT MEETS THE TIES THAT BIND

An overview of on and off relationship aspects in romantic synastry/composite. Typically on and off relationships have very strong binding aspects and placements while also having deep-seated issues with discontent/commitment

BINDING COMPONENTS: What makes us fight for this person?

*Some positions/aspects may be both binding and have the potential for inner discontent and will be marked with an asterisk*

-*Strong Saturn influence to Venus: specifically if it’s in the 7th house of synastry/composite, conjunct Venus, sextile, or trine (tight orb)

Why is that? Saturn in astrology holds much responsibility, loyalty, and tenacity when met in the synastry or composite chart. This can create a for better or worse in astrology. In the 7th house or conj, it brings a lot of obligation to the love. When these types of relationships end, it can feel like a loss of love, but also a failure to both parties involved. Saturn has a hard time with failure, after all, Saturn is known to endure right? So both parties will have a hard time letting go and not fulfilling the "responsibility" they feel to the other.

Honorable mention: Composite Sun/Venus in Taurus or Capricorn.

*Strong Venus-Pluto, Venus in the 8th in composite or synastry: Venus and Pluto together are one of the oldest love songs in astrology history. A Venus-Pluto conjunct in synastry/composite is one of the most holding aspects in my personal opinion. This person will feel like your person. Even if both parties aren't necessarily jealous or controlling in the day-to-day, letting go of this person will be nearly impossible as the bond developed is deep and stirring. Both parties will compare new partners to the intensity they felt from the prior relationship.

Sun Conj Venus/Moon, Venus in the 7th house, Venus-Asc, Venus-Juno (tight orb): What this boils down to is that it can be hard to let go of the ideal. When Sun conjuncts Venus or Moon it can feel like two puzzle pieces coming together. Sun Conjunct Venus in the composite means the two share a lot of mutual respect and interests and feel as though they're often on the same page. If these relationships run into bumps, some with this aspect have described it as though they have lost their other half.

Composite Sun in the 7th house: Quite like Venus in the 7th, the two feel as though they are stronger together than they are apart. This is known as an ideal placement for marriage which is unsurprising as the 7th house tangles a lot with partnerships.

*Moon/Venus in the 12th/8th house synastry/composite:

If you've read my other posts, you know I've mentioned how deeply this placement can be felt, mostly in the form of dreams. This is both an inner discontent and a binding aspect. The two will have an extremely hard time figuring the other person out which can cause a lot of inner discontent on where they stand, yet, paradoxically, have a hard time letting the other go. It can feel as though both parties are right on the cusp of figuring the other one out, and when the relationship ends it can feel like they never knew each other at all. Venus can fall in love with who they think the 12th person is, the illusion, without realizing it was never them to begin with, and if it was, they only fell in love with one part of the individual instead of the whole.

Honorable mention: Moon conjunct Ascendant (deeply emotional connection) and Venus conj Neptune

INNER DISCONTENT: What pulls us away from them?

Venus-Uranus aspects in the composite/synastry: Uranus by nature is known for its excitement and unpredictability. Venus will crave commitment that the Uranus person may be unable or unwilling to give. Love can be viewed as a threat, whether that is to personal freedom or other deep-seated issues in the individual's natal chart. Love can come on quick and feel fleeting in the same breath, therefore even if the couple has binding aspects, the relationship could end due to the natural instability this creates but continue to come back together for the energizing nature this aspect creates.

Honorable mention: Sun opposite/square Uranus

Moon Square/Opposition Saturn, Mars, Pluto, Uranus, Mercury in composite or synastry: The relationship could be overwhelmed by disagreements or farces. Moon square/opp Saturn puts a lot of chilliness into the relationship, where Moon yearns for deep bonding while Saturn pulls away. Moon square/opp Mars may indicate frequent bickering and fights. While Moon-Pluto can cause power struggles and the fight for control. Moon-Mercury shows a natural blockage in communication and an inability to express your emotional nature or logical nature at the right time, a war of the heart and the brain constantly.

Honorable mention: Mercury Square/Opp Mercury

Mars Square/Opposite Pluto/Saturn in composite/synastry:

Mars is a hot-blooded planet, while Pluto is dark and Saturn can be cold. The possible implications of a combination of these planets in a square/opposition can be a recipe for disaster. While Mars-Pluto can make for a very sexually energized relationship, the tendency for things to get out of hand is not only easy but likely. Mars and Pluto will both want the upper hand and will not have an easy time taking the high road just for the sake of peace. They will both fight their sides tirelessly and relentlessly. Mars and Saturn on the other hand will have issues relating to maturity and immaturity. Mars could grow tired of Saturn's righteous attitude, and Saturn may grow tired of Mars's childlike behavior.

Honorable mention: Sun square/opp Saturn

Negatively aspected 2nd house in synastry/composite:

The 2nd house is largely one of the least mentioned houses in Astrology, along with the 6th house. The 2nd house deals a lot with material possessions and your values. When negatively aspected it can feel be felt through a strong clash of people who feel as though they are very different to the other. Opposite values and the way they handle money may be prominent in the relationship.

Honorable mention: Negatively aspected 6th house

Negatively aspected Chiron, in general in the composite/synastry: Chiron is desperately searching for healing, but when its negatively aspected in Astrology it can be a recipe for inviting more pain to the individual. Chiron is deeply wounded and sensitive, negative aspects to it shed light on their trauma.

Mars in the 12th house in the composite/synastry: Unlike Moon or Venus here who can weather the foggy storm of the 12th house a bit better, Mars can really struggle here as they try to assert themselves. The couple may have a tendency to push issues under the rug, dabble in secrets, and fear the unknown. Mars will actively engage the parts of the 12th house person they prefer to hide. The only saving grace for this is if the 12th house sign is also the rising sign as the individual will be more comfortable with the 12th house being lit up.

Disclaimer: A lot of aspects or positions can cause inner discontent or happiness with another individual, please look into the natal chart of both individuals. These may resonate with your situation, but they may not. You may be in a relationship with a lot of the "negative" aspects and it is going great and is not on and off, as always these aspects are neither the nail in the coffin nor the holy grail.

*Uranus transits can also cause instability, so check where Uranus is transiting in the natal*

[the-hydroxian-artblog]

Is Beth just always active and like projected or can she turn off the projector and just be a voice inside Kaita's head? Could she go a step further and just not even exist in the physical world and be gooberin around in Kaita's OS or something? Could she villain arc and just possess her?

I have a problem btw

unfortunately you asked a simple question so now you get the needlessly complicated answer

Kaita's artificial brain is designed in such a fashion that'd be hard for Beth to just hack like a normal computer. Her frontal lobe works on artificial neurons that create thoughts, behaviors, and impulses that are then regulated by another component that works like the brain stem and cerebellum. Effectively, every part of her could technically work as a prosthetic version of its organic counterpart, including the brain, so you'd need to know how to "hack" human impulses in order to even begin to say, overwrite who she is.

However, the wolf also has a more mundane smartphone chip installed on her that her brain can directly use at the speed of thought that allows her to interface with other devices, and is easy to replace or upgrade without messing with the brain itself. Think like a simple computer with linux or a stripped down Android OS that your brain is hooked up to that it can mess with in any way it wants, to make calls or save memes or something, while the phone can't do anything to the brain besides sending signals to the optic and audio feeds.

Beth likewise is an AI designed to only exist physically as a chip on her own phone. This phone is installed on Kaita in a similar fashion to the wolf's own on-board smartphone, through which Kaita can talk privately to Beth and see the AI do stupid shit on her HUD. Like, a more bitchy Cortana. Beth doesn't like wasting power or always being seen, so she usually only peeks out when she feels like it in the first place. She very often is just a voice or, if she's feeling nonverbal, a series of dialogue boxes Kaita sees as notifications from her phone's OS.

In terms of possession, there's technically a workaround; her hardlight body can produce electrical signals, and if she was really desperate and persistent could sort of jam her projected form onto Kaita's brain stem that way, but it'd be very very taxing to pull off unless Kaita for some reason allows Beth to do it, usually only as an agreed upon emergency measure if the wolf is incapacitated/deeply unconscious.

The picture above basically only happens because Kaita trusts Beth not to do something stupid. She's probably a bit mentally tired from something, and is letting Beth take control so she can "rest" a little. It only takes a little bit of mental effort on Kaita's part to eject Beth, but Beth lacks a physical body and sometimes Kaita feels a bit bad for the AI, so she lets her have some fun if it also means getting someone else to do a few menial tasks for her for once.

EDIT: forgot to mention; had koboldfactory's drawing of Beth in mind for drawing this one. Beth's design can often be asymmetrical and experimental but I really liked the mix of the sleeved and sleeveless look she came up with

[vindelllas]

a brief exploration of the amatyakarakas 🍸

🍸note: any information regarding amatyakaraka placements should be treated lightly, as a good portion of these celebrities do not have verified birth information. i calculated all of the following celebrities with unverified birth times assuming they were born at noon their time!

🍸the amatyakaraka does not share the immense physical focus of the atmakaraka, but serves as the knight (amatyakaraka) to the king (atmakaraka), as it controls much of the labor/work of the chess of life. it is a karaka designed to aid you in picking a field or hobby that can allow you to fully express the passions of your graha. It is the helpful hand that guides you to who you truly are, in this post i focus on the overarching lessons of this placement.

brihaspati amatyakaraka

🌾 aesthetic: the liberation of the femme fatale

🌾 key components: shares similar characteristics to the femme fatale archetype of brihaspati atmakarakas, but inwardly is garnished with the liberated qualities of brihaspati. this is a placement of timing, expansion, and immense growth in the lens of one's work ethic. this is ultimately why these natives are known for their adventurous (and sometime controversial yet successful) business ventures, e.g. kendall jenner's "818" brand and lana del rey's controversies throughout her musical journey, which are centered around intrinsic learning via the external public eye.

shani amatyakaraka

🪐 aesthetic: the theater of love

🪐 key components: it shares the sensual hollywood starlet aesthetic of shani atmakarakas but this karaka's lesson lies in what they pour themselves into. they excel at possessing the drive and willpower to succeed in their respective fields, but are not without controversy in their private lives. this is emphasized by megan thee stallion's wrongful sh*oting, selena gomez's ex, nicki minaj's infamous husband, julia fox's former partner kanye west, etc.. their incessant focus on their future and work, often leaves much instability in their personal lives outside of their everyday routines.

surya amatyakaraka

🌞 aesthetic: the intersection of promiscuity and materialism

🌞 key components: this placement is similar to the materialism noted in surya atmakaraka natives, but is further heightened by this karaka's penchant for promiscuity. this placement's immensely influential nature and general desire to lead/test others can manifest as a form of sex*al temptation of those around them. from professions of acting to involvement in adult industries to modeling, there is a great need to shine their rays onto those around them. the dichotomy agni (the sun) being of purification and knowledge and soma (the moon) being water and nourishment come into play here. the sun wishes to purify and empower those around them through lessons of spiritual teachings. the general focus of the mouth in the photos of surya amatyakarakas is reflective of the mouth being the vessel of soma/the consumer of water. to achieve the purification of agni, you must first be watered spiritually.

kuja amatyakaraka

☄️ aesthetic: the mysticism confidence

☄️ key components: drawing upon the lessons of kuja atmakarakas, a certain confidence is emphasized within this placement. this confidence lies in taking immense risks and undergoing challenging situations for the betterment of your career, talents, and desires. this is evidenced by amber heard's career-challenging court case and jennifer lawrence's recounts and statements about w*instein. this placement is not without its controversy, but it is a placement of willingness to endure immense controversy for personal gain often without the lesson-emphasis of brihaspati amatyakarakas which results in much healing being needed later on.

buddha amatyakaraka

🌑 aesthetic: the ubiquity of feminism

🌑 key components: learning from the misunderstood lalita, this placement emphasizes a certain call to seeking maturation of the self through a higher power and intellectualism. this placement is symbolic of the overt dichotomy of girlhood-womanhood, these natives personify this experience through their accounts of the male gaze, longings for more expansion within themselves, and consuming all the external rays of others for the purpose of bettering and finding themselves (as buddha does to surya).

shukra amatyakaraka

🍓 aesthetic: the languish of luxury

🍓 key components: this placement indicates a certain affinity yet boredom of the luxurious properties of shukra. it causes many celebrities who grow into financial success to possess a coupled, sometimes delayed, distaste of the spotlight/fame. think of selena quintanilla who grew popular with ease compared to her latina musician counterparts but continued to maintain a relatability to the public (similar to cardi b who is still considered "surprisingly relatable" despite being immensely wealthy compared to the general public).

chandra amatyakaraka

🌙 aesthetic: the insatiable pitfalls of revolution

🌙 key components: these women often serve as role models to individuals through their presence in the media, but often serve as a lesson to the pitfalls that come with being "revolutionary". recall alexis ren who revolutionized mid-2010's social media and fashion yet struggled privately with her eating d*sorder. additionally, kaley cuoco was popularized for her role in "the big bang theory" yet too struggled with her eating habits. this is why some vedic astrologers theorize chandra to be associated with eating d*sorders, as yes soma seeks to nourish, but this nourishment (coupled with the drive/talent/profession denoted in the amatyakaraka) results in a potential for restricting soma (nourishment) to feel in control of one's surroundings--that is one's profession or environment.

🍸all of these placements were found using astrotheme/.com and/or astro-charts/.com. it is important to note that some chandra (moon) placements may be off by up to 6 degrees and lagnas (ascendants/rising signs) as well, due to the fact that many websites do not have 100% accurate birth times for the given celebrities.

🍸i am additionally offering readings again for a limited amount of time! if you are interested in a reading, please privately message me. thank you all for all of your patience! please expect the color analysis post soon since it won the poll <3

xoxo,

angel 💋

[abyssal-debonair]

“Masculinity and patriarchy are one in the same” is one of the ideological pillars of patriarchy. It frames masculinity as something that can only be affirmed via a dominance relation and renders all forms of counter-hegemonic masculinity invisible. Ceding that territory to patriarchy only serves to erase the butches, trans mascs, trans men, nonbinary people, etc. who explore and live out subversive forms of masculinity. We would be far better served by understanding masculinity as something that patriarchy attempts to capture, rather than something it inherently owns, therefore shifting our understanding of masculinity away from seeing it as a component of the enemy and towards understanding it as continuously contested territory. Patriarchy attempts to enclose masculinity, rigidly define it, tie it to domination and control, and punishes all unsanctioned expressions of it. This capture is not inherent nor is it complete. Trans and gnc people have been undermining that project since it began! Many of the positions explored above take for granted that masculinity is a real and consistently definable phenomena: invented, made material, and defined by patriarchy alone. They assume that patriarchy’s word on masculinity has been the only real word, cis men’s understanding of it the only real understanding of it, its deployment in rigid gender roles its only possible manifestation. Cis men have been at the wheels of centralized power and thus have had more means to make their own voices drown out the rest of us, but subversive masculinities have always been here, have always been a threat to the patriarchal narrative. Many also assume that when queer and trans people refer to masculinity we are always referring to a masculinity that at least gains its meaning from patriarchy. It is time to inform you that your imagination up until this point has been disastrously stifled. Certainly, popular conceptualizations of hegemonic masculinity are inherently patriarchal and gain their meaning from that system. However, it is too far to assume that trans people are always referring to the same framework of masculinity that cis men do. We create our own meaning even as we expand masculinity to the point of meaninglessness. I take testosterone and am seeking top surgery to affirm my womanhood. Glitter, dramatic eyeliner, platform boots, and extremely slutty deep-V shirts validate my sense of my masculinity as much as work boots and button-ups do. Some of us are simply not referring to patriarchal masculinity when we are doing masculinity and what we’re doing is not new. Not only is masculinity not inherently patriarchal: masculinity is not inherently anything at all! Masculinity, femininity, and all gendered terms are vibes-based only and vibes are always changing with people and context! They are not real! Their utility is in play and self-exploration and any insistence of inherent reality beyond that will itself necessarily refer to patriarchy.

read the entire essay by Lee Shevek (@butchanarchy) — she does an excellent job breaking down the problem with conflating masculinity with patriarchy, especially how that leads to vilifying masculine people who are harmed by the patriarchy.

[bogleech]

Can we get more on how Fectoids work? Is the microform literally one of the creatures, dissolved into cells and swimming around in your blood until it jumps back out and coalesces again? Do they retain their personalities or any kind of control over their tiny infectious components?

The initial idea of the Fectoids was that they'd begin as a sentient hive-minded viral infection, then all the little viruses would leave their hosts and fuse into one macroscopic monster body. Later I wrote some around an idea that a copy of the monster form would be born from every host, so they'd shift between microbial outbreak and swarm of monsters. All this was a little too tricky to justify for TTRPG mechanics, and I came to feel it complicated the idea of them as Pokemon-like partners.

So my current concept is that when they turn microscopic and infectious, they still have just a single "true" body. Basically they revert back to a parasitic larva and the rest of their biomass breaks down into millions of pathogenic cells. This borrows a bit from two real-world things: parasitoid wasps actually inject symbiotic viruses alongside their larvae to alter the biology of the host, and then there are creatures like the so-called "immortal jellyfish" that revert back to a larva instead of aging to death. They all still have the capacity to become a whole "outbreak," it's just not automatic; they actually need to mate with other Fectoids through spore exchange to make more macrobodies. This just means your Pokemon Partner Fectoid isn't automatically duplicating itself hundreds of times just to use its main ability; narratively, wild Fectoids are still causing zombie plagues and mass monster spawnings.

[raven-at-the-writing-desk]

Hello! I am SO hyperfixated on the fact that the overblot form CAN be controlled??? That’s the case with Malleus isn’t it? And I guess on one hand I can see how Idia can control it too because of his “curse/blessing” (and sheer will and spite).

Maybe this is foreshadowing that maybe it’s possible for the other OB boys to do so as well???? I don’t know how it’ll work with them but I’m so excited. Overblot cards potential AAAH

I’d love to hear more of your thoughts on this!

[Referencing this post!}

Yeah, I definitely think that OB Idia battle segment opens the floodgates for potential SSR Overblot Troublemaker(s) cards 💀 (RIP to the OB gang fans)

As a refresher for everyone (since it has been a while), alllllll the way back in book 1, Crowley and Cater describe “overblot” as thus: “[… being] overcome by negative energy and[…] losing control of [one’s] magic and emotions,” and “evil berserk mode”.

We’ve seen many examples of these traits in the main story campaign; oftentimes, the OB boy in question is impossible to reason with and has to be subdued via battle. However, it’s important to note that while the OBs may be primarily driven by their emotions, it is not purely rage but rather negative feelings in general. Yes, many OBs (Riddle, Leona, Azul, Vil, etc.) do attack others—but other OBs demonstrate moments of calm (ie when their demands are met). For example, Jamil is tame when he believes he has banished Kalim, secured hypnotized Scarabia mobs, and reigns over the dorm as its new leader. I do believe anger is still a large component of the behavior of one who has overblotted though; that rage most certainly clouds a person’s judgment and compels them to strike out at the slightest thing.

Now, about the idea of “controlling” OBs… I don’t that that can actually be done?? We have to remember that Malleus is a VERY powerful mage—and this alone could give him an “edge” that others don’t when it comes to being fully aware while in OB (though I believe both Malleus and Vil indicate early on they notice their blot building). As Idia’s dad states, Malleus is drawing his magic from nature itself and therefore has a limitless supply it. Secondly, I wouldn’t call Malleus’s OB “controlling” it to begin with. It’s clear that he’s still running high on emotions and is unwilling to hear others out or have them interfere with his plans. These are still traits associated with OB; it’s not as though Malleus is “overriding” the unreasonable thoughts, he is still ruled by them and acts on them. I think what you (maybe?) mean is that Malleus has a much more calculating approach and more precise control over how he wields his power rather than indiscriminately smashing stuff in his path. This, again, could do with his insane power level compared to his peers. Unlike most other OBs, his goal (at least in his own framing) before he overblotted to begin with wasn’t to “take away”, but rather to “gift” happy endings to everyone. This sets him apart just based on interests alone, and that’s perhaps why he acts the most different in the lot.

Now let’s consider the circumstances under which Idia OBs a second time: it’s in a dream, meaning it’s questionable whether or not this would transfer over to real life. Because it’s Idia’s dream, he has more autonomy in it, particularly because he is now “awake”/conscious of the fact that it is a dream. Secondly, Idia bears the Shroud family’s curse/blessing, which allows him to “power up” the more blot is present, as it serves as fuel for his magic. This alone makes him a “special case” which could explain the unusual amount of control he exerts over his OB form. (Again though, I’d wager it’s mostly the dream environment.)

I do see maybe the other OB boys doing a similar “oh, lemme OB to help you guys fight” in a dream situation where there are fewer limits on what they can do, but not in a real world setting. It would put them all at risk anyway, as they lack Idia’s curse/blessing or Malleus’s fae powers. Is that worth the risk, knowing they could all die or potentially turn on their classmates?

I just don’t see OB becoming a “tool” or a magical girl transformation the characters could pull out for combat purposes in the story (though this is possible for like the gameplay outside of the story). I highly doubt OB is like something you could train yourself to control; it’s less like bulking up at the gym and more like pushing yourself to keep exercising while you’re high on adrenaline… Sooner or later, you’d burn out and injure yourself in that overexertion.

If there ever are OB cards, I can easily see them as being the type that don’t come with vignettes because… what reasonable story could you conjure up to explain the OBing again? If there are vignettes, then they most likely won’t fit into the main story canon. You’d have to frame the OB cards as “within the moment” of whatever book they OB’d in, and perhaps go more in-depth about the trauma or something along those lines.

[alienpossession]

Mode of Infiltration: Shower

NASA and the other space scientist weren't too far off when they predicted that the highest possible form of an alien would be something small or even in liquid-form. Lucky for those extraterrestrial creature, Earth consisted of around +70% water, ensuring their ability to infiltrate human society stealthily

But won't you realize that sudden change of texture or even temperature when you mind your own business under the shower head and instead of drops of water hitting your body, something slimy instead slid all over your body. Osman here realized it when his post-shower gym suddenly turned into a nightmarish situation as he felt something slimy trickled down his body.

He dashed out from his shower in shock as he witnessed the slimes coagulated into bigger form within the shower stall. But before he can try to run outside his bathroom and warn his wife, his sons and his younger brother, the numbing component of the slime caused him to stuck as he found himself unable to move a single muscle in his body. Before long, the slimes that coagulated in his shower made their travel upward the ridges and peaks of Osman's body before sliding in comfortably into his brain, where they then take control of his body

Kevin experienced the same fate hundreds of miles away in the sunny Ibiza. He just wanted a peaceful shower, but then the weird goopy "splat" sound surprised him. He thought a bird dropped its poop or something since the shower stall in this particular beach has no sun shade or anything. But he found nothing with his naked eyes. If only he focused a little, he might found the translucent alien that already pooled in the shower floor.

When Kevin left the stall, it was no longer Kevin in control of his own body as the alien managed to repress his consciousness and begin his exploration of the party-heavy island.

Luis also no longer in control of his body when he kissed the love of his life, Justin. But, Justin have no clue about it. Plus, the alien that controlled Luis split a little part of itself to enter Justin. As both men kissed, the alien that blended smoothly with Luis' saliva managed to startled Justin who then quickly taken over by that small alien part. They went on for more kisses afterwards as Luis practically pumped Justin with extraterrestial sentient.

And again, this is not just simply about shower shower. You can be possessed even in chlorinated pool water without you ever realized as the see-through, water-like alien shot itself into your brain by sliding itself into the not-so-tight-fitting swimming shorts you wore.

But in some random cases, even being showered with affection might be the cause of people's downfall as certain liquid alien managed to sort themselves inside fancy wine upon landing. Not a single soul would even be able to realize that his supposed friend didn't just spray him with champagne, it's an alien sentient that marged itself with one of human's favorite drink, and they did it successfully.

His friend, his teammates, are not necessarily what they looked like as they got taken over earlier than him. But it's not just the team getting affected, business partners and media crews that gathered to witness and document them after their historic win also affected by the suds and whatever remnant of the champagne as those watery substance quickly slid into people's ear, nose, mouth and even navel, rendering them to be nothing but mere passenger on their own body.

All in all, these aliens are indeed very elusive, and with so many type of them with differing abilities, there's still many more mode of infiltration these extraterrestrials have that need to be uncovered. This one is rather stealthy, taken people by surprise but certainly far from brutal. Yet, that is not always the case and we are going to go through some of them in the next edition

[olderthannetfic]

A fandom friend is convinced there's something wrong with me and I must have self-worth issues because normal people with healthy self-esteem and self-image wrote OCs as a kid that were self-inserts. I didn't, I wrote characters who were basically whatever I thought was cool at the time (which changed a lot over the years) and into something weird to add flavor to them. So instead of my Arab, ADHD AFAB self writing Arab ADHD AFAB OCs who shared my interests, I'd have a white autistic guy whose special interest was geology and who also loved basketball (I hate sports), or a black agender kid who had some symptoms of schizoaffective disorder, was really into art and art history and loved sweets. One character would be cool like my dad, always witty and ready to say a cool one liner, and another would be cool like my mom, calm, controlled and never responding to haters. None of them share much in common with me. And my friend is convinced this is a mental health red flag, because normal people and even abnormal people always write OCs who are like themselves, idealized versions of themselves, or otherwise are some degree of self-insert.

The more I think about it, the weirder I feel for not doing this. It feels like I didn't do fandom correctly, but also, maybe she's right? Maybe there is something wrong with not putting myself into my narratives. Why wouldn't I put myself in my fics if I liked myself? It's really unsettling to think about but I think I've realized she might have a point.

Then I thought of you. You've been in fandom way longer than either of us (we're both teenagers, for context) and you know a lot about fandom and psychology. So I figured if anyone could tell me what this says about me, it'd be you. What does it mean if you never wrote any OCs with self-insertion components and just kind of wrote random things instead? Does it mean anything bad?

--

Your friend is a moron.

'Fantasies about self' vs. 'no fantasies about self' is a major division among people. It's not just a page on the asexuality wiki about sex fantasies but an entire axis of interest. Hang around slash/BL fandom in particular and you will find a metric fuckton of people who never self-inserted.

Self inserts make my skin crawl.

It is a feeling of visceral disgust that was always there. How can anyone like that? Don't ask me to. Don't tell me about it. Ew, ew, ew, ew. It's like a mild form of dysphoria it's that bad sometimes.

Tell your friend to stop using Wattpad as the litmus test for normalcy.

Some of us were always more AO3.

[thesiltverses]

sorry if this has been asked before, but how do you feel about astrology and tarot, honestly any form of divination?

I personally really enjoy and have a great love for forms of divination where

1) the subject is given some measure of interpretative agency and narrative control and the diviner (if they exist at all) is there to act as a guide, welcoming host, and scene-partner

2) there's a strong and acknowledged component of chance to it.

I see this as a powerful and meaningful act of unconscious play with the random and irrational, a structured act of pareidolia similar to the interpretation of dreams - by exposing ourselves to rich accidental symbolism and inscrutable mystery and prompting ourselves to try and make sense of it, I do believe we can find our way to genuine revelation about our buried feelings and fears, and greater self-knowledge in turn.

I'm much less of a fan of forms of divination which are founded on a belief in a structured cosmos that evenly doles out aspects of our personalities or inclinations depending on the circumstances of our birth, etc. I personally view this stuff as founded upon existential reassurances which are inescapably conservative, the comforting belief that we exist as pre-determined entities with our own fixed place in the world (which reassurance requires submission to the power of a fair and just systemic authority overseeing us all) rather than providing a ritual roadmap towards gnosis.

[iwritenarrativesandstuff]

ok here's my half-hearted attempt to figure out the tripolar singularity

[ID: First image is a screencap of Fukuchi holding the space-time sword at his side; the blade glows bluish purple. The second is a colour portrait of Fukuchi from the manga. The last is a screencap of the Holy Sword from the anime, wreathed in blue light against a dark backdrop. End ID.]

The singularity is comprised of three components:

Shintō Amenogozen - The space-time sword, which allows the wielder to cut through time and space in a limited capacity. Created by an ability user to be used in shinto rituals 1500 years ago, Fukuchi used it for combat which made him nigh-unbeatable due to his ability amplifying the sword's range - from around 12 centimeters to a hundred-fold more: 1200 centimeters, or 1.2 meters. Interestingly, the original time limit seems to be the same - a limit of 12 seconds - so Fukuchi does not seem to have enhanced it temporally. An interesting line about it from chapter 86: "A katana infused with both the ill-omened and divine... At that time and place, what was unexpectedly materialized resembled the very law of the universe." Another from 114.5: "The space-time sword, said to have God himself dwelling within it."

Mirror Lion - Fukuchi's ability, which allows him to enhance any weapon he gets his hands on by a hundred fold. From his use of Shintō Amenogozen though, it seems as though he can amplify speed, strength and range but in only spatial dimensions, not temporally.

The Holy Sword Soluz Levni - The sword used to seal Bram, forged from an ability user who died and had their body turned to metal. It both attached to the brain of its victim and placed a Holy Seal on the hand of the one who wielded it, which is what allowed Fukuchi to use Bram's ability. It does this by consolidating "body" and "ability" into one, thereby merging the physical with the abstract. Bram has been stabbed with it twice.

As with any singularity, the key is to find the paradox or contradiction - as the space-time sword was the last component that set off the actual singularity, that's what we need to be looking at most closely. A singularity also takes one of two forms that we've seen so far - one, the clash of two or more similar abilities with no clear victor creates an unforeseen third effect (Odasaku vs Gide), and two, an interaction of ability on the self or with another ability creates a feedback loop that amplifies indefinitely and becomes much more powerful than its host (Rimbaud, Chuuya, Verlaine).

In order, Fyodor stabs Fukuchi with the Holy Sword, fusing body and ability. This may already cause a singularity - the physical and the abstract has been merged. We still don't really know what this means, but if you recall from Dead Apple, abilities can be temporarily separated from their "hosts", and from Stormbringer, abilities require a human or human-like soul/will to exist (with the exception of singularities), so while we don't know the true ramifications of this merge, we do know it's... significant, in some way. This part here is the big question mark to me.

But in this case, the result should be inert. This shouldn't cause anything in particular to happen - but it does, we assume, allow Fyodor to wield Mirror Lion through wielding the blade.

So when he stabs Fukuchi with the space-time sword, this is where, presumably, the feedback loop is created.

Mirror Lion is bound to Fukuchi's physical form and able to be controlled by Fyodor -> Shintō Amenogozen is stabbed into Fukuchi -> Fyodor holds the hilts of both swords, allowing him to amplify both simultaneously with Mirror Lion as the conduit -> ??? evil profit???

My current thought (really more of a shot in the dark than anything) is that Fyodor amplifying the Holy Sword also binds Shintō Amenogozen's ability to Fukuchi's body (so there are two abilities bound to one body now - one space-time cutting and the other constant amplification). This amplification is likely the source of that feedback loop that would amplify the ability into a singularity (so presumably, bye Fukuchi, for good now - he's ceased to be human, most likely), and now that both abilities are bound to Fukuchi on a physical plane... I suspect the time range can now be extended. It allows Fyodor to increase the range of time the sword can jump through far past its limits, and if Fyodor is now in control of how this time-cutting ability is directed, then theoretically, Fyodor may now be able to jump through time and space and alter the outcomes of various points in history. If he wants to rid the world of ability users, this would be a control freak's best means of doing so, I assume.

"Two heavenly blades bring forth unto this land, a miracle."

Essentially Fyodor may want to rewrite ability users out of the narrative, and so in order to use the Book (potentially) to do so, he needs to "prepare" the timeline so that removing abilities makes logical narrative sense (in keeping with the rules of the Book). Alternatively, he cannot use the Book because it may have been created by an ability user, so this would be an unalterable contradiction - he is forced to remove ability users by going back to do things manually, perhaps even by killing the original creator of the Book.

I am definitely going to turn out to be completely wrong on this, but I hope it was fun to read, nonetheless!