#Feelings Etc.

[edgebug]

the thing that sucks most about Joanne Rowling being a terf is that she is actively hurting real life trans people every day.

the second worst thing about joanne being a terf is that the Harry Potter intellectual property is So Much Larger than her. look at the credits for just one of the harry potter movies. every single one of those people put YEARS of time and effort and dare i say love into those films. think of all the people involved in theme park design and operation who put together the wizarding world park lands and detailed them so lovingly and fully

and yet even though the intellectual property of harry potter is so much larger than joanne, she's poisoned the whole well

i feel so. so immensely sorry for every person involved in the harry potter ip who isn't jkr. doubly sorry for every trans person involved. it's fucking sad

[bacchuschucklefuck]

couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead

[aphel1on]

i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good

[fleshadept]

looking at (vetted) gofundmes for people trying to escape palestine and i don't know how many of you actually click on the gofundme links you reblog but i would like to point out, for what it's worth, just how amazing it is that so many have raised so much money. it may overall feel like a drop in the ocean but the fact that several gofundmes have raised tens of thousands of dollars is amazing. it is so expensive to leave gaza right now, and people still need money after they escape. but regardless of what propaganda the US, UK, canada, and other western nations are trying to pump out, people across the world are doing what they can to help these people survive. many of them are still very far from their goals (like this one and this one and this one) and some of them are very close to high goals (like this one), and some of them have reached almost double their original goal.

and that's not even addressing direct aid or organizations that take continuous donations for distribution of food, menstrual products, etc. the PCRF has raised $16,000,000 of their target goal of $20,000,000 to fund current aid and long-term relief efforts in gaza. ANERA's febuary 13th update discusses the material ways they helped palestinians today:

(ANERA donate link)

my point is, it often feels like the world is turning a blind eye to palestine. but i would like to point out that there is an important difference between "the world" and "western political leaders and media narratives". a breathtaking amount of real people, the people who make up the world, are trying to help. in the face of israel attempting to commit genocide, the world is saying No. These people deserve to live. and literally sending millions of dollars internationally, through the internet connection that israel has desperately been trying to destroy.

it may not feel like it matters in the grand scheme of things. but to the people who get fresh clothes, or a hot meal, or blankets, or the kids who get new toys, or to the people who are able to bring their families to safety, it matters to them. go make someone's day better. i've linked so many options with ways to do that.

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[valtsv]

"i wish i could exfoliate my brain" you can. by reading things that challenge you.

[mylittleredgirl]

okay tumblr’s exclusion from the twitter social media ban list is hilarious but genuinely we do not belong on there. if a real human person asks “where can i find you on social media” and your choice is a swift death or revealing your tumblr, most of us would simply expire. half of y’all change urls every week like you’re in witness protection. just imagine for one second attaching your wholeass government name to your latest two am clownposting and tell me that didn’t send a cold chill down your spine. the only place i ever want to see the words “connect with me on tumblr!” is on the ao3 profile of an author i’m actively stalking. anyone in the world can follow me except anyone i personally know. antisocial media.

[chloesimaginationthings]

What if Mike and Jeremiah are the guards in FNAF 2..

[idlestories]

not just ‘he would not fucking say that’ but ‘he would not, under torture, admit that’

[obsob]

the joy of creation :3 !! (anything worth doing is worth doing badly)

[mienar]

the wandering painter, part one

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[heritageposts]

I'm writing again to bring attention to the GFM campaign of @salahahmed90 (Salah) and @salahmanarfamily (Manar), the parents of two young children in Gaza.

Here's an updated Salah posted last night, after he and his family were displaced for the sixth time:

Please help us, we are being subjected to genocide in Gaza. Hours ago, a house was bombed next to the place where we are and escaped death miraculously. Help us get out of Gaza in order to preserve our children.

Though Salah and Manar started out with the hopes of rebuilding, they've now made the difficult choice to begin saving up for an evacuation. Their campaign, however, is still very low on funds, and its been stagnating completely for the last few days, leaving them with barely enough for their immediate survival.

-> GFM link

The campaign has been verified by @/90-ghost.

If you can, please consider donating. Even a small contribution can make a big difference for the family.

Currently: €3,650 / €70,000

[hinamie]

make it vicious, take a stab

[microwavingfranky]

Punching and chewing on the walls of my enclosure

[madohomurat]

trans women are everywhere and are so eager to be seen and heard but only if they feel safe around you. if you hardly ever have trans women interacting with you, especially online, then consider there might be a reason for that and you should address it