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#Flor De Liz Perez
fantastic-nonsense · 1 year
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Made a post about my 3 things I want to see with every Wonder Woman adaptation, despite needing to do some catching up myself. Related, do you have a link to a Wonder Woman reading list?
https://at.tumblr.com/paigeoforacle/1-keep-fights-to-a-minimum/k7nbubhe1qws
Nice list!
As for my Wonder Woman recs list....technically, yes. I made a Wonder Woman starter recs list way back in 2017 right after the movie came out. However, it's outdated, I've changed my opinion on some of the things I said there as I've read more Wonder Woman comics, and it also fails to include several good comics. So here's my current Wonder Woman recs list:
Starter comics: These are great comics to read if you're new to Wonder Woman comics or only have a passing familiarity with her:
Wonder Woman: Year One, by Greg Rucka
Wonder Woman (1987) #1-62, by George Perez
Wonder Woman: The Hiketeia, by Greg Rucka
JLA: League of One, by Christopher Moeller
The Legend of Wonder Woman, by Ray Dillion and Renee De Liz
Wonder Woman: Historia, by Kelly Sue DeConnick
Wonder Woman (1987) #170, by Phil Jimenez (the Diana-Lois 'Day in the Life' issue)
"Generations" from Sensation Comics Featuring Wonder Woman, by Michael Jelenic (Issue #12 digitally, Issue #7 print)
Wonder Woman: Our Worlds At War, by Phil Jimenez (warning: this oneshot ties into the "Our Worlds at War" event, so the frame story will probably be confusing, but the majority of the story is a solid retelling of the collective Amazonian history up to that point)
Second-level comics: read these once you have a baseline familarity with Diana and her supporting cast:
Wonder Woman by Phil Jimenez, including Paradise Lost/Paradise Found (which I don't think are in the current Jimenez omnibus)
Wonder Woman by Greg Rucka (his first run on the title), with a particular call-out for the Medusa arc
Wonder Woman: The Circle and Ends of the Earth, by Gail Simone
Wonder Woman Rebirth (2016), by Greg Rucka (Rucka's second run; everything except Year One fits here)
Wonder Woman: The Twelve Labors (WW 1942 #212-222), by Len Wein and assorted other writers
Wonder Woman/Justice League Dark: The Witching Hour, by James Tynion IV
Wonder Woman: Lords and Liars by Mariko Tamaki
All of the comics on both lists are great; I have no hesitation recommending any of them. However, I will give a blanket warning for sexual assault in the Amazons' backstory, particularly during the seminal Perez run (which is very dated in how it handles the topic, unfortunately), and put a general note that while I can't think of anything outright offensive, various social issues are not always handled with grace (especially in the older runs).
Comics featuring the Wonderfam supporting cast:
Tales of the Titans (2023) #3, by Steve Orlando* (for Donna)
New Teen Titans: Who is Donna Troy?, by Marv Wolfman*
Titans (1999), by Devin Grayson (for Donna)*
The Return of Donna Troy, by Phil Jimenez (collected in The Death and Return of Donna Troy)*
Titans (2023), by Tom Taylor (for Donna)
Wonder Woman: Lifelines (WW 1987 #105-108) and WW #109-113, by John Byrne (Cassie Sandsmark's introduction)
Young Justice (1998), by Peter David (for Cassie)*
Nubia and the Amazons, by Stephanie Williams and Vita Ayala*
Nubia: Queen of the Amazons, by Stephanie Williams and Vita Ayala*
Wonder Woman: The Contest (WW 1987 #0 and #90-100), by William Messner-Loebs (for Artemis of Bana-Mighdall)
Artemis: Requiem, by William Messner-Loebs (Note: this is not actually recommended reading. It's utterly cursed and I wouldn't put it on here if it wasn't absolutely necessary to understand how Artemis isn't dead after "The Contest." Read everything else on this list before you read this mini)
Wonder Woman: Gods of Gotham (WW 1987 #164-167), by Phil Jimenez*
Red Hood and the Outlaws Rebirth (2016) #1-24, by Scott Lobdell (for post-Flashpoint!Artemis, who's basically a different character)
Future State: Wonder Woman, by Joelle Jones (Yara Flor)
Wonder Girl (2021), by Joelle Jones (for Yara) (Note: this run is "just okay" and I'm reccing it with several reservations. However, it's also Yara's most prominent comic to date)
I've starred the ones on this list that I actually recommend as "good comics to read" and not just "decent starter comics for the character." Warning for depictions of sexual assault, bad art if you're looking at a pre-2000s comic, and being forced to engage with Scott Lobdell and William Messner-Loebs' writing.
I also recommend DC Bombshells by Marguerite Bennett; it's an Elseworlds comic set in WWII that co-stars Diana and it's delightful. There's certainly others that are decent, but I think this is a solid starter list if you want to understand Wonder Woman and how she should be written.
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WTNV quick rundown - Live Show - The Investigators - bonus tracks
Featuring the voices of Flor De Liz Perez as Lacy Hernez, Kate Jones as Michelle Nyugen, Wil Wheaton as Earl Harlan, Mark Gagliardi as John Peters, you know, the farmer?, Molly Quinn as Melony Pennington, Jason Webley as Louie Blasko, Jackson Publick as Hiram McDaniels, Mara Wilson as the Faceless Old Woman, Jasika Nicole as Dana Cardinal, Kevin R Free as Kevin of Desert Bluffs.
This is the bonus tracks from the live show, I recommend reading the live show run down first.
Lacey's bonus track is the same information about the electric company that Cecil himself reads out in the live show, but this time Lacey gives the information. She alsos adds that the electric company might be sad because it's going through relationship issues with the gas company.
Michelle comes on air (despite now hating radio and liking podcasts, a reverse of earlier this year) to announce the first ever Dark Owl Fest, an electro-witch-hop music festival. She used six months of DO's income to rent out all of Mission Grove park and is in deep financial trouble because of it, meaning she has to sell tickets even though she wants to be the only one there and it is in fact happening right at that moment as she speaks.
She's actually deeply upset that she decided to do this, as she doesn't want to lose the store and doesn't know why she thought she could do this. Even so, she instantly claims that she is absolutely fine. Also apparently NV has bands called The Murderer, the Dangerous Criminal and ofc the Killers. Also Cecil apparently whispers 'radio radio radio' to himself when he's not on air.
Earl's segment is somewhat a rehash of the shows announcement of the dinner, but he adds extra info about the courses etc. He also tells us that he has a moustache, can remember his sons name most days and always calls him to say he loves him, mutters 'you can do this Earl' into the mirror every morning and also switches places with his mirror self every morning.
John Peters (you know, the farmer?), is on the 'phone' as an eye witness (one of the top three witnesses behind foot witness and kidney witness) to the murder. Except he really just wanted to tell a story about how he was abducted by aliens. Cecil is apathetic to this story and slightly disgruntled that John Peters pretended to be a witness. In NV, witnesses are people paid to witness whatever crime you want them to say they witnessed.
Melony is here for computer tips. She is the creator of Fey, from WZZZ, the number station. She says that Fey is absolutely NOT sentient and that the numbers and tones are codes for foreign spies, as well as a few recipes and poems. Her tips are mostly cryptic things as is the NV norm, like saying personal computers are over friendly and anything can be a computer.
Louise Blasko is here again for his music segment. Carlos thinks Cecil would look cute playing a ukelele, so Cecil is interested in learning to play music (but he also might install a pipe organ in their home). Louie is, as usual, off-key and very chaotic.
Hiram tells us that he has been served 5 life sentences, to be served concurrently by each head. They say that since their Frank Chen disguise was found out they're instead going to diguise each other as a different coloured head. This doesn't work because Cecil can see them talking. They threaten to remove his eyes till Cecil vaguely plays along without incident.
The FOW appears in Cecil's studio. She says she knows who the murderer is, but doesn't tell us. She instead tells us about a citizen called Tristan Cortez whoses tv remote she has hidden behind his eye requiring him to use a knife to remove it. She also claims that meat does not come from animals and doesn't clarify further.
According to Dana, murder is a rare threat in NV. She gives tips for dealing with a murderer the way you would deal with a bear or a wild cat. She says it's good to talk to Cecil again and that she cares for him.
Kevin jams Cecil's signal so that they can talk. He seems to genuinely just want to speak to Cecil again and insists that they are friends. He says that Cecil should try and see things from his point of view ("I mean not literally. Not like, pull your eyes out and jam them still bloody into my skull.") Kevin tries to use a sports metaphor but has a poor grasp on sports. Basketball is on ice in NV. Kevin doesn't know what ice is.
Kevin says he always tries to see things from multiple points of view, even if that means sympathising with the murderer. He says that everyone sees and hears things different from their peers. He uses this as a way to say that he was 'equally' hurt by NV revolting against Strex and making him lose his job but forgives Cecil, so he hopes Cecil with forgive him and allow them to start getting along. He then audibly smiles. Cecil is horrorified and unjams the signal.
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blackinperiodfilms · 3 years
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Petronia Paley as La Veuve / Marie Josephine, Tiffany Rachelle Stewart as Agnès, Lizan Mitchell as Beartrice, Flor De Liz Perez as Maude Lynn, Joniece Abbott-Pratt as Odette, and Harriett D. Foy as Makeda in The House That Will Not Stand.
SYNOPSIS: Set in 1836 New Orleans where free women of color are permitted to enter into common-law marriages with wealthy white men. The home and life that Beartrice has built for herself and three daughters, on a foundation of money, freedom and secrets, threatens to collapse after her husband mysteriously dies.
Directed by Lileana Blain Cruz
Playwright: Marcus Gardley
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All the Black Femmes || Welcome to Nightvale Pod
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oots-digitalmedia · 3 years
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Queer Rep in Welcome to Night Vale
Title: Welcome to Night Vale
    Status: Ongoing
    Writers and Co-creators: Joseph Fink and Jeffrey Cranor
    Cast: Cecil Baldwin, Meg Bashwiner, Dylan Marron, Symphony Sanders, Kevin R. Free, Kate Jones,  Jasika Nicole, Hal Lublin, Janet Varney, Mara Wilson, Maureen Johnson, Lauren Sharpe, Jackson Publick, Mark Gagliardi, Retta, Desiree Burch, Emma Frankland, Tina Parker, Wil Wheaton, James Urbaniak, Marc Evan Jackson, Molly Quinn, Felicia Day, Jason Webley, Annie Savage, Joseph FInk, Aliee Chan, Dessa, Hunter Canning, Lusia Strus, Flor De Liz Perez, Jeffrey Cranor, TL Thompson, Rob Neill, Robin Virgine, Julia Morizawa, Andrew WK, James Urbaniak, Erica Livingston and Christopher Loar
    Queer Creators: No
    Accessibility: Transcripts are available on their website here.
              Content Warnings: Unreality, body horror and existentialism are major themes.
Summary: Twice-monthly community updates for the small desert town of Night Vale, where every conspiracy theory is true. Turn on your radio and hide. Never listened before? It’s an ongoing radio show. Start with the current episode, and you’ll catch on in no time. Or, go right to Episode 1 if you wanna binge-listen.
Tags: mlm main character, multiple mlm and wlw characters, multiple non-binary characters, bisexual character, lesbian character
More character and relationship details under the break.
Check out our other queer podcast recommendations here.
ID tags: Cecil Palmer: mlm, Carlos The Scientist: mlm, Sam The Sherrif: Non-Binary. Maureen: wlw, Michelle: wlw, Alicia: Non-Binary, Kevin: Mlm, Basmia Bashara: Lesbian, Joahnna: wlw, Josh Crayton: Bisexual
Details and/or Spoilers: Cecil and Carlos are married, Maureen and Michelle are in a relationship without labels, Alicia and Doug are dating,
Check out our other queer podcast recommendations here.
Please feel free to offer suggestions and updates!
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Broadway world interview with Margarita
George StreetPlayhouse (GSP) will launch its 2018-19 season with the world premiere of The Trial of Donna Caine, a gripping courtroom drama byWalter Anderson, who served as the editor-in-chief of Parade magazine for 20 years prior to being named Chairman and CEO of Parade Publications.
The production stars Margarita Levievaalongside Flor De Liz Perez making her Playhouse debut as Staff Sgt. Donna Caine. They are joined by Playhouse alums, the two-time Tony Award nominee Peter Frechette,Kally Duling, Julia Brothers, and John Bolger. The cast is completed by Michael Cullen,Melissa Maxwell, and Ryan George.
When Marine Staff Sergeant Donna Caine is accused of a serious crime, highly respected attorney Emily Zola Ginsberg is convinced to take the case. Fighting for her client's future, Ginsberg finds herself taking on the military establishment in order to expose the truth.
Broadwayworld.com had the pleasure of interviewing Margarita Levieva about her career and her role as Emily Zola Ginsberg inThe Trial of Donna Caine.
Levieva is currently one of the leads in David Simon's critically acclaimed HBO drama The Deuce, starring opposite James Franco andMaggie Gyllenhaal. Margarita can next be seen in the independent feature Inherit the Viper opposite Josh Hartnett and Bruce Dern. She made her Broadway debut in 2009 with the play Impressionism at the Gerald Schoenfeld Theatre opposite Jeremy Ironsand Joan Allen. She has completed the Meisner Training Program at the William Esper Studio in New York. Margarita's past film credits include Diary of a Teenage Girl,Sleeping with Other People, James White, For Ellen, and Adventureland. Margarita's television credits include memorable roles in ABC's Revenge, NBC's Allegiance and The Blacklist, and HBO's Luck and How to Make It In America.
What was your earliest interest in the performing arts.
The moment I saw Maya Plisetskaya dance the BLACK SWAN on stage at the Mariinsky theatre in St. Petersburg, Russia, I knew I wanted to be up there, transforming and telling stories, like she was. I was 5-years-old.
We'd love to know a little about your education and how it has influenced your career.
I graduated NYU with a double major in economics and psychology. I also snuck in minors in philosophy, sociology, and Russian history. I was fascinated with the way the world works, and especially with the way people's brains work and why and how people make choices the way they do and lead lives that are so specific to them.
I ended up going to the William Esper studio for 2 1/2 years after college. For years, it was my Achilles' heel, feeling somehow inferior as an actor because I didn't get an official degree in acting and didn't go to graduate school for theatre.
But the longer I've worked professionally as an actor, the more I've appreciated the education I did receive. It's given me great insight into human behavior and has continued to help with characters I've played over the years.
Have you had any particular mentors?
Through the years, there have been many people I've looked up to, whom I've admired, both dead and alive. I learned so much from reading about their lives and choices they've made. I've also had the privilege of great teachers.
What advice do you have for people wishing to enter the acting profession?
Find out what who you are and never give up on that. Never try be like someone else. Hone your craft. Grow your personal voice. Read, watch, observe, stay curious. Only compare yourself to yourself. Remember that failure is part of the process, so learn from your mistakes and don't let them get you down.
There's no straightforward road to success, and anyway, success will not fill any voids that exist inside. So find things that do, and those are personal. Be kind to yourself. This business can be really tough. Sometimes getting work is not about talent or how good you are. So many variables are involved. Still work hard, because at least for me, that's how confidence is built.
Best advice I ever got is, "it's not a race, it's a marathon." So please stay the course, and when you want to give up, get quiet and listen to that little voice inside that wanted to do this in the first place.
Tell us about your role as Emily Zola Ginsberg in The Trial of Donna Caine and how you prepared for the part.
Emily Zola Ginsberg is a dream part for me. She is a survivor. She's very strong, highly intelligent, and deeply intuitive. She's incredibly good at her job, as one of the most successful attorneys in the country. And as many survivors, she carries a deep wound that is the driving force of so much of her life.
Going back to my years as a psychology major, Emily is an incredible study in what makes someone who they are, how one deals with unbearable loss, and the path they choose for themselves from there. Many don't get out alive. Some are completely debilitated. And then others thrive. But at what cost? What is constantly there lurking beneath the surface, hidden behind the facade? These were all things I thought about when it came to Emily. Obviously there was a lot of research into law and politics, and what daily life for an attorney looks like. I watched a lot of real-life court cases, as well as TV shows with attorneys and films. Ultimately it was about discovering what Emily's specific style is, and that came from doing a lot of backstory work on my own.
How do you like working at GSP?
I cried the first time I walked into the theatre. It's such a special place. Unbelievable how they transformed a barn into a performance space. It feels so intimate, yet, once you're out in the audience, the space feels grand.
Tell us about the cast and creative for The Trial of Donna Caine.
Our cast and crew is a gift. Every day we walk in talking about how lucky we are. And of course, a lot of that is due to David Saintand his ability to bring together the perfect team, on all fronts.
What would you like metro audiences to know about the show?
The show is deeply moving and wildly entertaining.
Can you share with us some of your future plans?
I'm excited to get back to the third season ofThe Deuce, which starts filming in February.
You can follow Margarita Levieva on Instagram @Margosha777
The Trial of Donna Caine will run from 10/16 to 11/11 at George Street's current venue, 103 College Farm Road in New Brunswick, NJ with Opening Night set for Friday, October 19. To purchase tickets or for more information, visit the George StreetPlayhouse website athttps://georgestreetplayhouse.org/ or call the box office at 732-246-7717.
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kellrod · 6 years
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Recording Care Inc. - BBC Radio 4 Drama - She can only afford basic health insurance, and it does not cover the drug she needs to stay alive. With Flor De Liz Perez, Patrice Flemings, Kelley Rae O'Donnell. 
CLICK HERE -- Listen to Care Inc. --
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piranot · 4 years
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Necrologia do dia 14 de julho de 2020 em Piracicaba e região
Maria do Carmo Nunes Banov Faleceu dia 11 p.p., nesta cidade, contava 81 anos, filha dos finados Sr. Alfredo Pereira Nunes e da Sra. Benedita Forlevize Pereira Nunes, era casada com o Sr. Paulo Banov, deixa os filhos: Paulo Banov Junior, casado com a Sra. Fernanda Cavalcanti Banov e Fábio Banov, já falecido. Deixa 03 netos, demais parentes e amigos. Sua Cerimônia de Cremação foi realizada anteontem às 10h00 no Crematório Unidas de Piracicaba – SP.
Francisco Celso Viviani Faleceu dia 11 p.p., nesta cidade, contava 73 anos, filho dos finados Sr. Antonio Viviani e da Sra. Dirce Vicino Viviani, era casado com a Sra. Osvanide Bianchini Viviani, deixa os filhos: Fabricio Alexandre Viviani, casado com a Sra. Adriana Aparecida Bilato Sergio Viviani e Vanessa Viviani, casada com o Sr. Jeferson Ribeiro da Silva. Deixa netos, demais parentes e amigos. Seu sepultamento foi realizado anteontem, tendo saído o féretro às 13h00 da sala 03 do Velório do Cemitério da Vila Rezende, para a referida necrópole em jazigo da família.
Renato Alexandre Braga Gonçalves Faleceu anteontem, nesta cidade, contava 85 anos, filho dos finados Sr. José Manuel Gonçalves e da Sra. Auta da Luz Braga, era casado com a Sra. Cleide Aparecida Gonçalves, deixa os filhos: Sergio Renato Cabral Gonçalves, casado com a Sra. Clelia Gonçalves; Rachel Soraya Braga Gonçalves Perez, casada com o Sr. Fernando Tadeu Perez e Renato Cabral Gonçalves, já falecido. Deixa netos, demais parentes e amigos. Sua Cerimônia de Cremação foi realizada anteontem às 13h00 no Crematório Unidas de Piracicaba – SP.
Rosangela Aparecida Paduan Faleceu anteontem, nesta cidade, contava 57 anos, filha do Sr. Idineu Paduan e da Sra. Idalina Menocheli Paduan, já falecida, deixa a filha: Gabrielle de Camargo. Deixa demais parentes e amigos. Sua Cerimônia de Cremação foi realizada anteontem às 17h00 no Crematório Unidas de Piracicaba – SP.
José Erler Faleceu anteontem, nesta cidade, contava 90 anos, filho dos finados Sr. Pedro Erler e da Sra. Santa Geraldin, era casado com a Sra. Nativa Bueno Erler, deixa os filhos: Flor de Liz Aparecida Erler; Teresa Erler Rossin; José Gumercindo Erler e Maria Cristina Erler Pedrozo, casada com o Sr. Silvio José Pedrozo. Deixa netos, bisnetos, demais parentes e amigos. Seu sepultamento foi realizado anteontem, tendo saído o féretro às 17h00 do Velório da Saudade, sala 04, para o Cemitério da Saudade em jazigo da família.
Francisco Bertonsin Gasparin Faleceu anteontem, nesta cidade, contava 69 anos, filho dos finados Sr. Pedro Gasparin e da Sra. Sebastiana Bertonsin, era casado com a Sra. Maria de Lourdes Marçal Gasparin, deixa as filhas: Josimeire Gasparin Puga, casada com o Sr. Reinaldo Eron Puga; Kátia Gasparin Belem, casada com o Sr. Geovani Faxina Belem e Karina Gasparin. Deixa as netas: Maria Eduarda e Maria Lavínia, demais parentes e amigos. Seu sepultamento foi realizado anteontem, tendo saído o féretro às 17h00 da sala “C” do Velório do Cemitério Parque da Ressurreição, para a referida necrópole em jazigo da família.
Aristides Del Nero de Oliveira Faleceu anteontem, nesta cidade, contava 73 anos, filho dos finados Sr. João Pedro de Oliveira e da Sra. Josefina Novoleti de Oliveira, era casado com a Sra. Nilva Greco de Oliveira; deixa os filhos: Valdecir de Jesus Oliveira, casado com a Sra. Andreza Regina P. de Oliveira; Agda Alice de Oliveira, casada com o Sr. Stenico Jose de Oliveira Silva e Ingrid Aparecida de Oliveira, casada com o Sr. Ângelo Gabriel dos Santos. Deixa netos, demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 10h30 do Velório da Saudade, sala 03 para o Cemitério Municipal da Saudade, em jazigo da família.
Carlos Roberto Francischinelli Faleceu anteontem, nesta cidade, contava 66 anos, filho dos finados Sr. Giacomo Francischinelli e da Sra. Benvinda Groff Francischinelli, era casado com a Sra. Marli Porta, deixa demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 10h00 do Velório da Saudade, sala 04 para o Cemitério Municipal da Saudade, em jazigo da família.
Reinaldo Antonio Souza Faleceu anteontem, nesta cidade, contava 73 anos, filho dos finados Sr. Antonio Baptista Souza e da Sra. Lourdes Sanches Souza, era casado com a Sra. Rosa Aparecida Pagotto Souza; deixa a filha: Regina Alexandra Souza Silva, casada com o Sr. Nelson Leite da Silva Junior. Deixa as netas: Caroline e Gabrielle. Deixa demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 09h30 do Velório da Saudade, sala 02 para o Cemitério Municipal da Saudade, em jazigo da família.
Jairo Ribeiro de Mattos Faleceu anteontem, nesta cidade, contava 89 anos, filho dos finados Sr. Samuel Ribeiro de Mattos e da Sra. Antonia Prospero, era casado com a Sra. Anna Maria Meirelles de Mattos; deixa os filhos: Ana Cristina Meirelles de Mattos Marcondes, casada com o Sr. Yvens Santiago Marcondes; Ana Maria de Mattos Hartsema, casada com o Sr. Egbert Hartsema; Ana Teresa Meirelles de Mattos Arzolla, casada com o Sr. Silvio Franco Arzolla e Jairo Meirelles Ribeiro de Mattos, casado com a Sra. Paula Rafaela Mendes de Mattos. Deixa netos, demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 16h30 do Velório da Saudade, sala 05 para o Cemitério da Municipal Saudade, em jazigo da família.
Paulo Cavioli Faleceu ontem, nesta cidade, contava 86 anos, filho dos finados Sr. Cesar Cavioli e da Sra. Nena Schamas, era viúvo da Sra. Doris de Souza Cavioli; deixa a filha: Elaine de Souza Cavioli Pauli, casada com o Sr. Donizete Luiz Pauli. Deixa netos, bisnetos, demais parentes e amigos. Seu sepultamento foi realizado ontem às 14h00 no Cemitério Municipal da Saudade, em jazigo da família.
Leticie Pereira Timóteo Faleceu ontem, nesta cidade, contava 72 anos, filha dos finados Sr. João Pereira dos Santos e da Sra. Francisca Pereira de Jesus, era viúva do Sr. Carmino Nunes Timóteo; deixa os filhos: Sebastião Adilson Timóteo Pereira; Tristão Timóteo Pereira; Iris Pereira Barreiros; Terezinha Pereira Cordeiro; João Pedro Pereira Timóteo; Carmino Nunes Timóteo Filho, já falecido e Maria de Conceição Timóteo Adão. Deixa netos, bisnetos, demais parentes e amigos. Seu sepultamento foi realizado ontem, às 10h00 no Cemitério Municipal da Vila Rezende, em jazigo da família.
Maura Aparecida de Jesus Faleceu ontem, nesta cidade, contava 50 anos, filha dos finados Sr. João Celestino de Jesus e da Sra. Beatriz Aparecida dos Santos, era casada com o Sr. Ricardo Tadeu Oliveira dos Santos; deixa os filhos: Thais Fernanda Jesus dos Santos; Lais Cristina Jesus dos Santos; Jessica Ariane de Jesus e Maicon Douglas de Jesus, já falecido. Deixa netos, demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 14h00 da sala 01 do Velório do Cemitério Municipal da Vila Rezende, para a referida necrópole, em jazigo da família.
Claudio Dantas Barbosa Faleceu ontem, nesta cidade, contava 41 anos, filho do Sr. Valdemir Camara Barbosa, já falecido e da Sra. Doralice Elvira Dantas Barbosa, era casado com a Sra. Fernanda Nunes Barbosa, deixa os filhos: Matheus Nunes Barbosa e Arthur Nunes Barbosa. Deixa irmãos, cunhados, sobrinhos, demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 16h30 da sala “02” do Velório do Cemitério Municipal da Vila Rezende, para a referida necrópole em jazigo da família.
Idael Dias Ferreira Faleceu ontem, nesta cidade, contava 41 anos, filho do Sr. Osires Dias Ferreira e da Sra. Amelia Barboba Ferreira, deixa irmãos, cunhados, sobrinhos, demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 17h00 da sala “01” do Velório do Cemitério Municipal da Vila Rezende, para a referida necrópole em jazigo da família.
Helena Felix Maturin Faleceu ontem, nesta cidade, filha do Sr. Ducharleson Mathurin e da Sra. Lurya Karoline Feliz Velovelle, deixa demais parentes e amigo. Seu sepultamento foi realizado ontem, tendo saído o féretro às 16h45 da sala “03” do Velório do Cemitério Municipal da Vila Rezende, para a referida necrópole em jazigo da família.
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marielavilleri · 6 years
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¡¡¡SORTEO INTERNACIONAL DE LIBROS IMPRESOS, AMORES!!! De parte de Liz Rodriguez ❤ Familia los invito a participar en el sorteo internacional que se está llevando a cabo en el INSTAGRAM: LIBROS QUE DEJAN HUELLA. Me encuentro verdaderamente feliz de saber que hace 4 años me encontraba abriendo una cuenta de Instagram que jamás imaginé iría a dejar una huella en tantos corazones. Gracias a Flor M. Urdaneta Becca Berger Lisy Noboa Isa Quintin Aryam A Shields JM Raphaelle Miriam Meza Claudia A. Perez Mariela Villegas por ayudarme a llevar adelante este sorteo, gracias a todas esas amistades que se quedaron, pero en especial a las que se fueron dejando puros buenos momentos y hermosas anécdotas. Siempre he dicho que hace 4 años mi vida cambió, han sido 48 meses en la que encontré a mis hermanas lectoras y 1460 horas de compartir con ustedes una de mis grandes pasiones ¡Gracias! https://instagram.com/p/Br8_is6BOe7/ ¿Nos ayudan a compartir, por favor? https://www.instagram.com/p/Br9Q5NvH6wtPcchnmXSRhT9K3zvseM5OOH_Rkk0/?utm_source=ig_tumblr_share&igshid=1l6wqbjd62aye
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WTNV quick rundown - 60 - Water Failure
Featuring the voices of Erica Livingston as Maggie Penebaker, Christopher Loar as Donald Penebaker (they are the voices of the phone tree when Cecil makes his call) and Flor De Liz Perez as the voice of Lacy.
See some evil. Hear some evil. Speak some evil. Welcome to Night Vale.
The water in the radio station has been turned off and eventually the pipes start to release a gas that smells like French Toast. This causes the people in the station, including Cecil, to become light-headed and lose their senses of sight, touch and longing.
It turns out that because of the sun multiplying over NV, the water departments computers messed up and started to release carbon monoxide into the building as they do whenever anyone is more that 60 days behind on their payments (which the station is not). It smells like French Toast because they wanted to make the unpleasant thing a bit more pleasant. This is explained to us by a person called Lacy, over the phone, who doesn't hang up all the way until Cecil is signing off. She also tells Cecil that he's not the only one who cares about 'her' and 'I know who you are' and 'thanks' without clarifying.
Oh yes the sun was multiplying over NV today. Citizens shot down the three extra suns, leaving just one. This sun sets in the north though.
[The weather is instead a Hold song when Cecil is on the phone] "Just Like My Heart" by Fault Lines wearefaultlines.com
Michael Sandero both lost and won his national championship game. His team was fighting a copy of his team. The winning version was carried off by starlings after partying all night. The losing one seems confused as to where he is and who is he.
Cecil submits a special form to request days off from Station Management so he can go and see Carlos in the desert otherworld. This includes an exactly 2500 word essay on what he will be doing with his time away from work, then genuflecting in front of the office door whilst reciting the pleadge of employee fealty which is several minutes long (he does this whilst blocking the only route to the kitchen at lunch time so everyone else is pretty annoyed at him). He then submits the form into the drop box which glows red and puffs out black smoke. When he returns to his booth, all his possessions are gone and replaced with a bottomless pit when means they received the request.
Chevrolet are trying to claim that the electricity in everyone's house is in fact actually a car so you should either return it or pay them for it.
Local television station channel 6 comes under fire for their decision to start broadcasting into viewer's homes whether viewers want to watch Channel 6 or not. People argue this is a violation of privacy. The City Council argues that it's important they are able to tell people anything they want, important or not, whenever they want, through their TV's.
You can call the water department if you no longer believe in water (Cecil has his doubts), or if you are Illuminati. You can also call if you tried to call about an emergency, only to find yourself serving a prison sentence for misuse of emergency services and you want to argue the semantics of 'emergency'.
NV phones have an 'Not An Emergency' button.
Cecil: Stay tuned next for time moving faster, faster than it seems, faster and faster until it disintegrates into stardust. Lacy: Oh, that actually sounds fun! Cecil: Good night, Lacy. And good night, Night Vale. Good Night. Lacy: Good night!
Proverb: The reason we say "bless you" after someone sneezes is because we know they will die some day.
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blackinperiodfilms · 7 years
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Flor De Liz Perez (Maude Lynn), Lizan Mitchell (Beartrice), Tiffany Rachelle Stewart (Agnès), and Joniece Abbott-Pratt (Odette) in Marcus Gardley’s The House that will not Stand.
SYNOPSIS: Set in 1836 New Orleans where free women of color are permitted to enter into common-law marriages with wealthy white men. The home and life that Beartrice has built for herself and three daughters, on a foundation of money, freedom and secrets, threatens to collapse after her husband mysteriously dies.
Directed by Lileana Blain Cruz
Playwright: Marcus Gardley 
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F: The Entertainers
Faith Alabi Actress | Faith Omole Actress | Faithe Herman Child Star | Fardosa Model | Fatou Jobe Model |
Felecia M. Bell Actress | Femi Taylor Dancer/Actress | FKA Twigs Singer/Songwriter/Dancer | Flor De Liz Perez Actress/Voice Actor | Florence Kasumba Actress | 
Fola Evans Akingbola Actress/Model | Folake Olowofoyeku Actress | Franchesca Ramsey Blogger/Actress | Francheska (Hey Fran Hey) Blogger/Podcast Host | Francis Callier Comedienne | Freema Agyeman Actress |
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nofomoartworld · 8 years
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Hyperallergic: A Play Models the Human Cost of Our Economic Ecosystem
The ensemble cast of Dolphins and Sharks in act two of the play (photo by Marsha Ginsberg)
The most significant message I take from Labyrinth Theater Company’s production of Dolphins and Sharks is that a certain kind of economic ecosystem compels us to make limiting choices: to take on the role of amoral, mercenary predator or pro-social, nurturing, even protective community member. When the play opens, we don’t know that its environment will pressure the characters of the Harlem Office print shop — Isabel, who’s been there for six years; Danilo, the always-late janitor; Yusuf, the young NYU graduate desperate for a paying job; Amenze Amen, who frequents the shop to get her work done; and Xiomara, the Dominican woman who becomes the store manager — to choose from this narrow menu. But it does. Playwright James Anthony Tyler cranks up the heat under the pot in which they collectively boil with some very obvious, incendiary devices: differences of race, social class, immigrant status, body shape, gender, and personal ambition. The play begins with a surreal dance in subdued blue light as all the characters mime picking cotton and cutting sugar cane. It’s powerful, but we don’t need it to know what’s at stake and what histories are always knocking at the door.
Actors Chinaza Uche and Pernell Walker in Dolphins and Sharks (all photos by Monique Carboni unless otherwise noted)
Directed by Charlotte Brathwaite, Dolphins and Sharks centers on the necessity of wage labor and the human relations our system engenders. It’s about people like me, who have to sell our services in order to pay off school loans, to provide a home for a baby, to keep a family afloat after a husband loses his job, to climb the socio-economic ladder. If you’re sensitive to class differences and their pernicious effects, Xiomara is the worst one, the sellout. She and Isabel are friends until she applies for and receives the promotion to manager. Subsequently, she becomes emotionally absent, a driver of corporate dehumanization. She insists on using the hollow management language of “professionalism” to assuage her own guilt and fear, and Isabel’s anger.
Actors Cesar Rosado and Flor De Liz Perez in Dolphins and Sharks
But the behind the scenes, the puppet master, business owner Mr. Timmons — whom we never see — represents the power structure itself. The play makes clear how this structure forces increasingly distasteful choices on all the workers, whether deciding to become a mercenary shark to survive; or stealing from the man, as Yusuf does; or taking back your time from the capitalist machinery, as Danilo does; or losing yourself in human interaction, as Isabel chooses to do.
What twisted the knife in my insides, however, was realizing that the differences between the characters — in size, race, nationality, ambition — only became problems because of their competition with each other for employment and promotion within the Harlem Office. In another context, being overweight and black would not hinder Isabel’s advancement, but here it means that, despite being extremely skilled at customer service, she’ll never get the management job for which she applied four times. The limits of individual agency in the working world become clearer when you see them like this, in cross-section. Disparity is only a difficulty because our particular economic system insists on workers’ homogenization.
Pernell Walker, Chinaza Uche, and Flor De Liz Perez in Dolphins and Sharks
Dolphins and Sharks makes it plain that, when we are in the throes of this system, our individual politics are cruelly myopic — we can’t see beyond our own success or failure. This play is filled with regular folks, lying to and manipulating each other to get another crumb that falls from the wealthy person’s table. And we end up angry at one or more of the characters because they steal more crumbs. But the manipulation should be obvious, and we should be angry at the structure itself, which is always rigged to make our choices personal, to make us choose which colleagues to despise. The anger will remain until we can find the tools by which the grab the structure and shake it until it falls to pieces.
The Labyrinth Theater Company’s Dolphins and Sharks continues at the Bank Street Theater (155 Bank Street, West Village, Manhattan) through March 19.
The post A Play Models the Human Cost of Our Economic Ecosystem appeared first on Hyperallergic.
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221brownstone · 8 years
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flordeliz_perez  Did she or didn't she? ••• Sherlock and Det. Bell interrogate cadet Eliza Alzado as they investigate a murder, tonight at 10:30 on Elementary (CBS).
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cecilbaldwin-fan · 8 years
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hotpeppertheater · 10 years
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Hot Pepper Theater: Episode Seven 24-Hour Too Much Light feat. Flor De Liz Perez
Flor De Liz Perez tackles her first habanero and a few questions about 24-Hour Too Much Light, a celebration of the nyneofuturists first ten years in NYC. Can she handle the heat? What is a Neo Futurist? IS IT TOO MUCH LIGHT? Find out!
If you’re interested in reviewing for Hot Pepper Theater and are NYC-based, email us.
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