#Everyone is their canonical age

[poorly-drawn-mdzs]

The squad of all time has arrived on scene.

[chloerie]

(Okay, I’m changing the lore for Series of Unfortunate Events X Hamilton so here it is!)

A Series of Unfortunate Events X Hamilton shit

Okay, so, after the last episode of the TV series, they(The Baudelaire children) managed on their own for like a year or two and after those two years, the Baudelaire children + Katherine(What I call Kit’s daughter) were adopted by the Schuylers and they dyed their hair to look like their adopted parents and changed/switched(In the case of Anna Elizabeth Baudelaire who became Elizabeth Anna Schuyler-Hamilton)their names also the Quagmires were taken in by Philip Schuyler’s sister and did the same thing lol anyways characters and who they changed/became(Technically) their names too

Violet Baudelaire became: Angelica Schuyler-Church!

Anna Elizabeth Baudelaire became: Elizabeth Anna Schuyler-Hamilton!

Sunny Baudelaire became: Margarita “Peggy” Schuyler(Single bitch lol)

Katherine “Kit” Baudelaire became: Catharine Schuyler

Also Alexander is the second son of Count Olaf(First one is Uncle Monty) and his real name is Evan Olaf(In this AU lol) so he became: Alexander Hamilton(-Washington)

Oh, also James Hamilton SR is Count Olaf if you couldn’t tell James JR is Monty

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[knight-says-rollout]

“how would it work if Cybertronians had disabilities” “What if there were disabled Cybertronians”

THERE ARE

THERE ARE

loosing my mind at how some things that are So good can be So niche why can’t we just be a hivemind

Just one example, my favorite example, is:

Shattered Glass Soundwave!!!

He’s gone through Multiple reformats varying between with his consent and,,, not. The latest of which took place when they didn’t have many materials

So they used half earth metals half Cybertronian ones

As it turns out? Those two things don’t mix very well. His joints are Horrible. They lock up randomly, the worst of which being the door to his tape deck.

He physically isn’t able to dock his cassettes reliably because they might get stuck in there.

What does he do to fix this? So glad you asked!! He has his own assistive aids, in this case: a portable external carrying case

It was made and personalized to work specifically for him and his situation

I love him

[turtleblogatlast]

Headcanon that Leo really loved to give his family massages growing up. We know that he’s good at them from the episode “You Got Served” and we know he likes spas and relaxation and getting massages himself from when he tried to get these in “Bad Hair Day” and from when Donnie made a tennis ball massage machine in “Smart Lair.”

So I think it’d be cute to think that maybe one day Leo overheard Splinter complaining about a bad back and immediately Leo thinks back to a comic or movie or something he saw where a massage helped so he offers to give one and it actually ends up helping Splinter.

Then April swings by the Lair at a later time and mentions her back hurting because of her backpack from school and Leo’s all like “I gotcha!”

From there, he occasionally manages to convince Donnie to sit for one because Donnie’s shrimp posture does not help him any (Leo pokes fun at how sandpaper-y Donnie’s shell is despite knowing it’s always like that and Donnie smacks him for it.) Donnie usually prefers hand massages instead however as all his typing and inventing adds up over time, and shoulder massages too once he starts wearing his battle shells more. Leo also figures out how to give massages to Raph and Mikey’s shells as well, though it’s a struggle at first to not scratch his hands on Raph’s spikes.

I think since Leo has such bad luck with spas and the like, he tries giving himself massages (though it’s not as helpful.) Like, with how his abilities work his legs are probably always aching from his portal jumping and one foot landings, so maybe he branches past back massages out of a need to help his own aches too. (Though he really wants a shell massage himself, the same way he’d give them…the one time with Donnie’s tennis ball massage machine was but a short moment of what Leo’s been missing out on and what he’ll continue missing out on…)

I don’t know, I just think it’d be cute to think Leo could have honed his massaging skill this way in order to help out his family (and also partially because he wants a massage himself.)

[buggachat]

anyone want to hear a fun fact. ok. here i go

girls noticeably shorter than marinette: sabrina, alix, mylene, rose

girls basically the same height as marinette: chloe, alya, kagami, lila, zoe

outlier: juleka. who is noticeably very tall compared to all other girls her age (and also, i think, older?)

basically, if you split the female characters of the show into "shorter", "taller", and "juleka", marinette is one of the taller girls her age

[turrondeluxe]

[mioakem]

why is everyone on tiktok saying that ctommy was in his 20’s during the events of the dsmp? like…no, that literally defeats such an important aspect of his character…like his youth is so important to his character so him being 20 makes absolutely no sense

[bmpmp3]

finding out ur coworker is way older than you thought and having to very quickly reorient how you talk to them

[poorly-drawn-mdzs]

One last devastating blow

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[eri-pl]

A portrait from the days of bliss

There is a portrait of Feanáro with his three sons, painted very shortly after the Silmarils had been finished. Maedhros was an adult already, Maglor was what in human terms would be a teenager, and Celegorm was a toddler. (Nerdanel and Finwë were away, visiting friends for a couple weeks)

There is, of course, the version of it that up to this day hangs in Tirion, after being taken from the abandoned Formenos. The official, well-composed, well-behaved painting.

But there's also another version. For, you see, it was in fasion in those days, to paint portraits that looked spontanous, as if somehow capturing a moment, intimate and unplanned. They often were composed of many moments, many expressions of personality that occured during the painting.

In the painting, as it was planned by Feanor, he is in the back, towering over his sons (Maedhros isn't much taller than his father, but isn't much shorter either, so a step was used to achieve the composition. The room is dark, but obove the prince there is a window, letting in the bright radiance of Laurelin, so that Feanor is in parts bright like a flame, and in parts covered in deep shadows. This is true for both paintings.

But in the unknown portrait his face is angry, captured mid-sentence as he was probably berating his sons.

Only Maedhros is well-behaved, standing calm in the front-center with his left hand at Maglor's arm (assuredly? threateningly?). The truesilver circlet bearing the gem (all three have such circlets) sits properly on his head, and his hair is well-braided, tied high with a crimson ribbon (who made it?), braids falling like lava a cascade from the top of his hair. The only spontaneity here is his right hand raised to fix the hair, the ribbon caught by a gust of wind, raised up, twirling at his wrist, messy and breaking the composition, the other end of it falling on his forehead, dying the light of the Silmaril red.

Maglor is standing there turned half to the side, rolling his eyes and clearly unhappy to be in the portrait. His hair is a wavy mess, half-braided, falling onto the circlet so that the light piercing through is dark, almost greenish even though his hair is dark brown.

Little Tyelco has a bird in his hand (how did he get a songbird into the portrait without his father noticing is not known), had the circlet in his other hand and very clearly tried to eath both, but at the moment captured by the painter the bird has just pecked him, the circlet is falling down (with droplets of saliva sparkling in the air) and Tyelco has the peculiar expression of a child that is just about to cry.

The other portrait shows them all standing proud and smiling and, to be honest, this is what they did for most of the time (first tyelco got pecked, some time after Maglor got visibly bored, and their father started berating him for complaining)

There is a portrait of Feanáro with his three sons, painted very shortly after the Silmarils had been completed, by a painter who had, to be honest, more foresight than manners. But not many have ever seen it.

[cartoonartistpng]

(Old post)

If Sonic and co. are aged down in the Classic games then…

[s0fter-sin]

09 soapghost au, ghost was a member of soap’s unit before roba and they were together until he was taken. when he comes back and takes up the ghost mantle, simon riley is declared KIA and the hope that soap had let kindle in his heart that he’d come back to him dies. he throws himself into training, into becoming captain so he won’t let down another soldier the way he let simon down

then he recruits ghost to the 141 and ghost sees how much he’s changed, how much harder he is; slow to smile, never relaxing and he realises how much he fucked up by never reaching out. he’d thought he’d be better off without him, without the shell of the man he used to love but he’d done nothing but hurt him

after the close call with shepherd, soap wants to get right back into it, wants to hunt makarov down for almost getting his sergeant and lieutenant killed and ghost is yelling at him to just take it easy and heal first when soap snaps back, “i can’t lose anyone else! not again!” and ghost just rips his balaclava off, showing his face for the first time in years…

and soap says nothing. he just looks at him, completely unreadable. ghost clenches the balaclava in his hand, waiting for anything; even injured, soap can still pack a mean punch and he’s waiting for it, almost hoping for it… but he still does nothing. just stares

“well? c’mon!” he growls, stalking in closer. “let me have it! tell me how pissed you are! that i left you alone! that i ruined you the moment i touched you! that you regret ever fucking looking at me! scream, shout, say something!” until he’s leaning over soap’s chair, chest heaving

soap’s hand lifts and ghost can’t help his flinch before planting himself, ready to be struck, longing for it, to be punished the way he punishes himself-

soap’s hand gently cups his cheek and he freezes, breath catching as his thumb caresses the snake bite scars on his lip; feather-light and reverent. just like he used to

“you’re as beautiful as the day i lost you”

[beskarfrog]

our honeymoon, our honeymoon

just really obsessed with the idea of luke having the worst day ever (aside from all of his interaction with vader lol)

luke hates his coruscant apartment, he hates the city in general, he's had to separate the jedi order from the new republic for various reasons (add in a fight with leia for extra angst) and he's being vilified by the same people who used to prop him up as the poster boy for the new republic

luke is beyond exhausted and then he's coming back home to his weird little family and just crying bc he's so relieved to see them

not pictured: all the kids jumping on luke the minute they realize he's home

also very obsessed with honeymoon by lana del rey rn, its got dinluke vibes in my brain, so i will probably do a few more arts of them based on the lyrics

[dukeofthomas]

I'm so mad that so far the only good robin!jason content i've ever found is his original run. Everything i've seen since has just been making him out to be the Angry Bad Problem Child and victim blaming him for dying. How is it that the only fucking good characterization of him is 20 issues from the 1980s