#Fernando Poe Jr.

[iminstitute-blog]

Deciphering the Dynamics of Voter Preferences

Peering into the Latest Senatorial Candidate Survey The recent Pulse Asia survey, conducted from April 10 to 14, provides a glimpse into the evolving preferences of voters ahead of the May 13, 2019 elections. The survey ranks the top 12 senatorial candidates: Cynthia Villar, Grace Poe, Lito Lapid, Pia Cayetano, Bong Go, Sonny Angara, Bong Revilla, Bato dela Rosa, Nancy Binay, Koko Pimentel, Imee…

[linobrocka]

Ang Panday (1980)

sa direksyon ni Fernando Poe Jr.

[kavalyera]

Tell me more about Florante *twirls hair and acts like I'm not obsessed*

34. What are their thoughts on blood dolls?

35. How old is your OC up until their death?

34. What are their thoughts on blood dolls?

— He’s loyal to his wife even when she’s dead and refuses to drink from them even when it’s the choice she’d tell him to pick (and also because they lowkey make him uncomfortable </3)

35. How old is your OC up until their death?

— Florante was 56 when he died and then got embraced minutes later <3

[brilliantmindsnbc]

Interview | Photobook Magazine

Alex MacNicoll: Brilliant Minds’ dr. Van Markus

[revolorilution]

tony as photographed by ben cope for photobook

[klimtjardin]

Você poderia recomendar livros?

aaah, fiquei tão feliz de receber essa ask! seguem títulos que marcaram um pouco da minha vida:

Infanto-juvenil:

Anne de Green Gables, L.M. Montgomery

A Cor da Ternura, Geni Guimarães

Jogos Vorazes, Suzanne Collins

Coleção Salve-se Quem Puder (juro, esses livros moldaram minha infância).

Desventuras em Série (só li um ou dois, mas quero ler todos quando puder), Lemony Snicket.

Romance:

O Morro dos Ventos Uivantes (esse é pra quem gosta de fofoca), Emily Bronte

Orgulho e Preconceito, Jane Austen

O Continente (tem romance, ação, aventura, mitologia), Érico Veríssimo

Torto Arado, Itamar Vieira Jr

As Ondas, Virginia Woolf

As Parceiras (triste), Lya Luft

Terror/Sobrenatural:

A Certain Slant Of Light (não sei se tem traduzido), Laura Whitcomb

Histórias Extraordinárias, Edgar Allan Poe

Ficção:

1984 (esse tem umas partes pesadinhas) e A Revolução dos Bichos, George Orwell

Biográfico:

O Carteiro e o Poeta (fala sobre o Pablo Neruda), Antônio Skarmeta

Crônicas:

Crônicas para se ler na escola (comédia), Luis Fernando Veríssimo

O Livro dos Abraços, Eduardo Galeano

Romance/Drama para maiores de 18:

O Caso Morel, Rubem Fonseca

O Amante (triste, triste, triste), Marguerite Duras

Lolita (pesadíssimo, mas é um dos livros mais bem escritos que já li), Vladimir Nabokov

[lowkeyed1]

"Boorman, is in essence, a classic 'rogue with a heart gold' archetype. When the first audition pages / casting breakdown came in, he was described as the "Han Solo/Jack Sparrow of the group." Immediately millions of references flooded my mind amongst those two. Inego Montoya from “Princess Bride” and some of the cutting, stoic sarcasm of “Hellboy” in the comics. Having grown up on 90s escapism I knew exactly what I was going to do and what he needed to be. Not much changed from those first tapes. But with the showrunner Jon Kasdan and the other head creatives, we managed to make Boorman more 3-dimensional. Toshiro Mifune as Kikuchiyo in “Seven Samurai” was also a huge physical reference. He has this messy and dirty caged tiger-esq gait that Jon and I wanted to channel. Boorman is an interesting character because beneath all his cynicism and humor, he's deeply troubled and just as eager to prove himself as some of the younger characters."

[bsed-group-1]

the 1980s Philippine Pop Culture

1980

The music scene in the Philippines in 1980 reflected both global trends and local tastes. The disco craze, which began in the late 1970s, was still prominent in 1980. Filipino bands like Hotdog, famous for their catchy, upbeat songs like "Manila," became synonymous with the city's vibe, while still staying rooted in Filipino culture. The song "Manila," in particular, became iconic, capturing the essence of urban Filipino life with its fusion of pop, rock, and disco influences.

At the same time, local ballad singers continued to enjoy immense popularity. Sharon Cuneta, often called the "Megastar," was beginning to emerge as one of the dominant figures in Filipino entertainment. In 1980, she was already releasing songs that would solidify her reputation in the years to come.

The Philippine film industry was undergoing a transformation in 1980. Directors like Lino Brocka and Ishmael Bernal continued to create films that not only entertained but also commented on the political and social issues of the time. ​

Another defining figure in Philippine cinema during 1980 was Fernando Poe Jr. (FPJ), the king of Filipino action films. His movies, marked by explosive action and larger-than-life heroes, provided an escape for many Filipinos from the harsh realities of the time.

1981

Television in the Philippines in 1980 was a major source of entertainment for Filipinos, with programs like Eat Bulaga!—a variety show that first aired in 1979—becoming a beloved part of Filipino culture. It blended comedy, games, and live music, engaging audiences across the country. This kind of show, along with other variety programs like The Student Canteen, played a major role in defining Filipino television during this era​.

Filipino soap operas, or teleseryes, also began to gain immense popularity. These drama series, often filled with familial conflicts, love stories, and moral lessons, continued to dominate the evening slots on TV, becoming integral to Filipino households.

While the Philippines was still under the regime of Ferdinand Marcos, the film industry in 1981 saw both government-backed and independent efforts flourishing. Martial Law had been lifted in 1981, which allowed for greater freedom in the arts.

1981 had several hits like "Katorse" (a drama-comedy), which starred Sharon Cuneta. Other popular movies included "Bilog ang Mundo" and "Patrolman", which contributed to the growing popularity of local action and drama genres.

The fashion in the Philippines in 1981 mirrored global trends in the early '80s, with big hairstyles, neon colors, and bold fashion choices. High-waisted jeans, shoulder pads, bright-colored shirts, and oversized jackets were common, with a flair for glam and excess.

 In 1981, President Ferdinand Marcos officially lifted Martial Law, though he maintained strong authoritarian control over the country. This political shift had a direct impact on pop culture, as a wave of freedom and political expression began to permeate the arts and entertainment scene.

While it would hit its peak later in the decade, 1981 was the start of karaoke's integration into Filipino social gatherings, and it would soon become a huge part of Filipino entertainment and culture. 

1982

Ishmael Bernal's Himala (1982) starring the "Superstar" Nora Aunor, gained local and international acclaim (even up to this day) as a script and technical achievement and also as a masterful exhibition of impressive ensemble acting.

1983

INCTV is the flagship television station of the Church of Christ. It first launched into TV evangelism with the “Ang Iglesia Ni Cristo” program, which premiered on a major TV (MBS, now known as PTV 4) network in the Philippines in February 1983. Even in their homes, Iglesia Ni Cristo members gladly fulfill their responsibility to share their faith.

1984

The year 1984 in the Philippines was a dynamic period for popular culture, reflecting a mix of entertainment, art, and the socio-political climate of the time. 1984 saw a number of significant occasions and classic pop culture moments. These events are still remembered today, even though many people might not be aware that they took place in this specific year.  Freddie Aguilar's folk songs, including Anak, resonated deeply due to their emotional and political undertones. "Anak" remains more than just a song; it is a cultural anthem that bridges generations and touches hearts around the world. It stands as a testament to the power of music to tell stories and convey universal emotions.

Serialized graphic stories were a staple for entertainment, with works by Carlo J. Caparas (Panday) being widely read. As one of the most influential creators in the Philippine komiks industry, Caparas has cemented Ang Panday as one of his most enduring legacies. Panday remains a popular character in Filipino pop culture, with fans still celebrating its legacy through cosplay and fan art. Panday is not just a story it's a reflection of the Filipino people's enduring faith in heroism, justice, and the power of good.

1985

"Katarungan" is a song that speaks out against social and political inequality. Freddie Aguilar, known for his bold and socially conscious lyrics, used this song to criticize the lack of justice in the country, particularly during the dictatorship of Ferdinand Marcos. 

In 1985, the Philippines was experiencing increasing unrest. Marcos' regime was facing mounting criticism, and there were growing calls for reform. "Katarungan" tapped into the national sentiment of those seeking justice and change, aligning with the broader political atmosphere of the time, especially leading up to the People Power Revolution in 1986. The song became an anthem for those who were calling for an end to corruption, human rights abuses, and the lack of democratic freedoms under the Marcos government.

Despite attempts to create an atmosphere of command and confidence, the government of President Marcos continued to reel in 1985 from the political and economic after-shocks of the August 1983 assassination of former Senator Benigno Aquino, Jr. 

In 1986, President Corazon Aquino took the position after Ferdinand Marcos had been dismissed from the presidency. She was the President of the Philippines from 1986 to 1992. As president, Aquino restored democracy by dissolving the legislature, declaring a revolutionary government, and appointing a fifty-member commission to write a new constitution, which was approved in 1987.

1987

Eat Bulaga!, the longest-running noontime show in the Philippines, reached new heights of popularity in 1987. Its combination of variety, comedy, and audience participation made it a staple in Filipino homes. It became a platform for local celebrities and launched several memorable segments, solidifying its position as a key part of Philippine pop culture.

This comedy film directed by Leroy Salvador starred Sharon Cuneta and Herbert Bautista. The movie was a hit for its humorous take on sibling relationships and gender roles, with Sharon Cuneta portraying the iconic role of Jill, a tomboyish jeepney driver. It became a cultural phenomenon because it showcased relatable Filipino family dynamics and Sharon Cuneta’s growing influence as the “Megastar” of Philippine cinema.

The ratification of the 1987 Philippine Constitution marked a critical point in the country’s history. After the fall of the Marcos dictatorship, the new constitution restored democratic governance and civil rights. This event had a profound impact on Filipino society, directly influencing politics, freedom of expression, and the media landscape during that time.

1988

MTB, fully spelled as  Magandang Tanghali Bayan (transl. good afternoon, people) and Masayang Tanghali Bayan (transl. A noontime afternoon full of fun, people), and later known as MTB Ang Saya Saya, is a Philippine noontime variety show broadcast by ABS-CBN. It aired from November 30, 1998, to February 4, 2005, replacing 'Sang Linggo nAPO Sila and replaced by Wowowee. The program was also broadcast worldwide through The Filipino Channel

Ganyan Kita Kamahal (trans. / international title: That's How Much I Love You) is a 1998 Philippine television drama romance series broadcast by GMA Network. Directed by Jay Altarejos, it stars Carmina Villarroel, Bobby Andrews, and Onemig Bondoc. It premiered on April 13, 1998. The series concluded on August 7, 1998, with a total of 85 episodes.

1989

In 1989, the TV commercial for the sarsaparilla drink Sarsi debuted as part of a series that showcases Filipino pride, highlighting the tagline "Angat sa Iba!" (Standing Out in the Crowd!). With a catchy jingle composed by Ryan Cayabyab and visuals deemed ahead of their time, the commercial is regarded as one of the shining moments of Philippine advertising.

The Motorola MicroTAC 9800x became popular in the Philippines shortly after its global release on April 1, 1989. It became available in the Philippine market within the same year, but specific dates for its introduction to the Philippine market are not well-documented.

reflection

What story does your portfolio tell about this specific decade in the Philippine Pop Culture?

The 1980s in Philippine pop culture was a time when entertainment became a way for Filipinos to make sense of a changing world. As the country grappled with political turmoil, music, film, TV, and fashion helped people process their emotions. Songs like Sharon Cuneta’s heartfelt ballads and Freddie Aguilar’s Anak spoke to the struggles and love within Filipino families. Films like Himala and Fernando Poe Jr.'s action-packed roles offered both a mirror to reality and a brief escape.

TV shows like Eat Bulaga! and the rise of karaoke brought communities together, turning ordinary moments into shared joy. And as the country gained freedom through the EDSA People Power Revolution, pop culture reflected a new sense of hope, creativity, and identity. The 1980s weren’t just about entertainment—they were a time for Filipinos to reclaim their voice and celebrate resilience.

What role did this Pop Culture play in shaping the general history of the Philippines?

Pop culture has played a significant role in shaping the general history of the Philippines by acting as a mirror of societal trends, values, and struggles. From traditional folk songs and dances to contemporary music, films, and social media trends, pop culture reflects the evolving identity of the Filipino people. It serves as a medium through which historical events, collective experiences, and cultural narratives are preserved and communicated to future generations.

For instance, during periods of colonization, Filipino pop culture became a platform for resistance and unity. Songs, plays, and literature were used to subtly critique colonial rule and ignite nationalism. In the modern era, pop culture continues to influence public opinion and social movements, addressing issues such as inequality, corruption, and environmental concerns.

Moreover, the global influence on Filipino pop culture has fostered a unique blend of local and international elements, demonstrating the adaptability and resilience of Filipino identity. It has shaped how Filipinos perceive themselves in a global context while preserving a sense of pride in their roots.

In essence, pop culture is more than just entertainment it is a powerful force that captures the pulse of the nation and influences the course of its history.

How is Philippine Pop Culture Significant to you, as a Filipino citizens, when it comes to learning from its past, determining what is best at present, and in writing the nation’s future?

Philippine popular culture holds great significance in understanding the nation’s identity, history, and aspirations as it plays a key role in shaping collective memory, values, and social norms. It is important to understand and gain ideas/knowledge with regards to the Philippine Pop Cultures so that we can be aware on how our culture has been influenced and evolved over time. More over, it is very essential for Filipinos to better know the cultural history of the Philippines as it serves as our personal identity. Filipino culture contributes to a richer, more diverse global cultural landscape, promoting understanding and tolerance among different cultures. Tracing and studying cultural heritage give us with a better understanding of a certain culture and helps us understand and respect each other's culture.

Learning from the past allows us to gain knowledge while preparing for the future, and empowers us to take control of what is within our reach. Studying history helps us to gain insights into the past so that we can understand events in today's world. Moreover, it helps us to predict future events and outcomes from past patterns. Popular culture is a mirror of the present-day values, issues, and challenges facing Filipino society. Contemporary music, television shows, social media, and fashion reflect the current pulse of Filipino life, from debates on politics to questions of identity and societal norms. It becomes a tool for assessing what resonates with the people, highlighting shared concerns like economic inequality, education, or environmental preservation. It also celebrates Filipino creativity and innovation, showing how local talent and modern-day heroes contribute to the shaping of the present.

Philippine popular culture not only reflects the present but also plays a crucial role in shaping the future of the nation. As Filipinos, it is our responsibility to understand and embrace our cultural heritage while adapting to the changing times. Popular culture serves as a bridge between the past and the future, connecting generations and fostering a sense of unity and pride in our identity. By preserving and promoting Filipino creativity, values, and traditions, we contribute to the nation's progress. Through this, we become active participants in shaping a society that values its roots, embraces its present, and takes bold steps in writing the nation’s future.

references:

“1980 in Philippine Television.” Wikipedia, Wikimedia Foundation, 24 June 2024.

“A Timeline of Popular Culture in the Philippines: Tracing the Evolution from Past to Present.” Knowledge and Science Bulletin Board System, 23 May 2023, www.knbbs.com/a-timeline-of-popular-culture-in-the-philippines-tracing-the-evolution-from-past-to-present/. 

Shunwei, Liu, and Li Jia. “Multicultural Education Establishment of Philippine Popular Music Industry.” Multicultural Education, vol. 8, no. 6, 2022, ijdri.com/me/wp-content/uploads/2022/06/6.pdf, https://doi.org/10.5281/zenodo.6618973. 

“The Evolution of Popular Culture in the Philippines: A Look Back at the Decades.” Knowledge and Science Bulletin Board System, 17 June 2023, www.knbbs.com/the-evolution-of-popular-culture-in-the-philippines-a-look-back-at-the-decades/. 

ABS-CBN Studios. November 30, 1998. Magandang Tanghali Bayan (1998–2003)

Cruz, E. S. (2017, September 25). Cinema on martial law. Philstar.com. https://www.philstar.com/opinion/2017/09/23/1742008/cinema-martial-law

R.J. Nuevas.  April 13 – August 7, 1998. Viva Television. That's How Much I Love You

Reddy, K. (n.d.). 1980-1989 | Fashion History Timeline. Fashion History Timeline. https://fashionhistory.fitnyc.edu/1980-1989/

Prezi, T. N. E. M. O. (n.d.). The Evolution of Cellphones in the Philippines. prezi.com. https://prezi.com/p/_sck9cocnj3m/the-evolution-of-cellphones-in-the-philippines/

Today in Philippine History, January 17, 1981, President Ferdinand E. Marcos lifted martial law. (2012, January 16). The Kahimyang Project. https://kahimyang.com/kauswagan/articles/886/today-in-philippine-history-january-17-1981-president-ferdinand-e-marcos-lifted-martial-law

taasnoopilipino.com. (2024, July 17). Karaoke in the Philippines: a cultural phenomenon - TAASNooPilipino. TaasNooPilipino - Kahit Kanino. https://taasnoopilipino.com/karaoke-in-the-philippines-a-cultural-phenomenon/

Castro, A. D. (n.d.). 63. Creative Guild’s 1989 TV Ad of the Year: SARSI, “ANGAT SA IBA” TVC 45s. https://isamunangpatalastas.blogspot.com/2016/06/63-creative-guilds-1989-tv-ad-of-year.html

Kamote, K. K. (n.d.). Remembering the 1986 People Power Revolution. https://www.pinoypopculture.com/2014/02/remembering-1986-people-power-revolution.html

Suyat, A. (n.d.). Philippine Popular Culture (1). Scribd. https://www.scribd.com/document/619681654/Philippine-Popular-Culture-1

Cullinane, M., Borlaza, G. C., & Hernandez, C. G. (2024, December 5). Philippines | History, Map, flag, Population, capital, & Facts. Encyclopedia Britannica. https://www.britannica.com/place/Philippines/The-Philippines-since-c-1990

Jack & Jill. (n.d.). The Movie Database. https://www.themoviedb.org/movie/288030-jack-jill#:~:text=new%20rating%20system!-,Overview,really%20Jack's%20sister%20or%20brother.

[fhistle]

they gotta stop renaming streets after ppl man , i know it's to honor their legacy or w/ever but "Fernando Poe Jr. Station" just sounds sm worse than "Roosevelt Station" like I am not calling that "Dr. Arcadio Santos Avenue Station" that is and always be sucat station on sucat road like,, like the most egregious one is they changed Agham Road to Senator Miriam Defensor-Santiago Road" and the road signs are like square cause the name is so long it's so goofy

[josh0555]

This is the 2005 Christmas Station ID of GMA. The Christmas Station ID was themed “Kapuso, Ikaw ang Star ng Pasko”.

The Christmas Station ID Theme was sung Martin Nievera, Sharon Cuneta, Gary Valenciano, Pops Fernandez, Ogie Alcasid and Regine Velasquez featuring the Christmas Carollers from GMA and the original cast from the TV5 sketch comedy show Goin’ Bulilit. Somehow, The Christmas Station ID was shortened due to the video. Somehow, Starting in December 1, 2005, The song “Star ng Pasko” can be heard in DZBB Radyo 594 and various radio stations nationwide where it was extended. Somehow, This Christmas Station ID occurred before Ogie Alcasid and Regine Velasquez’s wedding in December 30, 2005 which was 1 day before Ogie Alcasid’s birthday.

The Christmas Station ID contains Martin Nievera who is riding on a Jeepney, Heart Evangelista, Erich Gonzales, Dimples Romana, Gabby Concepcion with his daughter KC Concepcion, Eddie Gutierrez and Ruffa Gutierrez, Chad Kinis, Jerome Ponce, Janice de Belen, Arcee Muñoz, Alice Dixson, Tuesday Vargas, Ritz Azul, Eula Caballero, Paolo Bediones, Sharon Cuneta, Rodolfo “Dolphy” Quizon, Piolo Pascual, Willie Revillame, Janno Gibbs, Mike Enriquez, Henry Omaga-Diaz, Jessica Soho, Karen Davila, Amelyn Veloso, Cheryl Cosim, Alvin Elchico, Anthony Taberna, Sunshine Dizon, Sue Ramirez, Cesar Montano, Ogie Diaz, Arthur Solinap, Joem Bascon, Jodi Sta. Maria, Richard Yap, Albert Martinez, John Lloyd Cruz, Carl Cervantes, Jayson Gainza, Patrick Garcia, AJ Perez, Arjo Atayde, Christian Bables, Terence Baylon, Derek Ramsay, JM de Guzman, Jeric Gonzales, Eric Fructuoso, Michael V., Allan K., Edu Manzano, Jericho Rosales, JC de Vera, Martin Escudero, Gerald Anderson, Sef Cadayona, Edgar Allan Guzman, IC Mendoza, Xian Lim, Luis Manzano, Matteo Guidicelli, John Prats, Ces Oreña-Drilon, Carmina Villaroel, Eugene Domingo, Nora Aunor, Leandro Muñoz, Kristine Hermosa, Meg Imperial, Gelli de Belen, Zoren Legaspi, Mark Lapid, Cherie Gil, Raymart Santiago, Albie Casiño, Lovely Abella, Wendell Ramos, Zanjoe Marudo, DingDong Avanzado, Pen Medina, Ping Medina, Alex Vincent Medina, Eric Quizon, Epy Quizon, Richard Gutierrez, Raymond Gutierrez, Polo Ravales, Christopher de Leon, Richard Gomez and his wife Lucy Torres-Gomez, Janine Gutierrez, Roxanne Guinoo, Joyce Jimenez, Maricel Soriano, Candy Pangilinan, Julia Montes, Angel Locsin, Coleen Garcia, Shaina Magdayao, Ellen Adarna, Louise de los Reyes, Jessie Mendiola, Ivana Alawi, Maja Salvador, Pooh, Pokwang, Valerie Concepcion, Shawn Yao, Keempee de Leon, Eula Valdez, RK Bagatsing, Ian Veneracion, Claudine Barretto, Jose Manalo, Wally Bayola, Kim Atienza, Charo Santos-Concio, Cherry Pie Picache, Judy Ann Santos, Tito Sotto, Vic Sotto, Joey de Leon, Jess Lapid Jr., Vhong Navarro, Isko Moreno, Mico Halili, JP de Guzman, Mel Martinez, Neil Ryan Sese, Long Mejia, Jolo Revilla, Bong Revilla, Jhong Hilario, Oyo Boy Sotto, Gian Sotto, McCoy de Leon, John Estrada, Ryan Agoncillo, Maine Mendoza, Catherine Bernardo, RJ Padilla, Aga Muhlach, Bembol Roco, Geoff Eigenmann, Gabby Eigenmann, Bernard Palanca, Mico Palanca, featuring child actress Angelica Panganiban who is an original cast member of Goin’ Bulilit, the original cast of Goin’ Bulilit, the Spice Girls, the supergroup Group of 30, the SexBomb Girls and DJ Lance the Dinosaur from Sesame Street. The Christmas Station ID features the pre-debut of South Korean boy band BigBang, the characters from Disney’s Blues Clues including Wayne Allwine, the voice of Mickey Mouse with his wife Russi Taylor, the voice of Minnie Mouse and president Gloria Macapagal Arroyo who turns on the Christmas Lights and hugs Angelica Panganiban at the very end. Sadly, Fernando Poe Jr. and Mark Gil don’t appear in the 2005 Christmas Station ID because Fernando Poe Jr. died in September 11, 2005 of leukemia and Mark Gil died in November 11, 2005 due to a respiratory failure.

But eventually, This was the only Christmas Station ID of GMA to feature the crew from ABS-CBN, GMA and TV5. But somehow, The clips will look different in the 2010 ABS-CBN Christmas Station ID which is “Da Best ang Pasko ng Pilipino” where they set up Christmas decorations in the house. Luckily, Martin Nievera creates a portal that could transport other crew members into other dimensions.

Somehow, Arcee Muñoz, Alice Dixson, Tuesday Vargas, Ritz Azul, Eula Caballero, Aga Muhlach, Geoff Eigenmann, Gabby Eigenmann and Willie Revillame may have moved to TV5 in 2005. But Ryan Agoncillo, Jose Manalo, Wally Bayola and IC Mendoza may have moved to ABS-CBN in 2005.

[buhaytuklas]

Alam Mo Ba Ang Original Na Batang Quiapo (Fernando Poe JR)

[starpilipinas26]

Alam Mo Ba Ang Original Na Batang Quiapo (Fernando Poe JR)

[kavalyera]

florante’s fc is fernando poe jr. mainly because i grew up watching batang quiapo and ang probinsyano on the weekly

[agendaculturaldelima]

#FeriasyFestivales #SinMusicaNoExisto

📣 “GOTH WAVE PARTY” 🎶💃💖🕺🦇👑🍷🧛🥳🎊

📜 Programa:

🕔 5:00pm. a 9:00pm. Feria Gótica 🖼🎁

👥 @Mila Von Tatoo / @VampiDark / @prettydeath.shop / @Luna Negra Accesorios góticos / @ Killa Goth Store / @ WickedWitch / @Eureka Manos Libres / @Katherineicx13 / @ Patty Zeballos Koc / @ Ron King Express / @Rina Hazels Garden / @Edgar Poe de Marionette / @ Montava Parfum✨️

📕 Poesía y Conversatorio 🎤

🕘 9:00pm.

🎧🎹 Fiesta DJs: Gothic Rock - PostPunk - Dark Wave - New Wave - EBM - Techno - BodyMusic - SynthPop - SynthWave

⛔️Dj Lucho Nueva Helden / Dj Shami Morx / Dj Fernando Darkothika / Dj Caro Malecci Sanchez / Dj  Luis Quintana Quintana💃😎

© Producción: Veronica Diaz y Peru Gothic Producciones

🔎 Auspicia: Mundo X Radio / Area X

📌 IMPERDIBLE:

📆 Sábado 13 de Enero

🕕 5:00pm.

🏘 La Cabaña New Wave de la La Residencia Club (jr. Junín 429 – Centro de Lima)

🎫 Entrada: S/.15

📲 940669863 [Yape/Plin]

[wargamerjake]

A Wargamer's Diary | Playing the Philippines in Hearts of Iron IV

Good morning! Good afternoon! Good evening!

Today's entry is my take on playing the Philippines in Hearts of Iron IV.

Hearts of Iron IV is one of my favorite video games, focusing on World War II. And what I learned from the game, and what I do like the most, is "you can do whatever you want." It's more like an alternate history, like the setting in the novel "The Man in the High Castle." The game was released by Paradox Interactive in 2016, on the 72nd anniversary of D-Day landings. And most reviews were mostly "very positive."

You know, there are ways of understanding the war, from reading books to watching documentaries. For me, if you really want to understand about the Second World War but you don't want to watch documentaries, read history books, or visit World War II memorials, I think this is the best game you can ever play with.

I bought Hearts of Iron IV way back 2020, during the onset of COVID-19 pandemic, at a discounted price. And later on, I bought downloadable contents like Together for Victory, Waking the Tiger, Death or Dishonor, and the like. And playing this game the first time was very difficult, especially when you don't know anything about how to play. The major countries (like the United States, the Soviet Union, Britain) were somewhat easy to play, while the minor countries are very challenging as they are trying to keep up with the major powers.

And the Philippines is no exception.

Some of us Filipinos know about World War II by the book, or through posts in various social media. We remember the war through movies like "The Great Raid" or "Panaghoy sa Suba" featuring Cesar Montano, "Manila, Open City" directed by Eddie Romero, or the 1980 film "Aguila" featuring Fernando Poe Jr.

In Hearts of Iron IV, it's a different story. It is about how you play the Philippines beautifully, how can the country survive the war, without being conquered by the Japanese. We know the population is 16 million people in 1936; a Commonwealth, more of a puppet of the United States; the type of government was democratic and conservative; and the leader was Manuel Luis Quezon.

The Philippines is in a very complicated position, given that it is the puppet of the United States, it is positioned south of Japan. And Japan has a war goal on the Philippines, using it's focus tree. So there are ways of surviving the country without being conquered by the Japanese: whether you break away from the Americans by civil war and ally with Japan, which in vanilla version they wouldn't dare kick us out of their faction; or ally yourself with Germany which still the Japanese will go to war with them as well; or go through with the "increase autonomy" which is a painstaking effort and take years to become a free country.

@kenelogue