#Feu! Chatterton

[musicwithoutborders]

Feu! Chatterton, La fin d'une île I Un homme en fuite, 2024

[fidjiefidjie]

Bonne matinée 💙😥💙

Feu! Chatterton 🎶 L' Affiche Rouge

D'après une chanson de Léo Ferré

Paroles Louis Aragon

[pastouslesjoursfacile]

Regardez Le départ sur YouTube Music

"Peut-être penseras tu, empli(e) d'une gaie mélancolie, à ce poème d'Eluard, qui fixe l'instant que tu es en train de connaitre, juste avant que tout commence"

[edwoodette]

Compagnons - Feu! Chatterton

[neiyuu]

tagged by @crepuscule-pourpre :)

put your spotify (or non-spotify equivalent) on the 'on repeat' playlist, shuffle it and then share the first 10 songs. then tag 10 people.

1 - Strangers • Kenya Grace

2 - That Home • The cinematic orchestra

3 - Nevermind • Dennis Lloyd

4- Crazy • Gnarls Barkley

5- Jekyll & Hide • Bishop Briggs

6- Rasputin • Majestic, Boney M

7- Hijo de la Luna (orchestra) • 2dypoy

8- Same old energy • Kiki Rockwell

9- Sunshine • Skott

10- R+V • Eddy de Pretto

Do it if you want to do it, dont if you don't want to ! I'm just curious. Tagging: @janilumi @thesketchykid @puppycat-my-beloved @flyingcookiegumtruckthing @xizor14

[camilledecussac]

[rrredgi]

There is a poem by William B. Yeats that was translated by Yves Bonnefoy and made into a really beautiful song by Feu! Chatterton and I tried to make an illustration for it, but I think it needs a little bit more work (here's what I have now though)

"Je le veux aimant ce qui fut

Avant qu'il n'y ait le monde"

Isn't that just :(

[perduedansmatete]

dimanche ennui donc liste (certainement pas exhaustive) de moi à moi des artistes que j'ai déjà vu en concert, de ceux que je vois bientôt, de ceux que j'aimerais voir et de ceux que je RÊVE de pouvoir écouter en live un jour:

concerts faits dans un ordre totalement approximatif:

julien doré (petite, j'étais amoureuse de lui et je me souviens d'avoir eu mal au cœur quand il chantait winnipeg)

jeanne cherhal (petite aussi, j'étais absorbée car elle avait chanté quelques chansons suspendue à un cercle en l'air)

olivia ruiz (toute mon enfance)

la grande sophie

the dedicated nothing (ils ont fait un album on en a plus jamais entendu parler et je les avais vu dans une boutique longboard comme c'était des surfeurs mdr)

the dø (dans un festival paumé en vendée, j'étais la plus heureuse)

george ezra

the black lilys

radio elvis 2x

feu! chatterton 3x (j'ai l'impression de faire l'amour quand j'entends arthur teboul chanter en live, un des trois concerts était en plein air vers l'océan c'était beau et poétique)

grand blanc

jumaï

chevalrex

pr2b

clarika (toute mon enfance, dans la voiture avec ma mère)

the limiñanas (inattendu, jamais écouté avant de les voir mais si cher à mon cœur maintenant)

girls in hawaii (souvenirs d'adolescence)

genghar (concert avec mon père dernièrement, j'écoutais beaucoup adolescente aussi)

sallie ford 2x

norma 2x (elle fait fondre mon cœur j'aimerais qu'elle perce)

mattiel

the twilight sad

las aves

prudence (la chanteuse de the dø, on avait gagné un concours avec ma sœur!!)

cate hortl

clara luciani 3x

pomme 2x

franz ferdinand 2x

arctic monkeys 2x (dont une fois catastrophique à rock en seine, des amitiés se sont brisées, des crises d'angoisses, un son merdique)

the strokes (son merdique et problèmes techniques car rock en seine mais j'étais au max)

ledher blue

the cure (que dire de plus??? 3h de the cure en live c'est le paradis)

depeche mode (que des bangers, je m'en remets pas encore)

pi ja ma (choupette, je l'aime depuis la nouvelle star)

delilah bon (à la fin de son concert on a eu droit à tous les chants de manifs de gauchos sans aucune raison pendant 20 minutes et c'était génial)

kalika

fontaines dc (je veux les revoir)

ethel cain (c'était thérapeutique)

angel olsen

lucy dacus (très vite)

tamino 4x (je l'adore de tout mon cœur mais je fais une pause je l'ai trop vu)

ko ko mo 7x ou plus?? (découverts dans un festival paumé en vendée, depuis on les voit tous les ans)

jesse jo stark (trop sexy)

clemence violence

hachiku

jen cloher (lesbiennes australiennes je vous aime)

dynamite shakers

odezenne (j'ai pu chanter je veux te baiser en live c'était fantastique)

georgio (marque le début de la fin d'une amitié mais j'étais tellement heureuse ce soir là)

slowdive

frank carter and the rattlesnakes (ma sœur qui se fait une entorse dans un pogo)

the mysterines

yeule (premier concert toute seule, il m'a fait du bien)

sorry (chanteuse toute timide toute choupi mais génial et j'ai pu crier les paroles de there's so many people that want to be loved)

alexandra savior (écoutez là c'est un ordre)

sarah maison

sextile (concert génial soirée traumatisante)

wunderhorse (de vrais anglais qui s'en branlent de tout c'était cool)

no elevator

emma peters (j'écoute pas mais sympa)

skip the use (j'y allais en mode souvenirs, j'avais jamais écouté ses récents albums et le gars est trop chaud en live)

agar agar

nada surf (le chanteur est trop gentil <3)

hoorsees

adrien gallo (à défaut d'avoir pu voir les bb brunes... et j'étais aussi amoureuse de lui petite)

therapie taxi

nova twins (un de mes meilleurs concerts elles avaient une énergie trop folle)

la femme (mes meilleurs pogos)

tori amos (concert avec ma mère, icone)

l'impératrice 3x (2 fois sans que je veuille vraiment juste ils étaient dans des festivals et j'en peux plus leur scéno c'est toujours la même et c'est mou)

terrenoire

snail mail (mou)

parcels (j'écoute pas mais en concert c'est fou)

tame impala (l'impression d'avoir pris du lsd pendant 1h30)

gaz coombes (le chanteur de supergrass!!)

inhaler

idles (de loin mdr)

foals (mouais)

wet leg (absolument génial premier rang à crier toutes les paroles, tellement qu'il a plu et qu'on a fini le concert dans la boue)

yeah yeah yeahs

izia

the murder capital (amoureuse)

suzie stapleton

maddy street (une copine de ma sœur, c’est trop bien)

origine club renommé bonne nuit (à revoir c’est des vendéens et j’adore les vendéens pas fachos)

alice et moi

prochains concerts:

stoned jesus

dionysos (cadeau de noël pour mes parents, ils nous ont bercé avec)

air

ethel cain (encore)

mannequin pussy

cherry glazerr

lana del rey!!!!!!!!!

ko ko mo (pour la millième fois mdr)

eartheather (j'ai eu une place alors qu'il n'y en avait plus??? yaayyy)

artistes que j'aimerais voir:

yoa

the marias (ils avaient annulé la seule date qu'ils faisaient en france alors qu'on avait nos places avec ma meilleure amie, on leur en veut encore)

anna calvi

bar italia

the last dinner party

coco & clair clair

dora jar

king krule (on m'a empêché de prendre une place la dernière fois car apparemment il chante mal en live)

beach house

lebanon hanover

japanese breakfast

mitski

sally dige

deerhunter

tove lo (je l'ai raté à rock en seine...)

tv girl

sir chloe

hooverphonic

tomberlin

portugal. the man

last train

baxter dury

sophie meier

thao & the get down stay down

fka twigs

elita

yelle (je serai une femme accomplie le jour où je l'aurai vu)

artistes que je rêve de voir dans mes rêves les plus fous:

lush

soko (elle soignerait tous mes maux)

pulp

garbage

fiona apple (c'est beau de rêver)

the smashing pumpkins

courtney barnett (c'est une nécessité je connais tout par cœur)

siouxsie sioux

björk (ratée en septembre dernier...)

eels (mes parents y sont allés sans moi et sans me le dire????)

alt-j (j'écoute depuis trop longtemps pour ne jamais les avoir vu)

cults

pixies

iggy pop (icone, il faut, et je suis amoureuse de lui)

new order

interpol

massive attack (si je craque pour rock en seine...)

emiliana torrini

deftones

she wants revenge

hope sandoval

sigur rós

arcade fire (je crois que le chanteur est un agresseur sexuel. bon.)

the last shadow puppets

the white stripes mais bon... ou jack white

madonna...... mais je suis pauvre

si une âme charitable a tout lu et veut me fournir de quoi me payer des places de concerts je suis preneuse lol merci

[gay-impressionist]

Hello!! I’m trying to expand my music selection and was wondering if you could recommend a few French artists that you like?

This was so hard 😫 I almost sent you a list with like, 30 names, but realized it would be overwhelming lol

I added some song recs from these artists, to give you a starting point

Feu! Chatterton : La Malinche, J'ai tout mon temps

Claude François : Soudain il ne reste qu'une chanson, Magnolias for Ever, Comme d'habitude (original song that Sinatra turned into "My Way"!)

Gaël Faye : Irruption, Paris métèque, Petit Pays

Téléphone : Un autre monde, Ça s'est vraiment toi

Clara Luciani : Respire encore, Nue

Charles Aznavour : Emmenez-moi, For me formidable

La femme : Si un jour, Sacatela, Paradigmes

Christine & The Queens : Christine, Saint-Claude

Niagara : J'ai vu, Je dois m'en aller, L'amour à la plage

Hoshi : Et même après je t'aimerai, Pleurs de fumoir

Eddy de Pretto : Kid, Mamere

Minuit : Flash

[papesatan]

Ringrazio di cuore @orestiade, @giovaneanziano, @burroesalvia e @spinalenta per aver deciso di coinvolgermi quasi di comune accordo in questo giochino musicale, strappandomi forzosamente alla pigrizia e all'oblio. Qui le semplici regole del gioco:

Rules: Pick a song for every letter of your url and tag that many people

Plug in baby - Muse

À l'aube - Feu! Chatterton

Pioneers to the falls - Interpol

Exit Music (For a Film) - Radiohead

Sparring Partner - Paolo Conte

All These Things That I've Done - The Killers

Ti fa stare bene - Caparezza

Amanda Lear - Baustelle

Never Let Me Down Again - Depeche Mode

Non ricordo se lo avete già fatto, ma nel caso ignoratemi allegramente @archivi, @girlfromthemoors, @same-deep-water, @umi-no-onnanoko, @hope-now-and-live, @nineteeneighty4 , @raggidilunaepolveredistelle , @mandorloinfiore ed @essereononesseresblog , vediamo quali canzoni vengon fuori dai vostri nomi!

[louiseverneuilupdate]

Louise Verneuil for Modzik.

(2020)

Interview here

A true rising star of a French pop that is both classic and insanely modern, Louise Verneuil brilliantly mixes French and Anglo-Saxon references on her very successful first album Lumière Noire directed by Samy Osta (Feu! Chatterton, La Femme, Juniore...), a record that is both vibrant and intimate like the single "Love Corail". Meeting with the beautiful Louise...

You are from Ariège, you spent your adolescence in Nice, your grandmother was an Andalusian Gypsy, your uncle's and your father's Gibson who took over the Beatles: are all these elements important in your musical journey? What have your family and this sunny youth brought you?

Louise Verneuil: “I am a self-taught artist who arrived in Paris at the age of 22 to make music. Paris was the landscape of this album, this project, my twenties but I drew on my memories, my heritage and my values to create these songs and this album.

The love of my family, this family nest I never really leave. My father gave me my first guitar, my mother my first hums, my uncle my first vinyls. Everyone sings and dinners very often end in guitar and melodies.

In Lumière Noire I talk about my great-grandmother "Emerencia", an Andalusian, the first woman freed from my memory.

Even in the realisation of the songs, or in "L'Evadée-Belle" we find Maghreb drums and Spanish guitars.”

Everything is there, the roots, love everything that never really leaves us. And those who never really leave too.

You land in our musical landscape like a beautiful indie pop-rock amazon, what are your icons and your major female influences (musical or other)?

Louise Verneuil: “There are already all the women in my family. Strong, free, feminine women. I took their names to keep them with me and give me strength.

Then there are many authors, composers, muses. I think of Karen Dalton, Joni Mitchell, Billie Holiday, Marianne Faithfull, Anita Pallenberg, Frida Kahlo, Nico, Françoise Hardy, Anna Karina, Françoise Dorleac. Lovers, shovels, loners, characters, lively sharp, inspiring, inspired... Beauties, sublime but also supercharged. I love madness, smiles, even hidden behind melancholy.”

You are both a self-taught songwriter: how did you start in music? What was the trigger for you?

Louise Verneuil: “The click is that I was not happy when I arrived in Paris. I decoded my discomfort by drawing on my wildest dream, that of making music. I was already writing since I was little but playing an instrument and composing on it and came along. When I missed songs, I had no choice but to make them myself...”

Was your Lumière Noire album more inspired by London or Paris? Have you been carrying these songs in you for a long time?

Louise Verneuil: “Paris Lumière Noire is the transition to adulthood, that of young girl to young woman. These ten songs were chosen to represent a moment of my life, moments lived, heartaches, sentimental disappointments, moments of solitude in my small apartment, far from mine. Sometimes some songs are more than 6 years old. But we needed this catharsis, we had to remain authentic at all costs, proud of my career, give this from me to the public, to my music to present myself well.”

What are the main themes of your album? Where do you get your inspiration from?

Louise Verneuil: “The themes are those of a woman's life. Sentimental setbacks, sensuality, abandonment, the drunkenness of memories, also freeing oneself from an established female model, drawing on her resources, her happiness, her misfortunes.

Love in all its nuances remains the main theme but Lumière Noire is also finding the positive in the negative, brilliance in each defeat, beauty in melancholy. In the end, it is a real philosophy.”

You publish your first album in your victorious thirties: is it a real luxury to take your time?

Louise Verneuil: “In this society where we get tired of everything, where we consume everything to consume it, it was important to reconnect with a certain tradition, a true heritage of French music. Take the time to find yourself especially, to know how to say no, do not regret failures and choices, learn from your mistakes. It was hard, patience taught me patience, sometimes I had no choice but in the end, everything guided me to be there today. I am convinced that everything has a meaning.”

What did your time at The Voice with Bertignac bring you?

Louise Verneuil: “Honestly, the show wasn't for me. I found myself in this war machine, made up and styled like a pretty doll without really being able to express myself, decide, digest. Too young, too sensitive, too cute, category hated by the general public and staged by the channel. Fortunately, Louis took me some time under his wing and allowed me to see clearly the work of the text in particular. I remember taking a long time to make him read my songs and he was the first to tell me to sing my (evil) words after 10 refusals of songs sent by others. What I like about him is that he knows how to find consistency in us. I was a singer, and after him I assumed myself as an author.”

You live between London and Paris, how do you manage this great geographical and cultural gap?

Louise Verneuil: “Precisely it is very inspiring. There is great freedom in London and a lot of poetry in Paris so the shock is sublime to live.

I can go from one state to another very quickly only by taking the train and I feel free to be excited after a departure or arrival.”

How was Samy Osta's choice made for the realisation of your EP and your album? Can you tell us about your collaboration? What did he bring you and how did you work together?

Louise Verneuil: “Samy is one of my most beautiful encounters. I went to see him in his studio and we quickly became very close friends. We spent a year in the studio to make Lumière Noire.

Samy was incredible, in his way of bringing his dough without abrupting me, without distorting the songs. He insisted that I play the piano, the guitar knowing that at the time I didn't think I was capable of it.

You should know that the songs when they arrived were completely "messy". We took back their bones, we shook them sometimes, had moments of madness and laughter too and we kept the essentials.

It allowed me to flourish and realise myself as an artist. It is a really beautiful moment suspended in time and with a crazy freedom that we have lived.”

Your music is both deliciously outdated, yet at the same time as timeless but also insanely modern: what is the secret of mixing as surprising as it is terribly catchy?

Louise Verneuil: “I have listened to myself throughout these years, I have always made bold choices, never simple. I think there is no secret, there is only truth.

This album is as I am, as I have been over the past eight years, I now let the songs make their way and reach people's hearts.”

Your voice mixes hoarse accents, a muffled side and crystalline flights: did you always know you would be a singer?

Louise Verneuil: “I was terrified of singing in front of people until I was 20 years old. I locked myself for hours with my guitar in my room, I sang with my hairbrush but unable to do it in front of an audience. My parents had to insist for a long time that I open my mouth. It was only in the small family universe that I let go. I think there was so much truth in this way of expressing myself that I was filled with modesty. Over time I kept this feeling but tamed it to finally no longer be afraid. Sometimes it grabs me by the throat, often even but it's always a good sign.”

Your video "Love Coral" exacerbates a very 60's/70's and DYI universe reminiscent of Super 8 homemade movies: do your visual and musical inspirations go hand in hand?

Louise Verneuil: “Yes, there is always a nod to the 60s. 70. But that's where the comparison stops. I love mixing the old with the modern, in my music as in the visual. But I don't feel like I've got the wrong time especially with the daily battles we face. Every hard-won freedom is always a permanent struggle.

I allow myself in my work to make references to an old cinema technique because this is the cinema I love. I always listen to who I am and I am in no way trying to follow a fashion. But working in analogue especially in video once again requires patience and also reactivity to results that can only be seen once the film has been developed. It increases creativity and is a unique result. That's what I like.”

You have a natural and sexy chic: what is your relationship with fashion? Do you have favourite designers or brands?

Louise Verneuil: “I am a big fan of French fashion. Designers like Saint Laurent, androgynous and feminists, all in sensuality, the timelessness and chic of Chanel, the iconic radical of Paco Rabanne, monochrome and Courreges materials. I also dress a lot in second-hands for a matter of budget, originality but also ethics once again in this ultra-consumer society. My mother was a lover of thrift stores and flea markets so since I was little, I bathe in this ancient universe of pricking blouses in Manou, my grandmother in her closet that smelled of naphthaline.

I can't talk about fashion without mentioning my best friend for more than 20 years who founded his brand Studio Clandestin with the same concern to change mentalities and habits. He created a concept in addition to his Laboratory creations where we can even send our old clothes and make new models.”

[mecachrome]

hi, different anon, but thanks for that last post!! would you have any French music recs? apart from the classics i listen to Stromae bc he's good and im a cliche, and i also listen to Felhur x Andro and Bigflo & Oli

for other anon, in case this helps, listening to French rap is a way to make myself focus I have found bc I really have to pay attention to pronunciation bc of speed and also liaisons and stuff like that, so helps in comprehension of native speaker french a lot better - in case this helps :] we (french foreign language learners who want to get better but have stagnated) are in this together (pain) <3

of course!!! and sorry i'm a total fraud i feel like i actually listen to a really limited amount of popular french music 💀💀💀 however if you need korean/japanese/chinese music recs i can help with that... LOL if anyone has recs for me pls send because i am always looking for new musique <333

also the rap bit is great advice!!! idk why but i was obsessed with this odezenne album in 2022... 😔 i will say one of my fav musicians and biggest recs is klô pelgag, she's a québécois artist and i loveeeee her albums, she has such hauntingly lovely vocals and lyrics!!!!! :3c esp rec für élise / umami / où vas-tu quand tu dors? / les animaux actually there are 2 many to name... for more nouvelle chanson i like feu! chatterton and if you like neopsych then i love melody's echo chamber although she sings in both french & english... hmm. l'impératrice for nu-disco + i think vendredi sur mer is kind of a vibe idk + hlkdsfh i was obsessed with cœur de pirate when i was 12 so if u like kind of singer-songwritery stuff then you might also like pomme? and maybe this literal nobody band called bibi club 🧡

[tournevole]

Feu! Chatterton reprend "Le sud" de Nino Ferrer - La carte blanche