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fatesundress · 2 years ago

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⭑ observations. tom riddle x reader

part ii here.

summary. you've been going to hogwarts for four months, and find this whole school-wide obsession with tom riddle a little bit ridiculous, and a little bit contrived. surely not all the rumours are true...

tags. smut (minors dni -_-), fem anatomy, fingering, reader who is soooo in denial, trying to worm into tom's brain like a parasite and failing miserably (me projecting), i think reader is implied to either be short or tom is implied to be tall, ooc tom because i am so far from the belief that he would ever just spontaneously hook up with someone but… it is what it is.

note. this is my first post so support is much appreciated!! god forgive me, i've never written smut in my life, and it's safe to assume any smut i write within hogwarts is a university au — these people are all 18+ tyvm. also, i tried my best to make reader fairly neutral, but it's late, and if i've fumbled over some description bc i'm sleepy i shall fix it in the morning ♡

word count. 5.1k

Your first observation is that nobody has Tom Riddle quite right.

He’s beautiful, yes (obvious, repetitive, shallow), and undeniably intelligent (being paired with him in Potions has proved that in a matter of weeks), untouchable (this one is a bit interesting), and, above all, unusual. The latter you like the most. It makes you feel unabashedly exceptional in all the very unexceptional gossip about him. No one ever uses that word to describe him. A rarity of charisma and charm — austere, refined, and clinically polite. Unusual has a negative curve to it that most people don’t attach to the elegant litheness of Tom Riddle, but your observations cannot be stated without the word.

It’s prompted and peddled by Selwyn’s much-too-enthusiastic vehemence in the wake of your first.

You narrow your eyes at her and say it again, no less certain than the first time. “Tom Riddle has not had sex with half the school.”

It’s a bit of a jump. Some necessary context is removed.

Riddle, once more, rarity of charisma and charm and austere blah blah blah, has been rumoured since you arrived this year from your last school to be some silent conqueror, oh-so nimble with his hands and nimbler even with his other appendages, and you — you’ve only been here four months and it’s laughable how many people believe it.

Backtrack to untouchable (this one everyone agrees is a primary characteristic of Tom Riddle, there’s no debate there) and the reason you find it interesting. Untouchable doesn’t exactly work if everyone in the bloody castle has been touching him this whole time. And it’s not as if he could hide it, not as if people wouldn’t be giddy to tell their friends of their exploits with the beautiful, revered Head Boy. And such exploits would be whispers among the halls in a matter of hours. You’ve considered this, with almost scientific determination, and it’s impossible. Tom studies all day, and when he isn’t studying he’s corralling Slytherin first-years away from forbidden corridors, attending to Dippet’s newest errand, escorting third-years to Hogsmeade, dining with the Slug Club, and — point is, someone would have noticed by now if he was disappearing into broom closets with a new lay every weekend.

But Selwyn shakes her head, because this rumour is such an integral part of Tom’s allure. He is, somehow, both untouchable and a master at touch. Distant until he isn’t, and then he can break you apart with practised, perfect hands. It’s all very mythical.

“Look,” she says, “maybe if I’d only been here four months, I’d think so too, but everyone else knows—”

“Maybe it’s because I’ve only been here four months that I have the objectivity to recognize how ridiculous you all are. He’s not a god, Selwyn, he’s a scholar, and an obsessed one at that — has it ever actually occurred to you he might not have had sex at all?”

This, now, is sacrilege.

Selwyn gapes at you, and you shake your head in surrender before you burst out laughing at how offended she looks. “Fine, whatever. Consider the matter dropped. I give up.”

You don’t really give up. It’s very fun research.

Your second observation is that unusual is not an apt enough word for Tom, and maybe you don’t possess the vocabulary to think of one that is.

You’re in the Restricted Section. This is unrelated to your Tom research, and perfectly sanctioned, with a key granted by the librarian who you feel sorry to admit you have not remembered the name of, and the library, by all means, is still open. It’s a late Thursday night, but not past curfew. You’re there with a study partner you rather wish you weren’t — Gregory Godefrey, Gryffindor (the alliteration is nauseating), and the only half-decent fellow in your Ancient Runes class, but not especially bright. You feel more like his tutor than his partner. In short, the regular books on the topic you’re writing your end-of-term essay on are slim pickings, and thus — Restricted Section.

“So,” you say, “the scriptures might look the same, but they’re written in vastly different time periods, so the meaning has changed. If you were to charge a spell with one of Ashe’s runes now, there’s almost no doubt you’d get a completely different result.”

“I don’t get it,” Godefrey grumbles sleepily into his sleeve. “How’s anyone meant to use runes if they can just change like that?”

You sigh, shaking your head. “Any magic can change, Godefrey. Half of the stuff we learn is based on intention and skill. Uagadou barely even uses wands — all of this is arbitrary.”

“My head hurts.”

“Then… just… just go to bed. I’ll finish up here and we’ll try again on the weekend.”

He grins with heavy eyes, lugging his bag over his shoulder and leaving you a packet of sherbet lemons you bitterly wish he’d pulled out sooner. “Wicked — you’re the best. See’ya.”

“See you…” you mumble, unwrapping one and popping it in your mouth.

You don’t stay for long, twirling the key to the Restricted Section around your finger as you tuck your books back into their shelves.

“It’s ten past curfew,” says a voice from behind you, all cool, measured authority, and you nearly collapse.

You stare up from where you’re grabbing onto your knees for balance, your heart halfway out of your chest.

Tom Riddle is there, his Head Boy badge somehow still glittering in the dim light of the library, and it’s only by the half-smile quirking at his lips that you can detect his words weren’t some sort of threat.

“Right, thanks.” You gather your breath. “I was just leaving.”

“Pity about Godefrey.”

You blink. Having worked with Tom in Potions since September, you’ve become perfectly adjusted to speaking to him… only about Potions. He indulges in polite small talk, he smiles freely, but your distance from him is the same as it is with everyone else, if only for the fact that, you suppose, you aren’t actively pursuing anything closer.

Oh. That is interesting — would he be so easily intrigued? It’s a bit cliché, but you suppose he is too.

You’re making an awful lot of assumptions from the words ‘pity about Godefrey,’ and then, you don’t actually have a damn clue what Tom could mean by that.

“Sorry?” you ask.

“Godefrey,” he repeats. “I assume you’re being made to tutor him.”

Right. He must have seen him on his way here. That would make sense.

“No, actually. It’s entirely voluntary — he’s my study partner for Ancient Runes.”

His chin lifts in some nearly imperceptible way, smiling still, and you know he’s a polished thing, an unusual thing, but it reads as an especially fake smile then. “Ah.”

… Oooookay?

“Well —” you start, a mechanical smile of your own forming — “curfew, then.”

The charm fixes onto his face like a damn ornament. You want to flick it away with your finger. “Of course. I’ll see you in Potions?”

You nod, leaving the key behind the librarian’s desk as you slink awkwardly away. Into the corridor. Off to bed. Yet another note to scrawl on the enigma of Tom Riddle.

You see him again first thing in the morning. You’re yawning into the archway of Slughorn’s stuffy classroom, eager to dump your bag over your table and empty the many contents necessary for today’s lesson.

There’s one girl, the oldest of the Lestranges, who glares daggers into the back of your head every class. Tom is, as always, nonplussed, asking you about your morning as you both prepare your phials and ingredients. You can’t help but shake your head at him this once, a bemused smile on your lips as you glance between him and the Lestrange girl.

“Have I offended her somehow, or is it just that I’m paired with you?”

He laughs under his breath. “I daresay that is the offense.”

You can’t help it. You’re mumbling to yourself in amazement at the bizarre, borderline cultish devotion this school has to Tom Riddle. “Unattainable commodity that you are, Riddle…”

“Well," he begins, his smile small but his voice amused, “I hope you don’t think of me as quite that far outside your grasp."

You freeze.

Are you — have you missed something? Has your casual (really, very casual and not at all unwarranted or peculiar) research for the sake of dispelling Selwyn’s obsession skewed your memory of Tom? Has he always said things like this to you? Have you always read into them like this?

One of his eyebrows rises, and it might be his notorious flattery — but if so, he makes it sound like an obvious truth, and you stammer over the jar of foxglove in your hand. Then you look away, unscrew it, do well not to put too much weight on his words.

“Hm. I have no need for you to be within it, Riddle." You say it with all nonchalance you can muster. To spit it at him in some aggressive dismissal would be to treat it like a big thing.

It isn’t a big thing. He’s talking to you like he talks to everyone else.

But you catch the barest flicker of disappointment on his face, a flash of something that might even be annoyance. Then, though, it’s gone, and he’s back to that same unshakable, confident smirk.

As the lesson proceeds, he’s once again the sharpest thing in the room.

You watch for him in the library that weekend, a bit distracted while you and Godefrey study. Without your guidance, there isn’t much studying occurring at all. Godefrey is sort of skimming the pages of a textbook, yawning, as always, like he’s never had a good night’s sleep in his life, and you’re suckling sherbert lemons until the roof of your mouth feels raw.

“What was it you said about Calarook’s Method?”

Your eyes snap from the empty doorway to Godefrey’s face. “Huh?”

“Calarook’s Method.”

“Oh.” You sink boredly into your seat, twirling your quill between your fingers. “It revolutionised the usage of runes globally. She incorporated — um — a much simpler means of translating the scriptures for different methods of magic.”

“Ohhhh, I remember now. Did you write that down?”

“Yes, Godefrey, I wrote it down.”

The final hour before curfew dwells agonisingly longer than it should. It feels like three, at least, until you’re packing your things and bidding Godefrey goodnight, tired legs dragging you down the corridors.

And then you straighten. You stand tall. (You’re absolutely normal about the sight before you.)

Tom smiles at you as he turns the corridor to approach.

“On patrol?” you ask in a friendly tone.

You’re… friends, right? Being someone’s Potions partner for four months qualifies as some degree of friendship, does it not? After all, he did say not to think of him as too far outside your grasp. That was a line if you’d ever heard one, but — you could be Tom’s friend the way everyone is his friend: wholly detached until you were needed.

“Leaving detention,” he answers with a timbre to match.

Your eyebrows raise at that.

“Leaving the second-years I watched in detention, I should say.”

You shake your head. “I should have known.”

“And you?”

“Studying again.”

“Ancient Runes?”

“Mhm.”

“...With Godefrey?”

“That is the concept of a recurrent study partner, yes. It’s recurrent.”

He doesn’t look very much like he appreciates your sarcasm.

“So, then,” you mutter, clearing your throat. “Curfew, I suppose.”

“You performed well in Potions today,” he says after you. It feels like the sort of thing someone says when they don’t want someone to walk away.

You bite your cheek between your teeth — such assumptions will get the better of you. Such assumptions will lead you down a path of crude, obsessive analysis (though you suppose you’ve been doing that all this time, haven’t you?) where you think, in some unspooling knitwork, that there are really only a select few reasons he could want such a thing. Your mind draws to the irresponsible conclusion, as he walks toward you again, a new glint in his eyes, that it’s exactly the sort of thing someone says before rumour has it they disappear into the nearest broom closet with the one they approach. This, you’ve decided an observation ago, Tom Riddle does not do.

“Thank you,” you say carefully. “So did you.”

“We make for a good pair, don’t you think?”

Crude, obsessive analysis. “Slughorn certainly does.”

“And I am asking you.”

He stops a respectable, inviting space before you. His weekend attire is a grey jumper and black slacks, his dark hair in its regular, pristine waves, hands laced behind his back. Everything about him is a request to be met, and not to step forward and close the distance himself. Close the distance, pristine waves, inviting space — you’ve lost your damn mind. You sound like Selwyn. The sugar of a whole packet of sherbet lemons has rendered you imbecilic. You’ll be off to bed, then — sleep this absurdity off.

“Of course, Tom,” you say with a polite smile. “It’d be hard to disagree with the grades I get in that class.” You grab onto your bag to have something to do with your hands, to perhaps signify you’ll be making your exit now.

He seems a bit amused to have to contort himself through the specifics of his meaning. “I was referring to our… rapport.”

“Rapport?”

“We work well together. We communicate efficiently.”

We communicate efficiently? Damn if you couldn’t suddenly make sense of the rumour he’d be applying for the DADA post in the future — that one was definitely true.

“Yes, we do.”

He steps closer. “And I remain far outside your grasp.”

You blink, and there’s a stark, sinking feeling as your eyes drift over the unmarred ivory of his skin, his jaw, his throat, his — no, absolutely not his hands — and you let yourself wonder for the first time if the rumours, albeit exaggerated, have even a shred of truth to them. One exploit, perhaps, to satisfy his endless curiosity. Something academic, like — oh, God, like the way you’ve been studying him for weeks. His hands carving a path down someone’s body to etch it in his memory, another skill added to his arsenal, a new way to work his fingers without a wand, a new way to work his mouth without a word.

It’s only a moment that you wonder it. Some flash of pictures in your head. It is, nonetheless, a moment far too long, and one you don’t know that you can return from.

Tom looks at you from under his eyelashes with an expression that suggests he's the only one in on a very funny joke, and the air is… different. Thick like the Potions room but in a way that’s entirely unfamiliar, not cloudy with the steam of cauldrons but hazy with the proximity of him, cologne and quill ink and something you can’t catch because you’re trying too hard to breathe it all in at once.

But he steps forward again, and seems to say in the slow way he moves, that if you’ll let him, he'll place a hand on your shoulder, and if you’ll allow that — well — then he'll move that hand up to gently frame your cheek. And then, and you no longer consider yourself at all versed in the realm of Tom Riddle, but you think you know what’ll come next.

You allow all of it. You know very well in advance you’re going to allow all of it.

And still, like it’s a surprise, you shiver at the feeling of his hand on your cheek, at the gleaming, certain look in his eyes. Your gaze flickers to his lips for just a second (a fleeting, tiny second you pray fruitlessly he doesn't notice) but his lips curl into the barest of smiles. Something so like him, small but unrestrained, like it never had any hope of growing bigger, but then — you’ve seen the way he grins at you sometimes when you say something stupid in class — you know he’s capable.

“You know what I'm going to do, I assume," he says quietly. It's not a question, per se — more of a statement, and he keeps his eyes fixed firmly on yours as he says it. He's so close you can feel the warmth of his breath. And then he leans in so slightly it might be imperceptible if you weren’t staring, holding your damn breath. “Are you going to let me?"

“I..." You're humiliated to find you are actually struggling to speak. His lips are so close to yours you can feel the ghost of them, can imagine what they might feel like on you. Your mouth is very dry. “We’re… friends, right?”

His voice only wavers for a moment, even as his lips inch ever closer to yours. His voice is tauntingly low, and there's an intimate sort of smile there, a chastising, humorous gleam to his eyes. “Friends," he breathes, and then his lips do close that short distance, and you feel the barest trace of his mouth against yours — his lips, soft and supple against your skin. A moment's kiss. Gone as quickly as it came. “Should we be friends?”

You gape at him, breathing far too heavily for such a chaste kiss, and you imagine your eyes are blown wide, and you lick your lips for a reminder of his taste but it isn't enough. You don't think before standing on your toes to find his lips again. Of course, Tom is stood impeccably straight, his chin almost pointedly jutted so that he can look down at you, and you actually — it's horribly embarrassing — you groan, or whine, or make some sound of blatant discontent at the fact that your kiss doesn’t reach him.

To his credit, his laugh is a very small one. Had it been the other way around you would have been far less forgiving. “I suppose the answer is no, then?" he says, with the implication that the next move might be yours.

“Tom," you as good as hiss (really very foolish of you to use the word forgiving to describe Tom Riddle), “you're being... you're being mean." And you refuse to make the first effort again, even though you probably appear to be a train wreck, your chest is heaving, and you... you want him.

“Am I?" he asks, and he tilts his head to the other side, almost as if to get a better look at you. “How so?" You think he's enjoying himself far too much. But he remains where he is: close enough for you to reach him if you would just yank him toward you and be done with it, and far enough away that you can't take that step without giving him the win.

You stare at him for a long moment, and then with teeth gritted so tight you might chip one, turn to walk away. Tom makes some very hollow, annoyed sound at your stubbornness, and thank god you feel him behind you: soft, lulling, not so immovable as you.

You stop. His fingers brush your hair to the side. His mouth hovers over the skin of your neck. You shudder.

“Tom..." you sigh, half-exasperated, half-sighed, half-surrendered, but he doesn't answer or stop or do so much as acknowledge your mumbling. He only presses forward, until his breath is right by your ear and his lips, soft, gentle, are against the junction of your exposed neck, and you feel his mouth, the gentle pressure of his lips against your skin... so tender, so light that it doesn’t feel at all like something merciful.

It feels singularly, purposefully cruel.

Your third observation (if you can manage the thought) is that Tom is driven by your reactions. Every little mewl, every shudder, every gasp, he wants more of. He wants whatever you're willing to give him, and you suspect it wouldn’t be hard for him to take it all. Every movement of his hands, his mouth, his — oh, oh no — his tongue, abide by whatever you respond to most. He draws in patterns. He stops. Appreciates the speed of your pulse on the curve of your throat for a moment and then tastes it again. It doesn't seem like he particularly cares what he gets out of it. The intrigue for him is having the proximity (he greatly enjoys that you’ve allowed him it) and capacity (that, you think, he’s always had) to make you fall apart.

He's spinning you then, so you're pressed facing the wall, his chest against your back, and the way he whispers against your skin makes you shiver. You dare to think he feels it, his chest heaving against your back, his breath warm and steady by your ear. And as he kisses you you can't help but imagine what might happen if he were just a few inches lower, if he were to sink to his knees, kissing the soft flesh of your chest, and down, and down, and down…

Your eyes flutter closed, and it's clear you like what he's doing by the sound that escapes you — something loud enough for him to stifle your mouth with his palm. Perhaps a little too much. Perhaps you’ll be embarrassed about it later. But right now his tongue is brushing against your skin again, and there’s something very dizzying and hot that starts with his mouth on your neck and works its way down until it's a challenge just to stay standing. You wonder if he can tell just how weak in the knees you are right now, whether that only makes him push forward, and —

And that must be it. He must know, because you think you're trying to say something but you can't form the words, and he has to feel the reverberations with his teeth bracketing little violets on your neck, he must feel the way your legs buckle, how you're held up only by the weight of him behind you.

He must know.

He pushes forward, his fingers bury in your hair, and he pulls your head back slowly — not necessarily to expose you further, but to better see your face. Your eyes lock with his over your shoulder, and there's that hunger there, lips swollen with the print of you... and his voice, when he speaks, is as if he's only barely stopping himself. “Do you want me to stop?"

You shake your head before you think he’s actually finished the question, swallowing the cotton-dry feeling in your throat. No, no — him stopping is the very last thing you want — you feel entirely rational and not at all melodramatic in saying you might just die if he stops. You want more, and he's looking at you like that’s the only thing he’s ever wanted.

He bites down gently on your neck, and you gasp as your knees finally go out from under you (you almost think he planned for this with how quickly he catches you), and you wonder if he'll do something you can't bear; if you'll be reduced to a mewling, drooling mess before he's finished with you.

Your fourth observation — which really is the last one you can muster before it starts to melt into something else — is that you make him human in the only way he can understand: panting into him, fingers in his skin, white-hot and damp at the centre of his obsession. The object of his affection. You make him understand something more singular than ambition.

Want.

And then his spare hand is dipping past your skirts, and you dig your fingers into his wrist — the combination of the hardness pressed against your back, his hands marking a path to forbidden territory, his finger curling into your mouth as his lips continue their assault on your neck — it's too much. It’s deliriously, disastrously not enough. Your vision is starting to blur.

His fingers stop at the curve where your thighs part and you bite gently down on him to quiet the noise that wants to escape you. He hums against your throat, continuing to kiss and lick and bruise you. You're dazedly aware of the cool air on your thighs as your skirts halo your waist, the heat inside, the shudder as his fingers find your core, and carefully begin to circle you. You feel self-consumed, immolated, devoured and spat out again. You feel like you're still falling, and Tom is the only force that keeps you standing.

He draws in slow, expert patterns — and you think, nonsensically, somewhere very distant where you still have sense, that they can’t be expert, he must have read something or observed some — oh. He’s pushing the thin fabric aside until his fingers are pressed directly against your flesh, and he makes a satisfied noise in the back of his throat as the evidence of how much you need this soaks his fingers, as they begin to sink in without resistance. Oh. Right. You don’t remember exactly what you were saying.

You gasp at the feeling of having him inside when they finally curl into you.

His finger is pulled from your mouth with a small pop, and you can’t even really muster the capacity to be embarrassed by the lewd, wet sound of it. He watches you over your shoulder, at his fingers vanished between your legs, at the drool clinging to the digit he’d quieted you with. He’s smiling into your neck now, proud and grateful all the same.

“Mine,” you think he murmurs, but it’s more something you feel than hear, some vague, hazy consonants pressed to your throat. It would be very like him, so you decide that yes, that’s probably what he said. And there’s something funny about it — the idea of being his — about what it means for him to want you so badly that he says it out loud. It feels a little bit like he’s yours, too.

Tom’s breathing is harsh, the fingers inside you moving as if they have a will of their own. Every muscle in your body constricts and squeezes around them; every cell, every neuron, comes roaring to life; and you’re fucked. You’re so completely fucked. His teeth scrape against you again, wholeheartedly pleased. This is what he wanted to see — the utter loss of you — when you are nothing but sensation, barely aware of your limbs as they slump against him. Tom is it; Tom is the only thing you can think of.

Tom is, inexplicably, upsettingly good at this.

“Look at you," he says softly. And his touch changes; it becomes slower, more deliberate and careful.

You’re trembling hopelessly. The way you coil and collapse under his touch is just further encouragement. He doesn't even bother to speak anymore, only pants, his eyes half-lidded, his lips swollen and slick when they attach to your throat again. Your whole body is on fire, and he's the one setting you alight — there is not a single inch of you that is not alive with the feeling of him, and you can barely breathe through the slow, heavy rush of it.

You think you cry at the divine curve of his fingers carving inside you, slow and soft and then intense — when you grip his arm for more friction, and one of his hands is coming up to wipe a tear away but the feeling flares in your abdomen and you're only half aware of it, really — you think your eyes have rolled back. You think you've gone somewhere else.

He keeps you just on the precipice, just shy of losing control, just far enough to leave you craving for more.

“To—Tom," you sob, gasps cleaving his name in two — you're on the brink of something incomprehensible, building inside you to something you can't help but think is about to shatter, your eyes clenching shut as you grip him so hard you're certain your fingers will leave marks. “I'm gonna—"

“I know," he breathes against your neck, hands running a familiar path along your body; he's so very, very proud that he's made you like this. He just barely bites into the spot above your collar, curls his fingers, and then you’re falling — something unfurls inside you and can’t be collected, something hot and depthless that your hands can’t clutch at from where they’re clinging so desperately to him — and you think, coming down from it with trembling, debilitating ecstasy, that he looks very much like he’d be proud to make you like this over and over again.

You're flattened, and that triumph in his eyes — the absolute satisfaction of seeing you this way, of knowing that that he's the one that did it to you — that feeling fills your mind and makes you collapse even more, makes you want to melt and flow into liquid at his feet; to give in, do whatever he says, even if all he says is just be like this for him.

He slowly removes his fingers as you come down, and your eyes are blinking for focus when he turns you around, his thumb coming up to brush over your bottom lip and you sigh at the taste of yourself as he pushes it inside your mouth. His other hand brushes away the damp, stray hairs that have fallen across your face, almost reverently, a silent worship as he takes you in, appreciates everything you just gave him.

He smiles gently at your half-blinking, half-vacant expression, his thumb still in your mouth; he watches you for a long moment in silence. His eyes are heavy-lidded and he's got a small quirk at the corner of his mouth as he pulls his thumb away and swipes it once more over your lip.

You're still not quite sure you can find words. Still not sure they'd form right as your tongue darts over the residue of Tom's finger and you flush impossibly hotter at the feeling of your own arousal on your mouth. Tom fixes your hair behind your ears and it doesn't seem like he's ready to stop taking you in in this state — your hair wild, lips swollen, throat bruised and dress askew — and he leans in so tenderly it startles you, pressing a faint, almost imperceptible kiss to your forehead.

“Tell Godefrey he’ll be needing a new study partner. I think you’ll find yourself committed elsewhere." And with that he turns on his heel, perfectly composed, and disappears into the darkness of the midnight corridor.

Oh God, you think, and you’re too stunned to even react as you watch him vanish. It takes you a moment before you regain your senses, and you can only just manage to sputter out a breathless, miserable sigh into the air before you.

You are so completely, utterly fucked.

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