#FATE Core

[dungeonofthedragon]

Tipua: the wrath of Ngārara...

...has just hours to go and is around $1000 NZ/$600 USD from its funding goal!

Support indigenous TTRPG design and get access to a cool spin on the Fate system in the process. The game and its setting are steeped in tikanga and te ao Māori: Tipua is set on the distant planet of Karito—a vast, labyrinthine world where tangled rivers wind through swampy wetlands, shadowy forests, ancient pā (fortification sites), and the mysterious portals known as Ngā Pūmotomoto. For those of you who have experienced the wonders of Aotearoa and Te Wai Pounamu, you will see some obvious similarities.

It's so affordable too. $20 NZ (about 12 USD) nabs you the digital rulebook and printable custom Fate tokens, as well as a social media shout out and access to the backers discord.

If nothing else: please have a read of the Kickstarter and share this post around! Not long to go and it would amazing if this awesome Māori-led team could reach their funding goal.

[vexwerewolf]

Tabletop Roleplaying Systems as DHMIS Stills

Promethean: The Created

Shadowrun

Vampire: The Requiem

Hunter: The Vigil

Shadow of the Demon Lord

Monster of the Week

GURPS

Dungeons & Dragons 5E/D&D One

Starfinder

Call of Cthulhu

Eclipse Phase

Delta Green

Mage: The Awakening

Don't Rest Your Head

Cyberpunk RED

Lancer

FATE Core

Literally Any Warhammer 40K TTRPG

Transformers RPG

Pathfinder

[haveyouplayedthisttrpg]

Have you played FATE CORE ?

By Leonard Balsera, Brian Engard, Jeremy Keller, Ryan Macklin and Mike Olson

Our 400th poll

Grab your plasma rifles, spell components, and jetpacks! Name your game; Fate Core is the foundation that can make it happen. Fate Core is a flexible system that can support whatever worlds you dream up.

Have you always wanted to play a post-apocalyptic spaghetti western with tentacle monsters? Swords and sorcery in space? Wish there was a game based on your favorite series of books, film, or television, but it never happened? Fate Core is your answer.

Fate Core is a tabletop roleplaying game about proactive, capable people who lead dramatic lives.

[taliadoesrpgs]

I’m a professional Game Master, and I've got my July lineup of games ready.

For July, I’m offering:

- Dragon Heist for D&D 5th Ed

- Fate of the Galaxy, a space opera in Fate

- Solstice Rain, an introductory Lancer campaign

- The Summer Valor Build An OVA Workshop

- Slayers Detention, an Occult Punk Valor OVA

All of my games are $25/3 hour session and meet biweekly. Sign-up and is handled through the third party site Startplaying.Games - Descriptions and sign-up links below!

First off, having completed Dragon Heist for one group, I’m running it again for new D&D players - or those new to the campaign! Will you outsmart five crime lords and grab the treasure hidden in Waterdeep, worth half a million Gold Dragons?

Second, I have Fate of the Galaxy, a rollicking space opera adventure in the vein of Wars, DUNC (the slams must jam!), Nine Sols and Outlaw Star!

Join us to unleash psychic powers, make daring raids on Imperial bases, find alien allies and punch a Space Nazi!

Third, I’m bringing back Lancer with its introductory campaign, Solstice Rain. Become an elite mecha-jock for the benevolent Union as you intervene in an invasion. Save as many civilian lives as you can! Are you a bad enough pilot to rescue your captain?

Last but not least is a tradition of mine - the Original Valor Adventure Workshop! I’ll help your crew come up with a self-contained anime premise and characters, then do a short and sweet minicampaign - self contained, like an OVA series!

And, of course, we’re continuing the campaign created in the Spring OVA Workshop, Slayer’s Detention! There’s still room for two more punk teenagers who dare to fight spiritual and criminal corruption with gutter magic and street fighting!

[ttrpgcafe]

Heya! TTRPG trick or treat, please! 🎃👻

This one's got a backstory, so stick with me.

When I first got into TTRPGs, I learned about the big 6: D&D, Pathfinder, CoC, Cyberpunk, WoD, and Shadowrun. Of those, I've still, to this day, only played 5, and Shadowrun has remained the odd man out, despite having probably my favorite setting of all of them after Pathfinder. Part of this is its reputation for being a really crunchy game, keeping me from getting players, and part of it was that it's a very crunchy game that explains its rules SO POORLY (in recent editions at least, I'm told 3rd is the best in this department) that I couldn't even really convince my friends to get over the hump because it's hard for ME to grok the rules.

For well over a decade, Shadowrun has been my white whale, always on my shelf, never my table. So I did what any other well meaning TTRPG player does when they have a setting they like but a system for that setting they hate: I looked at every hack on the planet for every other system.

So here's your treat: every Shadowrun hack I've found!

Up first, Runners in the Shadows by Mark Cleveland:

This is a Forged in the Dark hack for the Shadowrun setting that is probably one of the better ones for emulating the "crew going on heists and doing cool shit" vibes that Shadowrun tries really hard to say is its core. I'm a sucker for FitD games in general, I think the system is *so* elegant, and I struggle to find a system more suited for the setting (SR's own rules included) than Blades, so this one has to go at the top.

With that said, there are still plenty more!

I'm going to give 2 PbtA games a shout out here, the first I've played, the second I haven't, but have heard plenty about.

Up first: City of Mist!

"But that's not a shadowrun hack!" I hear you saying behind your screen, and you're almost right, it technically isn't, BUT it's asymptote certainly approaches shadowrun, for my math nerds out there. This is a game about the (literal) power of stories, about struggles against an unseen and unknowable force trying desperately to remove every semblance of magic from your life, and about the yearning to keep your mundane life despite, or maybe in spite of, your magical adventures. City of Mist proper is a fantastic gritty noir urban fantasy game that works wonderfully as the framework for an early 6th world setting with minor tweaks, but it's sequel: Metro Otherscape, leans into the Shadowrun of it all, adding a 3rd axis along which your character can struggle, being "noise". In Otherscape, you're balancing a mundane, magical, technological life, and trying not to let any of those three overwhelm your being. A lot of cyberpunk games try to say that cybernetics reduce your humanity in one way or another, but I think Otherscape does the best job at embodying that balance in a way that isn't deeply ableist in its messaging. It's ALSO the only PbtA game I actually LIKE.

Hot take: I can't stand Moves, they annoy me to no end, and needlessly complicate an otherwise brilliant system. I might make a follow up post if anyone wants to hear my deeply bad take, but for now, just know that I'm a ttrpg heretic, and we can move on.

Otherscape completely does away with moves, and instead just lets the MC and the players decide whatever is most relevant to the action being attempted! It solves almost every problem I've ever had with PbtA games, AND kicks ass as a shadowrun stand-in, so this also deserves a place at or near the top.

Second PbtA game: Shadowrun in The Sprawl. This one is a hack of The Sprawl, a PbtA cyberpunk game in its own right, SRiTS adds the setting and magic of SR to its formula, and that's all I know about either system, due to my aforementioned PbtA-phobia. I've included this one for thoroughness, not because I have any stake in it.

Most of the other hacks I've seen use generic systems like Fate, Savage World, Cypher system, Genesys, and a hero system hack I've heard a bit about but can't find anywhere. All of this is to say that there is a wealth of options for generic systems that try to emulate SR, and most of them are fine. The last game I'm going to talk about though uses its own system, its own setting, and manages to be completely, utterly unique while capturing the vibes of SR so well that I'm still a little in awe at how well it does all of the above. I'm also not 100% certain it's a particularly good game, but the fact that I'm unsure about it should tell you that it's definitely still better than SR proper, because I KNOW that system is bad.

Without further ado: NewEdo

NewEdo is fascinating to me in that it feels like the same jump from Shadowrun that 3rd edition D&D made from 2e, or even the same kind of jump from 3rd to 4th, where you can clearly see the spine of the game it's evolving, but almost every other part of the system has been changed and improved in new, interesting ways that can still be used to tell VERY similar stories, but has its own identity at the same time. I mentioned that City of Mist is Asymptotic to SR earlier, and I stand by that assessment, but I'd say that NewEdo is closer to a parallel line, or a tangent from SR's line, if we're using the same terminology. To get into the nitty gritty, NE uses a system the author describes as "Crunchy lite easily managed", which amounts to a priority system during character creation very similar to the one SR uses, but with each tier you can select having pretty impactful ramifications for your character going forward. The easiest example is the modifications priority, at its top tier, you basically make a mythical creature into robo cop for your character's ancestry, but at its absolute lowest tier, your body actively rejects any and all implants, such that your character will NEVER have implants. On the same note, cyberware is handled REALLY well, with your body only being able to handle so much at a time, but otherwise the only ramification is a "biofeedback" line on your fate card, which I'll get to right now!

Almost every option your character picks gets added to a little personalized random d100 table on your character sheet called the fate card. This includes your character's crit rate, the possibility of a deity intervening on your behalf, or the aforementioned biofeedback line, which briefly fucks you up as you cyberware malfunctions. You get new lines on your fate card through picking certain character options, making impactful decisions during the story, and otherwise fulfilling the express goals of your character. The entire system kind of hinges on the fate card as a mechanic, which is weird, because I don't think I super love it, as it adds additional rolling to an already pretty dice heavy system.

Which brings me to the dice! New edo uses a d10 as its primary die for dice pools when rolling your characteristics like strength, speed, etc, but the rest of the polyhedral family for your skills. (D20 excluded) The skill system is a little funky, but I like it. Basically, each skill has a rank, which indicates how many dice it has, but each rank is assigned a die, each having a different cost associated with it. So my swordsmanship could be rank 4, but what that really means is that I've got 1d6, 2d4, and a d8 that I get to add to my strength rolls every time I attack with a sword. As far as resolution, you total all of your dice together to try and hit a target number. I don't have the table handy, but it's something like 15 for a moderately challenging task, and up to 40 for a nearly impossible task. I dislike addition in this context because math at the table usually slows things down, but it looks like you're probably only rolling 2-5 dice at a time at the beginning, which isn't *that* bad.

You'll notice that the two major mechanics I've mentioned so far have received pretty luke-warm responses from me, and that sounds like I hate the system, but those aren't that makes me like (\love?) this system is the back end, the choices that happen during character creation, and the things that those choices let you do. Every skill is attached to feats that unlock at different skills, magic is a skill, and its feats unlock better relationships with the Kami in your repertoire (magic is up next, I promise) and your class (path, they call it) doubles as a way to tie your character to the world, with each being associated with an in world faction which gives your character an immediate stake in the world and their community. It's a lot, but it all comes together to make something greater than the sum of its parts.

The last thing I want to talk about is the magic system, because I found it deeply interesting, as it's one of the very few skill based magic systems I've interacted with, and one of my favorites on a narrative level. Instead of spells or spell schools, your character instead develops relationships with Kami, and each new "order" or "type" of Kami your character gets access to represents them finding out how to supplicate, make an offering, or otherwise convince a given Kami to do a certain effect. If you have a relationship with the fire Kami (that's plural, not singular), then your character has learned that their local fire Kami really like a certain type of hot bun, so they offer them that hot bun after a scene where they invoked those kami, to maintain their relationship. Mechanically, this works instantaneously, you simply make a roll on your "Shinpi" skill, invoke whatever "rote" you want to use, and the relationship building is left for the GM and player to work out at the table.

(That's the last I have to say on the game itself, but I would ask anyone who has read the game and is more intimately familiar with Japanese culture to tell me if the game feels respectful to that culture, because I truly don't know, and the book doesn't list any sensitivity consultants. The author is Canadian, but spent many years sailing to and from Japan as a professional sailor, so idk. )

I guess the moral to this post, if there is one, is to acknowledge when a system or setting has faults, but learn from them, and don't ignore the good or cool stuff that's there! It might inspire you to make some amazing shit like City of Mist, Metro Otherscape, or New Edo, all of which, their relationship to Shadowrun aside, are fantastic games in their own right! (NewEdo is still up in the air, but it has its teeth in me, and that has to count for something)

That ends my trick or treat, thanks for asking!

[oooocleo]

ok im feeling brave. im listening to a random guy on yt explain blades in the dark rules so if he can do it i can too... here are my FATE rules explanation vids!

i think they're most helpful as a kind of lecture to listen to while also going through the rulebook, but i do give a bunch of examples for the subjects im talking about in the vids themselves🫡 and FATE is pretty simple imo!

patreon

[baronfulmen]

Here’s the secret about D&D 5th Edition...

Honestly it’s not that great.

I’m not saying it’s bad - not at all!  It’s actually a very good system in a lot of ways.  But the thing it’s best at is being fairly simple for new players (while still having enough complexity to feel like a serious game) and so once you’ve played it for a while or you get to higher levels... well...

Look, I ran multiple 5e games, one of which went for 103 sessions.  I’m not a hater.  But I’ve played a LOT of other systems, so I know when something is not working properly.  Combat is BORING in D&D, unless the DM goes to great lengths to make it exciting.  You attack, or eldritch blast, or whatever.  Then you do that again.

I’m not an idiot, I know that’s not literally all that you do.  But it’s what the system encourages.  And that’s not how it has to be.  There are better systems.  Pathfinder 2e is amazing so far (I’m still learning it) if you’re okay with the rules being a little more crunchy.  FATE is a great system if you abhor the crunch.  Savage Worlds is a little in-between and has multiple settings.  There’s Blades in the Dark for a gritty heist kinda game.  There’s Monster of the Week if you want to have a simple game that still has some character growth.

5th edition is good to learn about what role playing games are, but I’m begging you to branch out.  Not just because of this OGL thing, (though that does mean WotC is losing a lot of 3rd party developers and let me tell you the official 5e adventures and source books are... not great) but because different systems are good for different things and different people and chances are there’s one out there that you’ll love SO MUCH MORE.

[phantom-nisnow]

expression studies but make it your skrunkly old man OC

--

references taken off of pinterest

[icarusmask]

Look at my boy

[dungeonofthedragon]

Non-Violent Adventurous TTRPGS

Today is ANZAC day in Aotearoa New Zealand. It seems a very appropriate time to share some games about helping and healing.

Monster Care Squad by Sandy Pug Games

A game about nurturing monsters and healing them of their pain. In the creator's own words, you play a squad of elite veterinarians. I love games that make you feel you're making a positive difference. I hope to play this one some time.

Ngen Mapu by Helena Real and Evil Hat Productions

This game's gorgeous art is what first caught my eye, but what really drew me in was the premise. Playing as manifested spirits from the dawn of time, you must stop people who are causing serious harm to the natural world without hurting them. What happens if you hurt them? Well, you risk becoming a corrupted ngen called a wekufe.

Wanderhome by Jay Dragon of Possum Creek Games

A game of wandering animal folk. Wanderhome has been on my 'to buy' list since its release. This review sums up a lot of why I love it. The grief and hope of a game that takes place in a world recovering from war appeals to me far more than a game about fighting a war. Plus, my favourite part of roleplaying is exploring a character's internal world, and there are so many chances for that here.

Lunar Echoes is a hack of Wanderhome set in a solarpunk future!

[ullevikk]

Got to draw the whole team. Hope we don't get fired from the guild

[dreamchaserguild]

Ghost! Tell us about your game your GMing! (If you want to ofc)

-Faye

Ghost: I'm still getting a lot of the kinks worked out, but the we're calling it Dreamrenders and are running it on Fate Condensed.

In this world, dreams exist in their own separate world made from the dreamer's mind. And some people can call their dreams into reality. But all of this is kept secret by a shadowy organization. Sometimes though, people will unconsciously push their nightmares into the real world, and the organization has to respond by sending its top operatives, called the Dreamrenders.

Their goal is to find the nightmare and the dreamer, enter the dreamer's mind while they sleep, and destroy the nightmare from within. (Because nightmares will just respawn with the dreamer if they're killed in the real world.) All without letting the existence of the Nightmares become public.

At its core, the premise of the game is similar to something like Men In Black, and is intended to be procedural with each session being a case of the week... at first. If it goes on long enough, I have grander plans in mind for future developments with rival shadowy organizations with their own agendas, a vigilante group that knows about the secret and wants to kill everyone who has these dream abilities, and possibly even world-threatening nightmares made from the collective nightmares of all humanity that are based on the five primordial fears.

But we'll see if it gets that far. What I like about this format is that it allows us to play games with less of a commitment, because each game should close out with a satisfying conclusion on its own. If I want to build it into a more complex narrative, I can. But I don't feel like I have to focus on the bigger picture as much.

[taliadoesrpgs]

In addition to the free Valor demo League of Valor Eternal I'm holding at the end of December, I also have two new paid December offerings - the Takahashi-esque comedy of errors and magic bullshit High School Faerie Blues in Fate Core, and the antifascist space opera Aria for the Galaxy in Savage Worlds!

I also have three more slots available in the ongoing D&D powered hexcrawl, The Verdholtz Expedition.

Details on how to sign up through the link!

[thryth-gaming]

My "Home" Games

So, I've since realized this term is a bit confusing because it has since been used to differentiate on-camera Actual Plays from private games. But I started using it because I was unsatisfied with the typical concept of the "favorite" game.

Basically, I have four games that I will always return to if given a chance. These are:

Fate Core

Scion 2e (Storypath)

City of Mist

Monster of the Week

I really can't choose between these four games as to which I enjoy more. However, some people may have noticed that I don't recommend them equally. So here's why Monster of the Week is the game I recommend the most.

Fate Core

Fate Core is one of the more recent variations of the Fate system which descended from FUDGE and first appeared in specific games like Spirit of the Century or Dresden Files RPG. It is a narrative game and uses the Aspects from FUDGE, a mechanic which has influenced a lot of narrative games ever since. It can and has been adjusted to hit a large number of genres with a large collection of much varied official release content, the majority of which is available Pay-What-You-Want, and a very easy to work with open license for making third party material.

However, Fate Core is very much a toolkit system. This means that the base rules are meant to be modded so that you can hit the exact gameplay flavor you're hoping for. This means that a GM will be faced with making a fair amount of homebrewing mechanics to match desired narrative. That mentioned vast library of sample worlds does help as you can borrow mechanics from any of a number of existing world books to make your world, but it still requires some work.

On top of this, as one of the earlier narrative games, it has some rough spots in mechanics and, most glaringly, a lot of tables struggle with getting the Fate Point economy flowing at just the right level. This can cause the game to underperform. This is because the metacurrency of Fate Points generally requires the GM and players to actively engage with it by experiencing problems as a result of the down side of their Aspects. A common story I've been told is that tables will just RP their negative aspects without being encouraged to, which is fine because the game allows for giving Fate Points for that, but forget that it is a thing they should get Fate Points for. More recent narrative games have answered this problem by including purely game play ways for the metacurrency to refill so it isn't entirely dependent on players and GMs remembering to do it.

So, that brings me to the following for Fate Core

Very low buy-in cost, most of the material can be purchased for low cost or gotten for free.

Lots of support and examples.

High flexibility

High GM campaign prep required (session prep is pretty easy though)

The mechanics takes a bit of a re-working some player's approaches to gaming.

Scion 2e

A roleplaying game where you can play a hero with a spark of divinity in a modern day setting where the supernatural is public and all myths are true, especially the contradictory ones. Yup, sign me up. I am always up for this genre of game play. You got a lots of cases of "Jus' Folks" supernaturals alongside the heroes and where magic is a simple part of life.

Also, the Storypath system is a great mix of narrative and tactical. It scratches my desire to do character builds and doesn't require me to perform absurd mathematical gymnastics in order to get exactly the flavor I want for my character. The stunt system is great and seems to take inspiration from Green Ronin's AGE game's stunt point mechanics, but the gem is Enhancements and Scale.

Enhancements range from +1 to +5, with +4 and +5 only possible to reach with supernatural abilities. These are bonus successes that only apply to your roll if you have rolled at least one success on the dice. This keeps the dice relevant, as compared to Scion 1e where eventually bonus successes reached a point that dice just didn't matter anymore. The cap on enhancements would keep the power bound within a certain power level if this wasn't then match with the Scale mechanic which allows the characters to be the demigod or superhero they're meant to be.

The default setting makes some assumptions about the world but also explains how you can adjust these to your desire. For example, I generally ignore the whole idea of the war between gods and titans. So this is neither a good nor bad bit.

The big downside to this game is that the financial buy-in to get into the game is pretty significant. At minimum to play the game you need both Origin and Hero to have all the basic rules you need to play the game at its best. You can play Origin for a good long while and have fun, but it has very limited advancement and scaling, so you're eventually going to want to move on to Hero. Demigod and God are significantly different gameplay feels and you may never end up reaching that level and still be fully satisfied, so you don't need those, but they do have extra Pantheons and ideas about the world setting.

Accompanying this is that the supplements of the game are rather hit and miss. Mysteries of the World, Saints and Monsters, Demigod, God, and Titanmachy are definitely worth a purpose. However, Dragon, Masks of the Mythos, and a few others are sort of middling. Dragon and Masks in particular feel over-engineered and fiddly.

High buy-in cost

Minimum 2 book requirement

Varying supplement quality

Variable gameplay flavor from social to combat

Amazing flavor

Excellent mix of narrative and tactical mechanics

City of Mist

City of Mist is a noir superhero game where you play people who are empowered by their connection with a story (or multiple stories in the case of one of my PCs). This Mythos has a desire to relive itself on an epic scale and will empower your character to do just that. For example, the Little Match Girl mythos will seek to relive her story of deprivation, delusion, and death by exposure and if not anchored by a human will, will spread this concept throughout all of society.

It is a game descended from Powered by the Apocalypse but the extent of its changes are such that I feel that it is its own thing. It still uses the 2d6, but where it uses Fate Aspect-like "tags" instead of the common range of usually 5 stats and the combination of four themebooks instead of a single playbook makes it incredibly different.

The themebook mechanics does make City of Mist perhaps the best mechanics for doing character development out of any game I have ever played. The themebooks are meant to grow in effectiveness and versatility but also to be lost and replaced, granting experience based on the strength of the replaced theme. This process has a pacing controlled almost entirely by the player with dice-based changes well sign-posted as risks so they will never come as a surprise. You can have your character change as much or as little, as fast or as slow as you want. There is also a built in reset option for characters that don't want to retire their character but do want to go back to an entirely fresh sheet.

In addition, the Iceberg approach to planning stories and campaigns is exceptional and it has some truly great advice on how to manage spotlight between players to make sure nobody is recommended. The publishers have also started to make other games based on this system but I do not believe there is an open license as of yet, so for now the only Written in the Mist games (yes, I just made that up) we're getting are going to com out of Son of Oak Games.

However, the mechanics are a bit intricate. In my opinion they are not over-designed or extraneous and move fluidly once you're used to them but they can take a bit of getting used to. Also, while it was originally a single book, the publisher found that it was too large a book to allow for efficient publishing so it was split into two books. This puts its financial buy-in at similar levels to Scion 2e. There are some supplements, Shadows and Showdowns is especially good providing new themebooks to use, but I believe most add setting elements, example cases, and example characters.

Somewhat high buy-in cost

Minimum two book requirement

Somewhat complex rules that do work well after a brief learning curve.

Excellent character development mechanics.

Such flavor.

Monster of the Week

Of the Powered by the Apocalypse games not created by the original designers of the system, Maguey and Vincent Baker, this is the game that most understands both the limits and strengths of the PbtA system. It is a very straightforward and simple systems that knows exactly what it is and what it is here to do. And this self-awareness has allowed it to grow in ways a lot of other PbtA games struggle to do so (without becoming something entirely different at least).

As long as a story fits within the framework of investigative action horror, Monster of the Week can do it. The playbooks represent story arcs for the character drawn from recognizable shows and books like Buffy the Vampire Slayer, Supernatural, Dresden Files, Evil Dead, Penny Dreadful, and even Scooby Doo.

The hunters are able and encouraged to borrow from other playbooks to fill out their personal character build and each move is also an element of the character's story.

To date, all of the supplements have been excellent, and I'm going to say that the new supplements co-authored by myself and Marek Golonka are set to fit that mold. Also, essentially, the supplements do not change the game to such a degree that they become absolutely necessary to playing the game the way some supplements have become in other's game (a certain witch's cauldron for instance). If the only book you own is the Monster of the Week corebook (I suggest the Hardcover edition as it includes some optional rules from Tome of Mysteries) you have everything you need for an excellent game.

I highly recommend each of the supplements but even once you have them, you won't always need Team playbooks and you won't always want to be playing in one of the other world settings of Codex of Worlds. If you get the Hardcover edition of the Corebook you'll already have a lot of the optional rules from Tome of Mysteries, but that book will still benefit you in the form of its more than 20 pre-made mysteries, several advice essays on running the game, and four hunter playbooks: The Searcher, The Hex, The Gumshoe, and The Pararomantic.

The downside of this game is that you're not always going to want to do investigative action horror as a game premise. If I want something that allows for slice of life, then Fate would be the best followed by Scion 2e and City of Mist. Similarly if I want the game to be more about supernatural politics than fighting monsters. The game CAN do politics and slice of life well, but once those become the central focus of a campaign you may want to switch to a different system.

Low to Average financial buy-in

Lots of support

Excellent supplements

Accessible rules

Really needs to be the specific genre of investigative action horror.

[gamemasterhelpline]

Game Master Helpline Temporary Intro Post!

I often find myself looking for advice with specific problems as a ttrpg game master and I find the scale of a subreddit can sometimes be overwhelming so I thought it might be nice to start a place on tumblr to submit questions for community advice from other GMs! I’m primarily expecting this to attract D&D 5e dungeon mastering questions but I didn’t want to limit it to any one system, especially since I am interested in learning about many more.

I’ll throw in my advice every now and then, but mainly I will post asks as a manner of sharing them with followers/tag viewers, etc. Feel free as well to send me or tag me in posts looking for advice so I can signal boost them!

The blog is a work-in-progress but I’ll be starting right away! Send asks/posts. For asks, I request you follow the guidelines below:

State up front what system you’re running in; don’t assume we’ll be able to infer and try to avoid abbreviations for anything potentially ambiguous/anything that isn’t extremely popular

State up front the category of advice you’re looking for (ex.: mechanic rulings, seeking resources or info, session prep)

Questions about table management are permitted, but try not to veer into specific interpersonal conflict questions/ttrpg “am I the asshole.”

Please reblog if you’re interested in giving and getting advice so we can build up a community!

Last but not least, I may pick up another mod at some point, so shoot me a DM if you’re interested!

–Beck (current solo mod of @gamemasterhelpline)

[theultrablog]

Starting now: PULP STORYTIME!

I’ve been running one of the best games of my life over the last few years. I’ve been writing them up over at SA, but that site is gated and I wanted to share those stories with a larger audience. I’m gonna be posting some tales of pulp adventure from my table, weekly. Enjoy!

The Park-North Snipe Hunt!

“You don’t have a piece,” laughed the gangster, “and now you won’t see your 14th birthday.” “Bang,” said Devika, pointing a finger gun. Kulfi obliged from a block away. The mook wouldn’t see the sunrise. In this game, we play a collection of pulp gentlemen thieves, grabbing & nabbing in 1930s New York. And an errant detail changed the course of the entire session. The session started with us trying to steal the Doomsday Clock, a pastiche of the Antikythera mechanism. Someone beat us to the punch, forcing us to investigate…which led us to the local Syndicate. While looting a safe in a mafia speakeasy, I decided to forge a note, taking credit, signed “the Gray Gargoyle”. Who’s that? Well, it’s a costumed adventurer who smashes crime, especially art crime! Total ass-pull, but it fit the setting. We didn’t think much more about it, until our adventures led us to an upstate airfield, where mafiosos were trying to smuggle the Clock out of the country. I spent a fate point to declare that they were already being stopped… by the Gray Gargoyle! Yes, he dove off the air control tower and with his Gliding Cape, intercepted the plane! We rescued him from airfield security, but we had a plan. Since we were gentlemen, it wouldn’t make sense to just kill the guy and take the artifact. After all, that’s not thievery, that’s mugging. So we engineered a plan where we gathered the mob boss who was after the artifact, killed him with a sniper rifle, and escaped in the confusion. Unfortunately, the Gargoyle didn’t take the bait and get himself killed in the fracas, instead watching our escape from the valet stand.

Running the circus from the monkey cage!

The campaign continues, with a rotating GM. This week and last, we were joined by Evelyn St. Cloud, insecure Circus Aerialist*. This week was a flashback featuring her and mystic orphan Devika Velyapur, trying to pull some scams at the Hagenbeck–Wallace circus. And while we prevented an accident, saved the circus and altered history, most notable were three things: —Evelyn only agreeing to help prevent a train crash because of Devika goading her, targeting her aspect “Anything you can do…”. —In order to chase the villain, we convinced the circus strongman to bend the frames of two penny farthings together to create an ersatz duo bicycle. —We discovered the villain of the adventure, Mabel Smith Douglass, was someone we met last week. And since this was a flashback, that limited our options. Highwire-walker Evie jumped onto the plane. But while she couldn’t open the door, all she could do was force a landing. And without a suitable escape route, there was no way to convince airport officials that the villain had stolen property. So after some fisticuffs, we swore revenge on someone who died at the end of last session. *There was a brief cameo by Smuggler ‘Typhoon’ Mike McGinty, but he had to leave after the first hour. He discovered a tiger sleeping on his boat and used his connections to try and sell it to a buyer in Canada.

For reference, Devika, Lord Simon, and Javid, our initial trio: