Bruce keeping a tighter and tighter lid on his identity around the Justice League because with each new person to reveal their identity he realizes that he has fucked far too high a percentage of his co workers as Bruce Wayne and he has to take this secret to his grave
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List of old Gravity Falls things
because fans today probably don't know about all the batshit stuff that used to happen, here's some of the stuff I remember in no particular order:
People theorizing Robbie was a zombie
People also theorizing Gompers was connected to Bill because his eyes looked like that
Mystery trio
That time when Dipper got possessed by Bill, he stuck Dipper's arm in a silverware draw and then there was an avalanche of fan art with forks stuck in the poor kid's arm
The fact people guessed Stan had a twin actual years before the reveal, somehow even getting the name Stanley right, and then it turns out the names were swapped (there's so much old fan art calling Ford "Stanley", how could we have known)
All the crossover art with Over the Garden Wall
The fact Tad Strange's name was leaked and people came up with an entirely made up story about who he was, thinking he was some kind of weird shape demon like Bill, only for him to be a small 8 second gag character
When "Not What He Seems" can out and Stan's quote of "The Author of the Journals, my brother" somehow became a meme
When Steven Universe ended and somehow we got a bunch of fan art of him working at the Mystery Shack
That time "A Tale of Two Stans", the Steven Universe episode "Cry for Help" and the FNAF 4 trailer were all released on the same day, July 13, 2015
This:
I know there's other shit I'm forgetting so feel free to add some if you know any
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I simply think that Steve "Asks Out Anyone He's Interested In No Matter How Many Times And How Badly He Strikes Out" Harrington and Eddie "Wears His Heart On His Sleeve, Tells The People Around Him Exactly How He Feels Without Prompting" Munson would, once they got even an inkling that they liked each other, have the fastest burn alive.
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This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.
The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.
And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.
I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.
We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.
So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.
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i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.
it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.
it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)
it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.
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Steve takes Eddie’s virginity by riding the older boy after a long session of smoking and drinking inside the metalheads cramped van.
He’d praise Eddie on how good he’s making him feel, how big his dick is and how he’s so pretty under him that it makes Eddie moan loudly, strong hands roaming and squeezing the fat of Steve’s ass as he begs to fuck Steve harder.
”I need to fuck you, Steve- please, sweetheart-”
Steve would kiss him, sloppy and wet as he whines into Eddie’s mouth when the dick inside him hits just right.
When he pulls back, breathless, he picks up the pace and finally lets Eddie buck up to meet his thrusts.
Eddie would just look up at Steve, brown eyes wide and realize he’s so in love with the gorgeous boy on top of him and he never wants to let go. Never.
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