#Fluke Teerapat

[manogirl]

I'm starting to think that Fluke Teerapat is on his way to becoming one of the best BL screenwriters there is.

This is a post about La Pluie.

[waitmyturtles]

Yesterday was an insane day, huh? I can’t wait to see what Only Friends entails -- despite my best efforts to keep cool in dis HEAT, that NeoForce snippet in the car still has me flying. Anyway, I want to pen some quick notes on Minato’s Laundromat, season 2, and note some Old GMMTV Challenge thingies, now that I’m back from this crazy summer trip!

1) I’m fully caught up on Minato’s Laundromat, season 2 -- I was three episodes behind (thanks, OGMMTVC, ha), and thanks to the eagle eyes of @emotionallychargedtowel, I am LOSING MY MIND AT THE THOUGHT OF TAKEDA KOUHEI, AKA NOZUE FROM OLD FASHION CUPCAKE, MAKING AN APPEARANCE IN ANOTHER BL, OMG OMG OMG

GASPING! GASPING!

Because Old Fashion Cupcake is my LIFE, lol. @emotionallychargedtowel and @bengiyo nail it in ECT’s post with the note on this wonderful continuation of clutch actors reappearing in Japanese BLs, like Izuka Kenta from The Novelist going to Candy Color Paradox, and Inukai Atsuhiro from Zettai BL going to Our Dining Table. I love Japan’s easter eggs in these shows. 

But also, regarding episode 5 of Minato: god, I really liked how the tables turned on Minato and Shu. It’s been interesting to have the older characters as the dominant voices of the two central relationships of this show. And of course, this second season is constructed totally around the ongoing nature of both of these relationships. So, we VERY NATURALLY see the “older voice” perspective, because it just so happens that the two older men of these couplings are the ones really setting the tone and pace of the engagements.

And the tables both begin to turn in episode 5, and I think these lines of jealousy between both Minato and Shu, for me, are frankly welcome. We can see Shin getting frustrated, Minato not having the words to respond to that frustration, and Minato just not allowing his door to open on his full feelings for Shin. The theme of this relationship being a dodgy one -- but only in the eyes of Minato! -- deserves to be challenged. And I like how this challenge is being set up in large part in the context of Shin as a student, where he would be learning how to challenge mindsets vis à vis his education anyway.

Anyway -- I utterly love this show so far. As always with the Japanese BLs that I am simping over, I wish I could give them more of my background mind time that’s being otherwise spent on Thailand, but -- soon enough!

2) Speaking of Thailand, HA -- after I published my YYY review for the Old GMMTV Challenge yesterday, I updated my list considerably. On the recommendation of @lurkingshan, @wen-kexing-apologist, and @neuroticbookworm, and because of Jojo Tichakorn’s recent tweets on the topic of what influenced Only Friends, I’ve added Gay OK Bangkok, seasons 1 and 2 to the list and started watching it last night. 

I’m already calling it — GOKB is a MUST WATCH before Only Friends. 

I can’t wait to get HUGE about this in my OGMMTVC review of this show.

Within the first five minutes, it’s already so much more open and honest about sex and queer sex than the VERY HIGH majority of BLs out there. The show is a collaboration between Jojo and Aof Noppharnach, on the lives of six gay men in Bangkok, released in 2016 and 2017 -- nicely placed between Make It Right, SOTUS, and Make It Right 2.

Obviously, I’m going backwards chronologically again, but I think GOKB will be important for understanding specifically how Asian queer male artists in this space view and portray intimacy, and language (verbal and body language) regarding sex. @lurkingshan, you were mentioning yesterday that queer male viewpoints on sex are ones that cishet women like us just may not automatically understand. INTERESTINGLY, BEFORE we talked about this -- I was actually thinking about this while I was watching the last two episodes of A Tale of Thousand Stars in my OGMMTVC rewatch. Tian and Phupha’s continued back-and-forth of frustration and miscommunication: I was thinking -- there’s GOTTA be something about the way Aof GESTATES and DISPLAYS queer male communication that I’m not getting automatically (besides, of course, the patriarchal structures that hold both Tian and Phupha back). I wonder, I think, and I feel that GOKB is going to give me hints about how Aof and Jojo just DO THIS style of communication in their subsequent shows. 

I can only hope that Only Friends will be as LOUD and OPEN and HONEST about the realities of sex and intimacy that GOKB does almost immediately in its first season. Watching GOKB feels WAY more real to life to me than a lot of the romance BLs out there. I feel like I’m talking about sex and love with my queer friends as I’m watching GOKB, and it’s just hewing to real life in an UTTERLY wonderful way. What a fucking show already, and I’m only three episodes in!

3) Finally, also on the topic of the OGMMTVC, I’ve added at least one movie, and am considering a second movie. I’m adding, per the recommendation of @bengiyo, 2007′s The Love of Siam to the list, for the fact that this movie had a clear influence on many of today’s Thai BL creators. I see it has many actors that make support or guest appearances in today’s BLs, and I can’t wait to get to it as an utterly formative piece, both to Thai BLs and to Asian queer cinema.

4) As well -- inspired in part by my notes on Fluke Teerapat in yesterday’s YYY review -- I am THINKING of adding 2014′s My Bromance to the list. I’m not sure, but I’m THINKING about it, and I KNOW I will get poked for it, ha.

A couple of things here. The OGMMTVC has not deep-dived into cinema yet, besides 2019′s Dew the Movie, which aired around the same time as the groundbreaking He’s Coming To Me. 

Yet, referring back to my conversation with @bengiyo about The Love of Siam -- queer cinema CERTAINLY speaks to the creation of the BL genre. Before television BL, what Thailand had in majority by way of queer media were movies. On paper at least, My Bromance fits a couple of bills. 

First, Love Sick premieres on television in 2014 -- but well after the cinematic release of My Bromance. So that already makes 2014 an even bigger year for the development of the BL television genre.

Second, My Bromance stars two homies who have been in these BL streets for a MINUTE -- as I said before, Fluke Teerapat is one, but I did NOT have the SLIGHTEST appreciation for how long Fluke Natouch has been around (and I’m in LUV with Fluke Natouch at the moment. I’m still not over the condo scene in UWMA!). 

So, we have the two Flukes, at least one of them publicly out, and starring in a movie ROOTED in a stepbrother yaoi trope. The comments of my Dew the Movie OGMMTVC review touched upon how taboos may have begotten taboos in early BLs -- that if a piece of art crossed one boundary in being queer, then other boundaries, like stepbrothers falling in love, may have then been seen as valid or “okay” WITHIN that piece of art. I’m interested in possibly watching something so very CLEARLY rooted in yaoi from the cinematic perspective, to engage with and better understand yaoi in developing and current Thai BL, as I haven’t done a real deep dive, analytically, into yaoi and Thailand yet. (As @lurkingshan and I talked about yesterday, TharnType on the OGMMTVC list fits the yaoi stereotypes the best.) And with both Flukes starring in MB, I wonder if I can attribute any influence this piece may have had on their subsequent work (like Fluke Natouch doing blushing maiden so incredibly well in 2019′s UWMA, and of course, the references to yaoi in Fluke Teerapat’s YYY). 

I don’t think @bengiyo has seen My Bromance, but I’m wondering if a few of the other friends from around the way have any thoughts... @absolutebl, @so-much-yet-to-learn, @twig-tea, @solitaryandwandering, @nieves-de-sugui and anyone else -- would love your thoughts if you’ve seen it and think it’s worth of inclusion on the syllabus.

These additions put some air between the next OGMMTVC chronological show in Lovely Writer, but I’ve got a lot of life stuff going on at the moment -- and I do want to give Tee Bundit and Lovely Writer the time he deserves, as I’m about over my anger on Step By Step, ha. 

That’s about it -- I have to still catch up with Tokyo In April Is..., but I’ll get to that later this week!

[bl-bracket]

Build-a-BL: Screenwriter Round 1 Match 4

Confirmed Elements:

Country of Origin: Thailand

Genre: Heist

Secondary Genre: Detective

Primary Location: Night Market

Director: Aof Noppharnach (He's Coming to Me, Dark Blue Kiss, A Tale of Thousand Stars, Bad Buddy, Moonlight Chicken, Last Twilight)

[absolutebl]

@heretherebedork getting meta about a BL being meta and I am here for it

all puns entirely intended

We are now facing the ultimate test of the concept of soulmates and choice within their universe as well as the power of kindness, compassion and love.

Tien believes in soulmates. He always has. He watched his parents divorce but still believed that their love mattered and he always believed that Tai would find love with soulmate.

Lomfon absolutely does not believe in soulmates, has stated as much, and now has to face what it means to hear someone in the rain and to face his own changing emotions.

But in this story Tien has to face his trust in soulmates when the person he loves is attached to his brother and to decide for himself, to make the choice, about what love means.

While Lomfon has to look at the idea of soulmates that he doesn't believe in and his crush on Tai while he's also starting to like Tien and he's suddenly in a place where none of what he thought makes sense made sense any more.

Love is a choice and there might be fate and destiny but fate and destiny do not determine your choices, only your chance to make those choices.

Tai and Patts are soulmates who finally made the choice to be with each other and were brought together though shared kindness, compassion and love.

But Lomfon and Tien are strangers who formed a connection naturally only to have fate and destiny and soulmates placed between them rather than enhancing that natural connection. They are both going to have to make a choice but that choice feels bigger.

Lomfon has been flirting with Tai for this long but is still unsure of how he feels now that he's experiencing Tien's kindness. Kindness and compassion are the building blocks of love.

Tai and Tien are both kind people who find kind people in Patts and Lomfon. Lomfon and Patts both found people that they could love and who need their love in Tien and Tai. They all found kindness, compassion and love with each other.

The final hurdle, the last wrench in this is, in Tien's belief in soulmates and Lomfon's new hearing loss. Because this is the final test, the final look at fate and destiny and choice and what is a choice.

The keychain and the rain matter, the post it notes matter, the kindness and the compassion and the silence and the noise all matter because you make choices about what matters.

[blmpff]

The Whisperer - relationship chart

Translation credit to @recentadultburnout thank you!

27.07.23

[bengiyo]

Only Boo! Ep 1 Stray Thoughts

Let's see how the new GMMTV BL goes. There's going to be dancing in this one.

This show insists on being a comedy, so we will tune ourselves for such.

EP 1: CHANGE

Seems like Moo has had to choose his aspirations to be an idol over school.

Okay, the mom working in entertainment is an interesting wrinkle in her opposition.

Idk about this rich boy, but he seems comfortable with his mom.

Suddenly Milk Pansa.

It always looks so hot in Thailand.

I enjoyed the energy of that first meet. I hope they don't ruin it with "met as kids" reveals later.

A bicycle is a pretty reasonable adaptation.

Kang's actor is kinda reminding me of Fluke Teerapat.

Wow, BL, a new accidental kiss. I don't think I've seen a bike moment since Love in Translation. We should combine more BL moments with personal mobility devices more often.

This guy has yaoi hands.

Idk if this Moo kid is gonna make it, y'all. I hope he proves more adaptable in the coming days.

This kid spent all of his money on a racing bike on the first day. Bruh.

This kid thinks he has the Entertainer background and will just dance for his meal. Incredible.

Thank you for that flashback. I had forgotten the previous scene.

Welcome back, Aun.

Hang on, in into the advice the director gave. I hope we stick with the good educator vibes.

Wow, he took that advice as "Flirt with the decent neighbor. Got it."

This was an amusing start. A surprising lack of product placement. Starting to wonder what GMMTV is going to do with this shift in sponsorship funding.

[absolutebl]

Honestly it’s super interesting to me that two of the Thai shows doing the most consistent leg work for queer rep right now, not just lip service but ACTIVE consistent representation, are coming from former BL actors: 

Saint Suppapong (Love By Chance, Why R U?) who has a a co-producer cred on Secret Crush on You, 

and Fluke Teerapat (My Bromance, SOTUS) who’s one of screenwriters of My Ride. 

I don’t know is this is saying something about the Thai BL industry and where it is headed. Or if it’s more to do with a new perspective from a younger generation. Or if it’s actors with (justifiable) axes to grind.

but it’s very very interesting 

[manogirl]

Fluke Teerapat keeps posting pics on IG that makes it look like he and his cowriter are working on the next thing, so I hope that means 2024 will hit us with either more La Pluie or some other dynamite show!

My Ride: Sunshine Forever

A round of applause for Mork, Tawan, and this show for giving us such a sweet, satisfying ending for our two sunshine boys. I loved Mork’s quest to reach Tawan, I loved his simple cliffside confession, I loved their sweet kiss, and I loved the glimpses we got of their lovely, mutually supportive relationship both when they got back to Bangkok and when they settled in Chiang Rai four years later. I have no doubt they will be very happy together and I felt so much joy watching them ride off into the sunset together. (I’m going to just continue to ignore the side romances in this show, which I memory-holed after my first watch and fully intend to do again).

What I liked most about the final conflict between the two of them was how grounded it felt by the events of the previous episodes. Because the show built such a clear arc for Mork and Tawan, we understood immediately what was happening—Mork was comforting his ex, who was obviously trying to come crawling back, because he is a kind person who can’t hold a grudge to save his life (let me help you, Mork, my hateration could power a small nation). And he was not ashamed when Tawan interrupted them because he was not doing anything wrong, and he was just happy to see Tawan as always. Tawan knows him well enough that he should have been able to perceive all that, but his confidence has been so shaken by that asshole Por that he doubts what he already knows about Mork’s feelings. And so Mork has to go on his final quest to make his feelings crystal clear (while conquering his own fear of heights) and finally make it official.

And if you know me, you know I have to end by pointing out how very similar the structure of this final conflict, and the finale as a whole, was to La Pluie. Everything, from the pacing and sequencing—resolving all the side plots first before moving to the main—and the beats—big public confession, followed by quiet get together, followed by a quest and a big emotional climax, then a happy epilogue—to the major themes—clear communication is a necessary condition for a happy relationship—were the same in both show’s finales. The characters and the details are different, but it’s clearly the same DNA underlying both stories. I loved revisiting My Ride having seen this writing team’s next project and it was fun to track the evolution of their storytelling. I will be seated for whatever they decide to make next.

(Thanks for watching along @bengiyo @neuroticbookworm @kayatoasted @troubled-mind @blmpff @rocketturtle4 @sparklyeyedhimbo @negrowhat @he-is-lightning-in-a-bottle @wen-kexing-apologist @callipigio @gabrielokun @chickenstrangers @manogirl, it was so fun to revisit this show together!)

[meteorjam]

PremWad scenes from SOTUS 4/?

[manogirl]

I don't know if anyone else has noted this, but it looks like My Ride is going to be airing on YouTube soon! As far as I know, the only place to stream it currently is Gaga, so this is great news, if it's available to more people through YouTube.

It really is SO good and so worthy of a watch. Maybe I'll do a YouTube rewatch!

[waitmyturtles]

Turtles Catches Up With Old GMMTV: YYY, and When BL Talks About BL Edition

[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, I examine the success -- or not? -- of Cheewin Thanamin’s YYY and what the show does by way of macro-level commentary on the BL genre.]

Alright, so YYY! It would be VERY EASY to write this show off. Maybe the old Turtles of the early OGMMTVC would have done just that (exhibit A: SOTUS, which I’m thinking about revisiting in a wrap-up piece after the OGMMTVC is done, thanks to Krist and his fantastic acting in Be My Favorite). 

But I’ve learned my lesson. There’s a LOT going on with YYY that makes it absolutely worthy of inclusion on the OGMMTVC list. It was @absolutebl Sensei themself that made the case for YYY, especially in ABL Sensei noting my interest in Cheewin’s emotional filmmaking trajectory from Make It Right/MIR2, to Secret Crush On You, to Bed Friend. I thank you, ABL Sensei, for pointing me in this direction to see this *other* side of Cheewin!

So why do I think YYY is important on the OGMMTVC list? It’s a short, VERY CHAOTIC, VERY UNEXPECTED six-episode series that focuses on two roommates, Not (Yoon Phusanu) and Pun (Lay Talay), who fall for each other in short order in the midst of a wild and inexplicable living environment. They’re supported by their fellow apartment-mates, Ohm (Pee Peerawich, most recently of La Pluie) and Arm (Scott Satapong), and most importantly, are living under the VERY watchful eye of their probably-transgender building manager, Porpla, played by THE MOST UNBELIEVABLE actor in Poppy Ratchapong. OMFG. More on Poppy in a bit. (OMFG, Poppy. I’m in LUV.)

I’ll break down the importance of YYY in the following order:

1a) Who exactly is the writing team of Fluke Teerapat and Tanachot Prapasri, and why are they important (I’m actually going to try to figure this out along with the rest of y’all, and hopefully if folks have more info, they can chime in!), 1b) What did director Cheewin Thanamin bring by way of past vision to YYY to explain the show’s composition, 2) Why the show’s subject matter actually serves as critical commentary to what was happening with the BL genre vis à vis the association of BL and romance, 3) A quick deep-dive on the EXCELLENT acting we saw in YYY, and why that’s also important to the show as a whole,

and, as always, possibly more. Let’s do this. 

So, Fluke Teerapat and Tanachot Prapasri. I’ve tried to find more information on these two dudes to some avail, but my quick analysis of their work really stems from MDL, Fluke’s past acting career, and analytical conjecture about why they wrote YYY and what they wrote after YYY. 

As we know, the guys of these broad circles -- New Siwaj and his Studio Wabi Sabi, Cheewin and his Copy A Bangkok studio, Fluke and Tanachot as writers, and many, many others -- are, generally speaking, of a community of BL creators that are outside the usual GMMTV circles. (I’ve written about this before -- while my project is called the Old GMMTV Challenge, with the goal of digging into how we’ve ended up with GMMTV’s current standard of BLs, the list features quite a few non-GMMTV BLs, as I believe art is always speaking to art, no matter where it’s published.) (And, I am sure most of you are familiar with this, but if not, there are master lists of the history of Thai BL studios out there.)

I note the non-GMMTV affiliation of these guys, because -- some of these guys, like New and Tee Bundit, actually contract with GMMTV for specific shows, like A Boss and a Babe and Hidden Agenda, respectively. Fluke Teerapat himself was a pre-BL actor in the 2014 movie My Bromance with Fluke Natouch (so many cute Flukes, amirite), and also acted in GMMTV’s FIRST BL in SOTUS -- Fluke Teerapat played Wad, who was maybe? hopefully? kinda? indicated to be shipped with the older Prem (Gunsmile Chanagun).

I’ll add two more points to consider here as I continue to sit with the influence that Fluke, Tanachot, and Cheewin brought to YYY: Firstly, GMMTV BLs, up to YYY’s moment in 2020 generally asked for romance in their shows. Again, that’s a generalization. (I don’t think Theory of Love fits in this category.) But considering what had come out on GMMTV CLOSELY PREVIOUSLY to YYY’s airing -- 2gether and Still 2gether -- GMMTV was riding a romance high, and counting their massive BrightWin dollars.

Secondly, YYY is the first piece on the OGMMTVC list that features Cheewin Thanamin as a solo director. Going backwards, as we know, Cheewin’s previous work on BLs including co-writing, co-directing, and acting in Make It Right and Make It Right 2, and he was a writer on Love Sick, season 2, and was a guest actor on Love Sick, season 1. 

Putting this all together: at least Fluke and Cheewin have utterly tremendous histories with the literal birth of the BL genre, Cheewin outside of the GMMTV circles with Love Sick and Make It Right/MIR2, and Fluke beginning his career as an actor in GMMTV’s first BL, AND first HUGE BL. 

Cheewin and Fluke have had front-row seats to the development of the BL genre, seeing and understanding what fans, studios, producers, and major networks in GMMTV, Channel 9, Channel 3, and others, demand and expect out of the genre and the dramas by way of fan service, shipper culture, romantic storylines, tropes -- all of it. Cheewin and Fluke have been around for a MINUTE. They clearly HAVE critical viewpoints about BL, and are not afraid to scrutinize the genre in their works, which is what happened in YYY.

I’m going to get confusing for a second to jump to the closer present for my next analytical point: what else have Fluke Teerapat and Tanachot Prapasri written?

They’ve written My Ride (2022) and La Pluie (2023). I haven’t watched either of them yet, but I am damn glad that I’ll be watching them after the OGMMTVC is done, in their chronological order, and I already can’t wait to write about them. Because what I bet is that I’ll see what intelligence and scrutiny Fluke and Tanachot had leveraged in YYY, the cutting criticisms about BL they lined YYY with, and then took the sharpness of their writing and the critical viewpoints they have ABOUT the BL genre to My Ride and La Pluie, two beloved BLs that are lauded for their directness in structure and storytelling. 

In Cheewin, Fluke, and Tanachot, we have a team of creators that’s not afraid to be critical about the genre in which they’re operating. Now -- this take, this perspective, can sometimes work well (I’m eagerly awaiting Tee Bundit’s Lovely Writer on the OGMMTVC list, as I understand he takes this macro approach in LW), and in other times, it does not work well at all (exhibit B: Tee Bundit’s Step By Step, rant linked). 

YYY took a lot of risks. It was a weird show. It didn’t... quite make sense. But it was clearly designed to criticize what we, as fans, usually expect out of BLs, including clean and romantic storylines and happy endings.

Episodes 5 and 6 of YYY fully explained to me the show’s purpose. First off: BLs are jobs for the actors. The ships are not real. And YYY states as much. Pun is considering quitting his job as a shipped half of a boy-couple, and his acting partner isn’t having it.

In episode 6 -- before Not and Pun go to space? -- we get two screen quotes of the life of YYY itself.

The world that Porpla operated in the apartment building where Not, Pun, and their neighbors lived was chaotic precisely BECAUSE of Porpla, and what Porpla demanded out of the human behavior around them. Porpla could only be appeased, as an obsessed yaoi fan (LOL), with the confirmation that Not and Pun were together and dating. If that’s not a metaphor for fan and network demands out of BLs and ships, then I don’t know what is. AND: those demands CERTAINLY create chaos, especially for the individual creators and performers associated with BLs. (I didn’t take screenshots of Porpla’s INSANE outfits, but really, the chaos of YYY stemmed and centered around Porpla -- and Poppy Ratchapong’s ABSOLUTELY INCREDIBLE performance of Porpla). 

While watching YYY -- Porpla, the Chinese brothers, the coffee and janitor couple, all the flashbacks, Not’s hilarious and nonsensical sign-offs (omg, I was gagging with laughter) -- I was reminded of Lukmo and Yok in Make It Right, especially in Make It Right 2. New and Cheewin did some crazy shit with Mo and Yok, especially their confusingly edited and strangely metaphorical sex scenes. Mo and Yok were chaotic right up until their open and tender moments about their emotionality to each other. 

At the time of my watching Make It Right 2, I noted that it seemed to me like Mo and Yok suffered from editing fumbles, which I think is still accurate. But now that I’ve watched YYY, I also might want to theorize (I wonder what you think of this, @lurkingshan), that Mo and Yok might have been specifically written BY CHEEWIN himself, AND that the chaos and strangeness of their metaphorical intimacy (like, sexual food metaphors using mortars and pestles, it still scars me, ha) may have been specifically designed to serve as a mirror against the more straightfoward (but still chaotic) romantic ships in TeeFuse and FrameBook. I’m not ENTIRELY sure. But I think I can feel confident in theorizing that what New and Cheewin were doing in MIR was to add a gentle question about whether EVERY ship working in a BL is worth it. (I think New touches on this in Love By Chance vis à vis TinCan.) And I think Cheewin furthers that question in YYY vis à vis Not and Pun -- who, spoiler alert, do not end up together at the end of YYY. They end up in space. Yeah, totally. 

(I just want to note here that a major reason why Cheewin in particular is such an important person to focus on for the OGMMTVC is that chaos is not his ONLY bag. As I noted in my MIR2 review and earlier above, Cheewin has a SEPARATE perspective that he’s explored in multiple shows — the journey of queer joy. We have seen marriage proposals from FrameBook in MIR2 and KingUea in Bed Friend. While chaos is…chaotic, I love that Cheewin has MULTIPLE THEMES that he explores in his works, and he’s not necessarily *beholden* to them in any one of his shows. Unlike Tee Bundit, Cheewin may not be held back by funding issues, and *can* dabble in non-romance structures. But from what I’ve seen of his art by way of romance — he does those structures beautifully as well, ending at least MIR2 and Bed Friend in glorious happiness. Again, I really appreciate @absolutebl​ Sensei recognizing these two different tracks in recommending YYY to me.)

Anyway, listen. YYY is home to micro- on macro-commentary about the BL genre and BL’s resulting questions and chaos, using chaos itself as a storytelling tool. Porpla is THE entity, the über-fan, the symbol of CULTURAL PRESSURE for BLs to WORK and PLAY in happy endings, when happy endings might not exactly be what filmmakers like Cheewin really want to achieve all the time (see above). I appreciated that time was actually taken to explain to Porpla that Not and Pun were not going to be together. I gotta say that I commend Cheewin, Fluke, and Tanachot for playing hardily in this sandbox, clearly having fun doing it, in such wild fashion.

AND: I MUST give Yoon, Lay, Pee, and especially Poppy their flowers. They acted the hell out of this show. Yoon had me DYING with laughter at his nonsense monologues at the end. Pee is clearly one well-rounded actor, handling comedy crazy well, and I can’t WAITTTTTTT to see him in La Pluie (cc @wen-kexing-apologist).  

But this post and the performance of this show ultimately belongs to Poppy Ratchapong. When I first late-night liveblogged about YYY and I was like, POPPPPYYY, the HOMESLICE @dribs-and-drabbles came THRU with a post celebrating Poppy that had me SILENTLY DYING on a work Zoom call with them abs, DAMN! LOL. FAMILY: I MEAN, if you’re gonna watch YYY, you’re gonna watch it for Poppy as Porpla. His Porpla was SO wild, SO chaotic, SO emotionally (UN)balanced, SO insane, SO crisp, SO controlled in their manipulation, I mean. Porpla will definitely be in my top 10 list of favorite OGMMTV characters. Poppy did Porpla’s wild identity utterly solid. 

(YET ANOTHER REASON to criticize Step By Step: an underutilized Poppy! I can’t wait to see Poppy in Lovely Writer, and I have GOT to watch Cutie Pie after this project is done.)

YYY was an experiment in macro-level commentary on BL. It was definitely fun, confounding, confusing AF, but I had a lot of fun with it. I’ve proven that I don’t have to like the shows for them to belong to the OGMMTVC syllabus, but I didn’t NOT like YYY. I enjoyed it a lot, and for the sake of seeing this wild side of Cheewin in definitive form -- and to also see the roots of Fluke and Tanachot’s writing before My Ride and La Pluie -- it is absolutely worthy of belonging on the OGMMTVC list. 

[Okay! I’m ahead on my watchlist below, as I’ve already watched Manner of Death -- that review is dropping next week. And I am ALL kinds of nostalgic and warmly weepy for A Tale of Thousand Stars -- I am soooo glad I am spoiling myself for some awesome rewatches during this project. 

Quick note: in my review of 2gether and Still 2gether, I noted that I wanted to pen another pain-related Big Meta on pain, trust, and separation in BLs. I was going to originally write it on Still 2gether, Bad Buddy, and Until We Meet Again, but of course -- ATOTS also has a classic example of separation. So I’m going to hold off on writing this at least until I’m done with ATOTS, and/or when my life calms down a bit in the fall.

Speaking of life calming down, my August is going to be IN.SANE., so I will do my best to keep up on the watching and the writing. Pour one out for me, y’all!

Status of the watchlist below. I made an addition, btw! I added Be My Favorite, which a lot of us are currently watching. GMMTV going so far as to make a show in part as über-commentary on half of its first HUGE BL ship in Krist? That is MAD worthy of inclusion. And, it’s a great fucking show. Any feedback on this, let a gal know!

1) Love Sick and Love Sick 2 (2014 and 2015) (review here) 2) Make It Right (2016) (review here) 3) SOTUS (2016-2017) (review here) 4) Make It Right 2 (2017) (review here) 5) Together With Me (2017) (review here) 6) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 7) Love By Chance (2018) (review here) 8) Kiss Me Again: PeteKao cuts (2018) (no review) 9) He’s Coming To Me (2019) (review here) 10) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 11) TharnType (2019-2020) (review here) 12) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 13) Theory of Love (2019) (review here) 14) 3 Will Be Free (2019) (not a BL or an official part of the OGMMTVC watchlist, but an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 15) Dew the Movie (2019) (review here) 16) Until We Meet Again (2019-2020) (review here) 17) 2gether (2020) and Still 2gether (2020) (review here) 18) I Told Sunset About You (2020) (review here) 19) YYY (2020, out of chronological order)  20) Manner of Death (2020-2021) (not a true BL, but a MaxTul queer/gay romance set within a genre-based show that likely influenced Not Me and KinnPorsche) (review coming) 21) A Tale of Thousand Stars (2021) (review here) 22) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (watching) 23) Lovely Writer (2021) 24) Last Twilight in Phuket (2021) (the mini-special before IPYTM) 25) I Promised You the Moon (2021) 26) Not Me (2021-2022) 27) Bad Buddy (2021-2022) (thesis here) 28) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) 29) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch 30) Secret Crush On You (2022) [watching for Cheewin’s trajectory of studying queer joy from Make It Right (high school), to SCOY (college), to Bed Friend (working adults)] 31) KinnPorsche (2022) (tag here) 32) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For The Sake of Re-Analyzing the KP Cultural Zeitgeist 33) The Eclipse (2022) (tag here) 34) GAP (2022-2023) (Thailand’s first GL) 35) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 36) Moonlight Chicken (2023) (tag here) 37) Bed Friend (2023) (Cheewin’s latest show, depicting a queer joy journey among working adults) (tag here)  38) Be My Favorite (2023) (tag here) (I’m including this for BMF’s sophisticated commentary on Krist’s career past as a BL icon) (watching)]

[manogirl]

I don't know! In some ways, I feel like it's continually saying that no matter what, even if a person IS your "soulmate", you still have to consciously CHOOSE to love that person every day. I don't think the message is that you and your soulmate will definitely end up together, I think the message is that if you want to end up with your soulmate, you gotta try real hard.

(This might be my confirmation bias though, because I simply do not believe in one soulmate for every person; I think right person, right time is more like it. Which! Isn't that what La Pluie is saying?? Also also, I very strongly believe that you do have to wake up and choose your person, every day. I'm saying this as someone who's been with the same person for 21 years, married for 13. Falling in love might now be a choice, but staying in love? That's a fucking choice. And that doesn't make it less joyful!)

This show is not beating the soulmate allegations, is it?

It's reinforcing it.

[save-the-data]

mafia the series: guns and freaks | s01e05

EP 1 2 3 4 5 6 7 8 9 10

[ficklefackle]

When you’ve only just started dating but your boyfriend is already ten steps ahead of you.

[potatomarble]

2014 vs 2020

[namtanlovesfilm]

piningbisexuals 5k celebration: 5/5 movies as voted by my followers > My Bromance