#Ford Model 40

[sepiadays]

"Now," he said, "drive it." He brandished the key, smiling only with his mouth. A strange intensity was in his eyes. "And discover for yourself what a great car this really is." I was suddenly afraid. I knew I should not have come to this strange, after-hours gathering at the Ford Agency.

[ckret2]

please more evil ford please i stare with my puppy eyes for this i am obbsessed

Yeah all right, I've been working on some art. (For context, we're talking about this Evil Ford.)

Evil Ford is Evil as in "cheerfully works with Bill even after learning his full plot" and "is totally ready to conquer and/or destroy the world." But other than the shocking lack of basic ethics and the supervillain objective he's mostly the same guy—which means he still cares about his family. He's hoping to get them to join in on the world conquest plan.

Forty-odd years ago he went off to college promising someday he'd be a big shot scientist who changes the world and he'd make his family a fortune. If taking over reality doesn't qualify he doesn't know what does. The family can join him and his buddy Bill and rule the universe together. Pines Pines Pines Pines!

Unfortunately for him, the rest of the family still has normal moral compasses. And also they've met Bill.

Bill can't currently possess Ford due to Reasons; but even though he can't get in the driver's seat he still has permission to ride shotgun at any time. Ford talks to him pretty regularly. He HAS been caught doing this. Stan thinks he's just gone a little nutty from thirty years of isolation.

Naturally, since he was always on Bill's side, Ford's perception of events during Weirdmageddon is a bit different:

I finally made an official Evil Ford New Costume Character Design, check out his exciting totally different brand new look:

I decided that, since Ford is still basically the same person aside from his terrible life goals, he'd probably have the same fashion sense. And so... nothing changes except two tiny details lmao.

But he DOES have tattoos:

I traced a canon character model and took off its top to get a base to slap tattoos on, and then went dang... they gave him a big head and arms. He looks goofy. Anyway,

His forearms have less incriminating tattoos—just a birch tree and a sunrise. (The sunrise looks like the Journal 3 "The Muse Has Spoken" page.) The red text is the "triangulum entangulum" ritual; if anyone asks he'll go "it's uhh an ancient Sumerian poem about how great science is." It's not until he's topless that it's like "oh so he's a CULTIST cultist." The one exception is an unconcealed Eye of Providence on his right palm—but it's in an ink that's only visible in certain lighting. It's there so at any time he can point his hand at something and go "Bill are you seeing this BS?"

Of course, he still has the "hey now, you're an all star" neck tattoo. I didn't have room to draw it.

As you can see, he's made being Bill's right hand man a core part of his personality. Rather than spending 30 years scrabbling around the multiverse desperately searching for a way to destroy Bill, he spent 30 years chilling in the Quadrangle of Qonfusion as Bill's specialest favoritest Henchmaniac, and only scrabbling around the multiverse occasionally for fun & profit.

Here's a photo Bill & Ford took at a Nightmare Realm house party like fifteen years ago, three minutes before Bill started an argument and set the house on fire.

Most people have their wild party years in college, Ford has his in his 40s.

[the-universal-sun]

this is one of my favorite blogs 🥹

during the summer, i think dipper plays dd&md with ford when he is little. Little Ford's characters get super silly but dipper always takes it seriously and works it into the story. Mabel and ford make friendship bracelets and i think she would really help him with opening up and being vulnerable when regressed. Little ford always goes to mabel when he needs time in sweater town...

regressed stan and dipper do a lot of parallel play (for example, Lee watches TV while dipper writes in his journal) but they both like to hang out with each other regardless. Lee and mabel are always getting each other into trouble and making a mess whether it's cooking, glitterbombs, or pranking dipper and ford.

Thank you so much! I try to make the content I want to consume, but don’t have much of! Sorry this is so late, my anxiety and mental health has been really bad lately, and it’s been inexplicably worse these last couple of days haha. So hopefully writing this will make me and others feel a little bit better!

Little Ford does still loved Dungeons, Dungeons, and More Dungeons! He can’t do too complicated math, he’s still capable of it when little but he prefers simple math so that he doesn’t have to think so much. Sometimes Dipper will do the more complicated math for his just so Ford isn’t taken out of his headspace. But his characters are always a riot with Dipper, and Mabel and Stan when they can get those two to play, the backstories he comes up with and voices he does always has Dipper riveted, even if Ford’s characters aren’t as complicated and intense as they usually are. He obviously models them after his family members, Stanthar the rogue thief, who swindles travelers of their money and charms the pants off their foes. Diptantic, the elf sorcerer who’s voracious reading lends him knowledge of ancient magic. And Maybelle, the Bars who uplifts her companions and foes in song and dance, also charming the characters they come across with her cuteness. And of course, Ford’s research partner, Dr. Mittens, has his own place next to him, and Ford gives him his own character sheets, too! Dipper sometimes finds it awkward talking to a stuffed cat, but his Grunkle Ford is having fun, and his characters are pretty funny, plus it just makes Mabel and Stan more open to playing, and DDMD is better with more players.

Both Ford and Mabel are pretty creative, and Ford’s more inclined to her type of creativity when he’s little, and she loves making necklaces and bracelets with her little Grunkle! He’s not allowed to knit or crochet when he’s little, but he can still have some input on her designs and colors, he even helped her make their family sweaters! When they presented the sweaters to Stan and Dipper, Stan smiled so brightly, hugging Ford to his chest. Admittedly, Stan’s actions were more due to the happiness and exuberance on Ford’s face as he held up two orange sweaters with boats on them, one for each of them. Mabel’s really helped Ford become more confident in himself when Little. Little Ford does take a lead out of Mabel’s notebook when it comes to sweater town. Sometimes, when he gets bad thoughts about Bill, dimension hopping, or about missing Stan for 40 years, he’ll go find Stan, curl up in the biggest and baggiest sweater he has, plop down in his lap and just stay silent. When this happens, Stan knows that his Poindexter needs some quiet time, and he’ll let Mabel and Dipper know if they’re around, just so they know they’re not being ignored, but just that it’s sweater town time.

Lee’s younger than Ford when regressed, so he can’t play complicated games with Dipper, not that he would when big let’s be real, but that does make it harder for Dipper to find things to do with his Littlest Grunkle. Dipper very quickly finds out that as long as he’s near you, Lee is fine doing literally anything. Coloring, playing with blocks, watching TV, doesn’t matter, just so he’s not alone. Dipper does like doing legos with Lee, though maybe not much how easy and childish they are, but both him and Lee like creating things other than the set out of the Lego bricks. Lee’ll draw pictures of Dipper, of him and Dipper, and give them to him to express his happiness at hanging out with him. Dipper tries to stutter and act aloof, but he’s fooling no one with that blush, try to hide it as he may. Hanging out with Lee is honestly a much needed break for Dipper, too. He has time to just write down in his journal or read a book with minimal distractions, so if he needs some quiet time when his Grunkle is little, he knows he can find it with Lee.

As mentioned before, Mabel and Lee have tea parties with Ford and Lee’s stuffies, spreading the hot gossip going around town. Ford wishes everytime Lee and Mabel hung out could be that cute and quiet. Alas, they are both too mischevious for their own good. He can’t tell who rope who into planting glitter attacks around corners, or why Lee would drink Mabel juice, knowing what he knows about it. He’s just thankful that they both follow the rules of “No Cooking/Oven use without an adult” (and “No Stan doesn’t count as an adult when he’s little, Mabel, that’s not how this works.”). Lee is usually really good about following rules. Too good, Ford doesn’t like it when Lee is too scared to break the rules because he fears getting punished or abandoned, curse their father (and curse myself too!), which is why he’s grateful Mabel gets him to break some rules. The ones that won’t hurt anybody, well nobody important or too badly in any case, are fine, maybe getting a stern warning on not letting the surprise hurt people is the worst of it. Besides, more often than not, when found out, Ford joins Lee and Mabel in crafting a hiding away confetti pouches and sprinkle pits.

Mabel and Dipper just love their Grunkles, whether they’re stern Great Uncle Ford and Conman Grunkle Stan, or excitable Ford/Sixer and sweet Little Lee

:,^,,,,,)

[icebear4president]

Since men are so ready to take away women’s right to vote and say we’re sooo uneducated and need to know our places, please, have these inventions and scientific discoveries that were credited to men instead 🥰

Hedy Lamarr: Wireless communication. Hollywood actor Hedy Lamarr should actually be the person credited with the invention of wireless communication. During the second World War, Hedy worked closely with George Antheil to develop the idea of "frequency hopping," which would have prevented the bugging of military radios. Unfortunately, the U.S. Navy ignored her patent —and later used her findings to develop new technologies. Years later, her patent was re-discovered by a researcher, which led to Lamarr receiving the Electronic Frontier Foundation Award shortly before her death in 2000.

Alice Ball: Cure for leprosy. Alice Ball was a young chemist at Kalihi Hospital in Hawaii who focused on Hansen's disease, a.k.a. leprosy. Her research sought to find a cure for the disease by figuring out how to inject chaulmoogra oil directly into the bloodstream. Topical treatments worked, but had side effects patients weren't interested in. Sadly, Ball became sick and returned home, where she died in 1916. Arthur Dean took over her study, and Ball became a memory—until a medical journey now referred to the "Ball Method." Her method was used for over two decades all over the world to cure the disease.

Elizabeth Magie Philips: Monopoly. The invention of everyone's favorite board game has been credited to Charles Darrow, who sold it to Parker Brothers in 1935. But it was Elizabeth Magie Phillips who came up with the original inspiration, The Landlord's Game, in 1903. Ironically, she designed the game to protest against monopolists like Andrew Carnegie and John D. Rockefeller.

Marion Donovan: Disposable diapers. In the '40s, new mothers had very few options for diapers. There was cloth...and that was pretty much it. The daughter of an inventor, Marion's first patent was actually for a diaper cover. She later added buttons, eliminating the need for safety pins. Her original disposable diaper was made with shower curtains, with her final one made from nylon parachute cloth. This new method helped keep children and clothes cleaner and dryer, not to mention helping with rashes. But, of course, diaper companies at first ignored her patent.

Vera Rubin: Dark matter. Rubin is the astrophysicist who confirmed the existence of dark matter in the atmosphere. She worked with astronomer Kent Ford in the '60s and '70s, when they discovered the reasoning behind stars' movement outside of the galaxy. She's dubbed a "national treasure" but remains without a Nobel Peace Prize.

Margaret Knight: Square-bottomed paper bags. In 1868, Knight invented a machine that folded and formed flat, square-bottomed brown paper bags. She built a wooden model of the device, but couldn't apply for a patent until she made an iron model. While the model was being developed in the shop, a man named Charles Annan stole the idea and patented it. Though he received credit for it, Knight filed a lawsuit and finally won the rights to it in 1871.

Dr. Grace Hopper: Computer Programming Language. Hopper created the first computer language compiler tools to program the Harvard Mark I computer—IBM's computer that was often used for World War II efforts. Though it's noted in history that John von Neumann initiated the computer's first program, Hopper is the one who invented the codes to program it. One of the programming languages she pioneered, COBOL, is widely used today.

Ada Harris: Hair straightener. Marcel Grateau is often credited for the invention of the hair straightener, but it was Harris who first claimed the patent for it in 1893. (Grateau made his claim to fame with the curling iron around 1852, and we certainly know there's a difference.)

Esther Lederburg: Microbial Genetics. Lederberg played a large part in determining how genes are regulated, along with the process of making RNA from DNA. She often collaborated with her husband Joshua Lederberg on their work on microbial genetics, but it was Esther who discovered lambda phage—a virus that infects E. coli bacteria. Despite their collaboration, her husband claimed the 1958 Nobel Prize for Physiology or Medicine for discoveries on how bacteria mate.

Jocelyn Bell Burnell: Pulsars. Jocelyn Bell Burnell discovered irregular radio pulses while working as a research assistant at Cambridge. After showing the discovery of the pulses to her advisor, the team worked together to uncover what they truly were: Neuron stars, AKA pulsars. Burnell received zero credit for her discovery—instead, her advisor Antony Hewish and Martin Ryle received the Nobel Prize for Physics in 1974.

Chien-Shiung Wu: Nuclear Physics. Often compared to Marie Curie, Chien-Shiung Wu worked on the Manhattan Project, where she developed the process for separating uranium metal. In 1956, she conducted the Wu experiment that focused on electromagnetic interactions. After it yielded surprising results, Tsung-Dao Lee and Chen-Ning Yang, the physicists who originated a similar theory in the field, received credit for her work, winning the Nobel Prize for the experiment in 1957.

Ada Lovelace: Computer algorithm. In the mid-1800s, Ada Lovelace wrote the instructions for the first computer program. But mathematician and inventor Charles Babbage is often credited with the work because he invented the actual engine.

Rosalind Franklin: DNA Double Helix. Franklin's X-ray photographs of DNA revealed the molecule's true structure as a double helix, which was a theory denounced by scientists James Watson and Francis Crick at the time. However, since Watson and Crick originally discovered the (single) helix, they ended up receiving a Nobel Prize for their research.

The ENIAC Programmers: First electronic computer. The ENIAC (Electronic Numerical Integrator and Computer) was the first computer ever built. In 1946, six women programmed this electronic computer as part of a secret World War II project. Inventor John Mauchly is often the only one who gets credit for its creation, but the programmers are the ones who fully developed the machine.

Lise Meitner: Nuclear Fission. Discovered the true power of uranium, noting that atomic nuclei split during some reactions. The discovery was credited to her lab partner Otto Han, who won the Nobel Prize for Physics in 1944

Katherine Johnson: Moon landing. She l discovered the exact path for the Freedom 7 spacecraft to successfully enter space for the first time in 1961 and later for the Apollo 11 mission to land on the moon in 1969. She often went unrecognized by her male colleagues and faced racial discrimination.

Mary Anderson: Windowshield wipers. Anderson first came up with the idea of windshield wipers while riding in a streetcar in the snow. She tried selling her device to companies after receiving the patent for it in 1903, but all of them rejected her invention. It wasn't until the '50s and '60s when faster automobiles were invented that companies took to the idea. By then, Anderson's patent had expired, and later, inventor Robert Kearns was credited with the idea.

Nettie Stevens: Sex chromosomes. Stevens discovered the connection between chromosomes and sex determination. Despite Stevens' breakthrough, her colleague and mentor E.B. Wilson published his papers before her and is often noted for the discovery.

Caresse Crosby: The modern bra. Caresse Crosby, who developed the modern bra. She was the first to acquire the patent for the modern bra, AKA a "Backless Brassiere," yet is often left in the shadows because she sold her patent to the Warner Brothers Corset Company.

[film-classics]

Rosalind Russell - The Miracle Woman

Catherine Rosalind Russell (born in Waterbury, Connecticut on June 4, 1907) was an American actress known for playing sassy, wisecracking women in 1930s and '40s comedies. Despite going through postpartum depression, the deaths of her siblings, breast cancer, and rheumatoid arthritis, she thrived as a charismatic actress on film and the stage, earning the nickname "The Miracle Woman.”

Raised in a strict Irish-American, Catholic family. She attended  Rosemont College and Marymount College, before graduating from the American Academy of Dramatic Arts in New York City, unbeknownst to her parents who believed she was studying to be a speech teacher.

Against parental objections, she began her career as a fashion model and took acting jobs in upstate New York, Connecticut, and Boston before eventually appearing in Broadway.

In 1933, Russell went to Los Angeles, where she was hired as a contract player for Universal Studios but did not appear in a movie. Unhappy at Universal, she moved to Metro-Goldwyn-Mayer, where she broke through in the classic screwball comedy His Girl Friday (1940), directed by Howard Hawks.

She took a break after giving birth from her career, but made a comeback with RKO Pictures and then with Columbia Pictures. She continued to appear in critically acclaimed movies and Broadway shows through the mid-1960s, including the title role of the long-running stage comedy Auntie Mame (based on a Patrick Dennis novel) as well as the 1958 film version.

After years of battling breast cancer and even getting a double mastectomy, she died at her home in Beverly Hills, California at 69 years of age. Months after her death, she was honored by her acting colleagues with the “Interlude With Rosalind Russell” at the Shubert Theater in Broadway.

Legacy:

Nominated four times for the Academy Award for Best Actress for her performances in My Sister Eileen (1942), Sister Kenny (1946), Mourning Becomes Electra (1947), and Auntie Mame (1958)

Won all five of her Golden Globe Award for Best Actress nominations: Sister Kenny (1946), Mourning Becomes Electra (1947), Auntie Mame (1958), A Majority of One (1961), and Gypsy (1962)

Won the 1953 Tony Award for Best Actress in a Musical for Wonderful Town and was nominated for the 1957 for Best Actress in a Play for Auntie Mame

Nominated for the 1959 BAFTA Award for Best Foreign Actress

Won the Golden Apple Award in 1942 for Most Cooperative Actress

Awarded the Look Magazine Award for Film Achievement Award in 1947

Covered Time magazine in 1953

Was the namesake of the Rosalind Russell State Theater in her hometown in 1955

Wrote the story for the film The Unguarded Moment (1956) and adapted the novel, The Unexpected Mrs. Pollifax, into the screenplay for Mrs. Pollifax-Spy in 1971, under the pen name C.A. McKnight

Won the Golden Laurel for Top Female Comedy Performance for Auntie Mame (1958) and was nominated five more times

Presented with a medallion by the National Conference of Christians and Jews in 1962

Honored for her distinguished service by the UCLA in 1964

Named the Woman of the Year by Hasty Pudding Theatricals, a student society at Harvard University, in 1964

Is the recipient of the Floyd B. Odlum Award by the Arthritis Foundation in 1971

Appointed by Congress to serve on the National Commission on Arthritis and Related Musculoskeletal Diseases during the 1970s

Received the Golden Plate Award of the American Academy of Achievement in 1972

Appeared in John Springer's "Legendary Ladies" series at The Town Hall in 1973

Awarded the Jean Hersholt Humanitarian Award in 1973 by the Academy for her extensive charity work

Presented her with the National Artist Award in 1974 by the American National Theater and Academy

Awarded the Life Achievement Award in 1975 by the Screen Actors Guild Awards

Hosted by First Lady Betty Ford at the White House in 1976

Honored with the Rosalind Russell Week in 1977 by Los Angeles Mayor Tom Bradley

Co-authored her autobiography, Life Is a Banquet, in 1977

Is the namesake of the Rosalind Russell Medical Research Center for Arthritis  at the University of California, San Francisco, created by a Congress grant in 1979

Inducted into the Connecticut Women's Hall of Fame in 2005

Ranked #28 on Premiere magazine's 100 Greatest Performances of All Time in 2006 for His Girl Friday (1940)

Honored as Turner Classic Movies Star of the Month for July 2008

Inducted in the Online Film and Television Association Film Hall of Fame in 2014

Was the subject of a 2016 exhibit at the Mattatuck Museum in her hometown

Honored by the Berlin Film Festival‘s 27-movie tribute in 2022

Has a star on the Hollywood Walk of Fame in the 1700 block of Vine Street for motion picture

[youngcigarsmokingguys]

Kaden was really glad that his Mom had made him offer to help the new neighbor move in. He had seen Rick pulling up in his Ford F-150 the week prior and felt his cock getting hard looking at the big bearded bear of a man. Being raised by a single Mom didn’t give Kaden much of a male influence. He jumped the chance to hang out with such a sexy older man. When moving day came Kaden and Rick made it through the arduous day as quickly as possible and bonded over a shared love of metal music. Kaden listened to Rick talk about his past military career and love of fishing and camping. When Rick asked if he enjoyed fishing, Kayden blushed as he explained that no one had ever taken him.  Rick smiled and offered to take him the next time he went. Kaden gladly accepted the offer with a genuine smile. Rick wondered to himself what other things the kid was missing out on without a Dad around to show him. The patio furniture was the last items to be unpacked and put into place. When they finished Rick asked Kaden when his Mom was going to be home. Kaden told him not until late that night as she was visiting his Aunt a couple of towns over so they had hours. Making sure that they couldn’t be seen over the tall fence Rick went inside and grabbed a couple of beers out of the fridge. Kaden was stunned with this salt and pepper haired man of his dreams offered him his first beer. Rick said he had more than earned it. This made Kaden feel really special. They shot the shit for a while and shared a growing genuine affection for each other. There were many laughs and Kaden found himself opening up to this man in his late 40’s. Rick found Kaden to be a very funny, intelligent young man who needed a good role model. When Rick went back inside to grab a couple more beers and came out with a cigar, Kadens cock stiffened immediately. The young man was transfixed watching Rick cut, toast and light the stick. The ritual of it all seemed so masculine and taboo to Kaden. Rick couldn’t help but notice the kid staring at him, then it dawned on him that Kaden probably hadn’t ever been around a cigar before but he wondered if there was more. He asked Kaden if the smell of the stogie bothered him at all. Kadens voice broke slightly as he replied that it was fine and he had always thought cigars were cool. Rick asked Kaden if he wanted to learn to smoke one. Just that question alone brought a smile to Kadens face and made his cock leak too. Kaden nodded silently as Rick handed him the smoldering cigar he had just lit. Watching the young man touch his spit laden cigar to his lips brought Ricks cock to life. They smiled at each other and both shared the same thought that this would be a very special friendship.

[dontmixpaintinyourcoffee]

I like rewriting things for fun because this is just what my brain is like, and on my rewatch of Gravity Falls I was struck once again by how out of place "Roadside Attraction" is. Honestly I don't even dislike it that much, it just feels misplaced? Like, it's a season 1 episode thrown in right before we start gearing up the final arc. I'm hardly the only person who thinks this, but I thought it would be fun to throw my hat in the ring and come up with my own alternate version. Thinking about making a comic about it maybe??

So I've given it some thought, and here's how I would write "Roadside Attraction" (with the benefit of 10 years of hindsight, no deadlines, no supervisors breathing down my neck, and access to pieces of storylines that have only all come together completely after the show ended): It got long so it's under the cut.

I really like the idea of the road trip itself, and I really really like the idea of Dipper and Stan getting this bonding episode. Especially with Stan trying to be a role model for Dipper in a way that Ford has no experience with, playing into both of their insecurities of not being good enough. I just think the focus was too messy. There's a lot of different messages that could be fit in to the whole flirting thing, and I think the episode kind of confuses itself. I'm also of the opinion that the show is at its weakest when romance is the focus. It's just infinitely less interesting than the familial and platonic bonds that have been so lovingly set up.

So instead of the focus being on flirting, we're going to one of Stans favorite skills- lying!

The original episode centers Dippers conflict on not knowing how to deal with an unrequited crush and then acting on some bad advice from Stan. But the episode doesn't really succeed in clearly painting what was actually bad about his advice and why it was bad that Dipper followed it, it gets all muddled up (he wasn't cheating, he was literally just talking to people. It's messed up that ultimately he was objectifying them as subjects for "practice", but he also thought these were going to be one-off interactions. It's all too shaky to actually take a lesson away from in the way the episode wants you to.)

So we're shifting the focus from "confidence with girls" to "confidence" in general. Dipper expresses his insecurities with not being a very confident person, he doesn't think he's brave or cool or tough and he's scared of other people seeing him as weak. So Stan tells him to get some practice talking to people the only way he knows how-by making stuff up! It's very easy to be confident if you just pretend you're someone else! Sure, maybe Stan Pines isn't much of a winner, but Hal Forrester is doing great! And who's to know that he's not Hal Forrester? Stan is a showman and a con artist, if there's one thing he knows how to do it's perform. And that's kind of... All... He knows how to do. It's the thing that's kept him alive for 40-odd years. But it originated in a deep-set belief that Stan Pines is a bad person to be. He has to be someone else in order to be someone worth being around.

Most of the episode can play out as it did but with this framework. We can even keep Darlene! (Stan chatted with her under a false name and acted like he was some kinda unattached drifter lone wolfing it on the road. She heard that and thought "oh good, no one to come looking when he goes missing!" Then gets thrown off when a bunch of kids come and save his ass.) And a different side story for Mabel and the girls. Spitballing here- uhhh Candy and Grenda try to distract Mabel from her feelings about her Summer Romances because she's clearly upset but is trying to hide it. Wacky shenanigans abound. By the end the theme about authenticity comes full circle and Mabel feels better by earnestly talking through her feelings with her friends. It gives Candy and Grenda a bit more time to have some real emotion and follows up on Mabels lesson in "Society of the Blind Eye". She already learned that it's better to live with the bad stuff and learn, but now she also knows that you don't have to carry the bad stuff alone, and that a good friend won't stop being your friend because you aren't performing happiness. That theme can then be picked back up and really hammered home during "Escape From Reality" when she starts facing how shallow Mabelland is.

Anyways back to the primary A plot:

Instead of the crowd of girls it's just a crowd of kids who are all calling him by a different name and claiming to have bonded over a bunch of different interests he doesn't actually have, so he panics and runs out of there. (Basically a Kidz Bop version of what would happen if some of Stan's old "buddies" caught up with him)

Now on the drive home, they have a different conversation. Stan admits that his way of doing things isn't a very stable one, and it always ends with him being alone, but since it was his only option for so long he doesn't really know how else to be. And then Dipper can reassure him that, he, at least, thinks his Grunkle Stanley is pretty great. (Emphasis on the Stanley). Maybe they can both figure out how to be actually confident, together.

ALSO THE B PLOT IS FORD BEING LEFT HOME ALONE WITH WENDY AND IT'S REALLY AWKWARD UNTIL MONSTER STUFF HAPPENS AND THEY GAIN A MUTUAL RESPECT FOR EACH OTHER AS BADASSES!

The monster stuff could be anything tbh, maybe the science magic bullshit from the portal reactivating aggravated a long sleeping cryptid and now it's out for revenge on whoever interrupted its nap. That way we can reinforce that the space between dimensions is weak for a plot sprinkle while primarily focusing on emotional development for the main characters before we get into "Dipper and Mabel vs. The Future". I called it a B plot but it's honestly probably more of a glorified cutaway gag, I don't know how feasible it is to fit all of this into one episode.

I have a really specific scene that I would want to happen at the climax of their side story where Wendy saves Ford's ass at the last minute when he wasn't expecting it and he's like

"How on earth did you manage that?!"

"Dude, my dad is Dan Corduroy. I've been training for stuff like this since I could walk."

"Boyish Dan???????"

And then Wendy suddenly has tons of new ammo to tease her dad with because no one has dared use that name since the 80s

[noxexistant]

ai-less whumptober; day two

@ailesswhumptober 2 — unfortunate fall, car accident, “Don’t move. You’ll be okay.” ↳ bonnie and clyde au (aka early 1930s setting, they're criminals on the run) word count; 1.8k

cw; car crash, burns, implied gun violence

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

They've been driving for hours.

It's something Oscar thinks he should be used to by now — he does it enough, been doing it for months now since they left home in the winter of…last year. 1930. It's their new life now, driving through the nights, days at a time to get from one state to the next. Hundreds of miles left behind them so they won't ever be caught up with by the cops or anybody else, and it's necessary. But, fuck, he's tired.

They're headed north, currently in Missouri but Oscar's gunning to get to Iowa or Illinois, hoping to maybe find somewhere for them to settle down for a while. They've been driving for days but they haven't eaten in longer — their last few hits combined have landed them little more than change, a few coins emptied out from the cash registers of gas stations and grocery stores, even on the wrong end of a gun. Not enough for them to eat on — not any more than a few tins of vegetables, at least.

They'd finished the last one two nights ago, pried open with Morris' pocket knife and shared over a meagre campfire before they had to be on their way again.

Morris is asleep in the passenger seat. He hasn't had the energy for doing a whole lot else since this latest stint of hunger began, and Oscar can't really blame him. The kid looks a mess. Skinnier than when they started out, Oscar thinks, but he can't be sure if that's just his guilty conscience making him see things.

God, Guilt's been churning in his gut. Wave after wave of that familiar doubt that this was really the best thing to do — to leave home to make it on their own like this. Home was fucking Hell, but at least they had food maybe half the time. And, sure, they're not being beat anymore, but maybe it'll just be the hunger that kills Morris instead of Da. Or maybe it'll be the cops, at the wrong place at the wrong time.

Oscar doesn't consider the car.

It's become something of a part of him since they set out, Da's 1925 Ford Model T Tudor, likely stolen by their father even before Oscar stole it from him. It's the closest thing to a home they've had these past few months, a roof to keep the chill away even though there's been no damn rain to worry about, a half-comfy place to sleep even though Oscar's too damn tall to lay across the leather benches properly. He can't get comfy all curled up like Mo can, he needs space to spread out — but Morris seems comfy enough even sat up like he is beside Oscar currently, head resting against the passenger window, arms folded around himself. He seems utterly undisturbed, even by Oscar gunning the car along near 40 miles per hour.

He wakes up when they hit the edge of the bridge.

If there was a sign, Oscar didn't see it — whether for the darkness or his distraction or the speed he was going at, it doesn't matter now. It's too late to break, to swerve, they're over the ledge of the collapsed bridge before he can even think.

They hit the bottom of the creek before he can process anything.

The car meets the jagged rocks of the far side of the gap with a sickening crunch Oscar can only liken to bone, the structure around them crumpling in on itself like a crushed box, the windscreen shattering in front of them. The glass seems to float only for a moment, coming right at them in a wave — and then they're listing backwards, falling again.

Oscar doesn't feel the impact when they hit the ground. He doesn't feel anything, not until he opens his eyes again, dazed and groggy like he's been asleep for days, and finds himself lay halfway across the backseat.

The pain hits quickly then.

He knows he must've hit his head, must've been knocked out, but he can't make the vaguest of guesses as to how long he was unconscious. He can feel blood running down his neck, feel its weight in his hair. There's shattered glass and jagged metal all around him, but he puts his palms down atop it thoughtlessly in the instinctive fight to pull himself upright.

He can only freeze again when his foot plunges into cold water. There's water in the car. They're in the creek, water rushing all around them, rocks stretching up on either side to trap them in the basin of it. But — there's fire too. It's the only reason he can see in the inky blackness of rural nighttime. It's glowing and flickering in a wall before him when he turns to the front of the car, just beyond the empty pane where the windscreen had once sat, engulfing the hood. The engine.

Morris.

He's still in the front of the car, but he's lay sideways across the front seats now. Alone, it's all too similar to how he'll fall asleep sometimes, on the few occasions Oscar will vacate the drivers seat. He'll lay just like this, head beneath the steering wheel, legs curled up in front of him — but that's where the memory shatters, shatters like a smashed car window, because Morris' legs are still on the floor like he's sat upright, trapped there by the mangled front console. There's glass all over him, little shards of it covering his bleeding face, hair in his eyes, and he's not moving. The fire is so close to him.

"Mo," Oscar croaks, despite how his lungs scream in protest, how his ribs flex against the effort.

And then Morris starts screaming.

"Don't move," Oscar chokes. "Fuck. Don't move. You'll be—you're gonna—fuck. You're gonna be okay."

He tries to climb back over the front seats, but there isn't enough room with how the roof of the car has caved in, and his limbs won't obey anyway. He's shaky and weak, everything hurts, that godforsaken agony like after Da got done with him — but the fire is there, so close to engulfing Morris entirely as he wails like the kid he is, and Oscar fights to get to him like he always did when Da switched his sights onto his youngest.

It isn't hard to kick the mangled back door open, already wrenched inches open by how it's been crushed, and the impact sticks it hard against the rocks beside them, keeps it open. Oscar's leg had managed the kick, but it won't support him to stand on, especially not in the rushing water he's forced to wade into as he drags himself out of the car, but he spreads his blood-covered hands out between the car frame and the rocks. Drags himself along, fighting to keep upright, dead seat on the door keeping him from his brother.

It won't open.

The handle is right there, relatively undamaged, but the crushed metal won't open. It gets hotter and hotter the longer he clings to it, putting all his strength into trying to wrench the hinge, even when the handle becomes blistering beneath his palm. When it becomes too much, he tears his jacket from his shoulders and wraps it around his hand, but even with the buffer, the door won't budge.

"Fuck!"

Morris is squalling. Head back, mouth open, eyes screwed shut, the awful caterwauling of primal agony. Oscar is sobbing. The door won't open.

But the driver's door. Oscar looks over at it through the splintered glass before him and sees the light coming through its frame, crushed open like the back door had been.

"Hold on," he pleads, shouting over the flames and the river and the screaming, but it's clear Morris doesn't understand. His eyes find Oscar as he's beginning to walk away, and his screams reach an utterly fevered pitch.

"Kill me!" Morris screams. Oscar is going to throw up. "Shoot me! Don' leave me—don' wanna—die like this—Os!"

It feels like it takes a year to round the car. Fighting through the water rushing against him in every direction, clinging desperately to metal with blood-slick hands, and Morris is still wailing, but it's a welcome noise to the alternative of him going quiet.

"You're gonna be okay," Oscar repeats, hollers it, and finally, finally, gets to the driver door to wrench it open like he has so many times before.

The wailing gets a whole lot louder without a door between him and the noise. The flames change too, the licking and crackling suddenly echoing around them, intimate and dangerous.

"Mo," Oscar sobs. "Mo, I'm here."

He's expecting more of a fight. He's expecting the console not to give, for Morris' legs to be as mangled as the car is so either they don't come with the rest of him or Oscar can't get him out at all. They'd both die here then, Oscar decides.

But he winds his arms around Morris and pulls him, and his legs come free sideways from the wreckage where they couldn't be lifted up. Oscar sees his brother's trousers burned away on one side from near his hip to his knee, sees the other side torn to shreds, sees blood and skin burned to nothing and the sickening glow of chemical flame against the pale skin that's left. It's all he can do to pull harder, until finally the two of them fall backwards hard into the water and Morris screams again, some mixture of fresh agony and relief, as the cold water engulfs him.

There's some irony, Oscar thinks, when Morris has always been terrified of water. But he just holds his brother as tight as he dares as the black of it surrounds them, angles of its waves glowing with the orange light of the flames. There's footsteps above, male voices - farmers - hollering about help, about coming down. Female voices - wives - shrieking about injuries.

Oscar, hands shaking hard, checks he's still got his gun at his waist. And braces to once again do whatever he has to do to get himself and his little brother out of this.

[kiwi-rebel-57-06]

Kiwi Rebel. '33 Ford Model 40 Coupe.

[mariacallous]

The father of televised presidential debates was Newton Minow, most famous for saying television was a “vast wasteland” as chairman of the Federal Communications Commission (FCC) under President John F. Kennedy. But years before that, as an advisor to Illinois governor and presidential candidate Adlai Stevenson, Newt made the case for debates, and Stevenson, championing the idea, helped make it happen for the first time with the Nixon-Kennedy debates in 1960.

That was followed by a 16-year hiatus, until, with Minow’s active participation, we got debates back with Ford and Carter in 1976. To institutionalize them, the leaders of both parties subsequently agreed to create a bipartisan structure to make them a regular showcase for elections. The Commission on Presidential Debates (CPD) was born in 1987 under Minow’s tutelage. It ran the general election debates from 1988 on, building on a format that had three presidential debates and one vice presidential debate, usually on university campuses, with a series of events and programs involving students, faculty, large audiences of foreign dignitaries, and observers, all trying to make debates a fundamental feature of elections. The Commission was the catalyst for debate commissions in many countries, including emerging democracies.

Debates International, representing 40 democracies and nascent democracies, said this in a statement about the Commission1:

The CPD does not simply organize debates. The Commission establishes standards for integrity and professionalism that inspire debate organizers across the globe. The CPD’s commitment to transparent and participatory democracy reaches beyond U.S. borders. It offers a model to follow for both emerging and strong democracies.

The CPD debates are a testimony to the power of democracy. They provide a neutral and accessible platform and guarantee that the electoral process is representative of the will of the American people. This platform has been key to building more robust democracies around the world, inspiring leaders and citizens to value and defend electoral transparency.

At different times in the past, I have participated in CPD programs at presidential debates—at University of Massachusetts Boston in 2000, University of Miami in 2004, Hofstra University in 2012 and University of Nevada, Las Vegas in 2016. My wife, son, and I also attended the first presidential debate in Cleveland in 2020. The CPD has also been supportive and helpful in the summer debate camp our Matthew Harris Ornstein Foundation has sponsored for public school kids in the DC area—including letting the students in our first camp, in 2015, use the actual podiums Barack Obama and Mitt Romney used in 2012.

The Cleveland experience was, to be sure, a traumatic one. The Commission and the Cleveland Clinic had put in place stringent COVID-19 protocols. Attendees were tested that morning with results that afternoon, with the full monty, not instant, tests. The audience was small, with seats having separation and with excellent ventilation. Masks were required. We sat in the audience not far from where the Trump entourage came in, sat down, and removed their masks. A Cleveland Clinic doctor went over to them—Trump family and staff—and asked them to follow the protocols and were met with a figurative middle finger of defiance. Trump’s congressional guests, including Jim Jordan and Marsha Blackburn, walked around maskless, delighting in flouting the rules. And we learned later, to our horror, that Trump had tested positive for COVID-19 before the debate, a despicable and reckless violation of rules and standards.

Many criticized the Commission for allowing this fiasco. But sitting there, in the venue, I realized that Trump and his guests had put the Commission in a no-win situation. They first had accepted the assurances of the Trump campaign that he and the others had tested and tested negative—they had, in fact, not arrived early enough for the Clinic to do the clinical test. And if the Cleveland Clinic representative had tried to eject the Trump group from the debate set right before it was ready to start, it would have created a scene that would have been seized upon by Trump and destroyed the entire debate process.

Of course, we had the debate itself, where Trump screamed, shouted, interrupted, lied, kept talking long after his allotted speaking time was up, and bullied moderator Chris Wallace. But as I viewed the debate after, not in the live moment when I was nauseated by the spectacle, two things stood out. First was that viewers—voters—had seen Biden being calm and collected and with a grasp of the issues as Trump ranted and dissembled. Second was a seminal moment: when Chris Wallace asked Trump about white supremacist groups and specifically the Proud Boys, he defended them and gave them the message “Stand back and stand by.” When January 6 occurred, and the Proud Boys were at the center of the violent insurrection, Trump’s debate statement tied him even more directly to the effort to overturn the election.

Like many others, I have my own critique of the debate structure. I would like to see questioners who are experts, not just prominent journalists, who, no matter how capable, do not have the depth to follow up on shallow assertions by candidates with second and third probes, or to contradict every misstatement or distortion. And it is clear that moderators must have the ability to cut off the microphones of candidates who violate the rules by talking over their opponents or talking well beyond their allotted times.

Perhaps the two debates that Trump and Biden have agreed to do outside the Commission’s aegis will come off well, with ground rules that at least allow the mike cutoff (assuming Trump will show up without the ability to bully without consequence the moderator and his opponent.) But by moving away from the stellar bipartisan group that has managed debates for the past nine presidential elections, we will lose the guarantee that debates will continue to be a regular, institutionalized feature of our elections. Candidates will have an easier time avoiding debating when there is no structure in place in advance. We will lose the link that other countries have relied on to legitimize debates, and the value to college campuses, students, and many others for having the debates and the programs that accompany them.

Whatever their flaws, debates do give us some window into the candidate’s perspectives, and they are especially valuable for voters who generally pay little or no attention to politics. And even for those of us who follow politics for a living, debates are often illuminating. We should work with the Commission to reform its processes to make the debates better. But I am certain that if the CPD disappears, we will regret it down the road.

[l1ft-l1ft1ng-l1ft3d]

What I l1ft3d from 4/1/2023 - 4/30/2023

American Eagle Outfitters:

- Rolling Stones oversized crewneck sweatshirt

Barnes & Noble:

- 7 books (4/2/2023)

- Paper Source Scantron tote bag

- San Francisco tote bag

- 6 books (4/6/2023)

- 8 books (4/8/2023)

- 5 books (4/11/2023)

- 7 books (4/16/2023)

- B&N canvas tote bag - black + gold (4/16/2023)

- 4 books (4/17/2023)

- Out of Print Library tote bag

- 7 books (4/22/2023)

- 4 books (4/25/2023)

- 1 book (4/27/2023)

CVS:

- CeraVe Psoriasis Moisturizing Cream

- Get Well greeting card

- Okabashi slides (coral)

- RawSugar Sugar Scrub (Pineapple + Maqui Berry + Coconut)

- Scünci 2-pcs Scrunchies (blue tie-dye + blue paisley)

- Scünci 1-pc Scrunchie (orange + peach tie dye)

- Kitsch satin pillowcase (Aura)

- Weleda Skin Food Light Nourishing Cream

- CeraVe Skin Renewing Night Cream

Dick's Sporting Goods:

- Nike crewneck logo sweatshirt (white)

- 47 Giants pullover hoodie (gray)

- Stanley H2O Quencher H2.0 Tumbler - 40 oz (rose gold)

- Nike crewneck pullover sweatshirt (lavender)

- North Face crewneck pullover sweatshirt (marine blue)

- 47 Sacramento Kings long-sleeve graphic t-shirt

- Nike Hydrastrong one-piece swim suit (black)

-  Hydroflask lunch box

- Nike crewneck pullover sweatshirt (guava pink)

- Stanley H2O Quencher H2.0 Tumbler - 40 oz (gray)

- The North Face Pride tote bag

- Nike crewneck pullover sweatshirt (beige)

- Stanley 30 oz. Ice Flow Tumbler with Flip Straw (Lavender)

- 2 Adidas hats (blue & pastel green)

- Calia foam slides (gray)

- Body Glide Foot Glide Stick

- SKLZ Targeted Massage Ball

Hobby Lobby:

- Metal Earth 1908 Ford Model T Steel Model Kit (for Dad)

- Metal Earth 1965 Ford Mustang Steel Model Kit (for Dad)

- GellyRoll Moonlight Gel Pen set (10 pcs)

- Perler Clear Pegboards (5 pcs.)

- Perler 6000 beads bag

- Dumbo applique patch

- Winnie the Pooh Iron-On Patch Set

- Peanuts Iron-On patch

- Fabric remnant (black + white dogs)

Hollister:

- Matisse graphic t-shirt

- Sunset tie-dye hoodie

Home Goods:

- Porter 2-pcs Silicone Bags

- Eco Seroa Set of 20 Reusable Kitchen Towels

- OXO Steel Pop Container - 2.1 qt

- OXO Steel Pop Container - 0.2 qt

- Progressive silicone microwave turntable protector

J.C. Penney:

- 2 pairs Adidas tennis shoes

- Levi's graphic t-shirt (gray)

- Wrangler High Rise Vintage 3" Shorts (black)

- Wrangler Roll Shorts

- Levi's 501 cut off shorts

- 4 Levi's graphic t-shirts (black, navy, orange, lime green)

- Wrangler crop graphic t-shirt (pale yellow)

- Wrangler graphic t-shirt (gray)

- ANA 1/2 button down tunic blouse (army green)

- Puma DryCell athletic shorts

- Levi's 711 Skinny jeans

- Wrangler High Rise Rodeo Straight Crop jeans

- 3 Levi's t-shirts (2 white / 1 blue)

- Wrangler t-shirt (rust)

- Levi's 501 Original jeans (gray)

- Rebok leggings

- Rebok sports bra

- ANA short sleeve t-shirt

Lowe's:

- Style Selections Plastic Soap Dish

- Yardsmith Hand Tool Weeder (** for Mom **)

- 2 packs of weed whacker "string"

Macy's:

- Ralph Lauren pajama set (blue + white stripes)

- Calvin Klein Performance quarter zip hoodie (gray)

- Levi's cropped peasant blouse (cream)

- Levi's graphic crewneck sweatshirt (navy)

- Levi's High Rise Mom Jean Shorts

- And Now This bodysuit (black)

- Rebok full-zip hoodie (tangerine)

- Levi's High Rise Mom Jeans (distressed)

- Levi's white button down linen short sleeve shirt

- Levi's ribbed t-shirt (pink + white stripes)

- Levi's graphic t-shirt (periwinkle)

- Jenni short pajama set (chambray)

- Ralph Lauren terry cloth bathrobe (white)

- Ralph Lauren light bathrobe (gray)

- Levi's Ex-Boyfriend Trucker Jacket (cream)

- Levi's ribbed scoop-neck crop t-shirt (blue, yellow, lime green)

- And Now This bodysuit (cream)

- Ralph Lauren light bathrobe (navy)

- Ralph Lauren pajama set (gray w/white stripes)

- Levi's 501 Shorts (medium blue denim)

- Levi's graphic t-shirt (cream)

- Calvin Klein Performance full-zip hoodie (olive)

- Levi's 501 cut off shorts (light blue)

- Levi's corduroy jacket w/sherpa collar

- Rebok full-zip sweatshirt (lavender)

- Ralph Lauren button-down sleep shirt (blue + white stripes)

- Short-sleeve + shorts pajama set (flowers + smiley faces)

- Levi's 501 Skinny jeans

- Ralph Lauren pajama set (*** For Mom! ** pink + blue paisley - size M)

- Ralph Lauren button-down sleep shirt (pink + white stripes)

- Levi's ribbed scoop-neck shirt (blue + white stripes)

- Calvin Klein Performance full-zip hoodie (pea green)

- Calvin Klein Performance ribbed v-neck long sleeve shirt (gray)

- Columbia microfleece full zip sweater (hot pink)

- Ralph Lauren pajama set (navy blue + white polka dots - capri bottoms)

- Levi's graphic t-shirt (salmon)

- Levi's flannel button-down shirt (brown, black + white)

- Columbia full zip fleece sweater

- Ralph Lauren pajama set (blue + white paisley)

- 2 Wacoal bras

- Ralph Lauren pajama set (pink + blue paisley)

- Levi's ribbed button-down t-shirt

- Levi's flannel button down shirt

Michael's Crafts

- Scotch Thermal Laminator

Target:

- EOS Shea Better 24H Moisture Body Lotion (Vanilla Cashmere)

- E.L.F. Luminous Putty Primer

- Bananagrams game

- Brita Elite 10 Cup water filtration pitcher

- Byoma Balancing Face Mist

- Byoma Melting Balm Cleanser

- Mielle Rosemary Mint Strengthening Hair Masque

- TruSkin Vitamin C Super Serum +

- Rowenta X-Cel Steam Easy garment steamer

- TruSkin Vitamin C Facial Serum

- Threshold recycled glass soap dish

- Good Chemistry Magnolia Violet perfume

- E.L.F Luminous Putty Primer

- ColourPop Feather Effect Styling Wax

- ColourPop Feather Effect Brow Brush

- OXO 3-Piece Suction Bath Set

- C4 Ultimate Pre-Workout (Icy Blue Razz)

- Keurig Descale & Cleanse Starter Kit

- Squatty Potty Bamboo Flip stool

- Peds Mid Cut socks (6 pack)

- Pacifica Indian Coconut Nectar perfume

- Hero Rescue Balm

- Pixi On-the-Glow Bronze (Rich Glow)

- Pixi On-the-Glow Blush (Juicy)

- Pixi On-the-Glow Blush (Ruby)

- Revlon Oil Absorbing Roller

- Revlon Facial Roller Refill

- EcoTools Body Gua Sha

- OXO 3-Piece Bath Suction Set

- OXO Hair Catch Drain Protector

- OXO 7-Piece Clip Set

Ulta:

- Philosophy Amazing Grace Eau de Parfum

- Philosophy Amazing Grace Shampoo, Bath & Shower Gel

- Mario Badescu Facial Spray with Aloe, Herbs and Rosewater

- Hero Force Shield Superfood Serum Stick

- Bumble & Bumble BB Bond-Building Repair Oil Serum

- Bumble & Bumble BB Hairdresser's Invisible Oil

- Fur Oil (2.5 FL oz.)

- Drunk Elephant Lippe Balm

- Mario Badescu Drying Lotion

- Briogeo Farewell Frizz Smoothing Shampoo

- Lanolips Lip Water

- Bumble & Bumble Bb Hairdresser's Invisible Oil Heat/UV Protective Primer

- Cosrx Advanced Snail Peptide Eye Cream

- Drunk Elephant C-Tango Multivitamin Eye Cream

- Lanolips Glossybalms (Berry)

Walgreen's:

- Aveeno Eczema Therapy Rescue Relief Treatment Gel Cream

- Microban 24 Hour Sanitizing Spray (Citrus Scent)

- CeraVe Healing Ointment (5 oz.)

- Shea Moisture 100% Pure Jamaican Black Castor Oil

- Billie Razor Dream Pop Starter Kit

- Billie Razor Malibu travel razor case

- Differin Dark Spot Correcting Serum

- La Roche-Posay Toleriane Double Repair Matte Moisturizer

- Kristin Ess Weightless Hydration Daily Scalp + Hair Mask

- Olay Hyaluronic Nourishing + Hydrating Body Lotion

- CoverGirl Color Correcting Serum Moisturizer Primer (Redness Neutralizer)

- Essie Hard To Resist Advanced nail strengthener

- Essie Speed-Setter top coat

- The Honest Co. Gently Nourishing Bubble Bath (Sweet Almond)

- Olly Extra Strength Sleep gummies (70-count)

- Scünci 5-Pcs Headwraps

- Dr. Bronner's Lavender Organic Hand Sanitizer

- G2 Limited Edition Mineral Art Premium Gel Roller pens (4-count)

- Aveno Daily Moisturizing Body Oil Mist

- Gimme Thick Hair bands (6 pcs - black)

- The Original Make Up Eraser 7- Day Set (black)

- Shea Moisture Pink Himalayan Salt Relaxing Bar Soap

- Goli Ashwaganda Gummies

- Scünci 5-piece headwraps

VS Pink:

- Embroidered Logo crewneck pullover sweatshirt

- Logo full zip sweater (pink)

- Logo full zip sweater (cream)

- Flared yoga pants w/fold-over waistband

-  Black leggings

- Short pajama set

Total: 245 items

[itsahotminuteinbetween]

okk so for my boys being from 1940s, anything related to music I have down but I have NO IDEA how life operated back then and since you mentioned it I haven't been the same since please talk to me all you want abt the '40s

imma be honest, most of my knowledge on the 40s is either about the war or the precursor to the war, so probably not the most helpful of info-remember to do your own research for extra information!

with that, some quick bullet points cuz I can’t sort thoughts concisely:

Okay so to get into the 40s we gotta go at least 10 years before that cuz that’s also important: the Great Depression hits in 1929-not just in America, but the rest of the world as well-the US supposedly suffers the worst (aside from Germany, which was in debt from the first world war and their crippled economy as a result of the treaty of Versailles). I’m assuming your story takes place in the US?-otherwise I’d probably have to do some digging to find you some facts. But yea, with the stock market crash in the 20’s, tons of people were placed out of jobs, banks closed, people started living out on the streets. Government started creating random corporations to give people jobs after 1932-FDR’s presidency.

Fun fact, the radio was around at this point, so if you wanna listen to tunes, there’s your ticket. TV was a thing, but it became more popular in the mid 40s because it was used to showcase propaganda-televised entertainment became a thing in the 50s.

Anyways, some laws were passed and stuff to give people jobs-not all of them would be considered important for you, I think, cuz most of them were environmental or economical-the Workers Progress Administration was a thing though, and it hired artists and actors and others for their talent, if that’s of any importance.

Corporations weren’t faring much better either, especially the entertainment industry. The 20s were their peak years, with film being introduced and festivals or carnivals brought in cities-but with the crash of the market and extreme poverty, not too many people wanted to spend money on amusement over food. So a lot of those industries lost money and laid off a lot of people before either shutting down or being extremely poor.

Nother fun fact-ovens and stoves existed at this time, similar to how they are today-just in case one of your guys needs to make their human pal some food on their possibly outdated technology. Telephones were also available to the public by the 20s, the landlines.

Games like Monopoly (kinda ironic that it was made during the Depression), Scrabble, Sorry, and the Game of Life (originally made in 1860) were popular at the time-plus actual sports. Yes, kick the can was a thing around this time, you can make that reference.

If you want literature, I'm told island adventure stories were pretty popular for kids at the time (you'd have to double check that one, though, cuz I'm not too sure)-Superman and other heroes were a thing in the late 30's early 40s-Donald Duck comic strips were early 30s. Comedies and dramas/romances were popular in both literature and theatre (Charlie Chaplin was pretty funny), though they had this trope of things magically working in their favor until sometime in the 20s (you're gonna need to check that one cuz again, this isn't really my strong suit).

The Depression really only evened out with the start of the war-the US needed to militarize and stock up on their artillery, which meant a ton of job openings in that department, and other ones related-car companies (yea cars were a thing-you'd have to check how accessible they are though, that's not really my strong suit in history-only thing I remember is Ford releasing a model in the 20s) started building tanks, film productions started making propaganda videos (donald duck was a common character in Disney's anti-nazi propaganda for some reason), toy companies sold toy soldiers and guns to kids to convince them to support the war effort. Propaganda had advanced after ww1, which meant bigger, more eye-catching headlines in the media and clever usage of poster layouts and formatting to persuade people. The US stayed neutral up until 1941, though it did provide resources for the Allies who were fighting Germany.

That's basically all I have about the 40s-again, most of it is about the war and the economy, so not sure how much that would help. Maybe FazCo went bankrupt during the Depression and prompted your carnival to shut down?-I can see it trying to start more locations in the MidWest or something (the Plex is in Utah, if I remember correctly, though I don't know how important that is to your plotline) and scrapped it after the Depression and the War? I dunno, take your story in whichever direction you'd like, it'd be interesting any way you make it! Thanks for the opportunity to ramble, by the way-I hardly ever get to talk history or philosophy on here, so it's pretty refreshing! Hope this helped, thanks for droppin by!

[whiteoakford]

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[gftimelord]

(ooc:) if you were to have Ford claim a TARDIS, which type would it be? like, im genuinely curious. would it be a Type 40 like in canon, or would it be different? ( @grc-digital-archives mod )

OOC: Mod reply here! If I had Fordsy claim a TARDIS it would be a War TARDIS(Model type 90+ iirc) since it's the model his mentor left in his care ever since his death in the Time War. Right now, Stanford's TARDIS is actually left sitting around covered in a dusty tarp in his lab back home untouched and undisturbed. He knows where the ship is, it's more of the mental and personal barriers that come with commanding it because again- Doc doesn't believe that he's a time lord when by sheer technicality he already is.

That, and he generally can't shake the memories of the destruction and chaos wrought by the weaponized box. It's like... a tank, but worse. Kind of.

But in a narrative sense, the TARDIS is the home of the doctor in the Doctor Who show- and Ford still sees his home as they mystery shack in his original dimension because he still distinguishes himself as a variant of "Stanford Pines". So he doesn't take command of the TARDIS in his care because generally for his character- he doesn't need to. But the day he actually forsakes his identity and humanity to embrace being a time lord- that's when he will take command of the TARDIS much like the canon Doctors of Doctor Who.

I hope this makes sense! Thanks for asking!

[daniela--anna]

1933 Ford Model 40

[mediameld]

Why Muscle Cars Cost More Than Ever: Hidden Factors Driving Prices Sky-High! https://www.youtube.com/channel/UC7aI_sUdqfIOP-R7ImUVy8Q

Why Muscle Cars Cost More Than Ever: Hidden Factors Driving Prices Sky-High! https://www.youtube.com/channel/UC7aI_sUdqfIOP-R7ImUVy8Q https://ift.tt/ASEaZJI Muscle cars are more expensive than ever before! In this video, we break down why iconic classics like the Ford Mustang, Chevrolet Camaro, and Dodge Charger now cost 30% to 65% more than their ’60s counterparts—even after adjusting for inflation. From the latest tech to emission regulations, we explore what’s really behind these insane price hikes. Is all that extra performance worth the premium price tag? Let us know your thoughts in the comments! Stay tuned as we dive into shocking details about the Mustang, Camaro, Corvette, and Mopar legends. You won’t believe how much the modern versions cost compared to their classic models! Chapters: 00:00 – Intro: Why Muscle Car Prices Have Skyrocketed 02:15 – The Ford Mustang Price Comparison (1965 vs. 2024) 05:40 – The Camaro Price Surge: Then vs. Now 08:00 – The Corvette: From Affordable to Unattainable 10:35 – Dodge Charger & Challenger Price Jumps 13:20 – Final Thoughts: Is It All Worth It? Subscribe for more muscle car legends and rare cars! #musclecars #mustang #camaro #corvette #classiccars #carculture #carhistory #mustangGT #rarecars #mopar #dodge from Drive Rare https://www.youtube.com/watch?v=IL9AZjfEDyk via MediaMeld https://ift.tt/O951Dmq September 28, 2024 at 05:26PM