#Fnf massacre

[uummok]

i colored in that one massacre gf image

............

[zima74824]

Zima if she was in the fnf mcm canceled mod massacre if you don’t remember the mod here it is then

So her story would be that she lost her sanity after the order 66 incident and after she met the bad batch she completely lost her shit resulting in insanity and eating her victims hunter tries to confront her that it’s wrong but caught her while she was eating the drawing of this au is coming soon so stay tuned 😊

[its-ya-girl-phoeni]

@azureaeondragaeon + @snowysoul-squrirel

Concept: A cover of "OH GOD NO" or "Burning Hatred" but with Obi-Wan and Anakin

[daventactics]

Something for an AU

[fauslayer]

i believe everyone should pick a kind of objectively absurd topic to make mspaint comics about and mine atm is mario creepypasta.

[azure-aeon-dragonica]

This line from MNM must be real confusing to those who don't know about JARFNFM lmao

Just A Regular Fnf Mod but context is for the weak

[rathgoretheimp]

Happy Lu1g1 MARio Day, everyone!

...wait wdym that isn't a real thing

[yami-yomiel]

No comment i just rlly like her design hehe

[sec-heriablangel]

and Trep joins the Pasta Night

[ultimateanthropoll]

Massacre Round 19: Radical bro!

Kapi (cat; Friday Night Funkin') vs. Max Goof (dog; A Goofy Movie) vs. Poochie, the Rockin Dog (dog; The Simpsons)

Submitters say:

"he does a cool dance" (Kapi)

"He took every skater/slacker teen character and did it as an anthro, which I like" (Max)

"Yeah, this is a stretch. Sure, he was a one-off character. Sure, he was made to be as obnoxious as possible. Sure, The Simpsons isn't even remembered that well. Sure, based on what the submissions are looking for he would get steamrolled by literally any other character.

BUT

Wouldn't it be kinda funny?" (Poochie)

[spookyahhmonth]

uhh mistful crimson morning patrick by me!!1!1

[princesshillaryellaworld25]

Pony Central finding out that Lila Sky escaped from Massacre GF

@pony-central

@cobalt-b33

@funkinboys

@ethanvanii

[its-ya-girl-phoeni]

@dragon-install-activate + @awesomegamer1

This is how Bonnie interacts with Lucas whenever he's small

[azure-aeon-dragonica]

Red and blue laces just like mom

Isat fandom.

I feel like we all must be reminded that Bonnie's little booties have shoelaces.

IM SAYING IT CAUSE I KEEP FORGETTING THAT FACT-

[lycankeyy]

I feel like the natural way people tend to take these options is that there's one canonical option (usually taken to be the funnier edgier one) but I like to take these as like. Pico has all these thoughts simultaneously and it's up to the player to decide which one he acts on. Particularly in Pico 2 it can be read as like PTSD emotions being all over the place (super polite pre-PS Pico vs overly hostile/defensive post-PS Pico having not evened out into a coherent personality yet). This interpretation also works with Pico in PS being described as popular while he's described in P2, three days after the massacre, as being "shy and non-confrontational". Idk it means nothing in actuality but I think Pico having a kind of self-contradictory personality in PS/P2 works well with what we know abt his character in FNF

[filmnoirfoundation]

NOIR CITY returns to Phoenixville’s historical Colonial Theatre, November 15-17. Join FNF prez Eddie Muller for a three-day extravaganza featuring 10 films with the theme “Darkness Has No Borders”. This year’s program is tailored to satisfy folks who love noir that’s full of the colorful vernacular slang so essential to American and British noir—as well as adventurous viewers intrigued by a familiar story–a crime committed for passion or profit—playing out in cultures with different values, mores, and styles.

The festival opens Friday night with a salute to pulp writer Cornell Woolrich, the new FNF-funded restoration of the 1952 Argentine film No abras nunca esa puerta (Never Open That Door) followed by the FNF preservation print of Si muero antes de despertar (If I Should Die Before I Wake – 1952 Argentina) - the last part of a Cornell Woolrich trilogy originally planned for Never Open that Door but released as a stand-alone feature. Hollywood’s big screen adaptation of Woolrich’s Street of Chance (1952) finishes the evening. UCLA Film & Television Archive performed the restoration and preservation.

The Saturday matinee screenings comprise two prison break films, Black Tuesday (1954) and Jacques Becker’s Le trou (The Hole). The evening screenings feature two existential classics, the U.K. production The Bridge (1957) and Japan’s Zero no shoten (1961). Sunday’s program begins with two heist films, John Huston’s The Asphalt Jungle (1944) and Symphonie pour un massacre (1963). The festival closes with two L. A. set noirs Murder by Contract (1958) and Italy’s Smog (1962).

Schedule, singe feature tickets ($20), and double feature tickets ($40) are available on the Colonial Theatre’s website.