#For those who prefer a slightly different listing format

[myhomestaybanglore18]

Service Apartments Near Forum Mall Bangalore

When it comes to choosing the ideal accommodation in a city like Bangalore, the need for comfort, convenience, and flexibility has led  numerous travelers and working professionals to prefer service apartments over traditional  hospices. Whether you are in the city for a short business trip, a long- term assignment, or just need a temporary home while settling in the city, service apartments offer the perfect  mix of hotel- suchlike amenities and the warmth of home. Then is everything you need to know if you’re searching for the stylish service apartments in Bangalore. 

 Unlike hotel rooms that often feel confined and impersonal, service apartments give you access to  commodious living areas, a completely functional kitchen, Wi- Fi, and  devoted workspaces. numerous properties also offer cleaning services, security surveillance, laundry facilities, and private balconies. These features make service apartments ideal for commercial stays, family vacations, or indeed students looking for quality accommodation during their course  term. 

 However, 1 Bhk Service Apartments In Bangalore are a top choice, If you are a solo traveler or a working individual looking for a compact yet well- designed space. These apartments offer the right mix of privacy and practicality. The utmost 1 BHK units are fully furnished, with a bedroom, hall, and kitchen, catering well to  diurnal and yearly rental  requirements. They also come with amenities  similar to smart TVs,  ultramodern interiors, round- the- clock caretaker services, and easy access to transport hubs. 

 For those who prefer a slightly different listing format,  numerous sites and portals also list 1Bhk Service Apartments In Bangalore, which refers to the same category of accommodation. These units remain in high demand among working professionals, interns, or couples looking for  further than just a room to stay. Their affordability and functionality make them a common choice among those relocating to Bangalore for IT jobs or long- term projects. 

 Families or groups planning to stay for extended periods might lean towards 2 Bhk Luxury Service Apartments In Bangalore. These larger accommodations not only  give  fresh space but also boast  upmarket amenities. From  developer furniture to high- speed internet and completely- equipped kitchens, these apartments offer a  life that rivals  ultra expensive hotels. Whether it's a temporary relocation or a medical trip to the city, these units promise a hassle-free, comfortable living experience. 

 Bangalore is known for its wide demographic mix, from techies to tourists, and hence, the city provides an array of housing solutions.However,  also exploring a Bhk Stay In Bangalore is a good  launch, If you are looking for variety and flexibility. The term astronomically covers 1 BHK, 2 BHK, and indeed 3 BHK service apartments, making it easy for guests to choose based on their  particular or family requirements. numerous of these units are located near IT parks, malls, educational institutions, and hospitals, enhancing convenience and connectivity. 

 Cost is often a deciding factor when choosing accommodation, especially for  scholars or professionals on a budget. Thankfully, there are  plenitude of Budget Service Apartments Bangalore that  feed to affordable yet comfortable stays. These units might not be as lavish as luxury apartments, but they offer clean, secure, and well- maintained spaces. You can expect essential services like housekeeping, Wi- Fi, power backup, and  occasionally indeed shared amenities like fitness rooms or common lounges. 

 What makes service apartments in Bangalore stand out is the diversity they offer — not just in size or cost, but also in design, service quality, and location. From quiet domestic areas to high- energy business zones, you can find options that suit your  life. Whether you need a peaceful corner to  concentrate on work or a lively neighborhood filled with cafés and coworking spaces, the city has something for everyone. 

 In conclusion, Bangalore’s service apartments are  further than just temporary housing — they are spaces thoughtfully designed to accommodate  ultramodern lifestyles. With options ranging from the stylish service apartments in Bangalore to functional 1 BHK units and  commodious 2 BHK luxury stays, you’re sure to find a space that fits your needs perfectly.

[blaithnne]

Actually I think one of my (minor) gripes with Season 3 of Hilda is that I wish it committed to being a… serial? Is that the right word? Let me explain-

One of the reasons previous seasons of Hilda are so good because they’re episodic - each adventure works as a great standalone episode that (outside of finales and the like) you don’t need much context for - but still follow an overarching storyline.

The Tide Mice, for example, is a fun standalone adventure about Hilda accidentally stealing some souls. But it also foreshadows Frida becoming a witch in Season 2, why Hilda herself wouldn’t have made a good witch, and the jorts episode in Season 2, among other things. It also builds on things we already know - Johanna struggling to find work was foreshadowed in previous episodes, David was already established to be an anxious and worrisome character, etc! So the story works perfectly well as a standalone adventure, but all these little details mean that within the context of the rest of the series it’s even BETTER!

The thing with Season 3 is that I don’t really think it had time to do that in the same way prior seasons did. In S1-2, it felt like we were seeing little snippets into one of Hilda’s many adventures. In Season 3, the events feel much more consecutive, like less time has passed between them?

Where S1-2 subtly set up plot lines and then zoomed in on them later, it feels like S3 said hey look at this cool plot line! And then they zoomed out to have an adventure with a talking fish, and then zoomed back in a few episodes later. The Laughing Merman and The Giantslayer feel a bit like interruptions to the main storyline, which sucks bc they’re great episodes.

As much as I love Louise, with the episode count being so limited I think I’d have preferred if The Laughing Merman and The Giantslayer were replaced with adventures that had more to do with the pre established plot, or characters from previous seasons like Kaisa or The Bellkeeper. It feels like those episodes were included as a return to format, a last hurrah for the monster of the week style stand alone adventures, but they just didn’t sit as right for Season 3.

Honestly? This isn’t a gripe with the show as much as it is with Netflix - but I don’t even think Season 3 should’ve even been Season 3 — I think it should’ve been a seperate series.

For one thing, the way Netflix has the series set up rn means that the movie is in a totally different section, so if you’re watching without knowing it exists beforehand, you could end up autoplaying from The Stone Forest to The Train to Tofoten and be left VERY confused. It’s weird to me that you have to click off the series to go watch the movie and then come back for Season 3 if that makes sense ??

I think it would’ve been better formatted if Season 3 was an epilogue series listed separately from S1-2, and under a different title (like “Hilda and The Fairies” or something). That way it feels less clunky going from S2 -> MK -> S3. It also makes it easier for ppl who dislike S3 to pretend it doesn’t exist, so there’s a win for that crowd too.

I also think under those circumstances it would’ve made more sense for the series to be much more story focused, without stopping midway through to do a last monster of the week couple of episodes.

Don’t get me wrong, I loved those episodes! But they were just slightly off from what I’d come to expect from precious seasons, and kind of just reminded me of what we were missing out on. I think if the show had committed to doing things differently for S3 - which would likely have been easier if this was a separate epilogue series, as the expectation for it to follow the previous seasons formula would’ve been lessoned - it would’ve felt a little less… uncanny?

TLDR - Season 3 is undeniably different in tone and overall vibe from the previous seasons, and I think the show would’ve benefited from leaning into that.

(I don’t even know if this is a critique of the show tbh, or if it’s a critique of Netflix? A lot of this could’ve been solved or at least improved by changes in formatting, or not cutting half the planned episodes, and I don’t know who’s responsible for that lmao ?? So yeah this is just me getting these unproofread unqualified opinions out on paper and is not me trying to bash anyone cause idk jack shit about how shows get made, it’s easy for me to sit here and go “oh they should’ve done this—“, but there was likely chaos behind the scenes that would’ve made that impossible, or hell, maybe it just wasn’t what they were going for! Idk! Idk what I’m saying or if any of this makes sense but thank you for reading hope you enjoyed anyways I still love s3 bless you all and goodnight <3)

[stillthewc]

YEAR OF THE FANGAN - OCTOBER EDITION

ꕥ DANGANRONPA: REJUVENATION ꕥ

…So, fun fact, this particular story was never meant to be covered here.

For context, it's been a small inside joke of mine since starting this that only Danganronpa Rejuvenation is banned from getting a YOTF entry. This isn't because the content's bad or anything, but rather because it's the only fangan out there that I can't give an unbiased overview towards. While there's certainly works on this list I like more, this particular one's the nearest and dearest to my heart, which makes breaking it down extremely difficult for me. However, with the recent release of the remake, it felt wrong of me to gloss over this story. So buckle up, since this is going to be a slightly different YOTF segment than the others!

As an overview, the story follows sharpshooter Tsukiko Masayoshi, who joined a program called Rejuvenation that intends to re-create the Ultimate system of old. However, Monokuma ends up taking over and turning the situation into a killing game, resulting in Tsukiko trying to take on those who succumb to the motives. This general overview actually outlines my favorite part of this story: the central theme. The entire story takes on an exploration of justice vs. vengeance, something that's explored in nearly every character and gives most story-relevant actions rather gray morality-wise as a result. This is explored especially well in Tsukiko, who's… certainly something, lol.

But speaking of the characters, they're a highlight as well! While some certainly have more irrelevant story arcs than others, each character gets their time in the sun thanks to the aforementioned-theme creeping into each of their arcs, exploration of more nuance than their quirky personality traits, seeing just how the killing game affects them, or a combination of all three. This leaves daily life segments quite long as a result and, while that might be a turn-off for people who prefer to just get to the central mystery, it allows the cast to shine more as a result. Hell, even early deaths get stuff to do in the optional FTEs!

However, while I really enjoy the foundation left by the original story, I really, really recommend the remake to be the version of it checked out first. Outside of some small polishing up done to certain pieces of writing, it also allows some slight interactivity via the CYOA workskin. Not only does this help keep character-centric arcs more self-contained and take away less from the plot of the current chapter, but it also provides an even more interactive version of the trial (and a version of it that'll fully be seen in about early December or so).

With that ramble out of the way, thanks for reading me ramble on about my beloved Danganronpa Rejuvenation! Please check out the remake if you get the chance, and I promise next month we'll return to our regularly-scheduled gushing!

FORMAT: Written

WHERE TO FIND IT: Ao3 (for both the original and remake)

FAVORITE CHAPTER: Chapter 5. The daily life starts by exploring the remaining cast members extremely well, ties in some relaxation with a major plot revelation around the middle, gives endgame information near the end, and closes with the most explosive moment in the story. Meanwhile, the deadly life follows up on this, both continuing to explore the characters as well as provide endgame info.

FAVORITE CHARACTER: Ryou Ishiyama. Despite being invited to Rejuvenation as their tai chi master, a combination of his inferiority-superiority complex and being the resident butt-monkey leaves him perpetually kicked around by the narrative instead. Still, he's a good guy at heart, no matter how vindictive and petty he can be at times.

OTHER STANDOUT CHARACTERS: Tsukiko Masayoshi, the main character whose confident, bullheaded nature and views on justice really clash with the side cast, and Koto Mikami, whose shtick of "nihilistic asshole eager to drag people down to being just as miserable as him" hides my personal favorite bits of writing in this story.

[yupuffin]

Compare/Contrast - Genshin Impact and Honkai: Star Rail

It's been a few weeks now since I started playing Honkai: Star Rail! After being a fan of Genshin Impact continuously and logging in every day for almost three years, I was primarily curious about what aspects of Star Rail I would find familiar, and what I might have to get used to in transitioning between the two games.

In case there's anyone else out there who's curious -- and also because I find compiling these details satisfying! -- I've summarized what I've been able to determine as far as the similarities and differences between the two games! I was originally going to write an essay-style post about them, but I ended up writing sentences to the effect of "whether you think this feature is good or bad depends on your personal preferences," so I decided it would be more helpful to list them side-by-side and let readers draw their own conclusions. I hope that I've been able to include aspects that make it easier to deduce the general feel of each game, while also referring to specific mechanics that differ between the two and might throw an unprepared player off-guard.

Similarities

Leveling characters/equipment/etc. - Processes effectively identical. Many corresponding buttons are in similar locations. Similar methods for gathering necessary resources. As this is one of the primary aspects of the gameplay, it makes the games feel fundamentally very similar despite marked differences.

Team format - Four characters per team, each with respective elemental and weapon/skill “types.”

Quest types - Objectives separated into main story, side quests, daily missions, and character-centric quests.

Gacha pull function - Identical down to banner format, probabilities, and currency exchange rates; some internal shop aspects vary slightly.

Character designs - Colorful, elaborate. Roughly 2:1 ratio of playable female characters:male characters.

Lore/story depth - Both games boast millions of words’ worth of lore and flavor text contained within character and object descriptions as well as collectible “readable” items. The player can delve into the lore to their desired depth; those who enjoy reading will rarely be left without something to research—conversely, players who don’t enjoy digging through lengthy text boxes can get by just fine with only the details introduced through main story gameplay.

Differences

(I'll also slide a link to the working document in the reblogs in case that would be an easier viewing experience for anyone!)

Lastly, I'm totally open to anyone responding with or randomly sending me anecdotes of your experiences with one or both games. I think it would be very entertaining to hear them. 😆

[dianaloriau]

Great Ocean Road Tour Package: The Ultimate Guide to Exploring Australia’s Coastal Treasure

Australia’s Great Ocean Road is one of the most breathtaking coastal drives in the world, offering a mix of stunning ocean views, rugged cliffs, charming seaside towns, lush rainforests, and iconic landmarks. Stretching over 240 kilometers along Victoria’s southwest coast, it has become a bucket-list destination for travelers worldwide.

If you’re planning your journey, booking a Great Ocean Road tour package is one of the best ways to experience everything this iconic route has to offer. A package allows you to relax, explore hidden gems, and make the most of your trip without worrying about planning every detail.

In this blog, we’ll walk you through why a tour package is worth it, what’s included, the best highlights you’ll experience, and tips for choosing the perfect package for your adventure.

Why Choose a Great Ocean Road Tour Package?

While some travelers prefer to self-drive, a Great Ocean Road tour package has unique advantages that can elevate your experience:

1. Stress-Free Travel

Planning routes, navigating unfamiliar roads, and managing time can be stressful, especially if you’re visiting Australia for the first time. A package gives you the freedom to relax while professional guides handle logistics.

2. Expert Local Guides

Tour guides often share fascinating stories, history, and cultural insights about the road, its towns, and natural landmarks. Their knowledge makes the trip far more enriching than just driving on your own.

3. Time-Saving and Organized

With a well-planned itinerary, you won’t miss out on must-see attractions like the Twelve Apostles, Loch Ard Gorge, or Apollo Bay. Everything is organized to maximize your time.

4. Variety of Options

From luxury coach tours to private day trips and budget-friendly group tours, there’s a Great Ocean Road tour package to suit every traveler’s needs.

5. Value for Money

Packages often include transportation, meals, entry fees, and accommodation (for multi-day tours), making them cost-effective compared to booking everything separately.

Highlights of a Great Ocean Road Tour Package

Every package differs slightly, but most will cover the following must-see attractions and experiences:

1. The Twelve Apostles

Perhaps the most iconic landmark, the Twelve Apostles are limestone stacks rising majestically from the Southern Ocean. Watching the sunset or sunrise here is unforgettable.

2. Loch Ard Gorge

A stunning natural formation named after a tragic shipwreck, Loch Ard Gorge offers dramatic cliffs, a sandy beach, and stories of survival that bring history alive.

3. Apollo Bay

This charming seaside town is a perfect stop for a meal, coffee, or a stroll along the beach. Some packages include an overnight stay here for a more relaxed pace.

4. Great Otway National Park

If your package includes a rainforest walk, you’ll explore lush greenery, ancient ferns, waterfalls, and perhaps spot native wildlife like koalas and kangaroos.

5. Lorne and Anglesea

Picturesque coastal towns with beautiful beaches, surf spots, and cafes. They provide the perfect mix of relaxation and exploration.

6. Wildlife Encounters

Many packages include stops to see wild koalas, kangaroos, and colorful native birds in their natural habitat.

Types of Great Ocean Road Tour Packages

When booking, you’ll find several package options designed to suit different preferences:

1. One-Day Tour Packages

Perfect for those short on time, these tours typically start early from Melbourne and cover highlights like the Twelve Apostles, Loch Ard Gorge, and Apollo Bay. Expect a long but rewarding day.

2. Two-Day Tour Packages

These allow for a more relaxed pace. You’ll stay overnight in a coastal town, giving you more time to explore beaches, rainforests, and hidden spots along the route.

3. Three-Day or Extended Tour Packages

Ideal for travelers who want to immerse themselves fully. These include additional stops like the Grampians National Park, Warrnambool, and more time in small towns.

4. Private Tours

Customized for families, couples, or small groups who prefer a personalized experience. You can choose your pace, attractions, and even meals.

5. Luxury Tour Packages

Designed for travelers who enjoy comfort and premium services. These tours include luxury coaches or private vehicles, high-end accommodations, and gourmet dining experiences.

What’s Included in a Typical Great Ocean Road Tour Package?

Though inclusions vary, most packages offer:

Transportation (comfortable coach, minivan, or private car)

Professional tour guide with local expertise

Meals (some include breakfast, lunch, or snacks)

Entry fees for parks and attractions

Accommodation for multi-day tours

Photo stops and sightseeing breaks

Optional add-ons may include helicopter rides over the Twelve Apostles, wine tastings, or guided rainforest walks.

How to Choose the Best Great Ocean Road Tour Package

When selecting the right package, keep these tips in mind:

Consider Time Available – If you only have one day, go for a one-day express tour. If you have more time, multi-day packages give you a richer experience.

Check Group Size – Smaller groups often mean a more personalized experience. Larger groups may be more affordable.

Look at Inclusions – Ensure meals, entry fees, and accommodation (if needed) are included so you don’t face hidden costs.

Budget – Packages range from budget-friendly to luxury. Pick one that suits your travel style.

Read Reviews – Check reviews of tour companies to ensure quality service and reliability.

Tips for Your Great Ocean Road Tour

Dress Comfortably: Weather along the coast can change quickly. Bring layers, a jacket, and comfortable walking shoes.

Pack Essentials: Sunscreen, water, snacks, and a camera are must-haves.

Stay Flexible: Some packages allow optional activities, so be open to exploring.

Travel Off-Peak: For fewer crowds, consider visiting outside peak holiday seasons.

Conclusion

Booking a Great Ocean Road tour package is one of the best ways to explore Australia’s most scenic coastal route. From the dramatic Twelve Apostles to charming towns, lush rainforests, and unique wildlife encounters, the journey is nothing short of magical.

[hempgallery5]

Choosing the Right cbd gummies for Your Lifestyle

cbd gummies are edible treats infused with cannabidiol (CBD), a natural compound found in hemp. Unlike CBD oils or capsules, cbd gummies are chewable, sweet, and come in fun flavours. For beginners, they’re a simple and tasty way to try CBD without needing droppers or mixing oils. Just chew and go—no hassle.

Why Gummies Stand Out

People love cbd gummies because they are discreet and easy to dose. You don’t need to measure anything. Each gummy usually has a clear label showing how much CBD it contains, making it easy to manage how much you're taking each day. They also taste better than oils, and since they look like regular candy, you can take them without drawing attention. Whether you're at home, at work, or on the move, cbd gummies offer a low-key way to stay on track with your wellness routine.

Many users also prefer gummies over smoking or vaping CBD, since there’s no smell, no lung irritation, and they’re perfectly suitable for everyday use. The effects may take a little longer to kick in—usually 30 to 60 minutes—but they tend to last longer than other formats. This makes them perfect for people looking for all-day calm or restful nights.

As hemp-based wellness grows in popularity, cbd gummies are quickly becoming one of the top products people reach for when exploring the benefits of hemp. They're especially popular among those who want to buy hemp australia products but prefer something familiar and easy to enjoy. Gummies make that possible.

Start with a Purpose: Why Are You Taking cbd gummies?

Know Your Reason

Before buying cbd gummies, it helps to be clear on why you want to take them. Are you trying to improve sleep? Reduce daily stress? Help manage focus or discomfort? Different types of cbd gummies are made with different goals in mind, so knowing your “why” helps narrow down your choices.

Targeted Formulas

Some gummies are designed to support relaxation and better sleep, often blended with melatonin or calming herbs. Others are aimed at stress or general wellness, focusing on balance and mood. You’ll even find formulas for focus or post-workout recovery. Read labels carefully and look for added ingredients that match your lifestyle needs.

How to Understand Labels When You buy hemp australia Products

Read What Matters

Labels can be tricky, but when you buy hemp australia products, always look for the CBD content per gummy, type of extract used, and the full ingredient list. The amount of CBD is usually in milligrams (mg), which helps you control your dosage easily.

Full-Spectrum vs Isolate

You might notice terms like "full-spectrum", "broad-spectrum", or "CBD isolate". Full-spectrum contains other natural hemp compounds (including trace THC), which may offer more complete effects. Broad-spectrum has most compounds but no THC. Isolate is pure CBD, with no extras. All are safe, but they offer slightly different experiences.

What’s the Role of hemp australia in Product Quality?

Local Hemp for Local Trust

Products made from hemp australia sources are known for being clean, traceable, and well-regulated. Choosing local hemp supports local farming practices and helps reduce the risk of pesticides or low-grade materials.

Cleaner Farming, Better Results

Australia’s hemp industry follows high safety standards. When your cbd gummies are made using hemp from a trusted hemp australia source, you’re more likely to get a product that’s tested, consistent, and safer for everyday use.

Picking Flavour, Texture, and Dosage That Fits Your Life

Choose What You’ll Actually Enjoy

Let’s face it—if you don’t like the taste or texture, you won’t stick with it. cbd gummies come in all sorts of fruity flavours, sugar-free versions, and even soft chew textures. Pick something you enjoy so it becomes part of your routine.

Get the Dose Right

Start with lower strength (5–10mg of CBD per gummy) if you’re new, then adjust as needed. You want cbd gummies that fit smoothly into your day—whether it’s one before work or one before bed.

🛒 Pro Tip: You can find a wide range of quality hemp products, including cbd gummies, Hemp Soap, Hemp Oil, and Hemp Skin care products at Hemp Gallery—a trusted ecommerce website focused on natural hemp wellness. Their range is ideal for beginners and experienced users alike.

Should You Buy Online or Shop Through hemp australia Brands?

Where to Shop Smart

Buying online gives you more choices, but be careful. Stick with retailers who provide lab test results, clear labels, and good customer reviews. Don’t trust vague websites or products with no testing information.

Trust Local hemp australia Brands

When possible, choose to shop through hemp australia-based sellers. These brands often offer better support, cleaner products, and faster delivery. Plus, you're supporting the local hemp industry, which is a win for everyone.

Smart Tips for Making the Most of Your cbd gummies

Start Slow and Stay Consistent

If you’re just getting started, begin with a low dose and track how you feel over several days. Everyone’s body reacts differently to CBD. Use a simple log to keep notes about your mood, sleep, or discomfort levels.

Store Them Properly

Keep your cbd gummies in a cool, dry place away from direct sunlight. This helps keep them fresh and effective for longer. Always check expiry dates, and if a gummy changes colour or smell, it’s best to toss it out.

[vapeshopindubai]

Buying Tips for ICEBERG Nicotine Pouches

Nicotine pouches have rapidly gained popularity in recent years as a modern, smokeless alternative to traditional tobacco products. Among the many brands available in the market, ICEBERG Nicotine Pouches have emerged as a top contender, known for their powerful nicotine strength, broad flavor range, and sleek design. Whether you're a first-time buyer or a seasoned user considering switching brands, this guide will help you navigate the key factors to consider when purchasing ICEBERG Nicotine Pouches.

What Are ICEBERG Nicotine Pouches?

ICEBERG Nicotine Pouches are small, discreet, smokeless pouches designed to deliver nicotine without the harmful byproducts of tobacco combustion. These pouches are placed under the upper lip, allowing nicotine to absorb through the gums. Unlike traditional snus, ICEBERG pouches are 100% tobacco-free, offering a cleaner and more convenient alternative.

ICEBERG is particularly recognized for its high nicotine content—offering options like 20mg, 25mg, and even up to 50mg per pouch—making it a favored choice for users with a higher nicotine tolerance.

1. Know Your Nicotine Tolerance

One of the first and most crucial tips when buying ICEBERG Nicotine Pouches is understanding your nicotine tolerance. ICEBERG pouches are known for their ultra-strong formulations, and they are not ideal for beginners.

Beginners or Light Users: Start with lower strength, such as 20mg or even lower if available. Even though ICEBERG is known for high strength, some resellers may offer a wider range.

Moderate Users: 25mg can offer a balanced, satisfying experience without being overwhelming.

Heavy Smokers or Experienced Users: You can consider the 50mg variant, but be cautious. It’s intense and designed for those accustomed to high nicotine intake.

Tip: If you’re unsure, start with a lower dose and work your way up. Overuse can lead to dizziness, nausea, and other side effects.

2. Select the Right Flavor

ICEBERG offers a diverse flavor portfolio, which is part of its widespread appeal. From classic mint to exotic fruit blends, there's something for everyone.

Popular ICEBERG flavors include:

Ice Mint: A classic, strong mint flavor with a cooling sensation.

Lime: A tangy and refreshing citrus profile.

Bubblegum: Sweet and nostalgic, ideal for those who prefer a candy-like taste.

Blueberry Ice: A fruity blend with a hint of menthol.

Energy: A unique flavor inspired by energy drinks, combining sweetness with a kick.

When selecting a flavor:

Try a Variety Pack: If available, sampler packs allow you to explore several flavors without committing to a full can.

Check Reviews: Online customer reviews often reveal how long the flavor lasts and how strong the cooling sensation is.

Avoid Flavor Fatigue: If you’re a frequent user, consider rotating between a few flavors to keep your experience fresh and enjoyable.

3. Understand the Format: Slim vs. Regular

ICEBERG Nicotine Pouches typically come in a slim format, designed to be discreet and comfortable under the lip. However, some users may prefer different pouch sizes depending on comfort and delivery speed.

Slim Pouches: Most common, easy to use discreetly in public, and fit comfortably under the lip.

Standard Pouches: If you prefer a bolder feel or faster nicotine release, opt for slightly larger formats if available.

Tip: Slim pouches are ideal for daily use, especially if you want a no-fuss experience that doesn’t draw attention.

4. Check the Ingredients and Manufacturing Standards

ICEBERG is known for maintaining high manufacturing standards, but as with any product, it’s essential to:

Verify Authenticity: Purchase only from trusted retailers or authorized sellers to avoid counterfeit products.

Check for Allergens: Although tobacco-free, ICEBERG pouches contain plant-based fillers and flavoring agents. Review the ingredient list for potential sensitivities.

Packaging Date: Check for freshness. The longer a pouch sits on a shelf, the weaker the flavor and nicotine potency may become.

5. Compare Prices and Deals

ICEBERG Nicotine Pouches are often available in both single-can and multi-can packs. If you're a regular user, bulk buying can save you money.

Look for Discounts: Many online stores offer discounts on larger orders or bundle deals.

Subscription Services: Some retailers offer monthly subscriptions with added savings and free shipping.

Shipping & Customs: If you're ordering internationally, check shipping costs and customs regulations. Some countries have strict rules on nicotine products.

6. Evaluate Shelf Life and Storage

Nicotine pouches don’t spoil easily, but for best results:

Store in a cool, dry place. Heat and humidity can degrade the flavor and nicotine strength.

Keep away from children and pets. Like all nicotine products, they can be dangerous if ingested accidentally.

Check expiration dates. Using fresh pouches ensures optimal flavor and nicotine absorption.

7. Know the Legal Regulations in Your Area

While ICEBERG pouches are legal in many countries, some regions have strict laws on nicotine pouches or restrict nicotine strength.

Check local laws: Before buying, ensure ICEBERG pouches are permitted in your country or state.

Age restrictions: You must be of legal age (typically 18 or 21, depending on location) to purchase nicotine products.

Traveling with pouches: Some airports and customs offices may question high-nicotine pouches, so carry original packaging and limit quantity.

8. Consider the Effects and Usage Frequency

While ICEBERG offers a satisfying nicotine kick, it's important to use responsibly.

Don’t overuse: High nicotine levels can quickly lead to dependency.

Track your intake: Limit how many pouches you use per day, especially the 50mg variants.

Hydration is key: Nicotine can cause dry mouth. Drink water regularly to stay hydrated.

Conclusion

ICEBERG Nicotine Pouches are a bold, powerful alternative to traditional nicotine delivery methods. With their strong nicotine content, rich flavor options, and discreet format, they cater to experienced users looking for intensity and convenience. However, choosing the right variant depends on your nicotine tolerance, flavor preference, and lifestyle needs.

Buy smart, start slow, and always prioritize quality and authenticity. By following these tips, you'll be better equipped to find the perfect ICEBERG Nicotine Pouch for your needs and enjoy a satisfying, smoke-free experience.

[somanytileghaziabad]

Discover the Best Deals: Tiles Price List and Buying Guide

When it comes to renovating your home or office space, flooring is one of the most significant elements that can transform the look and feel of any room.

Somany, a well-known name in the tile industry, offers a wide range of high-quality floor tiles that are both stylish and durable. Whether you’re planning a small home renovation or a large commercial project, finding the right tiles at the right price is essential.

This is where understanding the Somany floor tiles price list can help you make an informed decision that fits your budget while still achieving your desired aesthetic.

In this buying guide, we’ll take you through everything you need to know about Somany floor tiles, from the factors that affect pricing to the types of tiles available, so you can choose the perfect flooring option for your space.

1. What Influences the Price of Somany Floor Tiles?

Before diving into the Somany floor tiles price list, it’s important to understand the factors that influence the cost of tiles. Several elements come into play when determining the price of floor tiles, including:

Material: Somany offers tiles made from different materials like ceramic, porcelain, vitrified, and natural stone. Vitrified tiles, known for their durability and resistance to stains, are generally more expensive than ceramic tiles, which are a more budget-friendly option.

Tile Size: Larger tiles tend to be priced higher than smaller ones due to the increased manufacturing cost. Common sizes include 300x300 mm, 600x600 mm, and larger slabs. If you’re looking for a sleek and spacious look, large tiles are worth the investment.

Finish: Somany floor tiles come in a variety of finishes, such as glossy, matte, or textured. Glossy tiles usually cost more because of their smooth, reflective surface, while matte tiles offer a more natural look at a slightly lower price.

Design Complexity: Intricately designed or digitally printed tiles may cost more than simpler designs due to the advanced technology used in their production.

Durability and Grade: Higher-grade tiles with enhanced durability, scratch resistance, and moisture resistance are priced higher than standard tiles. These are ideal for high-traffic areas such as kitchens, hallways, or commercial spaces.

2. Understanding the Somany Floor Tiles Price List

The Somany floor tiles price list offers a range of options to suit different budgets and preferences. Prices generally vary depending on the factors mentioned above, with tiles categorized into budget, mid-range, and premium options. Here’s a rough breakdown of what you can expect:

Budget Range (₹40-₹70 per sq. ft.): In this category, you’ll find basic ceramic tiles, which are perfect for low-traffic areas like bedrooms or guest rooms. These tiles come in simple designs and standard sizes, making them a cost-effective choice for homeowners looking to renovate on a tight budget.

Mid-Range (₹70-₹120 per sq. ft.): Vitrified tiles, which are more durable and resistant to water, dominate this range. These tiles are suitable for both residential and commercial spaces, offering a balance between affordability and performance. They come in a variety of colors, textures, and finishes, making them versatile for different design needs.

Premium Range (₹120-₹250 per sq. ft. and above): For those who want a more luxurious look, Somany offers premium tiles such as polished vitrified tiles, Somany Tiles digitally printed tiles, and large-format tiles. These tiles often feature unique designs, advanced surface finishes, and superior durability, making them ideal for high-end homes or commercial spaces where aesthetics and performance are equally important.

3. Popular Types of Somany Floor Tiles

Somany offers a wide variety of floor tiles, catering to different tastes and functional requirements. Here’s a look at some of the most popular options:

Ceramic Tiles: Ceramic tiles are among the most affordable and commonly used flooring options. They are easy to clean, come in a wide range of colors and patterns, and are perfect for low-traffic areas. The Somany floor tiles price list for ceramic tiles usually ranges from ₹40 to ₹80 per sq. ft., making them an excellent choice for budget-conscious buyers.

Vitrified Tiles: Vitrified tiles are highly durable, water-resistant, and come with a polished or matte finish. They are ideal for high-traffic areas like living rooms, kitchens, and commercial spaces. The price for vitrified tiles typically falls between ₹70 and ₹150 per sq. ft., depending on the finish and design.

Digital Floor Tiles: Somany’s digital floor tiles feature advanced printing technology that allows for intricate designs and patterns, such as wood, marble, or abstract art. These tiles are perfect for creating unique and stylish spaces. Prices for digital tiles start at around ₹80 per sq. ft. and can go up to ₹200 per sq. ft. for more detailed designs.

Wood-Look Tiles: For those who love the warm, rustic look of wood but want the durability of tiles, Somany offers wood-look tiles. These tiles mimic the appearance of natural wood while providing the low-maintenance benefits of tile. Prices for wood-look tiles typically range from ₹90 to ₹180 per sq. ft., depending on the size and finish.

Marble-Look Tiles: If you’re looking for a luxurious, high-end finish, marble-look tiles are an excellent option. These tiles replicate the elegant veining and texture of natural marble without the high cost and maintenance. They usually fall within the ₹120 to ₹250 per sq. ft. range.

4. How to Choose the Right Somany Floor Tiles for Your Space

When selecting floor tiles from the Somany floor tiles price list, consider the following factors to make sure you’re getting the best value for your money:

Room Functionality: For high-traffic areas such as living rooms, kitchens, and hallways, opt for durable and stain-resistant vitrified tiles. For bedrooms or areas with less foot traffic, ceramic tiles are a more affordable option.

Aesthetic Appeal: Choose tiles that complement your home’s interior design. For modern spaces, large-format, glossy, or matte-finished tiles work well. For traditional homes, stone-look or wood-look tiles offer a timeless charm.

Size of the Room: Larger tiles can make a small room feel more spacious, while smaller tiles are better suited for creating intricate patterns in larger spaces.

Maintenance: Consider how much time you’re willing to spend on tile maintenance. Glossy tiles are easier to clean but may show scratches more easily, while matte tiles require less upkeep but may be more prone to staining.

5. Where to Buy Somany Floor Tiles

Somany has a wide distribution network with authorized dealers across India. You can visit their showrooms to see the tiles in person and consult with experts on which tiles are best for your project.

Additionally, many online platforms offer Somany floor tiles price lists with detailed descriptions and customer reviews, allowing you to compare prices and make an informed choice from the comfort of your home.

Conclusion: Get the Best Deals on Somany Floor Tiles

Whether you’re renovating your home, upgrading a commercial space, or starting a new construction project, Somany offers a wide range of high-quality floor tiles that suit every budget and style. By consulting the Somany floor tiles price list, you can find the perfect tiles that balance affordability, durability, and aesthetic appeal.

With options ranging from budget-friendly ceramic tiles to luxurious marble-look tiles, Somany makes it easy to achieve the flooring of your dreams without breaking the bank.

[willpaul229]

Exploring the Different Types of Online Auctions: From Timed Bidding to Live Bidding

MN online auctions have revolutionized the way people buy and sell items, offering various auction formats to suit different types of products and bidder preferences. From timed auctions that allow participants to bid at their convenience to live bidding events that recreate the energy of in-person auctions, there are several types of online auctions to explore. Each type offers unique advantages depending on the items being auctioned and the experience sought by buyers and sellers. Let’s explore the different types of online auctions and what sets them apart.

Timed Auctions

Timed auctions are one of the most common types of online auctions. In this format, the auction runs for a set period, typically ranging from a few hours to several days or weeks. Bidders can place their bids at any point during the auction, and the highest bid at the end of the auction period wins the item.

This format is particularly appealing because it offers flexibility. Bidders don’t need to be present at a specific time, allowing them to participate whenever it is convenient. Additionally, many timed auctions include an automatic bidding system, where bidders can set a maximum bid and let the system automatically place bids on their behalf. This ensures they don’t have to constantly monitor the auction, which is especially helpful for those with busy schedules.

Timed auctions create a sense of anticipation, and the final moments often become competitive as bidders rush to place last-minute bids. Some auctions may even extend the time slightly if bids are placed in the final seconds, preventing last-second sniping and ensuring fair competition.

Live Bidding Auctions

Live bidding auctions combine the convenience of online auctions with the excitement of a real-time bidding environment. These auctions are conducted online but mimic the fast-paced, interactive nature of traditional in-person auctions. Bidders log in at a specific time and place their bids in real time as the auction progresses.

Live auctions often feature an auctioneer who moderates the event, adding energy and encouraging participants to bid. This format is commonly used for high-value items, such as fine art, luxury goods, and rare collectibles, where live interaction and competition can drive up prices.

While live bidding auctions require bidders to be available during the scheduled time, they offer a thrilling experience that many collectors and buyers enjoy. The real-time bidding wars and quick decisions make these auctions exciting, with participants responding to each other’s bids almost instantly.

Buy It Now Auctions

Buy It Now auctions blend elements of both fixed-price listings and auctions. In this format, sellers set a “Buy It Now” price for their item, allowing bidders to purchase the item immediately without participating in the bidding process. Alternatively, buyers can choose to bid on the item, hoping to win it for a lower price if no one uses the Buy It Now option.

This format appeals to buyers who don’t want to wait for the auction to end or prefer to secure an item immediately at a set price. It also benefits sellers by allowing them to sell quickly, while still offering the potential for a higher price through the bidding process.

Reserve Price Auctions

In a reserve price auction, the seller sets a minimum price, known as the reserve price, that must be met for the item to be sold. If the bidding does not reach the reserve price by the end of the auction, the item will not be sold, and no transaction will occur.

Reserve price auctions give sellers more control over the final sale price, ensuring they don’t have to part with an item for less than its perceived value. For buyers, this type of auction provides transparency about the minimum value the seller expects, which can help set realistic expectations for the bidding process.

Dutch Auctions

Dutch auctions are less common but offer a unique bidding experience. In a Dutch auction, the auctioneer starts with a high price that gradually decreases over time. Bidders can purchase the item at any point by accepting the current price. However, waiting too long may result in someone else purchasing the item first.

This type of auction is often used for items with multiple quantities, where multiple winners can purchase the item at varying prices depending on when they place their bid. Dutch auctions can be fast-paced and reward those who are quick to act.

Conclusion

Online auctions offer a wide variety of formats, each catering to different buyer and seller needs. Whether you prefer the flexibility of timed auctions, the thrill of live bidding, or the certainty of Buy It Now, there is an auction type to suit every preference. Understanding the differences between these auction formats can help participants choose the one that aligns best with their goals, ensuring a successful and enjoyable auction experience.

[inkstainedhandsandcoffee]

Cooking Headcanons:

Seth couldn’t cook to save his life. Cooking takes patience, following and fully understanding the instructions, and a (typically) deft hand. None of which are things Seth is good at. Also he can’t tell the difference between a cow and a nemesis, so I imagine differentiating between ingredients isn’t going to be a walk in the park. (I also think his palette is a bit warped from eating his own burnt/over seasoned cooking)

Ocoho sucks at it too. Not because she’s like Seth in this regard, (okay, maybe with following directions but not nearly as bad) but because she’s never had to learn to cook. Ever. Ocoho’s been training to be a knight her whole life; cooking isn’t exactly high on their list of things to learn when there formations to memorize and dragons to ride.

Doc seems like he an adequate cook, he just doesn’t because: A: he can’t afford ingredients, B: he’s probably working himself to the bone to afford to live, let alone cook, and C: have you seen his infection? No way he can reach a stove top or put something in an oven.

Melie’s a better cook than Doc but not by much. Since she was raised by the Vicqueens, a clan of slightly feral warriors, I’m certain she could dress, cook and season some meat but it’s more for survival than enjoyment so don’t expect anything fancier than some basic spices. When she bakes, however, there’s a fifty/fifty chance of it being delicious or burnt/runny since baking sweets is a whole different animal from cooking meat/vegetables.

Dragunov’s the best cook by far, and frankly he’s probably going to be the one making sure nobody dies of malnutrition or food poisoning. (Aside from Melie, but she probably prefers junk food to her own cooking as well. Like I said, she knows basic stuff.) He’s one of those rare, few soldiers who looked at the slop they served at the canteen, said “fuck this horsecrap”, then managed to squeeze cooking classes into his already busy schedule. If the team is at all hesitant to let Dragunov join, they won’t be after finally having a real home cooked meal in what’s probably been weeks.

[mikiib]

The Magnus Archives: ALIEN AU (Part 1)

     So in short I had come up with an AU where the cast of TMA characters are set in the universe of ALIEN. They’re both my FAVORITE pieces of horror media I’ve consumed and so my brain figured- WHY NOT? So I have 13 pages and scenes in my brain that would take place in this AU. If this or the following posts that I’ll make inspire anyone I would LOVE to see what you come up with! In short this story has a mostly good ending.    

 Here’s a list of the things that ARE and AREN’T in this universe. 

- 14 Fears aren’t in this world. It’s fully immersed in the universe of the movie ALIEN/ALIENS. - The xenomorphs however have more powers- they can shape shift into anyone they ‘kill’. So if the alien hatches from the host but somehow the host survives then that creature can pretend to be that person. If they kill someone they can pretend to be them.  They still however take the main biological forms of the hosts they came from in regular form. - Queens are born when there is no other queen in near vicinity detected by the unhatched egg.  - The hatching of an egg takes a lot longer after implantation rather than a few hours like the original movie.  - The aliens acidic blood is still STRONG but not nearly as much. I nerfed that to a slower burn- if left on the surface for more than a few minutes it can still be JUST AS BAD as the movies version. - Cyborgs are a thing in this world- who is and isn’t a cyborg is up in the air- however you’ll find out if you follow the posts. - The aliens are weak to extreme heat and extreme cold. The younger they are the more vulnerable to both. Fire extinguishers and flamethrowers will be a big weapon in both firepower and as a melee weapons. - The technology is slightly more up to date compared to ALIEN’s 80′s tech, as there are in short video calls that can be held. -Mother (MU-TH-UR 4900) is the ships computer mainframe, and can connect directly to Elias with his acceptance of the transmission. Mother also monitors the crew and their vitals when they are under cyosleep. - They can quit. No bindings to ‘The Eye’ here. 

ARTIFACT RETRIEVAL VEHICLE: THE COEUS CREW: SEVEN

Captain and Scrivener (Archivist): Jonathan Sims (Age: 31)

  Executive Officer: Sasha James (Age: 35)

  Warrant Officer: Georgie Barker  (Age: 29)

  Navigator: Melanie King (Age: 27)

  Engineers: Tim Stocker (Age 33) & Martin Blackwood (Age: 27)

  Science Officer: Nikola Orsinov (Age: 30)

CARGO: OTHER WORLDLY ARTIFACTS UNDER STUDY COURSE: SCIENCE AND TECHNOLOGY MOON BASE: THE MAGNUS ARCHIVES 

-Everyone shares the role of being a Scribal (Archival) Assistants to Jon- no exceptions.  -The Magnus Archives is a space station on the Moon orbiting Earth.  -The cargo they carry is found from the ships that collect samples from uninhabited planets as well as statements from those who report to them their findings to investigate.  -The Admiral is the ships designated therapy cat to help the crew cope with isolation brought on by Georgie. -Elias Bouchard is the head of The Magnus Archives.

STORYLINE: 

     The story starts after they’ve collected the last of the artifacts required on the list to retrieve. They’ve been in cryosleep for over 6 months and only need 3 more months of it till they’d arrive to their destination. Everyone wakes up on their own time, Georgie first, along with Melanie and Martin. Followed by Tim, Sasha, Jon, and Nikola, they gather at the dining table of the living quarters. Martin makes everyone their preferred meals, seemingly the most nervous. This has been Martins first time aboard THE COEUS, and his banter with Sasha and Tim prove while not the best at his job there, he makes a mean meal out of the ‘rubbish space food’ provided. Melanie comes back after taking a look at their current location frowning, letting the others know they aren’t even close to Earth yet- not even in their solar system anymore. In surprise they turn to Jon, who himself has only been Captain on ship for only just before this crew was assigned to him. He gets up to check out whats going on, many of the others follow him, much to his disgruntlement as they basically fill the small room. Mother has intercepted a transmission of unknown origins and under contract of their jobs they must check it out. Curious to know more about their new course Jon calls Elias, who informs them it will be a 2 week set back on their schedules course. Jons not exactly excited about this but Tim’s quite happy to be informed it does give them quite a large bonus since it does seem confirmed of unknown (non-human) origins. 

     Once they arrive to their destination, Melanie sets the ship into motion for landing. She reads off all planet signs to the crew on. It’s a nearly isolated dwarf planet of 600 kilometers in diameter (372.823 miles). The surface on landing will be 23 degrees celsius- much warmer than expected but it does seem to be orbiting a sun fairly closely. They prepare for landing and Martin and Tim are set to get the ship in position. Martin and Tim talk together as they prep and make sure the landing legs will be fine against the surface of the planet. While they do so Sasha pops in announcing she gets to go with Jon and Melanie to investigate the source of the spooky transmission on foot. Meaning also she gets a bigger cut in the bonus than them. Tim and Sasha razz at each other but stop when sparks are spat in Martins face for wiring something wrong. He curses and Sasha comes over to help see what's wrong, pulling on gloves. She laughs a bit and gently teases him to choose a different degree to lie about next time he wants a new job as she fixes the wiring for him. Martin shushes her, claiming he didn’t expect them not to do background checks, nor did he expect to be given a position on one of the biggest damned cargo retrieval ships known. While he worked originally as a simple warehouse organizer at The Magnus Archives sister base on earth he had needed cash to help support himself after his Mother had moved out. Tim wraps an arm around Martin, claiming he’ll shield Martin from Jons prying eyes if anything goes wrong on this detour. They laugh a bit before the radio goes off from Jons office room. He’s complaining about the lights not turning on in there and would be thrilled if someone did their job correctly when fixing it before he gets back on the ship. Tim radios him that they’re on it before they tease Martin more on his obvious crush on Jon before Sasha is then called up to suit up. 

     Georgie is helping the 3 suit up properly, making sure their heart monitors are secure and attached to their neck to get an accurate pulse. Jon seems to be struggling most with the suit up, this unlike the other two, being his first time in a suit outside of the initial training. Sasha after having her camera feed double checked helps Jon out. And while Jon doesn’t say anything about it, it’s obvious Sasha should’ve gotten the job as Captain. Melanie the entire time rattling on about how excited she is to document her findings of a foreign transmission. 

     They land with ease, nothing going wrong as the planet, while rocky with a constant rain, is also somewhat flat. They make their way to the source of the transmission. Tim and the others are now watching from the ship- cameras live feed and audio coming to them as Georgie talks with Melanie about all the kind of things they could find on the ship to study. Nikola reminds everyone that without the items and everyone following the procedures for quarantine, no one is touching the items that may be brought back. The conversation dies out into aww when they see the space ship the signal is coming from appear on camera. Melanie is excited as Sasha and Jon start to look for a way in. Jon reminds them to stay close to him at all times as they enter the ship- its obvious he’d rather none of them go in here due to how degraded the place looks. Everything seems to have been heavily melted in random patches, but the ship itself seems to be made of a biological element of some sort- comparing it to a ribcage almost as they walk through it.

     As they traverse the ship they stumble across multiple dead alien bodies. They aren’t fresh but they also don’t look years old. Melanie goes to take a closer look at them but Jon quickly pulls her back from them, yelling about how obviously unsafe it is as well as the fact that she just broke formation rushing off into a different room. They both get into an argument about what should be done with the bodies, and how far their investigations should go. At this point the feed is hardly coming through via camera, but the audio makes it back to the the ship roughly. Sasha goes on without them as she’s getting closer to decode the transmission. it’s a warning of sorts is what she can gather. Looking at the bodies it may have been an illness of some type, each of them dead from some type of acid but she finds one with an open chest- like an explosion. she gets closer to one, that seems to shift out of the corner of her eye. She tries to let the others know but she realizes that they can’t hear her over their arguing, and she’s almost certain she’s lost on the foreign ship. So instead she brings herself closer to the alien body before something crashes behind her and she stumbles back, tripping over something, and screams as she bashes her head on the back of her helmet. She gets up and looks around and sees the shadow of the creature run off and she chases after it.

     That got the attention of the others as not only with the scream but Tim tells them her heart rate is spiking drastically. Jon and Melanie cry out for Sasha and she stops after meeting a dead end. She sighs and tells them she’s fine, she just fell and admittedly was just chasing after shadows. She turns around however and suddenly her heart monitor on the ship starts to read dead.  PART 2 

[thepriceofbeingaroseisloneliness]

KAORU PERSONAL INTERVIEW SPECIAL HEADBANG VOL.27 TRANSLATION ½

The ideal figure that the guitarist who leads the band as a leader got while struggling, and the reason for his unstoppable pursuit. “When we released "CLEVER SLEAZOID", we were still chasing an ideal, and I think we didn’t reach it. We didn’t, but I feel that pursuing how we could do that, the power at that time, remains in it as something that could be only be produced at that moment. If you look at it now, I think it’s connected to reality”

Notes before reading: This is the first part of the personal interview of Kaoru from the magazine Headbang Vol.27 released on 18th August 2020.  The interview is 11 pages long and this part covers the first 6 pages. As Toshiya and Die’s interviews, 2nd part is focused on his roots as a guitarist and overseas experience. You can read Toshiya’s personal interview here You can read Die’s personal interview here

 You can get the magazine at Amazon Japan or CDJapan.

 Feel free to correct me if you spot any mistake or any confusing parts.

 Links or credits to this post when the content is reposted or captured in other SNS is appreciated :) -------- Text by: Yohsuke Hayakawa The first to appear in this magazine is Kaoru, the guitarist who is also the composer of the latest single "Ochita koto ga aru sora”. Starting with the process of making the single, leading up to the completion of this new song, the days of struggling to pursue the ideal sound, the originality that they got from that, and the current band that has not changed from the past intense days. What I saw on him was, the figure of a stoic leader who bet on Dir en grey possibilities and devoted himself to it. Also in the latter half of the interview with the theme of “Albums that inspired you”, he did  not only  talk about X Japan and national legendary bands that changed his life, but he also talked enthusiastically about the unknown world that he learnt from Hide and Tsuyoshi Nagabuchi, who he is a fan of.  “I think there is something that can be challenged now” -First of all, I would like to ask you about the corona outbreak we are currently in, but it was impressive when you, with your own words, announced on SNS  a live without audience ‘The World You Live In” that was held in March with the message of  "it’s not the things that we can do now , it’s the things that only can be done now”. I thought the movements of DIR EN GREY with these rare activities and projects that entertained fans were summarized in those words. K: Well, that's right. There are things that can be done in the current limited situation, things that we wouldn't normally do, things that we didn't come to, and things that we can challenge now. There were quite a few things that were more like "Let's do it".  Regarding lives without audience, we don’t know how long this situation will keep going on but, under these circumstances, it wasn't that much at that point in time for us to perform live. We thought it would be a plus for what we are expressing and what we are going to express in the future. Also, we tried to do it in a moment in which you could feel something. -Including the streaming that came after that, I think there are many people who felt closer to DIR EN GREY. In particular, the livestream of talk between members (DIR EN GREY LIVE ARCHIVE & SPECIAL TALK) is a project that you wouldn’t had think of before, isn’t it? K: (laughs) We don't usually talk much. -(Laughs) Moreover, I thought that it was only now that we could see an appearance of the combination of Kaoru and Shinya acting ‘as usual’. K: Well, that's right (laughs). -Is that something that you could do now, 23 years after your formation as band? K: No (laughs), the main reason is to do it is the situation right now. If this weren't the case, I think the idea wouldn’t even come up. Normally there are live performances, so I'd like people to feel it there, but we can't do that now. Well, it’s just to entertain the fans, but after all we thought it would be nice if they could feel something similar to that, feeling excited by our presence. -I see. So, regarding the status of the announced the Pia Arena MM performances for the  tour final "The Insulated World -The Screams of Alienation-" in July, you probably were thinking about what do to about them until the very last minute. K: That's right. It was decided a few days before the announcement that the lives were canceled. Of course, we also made a set list, and the production side was also moving. The entirely staff were informed, and everything was working. I actually went to the venue and talked about how it would be possible to hold the lives in these conditions. However, there may be some people who couldn’t come no matter how much they tried to. There was also the risk of not knowing if you can do it until you start it. -I think it was canceled after assuming the kind of live performance that was possible to be held, but it was a really tough decision. K: Well, it couldn’t be helped. -Oh, in a nutshell. K: Yes, it couldn’t be helped, it couldn’t be helped. What we could do following the rules (the government guidelines) is the reason we couldn't do it. Tickets were sold in advance through the fanclub, but in fact, with the spreading of Corona on the way it already had a significant impact on sales. -Oh, that was what happened? K: Yes. So, in response to that, we even came up with the idea that all the arena would have seats not only the designed areas. We could do that by reducing the capacity in order to keep a social distance. That way, we also thought that we might be able to do it. However, there may still be some people who wouldn’t be able to come, and moreover, there were a lot of things that we couldn’t do in both days. Well, it was a half-way point situation. Therefore, there is no choice but when the situation calms down, to relocate the dates. -Under such circumstances, you said you were producing the single in parallel. K: Yes, we were planning to release it around the Pia Arena performances, so we have been working on it for some time. -And “Ochita koto ga aru sora” was completed. The original melody was composed by you but, the title was announced in May. I wondered if it was going to be a song that brings melancholic elements to the forefront. I was trying to imagine it. K: (Laughs) Ah, the atmosphere of the title. -Yes. The sound that we actually got is bursting with DIR EN GREY-ish aggression that explodes from the beginning including a grooved dragging guitar riff. So, to put it into words, I had the impression the style of DIR EN GREY was contained in a "super condensed" form. It's used in a kind of luxurious way, with the melody refrain being minimal by scraping off the excess. K: That’s right. This shape (final song) is like, we were really worried about it and it felt like it just got here. Along the way, there were elements that would make things more exciting, more piercing. There was more development.  However, we made it in that way, but I felt like “Well, I’m tired of it” (laughs). -Hahaha. K:  Rather, it doesn’t seem as interesting as usual. This is really…. words may not match…it’s somehow Japanese. I wasn’t satisfied with anything, so it felt more like I was speaking out my mind (laughs) I scraped it off though. -The reason why the song became very condensed is that all the members were looking in the same direction. K: Well, I don't know that. However, as my method, I don’t really decide (the direction) at the beginning. If you do that, the result will be in that shape and I prefer to explore the possibilities. Besides, because I don’t know if the rhythm really matches the melody or if the back-melody matches, there are many things to think about, so I don't want to decide at the beginning. Under such circumstances, I didn’t know what to do in the end.  Well, I settled on something that someone said, or something that inspired me, but it was hard to get to the point where I could see it.- -As a result, I feel that the single became very DIR EN GREY-like. K: Yes, that’s right. I was working on it while thinking that there was that “likeness”

-Did you imagine the development of this single with an impressive melody popping out even though it’s aggressive? I wonder if something like this come out naturally.

K: No. I didn’t really imagine that. Even if I try to imagine, there are things that I can’t imagine at all.

-So, how does the completed form of this song look to you?

K: This time I was arranging it all the time based on the data of the tentative/provisional  songs recorded at the beginning. So, with that, it was almost brought to this finished form. From that point on, Kyo sang again several times and changed it slightly but along with the melody from the beginning, it was made with that flow. However, there were setlists that each member made during this time, right? (”DIR EN GREY AUDIO LIVE STREAM 5 DAYS" that was broadcasted on YouTube in May).  As you could see there, there are various DIR EN GREY, right? On the other hand, I feel that whatever we do, it will probably feel like DIRENGREY-ish.

-Something that can be hidden anymore. There is something that oozes out.

K: Well, very much, as far as you don’t do something different. I was too worried. When I told the members that I didn’t know what to do, I was told ‘You don’t have to think so much about, right?”, so I was like ‘is that so?’. In the end, the song turned out like this (laughs).

“At that time, I kept struggling to find out how to get closer to the sound I envisioned.”

-Oh, that’s what they told you. As for the form of songwriting, you work remotely regardless of the corona, right?

K: Yes, that’s always the way. So, nothing was different than usual for us.

-The change was that you couldn’t go outside between work time.

K: That’s right. I was concentrated on it all the time.

-Always? (laughs) Then, in that situation, that a member told you to not think about too much, did those words make it easier for you?

K: Well, you can open yourself to new options like “well let’s do it this way a little more”. However, it’s something that I do all the time. Year after after, it’s not finished.

-It will take some time to complete the song.

K: It takes some time. After all, if it doesn’t become something interesting, I feel like what should I do. It takes time to move from the first stage, the members listening to it and go to the “let’s do this”.

-What’s that next step?

K: Listen to the demo songs together and decide to try one from the songs that are there.I think it’s necessary to put a song and drop the world view and the atmosphere of the song clearly at some point, but it takes a long time to get there.

-I think it’s difficult to express this stage in words, but it’s the key to make songs.

K: Yes, it’s quite difficult.

-However, this is also one  of the traits of  DIR EN GREY but, the chorus that enters at the key points is burning with passion. It seems like it’s going to look good live.

K: As I said before, Kyo is the one who puts the chorus, so it’s normal than the rest don’t know where the chorus is until we record it.

-It doesn’t matter how the guitar riff is going…

K: Yes. It doesn’t matter. That’s why we have to practice all the time during the rehearsal before the live performance. I’m the type of person who can’t do different things at the same time, so I skip it quite a bit (laughs)

-Hahaha. You leave it to the other two (Die and Toshiya)

K: Yes (laughs).

-Then there is another retake of the song “Clever Sleazoid”. What made you pick this song again?

K: He said that he wanted to translate the lyrics into Japanese. Kyo said something like he wanted to try it because the lyrics from the original song changed. It was like, “Well, let’s try to do it”.

 -Then, how about the completed form after re-recording?

K: Well, it was already released once, so I don’t really care about it(laughs) Some people liked the original, others will like the new version. Except for the lyrics, the tempo is a bit faster but overall, it hasn’t changed much.

 -Originally, this song was released in 2005, but when you look back on DIR EN GREY at that time, what do you think is very different from the present of the band?

K: I would say that there is a solid feeling now. Rather than trying to catch up with anything, I think we are proceeding in a somehow calm manner. The same applies to the stage. It was 15 years ago, so we were young….it was like an apprenticeship, now we are old men, that’s what different from that time.

-What do you remember pursuing at that time?

K: At that time, I was struggling to get closer to the sound I was envisioning.

-Do you mean that you haven’t been able to achieve what you were looking for?

K: Yes. It’s the same with the songs. I was thinking about the sound aspect every, like “How can I make a powerful heavy sound” every day.

-Was that a personal thing?

K: It was for the band as well, I often talked to the members about the kind of sound I wanted to do at that time for the CDs but also for the lives as well, I wondered how could I do it. But at that time, I was struggling to understand it like, “I haven’t achieved it, but I can only show the power of pursuing it while looking for the way to reach it”.

“I haven't reached it, I can only show the pursuit and power of" how can I do it?"

-Did you see anything regarding that aspect when you started going overseas?

K: No, what I thought when we started going abroad was the importance of being ourselves. I wonder if that would be the most powerful thing. So, around 2005, I felt like I was still chasing my ideals.  Like a way that I could I express them in this way. But since we went abroad… and I started to notice that being ourselves was the best more and more….. how could I say it?,..it seems that the destinations we were looking at have been pinpointed all the time. It’s not about how to do it, if we could express what was in ourselves more and more, we would change it to the consciousness that would create that kind of sound.

 -That means, for example, that when you released “CLEVER SLEAZOID”, looking back, you hadn’t reached that point that you are talking about yet.

K: I think we didn’t reach it. We didn’t but I feel that pursuing how we could do that, the power at that time, remains in it as something that could be only be produced at that moment.

-True. It emits an unbelievable power and it was a proof of that struggle.

K: Yes. If I look at it now, I wonder if that it’s linked to its originality.

 -Surely.   After that it connected with THE MARROW OF A BONE (2007). Around that album, did you feel like you obtained that you were looking for?

K: Well, I think I did, but still at that time, I was wondering how I could do it. So I think it’s only recently that I’m thinking in this way.

-Ah, recently?

K: Yes, about “DUM” (DUM SPIRO SPERO, released in 2011). But “DUM” isn’t recent either (laughs)

-Hahaha  you noticed that…that’s right (laughs). In an era when you were struggling to pursuit something, you became solid as a band. Then, the atmosphere in the band would naturally change for the better, because it means that from that moment, along with them and the music, you have reached your goal.

K: I think so.  Also, what could I say about our band?..... All the members think that they have a different feeling about their knowledge and ability to imagine but, the reaction will definitely come when the song seems to settle down in a “this is it” form. Some of us will say, “I think it’s better do it this way”, while other will say “if we go in this direction, we should do this”. Therefore, that we can talk about such things has not changed from the past. While my senses are growing, after all there is still an atmosphere of pursuit in the end, in doing more and more interesting things, so I think that’s a good place for us.

-Even if you gained more knowledge and experience, it doesn’t feel strangely calm at all. K: It’s not. If that happens, it wouldn’t be interesting.

 “Now I think, do we really want to do that?”

 -I see. So, the mastering engineer and mixing-in engineer this time are also talented, but did you proposed the selection of these people to the members after listening to how overseas artists sound?

K: Sometimes I do. As for this engineer,Josh Wilbur,  the director said he would like to try to work with him once and asked him to mix “Ochita koto ga aru sora”.He had been trying to get in touch with him for a long time, but he couldn’t, but he was able to communicate with him this time and asked, "Would you like to try it once?".

 -Josh Wilbur is a person whose range of work goes from Avil Lavigne to Lamb of God. How was the result?

K: Well, I’m glad we asked for a simple one.

-After all, with that width….

K: It’s better that way. This kind of person will return what you ordered exactly as you ordered it. Sometimes no matter how much we explain it, there are people who don’t understand, so they don’t know what to do. At first, Josh used to put a lot of effects on songs and so on. Listening to that, Kyo said "nothing is good" (laughs). The exchange was interesting, though.

-If you leave the decision to someone else, something that shocks you can come out.

K: Yes. Wow, this person comes quite a bit (laughs)

-(Laughs) At that moment, you understood his way.

K: So, Josh’s first mix was more metal-ish. Also, the sound of the drums….it wasn’t like it was crazy but it felt like bumpy….it was like “mmm, it’s a bit different”, but after several exchanges with him, it went well.

-What about Jens Bogren (who has worked with many famous metal bands such as Arch Enemy and Opeth) who mixed “CLEVER SLEAZOID”?

K: It’s a different type (of mixing) from Josh. Jens has worked with us several times so far so  he knows the directions.

-And the mastering engineer for the three songs of the single, including the live version of  “Followers”, Brian Gardner (Linkin Park, Michael Jackson, Madonna, Eminen etc..) is the same one than “Ningen wo Kaburu” and “The World of Mercy”.

K: Yes. If you change the mastering too much, it’s hard to predict the finish result.  It’s difficult to know how the mix will turn out, so if you want to change the engineer that does the mixing, you should do the mastering with the same person as before.

-I see. Because the song will be created from the scratch again.

K: Well, that’s also interesting but I’m worried about what to do if it fails…

-About the future of DIR EN GREY, of course, I think that you will only do what you can do under these circumstances but, what kind of expectations do you have?

K: We are thinking about moving towards making an album.  As for concerts, it can’t be helped that we have to wait until we can do them, so I guess that I have to devote myself to making songs.

-Taking advantage of this situation, you will be able to concentrate in that.

K: Well, that’s right. I have time, so in that sense it’s easy to concentrate.

-In fact, is it time already to move into the album?

K: Yes. After Pia Arena, we were planning to go to production as we don’t have any concerts.

-For example, the single “The World of Mercy” included an acoustic version of “Dozing Green”, was there any talk about trying to do an acoustic live at these times?

K: Sometimes….that’s right. If we do that, I have to think about acoustic arrangements for that so let’s do a normal live performance (laughs). It’s not a bad idea to do a live like that because of this situation but, it’s like “do we really want to do it now?”.

-Ah, I see. Apart from your intentions it doesn’t make sense to you to simply say “We’ll do it because we can do it” in the current situation.

K: Yes, I think so.

 “Without “BLUE BLOOD” I wouldn’t really be who I am now” (second part here)

[earthstellar]

TFP Megatronus x Orion Pax Experimental Concept Playlist: The Timescale of Cybertronian Lives + Music from 1890 - 2021

I know there are tons of playlists for these characters out there, but I’m trying to do something a little less conventional with this one; Please hear me out! 

Two Playlists in One: Love Throughout The Ages 

The first half of this playlist is almost all new music mixed in with some hits from the 60s, 70s, 80s, etc. to give variety, plus tracks from different genres so that hopefully everyone has a song they can enjoy in there somewhere.

For the second half of the playlist, I wanted to emphasise the idea of how long the war on Cybertron has been going on for, and just how old this conflict and the people involved actually are. 

Cybertronian Timescale: Long Lives and The Perception of Time 

We think of the Orion Pax / Megatronus stage of their relationship as being relatively brief, which it was in comparison to how long the war has been going on for as of TFP, but these are people who live for centuries. The scope of that is staggering. 

Optimus Prime and Megatron have known each other personally (either positively or negatively) for longer than modern human civilisation has existed. 

So to me, the best way to touch on that idea of time, musically, is to have the first half of the playlist be modern music, remixes, etc. and then the second half is well known and lesser known hits throughout early radio/TV (with many tracks on this playlist pre-dating those forms of media as well). 

What’s on the Playlist, Then?

My grandmother was born in 1914, and her music collection spans nearly 100 years. It’s all good stuff.

I have included some of her favourites, which she always called her “sweetheart jingles”, on this soundtrack. I think many of them work surprisingly well for the Megatronus/Orion Pax relationship.

Many of these songs will probably be unknown by the vast majority of people who might want to listen to this playlist, which is also appealing to me. (I hope if this is your first time hearing some of these, that you enjoy a few of them!)

My parents were born in 1944, and I remember all of the classics they would play; Some of those tracks will be more recognisable as this was the era when radio and TV became far more common and accessible, but I picked the tracks that I think best apply to the pairing and the relationship between the two characters at that point in their lives. 

The link to the playlist is below after some notes on Cybertronian language evolution! 

Quick Thought: Cybertronian Language Over Time and Era Specific Speech Patterns 

While thinking about my grandmother’s music collection as I assembled this playlist, I thought about some of the words and phrases she used commonly that are now totally non-existent in modern conversational English. 

She had what would probably sound to most people like “1930s radio voice” or a more Trans-Atlantic Accent way of speaking; She grew up in the Northeast USA and so she had a very distinctive way of stressing the vowels in words. It’s not just the words themselves, or how they were pronounced, but the tone and pace of speech was also very different. 

This got me thinking about Cybertronians, age, and speech:

Bots as old as Ratchet may have grown up with a totally different spoken language version of Cybertronian, and we already know that there are regional dialects, multiple written forms (glyphs), and era-specific types of Cybertronian language. 

But the way they speak, as I mentioned above with the stressing of vowels and the tone and pace of speech, might still be different due to the different eras, even after language packs/programs are downloaded and updated periodically as needed. We already know Cybertronians have regional accents, so it stands that generational accents would also possibly exist as well. 

Such a difference in speech patterns could possibly be used as a primary indicator of relative age on Cybertron, as physically they don’t age in the sense human beings do. 

Back to the Playlist: Link + Track List + Notes on Audio Prior to 1930

The playlist is here on YouTube. 

Scroll down to get to the second half (oldies section) if that’s what you’re here for! 

Please note that the songs are not arranged in any particular order aside from the first half being newer music and the second half being far older music.

Also note, where original recordings are available on YouTube for some of the older songs, I have used those original recording versions. 

However, keep in mind that there may be a couple seconds of “fuzz” at the top (start) of those older tracks, because they have been recorded from records or wax cylinders, which are formats of music that typically had a “pause” on the track to allow for needle and speed calibration when playing them manually. Modern records don’t do this in quite the same way and nobody uses wax cylinders anymore, but older records typically did. If this bothers you, skip ahead about two seconds or so, and it will resolve. 

Tempo may seem slightly “fast” on two of the tracks due to difficulties with the medium and modern recording tech/methods, and one track has some persistent “fuzz” throughout due to the original recording being rare and therefore it is a “best copy available” type archival recording, but otherwise I’ve managed to find the clearest audio possible for the vast majority of the older songs! 

(Fun music note, the “click track” in modern digital music was partially inspired by the clicking of the needle hitting the “countdown grooves” on old cylinders and records, which creates an audible mild clicking sound as the needle finds the groove and provides time for usually a half rotation or full rotation of the record before the track actually begins to allow for adjustment before the music starts! If the clicking is too fast, dial down the rotation speed, for example. 

This itself was inspired by classical metronomes as well as the actual physical method of playing the music in this way, but it’s cool to see how this persists throughout musical history even now when we don’t need the click for digital production for quite the same reasons/applications. It’s all about timing, no matter the medium or era!)

Due to the method of how some player piano rolls were credited, often by roll company and not by individuals, the actual artist name is often not available for those tracks. Where possible and where known, I have included credits to the artists/musicians. I have done my best to research and find the artists in these recordings. 

I have also included orchestrions and other “automated” music in addition to a player piano track as I think it’s interesting; These are often very old compositions being played on these machines, and as such are designed to reflect the earliest days of their relationship. 

Songs range from the years 1890 to 2021, and I will add more as I manage to find YouTube videos with some of the older songs I’m still looking for. 

By the way, if you need a love song for like an actual partner or crush that you have, I’m just going to say it now and point out that a lot of these classics are great to use in real life for cute purposes. My partner of ten years agrees, and my grandparents were married for over 60 years and sang many of these daily, so obviously something here works well. You’re welcome. ;) 

Below the cut is a track list of the second half of the playlist, as it’s 7 AM and I’d like to emphasise the “classics” section here as it’s the central theme of the concept.

I will add to this list as more tracks are added:

You’re the Top - Cole Porter

What is this Thing Called Love - Leslie Hutchinson 

I Get a Kick Outta You - Cole Porter 

Puttin on the Ritz - Phil Spitalny Orchestra

What a Day - Carl Fenton

Come Fly With Me - Frank Sinatra

Earth Angel - The Penguins

Ring a Ding Ding - Frank Sinatra 

In my Merry Oldsmobile - Billy Murray

Singin in the Rain - Gene Kelly

Dream a Little Dream of Me - Doris Day

Unforgettable - Nat King Cole 

Can’t Help Falling in Love - Elvis Presley 

Good Golly Miss Molly - Little Richard

Bei Mir Bist du Schoen - The Andews Sisters

Shine on Harvest Moon - Ruth Etting 

1920s Dance Sequence from Don’t Knock the Rock

In the Mood -Glen Miller Orchestra

Dream Lover - Bobby Darin 

When the Ragtime Army Goes Away to War (Artist Unknown) 

After You’ve Gone - J. Lawrence Cook 

My Sin (Artist Unknown) 

Flick Flack by Albert Vossen (Unsure; Song + Artist Unknown; Orchestrion) 

Lotosblumen Walzer by E. Ohlsen (Hupfeld Violina) 

Waltz no.2 - Dmitri Shostakovich 

Jupiter - Gustav Holst 

Love Potion no. 9 - The Clovers (Please note, this song mentions the word “g*psy” once in the beginning of the track. Skip this song if you would prefer not to hear it; I have done my best to only include songs that are friendly to the modern listener, but where needed I will make annotations such as this one to ensure nobody has to hear anything potentially offensive, as is unfortunately often the case with older music/lyrics.)

Come a Little Bit Closer - Jay and the Americans 

Sh-Boom - The Crew Cuts

Oh Boy - Buddy Holly

[needletail]

Nintendogs vs Nintendogs + Cats: a review and comparison.

There’s no doubt that most people want a new Nintendogs game for the Nintendo Switch. But when I see these posts, very few of them are referencing the 3ds variant of the game, but rather the original ds version that everyone continues to know and love.

The addition of cats is Nintendogs + Cats’ most notable feature. It was, while cute and fun for a short period of time, notably worse than its predecessor. But why is that? The formula stayed roughly the same, but the charm didn’t quite hit.

Before we dive into this: these are my opinions on the games, and personal comparisons. Every person experiences things differently, and will likely have different opinions.

We can start with breaking down the original Nintendogs. The graphics have not aged well, but the charm and entertainment factor have. While replaying, I found that the general ambience and the music used endeared me further to the game, and I wanted to play more. The half hour timer on going for walks was frustrating (as was the stamina system), but it otherwise engaged me more to figure out where I wanted to go. The map feels surprisingly big with so much to do, and the side-scrolling walk screen keeps the mystery alive in what you’ll encounter. The competitions were fun and the voice recognition system may have been even better than the 3ds incarnation. The only thing that really suffered were the graphics - but this game is 15 years old and this was advanced for its time, so we can let that slide. The dogs can be a little strange to look at at times, but they’re expressive and distinct, which is what matters in a pet simulator.

The information you can take in is optional, but an exciting part of the game for those who are interested. Your dog’s profile is detailed but easy to understand, going as far as to tell you what it ate last. There’s something so charming about it being displayed as if it were a document you had in front of you - it brings another element of immersion into this sim.

[Image ID: a photograph of the informational sheet on Nintendogs. It includes the name, gender, breed, trainer, time together, coat, hunger, thirst, and things eaten. The trick list and contest results are also on this screen.] 

From cars passing by to horns in the distance and dog barks from somewhere vaguely nearby, the sound design of Nintendogs is audibly aged, but still strong. The few tracks spread in the game are iconic, and stay in my head a lot longer than I’d like to admit. 

The competitions are another huge highlight of the original nintendogs. The banter between the hosts, Ted and Archie, is something that continues to be remembered. Everyone’s seen the line “you make me feel like a man, Archie”, and the banter they keep up in each competition is less like a mindless tapping chore and just more entertainment. The settings are surprisingly realistic - less so on the obedience, but the ring set up for agility certainly is. The balance between realism and fun is another part of why Nintendogs appealed to all audiences. 

Agility is my personal favourite event, and the same goes for a lot of people I’ve met. There’s a level of interactivity here that isn’t met by the successor (something we’ll touch on later). Guiding your dog over hurdles and through tunnels, and later having to balance speed with accuracy - it’s an event that keeps you, the player, engaged. It becomes a sort of fine art once you hit the Championship level, as your dog, by that point, is likely going to be very fast and have a mind of its own, often trying to predict which obstacles it’s going to go through. 

[Image ID: an angled photograph of the starter agility training course. The dog is laying on the green, and the hurdles and tunnels are in view.] 

Disc is in both versions, and is fun in its own way. I, personally, don’t tend to use the disc competition - in the original Nintendogs, the projectiles can be a little speedier than you intend them to be, and the dogs are a little too determined to hold onto their toys. But, with a well-trained dog, this event can be as fun as anything else. In the original, you didn’t have to contend with the other dogs - something that I’ve grown to appreciate over the years. But, like with the event that removed Agility, I’ll be looking at how the changes fared later. 

Obedience is held on a stage, and is a fun event for people who take the time to train their dogs. Your dog can typically learn three or four tricks a day (depending on the dog), and between the tricks listed in the Obedience Guide Book and the unlisted tricks that your dog can learn, you can usually blow the competition out of the park. It definitely requires the most time and effort out of all of the events, and it can be frustrating if your dog suddenly stops listening - but the rewards are surprisingly good. It’s always fun to have a well-trained Nintendog, if only because showing them off when I was a child was my favourite thing to do. 

Obviously, competitions are the main money-makers in these games. Tackle a solid few of them, and you’ll find yourself able to afford another dog or two. Though your room is limited to three dogs, there’s also a Hotel to keep some other dogs in. As time progresses and you gain more of a bond with your dog(s), you’ll unlock more breeds. 

Something that went over my head when I was a child was the method to unlock Jack Russells, specifically. You need to find an incredibly rare book - something which I don’t ever recall doing, and still haven’t. I found this information via the wikia, so I’m not too sure how accurate is, but it is an interesting breed to lock behind a time and patience-based method. 

[Image ID: an angled image of a German Shepherd laying on its side. In the corner is an idea bubble.] 

Overall, Nintendogs is a solid and fun pet simulator, and it’s clear why so many people have such good memories. The dogs are filled with personality (even being expressive enough to show you when they’re angry vs happy), the competitions are engaging, and though the format will become stale after playing daily for a long time, it’s always a fun game to come back to after a period of time. 

Which is why it’s unsurprisingly that it gained a sequel.

I remember being ecstatic when Nintendogs + Cats was shown in advertisements on television. When I got the 3ds, I also got a copy of Nintendogs + Cats. The Golden Retriever version, specifically, but I do own all three. For some reason? As people got bored with it, they usually gifted me them. 

At first blush, it’s almost as charming as the original. The graphics style handles much better than the original, with slightly more realistic movements, and less cardboard-y models. I much prefer the Nintendogs + Cats models to the originals, for obvious reasons - though their movements can be a little repetitive and strange at times, and a lot less expressive than the originals. But that said, I much prefer the Kennel system of petting and exploring the dogs and their behaviours (limited as they are) before you adopt, and I enjoy sorting through colours or getting unique colours/patterns. The rare white variants used to be my obsession, as a child. 

[Image ID: a german shepherd holding a present in Nintendogs + Cats. The model is significantly better than the original Nintendogs model.] 

Immediately, though, there’s a lot less ambience in Nintendogs + Cats. I play with my volume up all the way, and it’s typically just my dogs and cat making noises. I miss the cars going by and the general background noise that the game can provide. It feels just a little too silent, and the music tracks are repetitive and unmemorable for the most part. Obviously sound design don’t make or break the game, so I won’t harp on this point for too long. 

The gameplay is...fine? I’m not a fan of petting a shadow of my dog, but I understand they did that for 3D purposes (something which most people didn’t use, to the point that the 2DS was made. I play on a 2DS). The camera control is an incredibly nice feature to have, the showering minigame is a little more thorough. They didn’t really add anything to the care features, though. If anything, they took away a lot of experiences - reading the care books and instead guiding you through the tricks one by one instead of as you want, forcing you to learn a specific set of tricks before you can move on to the next ones. The game is far more hand-holdy, which can be frustrating at multiple points. But, hey. There’s cats! Let’s talk about the cats. 

What’s their purpose? Not much. Which is fine, although they take up a slot in your three-pet designation. As cute as the cats are, they definitely got done dirty. There’s three selections to choose from (Standard, Oriental, and Long-hair), with multiple colours, but not much depth beyond that. Obviously, the cats were just a cute addition - I do like having my little cat wandering around the house with my two dogs, and I know from past experiences that once you bond with the cat, it’ll go out and get presents for you if you leave your ds on. Gaining affection with the cats is very slow-going and if you’re someone who likes your pet simulations to be more interactive, it might be wiser to stick with the dogs. I’m not complaining against the addition of cats - it just could’ve been done much smoother, with better mechanics enabled. Be it adding some breeds and a proper grooming minigame to maintain them, or the ability to train them but have them be much harder than the dogs. There were many ways to put cats into the game, and I just don’t think they hit as intended. 

So, how did they do with the competitions? Well. 

The short answer: they’re pretty bland, and a downgrade from the original.  The long answer... 

[Image ID: a white cocker spaniel chewing on a banana lure.] 

In the competitions, there’s no more Ted/Archie banter. It’s just Ted. Doing his thing. I honestly do not read the text for this game, and instead tap quickly to progress to the events. 

Replacing Agility comes Lure Coursing. I’m not sure about other countries, but that’s an incredibly niche section of dog sporting here, and it’s also notorious for being...very boring. And in the game, it lives up to that. Instead of guiding your dog through obstacles, you wind the cog of a lure and honk it to get the dog to follow it. Sometimes you honk it to get them over hurdles. I have to admit, I usually space out when I’m training my dogs with this - it’s an easy moneymaker once you’ve trained them up to Nintendogs Cup level, but it’s easily the most mind-numbing event. Anything would’ve been better. If they didn’t want to implement Agility, there are other dog sports that could’ve suited well; guiding your dog through the Flyball course and using its name to bring it back until it could do it on command (maybe even utilising a team of three, for reason as to why you can have up to three dogs), or sledding, using your dog to pull a lightweight sled (on wheels) through a course in a race against other dogs (or, again, even using your trio). There could have even been scenting sport in which you teach your dog how to scent and go off to find a mark, or herding. The point is: lure coursing is the most unengaging thing to put in a game. 

The Disc competition barely changes, so I won’t say much. I don’t particularly enjoy having the other dogs in the ring to compete with as it becomes all too easy for them to interfere heavily with your own dog, but I understand why it was implemented and know that a lot of people enjoy it. I prefer the throwing speed and the control you can have over the disc, and will admit that overall, the Disc competition is generally improved. 

But then you come to the Obedience Trial. AR Cards are mandatory. You don’t have a surface to put your AR Cards on, or lost them years ago? Then you can’t do it. I actually ordered AR Cards, having thrown out my old ones due to damages and general...lack of use. As of this post, I have been unable to play the Obedience Trial, so I can’t say much on whether the system has improved. I do know that AR Cards can work on a laptop screen or something similar, but the 3ds camera is pretty horrible and can glitch out, making it unreliable for screen-based AR cards. Unfortunately. 

[Image ID: a white cocker spaniel standing on an AR Card.]

The walking system is fine. I love being able to go to different routes (as limited as they can be - but the original was no saint to repetitiveness once you knew the whole map), and I like having to go between grass patches, with a chance for a surprise present. I think the addition of the BARC stores are a cute touch, and the Miis walking their own dogs are cute, too. The interactions between your dog and theirs is based on your dog’s personality as well as theirs, which makes sense - but there’s basically three outcomes. More than the original, but meeting with other dogs tends to be to see if you can backtrack when you’re near the end of the walk by having them invite you to the cafe or park, or to get presents from Streetpass miis. I like the cone minigame to test your control over the dog and its leash, and as a rule, I just...like it. It’s relaxing. I don’t prefer it over the original, but I don’t prefer the original over it. They both have their benefits and downfalls. The biggest upside to + Cats’ system is that you can take your dog on as many walks as you want. 

Interactivity isn’t really a thing, with + Cats. Whereas in the original you could legitimately piss off your dog and it would bark and snarl at you for a while before you regained its trust, this game doesn’t punish you for much. I poked and prodded at my dog for a while, and it didn’t really do much for me. This is a game where you sort of just have cute looking models that hold up surprisingly well for their time, and that’s it. There’s not much game to the game, as it were - and that’s from a game where the gameplay was limited as it was. 

Adding multiple accessories to your pets is a very nice addition, albeit expected. Overall, though, the gameplay has been significantly dumbed down and while I understand that kids play it, my generation played Nintendogs as small children and we got by just fine. It’s a very intuitive game, and it’s almost insulting how little Nintendogs + Cats thinks of its audience. 

Another nice addition to Nintendogs + Cats, though, is body type for your pets. There’s a few that your pet can be: underfed, skinny, optimal, plump, and overfed. I usually have optimal dogs, but apparently plump and overfed dogs run slower and as such they do poorer in competitions, which is a pretty neat feature to have in-game. 

In the short of it, Nintendogs + Cats is fine, but Nintendogs (the original) is Good. I have a lot more nostalgia for Nintendogs which may cloud my opinion, but playing it in 2020 is still fun, and I’m especially happy to play the Agility competition.

For an interactive pet simulator with fun competitions and plenty to do, Nintendogs is the way to go.  For a pretty enough game with simplistic gameplay, Nintendogs + Cats is the way to go. 

Both games have their perks, but I certainly have a clear favourite. If a Switch edition of Nintendogs ever happened, I’d much prefer the original style with some of the quality of life changes made in the successor. In the end, it’s all up to what you’re looking for in a game - but as someone who’s looking for a fun time, I’m a sucker for the originals. 

(Note: I have not played the knock-off Nintendogs for Switch, and would appreciate input on if it’s worth buying or not. Reviews are poor at best, as far as I can tell, though.) 

[menswearmusings]

Dreaming of the Perfect Tan Summer Sportcoat

I don’t know what it is about a tan summer suit or sportcoat, but even when I was a teenager I liked how it looked. One of the first suits my parents bought for me when I was old enough to be part of the buying process was a shade of tan (though in a gabardine wool or something). And looking back, I think I’ve bought, worn and sold around 10 different tan jackets—all looking for the perfect one. Unfortunately the fashion cycle that makes certain color hues popular have just not been on my side this past decade. Usually there’s something about the color of the tan that turns me off—sometimes it’s too yellow, sometimes it’s too beige. Sometimes the fabric isn’t great or the style details aren’t to my liking. I think I’ve explored most of the different variations that you can in this realm. Read on for an overview of those, and at the end are links to the long list of great looking tan sport coats and suits this season from my favorite retailers.

Cotton khaki twill

The easiest to ones to find are unstructured and made in cotton twill fabric like you’d find on chinos. Ralph Lauren, Brooks Brothers, J.Crew all make them. In fact two of the first ones I bought were cotton jackets like this. They can be a slightly more dressed up alternative to a lightweight jacket, but as a warm-weather fabric, the dense twill is not your friend. That said, since they exist on the casual end, they’re easy to throw on and look good with jeans, and even just a t-shirt underneath.

A J.Crew khaki jacket, Obidos, Portugal, 2010

Cotton suiting

Cotton suiting is also a route I explored, and in fact that was my very first foray into this realm. In 2008 I bought a cotton sateen stretch suit from Express, which I wore for a few years, including at my university graduation. Today, I’d avoid the sheen of something like that and go for Drake’s in cotton drill, which is another twill. It’s not going to keep you very cool in the hottest, most humid temps, but on the flip side it can be worn in the cold months and still look good. Drake’s creative director Michael Hill wears their cotton drill suits, and favors them because they gain so much character after lots of wear, much like a pair of raw jeans do. Other brands like Brooks Brothers, Southwick, Hickey Freeman, and Samuelsohn make tan cotton suits, too, in poplin. But of course, I prefer the style and design of the European makers.

Express cotton sateen stretch tan suit, 2009

Pure linen

Linen is the natural summer fabric choice for something like this, for those who embrace the wrinkles it brings. Heavier Irish linen has a better drape than lightweight linen like most Italian mills make, but almost defeats the purpose of linen if your intent is to have something that wears cool in the heat. Either way, a broken in wrinkled tan linen sportcoat is an awesome thing. Worn with pale blue shirt and white or off-white trousers, you can’t go wrong. I’ve never owned a pure linen jacket myself, though I almost pulled the trigger on one last season from Spier & Mackay in a light brown glen plaid fabric.

Spier & Mackay light brown linen jacket I tried but returned, 2020

Linen blends

I have, however, owned one in a linen blend, which is probably the best way to go. Wool-silk-linen is a fairly typical blend of fabrics that helps even out the wrinkle of the linen fibers while also adding visual texture all its own. One such sportcoat I had that I felt was just about the perfect color was from PoLo Ralph Lauren (I ultimately sold it because I preferred the design and styling of other makers). There’s also just a plain wool-linen, like the gorgeous and perfect Sartoria Carrara jacket at No Man Walks Alone made in a Marling & Evans cloth from last year.

Linen-blend Polo Ralph Lauren tan jacket, Southern California 2014

The most recent tan jacket I owned looked like a linen blend but was in fact something different: hemp and wool. After buying and reselling time after time and feeling neurotic about it, a few years ago I just decided to buy something and accept it. I wore it a few years but ultimately, the beige color just wasn’t my favorite. Actually I owned two different hemp jackets over the years; I’d owned then sold an earlier, chunkier fabric that was much more “greige” and was 100% hemp, which I was dissatisfied with the length of back in 2015.

Chunky hemp Eidos jacket, 2015

Finer-weave hemp-wool blend Eidos jacket, 2018

This season’s outstanding crop of tan jackets and suits

This season it’s like every shop I normally buy from has a tan jacket in a beautiful, just-about-right color. When it rains, it pours! Where were all these 5 years ago?!

That previously mentioned No Man Walks Alone x Carrara jacket is the top choice right now (though it’s sold out in nearly every size at this point).

My new favorite entry-level tailoring shop Natalino has a pure linen jacket in what they call “rope” that looks very appealing in the studio photos.

Drake’s is also carrying pure linen suit separates in a warm shade of tan that feels just right.

The other stand-by’s for entry-level Suitsupply and Spier & Mackay typically do something in an attractive shade of tan or light brown each year, this year being no exception. Spier’s is a linen-wool blend jacket in a lighter tan called “sand.”  Suitsupply’s best offering is a light tan in an unstructured model.

The Armoury has a wonderful linen herringbone jacket (albeit in their ventless Model 12).

They also have an all-silk hopsack cloth tan jacket in their Model 3 that looks really great.

Anglo-Italian has a slightly darker tan linen herringbone in their excellent single breasted model, as well as a khaki suit.

Polo Ralph Lauren has a 3-piece suit separate in plain cotton stretch, and a jacket in a bizarro stretch fabric combo that nonetheless looks pretty good.

How about you? Does the tan summer sportcoat hold such a powerful sway over you as it does me? Let me know in the comments below! And which of the ones I linked is your favorite?

(Help support this site! If you buy stuff through my links, your clicks and purchases earn me a commission from many of the retailers I feature, and it helps me sustain this site—as well as my menswear habit ;-)  Thanks!)

If you’re just getting into tailored menswear and want a single helpful guide to building a trend-proof wardrobe, buy my eBook. It’s only $5 and covers wardrobe essentials for any guy who wants to look cool, feel cool and make a good impression. Formatted for your phone or computer/iPad so it’s not annoying to read, and it’s full of pretty pictures, not just boring prose. Buy it here.

Eidos wool solaro suit jacket I tried on in a shop and was desperately tempted by, 2017

Honey brown Eidos jacket in a super lightweight wool/silk/linen. The color of this jacket was a mistake (the factory mixed up which fabric the coats were supposed to be made in). I might’ve bought it, but my size sold out and the next size up, pictured, was just too big. 2017

Eidos beige with teal overcheck jacket in wool/silk/linen. Eidos always tended greige with their beige/tans, and I just never loved it. I sold this later. 2017

Catch and release D’Avenza jacket in a cotton blend of some kind I tried on via eBay.

This Polo Ralph Lauren wool/silk/linen jacket is probably the ideal color; I sold it only because I was starting to ramp up Italian jackets from Eidos. 2014

Totally unstructured Brooks Brothers tan canvas jacket that fit terribly in the shoulders. 2013

Read more at Menswear Musings

[nothingisliteral]

Literary Agents Accepting Queries 2020

A note; these agents are according to my research as of June 12, 2020. To find more information on these agents, just look up their name and agency. How to query to these agents differ, so it would be wise to look into them more. Bolded is the categories, genres, and/or tropes that said agent is interested in. This list was put together by me, and it was only the agents who’s name start with A. Even though this is labeled as YA, many of these agents are interested in other genres.

* Adria Goetz (Martin Literary Management), Mill Creek, WA General fiction Suspense/thriller Fantasy/science fiction Juvenile fiction Religious

* Adriann Ranta Zurhellen (Foundry Literary + Media), New York, NY all genres and for all age groups, but has a penchant for edgy, dark, unusual voices, unique settings, and everyman stories told with a new spin. She loves gritty, realistic, true-to-life narratives with conflicts based in the real world; women’s fiction and nonfiction; accessible, pop nonfiction in science, history, and craft; and smart, fresh, genre-bending works for children.

* Adrienne Rosado (Stonesong Literary Agency), New York, NY adult and children’s fiction, as well as select non-fiction in the areas of pop-science, business, memoir, and humor. In both adult and children’s fiction, she is looking for contemporary, mystery, historical, thriller, fantasy, and anything with a wickedly dark sense of humor. She’s especially drawn to multicultural fiction, lgbtq+ works, and stories about people from atypical walks of life. She is not currently looking for poetry or children’s picture books.

* Agnes Carlowicz (Carol Mann Agency), New York, NY both fiction and non-fiction, with a special passion for literature that amplifies underrepresented voices and subverts the status quo. Among others, she enjoys: intersectional feminism, millennial self-care, female-driven memoir, true-crime, and humorous pop culture.

* Aimee Ashcraft (Brower Literary & Management), New York, NY busy seeking out stories that feature all-encompassing worlds and compelling female characters. She loves books that are told from an original point of view and are more addictive than a good Netflix binge

* Albert Longden (Albert T. Longden Agency), Bloomfield, NJ (AAR Member) General fiction, Mystery, Romance, Suspense/thriller, Fantasy/science fiction, Biography, Business/investing/finance, Sports, Paranormal (want writers that are preferably experienced and are willing to listen to productive critiques of their work)

* Albert Zuckerman (Writers House), New York, NY books in all adult categories, fiction and non-fiction. And lately I’ve been enjoying working with some YA and Middle Grade authors. I'm interested in working with a few more novelists, literary and commercial

* Alec Shane (Writers House), New York, NY mystery, thrillers (though he’s experiencing terrorist fatigue at the moment), suspense, horror, historical fiction, literary fiction, and middle grade and young adult fiction. He DOESNT want Romance, straight sci-fi, high fantasy, picture books, self-help, women’s fiction, food, or travel memoir.

* Alex Glass (Glass Literary Management), New York, NY General fiction, Mystery, Suspense/thriller, Juvenile fiction, Biography, History, Mind/body/spirit, Health, Lifestyle, Cookbooks, Sports, Literary fiction, Memoir, Narrative nonfiction, Pop culture

* Alexa Stark (Trident Media Group), New York, NY drawn to literary debuts with a unique voice and perspective, stories about dysfunctional friendships and families, edgy coming-of-age tales, character-driven suspense and thrillers, and fiction that delves into the surreal

* Alexandra Levick (Writers House), New York, NY Picture book author-illustrators, a wide range of middle grade and YA, and more speculative-leaning or genre-bent upmarket adult works. I’m committed to working with writers from diverse backgrounds and am looking to put forth a list of outstanding creators who will be able to provide windows, mirrors, and sliding glass doors (thank you, Dr. Rudine Sims Bishop) into all kinds of experiences. I’m particularly looking for own-voices stories about historically underrepresented characters, identities, and cultures.

* Alexandra Machinist (International Creative Management), New York, NY Commercial fiction Literary fiction Upmarket women's fiction Historical fiction Suspense Fantasy Young adult Middle grade

* Alexandra Penfold (Upstart Crow Literary), New York, NY specializes in young picture books, middle-grade fiction, and young adult

* Alexandra Weiss (Jennifer DeChiara Literary Agency), New York, NY contemporary, magical realism, and light SFF. I’d also like to see more rom-coms that make my heart feel warm. dedicated to representing marginalized creators and diverse books, including #ownvoices. I’m actively seeking LGBTQIA+, POC, gender fluid, neurodiverse, and disabled voices for all age ranges and across all genres.

* Alexis Hurley (InkWell Management), New York, NY domestic works in the areas of literary and commercial fiction, memoir, narrative non-fiction and more

* Ali Herring (Spencerhill Associates), Lakewood Ranch, FL I’m open to all YA: Contemporary, fantasy, sci-fi, speculative, horror, romance, issue books (though I have a few already on my list so not my top choice), etc. All the contemporary fantasy right now. Contemporary with a speculative element YA suspense/thrillers All the horror right now, or horror-bordering Anything with an edge Fun teen romance like To All the Boys I’ve Loved Before Vibrant Teen rom-coms Dystopian or failing Utopia/Utopian worlds (fresh government or control system in place or none at all) Near-future dystopian where the world is not cleaned up and pretty. I want a sense of the horror but without tons of gore. Bold unexplored settings

* Alice Martell (The Martell Agency), New York, NY Open to all/most Genres Excluding: Fantasy, Science Fiction.

* Alice Speilburg (Speilburg Literary Agency), Louisville, KY In YA Fiction, I'm looking for diverse retellings of classic stories, stories rooted in mythology, contemporary fantasy with magical/supernatural worlds alongside our own (but not necessarily "urban," rural & suburban magical systems could be nice). Across the board, I'm looking for an inclusive cast of characters, across gender, sexual orientation, race, religion, and mental health spectrums.

* Alice Tasman (Jean Naggar Literary Agency), New York, NY Alice's fiction tastes, for young adult and adult books, ranging from commercial, literary fiction and history to thrillers and suspense, and women's fiction.

* Alicia Brooks (Jean Naggar Literary Agency), New York, NY she is looking for Memoir, Narrative Nonfiction, Self-Help, Pop Culture, Literary Fiction, Commercial Fiction, YA Fiction, Mystery/Crime, and Historical Fiction

* Alison Picard (Alison J. Picard Agency), Cotuit, MA Adult fiction and non-fiction, children's and young adult NO: short stories, poetry, plays, screenplays or sci-fi/fantasy.

* Allison Hunter (Janklow & Nesbit Associates), New York, NY literary and commercial fiction, especially women's fiction, as well as memoir, narrative nonfiction, cultural studies and pop culture. She is always looking for funny female writers, great love stories, campus novels, family epics, smart beach reads and for non-fiction projects that speak to the current cultural climate

* Alyssa Jennette (Stonesong Literary Agency), New York, NY children’s and adult fiction and picture books, graphic novels, and select pop culture nonfiction. She values diversity and inclusion; in fiction she enjoys ensemble casts with distinct voices, stories about poor characters and communities, and formats that are specific to a story and give it its own context. Alyssa is particularly interested in art/art history/art conservation, archaeology, mythology, language/translation, and criminal justice reform

* Alyssa Reuben (Paradigm Literary and Talent Agency), New York, NY adult, young adult, and the occasional middle grade fiction as well as smart, platform driven, nonfiction ranging from pop-culture, lifestyle, cookbooks, and narrative to memoir. She gravitates toward voice-driven non-fiction presenting a fresh point of view and particularly loves novels with an edge or a great romance arc.

* Amanda Leuck (Spencerhill Associates), Lakewood Ranch, FL contemporary and speculative fiction that explore social issues, YA fantasy based in mythology across cultures, historical novels that spark my need to know more, characters with disability, chronic illness or mental illness - that doesn't necessarily drive the plot, #ownvoices, women and girls in STEM, romantic plots and subplots that surprise me, LGBTQIA+ characters, the intersection of science and religion, or magic and convention, where what is real is not clear, animal and ecological themes

* Amanda Rutter (Red Sofa Literary), St. Paul, MN Open to a broad Audience, including: Adults, Middle grades, Young adults. Fantasy. Science fiction.

* Amelia Appel (Triada U.S. Literary Agency), Sewickley, PA For YA, she is particularly interested in stories with a savvy protagonist and a slightly dark tone that deal with serious coming-of-age issues well.

* Amy Elizabeth Bishop (Dystel, Goderich & Bourret, LLC), New York, NY Fiction-wise, I'm interested in both upmarket and literary women’s fiction, mysteries, and fiction from diverse and underrepresented authors. I'd love more literary fiction from women of color. I'm choosy about my historical fiction, preferring it voice-driven and female-centric, focusing on the stories of those that history has largely chosen to not tell. [[A bit tuckered out from American Revolution, Civil War, WWII, and Vietnam War, so I'm not really looking in that space.]] I'm always interested in stories that are not set in Western Europe or the East/West Coast. I'd love to see more speculative fiction/light horror, though I'm not as interested in science fiction or fantasy in the adult space at this time. I'm also looking for a literary thriller/literary suspense a la THE TWELVE LIVES OF SAMUEL HAWLEY or BARBED WIRE HEART. In YA: would love a smart contemporary rom-com that isn't just boy meets girl in high school (or if it is, it has to be a seriously new story), a fascinating, creepy retelling in the vein of Carmen Maria Machado, and light horror. I'd love to find a multi-generational story and am particularly interested in the intricacies of family (and sister!!) relationships. I'm a sucker for stories that take place in closed environments (like boarding schools) and though I appreciate romantic elements, I'm also eager to see narratives where a happy ending for women isn't necessarily a relationship. #ownvoices, always, please. Anything with some serious creep to it!

* Amy Brewer (Metamorphosis Literary Agency), Kansas City, MO She’s seeking: Romances of all kinds; if your plot revolves around love or angst or both, send it to her. She is also looking for general fiction, LGBTQ+, women’s fiction, book club reads, and quirky humor.

* Amy Jameson (A+B Works), New York, NY loves children’s literature, and is actively seeking Middle Grade and Young Adult projects.

* Amy Rennert (The Amy Rennert Agency), Tiburon, CA General fiction Mystery Biography Business/investing/finance History Mind/body/spirit Health Lifestyle Sports Literary fiction Narrative non-fiction especially memoir and reportage

* Amy Stapp (Wolfson Literary Agency), New York, NY Mystery/suspense Contemporary romance Contemporary coming-of-age Historical fiction Southern Gothic

* Amy Stern (Sheldon Fogelman Agency), New York, NY Summer camps, boarding schools, reality television, kids who are in some way extraordinary, puzzles, puns. I really love stories that involve close family relationships that both enhance and complicate the protagonists' lives. I want to see more mental illness stories that aren't just about diagnosis and LGBTQIA+ stories that aren't just about coming out.

* Andrea Barzvi (Empire Literary), New York, NY General fiction Romance Suspense/thriller Juvenile fiction Biography Business/investing/finance Mind/body/spirit

* Andrea Somberg (Harvey Klinger), New York, NY Upmarket fiction (i.e., bookclub fiction) that has a twist or sheds light on an intriguing issue Novels that explore cultural heritage YA or Adult novels that are based on a true story from the 20th century YA contemporary love stories/romantic comedies Epic fantasy, especially ones set in a non-Western culture, military sf or space opera Magical realism for the adult, YA or MG market. YA and MG novels that feature diverse protagonists YA psychological thrillers MG mystery novels MG novels that are funny and are illustrated MG or YA novels that'll make me cry Nonfiction for MG or YA audiences Any novel with great characters and a compelling storyline Unique nonfiction

* Andy Ross (Andy Ross Literary Agency), Oakland, CA (AAR Member) narrative non-fiction, history, politics and current events, science, journalism, cultural subjects. We also work with literary and young adult fiction

* Angela Rinaldi (The Angela Rinaldi Literary Agency), Los Angeles, CA (AAR Member) I am actively looking for fiction commercial, literary, mainstream women’s fiction, multicultural, suspense, book club fiction – novels where the story lends itself to discussion.

* Anjali Singh (Ayesha Pande Literary), New York, NY Her interests are wide-ranging and include literary as well as popular fiction, young adult, women’s, African-American and international fiction. She is also seeking authors of nonfiction, including biography, history, popular culture, cultural commentary, and memoir. She is particularly drawn to distinctive, original voices.

* Ann Behar (Scovil Galen Ghosh Literary Agency), New York, NY searching for wonderful children's books, from picture books to YA, ever since. I am looking for anything that is beautifully written, with a strong, distinct voice and characters that come alive on the page. Ideally, a book should grab my attention from the very beginning and hold it there, and leave me thinking about it for a few days after I am finished.

* Ann Rose (Prospect Agency), Upper Montclair, NJ YA of all genres: But especially stories that have heart and humor. I want you to transport me to new worlds--even if those "worlds" are in the middle of Iowa. But especially if its fantasy, I really want you to take me there and show me something I haven't seen before. I'd love some fantasy that's based on something other than western cultures. I'm always looking for strong character who are willing to stand up for their convictions--whether it be with their brains or their brawn. Give me fabulous friendship stories (and some no so fabulous ones). LGBTQIA+ stories!!! I'd still really love a story where two girls are running against each other for class president and then they fall in love. In both YA and MG I don't shy away from stories that deal with issues kids are dealing with today. I will say, if you are going to discuss topics like suicide make sure you've done your homework--proper language matters. I'd love to see more YA thriller--not necessarily gore but a story that keeps me on the edge of my seat, guessing until the very end. I'm still looking for my YA version of CLUE (and if it has three different endings, even better.) Which means mystery is a go for me, too. I'd love some YA that deals with toxic masculinity. A funny how to survive high school book with tips and tricks how to make the most out of your four years would be good. Show me characters who are beautifully flawed doing the wrong things for all the right reasons. Give me body positive MC's. Unique sports books--crossfit, ultimate Frisbee, rock climbing, mountain biking, roller derby, and even speed walkers. Oh, and twins - good twins, evil twins, twins that get along, twins that don't, rom-coms where twins switch places and hijinks happen... anything goes. Historicals that tackle things other than WW2--bonus points if there are badass women in in history.

* Anne Bohner (Pen and Ink Literary), New York, NY commercial women's fiction, romance, YA and popular nonfiction.

* Anne Hawkins (John Hawkins & Associates), New York, NY (AAR Member) Fiction of all sorts, non-fiction (contemporary journalism, history, biography, etc.), juveniles (although primarily young adult and middle grades, since we don´t specialize in illustrators, but having said that I should add that we represent several of the best), science-fiction and fantasy.

* Anne Tibbets (Red Sofa Literary), St. Paul, MN Right now, she's acquiring YA and Adult: Thrillers, Mysteries, Horror, Romance, Science Fiction, Fantasy, and Historicals.

* Annelise Robey (Jane Rotrosen Agency), New York, NY women’s fiction, romance, historical fiction, YA, fantasy, mystery, and suspense, and is always looking for exciting new voices in fiction

* Arielle Datz (Dunow, Carlson & Lerner Literary Agency), New York, NY (AAR Member) She is looking for literary and commercial fiction (mostly adult, some YA), featuring unusual stories and voices.

* Ashley Lopez (Waxman Literary Agency), New York, NY Ashley is looking for literary and young adult fiction, narrative nonfiction, memoir, and cultural criticism. Most importantly she seeks authors with a strong point of view and an eye for language.

This is the end of my fist alphabetical list of agents accepting queries in 2020. I hope this list was helpful to you, and wish you good luck in your querying!